DOCSLIB.ORG

Aaron Copland/Appalachian Spring - Leonard Bernstein LA Philharmonic

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Aaron Copland/Appalachian Spring - Leonard Bernstein LA Philharmonic What’s on Prez Marc’s iPod? Aaron Copland/Appalachian Spring - Leonard Bernstein LA Philharmonic Alan Copeland Singers/If Love Comes With It Alberto Iglesias/Talk To Her (OST) America/America Andy Williams/Warm And Willing + Shadow Of Your Smile Anton Dvorak/American Quartet Le Quator Talich Art Garfunkel/Fate For Breakfast Arthur Prysock/Late Night Ballads & Blues Association/Renaissance Astrud Gilberto/Gilberto with Turrentine Barbara/Bobino 67 - Barbara Singt Barbara Barbra Streisand/Nuts (OST) Barbra Streisand/The Essential Barbra Streisand Barbra Streisand/Yentl (OST) Bernard Herrmann/The Ghost And Mrs. Muir (OST) Bill Evans/Waltz For Debby Billy Eckstine/Imagination Blossom Dearie/Whisper For You Brad Mehldau/The Art Of The Trio, Vol. 3 Songs Byrds/Younger Than Yesterday Caetano Veloso/Qualquer Coisa Carpenters/Carpenters Chad & Jeremy/Distant Shores Rotary Club of Los Angeles November 2009 page 1 What’s on Prez Marc’s iPod? Chamaeleon Church/Chamaeleon Church Charles Tolliver/The Ringer Chet Baker/Chet Baker With Fifty Italian Strings Chet Baker/She Was Too Good To Me Chet Baker/The Italian Sessions Chicago/Chicago II Chicago/Chicago III Chicago/Chicago Transit Authority Chris Montez/The More I See You ~ Call Me Chuck Mangione/Land Of Make Believe Classics IV/The Very Best Of Classics IV Colin Blunstone/One Year Compilations/'s Bossa Nova 1 Compilations/'s Bossa Nova 2 Compilations/'s Bossa Nova 3 Compilations/'s Bossa Nova 4 Compilations/'s Bossa Nova 5 Compilations/Bar Jazz Compilations/Blue Box - Blue Note's Best Compilations/Bossa Nova Lounge Corcovado Compilations/Bossa Nova Lounge Look to the Sky Compilations/Bossa Nova Lounge Samba de Verão Compilations/Bossa Nova Smoothest Tunes Rotary Club of Los Angeles November 2009 page 2 What’s on Prez Marc’s iPod? Compilations/Brazilian Love Affair 4 Compilations/Come To The Sunshine Soft Pop Nuggets Compilations/Diggin' Deeper 1 - The Roots Of Acid Jazz Compilations/Diggin' Deeper 2 - The Roots Of Acid Jazz Compilations/Diggin' Deeper 3 - The Roots Of Acid Jazz Compilations/Diggin' Deeper 4 - The Roots Of Acid Jazz Compilations/Diggin' Deeper 5 - The Roots Of Acid Jazz Compilations/Great American Composers - James Van Heusen Compilations/Jazz In Paris - Jazz & Cinema Vol.1 Compilations/Jazz In Paris - Jazz & Cinema Vol.2 Compilations/Jazz In Paris - Jazz & Cinema Vol.3 Compilations/Jazz In Paris - Jazz & Cinema Vol.4 Compilations/Jazz Supreme Maiden Blue Voyage Compilations/Jazz Swings Pop Compilations/Love Compilations/Meeting On Mission Street Compilations/Mellow Beats, Rhymes & Vibes Compilations/Melodies For You-Universal Soft Rock Collection Compilations/Morning Glory Daze-Universal Soft Rock Collection Compilations/Songs Of Cole Porter Compilations/Songs of Johnny Mercer Compilations/Soul of Seduction Compilations/Sunshine Pop 99 Rotary Club of Los Angeles November 2009 page 3 What’s on Prez Marc’s iPod? Compilations/Talkin' Jazz Compilations/The Get Easy! Sunshine Pop Collection Compilations/The Look Of Love Collection Compilations/The Morning Side Of Love Compilations/West Coast 1957 Crosby, Stills, Nash & Young/Déjà Vu Curtis Mayfield/Curtis - Live! Curtis Mayfield/Superfly David Crosby/If I Could Only Remember My Name... Diana Krall/The Look of Love Dionne Warwick/Dionne Warwick Sings The Bacharach & David Songbook Earth Wind & Fire/Head To The Sky Eberhard Weber/The Colours of Chloé Elsie Bianchi/The Sweetest Sound Elton John/Friends Fifth Dimension/Magic Garden Four King Cousins/Introducing… Francis Lai/Love Story (OST) Frank Sinatra/Ol' Blue Eyes Is Back Frank Sinatra/Sinatra & Company Frank Sinatra/Strangers In The Night Frank Sinatra & Antonio Carlos Jobim/Francis Albert Sinatra & Antonio Carlos Françoise Hardy/La Question Rotary Club of Los Angeles November 2009 page 4 What’s on Prez Marc’s iPod? Free Design/Kites Are Fun Freedy Johnston/This Perfect World Gal Costa/Gal A Todo Vapor Gal Costa/Gal Costa Gato Barbieri/Last Tango In Paris (OST) Go-Betweens/16 Lovers Lane Graham Nash/Songs For Beginners Harry Nilsson/Pandemonium Shadow Show Heavy Blinkers/The Night And I Are Still So Young Henry Mancini/Six Hours Past Sunset Herbie Hancock/Maiden Voyage High Llamas/Gideon Gaye Horace Silver/Song For My Father Ian Shaw/Soho Stories Ides Of March/Vehicle Ike Quebec/Ballads Isaac Hayes/Hot Buttered Soul Jackie & Roy/Time & Love James Taylor/Hourglass Jeanette Lindstrom & Steve Dobrogosz/Feathers Jefferson Airplane/Volunteers Jimmie Spheeris/The Dragon Is Dancing Jimmy Rowles/Lilac Time Rotary Club of Los Angeles November 2009 page 5 What’s on Prez Marc’s iPod? Jimmy Rowles/Peacocks Jimmy Webb/Ten Easy Pieces John & Beverley Martyn/Road To Ruin John Barry/Themependium Spies And Other Secret Agents John Barry/You Only Live Twice John Coltrane/A Love Supreme John Renbourn/The Lady And The Unicorn John Rutter/Requiem, I Will Lift Up My Eyes Johnny Hartman/For Trane Johnny Mathis/Heavenly Joni Mitchell/The Hissing Of Summer Lawns Jorge Drexler/Frontera Jorge Drexler/Sea Joseph Canteloube/Canteloube Chants d'Auvergne, Vol. 1 José Feliciano/Feliciano! João Gilberto/Amoroso Judy Collins/Wildflowers Karen Akers/Presenting Karen Akers Kenny Rankin/A Song For You Krzysztof Komeda/Matnia Laura Nyro/Nested Laura Nyro & LaBelle/Gonna Take A Miracle Lee Morgan/The Gigolo Rotary Club of Los Angeles November 2009 page 6 What’s on Prez Marc’s iPod? Manuel de Falla/El Amor Brujo - Victoria de Los Angeles Marcos Valle/Previsao Do Tempo Margo Guryan/Take A Picture Mark Eitzel/60 Watt Silver Lining Marvin Gaye/What's Going On Matt Monro/Matt Monro McCoy Tyner Trio with Symphony/McCoy Tyner - What The World Needs Now Mel Tormé/It's A Blue World Michel Legrand/Summer Of '42 (OST) Michel Legrand/The Thomas Crown Affair (OST) Miles Davis/Kind Of Blue Millennium/Begin Minnie Riperton/Perfect Angel Monica Mancini/Monica Mancini Monica Zetterlund & Bill Evans/Waltz For Debby Moody Blues/On The Threshold Of A Dream Mystic Moods Orchestra/ Stormy Weekend Nancy Lamott/My Foolish Heart Nancy Wilson/But Beautiful Nancy Wilson/Guess Who I Saw Today Nancy Wilson Sings Natalie Cole/Unforgettable With Love National Health/Complete Neil Diamond/Rainbow Rotary Club of Los Angeles November 2009 page 7 What’s on Prez Marc’s iPod? Neil Young/Neil Young Nick Drake/Five Leaves Left Nick Drake/Pink Moon Nina Simone/Essential Nina Simone Vol.2 Paul Williams/Someday Man Paula Morelenbaum, Jaques Morelenbaum/Casa Paulette McWilliams/Flow Pearls Before Swine/Balaklava Peggy Lee/Peggy Lee - Portrait Of A Song Stylist Peter Thomas/Moonflowers & Mini-Skirts Pink Floyd/Atom Heart Mother Pink Floyd/Meddle Postmarks/The Postmarks Prefab Sprout/Andromeda Heights Radka Toneff & Steve Dobrogosz/Fairytales Renaissance/In The Beginning...Prologue + Ashes are Burning Richie Havens/Alarm Clock Rita Lee/Bossa'n Beatles Roger Nichols & The Small Circle Of Friends/Roger Nichols & The Small Circle Of Friends Roy Hargrove/Moment To Moment Sade/Love Deluxe San Sebastian Strings/The Soft Sea Rotary Club of Los Angeles November 2009 page 8 What’s on Prez Marc’s iPod? Sandpipers/Misty Roses Santana/Caravanserai Santana/Santana III Santana/Welcome Scott Walker/Scott 4 Sergio Mendes & Brasil '66/Stillness Sergio Mendes & Brasil '77/Love Music Shirley Horn/Here's To Life Shoestrings/Wishing On Planes Simon & Garfunkel/The Graduate (OST) Soft Machine/Fourth Soft Machine/Third Stan Getz & João Gilberto/Getz_Gilberto Stanley Myers/The Deer Hunter (OST) Stephen Stills/Live Stereolab/Dots And Loops Steve Dobrogosz/Ebony Moon Steve Kuhn/The October Suite Steve Reich/Music For 18 Musicians Stevie Wonder/Innervisions Summer/Summer Tenniscoats/Tan-Tan Therapy Terry Callier/First Light Chicago 1969-71 Rotary Club of Los Angeles November 2009 page 9 What’s on Prez Marc’s iPod? Terry Callier/What Color Is Love Tony Bennett/The Tony Bennett and Bill Evans Album Vaughan Williams/A London Symphony Vaughan Williams/Symphony No. 5 Vincent d'Indy/Poéme des Rivage - Georges Prêtre Vogues/Greatest Hits Wanda De Sah/Softly! Wayne Shorter/Speak No Evil We All Together/2 We Five/You Were On My Mind_Make Someone Happy Woody Allen/Hannah And Her Sisters (OST) Zombies/Odessey & Oracle Rotary Club of Los Angeles November 2009 page 10 .
Load more

Recommended publications
  • The Historic Recordings of the Song Desafinado: Bossa Nova Development and Change in the International Scene1
    The historic recordings of the song Desafinado: Bossa Nova development and change in the international scene1 Liliana Harb Bollos Universidade Federal de Goiás, Brasil [email protected] Fernando A. de A. Corrêa Faculdade Santa Marcelina, Brasil [email protected] Carlos Henrique Costa Universidade Federal de Goiás, Brasil [email protected] 1. Introduction Considered the “turning point” (Medaglia, 1960, p. 79) in modern popular Brazi- lian music due to the representativeness and importance it reached in the Brazi- lian music scene in the subsequent years, João Gilberto’s LP, Chega de saudade (1959, Odeon, 3073), was released in 1959 and after only a short time received critical and public acclaim. The musicologist Brasil Rocha Brito published an im- portant study on Bossa Nova in 1960 affirming that “never before had a happe- ning in the scope of our popular music scene brought about such an incitement of controversy and polemic” (Brito, 1993, p. 17). Before the Chega de Saudade recording, however, in February of 1958, João Gilberto participated on the LP Can- ção do Amor Demais (Festa, FT 1801), featuring the singer Elizete Cardoso. The recording was considered a sort of presentation recording for Bossa Nova (Bollos, 2010), featuring pieces by Vinicius de Moraes and Antônio Carlos Jobim, including arrangements by Jobim. On the recording, João Gilberto interpreted two tracks on guitar: “Chega de Saudade” (Jobim/Moraes) and “Outra vez” (Jobim). The groove that would symbolize Bossa Nova was recorded for the first time on this LP with ¹ The first version of this article was published in the Anais do V Simpósio Internacional de Musicologia (Bollos, 2015), in which two versions of “Desafinado” were discussed.
    [Show full text]
  • Bomb Scare Clears Kirkbride Therapy for Accident Victim "If It's on Camous and It's by KEN MAMMARELLA Threat Procedure of Leaving the Suspected Karen Seitz
    Bulk Rate U.S. Postage PAID ff>ermit No.320 Newark, DE. Friday. April6. 1979 By DEBORAH PETIT MIDDLETOWN, Pa.,- With a potential core melt-down now greatly reduced, officials at the Three Mile Island Nuclear Reactor Site are turning their attention to the pro­ blems of cleaning up radioactive substances left by the re­ cent reactor accident. Upon analysis of the extent of damage incurred in the mishap and the level of radioactive contamination left in the reactor, experts will determine the fate of the Three Mile site. An evaluation of the costs involved will leave the officials with the options of either refurbishing or decommissioning the plant. Both of which would require large amounts of time and money. · The projected time for complete decontamination of the reactor now stands at least one to two years. Additional time beyond ~hat estimate would be required to bring the plant back to operational levels. Cost estimates for the refurbishment of the reactor can not be determined from present data. The costs and time involved in decommissioning the site, however, can be more accurately determined from previous studies done by the Nuclear Regulatory Commis­ sion (NRC). Most data points to a dismantling cost estimate of roughly Review photo by Andy Cline 5 percent to 10 percent of the original construction costs. "THEY'VE PUSHED THE PANIC BUTTON as HAROLD DENTON, Director of the NRC's of­ The NRC conducted a study of the Trojan reactor site in far as I'm concerned," Mitzi Krause said of fice of Nuclear Reactor Regulation, and Oregon and came up with a dismantling cost in 1978 of just the nuclear accident on near by Three Mile NRC spokesman Joseph Fouchard {left) aid- over $42 million to level the plant.
    [Show full text]
  • Daft Punk Collectible Sales Skyrocket After Breakup: 'I Could've Made
    BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 25, 2021 Page 1 of 37 Leader; Travis Denning Makes History INSIDE Daft Punk Collectible Sales Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debutsSkyrocket at No. 1 on Billboard’s lion audience After impressions, Breakup: up 16%). Top Country• Spotify Albums Takes onchart dated April 18. In its first week (ending April 9), it earned$1.3B 46,000 in equivalentDebt album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cording• Taylor to Nielsen Swift Music/MRCFiles Data. ‘I Could’veand total Made Country Airplay No.$100,000’ 1 as “Catch” (Big Machine Label Group) ascends SouthsideHer Own marks Lawsuit Hunt’s in second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartEscalating and fourth Theme top 10. It follows freshman LP BY STEVE KNOPPER Young’s first of six chart entries, “Sleep With- MontevalloPark, which Battle arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You In the 24 hours following Daft Punk’s breakup Thomas, who figured out how to build the helmets Montevallo• Mumford has andearned Sons’ 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved millionBen in Lovettalbum sales.
    [Show full text]
  • Master's Thesis
    I Know I Am Someone: Michael Jackson, Thriller, and American Identity by Sara Tenenbaum B.A. in American Studies, May 2006, Brandeis University A Thesis submitted to The Faculty of the Columbian College of Arts and Sciences of George Washington University in partial fulfillment of the degree requirements for the degree of Master of Arts May 15, 2011 Thesis Directed by James A. Miller Professor of English and American Studies © Copyright 2011 by Sara Tenenbaum All rights reserved ii Abstract of Thesis "I Know I Am Someone: Michael Jackson, Thriller, and American Identity" This thesis addresses the cultural phenomenon surrounding Michael Jackson's 1982 album Thriller and uses it as a lens through which to view and analyze the development of a distinct American, primarily youth, identity in 1983 and 1984. It is structured using a three-prong approach that first analyzes the sonic work of the music of Thriller, second explores the characteristics of Michaelmania and the youth identity being constructed within the Michael Jackson pop explosion, and third analyzes the backlash from both the white and African American communities against Jackson in that time to illuminate his subversion and danger to the status quo. I argue that Jackson's act of profound crossover during the Thriller era triggered within the American youth an equally profound act of identity formation that transcended racial stratification in America's past and created a foundational part of our contemporary identity that moves slightly beyond America's troubled racial history. Using both the voices of his fans and his critics to tease out the work his person and his music did in the early 1980's, I advocate we keep Jackson and his work foregrounded in our study of popular culture in the late 20th and early 21st centuries, as his pop explosion fundamentally and permanently effected how Americans understand ourselves and our relations with each other.
    [Show full text]
  • Nicl\ Renbour:Rz, D~Vey Graham, Ralpl1 Mcte/1 and Donovan, to Be Followed by Fair­ Port Conventzon, John Martyn, Pentangle and the Incredible String Band
    . Tlze En~lish fol~ scene has always seemed obscure and mysterious from tlzis J szd~ of the. Atlantzc Ocean. _Tize traditional music of the British Isles began a re­ I nmssance ~n tlze 1950s and 60s witlz Ewan MacCo/1 A .L. Lloyd, Imz Campbell and Ma.rtm Carthy. Tlzey paved the way for the singer/songwriter/guitarist, who, w>tll a nod towards Bob Dylan, updated the traditional folk style and syn­ thesized it with blues and jazz. The early '60s wave was led by Bert Jansch, John Nicl\_ Renbour:rz, D~vey Graham, Ralpl1 McTe/1 and Donovan, to be followed by Fair­ port Conventzon, John Martyn, Pentangle and the Incredible String Band. ~orne .of thes~ people r~ached llationwide, even worldwide, success. Many re­ r:zamed m relatzve obscunty, rarely if ever playing ill the States. They remained m the folk club and small concert scene in Englmzd. Tlzeir music was often intri­ Drake cate, introsp~ctive and unlike tlze )olk mu~ic" we were accustomed to. One of them .wa~ Nzck Drake, who remams to thzs. day all almost anonymous figure, even m hzs own country. already established himself through Witch­ season Productions, recording LPs by Fair­ port, John Martyn and the Incredible String Band (as well as being the latter's mentor/manager). He called Nick and asked for a tape, which Nick obliged. Joe described his initial impression of Drake's music as "melodically unusual and sophisti­ cated." There was no doubt that Nick had to be nurtured and recorded. Five Leaves Left was begun in mid-1968.
    [Show full text]
  • Feature Films
    NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 ..........................
    [Show full text]
  • The Music of Antonio Carlos Jobim
    FACULTY ARTIST FACULTY ARTIST SERIES PRESENTS SERIES PRESENTS THE MUSIC OF ANTONIO THE MUSIC OF ANTONIO CARLOS JOBIM (1927-1994) CARLOS JOBIM (1927-1994) Samba Jazz Syndicate Samba Jazz Syndicate Phil DeGreg, piano Phil DeGreg, piano Kim Pensyl, bass Kim Pensyl, bass Rusty Burge, vibraphone Rusty Burge, vibraphone Aaron Jacobs, bass* Aaron Jacobs, bass* John Taylor, drums^ John Taylor, drums^ Monday, February 13, 2012 Monday, February 13, 2012 Robert J. Werner Recital Hall Robert J. Werner Recital Hall 8:00 p.m. 8:00 p.m. *CCM Student *CCM Student ^Guest Artist ^Guest Artist CCM has become an All-Steinway School through the kindness of its donors. CCM has become an All-Steinway School through the kindness of its donors. A generous gift by Patricia A. Corbett in her estate plan has played a key role A generous gift by Patricia A. Corbett in her estate plan has played a key role in making this a reality. in making this a reality. PROGRAMSelections to be chosen from the following: PROGRAMSelections to be chosen from the following: A Felicidade Falando de Amor A Felicidade Falando de Amor Bonita The Girl from Ipanema Bonita The Girl from Ipanema Brigas Nunca Mais One Note Samba Brigas Nunca Mais One Note Samba Caminos Cruzados Photograph Caminos Cruzados Photograph Chega de Saudade So Tinha Se Con Voce Chega de Saudade So Tinha Se Con Voce Corcovado Triste Corcovado Triste Desafinado Wave Desafinado Wave Double Rainbow Zingaro Double Rainbow Zingaro Antonio Carlos Jobim was born in Rio de Janeiro, Brazil, to Antonio Carlos Jobim was born in Rio de Janeiro, Brazil, to cultured parents.
    [Show full text]
  • Memories of Nick Drake (1969-70)
    Counterculture Studies Volume 2 Issue 1 Article 18 2019 Memories of Nick Drake (1969-70) Ross Grainger [email protected] Follow this and additional works at: https://ro.uow.edu.au/ccs Recommended Citation Grainger, Ross, Memories of Nick Drake (1969-70), Counterculture Studies, 2(1), 2019, 137-150. doi:10.14453/ccs.v2.i1.17 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Memories of Nick Drake (1969-70) Abstract An account of Australian Ross Grainger's meetings with the British singer songwriter guitarist Nick Drake (1948-74) during the period 1969-70, including discussions at London folk clubs. Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 International License. This journal article is available in Counterculture Studies: https://ro.uow.edu.au/ccs/vol2/iss1/18 Memories of Nick Drake (1969-70) Ross Grainger Nick Drake, 29 April 1969. Photograph: Keith Morris. I first met Nick Drake when I arrived in London after attending the Isle of Wight Pop Festival in 1969, which featured as its curtain-closer a very different Bob Dylan to the one I had seen in Sydney in March 1966. However, on thinking about it, Dylan’s more scaled down eclectic country music approach - which he revealed for the first time - kind of prepared me for what I was about to experience in London. The day after I arrived at my temporary London lodgings with friends living in Warwick Avenue, I went to Les Cousins in Greek Street.
    [Show full text]
  • Zeha Schröder
    Die Nilsson-Schmilsson-Late- Night-Memorial-Radio-Show Eine Radio-Hommage von Zeha Schröder Moderator. (Fade-Out der Startschleife aus „Everybody’s Talking“.) …So, das waren die Nachrichten und der Verkehrshinweis. Und jetzt heißt es wieder hallo, liebe Leute da draußen, und herzlich will- kommen zu einer weiteren Ausgabe von Freddys Radio Show. Ich bin Freddy, ihr seid die Hörer, die Fronten wären also geklärt, und wer von euch früher schon mal reingehört hat, der weiß, wie der Hase läuft: Einmal im Monat stell ich euch an dieser Stelle eine un- bekannte Band vor oder auch einen Solokünstler, der einen unverwechselbaren special touch hat. Das kann ein Newcomer sein oder ein erprobter Außenseiter oder, wie heute Abend, ein vergessenes Genie aus der Mottenkiste des Rock & Pop. Nur eins kann es nicht sein, jedenfalls nicht, solange ich hier die Knöpfe drücke: das Einheitsgedudel vom Fließband, das ihr sonst den ganzen Tag in die Oh- ren geträufelt kriegt, sobald ihr das Radio einschaltet. Okay, Leute, having said that, lasst uns doch mal einen Blick auf unseren heutigen Ehrengast werfen. Keine Ahnung, was ihr gerade so treibt, ein paar von euch sitzen jetzt garantiert am Steuer, ein paar liegen in der Badewanne oder schieben sich gleich die Pizza in den Ofen. Aber vielleicht hockt ja der eine oder andere auch noch vorm Rechner und meint, er kann sich nebenher ein bisschen berieseln lassen. Tja, meine Lieben, daraus wird heute nichts, heute wird dazugelernt, heute gibt’s was auf die Ohren, und zwar ganz speziell für euch Computerfreaks da draußen. Denn der Mann, den ich euch heute vorstellen möchte, ist Fleisch von eurem Fleisch: Harald Edward Nilsson the Third a.k.a.
    [Show full text]
  • The Evolution of Ornette Coleman's Music And
    DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY by Nathan A. Frink B.A. Nazareth College of Rochester, 2009 M.A. University of Pittsburgh, 2012 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2016 UNIVERSITY OF PITTSBURGH THE KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Nathan A. Frink It was defended on November 16, 2015 and approved by Lawrence Glasco, PhD, Professor, History Adriana Helbig, PhD, Associate Professor, Music Matthew Rosenblum, PhD, Professor, Music Dissertation Advisor: Eric Moe, PhD, Professor, Music ii DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY Nathan A. Frink, PhD University of Pittsburgh, 2016 Copyright © by Nathan A. Frink 2016 iii DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY Nathan A. Frink, PhD University of Pittsburgh, 2016 Ornette Coleman (1930-2015) is frequently referred to as not only a great visionary in jazz music but as also the father of the jazz avant-garde movement. As such, his work has been a topic of discussion for nearly five decades among jazz theorists, musicians, scholars and aficionados. While this music was once controversial and divisive, it eventually found a wealth of supporters within the artistic community and has been incorporated into the jazz narrative and canon. Coleman’s musical practices found their greatest acceptance among the following generations of improvisers who embraced the message of “free jazz” as a natural evolution in style.
    [Show full text]
  • Guide to the Martin Williams Collection
    Columbia College Chicago Digital Commons @ Columbia College Chicago CBMR Collection Guides / Finding Aids Center for Black Music Research 2020 Guide to the Martin Williams Collection Columbia College Chicago Follow this and additional works at: https://digitalcommons.colum.edu/cmbr_guides Part of the History Commons, and the Music Commons Columbia COLLEGE CHICAGO CENTER FOR BLACK MUSIC RESEARCH COLLECTION The Martin Williams Collection,1945-1992 EXTENT 7 boxes, 3 linear feet COLLECTION SUMMARY Mark Williams was a critic specializing in jazz and American popular culture and the collection includes published articles, unpublished manuscripts, files and correspondence, and music scores of jazz compositions. PROCESSING INFORMATION The collection was processed, and a finding aid created, in 2010. BIOGRAPHICAL NOTE Martin Williams [1924-1992] was born in Richmond Virginia and educated at the University of Virginia (BA 1948), the University of Pennsylvania (MA 1950) and Columbia University. He was a nationally known critic, specializing in jazz and American popular culture. He wrote for major jazz periodicals, especially Down Beat, co-founded The Jazz Review and was the author of numerous books on jazz. His book The Jazz Tradition won the ASCAP-Deems Taylor Award for excellence in music criticism in 1973. From 1971-1981 he directed the Jazz and American Culture Programs at the Smithsonian Institution, where he compiled two widely respected collections of recordings, The Smithsonian Collection of Classic Jazz, and The Smithsonian Collection of Big Band Jazz. His liner notes for the latter won a Grammy Award. SCOPE & CONTENT/COLLECTION DESCRIPTION Martin Williams preferred to retain his writings in their published form: there are many clipped articles but few manuscript drafts of published materials in his files.
    [Show full text]
  • Copy UPDATED KAREOKE 2013
    Artist Song Title Disc # ? & THE MYSTERIANS 96 TEARS 6781 10 YEARS THROUGH THE IRIS 13637 WASTELAND 13417 10,000 MANIACS BECAUSE THE NIGHT 9703 CANDY EVERYBODY WANTS 1693 LIKE THE WEATHER 6903 MORE THAN THIS 50 TROUBLE ME 6958 100 PROOF AGED IN SOUL SOMEBODY'S BEEN SLEEPING 5612 10CC I'M NOT IN LOVE 1910 112 DANCE WITH ME 10268 PEACHES & CREAM 9282 RIGHT HERE FOR YOU 12650 112 & LUDACRIS HOT & WET 12569 1910 FRUITGUM CO. 1, 2, 3 RED LIGHT 10237 SIMON SAYS 7083 2 PAC CALIFORNIA LOVE 3847 CHANGES 11513 DEAR MAMA 1729 HOW DO YOU WANT IT 7163 THUGZ MANSION 11277 2 PAC & EMINEM ONE DAY AT A TIME 12686 2 UNLIMITED DO WHAT'S GOOD FOR ME 11184 20 FINGERS SHORT DICK MAN 7505 21 DEMANDS GIVE ME A MINUTE 14122 3 DOORS DOWN AWAY FROM THE SUN 12664 BE LIKE THAT 8899 BEHIND THOSE EYES 13174 DUCK & RUN 7913 HERE WITHOUT YOU 12784 KRYPTONITE 5441 LET ME GO 13044 LIVE FOR TODAY 13364 LOSER 7609 ROAD I'M ON, THE 11419 WHEN I'M GONE 10651 3 DOORS DOWN & BOB SEGER LANDING IN LONDON 13517 3 OF HEARTS ARIZONA RAIN 9135 30 SECONDS TO MARS KILL, THE 13625 311 ALL MIXED UP 6641 AMBER 10513 BEYOND THE GREY SKY 12594 FIRST STRAW 12855 I'LL BE HERE AWHILE 9456 YOU WOULDN'T BELIEVE 8907 38 SPECIAL HOLD ON LOOSELY 2815 SECOND CHANCE 8559 3LW I DO 10524 NO MORE (BABY I'MA DO RIGHT) 178 PLAYAS GON' PLAY 8862 3RD STRIKE NO LIGHT 10310 REDEMPTION 10573 3T ANYTHING 6643 4 NON BLONDES WHAT'S UP 1412 4 P.M.
    [Show full text]