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Advance Program Notes John Hollenbeck Large Ensemble Sunday, February 10, 2019, 7 PM
Advance Program Notes John Hollenbeck Large Ensemble Sunday, February 10, 2019, 7 PM These Advance Program Notes are provided online for our patrons who like to read about performances ahead of time. Printed programs will be provided to patrons at the performances. Programs are subject to change. John Hollenbeck Large Ensemble Ben Kono, soprano/alto/tenor sax and flute Jeremy Viner, clarinet and tenor sax Dan Willis, soprano/tenor sax Anna Webber, flute and tenor sax Bohdan Hilash, clar/bass clarinet and bass sax Mark Patterson, trombone Mike Christianson, trombone Curtis Hasselbring, trombone Jennifer Wharton, bass trombone Jon Owens, trumpet and flugelhorn James De La Garza, trumpet and flugelhorn Dave Ballou, trumpet and flugelhorn Matt Holman, trumpet and flugelhorn Chris Tordini, acoustic and electric bass Matt Mitchell, piano, organ, and keyboard Patricia Brennan, vibes, marimba, and glockenspiel John Hollenbeck, drums and composition Theo Bleckmann, voice JC Sanford, conductor Stepan Dyachkovskiy, sound engineer The program will be announced from the stage and will include selections from All Can Work, A Blessing, and eternal interlude. Program Notes From the Liner Notes of All Can Work After pondering many titles for this record, I realized All Can Work epitomizes the flexible, optimistic resolve that is needed by everyone involved to do a record like this. This phrase, “All Can Work,” and the lyrics in this title track are taken directly from the emails in my inbox from Laurie Frink, our beloved trumpeter, whom we lost in 2013. When I first moved to NYC and started playing with and hearing big bands, Laurie was a special thread that wove through them all—it seemed like she played in every band I saw! A master of the short, perfect email reply, Laurie was also the consummate team player, the type of personality that is profoundly needed in a large ensemble. -
MEREDITH MONK and ANN HAMILTON: Aaron Copland Fund for Music, Inc
The House Foundation for the Arts, Inc. | 260 West Broadway, Suite 2, New York, NY 10013 | Tel: 212.904.1330 Fax: 212.904.1305 | Email: [email protected] Web: www.meredithmonk.org Incorporated in 1971, The House Foundation for the Arts provides production and management services for Meredith Monk, Meredith Monk & Vocal Ensemble, and The House Company. Meredith Monk, Artistic Director • Olivia Georgia, Executive Director • Amanda Cooper, Company Manager • Melissa Sandor, Development Consultant • Jahna Balk, Development Associate • Peter Sciscioli, Assistant Manager • Jeremy Thal, Bookkeeper Press representative: Ellen Jacobs Associates | Tel: 212.245.5100 • Fax: 212.397.1102 Exclusive U.S. Tour Representation: Rena Shagan Associates, Inc. | Tel: 212.873.9700 • Fax: 212.873.1708 • www.shaganarts.com International Booking: Thérèse Barbanel, Artsceniques | [email protected] impermanence(recorded on ECM New Series) and other Meredith Monk & Vocal Ensemble albums are available at www.meredithmonk.org MEREDITH MONK/The House Foundation for the Arts Board of Trustees: Linda Golding, Chair and President • Meredith Monk, Artistic Director • Arbie R. Thalacker, Treasurer • Linda R. Safran • Haruno Arai, Secretary • Barbara G. Sahlman • Cathy Appel • Carol Schuster • Robert Grimm • Gail Sinai • Sali Ann Kriegsman • Frederieke Sanders Taylor • Micki Wesson, President Emerita MEREDITH MONK/The House Foundation for the Arts is made possible, in part, with public and private funds from: MEREDITH MONK AND ANN HAMILTON: Aaron Copland Fund for -
A. Mihalyi: Meredith Monkl, WAM Casopis, Recenzije, Glazba, Classical
MAGIJA VOKALA MEREDITH MONK Aleksandar Mihalyi Ako bi smo odabrali kreativno uspješnu i jedinstvenu skladateljicu i vokalisticu temeljem uspješnosti njezinog dosadašnjeg djelovanja te glasovnih mogućnosti koje izmiču uobičajenim klasifikacijama, onda bi se Meredith Jane Monk nametnula kao prvi izbor. Dodatni povod je i obilježavanje njezinog 70. rođendana ove godine – rođena je 1942. godine u New Yorku, SAD. Njezina pozicija vodeće umjetnice u američkoj avangardnoj glazbi traje od Karijeru je započela kasnih šezdesetih kao plesačica i koreograf kada je samih početaka minimalizma, a već i tada je imala izdvojenu poziciju jer je izučila umijeće poniranja do esencijalne ekspresivnosti pokretom, te nedugo vokalnu tehniku temeljila na istočnjačkim tradicijama (tzv. ekstenizirani glas zatim i glasom prije nego riječima. Monk u ovom kontekstu ističe da se – ponajprije upotrebom posebnih tehnika disanja) te u ponavljanju kratkih riječima štitimo od direktnog iskustva – tijelo treba pustiti da se fraza sličnim mantri (što su činili i ostali minimalisti). Na tu njenu izdvojenu izražava/reagira glasom (vokalizama) i pokretom. Potom, u vrijeme poziciju ponajviše je utjecalo njezino rano pohađanje škole euritmije koje tolerantne klime za diletantizam kada otkriva u sebi: „.. snažniji kreativni joj je potom i usmjerilo karijeru, odnosno interese ka povezivanju glazbe sa od interpretativnog impulsa“, ona započinje i svoju glazbenu karijeru kao pokretom s ciljem da glazbi scenom i koreografijom doda mitsko i povijesno pjevačica (inače ima izniman lirski sopran širokog raspona) i skladateljica, tumačenje. No, teško se kod nje ne može govoriti o eklekticizmu budući da kompletirajući tako autorstvo svojim scenskim djelima, koja se, uz neke Monk ponajprije asimilira ono što drži potrebnim za tehnički aspekt njezinih ograde, mogu svrstati u glazbeni teatar. -
Battles Around New Music in New York in the Seventies
Presenting the New: Battles around New Music in New York in the Seventies A Dissertation SUBMITTED TO THE FACULTY OF UNIVERSITY OF MINNESOTA BY Joshua David Jurkovskis Plocher IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY David Grayson, Adviser December 2012 © Joshua David Jurkovskis Plocher 2012 i Acknowledgements One of the best things about reaching the end of this process is the opportunity to publicly thank the people who have helped to make it happen. More than any other individual, thanks must go to my wife, who has had to put up with more of my rambling than anybody, and has graciously given me half of every weekend for the last several years to keep working. Thank you, too, to my adviser, David Grayson, whose steady support in a shifting institutional environment has been invaluable. To the rest of my committee: Sumanth Gopinath, Kelley Harness, and Richard Leppert, for their advice and willingness to jump back in on this project after every life-inflicted gap. Thanks also to my mother and to my kids, for different reasons. Thanks to the staff at the New York Public Library (the one on 5th Ave. with the lions) for helping me track down the SoHo Weekly News microfilm when it had apparently vanished, and to the professional staff at the New York Public Library for Performing Arts at Lincoln Center, and to the Fales Special Collections staff at Bobst Library at New York University. Special thanks to the much smaller archival operation at the Kitchen, where I was assisted at various times by John Migliore and Samara Davis. -
Meredith Monk / the House Foundation for the Arts
Meredith Monk / Meredith Monk & Vocal Ensemble 2015-2016 COMPANY INFORMATION PIECE: On Behalf of Nature A new music theater work by Meredith Monk NUMBER OF PEOPLE: 8 performers and 5-6 staff/crew - Total 13-14 SET UP: Two days before first performance STAGE SIZE: Proscenium opening 44’ wide; 16’ wing space left and right; 66’ from plaster line to rear theatre wall including on-stage crossover; Orchestra pit with lifts or platforms for leveling. RECENT VENUES: On Behalf of Nature premiered January 18th, 2013 at Center for the Art of Performance at UCLA, Los Angeles, CA with additional performances at the Clarice Smith Performing Arts Center at the University of Maryland, the Edinburgh International Festival, Krannert Center at the University of Illinois, and this season at the Brooklyn Academy of Music and Yerba Buena Center for the Arts. ADDITIONAL INFORMATION: For her newest music-theater work, Meredith Monk offers a poetic meditation on our intimate connection to nature and the fragility of its ecology. Within this world, Monk evokes the Buddhist notion of the existence of different realm categories—the idea of joining heaven and earth by way of human beings. Drawing additional inspiration from writers and researchers who have sounded the alarm on the precarious state of our global ecology, Monk and her acclaimed Vocal Ensemble create a liminal space where human, natural and spiritual elements are woven into a delicate whole, illuminating the interconnection and interdependency of us all. The Vocal Ensemble consists of multitalented singers / performers / instrumentalists Sidney Chen, Ellen Fisher, Katie Geissinger, Bohdan Hilash, John Hollenbeck, Bruce Rameker and Allison Sniffin. -
Nowhe Says It Made Him a Better
Palo 6°Ê888]Ê ÕLiÀÊ£ÊUÊ"VÌLiÀÊ£ä]ÊÓäänÊN xäZ Alto Water prices to double in next decade Page 3 www.PaloAltoOnline.com Rick Walker was wrongfully imprisoned for 12 years. Now he says it made him a better man. page 19 Eating Out 29 Movies 33 Home & Real Estate 41 Crossword 60 NA&E Monk’s dance, music and vocals ‘ascend’ Page 25 NSports Stanford football in a rush to get better Page 36 NFall Real Estate Why are these towns different? Special Section Page 2ÊUÊ"VÌLiÀÊ£ä]ÊÓäänÊUÊ*>ÊÌÊ7iiÞ UpfrontLocal news, information and analysis Water prices may double in next decade ous position. And in the future, it plies from a major earthquake. to double between now and 2018, With costly seismic improvements ahead could also be far pricier, pending The plan includes 37 renovations officials say. enactment of a new plan from the or flat-out rebuilds of pipes and res- For Palo Alto, that may mean a for system, city plans to increase conservation San Francisco Public Utilities Com- ervoirs by 2015 for a total of $4.4 household increase from about $69 by Arden Pennell mission (SFPUC). billion. to $127 per month, according to The agency that supplies pristine Who will pay? The drinkers. Jane Ratchye, the assistant direc- snowflake in the high Sier- finally pours out a tap in Palo Alto. water from Yosemite National Park To fund upgrades to the 70-year- tor for resource management in the ras melts into a stream, flows If only it were that simple. The to many Bay Area cities — includ- old water system, household water city’s utilities department. -
On Behalf of Nature
BAM 2014 Next Wave Festival #OnBehalfofNature Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Vice Chairman of the Board Karen Brooks Hopkins, President On Behalf Joseph V. Melillo, Executive Producer of Nature Meredith Monk & Vocal Ensemble BAM Harvey Theater Dec 3—6 at 7:30pm; Dec 7 at 3pm Running time: one hour and 15 minutes, no intermission Music and direction by Meredith Monk Lighting design by Elaine Buckholtz Sound design by Jody Elff Costumes and scenography by Yoshio Yabara With Sidney Chen, Ellen Fisher, Katie Geissinger, Meredith Monk, Bruce Rameker, Allison Sniffin voices Bohdan Hilash winds John Hollenbeck percussion Allison Sniffin keyboards, violin, French horn Production manager Philip Sandström Season Sponsor: Technical director Johnny Chanthavong Assistant technical director Jess Malcolm Sound engineer Dave Cook Time Warner is the BAM 2014 Score preparation/Music director Allison Sniffin Next Wave Festival Sponsor Video editing Meredith Monk and Michael Grenadier Viacom is the BAM 2014 Music Sponsor Production coordinator/Company manager Peter Sciscioli Leadership support for music at BAM provided by: Frances Bermanzohn & Alan Roseman Pablo J. Salame On Behalf of Nature As I began working on On Behalf of Nature, I asked myself the question: “how would one create an ecological art work that didn’t make more waste in the world?” Live performances leave no traces except, hopefully, in the minds of audience members. This ephemeral aspect is both poignant and exhilarating. Sometimes though, the desire for novelty and surface excitement leads to buying a lot of new things, spending a great deal of money for an experience that lasts only a few hours. -
WINNIPEG NEW MUSIC FESTIVAL Alexander Mickelthwate WNMF Artistic Director Matthew Patton Curator Harry Stafylakis Composer-In-Residence
WINNIPEG NEW MUSIC FESTIVAL Alexander Mickelthwate WNMF Artistic Director Matthew Patton Curator Harry Stafylakis Composer-in-Residence JANUARY 28 – FEBRUARY 3 2017 Message from ALEXANDER MICKELTHWATE Welcome to the 26th Winnipeg New Music Festival. This year, we are celebrating Canada 150 with a diverse and colourful mosaic of Canadian ethnic composers starting with a major new work by Christos Hatzis. Meredith Monk, our distinguished guest composer will be performing on three different evenings. We will explore new spaces: the basement of the Hudson’s Bay and the Duncan Sportsplex behind the Centennial Concert Hall. Our collaboration with Melissa Auf der Maur and Basilica Hudson is bringing a 12-HOUR DRONE extravaganza to Winnipeg. Sound artist William Basinski will play his own work The Deluge. And Turkish composer Fazil Say’s enormous Mesopotamia Symphony will end our festival. See you soon, Alexander Mickelthwate, WNMF Artistic Director TICKET INFORMATION TICKETS FESTIVAL PASSES Regular $25 Early Bird After January 9th Student $12 Regular $69 Regular $89 Student $39 Student $49 Add Opening Night The HUB after party for $15 Tickets available at the WSO Box Office and all Ticketmaster outlets. WSO Box Office Ticketmaster 204 949 3999 1 855 985 ARTS wso.ca | wnmf.ca Ticketmaster.ca Generously sponsored by Sandi & Ron Mielitz We gratefully acknowledge our funders & partners WNMF1 MIGRATION PATTERNS Saturday, January 28 | 7:30pm Centennial Concert Hall WNMF2 THE WORLD OF MEREDITH MONK Sunday, January 29 | 7:30pm Centennial Concert Hall -
Meredith Monk Vocal Ensemble 2008
Meredith Monk Vocal Ensemble País: EE.UU. Género: Vanguardia vocal / performance multidisciplinar Representación: España y Portugal Monk crea en la intersección de la música y el movimiento, la imagen y el objeto, la luz y el sonido, en un esfuerzo por descubrir y tejer nuevos modos de percepción “No conocemos este lenguaje, pero aun así entendemos su significado. No somos capaces de captar su música, pero aun así sentimos su eco en nuestros huesos” - Robert Sandla, Opera News Meredith Monk es una compositora, cantante, coreógrafa y autora de nueva ópera, directora de películas e instalaciones. Una pionera en lo qué ahora se llama “técnica vocal extendida” y “performance interdisciplinario”. Meredith Monk colabora con algunos de los intérpretes más brillantes y aventureros de la escena musical actual. El Vocal Ensemble ha actuado en los principales teatros y auditorios del mundo incluyendo el Carnegie Hall, Queen Elizabeth Hall y Cologne Philarmonie, entre otros. Los miembros del Vocal Ensemble representan diferentes culturas incluyendo Asia, Africa, Europa y América Latina. Ellos aportan a su vez tradiciones artísticas muy diversas incluyendo desde la opera China y occidental, hasta Broadway y el teatro musical, así como todo tipo de peformance multidisciplinar. Monk crea en la intersección de la música y el movimiento, la imagen y el objeto, la luz y el sonido en un esfuerzo por descubrir y tejer nuevos modos de percepción. Su exploración de la voz como instrumento, como lengua elocuente en sí misma, amplía los límites de la composición musical, creando paisajes sonoros que descubren sentimientos, energías, y memorias para las que no existen palabras. -
Other Minds in Association with the Djerassi Resident Artists Program Presents Other Minds Festival 21 March 4
O M OTHER MINDS IN ASSOCIATION WITH THE DJERASSI RESIDENT ARTISTS PROGRAM PRESENTS OTHER MINDS FESTIVAL 21 MARCH 4 - MARCH 6, 2016 SFJAZZ CENTER SAN FRANCISCO 2 1 WELCOME FESTIVAL TO OTHER MINDS 21 OF NEW MUSIC The 21st Other Minds Festival is present- 2 Message from the Artistic Director ed by Other Minds in association with the 4 Exhibition & Silent Auction Djerassi Resident Artists Program and SFJAZZ Center. 13 Concert 1 17 Concert 2 All festival concerts take place at Robert N. Miner Auditorium in the SFJAZZ Center. 19 Concert 3 20 Other Minds 21 Featured Artist 26 Other Minds 21 Performers 35 Other Minds 21 Staff Bios 35 About Other Minds 36 Festival Supporters: A Gathering Of Other Minds 40 About The Festival This booklet © 2016 Other Minds, All rights reserved O MESSAGE FROM THE ARTISTIC DIRECTOR WELCOME BACK TO OTHER MINDS Words, by Phil Kline, incorporating the recorded voice of American writer William Burroughs. More Mvoices follow as Flux also gives us Michael Gordon’s intense mini-masterpiece The Sad Park, a So many long-term plans are coming together for this year’s Other Minds Festival that I’m filled with even more anticipation than usual. Our list of guest composers and performers is brimming with view of the 9/11 disaster as told by young children in New York City. Also inspired by 9/11 is the music talent, and it’s our good fortune to present them all at once to you at OM 21. Here they are, fresh for solo violin and film (Bill Morrison) Light Is Calling, which will be performed by Kate Stenberg. -
Announcement
Announcement 31 articles, 2016-04-25 18:03 1 Myrna Ayad Appointed Director of Art Dubai A month after closing its 10th edition, Art Dubai has announced the appointment of Myrna Ayad as its new director as part of a larger restructuring. 2016-04-25 08:05 2KB news.artnet.com (2.00/3) 2 Meredith Monk and the Walker: A Chronology — Magazine — Walker Art Center On April 15 , groundbreaking interdisciplinary artist Meredith Monk returns to the Twin Cities in celebration of her more than 50 years as a... 2016-04-25 12:40 11KB www.walkerart.org 3 Upcoming Opportunities for Choreographers Momentum: New Dance Works 2017 Proposals are now being accepted for Momentum: New Dance Works 2017. This long-standing annual dance series provides innovative emerging choreographers support for art... 2016-04-25 14:33 972Bytes blogs.walkerart.org 4 Alternate Senses of Tone and Pulse: An Interview with C. Spencer Yeh For Sound Horizon, our series of free in-gallery music performances, we’ve invited critic and Tiny Mix Tapes editor Marvin Lin to share his perspective on each installment of this three-part progr... 2016-04-25 12:09 946Bytes blogs.walkerart.org 5 mark reigelman's puts miniature cabin on top of steaming manhole covers for smökers installation mark reigelman’s smökers uses a miniature cabin to replace colored plastic steam tubes which are used to channel and release smoke atop of man hole covers. 2016-04-25 13:00 4KB www.designboom.com 6 exposed timber frame highlights interior of techné's souvlaki restaurant the eclectic design of each jimmy grants' techne represents a different part of the fictional character’s migration story. -
Théâtre De La Bastille 76, Rue De La Roquette 75011 Paris-Tél : 43 57 42 14
théâtre de la bastille 76, rue de la Roquette 75011 Paris-Tél : 43 57 42 14 F--E7%/.,A1 dans le cadre du Festival d'Automne à Paris À rAK du 4 au 10 novembre 1996 à partir de 20 h 15, dimanche à partir de 16 h 15, relâche le 7 novembre Shrine installation vidéo conçue par Meredith Monk à 21 h, dimanche à 17 h, relâche le 7 novembre Volcano Songs solo créé et interprété parMeredith Monk prix des places : 100 F, tarif réduit 70 F service de presse service de presse Théâtre de la Bastille Festival d'Automne à Paris Irène Gordon Corinne Moreau, Sarah Meneghello tél: 01 43 57 78 36 tél: 01 42 96 12 27 fax : 01 47 00 97 87 fax : 01 40 15 92 88 Document de communication du Festival d'Automne à Paris - tous droits réservés Shrine installation vidéo conçue par Meredith Monk et réalisée en collaboration avec Debby Lee Cohen et Pcrul Krajniak opérateur prise de vues Nick Blair Volcano Songs solo créé et interprété par Meredith Monk musique, mise en scène Meredith Monk lumière Tony Giovanetti décor Meredith Monk Paul Krajniak Debby Lee Cohen Volcans° Songs est une commande conjointe du Walker Art Center/Minneapolis, Hancher Auditorium/Iowa City, PS 122 et de la Fondation pour les Arts de New York avec le soutien de MEET THE COMPOSER/Programme de commande du Reader's Digest en partenariat avec le National Endowment pour les Arts et le Tilla Wallace-Fondation du Reader's Digest coréaliscrtion Théâtre de la Bastille administration en Europe Art Service International Document de communication du Festival d'Automne à Paris - tous droits réservés Meredith Monk Meredith Monk est compositeur, d'incorporer depuis des films courts chanteuse, cinéaste, chorégraphe dans ces pièces : une version de 7 et metteur en scène.