GOD's MUSICAL CREATION of ETERNAL HARMONY by MARY
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Host's Master Artist List for Game 1
Host's Master Artist List for Game 1 You can play the list in the order shown here, or any order you prefer. Tick the boxes as you play the songs. Travis Stone Roses Shakin Stevens Showaddywaddy Eternal Alanis Morissette Haddaway Sparks Drifters Robert Palmer King Frank Sinatra Edwyn Collins Sister Sledge Liguid Gold Billy Ocean Journey Cher Glen Campbell Odyssey Alison Moyet London Beat Bucks Fizz Fuzzbox Men Without Hats T.Rex Madness Diana Ross Natalie Imbruglia Cyndi Lauper T'Pau Lisa Standsfield Prince Roxy Music Limahl Aswad Desmond Dekker Steely Dan Morrissey Suzi Quatro Michael Bolton Gladys Knight The Christines Alice Cooper Roxette NSYNC Roachford Visage Janet Jackson Nolans Copyright QOD Page 1/52 Host's Master Artist List for Game 2 You can play the list in the order shown here, or any order you prefer. Tick the boxes as you play the songs. Hazel Dean Boyzone Heart Kula Shaker Status Quo Weather Girls Suede Donner Summer Wings Billie Buzzcocks Soul II Soul Hall & Oats King Motors Cast Suzi Quatro Kajagoogoo Baby Bird Nena Roachford Genesis Whitney Houston Slade Lipps Inc Human League David Cassidy Europe U2 MN8 Big Country Stevie Wonder A-Ha New Order Cndigans The Christines Osmonds Level 42 Climie Fisher Glen Campbell Paul Young Sinitta Rose Royce Jimmy Somerville Midnight Oil Journey Neil Diamond Fugees Rolling Stones Billy Ocean Copyright QOD Page 2/52 Team/Player Sheet 1 Game 1 Odyssey Stone Roses Lisa Standsfield Cher Eternal Gladys Knight Diana Ross T.Rex Men Without Hats Travis Morrissey Alison Moyet T'Pau Roxette Fuzzbox -
Advance Program Notes John Hollenbeck Large Ensemble Sunday, February 10, 2019, 7 PM
Advance Program Notes John Hollenbeck Large Ensemble Sunday, February 10, 2019, 7 PM These Advance Program Notes are provided online for our patrons who like to read about performances ahead of time. Printed programs will be provided to patrons at the performances. Programs are subject to change. John Hollenbeck Large Ensemble Ben Kono, soprano/alto/tenor sax and flute Jeremy Viner, clarinet and tenor sax Dan Willis, soprano/tenor sax Anna Webber, flute and tenor sax Bohdan Hilash, clar/bass clarinet and bass sax Mark Patterson, trombone Mike Christianson, trombone Curtis Hasselbring, trombone Jennifer Wharton, bass trombone Jon Owens, trumpet and flugelhorn James De La Garza, trumpet and flugelhorn Dave Ballou, trumpet and flugelhorn Matt Holman, trumpet and flugelhorn Chris Tordini, acoustic and electric bass Matt Mitchell, piano, organ, and keyboard Patricia Brennan, vibes, marimba, and glockenspiel John Hollenbeck, drums and composition Theo Bleckmann, voice JC Sanford, conductor Stepan Dyachkovskiy, sound engineer The program will be announced from the stage and will include selections from All Can Work, A Blessing, and eternal interlude. Program Notes From the Liner Notes of All Can Work After pondering many titles for this record, I realized All Can Work epitomizes the flexible, optimistic resolve that is needed by everyone involved to do a record like this. This phrase, “All Can Work,” and the lyrics in this title track are taken directly from the emails in my inbox from Laurie Frink, our beloved trumpeter, whom we lost in 2013. When I first moved to NYC and started playing with and hearing big bands, Laurie was a special thread that wove through them all—it seemed like she played in every band I saw! A master of the short, perfect email reply, Laurie was also the consummate team player, the type of personality that is profoundly needed in a large ensemble. -
MEREDITH MONK and ANN HAMILTON: Aaron Copland Fund for Music, Inc
The House Foundation for the Arts, Inc. | 260 West Broadway, Suite 2, New York, NY 10013 | Tel: 212.904.1330 Fax: 212.904.1305 | Email: [email protected] Web: www.meredithmonk.org Incorporated in 1971, The House Foundation for the Arts provides production and management services for Meredith Monk, Meredith Monk & Vocal Ensemble, and The House Company. Meredith Monk, Artistic Director • Olivia Georgia, Executive Director • Amanda Cooper, Company Manager • Melissa Sandor, Development Consultant • Jahna Balk, Development Associate • Peter Sciscioli, Assistant Manager • Jeremy Thal, Bookkeeper Press representative: Ellen Jacobs Associates | Tel: 212.245.5100 • Fax: 212.397.1102 Exclusive U.S. Tour Representation: Rena Shagan Associates, Inc. | Tel: 212.873.9700 • Fax: 212.873.1708 • www.shaganarts.com International Booking: Thérèse Barbanel, Artsceniques | [email protected] impermanence(recorded on ECM New Series) and other Meredith Monk & Vocal Ensemble albums are available at www.meredithmonk.org MEREDITH MONK/The House Foundation for the Arts Board of Trustees: Linda Golding, Chair and President • Meredith Monk, Artistic Director • Arbie R. Thalacker, Treasurer • Linda R. Safran • Haruno Arai, Secretary • Barbara G. Sahlman • Cathy Appel • Carol Schuster • Robert Grimm • Gail Sinai • Sali Ann Kriegsman • Frederieke Sanders Taylor • Micki Wesson, President Emerita MEREDITH MONK/The House Foundation for the Arts is made possible, in part, with public and private funds from: MEREDITH MONK AND ANN HAMILTON: Aaron Copland Fund for -
The Validity of Human Language: a Vehicle for Divine Truth
Grace Theological Journal 9.1 (1988) 21-43 [Copyright © 1988 Grace Theological Seminary; cited with permission; digitally prepared for use at Gordon and Grace Colleges and elsewhere] THE VALIDITY OF HUMAN LANGUAGE: A VEHICLE FOR DIVINE TRUTH JACK BARENTSEN Doubts have arisen about the adequacy of human language to convey inerrant truth from God to man. These doubts are rooted in an empirical epistemology, as elaborated by Hume, Kant, Heidegger and others. Many theologians adopted such an empirical view and found themselves unable to defend a biblical view of divine, inerrant revelation. Barth was slightly more successful, but in the end he failed. The problem is the empirical epistemology that first analyzes man's relationship with creation. Biblically, the starting point should be an analysis of man's relationship with his Creator. When ap- proached this way, creation (especially the creation of man in God's image) and the incarnation show that God and man possess an adequate, shared communication system that enables God to com- municate intelligibly and inerrantly with man. Furthermore, the Bible's insistence on written revelation shows that inerrant divine communication carries the same authority whether written or spoken. * * * As a result of the materialistic, empirical scepticism of the last two centuries, many theologians entertain doubts about the ade- quacy of human language to convey divine truth (or, in some cases, to convey truth of any kind). This review of the philosophical and theological origins of the current doubts about language lays a foundation for a biblical view of language. THE CONTEMPORARY PROBLEM One recent writer stated the problem of the adequacy of religious language in these words: The problem of religious knowledge, in the context of contemporary philosophical analysis, is basically this: no one has any. -
Voices of Eternal Spring
Voices of Eternal Spring: A study of the Hingcun diau Song Family and Other Folk Songs of the Hingcun Area, Taiwan Submitted for PhD By Chien Shang-Jen Department of Music University of Sheffield January 2009 Chapter Four The Developmental Process and Historical Background of Hingcun Diau and Its Song Family Introduction The previous three chapters of this thesis detailed the three major systems of Taiwanese folksongs - Aboriginal, Holo and Hakka. Concentrating on the area of Hingcun, one of the primary cradles of Holo folksongs, these three chapters also explored how the geographical conditions, natural landscape, and historical and cultural background of the area influence local folksongs and what the mutual relations between these factors and the local folksongs are. Furthermore, the three chapters studied in depth not only the background, characteristics and cultural influences of each of the Hingcun folk songs but also local prominent folksong figures, major accompanying musical instruments, musical activities and so on. Chapter Four narrows the focus specifically to Hingcun diau and its song family. In this chapter, on the one hand, I examine carefully the changes in Hingcun diau and its song family activated from within a culture; on the other hand, I also pay attention to the changes in these songs caused by their contact with other cultures.1 In other words, in addition to a careful study of the origin, developmental process and historical background of Hingcun diau and its song family, I shall also dissect how the interaction of different ethnic groups, languages used in the area, political and economic factors, and various local cultures influence Hingcun diau and its song family, and what the mutual relations between the former factors and Hingcun diau and its song family are. -
A. Mihalyi: Meredith Monkl, WAM Casopis, Recenzije, Glazba, Classical
MAGIJA VOKALA MEREDITH MONK Aleksandar Mihalyi Ako bi smo odabrali kreativno uspješnu i jedinstvenu skladateljicu i vokalisticu temeljem uspješnosti njezinog dosadašnjeg djelovanja te glasovnih mogućnosti koje izmiču uobičajenim klasifikacijama, onda bi se Meredith Jane Monk nametnula kao prvi izbor. Dodatni povod je i obilježavanje njezinog 70. rođendana ove godine – rođena je 1942. godine u New Yorku, SAD. Njezina pozicija vodeće umjetnice u američkoj avangardnoj glazbi traje od Karijeru je započela kasnih šezdesetih kao plesačica i koreograf kada je samih početaka minimalizma, a već i tada je imala izdvojenu poziciju jer je izučila umijeće poniranja do esencijalne ekspresivnosti pokretom, te nedugo vokalnu tehniku temeljila na istočnjačkim tradicijama (tzv. ekstenizirani glas zatim i glasom prije nego riječima. Monk u ovom kontekstu ističe da se – ponajprije upotrebom posebnih tehnika disanja) te u ponavljanju kratkih riječima štitimo od direktnog iskustva – tijelo treba pustiti da se fraza sličnim mantri (što su činili i ostali minimalisti). Na tu njenu izdvojenu izražava/reagira glasom (vokalizama) i pokretom. Potom, u vrijeme poziciju ponajviše je utjecalo njezino rano pohađanje škole euritmije koje tolerantne klime za diletantizam kada otkriva u sebi: „.. snažniji kreativni joj je potom i usmjerilo karijeru, odnosno interese ka povezivanju glazbe sa od interpretativnog impulsa“, ona započinje i svoju glazbenu karijeru kao pokretom s ciljem da glazbi scenom i koreografijom doda mitsko i povijesno pjevačica (inače ima izniman lirski sopran širokog raspona) i skladateljica, tumačenje. No, teško se kod nje ne može govoriti o eklekticizmu budući da kompletirajući tako autorstvo svojim scenskim djelima, koja se, uz neke Monk ponajprije asimilira ono što drži potrebnim za tehnički aspekt njezinih ograde, mogu svrstati u glazbeni teatar. -
Melchizedek Or the Secret Doctrine of the Bible by JC Grumbine
Melchizedek or the Secret Doctrine of the Bible by J.C. Grumbine Melchizedek or the Secret Doctrine of the Bible by J.C. Grumbine Published in 1919 "I will utter things which have been kept secret from the foundation of the world". Matthew 13: 35 CONTENTS INTRODUCTION Lecture 1 Who is Melchizedek? Biblical History. His Office and His Order The Secret Doctrines of the Order. Its Myths, Mysteries, Lecture 2 Symbolisms, Canons, Philosophy The Secret Doctrine on Four Planes of Expression and Lecture 3 Manifestation Lecture 4 The Christ Psychology and Christian Mysticism Lecture 5 The Key - How Applied. Divine Realization and Illumination Page 1 Melchizedek or the Secret Doctrine of the Bible by J.C. Grumbine INTRODUCTION The Bible has been regarded as a sealed book, its mysteries impenetrable, its knowledge unfathomable, its key lost. Even its miracles have been so excluded from scientific research as to be invested with a supernaturalism which forever separated them from the possibility of human understanding and rational interpretation. In the midst of these revolutionary times, it is not strange that theology and institutional Christianity should feel the foundations of their authority slipping from them, and a new, broader and more spiritual thought of man and God taking their places. All this is a part of the general awakening of mankind and has not come about in a day or a year. It grew. It is still growing, because the soul is eternal and justifies and vindicates its own unfoldment. Some see in this new birth of man that annihilation of church and state, but others who are more informed and illumined, realized that the chaff and dross of error are being separated from the wheat and gold of truth and that only the best, and that which is for the highest good of mankind will remain. -
A Constructive Theology of Truth As a Divine Name with Reference to the Bible and Augustine
A Constructive Theology of Truth as a Divine Name with reference to the Bible and Augustine by Emily Sumner Kempson Murray Edwards College September 2019 This dissertation is submitted for the degree of Doctor of Philosophy Copyright © 2020 Emily Sumner Kempson 2 Preface This thesis is the result of my own work and includes nothing which is the outcome of work done in collaboration except as declared in the Preface and specified in the text. It is not substantially the same as any that I have submitted, or, is being concurrently submitted for a degree or diploma or other qualification at the University of Cambridge or any other University or similar institution except as declared in the Preface and specified in the text. I further state that no substantial part of my dissertation has already been submitted, or, is being concurrently submitted for any such degree, diploma or other qualification at the University of Cambridge or any other University or similar institution except as declared in the Preface and specified in the text. It does not exceed the prescribed word limit for the relevant Degree Committee. 3 4 A Constructive Theology of Truth as a Divine Name with Reference to the Bible and Augustine (Summary) Emily Sumner Kempson This study is a work of constructive theology that retrieves the ancient Christian understanding of God as truth for contemporary theological discourse and points to its relevance to biblical studies and philosophy of religion. The contribution is threefold: first, the thesis introduces a novel method for constructive theology, consisting of developing conceptual parameters from source material which are then combined into a theological proposal. -
If We Believe in Jesus, We'll Receive Eternal Life
Accepting God’s Grace • Lesson 11 Bible Point If we believe in Jesus, we’ll receive eternal life. Bible Verse “For God loved the world so much that he gave his one and only Son, so that everyone who believes in him will not perish but have eternal life” (John 3:16). Growing Closer to Jesus Students will n experience what it’s like to receive grace—unmerited kindness; n discover how it feels to be helpless to save themselves; n learn that God’s gift of salvation is offered to everyone; and n discover that Jesus offers something to them—eternal life—that they could never win on their own. Teacher Enrichment Bible Basis n Accepting God’s Grace This passage is one of the most remarkable explanations of God’s plan of Romans salvation found anywhere in the Bible. It’s easy to begin to think that God 5:6-9 sent Jesus to die for the good people who have accepted him. But this passage makes it clear that Jesus died for the ungodly—people who are living their lives in blatant sin. People who are like we were before we became Christians—and worse! Every once in a while you hear of someone intentionally giving his or her own life to save someone else. Usually it’s a mother dying to save a baby or a brother dying to save a sister. But you seldom hear of people intentionally giving up their lives for someone they don’t know—or for someone known to be evil. -
The Exodus, Then and Now
Seton Hall University eRepository @ Seton Hall The Bridge: A Yearbook of Judaeo-Christian Studies, Vol. I The Institute of Judaeo-Christian Studies 1955 The Exodus, Then and Now Barnabas M. Ahern Follow this and additional works at: https://scholarship.shu.edu/jcs-bridge-I Part of the Biblical Studies Commons, Christianity Commons, and the Jewish Studies Commons Recommended Citation Barnabas M. Ahern, "The Exodus, Then and Now." In The Bridge: A Yearbook of Judaeo-Christian Studies, Vol. 1, edited by John M. Oesterreicher and Barry Ulanov, 53-74. New York: Pantheon Books, 1955. ! of moral I but made nt on, and Barnabas M. Ahern, c.P. THE EXODUS, THEN AND NOW UPHEAVAL stirred the world of Abraham. Dynastic changes at Ur and vast migrations over the Fertile Crescent clogged the stagnant pool of a world that had died. Babylon in the early second millennium vaunted the boast, "I am rich and have grown wealthy and have need of nothing"; and all the while the bragging corpse failed to see how "wretched and miserable and poor and blind and naked" it really was (Apoc 3:17) . All flesh had corrupted its way; God's clean sun shone on a pool full of death. But life still throbbed at Haran in northern Mesopotamia, for Abraham lived there, a newcomer from Ur in the south. All future history would flow from him; he was to become "the father of us all ... our father in the sight of God" (Rom 4 : 17). For one day at Haran, in the middle of the nineteenth century, a merciful God spoke to the heart of this tribal chief (Gen 12: 1-3) and broke it wide open with a freshet of mercy, gushing forth and bubbling over to cleanse all heartS by faith. -
CD 1: Disc One 1. Back to Life (However Do You Want Me)-Soul II Soul 2. Ghetto Romance-Damage 3. Back and Forth-Aaliyah 4
CD 1: Disc One 1. Back To Life (However Do You Want Me)-Soul II Soul 2. Ghetto Romance-Damage 3. Back And Forth-Aaliyah 4. You’re Making Me High-Toni Braxton 5. Down That Road-Shara Nelson 6. On And On-Erykah Badu 7. My Destiny-Lionel Richie 8. Return Of The Mack-Mark Morrison 9. You Might Need Somebody-Shola Ama 10. Heard It All Before-Sunshine Anderson 11. Get Here-Oleta Adams 12. Sensitivity-Ralph Tresvant 13. Emotion-Destiny’s Child 14. Bump N’ Grind-R. Kelly 15. Creep-TLC Disc Two 1. No Diggity-Blackstreet 2. Hey Mr. Dj-Zhane 3. Apparently Nothing-Young Disciples 4. Angel Of Mine-Monica 5. Never Ever-All Saints 6. Boy You Knock Me Out-Tatyana Ali 7. Oh Baby I-Eternal 8. Move Closer-Phyllis Nelson 9. Video-India Arie 10. Shoulda, Woulda, Coulda-Beverly Knight 11. Mama Said-Carleen Anderson 12. Giving Him Something He Can Feel-En Vogue 13. I Wanna Be Down-Brandy 14. Poison-Bel Biv Devoe 15. Bomb Diggy-Another Level ∆ιάρκεια µουσικής συνολικού χρόνου του CD: 126 λεπτά CD 2: Disc One 1. The Boy Is Mine-Brandy & Monica 2. Incomplete-Sisqo 3. Tell Me What You Want Me To Do-Tevin Campbell 4. Last Night-Az Yet 5. Never Make A Promise-Dru Hill 6. So Anxious-Ginuwine 7. Lately-Tyrese 8. They Don’t Know-Jon B 9. Take You Out-Luther Vandross 10. Promise-Jagged Edge 11. Secret Love-Kelly Price 12. Who Can I Run To-Xscape 13. -
November 1, 2017
November 1, 2017 From the King James Version of the Holy Bible Ps. 92:12 The righteous shall flourish like the palm tree: he shall grow like a cedar in Lebanon. Gal. 5:1-3, 4 (to 2nd,), 6 Stand fast therefore in the liberty wherewith Christ hath made us free, and be not entangled again with the yoke of bondage. Behold, I Paul say unto you, that if ye be circumcised, Christ shall profit you nothing. For I testify again to every man that is circumcised, that he is a debtor to do the whole law. Christ is become of no effect unto you, whosoever of you are justified by the law; For in Jesus Christ neither circumcision availeth any thing, nor uncircumcision; but faith which worketh by love. Gen. 12:1-4 NOW the LORD had said unto Abram, Get thee out of thy country, and from thy kindred, and from thy father’s house, unto a land that I will shew thee: And I will make of thee a great nation, and I will bless thee, and make thy name great; and thou shalt be a blessing: And I will bless them that bless thee, and curse him that curseth thee: and in thee shall all families of the earth be blessed. So Abram departed, as the LORD had spoken unto him; and Lot went with him: and Abram was seventy and five years old when he departed out of Haran. Gen. 22:1, 2, 9-12 AND it came to pass after these things, that God did tempt Abraham, and said unto him, Abraham: and he said, Behold, here I am.