This is a repository copy of Epic Cinema: Defining our Terms. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/151979/ Version: Accepted Version Article: Koutsourakis, A (Accepted: 2019) Epic Cinema: Defining our Terms. JCMS: Journal of Cinema and Media Studies. ISSN 2578-4900 (In Press) This article is protected by copyright. This is a pre-copyedited version of an article accepted for publication in JCMS: Journal of Cinema and Media Studies following peer review. The definitive publisher-authenticated version is available through the University of Texas Press. Uploaded in accordance with the publisher's self-archiving policy. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing
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[email protected] https://eprints.whiterose.ac.uk/ Epic Cinema: Defining our Terms For George Kouvaros and Julian Murphet Abstract: Studies in epic cinema have flourished in the past decade, but one senses that scholars take the term to be self-explanatory, without considering its literary origins and the variety of films that can be placed under the rubric of the epic.