DOCSLIB.ORG

Confusion De Confusiones

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Confusion De Confusiones Confusion de Confusiones Josseph de la Vega editie M.F.J. Smith / vertaling G.J. Geers bron Josseph de la Vega, Confusion de Confusiones (ed. M.F.J. Smith). Martinus Nijhoff, Den Haag 1939 Zie voor verantwoording: http://www.dbnl.org/tekst/vega002conf01_01/colofon.htm © 2008 dbnl / erven G.J. Geers & M.F.J. Smith V Naamlijst der leden van het Nederlandsch Economisch-Historisch Archief op 1 januari 1939 Bestuur: Jhr. dr. P.J. van Winter, te Amsterdam, Voorzitter. (1942). Mr. Chr. P. van Eeghen, Lid der Directie der Nederlandsch-Indische Handelsbank te Amsterdam, Onder-Voorzitter. (1944). H.G.A. Elink Schuurman, te Zeist, 2e Secretaris-Penningmeester. (1944). W.A. Engelbrecht, oud-voorzitter der Kamer van Koophandel en Fabrieken, te Rotterdam. (1934). Mr. P. Hofstede de Groot, Directeur der Amsterdamsche Bank, te Amsterdam. (1943). M. Lam Jr., chef der firma M. Lam Jr., te Amsterdam. (1943). Prof. Mr. N.W. Posthumus, Hoogleeraar in de Economische Geschiedenis aan de Universiteit van Amsterdam, 1e Secretaris (Apollolaan 72, Amsterdam). Dr. C.J.K. van Aalst, Oud-President der Nederlandsche Handel Maatschappij, te Hoevelaken. (1942). A. Andriesse, lid der firma Pierson en Co., te Amsterdam. (1943). Mr. H.T. Asser, te Laren (1941). Mr. J. Bierens de Haan, te Haarlem. Prof. dr. H. Brugmans, oud-hoogleeraar in de Algemeene Geschiedenis aan de Universiteit van Amsterdam, te Amsterdam (1943). Mr. A. le Cosquino de Bussy, gemeente-archivaris, te Amsterdam. (1944). M. Taudin Chabot, lid der directie der Nederlandsche Handel Maatschappij, te Amsterdam. (1944). Gottfr. H. Crone, Voorzitter der Kamer van Koophandel en Fabrieken, te Amsterdam. (1942). Mr. D.A. Delprat, directeur der Stoomvaart Maatschappij Nederland, te Amsterdam. (1943). Mr. P. Dieleman, advocaat, te Middelburg (1944). J. van Eck, makelaar, te Amsterdam (1941). Dr. F.H. Fentener van Vlissingen, Voorzitter der Internationale Kamer van Koophandel, te Utrecht. (1944) Prof. dr. P. Geyl, hoogleeraar in de Geschiedenis aan de Rijks-Universiteit te Utrecht (1945). Mr. H.A. Hartogh, te Amsterdam. (1941). Josseph de la Vega, Confusion de Confusiones VI Dr. E. Heldring, oud-voorzitter der Kamer van Koophandel en Fabrieken te Amsterdam. (1944). Mr. H.C. Hintzen, lid der firma R. Mees en Zoonen, te Rotterdam. Dr. H.M. Hirschfeld, Directeur-Generaal van Economische Zaken, te 's-Gravenhage. (1943). G.J. Honig, te Zaandijk. (1942). J. Hudig W. C.zoon, te Rotterdam. (1943). Ir. H.I. Keus, directeur der Heemaf, te Hengelo (O.) (1945). Ir. J.E.F. de Kok, president-directeur der Koninklijke Nederlandsche Petroleum Maatschappij te 's-Gravenhage. Jhr. F.J.E. van Lennep, lid der firma Patijn, van Notten & Co., te Amsterdam. (1944). Dr. F. Mannheimer, chef van Mendelssohn & Co., te Amsterdam. (1943). Mr. Aug. Matthes, advocaat, te Soerabaya. (1944). G.W. Melchers, oud-lid der Tweede Kamer, te 's-Gravenhage. (1945). Ir. J.C. Mollema, te 's-Gravenhage. (1943). W. Redelmeier, chef der firma Albert de Bary, te Amsterdam. (1944). L.V. van Rossem, te Rotterdam. (1944). B.E. Ruys, lid der Directie van de Stoomvaart Maatschappij ‘Rotterdamsche Lloyd’. (1944). Alb. Spanjaard, Oud-Voorzitter van het Centraal Industriëel Verbond, te 's-Gravenhage. (1943). A.W. Wichers Hoeth, te Amsterdam. (1945). Het Dagelijksch Bestuur wordt gevormd door de eerstgenoemde zeven personen. Raad van advies: Prof. Mr. P.J.M. Aalberse, Oud-Minister van Arbeid, Handel en Nijverheid, te 's-Gravenhage. A. de Bijll Nachenius, te Amsterdam. Mr. R. Bijlsma, Algemeen Rijksarchivaris, te 's-Gravenhage. Mr. D. Crena de Iongh, President der Nederlandsche Handel Maatschappij, te Amsterdam. J.H.J. van Deventer, te Amsterdam. Dr. J.G. van Dillen, oud-onder-directeur van de Commissie voor 's Rijks Geschiedkundige Publicatiën, te Amsterdam. Edo Fimmen, oud-secretaris van het Internationaal Verbond van Vakvereenigingen, te Amsterdam. Prof. Dr. Th. Goossens, Hoogleeraar in de Economische Geschiedenis aan de Roomsch-Katholieke Handels-Hoogeschool te Tilburg. Dr. H.C. Hazewinkel, gemeente-archivaris te Rotterdam. Josseph de la Vega, Confusion de Confusiones VII Dr. F. van Heek, privaat-docent aan de Universiteit van Amsterdam, te Amsterdam. K.F.J. Heringa, oud-administrateur, chef van de afdeeling Handel van het Departement van Arbeid, Handel en Nijverheid, te 's-Gravenhage. Prof. Dr. A.O. Holwerda, Directeur der Nationale Levensverzekering Bank, te Rotterdam. K.C. Honig Mzn., te Bloemendaal. Mevr. de Wed. J.H. der Kinderen-Besier, te Amsterdam. E.H. Krelage, voorzitter van de Algemeene Vereeniging voor Bloembollencultuur, te Haarlem. A. Labouchère, Oud-Directeur der Delftsch Aardewerkfabriek ‘De Porceleyne Fles’ te Delft, te Vogelenzang. Dr. W.W. van der Meulen, oud-wethouder van Onderwijs, te 's-Gravenhage. Hendrik Muller, lid der Directie der firma Albert de Bary, te Amsterdam. Wouter Nijhoff, uitgever te 's-Gravenhage. N. Ottema, notaris te Leeuwarden. Eduard Polak, lid van Gedeputeerde Staten van Noord-Holland, te Amsterdam. Dr. Henri Polak, Voorzitter van den Algemeenen Nederlandschen Diamantbewerkersbond, te Laren (N.-H.). Edwin vom Rath, Lid der firma Reichmann & vom Rath, te Amsterdam. Jhr. D.F. Reuchlin, Directeur der Internationale Viscose Compagnie, te Arnhem. Mr. H.J. Sjollema, advocaat, te Rotterdam. Mr. J.A. von Sonsbeeck, oud-secretaris van de Vereeniging voor den Effectenhandel, te Amsterdam. Mr. B.J.M. van Spaendonck, te Tilburg. Mr. P.G. van Tienhoven, Voorzitter van de Vereeniging tot bescherming van Natuurmonumenten, te Amsterdam. Dr. W.S. Unger, Gemeente-archivaris van Middelburg. P. Visser, administrateur, chef van de afdeeling Kunsten en Wetenschappen van het Departement van Onderwijs, Kunsten en Wetenschappen, te 's-Gravenhage. W.G. Wendelaar, Oud-Voorzitter van de Vereeniging voor den Effectenhandel, te Brussel. Josseph de la Vega, Confusion de Confusiones VIII Commissie voor de publicatiën Jhr. dr. P.J. van Winter, Voorzitter. (1942). Dr. J.G. van Dillen. (1944). Dr. W.S. Unger. (1943). Prof. mr. N.W. Posthumus, Secretaris. Commissie voor het archief Mr. Chr. P. van Eeghen, Voorzitter. (1944). Mr. A. le Cosquino de Bussy. (1943). H.G.A. Elink Schuurman. (1944). Prof. mr. N.W. Posthumus, Secretaris. Eereleden Prof. Dr. Alfons Dopsch, Weenen. Prof. Henri Hauser, Parijs. Prof. Dr. Werner Sombart, Berlijn. Leden (De oprichters der Vereeniging zijn door * aangeduid) Prof. Mr. P.J.M. Aalberse, te 's-Gravenhage. Dr. C.J.K. van Aalst, te Hoevelaken. Prof. dr. P.J.A. Adriani, te Amsterdam. A. Andriesse, te Amsterdam. Mr. H.T. Asser, te Laren. J. Baruch, te Buenos-Ayres. Mr. H.L. de Beaufort, te Hilversum. H. van Beek, te Rotterdam. C.Th.J. van den Bergh, te Haarlem. F. Adolf L. van den Berg Jr., te Moergestel. Prof. Mr. G. van den Bergh, te Amsterdam. S. van den Bergh Jr., te Wassenaar. Th.P. van den Bergh, te Amsterdam. D.G. van Beuningen, te Rotterdam. Mr. J.W. Beyen, te Bazel. G. Bicker Caarten A.Jzn., te Rotterdam. Mr. P.A. Birnie, te Twello. Josseph de la Vega, Confusion de Confusiones IX B.H. Blankenberg, te Amsterdam. J.Th. Boelen, te Amsterdam. J. Boissevain, te Amsterdam. R.L. Boissevain, te Amsterdam. Prof. Dr. M. Bokhorst, te Pretoria. B. Bolderhey, te Amsterdam. H. Bos Kzn., te Rotterdam. H.W. Bosch, te 's-Gravenhage. E.F. Botma, te Groningen. J.D. Brand, te Overveen. Jules Bromet, te Amsterdam. *Prof. Dr. H. Brugmans, te Amsterdam. Dr. I.J. Brugmans, te Weltevreden. Prof. Mr. G.W.J. Bruins, te Wassenaar. J. Brumsen, te Banda- Neira. G.H. Bührmann, te Overveen. J.N. Burger, te Amsterdam. W. Burmann, te Amsterdam. Mr. A. le Cosquino de Bussy, te Amsterdam. C.L. le Cosquino de Bussy, te Amsterdam. A. de Bijll Nachenius, te Amsterdam. H. van der Bijll, te Amsterdam. Mr. R. Bijlsma, te 's-Gravenhage. D. ten Cate Brouwer, te Alfen a/d Rijn. J.B. Catz, te New-York. M. Taudin Chabot, te Amsterdam. F.H. Charbon, te Amsterdam. Prof. G.N. Clark, te New Barn, near Oxford. Jhr. Mr. Dr. J.R. Clifford Kocq van Breugel, te Driebergen. Mr. J. Coert, te Rotterdam. A. Cohen, te Amsterdam. Prof. Mr. I.B. Cohen, te Groningen. C.J. baron Collot d'Escury, te Amsterdam. H.W. Cremer, te Amsterdam. Mr. D. Crena de Iongh, te Amsterdam. J.P. Croin, te Rotterdam. Gottfr. H. Crone, te Amsterdam. J.H. Crucq, te Amsterdam. D.H. van Dam, te Amsterdam. J.W. Dekker, te Wormerveer. Mr. D.A. Delprat, te Amsterdam. J.H.J. van Deventer, te Amsterdam. E. Diamant, te Amsterdam. Mr. P. Dieleman, te Middelburg. H. Diemer, te Rotterdam. E. van Dien, te Amsterdam. Prof. Mr. P.A. Diepenhorst, te Amsterdam. Josseph de la Vega, Confusion de Confusiones X Dr. J.G. van Dillen, te Amsterdam. W.N.J. van Ditmar, te Wassenaar. Ir. L. Doedes, te 's-Gravenhage. B. van Donselaar, te Rotterdam. Mr. E.L.G. den Doorn de Jong, te Voorburg. W. van Driel Jr., te Wassenaar. Mr. J. Drost, te Rotterdam. S. Duintjer, te Wildervank. G.A. Dunlop, te Amsterdam. J.F. Duwaer, te Amsterdam. J. van Eck, te Amsterdam. E. Edersheim, te 's-Gravenhage. *Mr. Chr. P. van Eeghen, te Amsterdam. D.C. van Eibergen Santhagens, te Amsterdam. *H.G.A. Elink Schuurman, te Zeist. W.A. Engelbrecht, te Rotterdam. E. Enthoven, te Baarn. Dr. H.E. Enthoven, te Baarn. L. van Essen Lzn., te Bloemendaal. Paul D. Evans, te Burlington, Vermont (U.S.A.) G.F. Evelein, te Eindhoven. P.H. Faber, te Amsterdam. Dr. J.J. Fahrenfort, te Amsterdam. F.H. Fentener van Vlissingen, te Utrecht. Edo Fimmen, te Amsterdam. S.J. Flörsheim, te Amsterdam. Mr. D. Fock, te 's-Gravenhage. Th. Folkers, te 's-Gravenhage. R.K. Fraay, te Johannesburg (Z.-A.) Mr. Th.A. Fruin, te Rotterdam. E. Fuld, te Amsterdam. Nico van Gelder, te Bloemendaal. H.P. Gelderman, te Oldenzaal. D.G. Gerrits, te Amsterdam. Jul. Ed. Gerzon, te Amsterdam. Prof. Dr. P. Geyl, te Utrecht.
Load more

Recommended publications
  • Handel's Oratorios and the Culture of Sentiment By
    Virtue Rewarded: Handel’s Oratorios and the Culture of Sentiment by Jonathan Rhodes Lee A dissertation submitted in partial satisfaction of the Requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Davitt Moroney, Chair Professor Mary Ann Smart Professor Emeritus John H. Roberts Professor George Haggerty, UC Riverside Professor Kevis Goodman Fall 2013 Virtue Rewarded: Handel’s Oratorios and the Culture of Sentiment Copyright 2013 by Jonathan Rhodes Lee ABSTRACT Virtue Rewarded: Handel’s Oratorios and the Culture of Sentiment by Jonathan Rhodes Lee Doctor of Philosophy in Music University of California, Berkeley Professor Davitt Moroney, Chair Throughout the 1740s and early 1750s, Handel produced a dozen dramatic oratorios. These works and the people involved in their creation were part of a widespread culture of sentiment. This term encompasses the philosophers who praised an innate “moral sense,” the novelists who aimed to train morality by reducing audiences to tears, and the playwrights who sought (as Colley Cibber put it) to promote “the Interest and Honour of Virtue.” The oratorio, with its English libretti, moralizing lessons, and music that exerted profound effects on the sensibility of the British public, was the ideal vehicle for writers of sentimental persuasions. My dissertation explores how the pervasive sentimentalism in England, reaching first maturity right when Handel committed himself to the oratorio, influenced his last masterpieces as much as it did other artistic products of the mid- eighteenth century. When searching for relationships between music and sentimentalism, historians have logically started with literary influences, from direct transferences, such as operatic settings of Samuel Richardson’s Pamela, to indirect ones, such as the model that the Pamela character served for the Ninas, Cecchinas, and other garden girls of late eighteenth-century opera.
    [Show full text]
  • Memorial ? У$ Delastres
    Ц IÎÏ3W MEMORIAL ? У$ DELASTRES PARTENOPES. DEDICADO AL EXCELENTÍSIMO SEÑOR D. GASPAR DEHARO<# YGVZMAN MARQ3/ES DEL CARPIO,&c. Virey j Lugarteniente, y Capitán General del Reyno de Na- POR EL MAESTRO/ *3 / FR. MANVEL PONZE D_E S O T -Ó CARMELITA. En Ñapóles , Por Nouelo de Bonis Impreffor Arzo- bifpal , añ. 1683. Con licencia délos Superiores, PArthenope,triplexiGentilis,Sàcraque,Siren Princeps ! ab SOTO , traditur Obsequio : Sic íìmul>& fuadecrecreat; sic ducitad ARAS Sicque triceps, HARO, redditur Imperium. Memorial délas tres Partenopes , ; • lentil, Syrena, y Sacra. ;. AL EXCELENTISS. SEÑOR D. G ASP Ж DE HARO, T GVZMAN , Marques del С arpio , Duque de Montoro^ Conde Duque de Oliuares , Conde de Mo- rotetMarques de Heltchei Señor del E fiado de Soruas^y délas fíete Villas ,y del Capillo de Carbonera) y de Loeches : Ale ay de perpe tuo délos Reales Alcafares ,y Torres , déla Ciudad de Cor doua , CauallerizjO major perpetuo déla mifma Ciudadsy déla S.Tn- quificion de ella ; Alcayde perpetuo délos Reales Alcafares, y Atarazanas déla Ciu dad de S eu tila : Alcayde perpetuo del С aßt- ¡lo \y Fortalezca de la mifma\ Alcayde per* ^ peino delC aß tilo ty Fortalezca déla Ciudad de Moxacan Alcayde délos Reale s Sitios del PardofZarZjUeta>Bal.S. Ger.yBalfain\Gra Canciller délai Tndiasy regi fir ador perpe tuo de ellas : С orne dador mayor déla Orden de Alcantaras Gentil hombre déla Cámara de S.M.yfu Montero mayor: délos Confesos de E fiado , y Guerra de S. M. Embaytdot Ordinario;) extraordinario por S M ala S. 4e InnXiyireyy Capita General del Rey- fio de Ñapóles ¡Gran de de E/paña.
    [Show full text]
  • Saul, Doeg, Nabal and the “Son of Jesse”: Readings in 1 Samuel 16—25
    Saul, Doeg, Nabal and the “Son of Jesse”: Readings in 1 Samuel 16—25 By Joseph Lozovyy Ph.D. Thesis The University of Edinburgh 2006 TO MY PARENTS DECLARATION I declare that I have composed Saul, Doeg, Nabal and the “Son of Jesse”: Readings in 1 Samuel 16—25 and that it is my own work, that it has not been submitted, in whole or in part, for any other degree or professional qualification, and that all sources used or quoted have been indicated and acknowledged by complete references. Joseph Lozovyy TABLE OF CONTENTS Abbreviations . ix Abstract . xiii Foreword . xiv CHAPTER I INTRODUCTION I. Introductory Remarks . 1 II. Various Approaches to 1 Sam. 25 . 3 A. Historical Critical Approaches to 1 Sam. 25 . 3 B. Literary approaches to 1 Sam. 25 . 8 1. David as the Hero of the Story . 15 a) Positive Views . 16 b) Negative Views . 20 c) Narrative Analogy . 21 2. Abigail as the Heroine of the Story . 23 3. Nabal as the Hero of the Story . 26 III. The Stories in 1 Sam 21 and 22 . 27 A. Difficulties and Tensions in Studying 1 Sam. 21 and 22 . 27 B. Literary Approaches to 1 Sam. 21 and 22 . 31 1. Negative Views of David . 32 2. Positive and Semi-Positive Views of David . 35 IV. MT, LXX, Q and Josephus in 1 Sam. 16—25 . 40 A. Samuel Scroll in Qumran . 41 B. The Septuagint Versions of 1—2 Samuel (1—2 Reigns) . 44 C. The Text of Samuel in MT, LXX, Q and Josephus . 46 D.
    [Show full text]
  • The Works of Sir Walter Ralegh, Kt: the History of the World
    Acerca de este libro Esta es una copia digital de un libro que, durante generaciones, se ha conservado en las estanterías de una biblioteca, hasta que Google ha decidido escanearlo como parte de un proyecto que pretende que sea posible descubrir en línea libros de todo el mundo. Ha sobrevivido tantos años como para que los derechos de autor hayan expirado y el libro pase a ser de dominio público. El que un libro sea de dominio público significa que nunca ha estado protegido por derechos de autor, o bien que el período legal de estos derechos ya ha expirado. Es posible que una misma obra sea de dominio público en unos países y, sin embargo, no lo sea en otros. Los libros de dominio público son nuestras puertas hacia el pasado, suponen un patrimonio histórico, cultural y de conocimientos que, a menudo, resulta difícil de descubrir. Todas las anotaciones, marcas y otras señales en los márgenes que estén presentes en el volumen original aparecerán también en este archivo como testimonio del largo viaje que el libro ha recorrido desde el editor hasta la biblioteca y, finalmente, hasta usted. Normas de uso Google se enorgullece de poder colaborar con distintas bibliotecas para digitalizar los materiales de dominio público a fin de hacerlos accesibles a todo el mundo. Los libros de dominio público son patrimonio de todos, nosotros somos sus humildes guardianes. No obstante, se trata de un trabajo caro. Por este motivo, y para poder ofrecer este recurso, hemos tomado medidas para evitar que se produzca un abuso por parte de terceros con fines comerciales, y hemos incluido restricciones técnicas sobre las solicitudes automatizadas.
    [Show full text]
  • Handel Newsletter-2/2001 Pdf
    NEWSLETTER of The American Handel Society Volume XV, Number 3 December 2000 MHF 2001 The 2001 Maryland Handel Festival & Conference marks the conclusion of the Festival’s twenty-year project of performing all Handel’s dramatic English oratorios in order of composition. With performances of THEODORA, May 4 and JEPHTHA, May 6 conducted by Paul Traver, we welcome back to the MHF stage soloists from previous seasons including: Linda Mabbs and Sherri Karam, soprano; Lorie Gratis and Leneida Crawford, mezzo-soprano; Derek Lee Ragin, countertenor; Charles Reid, tenor; Philip Collister, bass; with the Smithsonian Chamber Orchestra, Kenneth Slowik, Music Director; the University of Maryland Chorus, Edward Maclary, Music Director; and The Maryland Boys Choir, Joan Macfarland, director. As always, the American Handel Society and Maryland Handel Festival will join forces to present a scholarly conference, which this year brings together internationally renowned scholars from Canada, England, France, Germany, and the United States, and which will consist of four conference sessions devoted to various aspects of Handel studies today. Special events include the Howard Serwer Lecture (formerly the American Handel Society Lecture), to be presented on Saturday May 5 by the renowned HANDEL IN LONDON scholar Nicholas Temperley, the American Handel Society Dinner, later that same evening, and the pre- By 2002 there will be at least six different institutions concert lecture on Sunday May 6. in London involved with Handel: The conference and performances will take place in 1. British Library the new Clarice Smith Performing Arts Center at the University of Maryland; lodgings will once again be located at the Inn and Conference Center, University The British Library, holding the main collection of of Maryland University College, where the Society Handel autographs, is (together with the Royal dinner will also take place.
    [Show full text]
  • David and Goliath: an Oratorio
    David and Goliath: An Oratorio John-Luke Addison A thesis submitted to the Faculty of Graduate Studies in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Music York University Toronto, ON April 2015 © John-Luke Addison, 2015 Abstract This thesis involves composing a dramatic work, David and Goliath: An Oratorio, for chorus and orchestra, with an emphasis on emulating eighteenth-century English oratorio style. A framework for writing compositions based on appropriating foreign cultural or historical characteristics is suggested, with specific emphases on choral works incorporating sacred text. The Baroque oratorio’s history is examined, and its prominence in ‘Georgian’ Britain throughout the eighteenth century and its corresponding stylistic aspects is investigated, including form, instrumentation, notation, harmony, and text. In addition, the cross-cultural differentiations of the biblical text of David and Goliath are discussed, as it is paraphrased into a libretto to complement music with similar tonality, figurations, and harmonic language of late Baroque style. ii Acknowledgements I wish to express my gratitude to a number of individuals who have assisted me on this thesis, through suggestions, editing, and support. First, I am indebted to Professor Stephanie Martin of York University and her devoted time and effort to supervising my research, as well as Professors Mark Chambers, Michael Coghlan, and Michael Greyeyes for their valuable help with consultations and editing. I also extend my appreciation to all the administrative staff that have made this journey possible, especially Tere Tilban-Rios and her constant support and aid. Furthermore, I am appreciative for the support of Robert Cooper and Chorus Niagara for performing portions of the music, and their helpful suggestions and counsel.
    [Show full text]
  • A Narrative Critical Reading of 1 Samuel 24-26
    DISCOVERING DAVID IN LIGHT OF 1 SAMUEL 25: A NARRATNE CRITICAL READING OF 1 SAMUEL 24-26 by Adam Stewart Brown, B.Soc.Sci., M.T.S. A thesis submitted to The Faculty of McMaster Divinity College In partial fulfillment of the requirements For the degree of Master of Arts in Christian Studies McMaster Divinity College Hamilton, Ontario 2009 Master of Arts in Christian Studies McMASTER DIVIN1TY COLLEGE Hamilton, Ontario TITLE: Discovering David in Light of 1 Samuel 25: A Narrative Critical Reading of 1 Samuel 24-26 AUTHOR: Adam Stewart Brown SUPERVISOR: MarkJ. Boda NUMBER OF PAGES: ix + 168 ii McMASTER DIVINITY COLLEGE Upon the recommendation of an oral examination comprlttee, this thesis by Adam Brown is hereby accepted in partial fulfillment of the requirements for the degree of Master of Arts in Christian Studies Primary Supervisor ~z{t'..l"'fL(secoJl(l;ry Supervis ~iCDean Date: March 23, 2009 iii ABSTRACT Discovering David in Light of 1 Samuel 25: A Narrative Critical Reading of 1 Samuel 24-26 Adam Stewart Brown McMaster Divinity College Hamilton, Ontario Master of Arts in Christian Studies, 2009 Although David seems to be characterized differently in 1 Samuel 25 than in 1 Samuel 24 and 26, the literary cohesion ofthese three chapters suggests otherwise. By exploring the parallels in setting, plot, characterization, and style between each chapter this study uncovers a multidimensional characterization of David. Nabal is established as Saul's surrogate and David's men (in 1 Sam 24), Abishai (in 1 Sam 26), and Abigail (in 1 Sam 25) are demonstrated to be David's alter-egos.
    [Show full text]
  • Thomas Morell and His Letter About Handel Author(S): Ruth Smith Reviewed Work(S): Source: Journal of the Royal Musical Association, Vol
    Thomas Morell and His Letter about Handel Author(s): Ruth Smith Reviewed work(s): Source: Journal of the Royal Musical Association, Vol. 127, No. 2 (2002), pp. 191-225 Published by: Taylor & Francis, Ltd. on behalf of the Royal Musical Association Stable URL: http://www.jstor.org/stable/3840463 . Accessed: 17/03/2012 11:56 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Royal Musical Association and Taylor & Francis, Ltd. are collaborating with JSTOR to digitize, preserve and extend access to Journal of the Royal Musical Association. http://www.jstor.org fournal ofthe RoyalMusical Association, 127 (2002) ? RoyalMusical Association Thomas Morell and his Letter about Handel RUTH SMITH Thomas Morell (1703-84) is known to music scholars chiefly as the librettist of Handel's oratorios Judas Maccabaeus (1747), Alexander Balus (1748), Theodora (1750) and Jephtha (1752). He is also important for having written another signal document: the longest and most detailed surviving first-hand description of collaboration with Handel.1 There is no biography of Morell, and modern accounts depend on the material
    [Show full text]
  • Primitive Culture : Researches Into the Development of Mythology
    PRIMITIVE CULTURE PRIMITIVE CULTURE RESEARCHES INTO THE DEVELOPMENT OF MYTHOLOGY, PHILOSOPHY, RELIGION LANGUAGE, ART, AND CUSTOM BY EDWARD B. TYLOR, D.C.L., LL.D., F.R.S. PROFESSOR OF ANTHROPOLOGY IN THE UNIVERSITY OF OXFORD AUTHOR OF "RFSEARCHES INTO THE EARLY HISTORY OF MANKIND," ETC. " Ce n'est pas dans les possibilites, c'est dans 1'homme meme qu'il faut etudier 1'homme : il ne s'agit pas d'imaginer ce qu'il auroit pu ou du faire, mais de regarder ce qu'il fait." DE BROSSES. IN TWO VOLUMES VOL. II LONDON JOHN MURRAY, ALBEMARLE STREET, W. 1920 PRINTED IN U.S.A. Translation and [Rights of Reproduction reserved} CONTENTS OF THE SECOND VOLUME. CHAPTER XII. ANIMISM (continued). of Soul's Existence after Death its main Trans- Doctrine ; divisions, migration and Future Life Transmigration of Souls : re-birth in Human and Animal Bodies, transference to Plants and Objects Resurrection of Body : scarcely held in savage religion Future Life : a general if not universal doctrine of low races Continued rather than second death of Soul Ghost existence, Immortality ; of Dead remains on if unburied its earth, especially corpse ; attachment to bodily remains Feasts of the Dead . CHAPTER XIII. ANIMISM (continued). Journey of the Soul to the Land of the Dead Visits by the Living to the Regions of Departed Souls Connexion of such legends with myths of Sunset : the Land of the Dead thus imagined as in the West Realization of current religious ideas, whether of savage or civilized theology, in narratives of visits to the Regions of Souls Localization of
    [Show full text]
  • Yhtenäistetty Georg Friedrich Händel
    Suomen musiikkikirjastoyhdistyksen julkaisusarja 143 Yhtenäistetty Georg Friedrich Händel Teosten yhtenäistettyjen nimekkeiden ohjeluettelo Heikki Poroila Suomen musiikkikirjastoyhdistys Helsinki 2011 Julkaisija ja kustantaja Suomen musiikkikirjastoyhdistys 8 Heikki Poroila 2011 3. laitos 2011 (PDF) Tämä julkaisu on tarkistettu ja korjattu laitos vuonna 1990 ilmestyneestä teoksesta Yh- tenäistetty Georg Friedrich Händel (ISBN 951-8903-18-2) ja sen vuonna 1997 julkais- tusta toisesta, tarkistetusta ja korjatusta painoksesta (ISBN 951-8903-66-2). 01.4 POROILA , HEIKKI Yhtenäistetty Georg Friedrich Händel : teosten yhtenäistettyjen nimekkeiden ohjeluet- telo / Heikki Poroila. – 3. laitos (PDF). – Helsinki : Suomen musiikki-kirjastoyhdistys, 2011. – 66 s. – (Suomen musiikkikirjastoyhdistyksen julkaisusarja, ISSN 0784-0322 ; 143). – ISBN 978-952-5363-42-5 (PDF) ISBN 978-952-5363-42-5 Oodi Georg Friedrichille Meillä Suomessa on pidetty tiukasti kiinni Saksan Hallessa syntyneen Georg Friedrich Händelin (23.2. 1685 - 14.4.1759) nimen saksalaisesta kieliasusta, vaikka säveltäjä kiistatta eli ja vaikutti valtaosan elämäs- tään Englannin maaperällä George Frideric Handelina. Yhtä tiukassa tuntuu olevan pinnallinen kuva sävel- täjästä lähinnä Messiaan , juhlavien konserttojen ja kauniiden huilusonaattien luojana. Ylen tavallinen Händelin ja Johann Sebastian Bachin rinnastaminen tuntuu sekin perustuvan lähinnä yhtä- aikaiseen esiintymiseen musiikin historiassa (säveltäjät olivat tunnetusti lähes täydellisesti ikätovereita, mo- lemmat syntyivät 1685
    [Show full text]
  • The P O Sitiv E Im Age O F Th E Jew in Th E COMEDIA
    The Positive Image o f the Jew in t h e C o m e d ia Andrew Herskovits U n iv e r sit y C o ll e g e L o n d o n A Thesis Submitted for the Degree of PhD, University of London UMI Number: U602598 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U602598 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 This thesis contains 98, 321 words ABSTRACT ‘The Positive Image of the Jew in the Comedia ’ by Andrew Herskovits University College London, PhD Thesis I will argue in this thesis that in the comedia the Jew was often but covertly portrayed with sympathy. In the Introduction some complex terms of reference, such as ‘Jew’, will be clarified. Chapter 1 describes the development, from the thirteenth to the seventeenth centuries, of the converso perspective, characterized by a critical attitude to the ruling ideology, based on individualism, heterodoxy and double language. This chapter also describes how the ideas of Christian Humanism were incorporated into the already existing, if limited, converso perspective to form part of the more ample intellectual equipment of Golden-Age dramatists.
    [Show full text]
  • The Mantle Dancer in the Hellenistic Period: Glorification of the Himation*
    THE MANTLE DANCER IN THE HELLENISTIC PERIOD The Mantle Dancer in the Hellenistic Period: Glorification of the Himation* Elisabet Friesländer Department of Art History, Tel Aviv University This article focuses on the continuity and change in artistic representations of the female veiled dancer in the Hellenistic period, compared to Classical originals and neo-Attic copies. I shall refer to this type of dancer as the “mantle dancer”, a term coined by previous researchers in the field.1 The mantle dance as a specific category is not mentioned in those ancient sources that attest to the existence of several kinds of dance in ancient Greece, though it has on occasion been related to the baukismos dance mentioned by Pollux.2 Knowledge on this dance is therefore based mainly on its abundant portrayal in works of art. The function and meaning of the mantle dance, though not completely clear, can be related to various contexts: religious, cultic, theatrical and popular. Thus, the scope of the artistic depictions comprises both cultic figurines and votive reliefs depicting Nymphs, Horai, Charites and Hesperides, as well as representations of professional dancers. Differentiation among representations of these divinities in works of art is often vague, and based mainly on their attire and attributes, the context of the scene and the accompanying figures. Identification becomes even more difficult in works by neo-Attic artists, who used to adapt and transform figures to suit them to other media and different artistic purposes, such as the production of serial reliefs. Though literary sources frequently refer to the Nymphs, Horai, Charites and Hesperides, with a profusion of detail concerning their attributes, nature and functions, and with emphasis on their dancing, visual representations reflect the literary concepts only to a very limited degree.
    [Show full text]