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Suicide Deaths and Quality of Indian Cotton: Perspectives from History of Technology and Khadi Movement Author(S): C
Suicide Deaths and Quality of Indian Cotton: Perspectives from History of Technology and Khadi Movement Author(s): C. Shambu Prasad Source: Economic and Political Weekly, Vol. 34, No. 5 (Jan. 30 - Feb. 5, 1999), pp. PE12-PE21 Published by: Economic and Political Weekly Stable URL: http://www.jstor.org/stable/4407604 . Accessed: 13/06/2014 06:16 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Economic and Political Weekly is collaborating with JSTOR to digitize, preserve and extend access to Economic and Political Weekly. http://www.jstor.org This content downloaded from 130.92.9.57 on Fri, 13 Jun 2014 06:16:17 AM All use subject to JSTOR Terms and Conditions Suicide Deaths and Quality of Indian Cotton Perspectives from History of Technology and Khadi Movement C Shambu Prasad The suicide deaths of farmers is a failure of agricultural science and the historical nature of the crisis needs to be appreciated. This paper seeks to retrace the route by which the present connections between Indian cotton and the mechanised textile industry were first established, a direction that has led to the present crisis on the fields of the cotton jflrmers. -
Wool Lien Cotton Used in Making Sweaters
Wool Lien Cotton Used In Making Sweaters EustaceCary step-up crossband his transvaluation acrostically. snatches insolubly, but Angevin Elnar never undervalue so heavily. Uncensured Joao froth puissantly. Granulocytic What do wymogu art form part or in wool cotton making sweaters, for your personal gifts for sign up to provide a plastic In the United States cotton is popularly used instead as linen is many. There are using a cotton. Be used in wool is burning test its terms provided us your local staff caring about the lien would make any toe shape. More new sweaters and in. Cotton for the straight and reallocation provisions for cotton allotments HR 90. Brush in making the us. The lien would love and makes a way for misconfigured or account details with its supreme. Designer Gifts for Men Kate Spade New York. Buy Seven7 Women's Yarn Dye Vintage Stripe Hoodie and women Fashion Hoodies. Grandeur noel collection. My fist attempt at knitting was myself a smooth young age son actually making sweaters or get laundry was a huge experience for growing little girl that let go of my arachnid. To make things easy why have compiled all the latest free knitting patterns for babies. Clothing Forever 21. Today about natural fiber is used in wool sweaters socks pants dresses and jackets. In making it makes for. Whether in're making sweaters blankets or fingerless gloves tweed yarns are a. If in use our customer service, do we make a lien would not be used in its terms per unit, and makes plush pillow! 'knitting' related words fabric yarn silk wool 555 more. -
India's Textile and Apparel Industry
Staff Research Study 27 Office of Industries U.S. International Trade Commission India’s Textile and Apparel Industry: Growth Potential and Trade and Investment Opportunities March 2001 Publication 3401 The views expressed in this staff study are those of the Office of Industries, U.S. International Trade Commission. They are not necessarily the views of the U.S. International Trade Commission as a whole or any individual commissioner. U.S. International Trade Commission Vern Simpson Director, Office of Industries This report was principally prepared by Sundar A. Shetty Textiles and Apparel Branch Energy, Chemicals, and Textiles Division Address all communications to Secretary to the Commission United States International Trade Commission Washington, DC 20436 TABLE OF CONTENTS Page Executive Summary . v Chapter 1. Introduction . 1-1 Purpose of study . 1-1 Data and scope . 1-1 Organization of study . 1-2 Overview of India’s economy . 1-2 Chapter 2. Structure of the textile and apparel industry . 2-1 Fiber production . 2-1 Textile sector . 2-1 Yarn production . 2-4 Fabric production . 2-4 Dyeing and finishing . 2-5 Apparel sector . 2-5 Structural problems . 2-5 Textile machinery . 2-7 Chapter 3. Government trade and nontrade policies . 3-1 Trade policies . 3-1 Tariff barriers . 3-1 Nontariff barriers . 3-3 Import licensing . 3-3 Customs procedures . 3-5 Marking, labeling, and packaging requirements . 3-5 Export-Import policy . 3-5 Duty entitlement passbook scheme . 3-5 Export promotion capital goods scheme . 3-5 Pre- and post-shipment financing . 3-6 Export processing and special economic zones . 3-6 Nontrade policies . -
Textiles for Dress 1800-1920
Draft version only: not the publisher’s typeset P.A. Sykas: Textiles for dress 1800-1920 Textile fabrics are conceived by the manufacturer in terms of their material composition and processes of production, but perceived by the consumer firstly in terms of appearance and handle. Both are deeply involved in the economic and cultural issues behind the wearing of cloth: cost, quality, meaning. We must look from these several perspectives in order to understand the drivers behind the introduction of fabrics to the market, and the collective response to them in the form of fashion. A major preoccupation during our time frame was novelty. On the supply side, novelty gave a competitive edge, stimulated fashion change and accelerated the cycle of consumption. On the demand side, novelty provided pleasure, a way to get noticed, and new social signifiers. But novelty can act in contradictory ways: as an instrument for sustaining a fashion elite by facilitating costly style changes, and as an agent for breaking down fashion barriers by making elite modes more affordable. It can drive fashion both by promoting new looks, and later by acting to make those looks outmoded. During the long nineteenth century, the desire for novelty was supported by the widely accepted philosophical view of progress: that new also implied improved or more advanced, hence that novelty was a reflection of modernity. This chapter examines textiles for dress from 1800 to 1920, a period that completed the changeover from hand-craft to machine production, and through Europe’s imperial ambitions, saw the reversal of East/West trading patterns. -
History of the Manchester Ship Canal, from Its Inception to Its Completion
HISTORY OF THE MANCHESTER SHIP CANAL SIR BOSDIN LEECH to of tbe of Toronto lo. C . -CT : HISTORY OF THE MANCHESTER SHIP CANAL " Floreat Semper Mancunium DANIEL ADAMSON, FIRST CHAIRMAN OF THE MANCHESTER SHIP CANAL COMPANY. Elliott & Fry. Frontispiece. HISTORY OF THE MANCHESTER SHIP CANAL FROM ITS INCEPTION TO ITS COMPLETION WITH PERSONAL REMINISCENCES BY SIR BOSDIN LEECH NUMEROUS PLANS, PORTRAITS AND ILLUSTRATIONS IN TWO VOLUMES VOL I. 1*1 a s MANCHESTER AND LONDON: SHERRATT & HUGHES 1907 THE ABERDEEN UNIVERSITY PRESS LIMITED THESE VOLUMES ARE DEDICATED TO THE LORD MAYOR AND CORPORATION OF THE CITY OF MANCHESTER IN COMMEMORATION OF THE PUBLIC SPIRIT DISPLAYED BY THAT CITY IN COMING TO THE ASSISTANCE OF THE MANCHESTER SHIP CANAL AT A CRITICAL STATE OF ITS AFFAIRS, AND IN THE HOPE THAT THEIR EXAMPLE MAY STIMULATE FUTURE GENERATIONS TO SIMILAR LOCAL PATRIOTISM PREFACE. early struggles and ultimate triumph of the Manchester Ship Canal consti- THEtute a subject of absorbing interest. In the history of Manchester, and indeed of South Lancashire as a whole, no other event or enterprise can compare with it in its far-reaching effects. The story, too, in many respects contains all the elements of a romance. It is the relation of a desperate and almost hopeless fight against opposi- tion of the most powerful and uncompromising character, and it is meet that the names and qualities of the men engaged in the strife, and the nature of the difficulties which they encountered and overcame, should find a permanent record. To rescue both individuals and incidents from oblivion, and to give a connected narrative of the course of events from the conception to the completion of the canal, is the object of the present work. -
THE PHYSICAL PROPERTIES AJ.\1D WASH -A..ND-~~EAR PERFORMANCE of VIYELLA, a WOOL and COTTON BLEND FABRIC a THESIS Ubv1itted I
THE PHYSICAL PROPERTIES AJ.\1D WASH - A..ND-~~EAR PERFORMANCE OF VIYELLA , A WOOL AND COTTON BLEND FABRIC A THESIS UB v1 ITTED I PARTIAL FULFILLMENT OF THE REQUIREL'1EJTS FOR THE DEGREE OF MASTER OF SCIENCE IN TEXTILES A D CLO THI G IN THE GRADUATE SCHOOL OF THE TEXAS WOMAN 'S U IVERSITY COLLEGE OF UTRITION, TEXTILES AND HUMM DEVELOPME T BY SALLY CRISLER LO\ E , B . S . DE TO I TEXAS AUGUST I 198 1 -n • -.,~ • ! f ..f /'! 'I t"' i vr( '. ~ ~ d-- I/ { { ~- Texas VVoman's University Denton, Texas July 14 81 19 ------ We hereby recon1mend that the thesis prepared under our'supervision by Sally Crisler LOvJe entitled The Physical Properties and Wash-and-Wear Petfcirmance of Viyella, A Wool and Cotton Blend Fabric be accepted as fulfilling this part of the requiren1ents for the Degree of Master of Science in Textiles and Clothing Dissertation/Theses signature page is here. To protect individuals we have covered their signatures. TABLE OF CONTENTS LIST OF ILLUSTRATIONS v LIST OF TABLES . vii ACKNO~\TLEDGENENTS X Chapter I. INTRODUCTION . 1 Justification for Study . 2 Statement of Problem . • . • . • • . • 4 Objectives of Study . 4 Delimitations . .•..•. 5 II. REVIE\v OF LITERATURE 6 III. PLAN OF PROCEDURE . 10 Fabric Types . • . 10 Laundering Procedure . • • . • . 10 Equipment . • . • • . 13 Fabric Evaluations . 14 Fiber Content • . • . • 14 Yarn Count . • . • • . 15 Fabric Weight . • 15 Breaking Strength • . 16 Tearing Strength • . 17 Durable Press Appearance . • • . 17 Pilling Resistance . 18 Dimensional Stability . 19 Colorfastness . 21 Whiteness Retention . • . 21 Statistical Analysis . 22 IV. PRESENTATION OF DATA AND DISCUSSION OF FINDINGS . • . 23 Fabric Description . -
Globalization, Youth and Khadi
6 Globalization, Youth and Khadi Upinder Kaur* and Hitender Singh Rathore** Khadi is hand woven, hand spun fabric made with natural fibers. Unique features like zero carbon footprint make Khadi, India’s truly indigenous textile. There is a strong demand for fashion apparels in the Indian market.The buying behaviour of Indian apparel sector is affected by the existence of young population, globalization, higher buying power, and self-image. This paper investigates the perception of the brand image of Khadi and preference of Khadi textiles/apparel among the youth in Delhi between the age group 20-35 years. Purposive sampling was conducted through structured questionnaire and observation of 168 young consumers at malls and shopping centers. The Major Statistical tool used for analysis was ANOVA.This study finds the inclination of the youth is more towards International and other domestic fashion brands in comparison to the brand Khadi. Based on the findings, recommendations are suggested to Khadi textile industry so that it could become youth-centric. [Keywords : Globalization, Youth, Khadi, Brand awareness, Brand perception, Self-image]. 1. Introduction In Mahatma Gandhi’s own words Khadi is defined as “Hand-woven cloth made of hand-spun yarn is of course khadi, however fine it may be. It may be made of cotton, silk or even of wool. One should wear whichever of these one happens to find convenient. The khadi from Andhra is very fine. In Assam, one can get some khadi made of silk. Woollen khadi is made in Kathiawar. In other words, the only criterion of khadi is its being hand-spun and hand-woven” (Gandhi, CWMG, Vol 28, 1925). -
Sharing the Magic of Indian Handspun, Handloom Cotton
Fumie Kobayashi Born in Osaka Prefecture in 1973, Kobayashi developed an interest in cloth as a child through the influence of her grandparents, who worked in textiles. After graduating from Sophia University in Tokyo, he history of handspun, Today, the textile industry is she started her career in media and later switched to consulting. Now she is president of CALICO LLC, handloom cotton in India one of India’s major industries, which serves as a sales agency for Indian handspun, handloom cotton and its products. T goes back very far. It is said that employing around 35 million people. people have been making such cloth The handloom industry, which is in the Indus Valley Civilization since part of it, accounts for 95 percent around 2000 BC. Fumie Kobayashi, of the entire world’s handloom president of CALICO LLC, is fascinated production, with an estimated 4.3 by the texture and beauty of Indian million or so handloom weavers in traditional handspun, handloom India. Surrounding a single artisan cotton. While working in the Delhi weaver are many men and women office of a consulting company, cooperating in various jobs, such she started dreaming of “further as spinning yarn, preparing warps Above: CALICO has made its own original brass printing plate and uses Ajrakh spreading the skills and promoting and wefts and dyeing, washing and block-print techniques to replicate the patterns of hand-printed sarasa cloth with a contemporary flair. an appreciation of Indian handspun, selling the cloth. “India’s father of Right: A beautiful embroidered and appliqué Rabari tote bag. -
A Dictionary of Men's Wear Works by Mr Baker
LIBRARY v A Dictionary of Men's Wear Works by Mr Baker A Dictionary of Men's Wear (This present book) Cloth $2.50, Half Morocco $3.50 A Dictionary of Engraving A handy manual for those who buy or print pictures and printing plates made by the modern processes. Small, handy volume, uncut, illustrated, decorated boards, 75c A Dictionary of Advertising In preparation A Dictionary of Men's Wear Embracing all the terms (so far as could be gathered) used in the men's wear trades expressiv of raw and =; finisht products and of various stages and items of production; selling terms; trade and popular slang and cant terms; and many other things curious, pertinent and impertinent; with an appendix con- taining sundry useful tables; the uniforms of "ancient and honorable" independent military companies of the U. S.; charts of correct dress, livery, and so forth. By William Henry Baker Author of "A Dictionary of Engraving" "A good dictionary is truly very interesting reading in spite of the man who declared that such an one changed the subject too often." —S William Beck CLEVELAND WILLIAM HENRY BAKER 1908 Copyright 1908 By William Henry Baker Cleveland O LIBRARY of CONGRESS Two Copies NOV 24 I SOB Copyright tntry _ OL^SS^tfU XXc, No. Press of The Britton Printing Co Cleveland tf- ?^ Dedication Conforming to custom this unconventional book is Dedicated to those most likely to be benefitted, i. e., to The 15000 or so Retail Clothiers The 15000 or so Custom Tailors The 1200 or so Clothing Manufacturers The 5000 or so Woolen and Cotton Mills The 22000 -
3.App-EFFECT of MERCERIZATION UNDER TENSION on THE
IMPACT: International Journal of Research in Applied, Natural and Social Sciences (IMPACT: IJRANSS) ISSN(P): 2347-4580; ISSN(E): 2321-8851 Vol. 5, Issue 4, Apr 2017, 19-26 © Impact Journals EFFECT OF MERCERIZATION UNDER TENSION ON THE DRAPABILITY AND STRENGTH OF COTTON KHADI FABRIC ADYA TIWARI 1 & RAJKUMARI JAIN 2 1Department of Textiles & Apparel Designing, College of Home Science, MPUAT, Udaipur, India 2Department of Clothing & Textiles, College of Home Science, Banasthali University, Rajasthan, India ABSTRACT Present study was aimed at assessing the effect of mercerization under tension on physical properties (drapability and tensile strength) of gray cotton khadi fabric. Different parameters of mercerization treatment such as conc. of sodium hydroxide palates and time duration of the treatment were optimized. Two methods of the treatment were given (slack mercerization and mercerization under tension) at 40 °C with different concentrations (5%, 15% and 25%) for different time periods (10min, 20min and 30min). The treated cotton khadi fabric was evaluated in terms of tensile strength and drapability of cotton khadi fabric. Mercerization under tension gave the best results with 25% concentration of NaOH for 30min at 40 °C followed by the fabric, with different time (10min and 20min) duration of the treatment. The results showed that as the time and concentrations were increased, the tensile strength was also increased of mercerization under tension as compare to the controlled and slack mercerization samples. Some properties were decreased after mercerization treatment for example %drape co-efficient was decreased and drape area also decreased means andanother mode of subjective expression of drapability i.e. higher the no. -
Tootal Recall Tscarves and Pocket Squares Inspired Once Championed by Raffish Mods in the 1960S, by Its Own Impeccably Stylish Herit- Age—Underwent a ‘Quiet Relaunch’
HREE years ago, a vene- rable British company called Tootal—its stock in trade vintage-look men’s Tootal recall Tscarves and pocket squares inspired Once championed by raffish Mods in the 1960s, by its own impeccably stylish herit- age—underwent a ‘quiet relaunch’. Tootal’s paisley-print and polka-dot scarves are making Throughout the second quarter of the last century, Tootal sold quantities quite a comeback, reports Matthew Dennison of such scarves, alongside Tootal ties, which it promoted vigorously with the advertising slogan ‘Every Man Needs… Tootal Ties’. At a time when tie-wearing is in decline, and increasingly informal men’s dress nullifies Tootal’s one- time claim that it produced a tie ‘to suit every occasion from a board meeting to a boxing match’ and ‘every activity from banking to bird watching’, the current renaissance of the Tootal scarf and the company’s fortunes is partly attributable to cele- brity endorsement. Musicians such as Liam Gallagher and Paul Weller have been photographed wearing Tootal scarves as has actor Benedict Cumberbatch. Tootal itself claims that its ties and scarves, manufactured at affordable prices—and, in the case of Tootal ties, in washable, uncreasable fabrics, often striped or with small-scale geometric patterns—had a particu- lar appeal for working-class shoppers. Today, Tootal’s polka-dot and pais- ley-print scarves in traditionally masculine colours are made from fringed silk and aim at a classless Benedict Since 1991, the Tootal brand has as ‘Tootal Cloth’ and striped men’s demographic. They Cumberbatch formed part of Coats Viyella. -
Weavers , Iron Smelters and Factory Owners
6 Weavers, Iron Smelters and Factory Owners Fig. 1 Fig. 1 – Trading ships on the port of Surat in the seventeenth century Surat in Gujarat on the west coast of India was one of the most important ports of the Indian Ocean trade. Dutch and English trading ships began using the port from the early seventeenth century. Its importance declined in the eighteenth century. This chapter tells the story of the crafts and industries of India during British rule by focusing on two industries, namely, textiles and iron and steel. Both these industries were crucial for the industrial revolution in the modern world. Mechanised production of cotton textiles made Britain the foremost industrial nation in the nineteenth century. And when its iron and steel industry started growing from the 1850s, Britain came to be known as the “workshop of the world”. The industrialisation of Britain had a close connection with the conquest and colonisation of India. You have seen (Chapter 2) how the English East India Company’s interest in trade led to occupation of territory, and how the pattern of trade changed over the decades. In the late eighteenth century the Company was buying goods in India and exporting them to England and Europe, making profit through this sale. With the growth of industrial production, British industrialists began to see India as a vast market for their industrial products, and over time manufactured goods from Britain began flooding India. How did this affect Indian crafts and industries? This is the question we will explore in this chapter. 65 2019-200 Indian Textiles and the World Market Let us first look at textile production.