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飞鸟ä¹é ˜Ÿ 音樂專輯 串行 (专辑 & 时间表) Sweetheart of the Rodeo https://zh.listvote.com/lists/music/albums/sweetheart-of-the-rodeo-928243/songs Fifth Dimension https://zh.listvote.com/lists/music/albums/fifth-dimension-223578/songs Mr. Tambourine Man https://zh.listvote.com/lists/music/albums/mr.-tambourine-man-959637/songs Younger Than Yesterday https://zh.listvote.com/lists/music/albums/younger-than-yesterday-2031535/songs Ballad of Easy Rider https://zh.listvote.com/lists/music/albums/ballad-of-easy-rider-805125/songs (Untitled) https://zh.listvote.com/lists/music/albums/%28untitled%29-158575/songs Byrds https://zh.listvote.com/lists/music/albums/byrds-1018579/songs Dr. Byrds & Mr. Hyde https://zh.listvote.com/lists/music/albums/dr.-byrds-%26-mr.-hyde-1253841/songs Byrdmaniax https://zh.listvote.com/lists/music/albums/byrdmaniax-1018576/songs Byrdmaniax https://zh.listvote.com/lists/music/albums/byrdmaniax-1018576/songs Farther Along https://zh.listvote.com/lists/music/albums/farther-along-1397186/songs Easy Rider https://zh.listvote.com/lists/music/albums/easy-rider-1278371/songs History of The Byrds https://zh.listvote.com/lists/music/albums/history-of-the-byrds-16843754/songs The Byrds https://zh.listvote.com/lists/music/albums/the-byrds-16245109/songs There Is a Season https://zh.listvote.com/lists/music/albums/there-is-a-season-7782757/songs 20 Essential Tracks from the Boxed https://zh.listvote.com/lists/music/albums/20-essential-tracks-from-the-boxed-set%3A- Set: 1965–1990 1965%E2%80%931990-38341997/songs The -
Troyce Key Papers
http://oac.cdlib.org/findaid/ark:/13030/c88k7brh No online items Guide to the Troyce Key Papers Sean Heyliger African American Museum & Library at Oakland 659 14th Street Oakland, California 94612 Phone: (510) 637-0198 Fax: (510) 637-0204 Email: [email protected] URL: http://www.oaklandlibrary.org/locations/african-american-museum-library-oakland © 2013 African American Museum & Library at Oakland. All rights reserved. Guide to the Troyce Key Papers MS 83 1 Guide to the Troyce Key Papers Collection number: MS 83 African American Museum & Library at Oakland Oakland, California Processed by: Sean Heyliger Date Completed: 11/14/2013 Encoded by: Sean Heyliger © 2013 African American Museum & Library at Oakland. All rights reserved. Descriptive Summary Title: Troyce Key papers Dates: circa 1920s-1997 (b. 1958-1992) Collection number: MS 83 Creator: Key, Troyce. Collection Size: 5 linear feet(11 boxes + 1 oversized box) Repository: African American Museum & Library at Oakland (Oakland, Calif.) Oakland, CA 94612 Abstract: The Troyce Key papers include correspondence, photographs, financial records, flyers, publicity material, and publications documenting the musical career of blues musician and nightclub owner Troyce Key. The papers are organized in to four series: Eli Mile High Records, Eli’s Mile High Club & Restaurant records, photographs, and assorted material. Languages: Languages represented in the collection: English Access No access restrictions. Collection is open to the public. Access Restrictions Materials are for use in-library only, non-circulating. Publication Rights Permission to publish from the Troyce Key Papers must be obtained from the African American Museum & Library at Oakland. Preferred Citation Troyce Key papers, MS 83, African American Museum & Library at Oakland, Oakland Public Library. -
Bertus in Stock 7-4-2014
No. # Art.Id Artist Title Units Media Price €. Origin Label Genre Release Eancode 1 G98139 A DAY TO REMEMBER 7-ATTACK OF THE KILLER.. 1 12in 6,72 NLD VIC.R PUN 21-6-2010 0746105057012 2 P10046 A DAY TO REMEMBER COMMON COURTESY 2 LP 24,23 NLD CAROL PUN 13-2-2014 0602537638949 FOR THOSE WHO HAVE 3 E87059 A DAY TO REMEMBER 1 LP 16,92 NLD VIC.R PUN 14-11-2008 0746105033719 HEART 4 K78846 A DAY TO REMEMBER OLD RECORD 1 LP 16,92 NLD VIC.R PUN 31-10-2011 0746105049413 5 M42387 A FLOCK OF SEAGULLS A FLOCK OF SEAGULLS 1 LP 20,23 NLD MOV POP 13-6-2013 8718469532964 6 L49081 A FOREST OF STARS A SHADOWPLAY FOR.. 2 LP 38,68 NLD PROPH HM. 20-7-2012 0884388405011 7 J16442 A FRAMES 333 3 LP 38,73 USA S-S ROC 3-8-2010 9991702074424 8 M41807 A GREAT BIG PILE OF LEAVE YOU'RE ALWAYS ON MY MIND 1 LP 24,06 NLD PHD POP 10-6-2013 0616892111641 9 K81313 A HOPE FOR HOME IN ABSTRACTION 1 LP 18,53 NLD PHD HM. 5-1-2012 0803847111119 10 L77989 A LIFE ONCE LOST ECSTATIC TRANCE -LTD- 1 LP 32,47 NLD SEASO HC. 15-11-2012 0822603124316 11 P33696 A NEW LINE A NEW LINE 2 LP 29,92 EU HOMEA ELE 28-2-2014 5060195515593 12 K09100 A PALE HORSE NAMED DEATH AND HELL WILL.. -LP+CD- 3 LP 30,43 NLD SPV HM. 16-6-2011 0693723093819 13 M32962 A PALE HORSE NAMED DEATH LAY MY SOUL TO. -
The Original Byrds: Clockwise from Top Left, Roger (Neé Jim ) Mcguinn, Gene Clark, Chris Hill Man, Michael Clarke, and David Crosby
The original Byrds: Clockwise from top left, Roger (neé Jim ) McGuinn, Gene Clark, Chris Hill man, Michael Clarke, and David Crosby. PERFORMERS The Byrds BY BUD S C O P P A I I WAS DYLAN MEETS THE BEATLES.” That’s Roger McGuinn’s succinct explanation of the Byrds’ bold, brainy take on rock & roll. True enough: What the Byrds pulled off with 1965’s landmark Mr. Tambourine Man Was a resonant synthesis of the Beatles’ charged pro forma precision and Dylan’s mytho- poeic incantations. It turned out to be a startlingly perfect fit, inspiring much that has followed, from their mentors’ subsequent Rubber Soul and Blonde On Blonde to the work of such disparate inheritors as Tom Petty, R.E.M., U2, and Crowded House. Mr. Tambourine Man was the first rock & roll album with group vocals, sounded both totally fresh and strangely in a message, the first made up entirely of anthems, the first to evitable, as did the shimmering Bo Diddley groove of “Don’t render sound and meaning inseparable, Byrds music was Doubt Yourself, Babe” and the eerie atmospherics of “Here such a departure that it got its own name— “folk-rock”-^ Without You.” But the linchpin of the album was its triumvi making the Byrds the first hybrid band. The jaggedly beauti rate of folk-rock extravaganzas: Dylan’s “Mr. Tambourine ful sound of their 12-string electric guitars was said to have a Man” and “Chimes Of Freedom,” and Pete Seeger’s “The Bells “jingle jangle,” after the line in the Dylan-penned title song. -
Music Inspired by Astronomy, Organized by Topic an Annotated Listing by Andrew Fraknoi
Music Inspired by Astronomy, Organized by Topic An Annotated Listing by Andrew Fraknoi © copyright 2019 by Andrew Fraknoi. All rights reserved. Used with permission. Borresen: At Uranienborg Cage: Atlas Eclipticalis Glass: Orion Connections between astronomy and music have been proposed since the time of the ancient Greeks. This annotated listing of both classical and popular music inspired by astronomy restricts itself to music that has connections to real science -- not just an astronomical term or two in the title or lyrics. For example, we do not list Gustav Holst’s popular symphonic suite The Planets, because it draws its inspiration from the astrological, and not astronomical, characteristics of the worlds in the solar system. Similarly, songs like Soundgarden’s “Black Hole Sun” or the Beatles’ “Across the Universe” just don’t contain enough serious astronomy to make it into our guide. When possible, we give links to a CD and a YouTube recording or explanation for each piece. The music is arranged in categories by astronomical topic, from asteroids to Venus. Additions to this list are most welcome (as long as they follow the above guidelines); please send them to the author at: fraknoi {at} fhda {dot} edu Table of Contents Asteroids Meteors and Meteorites Astronomers Moon Astronomy in General Nebulae Black Holes Physics Related to Astronomy Calendar, Time, Seasons Planets (in General) Comets Pluto Constellations Saturn Cosmology SETI (Search for Intelligent Life Out There) Earth Sky Phenomena Eclipses Space Travel Einstein Star Clusters Exoplanets Stars and Stellar Evolution Galaxies and Quasars Sun History of Astronomy Telescopes and Observatories Jupiter Venus Mars 1 Asteroids Coates, Gloria Among the Asteroids on At Midnight (on Tzadik). -
Hollies & Byrds & Buffalo Springfield Til Crosby, Stills, Nash and Young
Hollies & Byrds & Buffalo Springfield til Crosby, Stills, Nash and Young fra Manchester til Californien Prolog Hits 63 - 66 • I`m Alive • Look Through Any Window • I Can`t Let Go The Hollies Here I Go Again Hits 65 – 66 • Turn Turn Turn • Eight Miles High The Byrds Mr. Tambourine Man ”For What It`s Worth” Deres eneste større hit Buffalo Springfield For What It`s Worth Manchester & England 63-66 • 63: ”Det store tog røveri”. • 18 årige Graham Gouldman skriver hits til lokale bands . • Januar 64 første gang ”Top of the pops” sendes. • 65: Dylan hænges ud som Judas. • 65: Churchill dør 90 år gammel. • 65: Man. U vinder mesterskabet. • 65: Liverpool vinder FA cuppen. • 66: Lennon siger ”Beatles er større end Jesus”. Hits 68 – 73 • Jennifer Eccles • Sorry Suzanne • The Air that I Breathe The Hollies Listen to Me Væsentlige Lp`er • Younger than Yesterday • The Notorious Byrd Brothers The Byrds Eight Miles High Pause 1969 • Debuten udsendes Crosby, Stills & Nash Suite: Judy Blue Eyes 1969 • Dèjà Vù indspillet mellem juli og december Crosby, Stills, Nash & Young Our House Californien & USA 67-70 • Joan Baez kæmper stadig for menneskerettigheder. • 67: Summer of love. • 67: San Fransisco, 10.000 marcherer mod Vietnam krigen. • 68: kvinder får adgang til Yale universitet. • 68: Hair har premiere på Broadway. • 70: Billboard hot 100 har premiere. • The Band giver stemme til Sydstaterne. 1971/72 • After the Goldrush • Harvest Neil Young Heart of Gold 1970 Indspiller med Hendrix og Clapton Stephen Stills Church (part of someone) Har holdt sammen gennem alle årene Graham Nash & David Crosby Marrakesh Express 1974 4 way street går nr. -
1 Communicating E-ASTROGAM
CommunicatingCommunicating ee--ASTROGAMASTROGAM :: somesome speculationsspeculations Stefano Ciprini 1,2 1. Italian Space Agency Space Science Data Center (SSDC), Roma, Italy 2. National Institute for Nuclear Physics (INFN), Perugia Section, Italy 1st e-ASTROGAM workshop: the extreme Universe 28 February - 02 March 2017, Padova, Italy 1st e-ASTROGAM workshop – Padova, Feb. 28 - Mar. 2, 2017 [email protected] - ASDC Rome 1 AboutAbout challengeschallenges Note: here there are only, very personal, opinions and ideas . These do not represent any team, group, or Institution . I tried to add a couple of inputs. Possible ideas about communication with the public, rather than full scientific topics. They are tentatively different from the science topics presented in this conference, although some comments are fairly obvious . e-ASTROGAM has a big challenge : it follows the success of Fermi and the promise of CTA e-ASTROGAM has a big challenge : it is in competition with compelling (inspiring for the large public) topics: • exoplanets (earth-size exoplanets in particular), water , organics and basic life ) in our Solar System (Enceladus, Europa, Titan, Triton, Ganimede, etc.) • multiple flybys (beautiful pictures); asteroid/comets flybys and returns , atmosph. probes/ surface penetrators, • GRBs/transient explorers, aurora obs., fund. phys probes, • dark energy mystery , • obscured Universe, • cosmology , CMB , dark ages . 1st e-ASTROGAM workshop – Padova, Feb. 28 - Mar. 2, 2017 [email protected] - ASDC Rome 2 AboutAbout challengeschallenges The science case as a single/small-list of major, focused, science GAIA: ambitious mission with at least 5 topics objectives is the optimal choice (a long list may give impression there is (3D map of our Galaxy and Galactic structure, stellar astroph. -
Chris Hillman Discography List of Music
SELECT DISCOGRAPHY THE SCOTTSVILLE SQUIRREL BARKERS Bluegrass Favorites Crown Records 1962 Ace/Big Beat 2003 THE HILLMEN (AKA THE GOLDEN STATE BOYS) The Hillmen Together Records 1969 Sugar Hill Records 1981 THE BYRDS Mr. Tambourine Man Columbia Records 1965 Turn! Turn! Turn! Columbia Records 1965 Fifth Dimension Columbia Records 1966 Younger Than Yesterday Columbia Records 1967 The Notorious Byrd Brothers Columbia Records 1968 Sweetheart of the Rodeo Columbia Records 1968 Byrds Asylum Records 1973 229 230 || TIME BETWEEN THE BYRDS (CONTINUED) SELECT COMPILATIONS Greatest Hits Columbia Records 1967 Preflyte Together Records 1969 Columbia Records 1973 Sundazed Records 2006 Never Before Re-Flyte Records 1987 In the Beginning Rhino Records 1988 The Byrds (boxed set) Columbia/Legacy 1990 20 Essential Tracks from the Columbia/Legacy 1991 Boxed Set Free Flyte Sony Music 1991 Definitive Collection Columbia Records 1995 The Preflyte Sessions Sundazed Music 2001 The Essential Byrds Columbia/Legacy 2003 There Is a Season Columbia/Legacy 2006 Preflyte Plus Floating World 2012 THE FLYING BURRITO BROTHERS The Gilded Palace of Sin A&M Records 1969 Burrito Deluxe A&M Records 1970 The Flying Burrito Bros. A&M Records 1971 Last of the Red Hot Burritos A&M Records 1972 SELECT COMPILATIONS Close Up the Honky Tonks A&M Records 1976 Sleepless Nights A&M Records 1976 SELECT DISCOGRAPHY || 231 The Best of The Flying Burrito A&M Records 1988 Brothers—Farther Along Hot Burritos! The Flying Burrito Bros. A&M Records 2000 Anthology 1969–1972 The Definitive Collection -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
Hesmondhalgh
This article was downloaded by:[University of Leeds] On: 27 September 2007 Access Details: [subscription number 768509729] Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Cultural Studies Publication details, including instructions for authors and subscription information: http://www.informaworld.com/smpp/title~content=t713684873 INDIE: THE INSTITUTIONAL POLITICS AND AESTHETICS OF A POPULAR MUSIC GENRE David Hesmondhalgh Online Publication Date: 01 January 1999 To cite this Article: Hesmondhalgh, David (1999) 'INDIE: THE INSTITUTIONAL POLITICS AND AESTHETICS OF A POPULAR MUSIC GENRE', Cultural Studies, 13:1, 34 - 61 To link to this article: DOI: 10.1080/095023899335365 URL: http://dx.doi.org/10.1080/095023899335365 PLEASE SCROLL DOWN FOR ARTICLE Full terms and conditions of use: http://www.informaworld.com/terms-and-conditions-of-access.pdf This article maybe used for research, teaching and private study purposes. Any substantial or systematic reproduction, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The accuracy of any instructions, formulae and drug doses should be independently verified with primary sources. The publisher shall not be liable for any loss, actions, claims, proceedings, demand or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material. David Hesmondhalgh INDIE: THE INSTITUTIONAL POLITICS AND AESTHETICS OF A POPULAR MUSIC GENRE Abstract This article is concerned with the complex relations between institutional politics and aesthetics in oppositional forms of popular culture. -
Traditions of Punk and the Politics of Empowerment
Anyone Can Do It: Traditions of Punk and the Politics of Empowerment By Pete R.W. Dale Re-submission for PhD ICMuS Newcastle University 2010 Blank page ii Anyone Can Do It: Punk, Folk and the Politics of Empowerment Contents Title Page Page i Contents Page Page iii Introduction page vi Chapter One page 1 i. What Is Punk? Style vs. Substance page 2 ii. What Is Folk? Getting the Folk ‘Us’ in Focus page 27 iii. Punk as Folk: Two Sides of the Same Coin? page 57 iv. Chapter Conclusion page 84 Chapter Two page 88 i. Punk, Avant-gardism and Novelty page 90 ii. Marxism, Anarchism and the Issue of Universality page 119 iii. Justice to Come and the Micromatic Recoil page144 iv. Chapter Conclusion page 183 Chapter Three page 189 i. An Original Re-Birth? page 191 ii. There Is No Authority, But… : Anarcho-punk page 195 iii. Indie-Pop Ain’t Noise Pollution: The Cutie Movement page 231 iv. Chapter Conclusion page 269 iii Chapter Four page 275 i. Still Birth? page 277 ii. The Arrival of a New, Renegade, Girl-Boy Hyper-Nation: Riot Grrrl page 284 iii. Delivering the Groceries at 128 Beats per Minute: Math Rock page 326 iv. Chapter Conclusion page 366 Conclusion page 369 Bibliography page 389 iv Blank page v Introduction When the word punk is invoked, a majority of people – in the UK, at least – will think of the Sex Pistols, safety pins through the nose and other such bands and signifiers from the late 1970s. The purpose of this research, in large part, is to show that punk has in fact been a persistent and consistent tradition in the decades since. -
Spotify: Bigger User Base, Bigger Losses
Issue 36 July 3, 2017 Table of Contents Opening Salvo: Across the Chronographic Divide .............................................................. 1 Too Much Tchaikovsky: Guitar Madness .............................................................................. 2 Music, Audio, and Other Illnesses: Whistling Down the Wire .......................................... 6 The Audio Cynic: They Have to Hear It to Want It .............................................................. 9 Quibbles and Bits: The Thrill of the Chase ........................................................................ 12 Twisted Systems: 1967: The Year Rock ‘n’ Roll Became Rock ....................................... 16 Behind the Glass: Bella Betts .............................................................................................. 19 Vintage Whine: Horns, Part 5 .............................................................................................. 23 ... And Indie for All: Little Simz ........................................................................................... 31 Music to My Ears: We’re All Bozos On This Bus ................................................................ 34 Something Old / Something New: Benjamin Booker ........................................................ 38 Industry News: Spotify: Bigger User Base, Bigger Losses .............................................. 41 The Copper Interview: Steve Hoffman, Part 1 .................................................................. 44 Featured: EQ, DSP, & You: br