The Hal Leonard Herald May 2016
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Hermann NAEHRING: Wlodzimierz NAHORNY: NAIMA: Mari
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Hermann NAEHRING: "Großstadtkinder" Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; Henry Osterloh -tymp; recorded 1985 in Berlin 24817 SCHLAGZEILEN 6.37 Amiga 856138 Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; recorded 1985 in Berlin 24818 SOUJA 7.02 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Volker Schlott -fl; recorded 1985 in Berlin A) Orangenflip B) Pink-Punk Frosch ist krank C) Crash 24819 GROSSSTADTKINDER ((Orangenflip / Pink-Punk, Frosch ist krank / Crash)) 11.34 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; recorded 1985 in Berlin 24820 PHRYGIA 7.35 --- 24821 RIMBANA 4.05 --- 24822 CLIFFORD 2.53 --- ------------------------------------------ Wlodzimierz NAHORNY: "Heart" Wlodzimierz Nahorny -as,p; Jacek Ostaszewski -b; Sergiusz Perkowski -d; recorded November 1967 in Warsaw 34847 BALLAD OF TWO HEARTS 2.45 Muza XL-0452 34848 A MONTH OF GOODWILL 7.03 --- 34849 MUNIAK'S HEART 5.48 --- 34850 LEAKS 4.30 --- 34851 AT THE CASHIER 4.55 --- 34852 IT DEPENDS FOR WHOM 4.57 --- 34853 A PEDANT'S LETTER 5.00 --- 34854 ON A HIGH PEAK -
Joe Bonamassa Free Album 2017 Mp3, Flac, Wma
Joe Bonamassa Free Album 2017 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Free Album 2017 Country: US Released: 2017 Style: Blues Rock MP3 version RAR size: 1685 mb FLAC version RAR size: 1435 mb WMA version RAR size: 1666 mb Rating: 4.5 Votes: 261 Other Formats: MMF VOX WMA MIDI AC3 VOC TTA Tracklist 01 –Joe Bonamassa I Know Where I Belong 5:37 02 –Joe Bonamassa Mountain Time 3:41 03 –Joe Bonamassa The River 5:29 04 –Joe Bonamassa Bridge To Better Days 5:06 05 –Joe Bonamassa, Alvin Lee One Of These Days 5:39 06 –Joe Bonamassa The Ballad Of John Henry 6:25 07 –Joe Bonamassa Blue And Evil 5:43 08 –Joe Bonamassa Dust Bowl 4:32 09 –Joe Bonamassa Driving Towards The Daylight 4:49 10 –Joe Bonamassa Slow Train 6:36 11 –Joe Bonamassa Different Shades Of Blue 4:35 12 –Joe Bonamassa Drive 5:47 13 –Joe Bonamassa Song Of Yesterday (Carnegie) 9:20 Notes Free download: http://jbonamassa.com/free-bonamassa-album/ Track 01 taken from A New Day Yesterday (track 4) Track 02 taken from So, It's Like That (track 8) Track 03 taken from Had To Cry Today (track 9) Track 04 taken from You & Me (track 2) Track 05 taken from Sloe Gin (track 2) Track 06 taken from The Ballad Of John Henry (track 1) Track 07 taken from Black Rock (track 12) Track 08 taken from Dust Bowl (track 2) Track 09 taken from Driving Towards The Daylight (track 3) Track 10 taken from An Acoustic Evening At The Vienna Opera House (disc 1, track 6) Track 11 taken from Different Shades Of Blue (track 8) Track 12 taken from Blues Of Desperation (track 3) Track 13 taken from the -
April 1920) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 4-1-1920 Volume 38, Number 04 (April 1920) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 38, Number 04 (April 1920)." , (1920). https://digitalcommons.gardner-webb.edu/etude/667 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. Jlae Utiuiufi SPRING NUMBER 1MUUISZ5 LJEJNTS APRIL 1920 $ 2.00 A YEAR The Tonne daugrhter of the Into Tnrasn-Bonlba, a new opera by A Brrent Opera Trnst, according: to Colerldgre-Taylor is following a musical Marcel Sninuel-Houssenu, was recently report. Is being proposed in tlif« career, and has already a number of songs country, which would control all presenta¬ tions of opera, all singers, all opera houses, ■SS.rJE •! *£rS'.!Bf j" ' 1 CONTENTS FOR APRIL, 1920 sHSr!Sir'-s‘^“'s SV,s£S: APRIL 1920 Page THE ETUDE Page 218 APRIL 1920 THE Jane Novak in “The River’s End” Jane Novak is an emotional ac¬ PUPILS RECITALS AND PLEASED AUDIENCES tress of sincere power and dis¬ tinguished ability. -
“It's Just a Matter of Time”: African American Musicians and The
“It’s just a matter of time”: African American Musicians and the Cultural Boycott in South Africa, 1968-1983 by Ashrudeen Waggie Thesis presented in fulfilment of the requirements for the degree of Master of Arts (History) in the Faculty of Arts and Social Sciences at Stellenbosch University Supervisor: Dr. L. Lambrechts Co-supervisor: Dr. C. J. P. Fransch March 2020 Stellenbosch University https://scholar.sun.ac.za Declaration By submitting this thesis electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third-party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. Ashrudeen Waggie March 2020 Copyright © 2020 Stellenbosch University All rights reserved i Stellenbosch University https://scholar.sun.ac.za Abstract In 1968 the United Nations General Assembly instituted a cultural boycott against apartheid South Africa. The cultural boycott prevented South Africa from having cultural, educational and sporting ties with the rest of the world, and it was an attempt by the international community to sever ties with South Africa. A culmination of this strategy was the publication of an annual registry by the United Nations of all international entertainers, actors, and others who performed in South Africa from 1983. Based on this registry a number of academic studies have been conducted, but very few studies have investigated those who came to perform in South Africa before the publication of the registry even though renowned artists such as Percy Sledge (1970), Brook Benton (1971 & 1982), Jimmy Smith (1978 & 1982) and Isaac Hayes (1978) performed in South Africa during this time. -
Jimmy Smith Hobo Flats Part 1 / Part 2 Mp3, Flac, Wma
Jimmy Smith Hobo Flats Part 1 / Part 2 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Funk / Soul Album: Hobo Flats Part 1 / Part 2 Country: Canada Style: Soul-Jazz MP3 version RAR size: 1982 mb FLAC version RAR size: 1201 mb WMA version RAR size: 1686 mb Rating: 4.4 Votes: 715 Other Formats: AUD MP3 FLAC AUD VOC MP1 ADX Tracklist A Hobo Flats Part 1 B Hobo Flats Part 2 Companies, etc. Manufactured By – Quality Records Limited Other versions Category Artist Title (Format) Label Category Country Year Jimmy Hobo Flats - Part I / Hobo Verve VK-10283 VK-10283 US 1963 Smith Flats - Part II (7") Records Jimmy Verve VK-133 Hobo Flats (7", Single) VK-133 US Unknown Smith Records Jimmy Hobo Flats - Part 1 / Hobo Verve VV 20.111 VV 20.111 Netherlands 1963 Smith Flats - Part 2 (7", Single) Records Jimmy Hobo Flats (7", Single, Verve 58 108 58 108 Germany 1967 Smith Promo) Records Jimmy Hobo Flats - Part I / Hobo Verve VS 509 VS 509 UK 1963 Smith Flats - Part II (7", Single) Records Related Music albums to Hobo Flats Part 1 / Part 2 by Jimmy Smith Jerome McMurray - Like The Four Winds / Hobo Man Jimmy Smith - The Best Of Jimmy Smith Harry Choates - Poor Hobo Various - Strictly For Snobs 2 S.Ohashi & His Honey Islanders, N.Hara & His Sharps & Flats - Hawaiian With Sharps & Flats Jimmy Smith - Bashin' - The Unpredictable Jimmy Smith + Hobo Flats Jeffrey Bützer, Claire Lodge - Past Wanstead Flats Jimmy Smith - Plays Red Hot Blues Jimmy Smith - Got My Mojo Working (Part I) / Got My Mojo Working (Part II) Jimmy Smith - Hobo Flats Bosque Brown - Whiskey Flats Jimmy Smith - Hobo Flats - Part I / Hobo Flats - Part II. -
Jimmy Smith Bashin' - the Unpredictable Jimmy Smith + Hobo Flats Mp3, Flac, Wma
Jimmy Smith Bashin' - The Unpredictable Jimmy Smith + Hobo Flats mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Bashin' - The Unpredictable Jimmy Smith + Hobo Flats Country: Europe Released: 2012 Style: Contemporary Jazz, Cool Jazz, Big Band, Bop MP3 version RAR size: 1836 mb FLAC version RAR size: 1377 mb WMA version RAR size: 1766 mb Rating: 4.2 Votes: 732 Other Formats: VQF WAV ASF TTA MIDI AAC WMA Tracklist Hide Credits Bashin' - The Unpredictable Jimmy Smith Walk On The Wild Side Alto Saxophone – Jerry Dodgion, Phil WoodsArranged By, Conductor – Oliver NelsonBaritone Saxophone – George BarrowBass – George DuvivierBass Trombone – Tom Mitchell*Composed By – Elmer BernsteinDrums – Ed 1 5:55 ShaughnessyGuitar – Barry GalbraithOrgan – Jimmy SmithTenor Saxophone – Arthur "Babe" Clarke*, Bob Ashton*Trombone – Britt Woodman, Jimmy Cleveland, Urbie GreenTrumpet – Doc Severinsen, Ernie Royal, Joe Newman, Joe Wilder Ol' Man River Alto Saxophone – Jerry Dodgion, Phil WoodsArranged By, Conductor – Oliver NelsonBaritone Saxophone – George BarrowBass – George DuvivierBass Trombone – Tom Mitchell*Composed By – Hammerstein-KernDrums – Ed 2 3:57 ShaughnessyGuitar – Barry GalbraithOrgan – Jimmy SmithTenor Saxophone – Arthur "Babe" Clarke*, Bob Ashton*Trombone – Britt Woodman, Jimmy Cleveland, Urbie GreenTrumpet – Doc Severinsen, Ernie Royal, Joe Newman, Joe Wilder In A Mellow Tone Alto Saxophone – Jerry Dodgion, Phil WoodsArranged By, Conductor – Oliver NelsonBaritone Saxophone – George BarrowBass – George DuvivierBass Trombone – Tom Mitchell*Composed -
Taj Mahal Andyt & Nick Nixon Nikki Hill Selwyn Birchwood
Taj Mahal Andy T & Nick Nixon Nikki Hill Selwyn Birchwood JOE BONAMASSA & DAVE & PHIL ALVIN NUMBER FIVE www.bluesmusicmagazine.com US $7.99 Canada $9.99 UK £6.99 Australia A$15.95 COVER PHOTOGRAPHY © ART TIPALDI NUMBER FIVE 6 KEB’ MO’ Keeping It Simple 5 RIFFS & GROOVES by Art Tipaldi From The Editor-In-Chief 24 DELTA JOURNEYS 11 TAJ MAHAL “Jukin’” American Maestro by Phil Reser 26 AROUND THE WORLD “ALife In The Music” 14 NIKKI HILL 28 Q&A with Joe Bonamassa A Knockout Performer 30 Q&A with Dave Alvin & Phil Alvin by Tom Hyslop 32 BLUES ALIVE! Sonny Landreth / Tommy Castro 17 ANDY T & NICK NIXON Dennis Gruenling with Doug Deming Unlikely Partners Thorbjørn Risager / Lazy Lester by Michael Kinsman 37 SAMPLER 5 20 SELWYN BIRCHWOOD 38 REVIEWS StuffOfGreatness New Releases / Novel Reads by Tim Parsons 64 IN THE NEWS ANDREA LUCERO courtesy of courtesy LUCERO ANDREA FIRE MEDIA SHORE © PHOTOGRAPHY PHONE TOLL-FREE 866-702-7778 E-MAIL [email protected] WEB bluesmusicmagazine.com PUBLISHER: MojoWax Media, Inc. “Leave your ego, play the music, PRESIDENT: Jack Sullivan love the people.” – Luther Allison EDITOR-IN-CHIEF: Art Tipaldi CUSTOMER SERVICE: Kyle Morris Last May, I attended the Blues Music Awards for the twentieth time. I began attending the GRAPHIC DESIGN: Andrew Miller W.C.Handy Awards in 1994 and attended through 2003. I missed 2004 to celebrate my dad’s 80th birthday and have now attended 2005 through 2014. I’ve seen it grow from its CONTRIBUTING EDITORS David Barrett / Michael Cote / Thomas J. Cullen III days in the Orpheum Theater to its present location which turns the Convention Center Bill Dahl / Hal Horowitz / Tom Hyslop into a dazzling juke joint setting. -
Flying Dutchman Label Discography
Flying Dutchman Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan Flying Dutchman Label Discography Flying Dutchman was a jazz label created 1969 by the renowned producer/arranger Bob Thiele. It produced a fascinating mix of forward thinking music; the label combined the sounds of jazz, soul, experimentation, and black politics. Although the label put out some standard jazz albums, their most incredible records were those of unique musicians such as Leon Thomas, Lonnie Liston Smith, Gil Scott-Heron and Angela Davis. Initially the label was distributed by Atco Division of Atlantic, but later was switched to Bob Shad’s Mainstream label for two years. By 1974 the distribution was switched to RCA which distributed the label to 1984. The Flying Dutchman catalog was acquired by Legacy Recordings in 1993 from Bob Shad's daughter Tamara when she sold the assets of Mainstream Records, which had distributed Flying Dutchman until it closed in 1978. The Flying Dutchman label had several subsidiaries the specialized in different musical styles. The Amsterdam label concentrated on popular music including the recordings of Thiele’s wife Teresa Brewer. The Reggae label was established to release the reggae music from Jamaica. The Bluestime label was established to release blues recordings. Starting in 1974, Flying Dutchman albums were released in the RCA numbering system and were distributed by RCA. This numbering system was also used for albums on the Signature which was reactivated in 1974; Thiele also established the Bob Thiele Music label. For other albums on the Flying Dutchman, Signature, Bob Thiele Music label releases see the discography of the Bob Thiele labels. -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
Audition Repertoire, Please Contact the Music Department at 812.941.2655 Or by E-Mail at AUDITION REQUIREMENTS for VARIOUS DEGREE CONCENTRATIONS
1 AUDITION GUIDE AND SUGGESTED REPERTOIRE 1 2 TABLE OF CONTENTS AUDITION REQUIREMENTS AND GUIDE . 3 SUGGESTED REPERTOIRE Piano/Keyboard . 5 STRINGS Violin . 6 Viola . 7 Cello . 8 String Bass . 10 WOODWINDS Flute . 12 Oboe . 13 Bassoon . 14 Clarinet . 15 Alto Saxophone . 16 Tenor Saxophone . 17 BRASS Trumpet/Cornet . 18 Horn . 19 Trombone . 20 Euphonium/Baritone . 21 Tuba/Sousaphone . 21 PERCUSSION Drum Set . 23 Xylophone-Marimba-Vibraphone . 23 Snare Drum . 24 Timpani . 26 Multiple Percussion . 26 Multi-Tenor . 27 VOICE Female Voice . 28 Male Voice . 30 Guitar . 33 2 3 The repertoire lists which follow should be used as a guide when choosing audition selections. There are no required selections. However, the following lists illustrate Students wishing to pursue the Instrumental or Vocal Performancethe genres, styles, degrees and difficulty are strongly levels encouraged of music that to adhereis typically closely expected to the of repertoire a student suggestionspursuing a music in this degree. list. Students pursuing the Sound Engineering, Music Business and Music Composition degrees may select repertoire that is slightly less demanding, but should select compositions that are similar to the selections on this list. If you have [email protected] questions about. this list or whether or not a specific piece is acceptable audition repertoire, please contact the Music Department at 812.941.2655 or by e-mail at AUDITION REQUIREMENTS FOR VARIOUS DEGREE CONCENTRATIONS All students applying for admission to the Music Department must complete a performance audition regardless of the student’s intended degree concentration. However, the performance standards and appropriaterequirements audition do vary repertoire.depending on which concentration the student intends to pursue. -
Band/Surname First Name Title Label No
BAND/SURNAME FIRST NAME TITLE LABEL NO DVD 13 Featuring Lester Butler Hightone 115 2000 Lbs Of Blues Soul Of A Sinner Own Label 162 4 Jacks Deal With It Eller Soul 177 44s Americana Rip Cat 173 67 Purple Fishes 67 Purple Fishes Doghowl 173 Abel Bill One-Man Band Own Label 156 Abrahams Mick Live In Madrid Indigo 118 Abshire Nathan Pine Grove Blues Swallow 033 Abshire Nathan Pine Grove Blues Ace 084 Abshire Nathan Pine Grove Blues/The Good Times Killin' Me Ace 096 Abshire Nathan The Good Times Killin' Me Sonet 044 Ace Black I Am The Boss Card In Your Hand Arhoolie 100 Ace Johnny Memorial Album Ace 063 Aces Aces And Their Guests Storyville 037 Aces Kings Of The Chicago Blues Vol. 1 Vogue 022 Aces Kings Of The Chicago Blues Vol. 1 Vogue 033 Aces No One Rides For Free El Toro 163 Aces The Crawl Own Label 177 Acey Johnny My Home Li-Jan 173 Adams Arthur Stomp The Floor Delta Groove 163 Adams Faye I'm Goin' To Leave You Mr R & B 090 Adams Johnny After All The Good Is Gone Ariola 068 Adams Johnny After Dark Rounder 079/080 Adams Johnny Christmas In New Orleans Hep Me 068 Adams Johnny From The Heart Rounder 068 Adams Johnny Heart & Soul Vampi 145 Adams Johnny Heart And Soul SSS 068 Adams Johnny I Won't Cry Rounder 098 Adams Johnny Room With A View Of The Blues Demon 082 Adams Johnny Sings Doc Pomus: The Real Me Rounder 097 Adams Johnny Stand By Me Chelsea 068 Adams Johnny The Many Sides Of Johnny Adams Hep Me 068 Adams Johnny The Sweet Country Voice Of Johnny Adams Hep Me 068 Adams Johnny The Tan Nighinggale Charly 068 Adams Johnny Walking On A Tightrope Rounder 089 Adamz & Hayes Doug & Dan Blues Duo Blue Skunk Music 166 Adderly & Watts Nat & Noble Noble And Nat Kingsnake 093 Adegbalola Gaye Bitter Sweet Blues Alligator 124 Adler Jimmy Midnight Rooster Bonedog 170 Adler Jimmy Swing It Around Bonedog 158 Agee Ray Black Night is Gone Mr. -
Graded Pieces Sorted by Difficulty (PDF)
Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Comments 1 Agay Mysterious Procession Left Hand Melody This is for the total beginner, and can be taught on the very first lesson. RH play a Sight Reading steady even ostinato using only the note E, while the left hand plays the melody which Hand Independence consists only of ABC in different orders and simple rhythms. Excellent for sight- Expressive Playing reading, for hand independence, for expressive playing and for bringing up a melody on the left hand. It can also be used as a seed for free improvisation. 1 Alt Hot Noon in the Meadow Introduction to how chords develop emotSioimn ilar in difficulty to the above, this set of pieces uses modern harmonies to tell stories, so it is a very good introduction to how and why chords and intervals can elicit different emotions (for instance, “The spider” uses tritons to build up suspense, and “Bees and Flies” uses chromatic intervals to emulate buzzing). 1 Alt The Ocean Pattern Introduction A collection of 10 pieces for the complete beginner, most you can teach at the first lesson. The interesting thing here is that they use the whole keyboard and introduce patterns that frequently appear in the more advanced pieces, so they are excellent preparatory pieces. Again very good recital material for beginners. 1 Bach Chorale Lord, do with me as you will, BWV 514 1 Bach, J.C. Air in F, BWV Anh. 131, from 'The Anna Magdalena Bach Book of 1725' 1 Bach, J.C. Aria in A minor 1 Bartók Children at Play 1 Bartók Quasi Adagio no 3 from 'For Children' vol 1 1 Bartók Two Little Dialogues 1 Bartók Two Short Pieces and Two Little Dances 1 Beethoven Ecossaise in Eb major WoO 86 These are one-page very easy pieces (grade 1) that Beethoven most likely wrote as pedagogical material for is pupils.