Preserved Interviews from the Claude Lanzmann Shoah Collection
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Holocaust/Shoah the Organization of the Jewish Refugees in Italy Holocaust Commemoration in Present-Day Poland
NOW AVAILABLE remembrance a n d s o l i d a r i t y Holocaust/Shoah The Organization of the Jewish Refugees in Italy Holocaust Commemoration in Present-day Poland in 20 th century european history Ways of Survival as Revealed in the Files EUROPEAN REMEMBRANCE of the Ghetto Courts and Police in Lithuania – LECTURES, DISCUSSIONS, remembrance COMMENTARIES, 2012–16 and solidarity in 20 th This publication features the century most significant texts from the european annual European Remembrance history Symposium (2012–16) – one of the main events organized by the European Network Remembrance and Solidarity in Gdańsk, Berlin, Prague, Vienna and Budapest. The 2017 issue symposium entitled ‘Violence in number the 20th-century European history: educating, commemorating, 5 – december documenting’ will take place in Brussels. Lectures presented there will be included in the next Studies issue. 2016 Read Remembrance and Solidarity Studies online: enrs.eu/studies number 5 www.enrs.eu ISSUE NUMBER 5 DECEMBER 2016 REMEMBRANCE AND SOLIDARITY STUDIES IN 20TH CENTURY EUROPEAN HISTORY EDITED BY Dan Michman and Matthias Weber EDITORIAL BOARD ISSUE EDITORS: Prof. Dan Michman Prof. Matthias Weber EDITORS: Dr Florin Abraham, Romania Dr Árpád Hornják, Hungary Dr Pavol Jakubčin, Slovakia Prof. Padraic Kenney, USA Dr Réka Földváryné Kiss, Hungary Dr Ondrej Krajňák, Slovakia Prof. Róbert Letz, Slovakia Prof. Jan Rydel, Poland Prof. Martin Schulze Wessel, Germany EDITORIAL COORDINATOR: Ewelina Pękała REMEMBRANCE AND SOLIDARITY STUDIES IN 20TH CENTURY EUROPEAN HISTORY PUBLISHER: European Network Remembrance and Solidarity ul. Wiejska 17/3, 00–480 Warszawa, Poland www.enrs.eu, [email protected] COPY-EDITING AND PROOFREADING: Caroline Brooke Johnson PROOFREADING: Ramon Shindler TYPESETTING: Marcin Kiedio GRAPHIC DESIGN: Katarzyna Erbel COVER DESIGN: © European Network Remembrance and Solidarity 2016 All rights reserved ISSN: 2084–3518 Circulation: 500 copies Funded by the Federal Government Commissioner for Culture and the Media upon a Decision of the German Bundestag. -
Evidence of Jewish Escapees from the Ninth Fort in Kovno on the Burning of the Bodies
Evidence of Jewish Escapees From the Ninth Fort in Kovno on the Burning of the Bodies Protocol, Kovno, December 26, 1943 We, the undersigned, a group of prisoners from the Ninth Fort, who escaped from there during the night from the 25th to the 26th of December of this year, consisting of: J.L. Vaslenitzki [Vasilenko], A. Diskant, A. Faitelson, M. Gelbtrunk, P. Krakinowski, M. Daitz, A. Wilenczuk, T. Pilownik, Gempel, Sh. Idelson, and A. Menaiski have put together this protocol regarding the following: 1. In the period of the years 1941-42, the area of the Ninth Fort was used by the German Command to carry out mass shootings. 2. In order to conceal this crime, the German Command, in the person of the Commander of the Kovno Gestapo, arranged for the re-opening of all the graves where the victims of the executions had been buried and set about burning the bodies. 3. In order to carry out this work the Gestapo collected 72 persons at the Ninth Fort at the end of October and beginning of November of this year. These were 34 Soviet prisoners of war, 14 Jewish partisans, 3 local Russians, caught while carrying out sabotage, 4 women -- 3 of them Jewish, one Polish - - and 17 Jews from the Kovno ghetto. 4. The work was organized in such a fashion that the surrounding population should not find out anything about it, and in fact that nobody should know what was being done in the area of the Ninth Fort. Notices were put up everywhere at a distance of 2 kms. -
Supplemental Assets – Lesson 6
Supplemental Assets – Lesson 6 The following resources are from the archives at Yad Vashem and can be used to supplement Lesson 6, Jewish Resistance, in Echoes and Reflections. In this lesson, you learn about the many forms of Jewish resistance efforts during the Holocaust. You also consider the risks of resisting Nazi domination. For more information on Jewish resistance efforts during the Holocaust click on the following links: • Resistance efforts in the Vilna ghetto • Resistance efforts in the Kovno ghetto • Armed resistance in the Sobibor camp • Resistance efforts in Auschwitz-Birkenau • Organized resistance efforts in the Krakow ghetto: Cracow (encyclopedia) • Mordechai Anielewicz • Marek Edelman • Zvia Lubetkin • Rosa Robota • Hannah Szenes In this lesson, you meet Helen Fagin. Learn more about Helen's family members who perished during the Holocaust by clicking on the pages of testimony identified with a . For more information about Jan Karski, click here. In this lesson, you meet Vladka Meed. Learn more about Vladka's family members who perished during the Holocaust by clicking on the pages of testimony identified by a . Key Words • The "Final Solution" • Jewish Fighting Organization, Warsaw (Z.O.B.) • Oneg Shabbat • Partisans • Resistance, Jewish • Sonderkommando Encyclopedia • Jewish Military Union, Warsaw (ZZW) • Kiddush Ha-Hayim • Kiddush Ha-Shem • Korczak, Janusz • Kovner, Abba • Holocaust Diaries • Pechersky, Alexandr • Ringelblum, Emanuel • Sonderkommando • United Partisan Organization, Vilna • Warsaw Ghetto Uprising • -
Collaboration and Resistance—The Ninth Fort As a Test Case
Aya Ben-Naftali Director, Massuah Institute for the Study of the Holocaust Collaboration and Resistance: The Ninth Fort as a Test Case The Ninth Fort is one of a chain of nine forts surrounding the city of Kovno, Lithuania. In connection with the Holocaust, this location, like Ponary, Babi Yar, and Rumbula, marks the first stage of the Final Solution—the annihilation of the Jewish people. The history of this site of mass slaughtering is an extreme case of the Lithuanians’ deep involvement in the systematic extermination of the Jews, as well as an extraordinary case of resistance by prisoners there. 1. Designation of the Ninth Fort as a Major Killing Site The forts surrounding Kovno were constructed between 1887 and 1910 to protect the city from German invasion. The Ninth Fort, six kilometers northwest of the city, was considered the most important of them. In the independent Republic of Lithuania, it served as an annex of the central prison of Kovno and had a capacity of 250 prisoners. Adjacent to the fort was a state-owned farm of eighty-one hectares, where the prisoners were forced to work the fields and dig peat.1 The Ninth Fort was chosen as the main regional execution site in advance. Its proximity to the suburb of Vilijampole (Slobodka), where the Kovno ghetto had been established, was apparently the main reason. In his final report on the extermination of Lithuanian Jews, Karl Jäger, commander of Einsatzkommando 3 and the Security Police and SD in Lithuania, noted the factors that informed his choice of killing sites (Exekutionsplatze): …The carrying out of such Aktionen is first of all an organizational problem. -
The Bosnian Case: Art, History and Memory
The Bosnian Case: Art, History and Memory Elmedin Žunić ORCID ID: 0000-0003-3694-7098 Submitted in partial fulfilment of the requirements of the degree of Doctor of Philosophy The University of Melbourne Faculty of Fine Arts and Music July 2018 Abstract The Bosnian Case: Art, History and Memory concerns the representation of historic and traumatogenic events in art through the specific case of the war in Bosnia 1992-1995. The research investigates an aftermath articulated through the Freudian concept of Nachträglichkeit, rebounding on the nature of representation in the art as always in the space of an "afterness". The ability to represent an originary traumatic scenario has been questioned in the theoretics surrounding this concept. Through The Bosnian Case and its art historical precedents, the research challenges this line of thinking, identifying, including through fieldwork in Bosnia in 2016, the continuation of the war in a war of images. iii Declaration This is to certify that: This dissertation comprises only my original work towards the PhD except where indicated. Due acknowledgement has been made in the text to all other material used. This dissertation is approximately 40,000 words in length, exclusive of figures, references and appendices. Signature: Elmedin Žunić, July 2018 iv Acknowledgements First and foremost, my sincere thanks to my supervisors Dr Bernhard Sachs and Ms Lou Hubbard. I thank them for their guidance and immense patience over the past four years. I also extend my sincere gratitude to Professor Barbara Bolt for her insightful comments and trust. I thank my fellow candidates and staff at VCA for stimulating discussions and support. -
Analyzing Processes of Knowledge Production
Beyond the Memory: the Era of Witnessing – Analyzing Processes of Knowledge Production and Memorialization of the Holocaust through the Concepts of Translocal Assemblage and Witness Creation by Myriam Bettina Gerber B.A., University of Victoria, 2008 A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS in Interdisciplinary Studies © Myriam Bettina Gerber, 2016 University of Victoria All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. Beyond the Memory: the Era of Witnessing – Analyzing Processes of Knowledge Production and Memorialization of the Holocaust through the Concepts of Translocal Assemblage and Witness Creation by Myriam Bettina Gerber B.A., University of Victoria, 2008 Supervisory Committee Dr. Alexandrine Boudreault-Fournier, Supervisor (Department of Anthropology) Dr. Charlotte Schallie, Co-Supervisor (Department of Germanic Studies) i | P a g e Supervisory Committee Dr. Alexandrine Boudreault-Fournier, Supervisor (Department of Anthropology) Dr. Charlotte Schallie, Co-Supervisor (Department of Germanic Studies) Abstract This paper considers the symbiotic relationship between iconic visual representations of the Holocaust – specifically film and Holocaust sites – and processes of Holocaust memorialization. In conjunction, specific sites and objects related to the Holocaust have become icons. I suggest that specific Holocaust sites as well as Holocaust films can be perceived as elements of one and/or multiple translocal assemblage/s. My focus in this analysis is on the role of knowledge production and witness creation in Holocaust memorialization. It is not my intention to diminish the role of Holocaust memorialization; rather, I seek to look beyond representational aspects, and consider the processual relationships involved in the commemoration of the Holocaust in institutions, such as memorial sites and museums, as well as through elements of popular culture, such as films. -
Debating the Literary and Filmic Memory of Jan Karski
Loyola University Chicago Loyola eCommons Jan Karski Conference 9-2014 Debating the Literary and Filmic Memory of Jan Karski Sue Vice University of Sheffield, [email protected] Follow this and additional works at: https://ecommons.luc.edu/jankarski Part of the History Commons Recommended Citation Vice, Sue. Karski’s testimony on the Holocaust: story of a secret state, shoah, and the Karski report. Presented at the Jan Karski Memory and Responsibility Conference, September 20, 2014. This Presentation is brought to you for free and open access by Loyola eCommons. It has been accepted for inclusion in Jan Karski Conference by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. © 2014 Sue Vice. Jan Karski has been the subject of historical and memorial inquiry, as we have heard so far in this conference. He has also been the subject of different kinds of literary and visual representation, such as documentary film and television, and fiction of various kinds, including a graphic novel. I will discuss the different uses and interpretations made of the figure of Karski in these varied genres, as well as the conflicts that occur, sometimes explicitly, between them. I will start with an example of such a clash of interpretations, that between the director Claude Lanzmann and the writer Yannick Haenel. In 2009, Haenel published his novel Jan Karski, a fictionalized vision of the wartime envoy. His novel relies on Lanzmann’s interview with Karski in Shoah, and Karski’s own writings in Story of a Secret State. -
Study Guide REFUGE
A Guide for Educators to the Film REFUGE: Stories of the Selfhelp Home Prepared by Dr. Elliot Lefkovitz This publication was generously funded by the Selfhelp Foundation. © 2013 Bensinger Global Media. All rights reserved. 1 Table of Contents Acknowledgements p. i Introduction to the study guide pp. ii-v Horst Abraham’s story Introduction-Kristallnacht pp. 1-8 Sought Learning Objectives and Key Questions pp. 8-9 Learning Activities pp. 9-10 Enrichment Activities Focusing on Kristallnacht pp. 11-18 Enrichment Activities Focusing on the Response of the Outside World pp. 18-24 and the Shanghai Ghetto Horst Abraham’s Timeline pp. 24-32 Maps-German and Austrian Refugees in Shanghai p. 32 Marietta Ryba’s Story Introduction-The Kindertransport pp. 33-39 Sought Learning Objectives and Key Questions p. 39 Learning Activities pp. 39-40 Enrichment Activities Focusing on Sir Nicholas Winton, Other Holocaust pp. 41-46 Rescuers and Rescue Efforts During the Holocaust Marietta Ryba’s Timeline pp. 46-49 Maps-Kindertransport travel routes p. 49 2 Hannah Messinger’s Story Introduction-Theresienstadt pp. 50-58 Sought Learning Objectives and Key Questions pp. 58-59 Learning Activities pp. 59-62 Enrichment Activities Focusing on The Holocaust in Czechoslovakia pp. 62-64 Hannah Messinger’s Timeline pp. 65-68 Maps-The Holocaust in Bohemia and Moravia p. 68 Edith Stern’s Story Introduction-Auschwitz pp. 69-77 Sought Learning Objectives and Key Questions p. 77 Learning Activities pp. 78-80 Enrichment Activities Focusing on Theresienstadt pp. 80-83 Enrichment Activities Focusing on Auschwitz pp. 83-86 Edith Stern’s Timeline pp. -
How the Jewish Police in the Kovno Ghetto Saw Itself
How the Jewish Police in the Kovno Ghetto Saw Itself Dov Levin This article represents the first English-language publication of selections from a unique document written in Yiddish by the Jewish police of the Kovno (Kaunas) ghetto in Lithuania. The introduction describes briefly the history of the Kovno ghetto and sheds light on the document’s main elements; above all, those involving the Jewish police in the ghetto. As the historiography of the Holocaust includes extensive research, eyewitness accounts, photographs, and documents of all kinds, this introduction is intended to provide background material only, as an aid in the reading of the following excerpts. The document was composed over many months at the height of the Holocaust period in the Kovno ghetto. It focuses primarily on the key sector of the ghetto’s internal authority – the Jewish police. The official name of the police was Jüdische Ghetto-Polizei in Wiliampole (“Jewish Ghetto Police in Vilijampole”), and, in the nature of things, since the Holocaust, this body has become practically synonymous with collaboration with the occupying forces. Ostensibly a chronicle of police activities during the ghetto period, the document in fact reflects an attempt by the Jewish police at self-examination and substantive commentary as the events unfolded. The History of the Ghetto1 On June 24, 1941, the third day of the invasion of the Soviet Union by Nazi Germany, Kovno (Kaunas), Lithuania’s second largest city, famed as an important cultural and spiritual center, 1 The primary sources for this chapter are: Leib Garfunkel, The Destruction of Kovno’s Jewry (Hebrew) (Jerusalem: Yad Vashem, 1959); Josef Gar, The Destruction of Jewish Kovno (Yiddish) (Munich: Association of Lithuanian Jews in the American Zone in Germany, 1948); Josef Rosin, “Kovno,” Pinkas Hakehillot: Encyclopedia of Jewish Communities – Lithuania (Hebrew), Dov Levin, ed. -
The Gas Chamber of Sherlock Holmes
The Gas Chamber of Sherlock Holmes An Attempt at a Literary Analysis of the Holocaust Gassing Claim by Samuel Crowell 1999 CODOH PDF by AAARGH Editions on Internet 2005 Samuel CROWELL : The Gas Chambers of Sherlock Holmes "In Memoriam!" Dec 22, 1997: Revised Jan 10, 1999 Analytical Table of Contents Introduction The First Reports German Disinfection Procedures The First Reports from Auschwitz and Majdanek The Eastern Camps, Polevoi's Report, and the Gerstein Statement The Canonical Holocaust The Nuremberg Trials The Confessions of Rudolf Höß Interpreting Documents and the Postwar Literature Retrofitting the Euthanasia Campaign The Fear of Cremation and Poison Gas German Civil Defense Civil Defense in the Concentration Camps Pressac's "Criminal Traces" The Gas Chamber of Sherlock Holmes Conclusions NOTES — 2 — Samuel CROWELL : The Gas Chambers of Sherlock Holmes 1. Introduction A COMMON BELIEF is that in World War Two the National Socialist government of Germany carried out a secret policy of mass exterminations, chiefly using extermination gas chambers. The policy is said to have been ordered by Adolf Hitler, and involved the gassing of millions of human beings, who subsequently were burned either in crematoria or in huge pits so that scarcely a trace of their bodies remained. The claim of mass gas extermination has been questioned ever since the late 1940's, but only by a few people, and very much on the fringe of public discourse.2 In the early 1970's several new critics of the gas extermination claim emerged, and over the past two decades they have been joined by many others, so that now there are at least several dozen who have written on the subject.3 These researchers consider themselves heir to the tradition of those historians who sought in the 1920's to revise, and de-politicize, our understanding of the First World War, and so consider themselves historical revisionists. -
Story of Jan Karski the EMISSARY
THE EMISSARY Maciej Kozłowski THE EMISSARY Story of Jan Karski English translation Joanna Maria Kwiatowska Foreword Jan Karski was a messenger. During the Second World War, he risked his life infiltrating the Warsaw Ghetto and crossing occupied Europe to carry news of the Holocaust to the free world; news of such suffering and atrocity that many refused to believe it. He was also a messenger throughout his 50 years as an American, bringing to us messages about freedom based on his experience in wartime Poland; messages that he delivered to generations of students seeking to understand the world of international affairs. Jan Karski was brave; he was resolute; and he demanded of us what he demanded of himself: that we face with clarity the existence of injustice and evil in the world and act with courage to defeat them. Above all, his message was that freedom must be defended. His personal courage and commitment gave weight to his convictions, and his understanding of the world gave depth to the personal history he embodied. Those who knew Jan Karski will never forget him; and his message will continue to light the path of freedom-loving peoples throughout the years to come. No one could ask for a finer legacy. Bill Clinton 5 A photograph of Jan Karski taken from a poster advertising one of his lectures about the Holocaust, May 1982 July 28th, 1943, 10:15 a.m. Pennsylvania Avenue, Washington, D.C. The limousine of Jan Ciechanowski, Polish Ambassador to the United States, arrives inJ front of the White House. -
[email protected] S: I
01/2019 S: I. M. O. N. SHOAH: INTERVENTION. METHODS. DOCUMENTATION. S:I.M.O.N. – Shoah: Intervention. Methods. DocumentatiON. ISSN 2408-9192 Issue 2019/1 DOI: 10.23777/SN.0119 http://doi.org/c5tz Board of Editors of VWI’s International Academic Advisory Board: Peter Black/Robert Knight/Irina Sherbakova Editors: Éva Kovács/Béla Rásky/Marianne Windsperger Webmaster: Bálint Kovács Layout of PDF: Hans Ljung S:I.M.O.N. is the semi-annual e-journal of the Vienna Wiesenthal Institute for Holocaust Studies (VWI) in English and German. The Vienna Wiesenthal Institute for Holocaust Studies (VWI) is funded by: S:I.M.O.N. operates under the Creative Commons Licence CC-BY-NC-ND (Attribution-Non Commercial-No Derivatives). This allows for the reproduction of all articles, free of charge, for non-commercial use, and with appropriate citation information. Authors publishing with S:I.M.O.N. should accept these as the terms of publication. The copyright of all articles remains with the author of the article. The copyright of the layout and design of articles published in S:I.M.O.N. remains with S:I.M.O.N. and may not be used in any other publications. Contact: [email protected] S: I. M. O. N. SHOAH: I NTERVENTION. M ETHODS. DOCUMENTATION. TABLE OF CONTENTS ARTICLES Jacqueline Vansant „Bitte vergeßt nicht, alle Briefe gut aufzuheben“ 4 Shared Agency in einem Briefwechsel österreichisch-jüdischer Schüler in der Emigration Judith Szapor Between Self-Defence and Loyalty 21 Jewish Responses to the Numerus Clausus Law in Hungary, 1920–1928 Gergely Kunt An Open Secret? 35 The Dissemination and Reception of News about Auschwitz in Hungary in 1944 Elisabeth Weber “By the Country and within the Country” 52 The Union of Native Jews and its Struggle for Emancipation in Romania before the First World War SWL-READER Carolyn J.