Early Anthropogenic Use of Hematite on Aurignacian Ivory Personal
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An Early Modern Human from the Pes¸Tera Cu Oase, Romania
An early modern human from the Pes¸tera cu Oase, Romania Erik Trinkaus*†, Oana Moldovan‡,S¸ tefan Milota§, Adrian Bıˆlga˘r¶, Laurent¸iu Sarcina§, Sheela Athreyaʈ, Shara E. Bailey**, Ricardo Rodrigo††, Gherase Mircea§, Thomas Higham‡‡, Christopher Bronk Ramsey‡‡, and Johannes van der Plicht§§ *Department of Anthropology, Campus Box 1114, Washington University, St. Louis, MO 63130; ‡Institutul de Speologie ‘‘Emil Racovit¸a˘ ,’’ Clinicilor 5, P.O. Box 58, 3400 Cluj, Romania; §Pro Acva Grup, Strada˘Surduc 1, 1900 Timis¸oara, Romania; ¶Strada˘Decebal 1, 1500 Drobeta Turnu Severin, Romania; ʈDepartment of Anthropology, Texas A&M University, College Station TX 77843; **Department of Anthropology, George Washington University, 2110 G Street, Washington, DC 20052; ††Centro Nacional da Arqueologia Na´utica e Subaqua´tica, Instituto Portugueˆs de Arqueologia, Avenida da India 136, 1300 Lisboa, Portugal; ‡‡Research Laboratory for Archaeology and the History of Art, University of Oxford, 6 Keble Road, Oxford OX1 3QJ, United Kingdom; and §§Centrum voor Isotopen Onderzoek, Rijksuniversiteit Groningen, Nijenborgh 4, 9747 AG Groningen, The Netherlands Contributed by Erik Trinkaus, August 8, 2003 The 2002 discovery of a robust modern human mandible in the Pes¸tera cu Oase, southwestern Romania, provides evidence of early modern humans in the lower Danubian Corridor. Directly accelerator mass spectrometry radiocarbon (14C)-dated to 34,000– 36,000 14C years B.P., the Oase 1 mandible is the oldest definite early modern human specimen in Europe and provides perspec- tives on the emergence and evolution of early modern humans in the northwestern Old World. The moderately long Oase 1 mandi- ble exhibits a prominent tuber symphyseos and overall proportions that place it close to earlier Upper Paleolithic European specimens. -
5 Years on Ice Age Europe Network Celebrates – Page 5
network of heritage sites Magazine Issue 2 aPriL 2018 neanderthal rock art Latest research from spanish caves – page 6 Underground theatre British cave balances performances with conservation – page 16 Caves with ice age art get UnesCo Label germany’s swabian Jura awarded world heritage status – page 40 5 Years On ice age europe network celebrates – page 5 tewww.ice-age-europe.euLLING the STORY of iCe AGE PeoPLe in eUROPe anD eXPL ORING PLEISTOCene CULtURAL HERITAGE IntrOductIOn network of heritage sites welcome to the second edition of the ice age europe magazine! Ice Age europe Magazine – issue 2/2018 issn 25684353 after the successful launch last year we are happy to present editorial board the new issue, which is again brimming with exciting contri katrin hieke, gerdChristian weniger, nick Powe butions. the magazine showcases the many activities taking Publication editing place in research and conservation, exhibition, education and katrin hieke communication at each of the ice age europe member sites. Layout and design Brightsea Creative, exeter, Uk; in addition, we are pleased to present two special guest Beate tebartz grafik Design, Düsseldorf, germany contributions: the first by Paul Pettitt, University of Durham, cover photo gives a brief overview of a groundbreaking discovery, which fashionable little sapiens © fumane Cave proved in february 2018 that the neanderthals were the first Inside front cover photo cave artists before modern humans. the second by nuria sanz, water bird – hohle fels © urmu, director of UnesCo in Mexico and general coordi nator of the Photo: burkert ideenreich heaDs programme, reports on the new initiative for a serial transnational nomination of neanderthal sites as world heritage, for which this network laid the foundation. -
Bibliography
Bibliography Many books were read and researched in the compilation of Binford, L. R, 1983, Working at Archaeology. Academic Press, The Encyclopedic Dictionary of Archaeology: New York. Binford, L. R, and Binford, S. R (eds.), 1968, New Perspectives in American Museum of Natural History, 1993, The First Humans. Archaeology. Aldine, Chicago. HarperSanFrancisco, San Francisco. Braidwood, R 1.,1960, Archaeologists and What They Do. Franklin American Museum of Natural History, 1993, People of the Stone Watts, New York. Age. HarperSanFrancisco, San Francisco. Branigan, Keith (ed.), 1982, The Atlas ofArchaeology. St. Martin's, American Museum of Natural History, 1994, New World and Pacific New York. Civilizations. HarperSanFrancisco, San Francisco. Bray, w., and Tump, D., 1972, Penguin Dictionary ofArchaeology. American Museum of Natural History, 1994, Old World Civiliza Penguin, New York. tions. HarperSanFrancisco, San Francisco. Brennan, L., 1973, Beginner's Guide to Archaeology. Stackpole Ashmore, w., and Sharer, R. J., 1988, Discovering Our Past: A Brief Books, Harrisburg, PA. Introduction to Archaeology. Mayfield, Mountain View, CA. Broderick, M., and Morton, A. A., 1924, A Concise Dictionary of Atkinson, R J. C., 1985, Field Archaeology, 2d ed. Hyperion, New Egyptian Archaeology. Ares Publishers, Chicago. York. Brothwell, D., 1963, Digging Up Bones: The Excavation, Treatment Bacon, E. (ed.), 1976, The Great Archaeologists. Bobbs-Merrill, and Study ofHuman Skeletal Remains. British Museum, London. New York. Brothwell, D., and Higgs, E. (eds.), 1969, Science in Archaeology, Bahn, P., 1993, Collins Dictionary of Archaeology. ABC-CLIO, 2d ed. Thames and Hudson, London. Santa Barbara, CA. Budge, E. A. Wallis, 1929, The Rosetta Stone. Dover, New York. Bahn, P. -
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24 Old Nessebar Tour GC2D1MG by kreo_74 16 Bulgaria Gold TB Hotel GC1GCED by IceFireForce 10 The Abandoned Sea Train Tunnel GC1JDRJ by Nord Wolf / Maintained by IceFireForce 9 Orthodox Mesembria GCXTJD by Islandia Geomatics 8 Top of the Balkans GCQXY4 by freddy 6 Bobby's cache GC1RH4D by bibobg 5 Emona GC1N8P7 by tsetsoradev, Mimi, Kami 5 Cherven Fortress GCZRJW by DarinD and Marcus in Kerry 4 Krushuna Waterfalls GC30R0K by anticuss 4 Krushuna Waterfalls #3 GC30P50 by anticuss & dkgsoft 4 The Balkan Mountains - Cape Emine GC2H2DW by ArnorsErbe 4 Ivanovo Rock Churches GC1YKTB by dkgsoft 4 One afternoon with science GC1QN8C by ludd42 4 Kaliakra Cape GC1MY36 by Tsetsoradev, Mimi, Kami 4 Pirin - Koncheto (The Horse) GC1G3K6 by Veni & Emil 4 Night in the Woods GC1CA2A by Stanislav 3 Creative #1 GC30JWH by anticuss 3 Suhi pech GC2TWH1 by bobi_4 3 The oldest tree in Bulgaria GC2EPGD by jen0andy 3 The Tramways of Sofia GC1FJYJ by IceFireForce 3 Yaila_artcache GC1F2M5 by xoxama 3 The Devetashka Cave GC1C0PY by IceFireForce & Alma 3 Bansko Cache GC17PNC by UMa & Umi 3 Cherni Vrah GCW17J by stm 2 Sveti Vlas - Stara Planina GC31J2T by Hedia 2 Krushuna Waterfalls #2 GC30P4H by anticuss & dkgsoft 2 Sunny beach sand dunes GC304KE by MatoBo 2 Ruse Mystery #5 - Mega Mall Ruse GC2ZAX by anticuss 2 Sv. Konstantin i Elena GC2MYPD by v44 2 Starosel Tracian Cult Complex GC2JDBG by mollov 2 Regina Maria GC2B1VA by amretired 2 Stoilovo waterfall GC28A66 by didorama , tedirama 2 Kukerite GC27GAZ by uzo with kamen_benz and sas 2 Reserve Ropotamo GC264HD by didorama -
Dating Aurignacian Rock Art in Altxerri B Cave (Northern Spain)
Journal of Human Evolution 65 (2013) 457e464 Contents lists available at ScienceDirect Journal of Human Evolution journal homepage: www.elsevier.com/locate/jhevol Not only Chauvet: Dating Aurignacian rock art in Altxerri B Cave (northern Spain) C. González-Sainz a, A. Ruiz-Redondo a,*, D. Garate-Maidagan b, E. Iriarte-Avilés c a Instituto Internacional de Investigaciones Prehistóricas de Cantabria (IIIPC), Avenida de los Castros s/n, 39005 Santander, Spain b CREAP Cartailhac-TRACES-UMR 5608, University de Toulouse-Le Mirail, 5 allées Antonio Machado, 31058 Toulouse Cedex 9, France c Laboratorio de Evolución Humana, Dpto. CC. Históricas y Geografía, University de Burgos, Plaza de Misael Bañuelos s/n, Edificio IþDþi, 09001 Burgos, Spain article info abstract Article history: The discovery and first dates of the paintings in Grotte Chauvet provoked a new debate on the origin and Received 29 May 2013 characteristics of the first figurative Palaeolithic art. Since then, other art ensembles in France and Italy Accepted 2 August 2013 (Aldène, Fumane, Arcy-sur-Cure and Castanet) have enlarged our knowledge of graphic activity in the early Available online 3 September 2013 Upper Palaeolithic. This paper presents a chronological assessment of the Palaeolithic parietal ensemble in Altxerri B (northern Spain). When the study began in 2011, one of our main objectives was to determine the Keywords: age of this pictorial phase in the cave. Archaeological, geological and stylistic evidence, together with Upper Palaeolithic radiometric dates, suggest an Aurignacian chronology for this art. The ensemble in Altxerri B can therefore Radiocarbon dating Cantabrian region be added to the small but growing number of sites dated in this period, corroborating the hypothesis of fi Cave painting more complex and varied gurative art than had been supposed in the early Upper Palaeolithic. -
A B S T Ra C T S O F T H E O Ra L and Poster Presentations
Abstracts of the oral and poster presentations (in alphabetic order) see Addenda, p. 271 11th ICAZ International Conference. Paris, 23-28 August 2010 81 82 11th ICAZ International Conference. Paris, 23-28 August 2010 ABRAMS Grégory1, BONJEAN ABUHELALEH Bellal1, AL NAHAR Maysoon2, Dominique1, Di Modica Kévin1 & PATOU- BERRUTI Gabriele Luigi Francesco, MATHIS Marylène2 CANCELLIERI Emanuele1 & THUN 1, Centre de recherches de la grotte Scladina, 339D Rue Fond des Vaux, 5300 Andenne, HOHENSTEIN Ursula1 Belgique, [email protected]; [email protected] ; [email protected] 2, Institut de Paléontologie Humaine, Département Préhistoire du Muséum National d’Histoire 1, Department of Biology and Evolution, University of Ferrara, Corso Ercole I d’Este 32, Ferrara Naturelle, 1 Rue René Panhard, 75013 Paris, France, [email protected] (FE: 44100), Italy, [email protected] 2, Department of Archaeology, University of Jordan. Amman 11942 Jordan, maysnahar@gmail. com Les os brûlés de l’ensemble sédimentaire 1A de Scladina (Andenne, Belgique) : apports naturels ou restes de foyer Study of Bone artefacts and use techniques from the Neo- néandertalien ? lithic Jordanian site; Tell Abu Suwwan (PPNB-PN) L’ensemble sédimentaire 1A de la grotte Scladina, daté par 14C entre In this paper we would like to present the experimental study car- 40 et 37.000 B.P., recèle les traces d’une occupation par les Néan- ried out in order to reproduce the bone artifacts coming from the dertaliens qui contient environ 3.500 artefacts lithiques ainsi que Neolithic site Tell Abu Suwwan-Jordan. This experimental project plusieurs milliers de restes fauniques, attribués majoritairement au aims to complete the archaeozoological analysis of the bone arti- Cheval pour les herbivores. -
ROCK PAINTINGS at HUECO TANKS STATE HISTORIC SITE by Kay Sutherland, Ph.D
PWD BK P4501-095E Hueco 6/22/06 9:06 AM Page A ROCK PAINTINGS AT HUECO TANKS STATE HISTORIC SITE by Kay Sutherland, Ph.D. PWD BK P4501-095E Hueco 6/22/06 9:06 AM Page B Mescalero Apache design, circa 1800 A.D., part of a rock painting depicting white dancing figures. Unless otherwise indicated, the illustrations are photographs of watercolors by Forrest Kirkland, reproduced courtesy of Texas Memorial Museum. The watercolors were photographed by Rod Florence. Editor: Georg Zappler Art Direction: Pris Martin PWD BK P4501-095E Hueco 6/22/06 9:06 AM Page C ROCK PAINTINGS AT HUECO TANKS STATE HISTORIC SITE by Kay Sutherland, Ph.D. Watercolors by Forrest Kirkland Dedicated to Forrest and Lula Kirkland PWD BK P4501-095E Hueco 6/22/06 9:06 AM Page 1 INTRODUCTION The rock paintings at Hueco Tanks the “Jornada Mogollon”) lived in State Historic Site are the impres- small villages or pueblos at and sive artistic legacy of the different near Hueco Tanks and painted on prehistoric peoples who found the rock-shelter walls. Still later, water, shelter and food at this the Mescalero Apaches and possibly stone oasis in the desert. Over other Plains Indian groups 3000 paintings depict religious painted pictures of their rituals masks, caricature faces, complex and depicted their contact with geometric designs, dancing figures, Spaniards, Mexicans and Anglos. people with elaborate headdresses, The European newcomers and birds, jaguars, deer and symbols settlers left no pictures, but some of rain, lightning and corn. Hidden chose instead to record their within shelters, crevices and caves names with dates on the rock among the three massive outcrops walls, perhaps as a sign of the of boulders found in the park, the importance of the individual in art work is rich in symbolism and western cultures. -
Homo Aestheticus’
Conceptual Paper Glob J Arch & Anthropol Volume 11 Issue 3 - June 2020 Copyright © All rights are reserved by Shuchi Srivastava DOI: 10.19080/GJAA.2020.11.555815 Man and Artistic Expression: Emergence of ‘Homo Aestheticus’ Shuchi Srivastava* Department of Anthropology, National Post Graduate College, University of Lucknow, India Submission: May 30, 2020; Published: June 16, 2020 *Corresponding author: Shuchi Srivastava, Assistant Professor, Department of Anthropology, National Post Graduate College, An Autonomous College of University of Lucknow, Lucknow, India Abstract Man is a member of animal kingdom like all other animals but his unique feature is culture. Cultural activities involve art and artistic expressions which are the earliest methods of emotional manifestation through sign. The present paper deals with the origin of the artistic expression of the man, i.e. the emergence of ‘Homo aestheticus’ and discussed various related aspects. It is basically a conceptual paper; history of art begins with humanity. In his artistic instincts and attainments, man expressed his vigour, his ability to establish a gainful and optimistictherefore, mainlyrelationship the secondary with his environmentsources of data to humanizehave been nature. used for Their the behaviorsstudy. Overall as artists findings was reveal one of that the man selection is artistic characteristics by nature suitableand the for the progress of the human species. Evidence from extensive analysis of cave art and home art suggests that humans have also been ‘Homo aestheticus’ since their origins. Keywords: Man; Art; Artistic expression; Homo aestheticus; Prehistoric art; Palaeolithic art; Cave art; Home art Introduction ‘Sahityasangeetkalavihinah, Sakshatpashuh Maybe it was the time when some African apelike creatures to 7 million years ago, the first human ancestors were appeared. -
Assessing Relationships Between Human Adaptive Responses and Ecology Via Eco-Cultural Niche Modeling William E
Assessing relationships between human adaptive responses and ecology via eco-cultural niche modeling William E. Banks To cite this version: William E. Banks. Assessing relationships between human adaptive responses and ecology via eco- cultural niche modeling. Archaeology and Prehistory. Universite Bordeaux 1, 2013. hal-01840898 HAL Id: hal-01840898 https://hal.archives-ouvertes.fr/hal-01840898 Submitted on 11 Nov 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Thèse d'Habilitation à Diriger des Recherches Université de Bordeaux 1 William E. BANKS UMR 5199 PACEA – De la Préhistoire à l'Actuel : Culture, Environnement et Anthropologie Assessing Relationships between Human Adaptive Responses and Ecology via Eco-Cultural Niche Modeling Soutenue le 14 novembre 2013 devant un jury composé de: Michel CRUCIFIX, Chargé de Cours à l'Université catholique de Louvain, Belgique Francesco D'ERRICO, Directeur de Recherche au CRNS, Talence Jacques JAUBERT, Professeur à l'Université de Bordeaux 1, Talence Rémy PETIT, Directeur de Recherche à l'INRA, Cestas Pierre SEPULCHRE, Chargé de Recherche au CNRS, Gif-sur-Yvette Jean-Denis VIGNE, Directeur de Recherche au CNRS, Paris Table of Contents Summary of Past Research Introduction .................................................................................................................. -
A Female Figurine from the Basal Aurignacian of Hohle Fels Cave in Southwestern Germany
Vol 459 | 14 May 2009 | doi:10.1038/nature07995 LETTERS A female figurine from the basal Aurignacian of Hohle Fels Cave in southwestern Germany Nicholas J. Conard1 Despite well over 100 years of research and debate, the origins of art dimensions. Four fragments were recovered in connection with water remain contentious1–3. In recent years, abstract depictions have screening and can be localized to a 10-l volume corresponding to a ,3- been documented at southern African sites dating to 75 kyr before cm-thick portion of a quarter metre.The pieces of the figurine lay about present (BP)4,5, and the earliest figurative art, which is often seen as 3 m below the current surface of the cave in an area about 20 m from the an important proxy for advanced symbolic communication, has cave’s entrance. All of the finds come from the southwest quadrant of a been documented in Europe as dating to between 30 and single square metre and were recovered from within 12 cm in the 40 kyr BP2. Here I report the discovery of a female mammoth-ivory vertical dimension (Fig. 2). Although, owing to their fragility and com- figurine in the basal Aurignacian deposit at Hohle Fels Cave in the plex depositional histories, many of the ivory artworks from the Swabian Jura of southwestern Germany during excavations in Swabian Jura are highly fragmentary, the Venus from Hohle Fels is 2008. This figurine was produced at least 35,000 calendar years nearly complete; only the left arm and shoulder are missing. The excel- ago, making it one of the oldest known examples of figurative art. -
Symbolic Territories in Pre-Magdalenian Art?
See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/321909484 Symbolic territories in pre-Magdalenian art? Article in Quaternary International · December 2017 DOI: 10.1016/j.quaint.2017.08.036 CITATION READS 1 61 2 authors, including: Eric Robert Muséum National d'Histoire Naturelle 37 PUBLICATIONS 56 CITATIONS SEE PROFILE Some of the authors of this publication are also working on these related projects: An approach to Palaeolithic networks: the question of symbolic territories and their interpretation through Magdalenian art View project Karst and Landscape Heritage View project All content following this page was uploaded by Eric Robert on 16 July 2019. The user has requested enhancement of the downloaded file. Quaternary International 503 (2019) 210e220 Contents lists available at ScienceDirect Quaternary International journal homepage: www.elsevier.com/locate/quaint Symbolic territories in pre-Magdalenian art? * Stephane Petrognani a, , Eric Robert b a UMR 7041 ArscAn, Ethnologie Prehistorique, Maison de l'Archeologie et de l'Ethnologie, Nanterre, France b Departement of Prehistory, Museum national d'Histoire naturelle, Musee de l'Homme, 17, place du Trocadero et du 11 novembre 75116, Paris, France article info abstract Article history: The legacy of specialists in Upper Paleolithic art shows a common point: a more or less clear separation Received 27 August 2016 between Magdalenian art and earlier symbolic manifestations. One of principal difficulty is due to little Received in revised form data firmly dated in the chronology for the “ancient” periods, even if recent studies precise chronological 20 June 2017 framework. Accepted 15 August 2017 There is a variability of the symbolic traditions from the advent of monumental art in Europe, and there are graphic elements crossing regional limits and asking the question of real symbolic territories existence. -
Searching for Rock Art Evidence for an Ancient Super Aurora by Marinus Anthony Van Der Sluijs and Anthony L
Searching for Rock Art Evidence for an Ancient Super Aurora by marinus anthony van der sluijs and anthony l. peratt or tens of thousands of years, humans have expressed themselves artistically on their sur- roundings—painting, etching, carving, and mold- oglyphs ing designs, decorations, and imagery on surfaces ranging from portable, often hand-held objects (suchF as animal bone and stone) to more stationary features of the landscape, such as scattered rocks, caves, and cliffs. The most famous early examples of this so-called rock art are the fabulous etr Paleolithic cave paintings from southwestern France and north- ern Spain, which date to about 15,000 years ago (see Expedition p 47(3):20-24). Less well known, but far more common, are the petroglyphs (drawings or etchings carved on stone) that have been identified around the world. Besides a general human fascination with visual representation in different media, these rock art images can tell us not only about the people who made them—a broadly anthropological question—but also about environmental conditions of the past. To understand this, one must first appreciate the nature and variability of the subject matter. Rock art images are quite diverse, seemingly depicting everything from simple geometric shapes (lines, circles, triangles, squares) to more or less recog- nizable representations of creatures or elements from the local environment (such as humans, animals, plants, or tools). Less obvious representations of real or imagined phenomena (such as the sun, geographic features, natural forces like wind or run- ning water or creatures of fantasy) can also be identified as well as things that no two people would agree upon without having the artist there to explain what is being depicted.