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Cambridge University Press 978-1-107-02152-5 - The Tempest: Updated edition Edited by David Lindley Frontmatter More information THE NEW CAMBRIDGE SHAKESPEARE general editor Brian Gibbons associate general editor A. R. Braunmuller, University of California, Los Angeles From the publication of the first volumes in 1984 the General Editor of the New Cambridge Shakespeare was Philip Brockbank and the Associate General Editors were Brian Gibbons and Robin Hood. From 1990 to 1994 the General Editor was Brian Gibbons and the Associate General Editors were A. R. Braunmuller and Robin Hood. THE TEMPEST The Tempest is one of the most suggestive, yet most elusive of all Shakespeare’s plays, and has provoked a wide range of critical interpretations. It is a magical romance, yet deeply and problematically embedded in seventeenth-century debates about authority and power. In this updated edition, David Lindley has thoroughly revised the introduction and reading list to take account of the latest directions in criticism and performance. Including a new section on casting in recent productions, Lindley’s introduction explores the complex questions this raises about colonisation, racial and gender stereotypes, and the nature of the theatrical experience. Careful attention is also given to the play’s dramatic form, stagecraft, and use of music and spectacle, to demonstrate its uniquely experimental nature. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-02152-5 - The Tempest: Updated edition Edited -
Radiotimes-July1967.Pdf
msmm THE POST Up-to-the-Minute Comment IT is good to know that Twenty. Four Hours is to have regular viewing time. We shall know when to brew the coffee and to settle down, as with Panorama, to up-to- the-minute comment on current affairs. Both programmes do a magnifi- cent job of work, whisking us to all parts of the world and bringing to the studio, at what often seems like a moment's notice, speakers of all shades of opinion to be inter- viewed without fear or favour. A Memorable Occasion One admires the grasp which MANYthanks for the excellent and members of the team have of their timely relay of Die Frau ohne subjects, sombre or gay, and the Schatten from Covent Garden, and impartial, objective, and determined how strange it seems that this examination of controversial, and opera, which surely contains often delicate, matters: with always Strauss's s most glorious music. a glint of humour in the right should be performed there for the place, as with Cliff Michelmore's first time. urbane and pithy postscripts. Also, the clear synopsis by Alan A word of appreciation, too, for Jefferson helped to illuminate the the reporters who do uncomfort- beauty of the story and therefore able things in uncomfortable places the great beauty of the music. in the best tradition of news ser- An occasion to remember for a Whitstabl*. � vice.-J. Wesley Clark, long time. Clive Anderson, Aughton Park. Another Pet Hate Indian Music REFERRING to correspondence on THE Third Programme recital by the irritating bits of business in TV Subbulakshmi prompts me to write, plays, my pet hate is those typists with thanks, and congratulate the in offices and at home who never BBC on its superb broadcasts of use a backing sheet or take a car- Indian music, which I have been bon copy. -
OWA News 2009-2010
OLD WHITGI FTIAN ASSOCIATION OWA Officials 2009-2010 President: N L Platts Senior Vice-President: I B Flanagan OBE Chairman: N Somers Deputy Chairman: S G Woodrow Hon. Secretary: D G Pearce Hon. Treasurer: J S Straw Elected Members of Committee: R C Blundell, M J Irwin, S J Barke, J D C Pitt Editor of OW Newsletter: R C Blundell Editor of OW News in The Whitgiftian: N L Platts OLD WHITGIFTIAN NEWS Quod et huncEidnitaionnnuNmo:v5ivat et plures Covering 2009-2010 Editor’s note: This is the fifth edition of Old Whitgiftian News and it takes us through from September 2009 to approximately the end of August 2010 (to coincide with the School and TOhWeAWyheitagri)f.tiTanhis publication aims to provide a broader look at OW news than can be included in either or the regular OWA Newsletters. OWs interested inWmhiotrgeifftreLquifee nt information on the School’s progress should also look at the termly newsletter, , which is available on the School website (www.whitgift.co.uk). The national profile of the School has been enhanced by the success of the School’s rugby XV and also TbyhethTeimanens ual appearance of county cricket on North Field – the magnificent half page photograph in taken during the Surrey match against Worcestershire reminded OWs how privileged they were to play their sport in such splendid surroundings. Daily Mail Those many OWs who were present at Twickenham in March to see the School win the Under 18 Cup will not need to beDtaoilldy oTfeltehgerSapcho/Aovl’isvaexStcrhaorodlinSaproyrtsspMoratitntegrps rowess. This has been recognised by the judges of the choice of Whitgift as Independent SCcahromoeln of the Year. -
Newsletter Incorporating Occasional Papers and Reviews
Newsletter incorporating Occasional Papers and Reviews SHAKESPEARE SOCIETY OF SOUTHERN AFRICA http://www.ru.ac.za/shakespeare DECEMBER 2014 Index Administration and Publications ‘Macbeth – A Play in a Day’ 2 Reports: Shakespeare Society of Southern Africa Newsletter incorporating Occasional Papers and Reviews 3 From the President 3 Shakespeare in Southern Africa 4 SSoSA Branches 6-11 With regret … 5 Journal Contents Vol. 26 5 Shakespeare Feature Page 12 Occasional Papers and Reviews: The Syrian Crisis: King Lear inspires refugee children Shakespeare Day 14 Shakespeare Lights Up Celebrating the bard’s 450th birthday, Lives of Homeless along with the Institute for the Study of English in Africa’s 16 50th birthday As You Like It 18 Rufford Old Hall 19 Contact Details (See ‘Grahamstown Branch Report’ pages 7–9) 20 Shakespeare Society of Southern Africa (A project of The Grahamstown Foundation) Head Office: c/o Institute for the Study of English in Africa (ISEA) Rhodes University, P O Box 94, Grahamstown, 6140, Rep. South Africa html://www.ru.ac.za/shakespeare Administration and Publications Emeritus Professor of Rhodes Dr Chris Thurman, editor of University, Laurence Wright. Shakespeare in Southern Africa. (Formerly HA Molteno Professor He holds degrees from Rhodes, of English and Director of the London and Cape Town, and Institute for the Study of English lectures at the University of the in Africa, Professor Wright is a Witwatersrand. His doctorate is Founder Member of SSoSA and on Guy Butler. Honorary Life President of the Society, successor to the late Professor Guy Butler.) Laurence Wright Chris Thurman Mr Warren Snowball, President Ms Hildé Slinger, former of SSoSA from 2010. -
Education at INCW: Fact Or Fantasy? (SEE PAGES 4 and 5)
Education at INCW: Fact or Fantasy? (SEE PAGES 4 AND 5) Six students enter the seahawk Senior Honors Program university of north carolina-wilmington Six students have entered the Seniors Honors Program of UNC-W. These students are: Clyde Keith Farmer, Daniel Gary Grady, Harry S. Howard, Jeannie Howe, Michael D. Purvis, and Laviece C. Ward. The Senior Honors Program includes independent study, a paper reporting the results of the study, and an oral examination. Keith Farmer, under the direction of Dr. James F. Parnell, is making an ecosystem analysis of a swamp community. Gary Grady, under the direction of Dr. Irvin G. Clater, is studying the Newtonian gravitational field theory. Harry Howard, also under Dr. Irvin G. Clator, is conducting a theorectical and experimental investigation of gaseous lasers. Jeannie Howe, under Dr. Daniel B. Plyer, is studying the effects of maleic hydrazide on nucleic acid metabolism. Michael Purvis, under Dr. James C. Halsey, is applying groups to a number theoretic problem. Laviece C. Ward, under Mrs. Marie Powles, is studying the influence of John Donne’s poetic style on the poetic techniques of Dylan Thomas. The Senior Honors Program is open to any senior with a 3.0 average, 30 hours of work completed at UNC-W, and the recommendation of the chairman of the area in which he is concentrating. Since it was started with the first four year graduating class in 1965, 16 students have completed the honors program. Common fender brings no charge Larry and Jenny ran into damage was estimated at The Nitty Gritty Dirt Band each other last Tuesday $125 to the Sturken vehicle morning. -
THE the JOURNALOF THE, Brittsh-Broadgastinc CORPORATION
Radio Times, December 27, 1929. SOUTHERN edition. THE BROADCAST PROGRAMMES FOR DECEMBER 29-JANUARY 4. THE THE JOURNAL OF THE, BRITtSH-BROADgASTINC CORPORATION > 2 NATION SHALL SPEAK PEACE UNTO NATION Vol. 25. No. 326. r Registered at the 1 LG.P.O. as a Ncwspaper.J DECEMBER 27, 1929. Every Friday. TWO PENCE. -------------------------- * ^ww o 'WVW- LES CLOCHES DE CORNEVILLE,’ AN OPERETTA Planquetle's light opera, Monday (5GB) arid Wednesday, contains many favourite melodies SPECIAL PROGRAMME FOR THE EVE OF 1930 A Programme has been arranged for Tuesday evening, to celebrate the birth of 1930 A CONCERT COMES FROM THREE COUNTRIES o England, Germany, and Belgium contribute by landline the music in Friday's International Concert REVIVAL OF THE FAMOUS PLAY ‘MILESTONES’ The Story of Three Generations, by Arnold Bennett and Edward Knoblock, broadcast on Thursday *V======== l__=r-?VWs ---------— Wednesday, Jawa)y 1 j A LISTENER’S DIARY OF THE WEEK 7.45 La-Cloches ds Conieville (London) c o ♦ In order that listeners may.make notes of itcus which they I • 9-35 Chamber Music—Dorothy Silk (London). specially want to heir, we publish below a skeleton diary of the week'; other favourite items may be noted in the space provided. >Wv Sunday, December 29 Thursday, January 2 8.0 Sen-ice from Canterbury Cathedral (London) 9.0 Hip-hip-hoo-Radio, a Revue (5GB) 9.0 Chamber Music: Rae Robertson and Ethel Bartlett (5GB) 9.35 Milestones, by Arnold Becu*etc and Edward Knoblock (London) Monday, December 30 Friday, January 3 j 8.45 Lcs Cloches dc Comevilie (5GB) 8.0 The First International Concert—(London) ,» « 9.35 The Party, a Feature Programme (London) 0.50 Clothes Props, by Gordon McConncl (London) .* Tuesday, December 31 Saturday, January 4 7:30 The Houston Sisters, ctCj, in Vaudeville (London) 2.10 England v. -
The Journal of the Rnli
THE JOURNAL OF THE RNLI Volume XLIV Number 456 Summer 1976 25 p THE BEST WEATHER CLOTHING IN THE WORLD •AIRFLOW COAT JACKET & LIGHTWEIGHT JACKETS ARE WATEPPPOOF & FREE FROrV COMOerNJBATIOlM ROYAL NATIONAL LIFE BOAT INSTITUTION 0 letter of 28 February 1974 U from Assistant Superintendent (Stores) • Your company's protective clothing has 0 now been on extensive evaluation for over two years and I am pleased to advise that the crews of our offshore boats have found the clothing warm, comfortable and a t considerable improvement The issue of your clothing IB is being extended to all of our offshore life boats as RNLI style UJ replacements are required U in Dunloprufe 5 UJ a Waterproof Ralph Lee, Technical Editor 'Camping & Caravanning' Chest high UJ fly closed by concealed zip 0 ^ the finest outdoor garments 1 have ever seen . not just and touch 'n' close fastening good material and well made. It is the amount of thought that has Elastic braces id gone into the design that delights Elasticated Waist me ... I give this firm top marks Substantial internal seat, crutch and knee reinforcement 2 UIl a Leg width is adequate for entry of CD Derek Agnew, Editor of 'En Route' •n Magazine of the Caravan Club seaboots and may be reduced 0 Ul" by zip closure of two gussets on each leg — . I have been giving an The FUNCTIONAL r 5 extensive wear trial to SEAGOING OVERTROUSER Zips are heavy duty and incorrodible in I outdoor clothing made by n o Functional of Manchester . a All I can say is that one Bill Boddy in 'Motor Sport' Kevin MacDonnell in motoring magazine's description Photography of May 1975 of Functional as the Rolls Royce • .. -
The Shakespearean Performances of Sir John Gielgud
University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. 2nd of 2 files Chapters 4-6 Appendices and Bibliography THE SHAKESPEAREAN PERFORMANCES OF SIR JOHN GIELGUD by Robert James Frost Submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy of the University of Birmingham. The Shakespeare Institute October 1983 243 CHAPTER FOUR MUCH ADO ABOUT NOTHING Much Ado About Nothing is to be distinguished from the other comedies of Shakespeare that are its nearest contemporaries because of its concern with one circumscribed social unit. Unlike As You Like It,Twelfth Night, The Merchant of Venice and A Midsummer Night's Dream,which play off different kinds of worlds against each other, the problems arising in one being resolved by a retreat to the next or alternatively by a foreign visitor, the action of Much Ado About Nothing is focussed on a single, indigenous group. (That Don Pedro,strictly speaking,is an outsider from Aragon seems less important than the fact that he and the other guests freely interact with Leonato's household, making themselves at home there.) If the intervention of Dogberry and the Watch is required to restore harmony, then Dogberry, although of a different class, is quite clearly part of the civic life of Messina. -
Mildred Budny Curriculum Vitae
MILDRED BUDNY Research Group on Manuscript Evidence (= ‘RGME’) A New Jersey Nonprofit Corporation 46 Snowden Lane, Princeton, NJ 08540-3916 Tel. (609) 924-9275 Email: [email protected] CURRICULUM VITAE Education Sidwell Friends School, Washington, D.C. (1965–7) Vassar College, Poughkeepsie, New York (1967–71) B.A. in History with General Honors and with Departmental Honors (1971) with Senior Thesis (supervised by Donald J. Olsen) on ‘Hannah More’s Philanthropy: A Study in Late-Eighteenth- and Early Nineteenth-Century English Attitudes’ University College, University of London (1971–85) M.A. in English Language and Literature with papers in Old English, English Place-Names, Archaeology, and Palaeography (1972) Ph.D. in Anglo-Saxon Manuscripts (1986), with dissertation (supervised by Sir David Wilson) on ‘British Library Manuscript Royal 1 E.vi: The Anatomy of an Anglo-Saxon Bible Fragment’ (1985), developing an integrated approach to manuscript and related studies which provides the foundation for the work of the RGME and its activities and publications — now online without charge via copac.jisc.ac.uk (see below) Academic and Corporate Nonprofit Educational Positions Researcher (part-time) for Prof. Emeritus Giles Constable, School of Historical Studies, Institute for Advanced Study, Princeton, New Jersey (2009–) Principal Co-Ordinator (2002–) of designated Research Projects sponsored by the RGME, including ‘Seals, Seal-Matrices & Documents’ (2012–) ‘Photography of Manuscripts & Materials’ (2008–) ‘Genealogies & Archives’ -
James French of Whickham, Durham, England
All-in-One Tree of Derek French James FRENCH Margaret WILSON «««««««««««««««««««««««««««««« «««««««««««««««««««««««««««««« b: in Whickham,Duram b: in Whickham,Duram m: 19 Jan 1587/88 in Whickham,Durham Hipolitus DE BRAME «««««««««««««««««««««««««««««« b: Abt. 1187 in Plumpton,Yorks Hugh DE MIDDLETON «««««««««««««««««««««««««««««« b: Abt. 1213 Robert DE MIDDLETON Aeneas ? «««««««««««««««««««««««««««««« «««««««««««««««««««««««««««««« b: Abt. 1239 in Plumpton,Yorks b: Abt. 1243 Peter DE MIDDLETON ? «««««««««««««««««««««««««««««« «««««««««««««««««««««««««««««« b: Abt. 1265 in Plumpton,Yorks Nigel BOTELER «««««««««««««««««««««««««««««« b: Abt. 1269 in Plumpton,Yorks William DE MIDDLETON Agnes BOTELER «««««««««««««««««««««««««««««« «««««««««««««««««««««««««««««« b: Abt. 1291 in Plumpton,Yorks b: Abt. 1295 Peter DE MIDDLETON Eustacia DE PLUMPTON «««««««««««««««««««««««««««««« «««««««««««««««««««««««««««««« b: Abt. 1300 in Plumpton,Yorks b: Abt. 1302 in Plumpton,Yorks Thomas DE MIDDLETON Elizabeth GRAMARY «««««««««««««««««««««««««««««« «««««««««««««««««««««««««««««« b: 1318 in Plumpton,Yorks b: Abt. 1325 in Belsay,Northumberland d: Bef. 01 Aug 1357 John DE MIDDLETON Christine STRIVELYN «««««««««««««««««««««««««««««« «««««««««««««««««««««««««««««« b: 1347 in Belsay,Northumberland b: 1349 in Silksworth,Durham d: 09 Aug 1396 m: 1372 in Belsay,Northumberland d: 10 Mar 1420/21 Thomas MIDDLETON Margaret DE HETON «««««««««««««««««««««««««««««« «««««««««««««««««««««««««««««« b: Abt. 1390 in Hartley,Kirkby b: 13 Jan 1393/94 in Hartley Stephen,Nothumberland -
Prospero's Girls
Prospero's Girls Deanne Williams, York University Abstract This essay examines the afterlives of Miranda and Ariel, Prospero's "girls," on stage and in film. A longstanding editorial and theatrical tradition that assigns Miranda's "abhorrèd slave" speech to Caliban informs the ongoing representation of Miranda as a passive and submissive character, even after the speech is restored in the twentieth century. The two-hundred-year-long history of reassigning Miranda's speech to Prospero coincides with the tradition of casting a girl actress as Ariel. Dismissed in recent years as an outmoded and déclassé theatrical convention, Ariel's history as a girl left a strong impression on the play's theatrical and artistic legacy. Restoration adaptations of The Tempest added more and more girl characters to Prospero's island, reflecting an intensified interest in girls and girlhood as the play charted the paths to Miranda's marriage and Ariel's freedom. With Miranda representing domestic expectations and Ariel embodying the dream of liberation, Prospero's girls and their history reflect the conflicting and competing expectations placed upon girls and the dream of a patriarchal power that, rather than stifling girls, sets them free. Ever since The Tempest was performed for the fifteen-year-old Princess Elizabeth Stuart's 1613 wedding to Frederick, Elector Palatine, girlhood has been important to its stage history.1 The part of Ariel was played by young female actresses for over two hundred years after the Restoration, and Miranda was celebrated as the quintessence of young feminine virtue by generations of editors and visual and dramatic artists. -
Compendium Volume THIRTEEN
Compendium Volume THIRTEEN - Series 1 to 3 CRAZY PEOPLE – SERIES 1 a new form of ‘goon’ humour which they had developed since the war, making each other laugh at the family-run pub of Grafton’s on Strutton Grounds in APRIL 1949-DECEMBER 1951 Westminster. The landlord-cum-theatrical agent Jimmy Grafton had co-written the script under the pen-name ‘James Douglas’ along with his lodger, eccentric THE PROGRAMME musician Terence ‘Spike’ Milligan. Impersonator Peter Sellers headed the cast along with rising comics Harry Secombe, Michael Bentine and Robert Moreton, plus Doris Nichol (a colleague of Jacques Brown’s from Danger – ‘What exactly is a goon? Well, this is the answer Michael Bentine, Spike Men at Work!) and Bob Bain. Peter was Lord Peter, the twenty-second Earl Milligan, Peter Sellers and I cooked up whenever people asked us to explain of Sellers, with Robert as Mr Moreton the butler, Doris as Peter’s aunt Lady ourselves,’ wrote Harry Secombe in his newspaper column for the Glaswegian Lavinia, Harry and Michael as the crackpot wastrels Harry Secombe and the publication The Bulletin on Monday 24 June 1957. He then elaborated: ‘A goon Great Mike Bentine, and Bob as planning representative T Mucksworld Quince. is some one with a one-cell brain. Anything not basically simple puzzles a goon. The script also featured flashbacks to Peter’s ancestors, and opportunities for He thinks in the fourth dimension and his language is one step past babytalk. Peter to impersonate stars of the day such as Robb Wilton and Kenneth Horne. Goonery is bringing any situation to its illogical conclusion.’ Music was composed by established BBC pianist Jack Jordan, a veteran of Have a Go! and various musical shows, the melodies were conducted by From 3.30pm to 4.15pm on Wednesday 26 April 1949, a trial recording of a Stanley Black, and Dennis Castle acted as the announcer.