The Gaming Issue Gaming The
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Self-Regulated Learning in Technology Enhanced Learning
Self-regulated Learning in Technology Enhanced Learning Environments: A European Review Antonio Bartolomé, Jos Beishuizen, Roberto Carneiro, Cecilie Hansen, Paul Lefrere, Dominique Lenné, Donatella Persico, Karl Steffens To cite this version: Antonio Bartolomé, Jos Beishuizen, Roberto Carneiro, Cecilie Hansen, Paul Lefrere, et al.. Self- regulated Learning in Technology Enhanced Learning Environments: A European Review. 2007. hal-00197208 HAL Id: hal-00197208 https://telearn.archives-ouvertes.fr/hal-00197208 Submitted on 14 Dec 2007 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Self-regulated Learning in Technology Enhanced Learning Environments: A European Review Roberto Carneiro, Paul Lefrere, Karl Steffens Editors Draft version 3.0 November 10, 2007 KALEIDOSCOPE seed project: Self-regulated Learning in Technology Enhanced Learning Environments Antonio Bartolomé, Universitat de Barcelona, Spain Jos Beishuizen, Vrije Universiteit Amderstam, The Netherlands Roberto Carneiro, Universidade Católica Portuguesa, Portugal Cecilie Hansen., Intermedia, -
Modern Perlcommerce Past and Future API Development & Deployment
Modern PerlCommerce Past and Future API Development & Deployment Modern PerlCommerce Stefan Hornburg (Racke) [email protected] Pittsburgh Perl Workshop, 8th October 2011 racke Modern PerlCommerce Modern PerlCommerce Perl Buzzwords Past and Future Modern Perl API PerlCommerce Choices Development & Deployment Nitesi racke Modern PerlCommerce Modern PerlCommerce Perl Buzzwords Past and Future Modern Perl API PerlCommerce Choices Development & Deployment Perl Buzzwords I Marketing Perl I Modern Perl I Postmodern Perl racke Modern PerlCommerce Modern PerlCommerce Perl Buzzwords Past and Future Modern Perl API PerlCommerce Choices Development & Deployment Modern Perl I CPAN I Best Practices I Tests I Separation (Modules, Plugins, Hooks, Templates) I PSGI/Plack racke Modern PerlCommerce Modern PerlCommerce Perl Buzzwords Past and Future Modern Perl API PerlCommerce Choices Development & Deployment PerlCommerce Choices I Interchange I Handel I Agora I Business::Cart::Generic racke Modern PerlCommerce Modern PerlCommerce Past and Future Past API Future Development & Deployment Past I 1995 CGI I 1995 MiniVend I 1998 http://www.materialboerse.de/ I 2001 Interchange racke Modern PerlCommerce Modern PerlCommerce Past and Future Past API Future Development & Deployment Interchange Development I Lot of things I Small community I Same codebase racke Modern PerlCommerce Modern PerlCommerce Past and Future Past API Future Development & Deployment Status quo racke Modern PerlCommerce Modern PerlCommerce Past and Future Past API Future Development & Deployment -
UIC FLAMES (8-9, 5-7 HL) Date: Feb
2020-21 UIC Men’s Basketball Notes | at IUPUI | Indianapolis, Ind. | Indiana Farmers Coliseum @UIC_MBB UIC Athletic Communications | 839 W. Roosevelt Rd. Chicago, IL 60608 Director of Communications (MBB Contact): Dan Wallace Office: 315-355-3139 Cell: 630-450-2077 | @_DanWallace @UIC_MBB E-mail: [email protected] | Web: UICFlames.com UIC Men’s Basketball GAME INFORMATION - UIC at IUPUI UIC FLAMES (8-9, 5-7 HL) Date: Feb. 12-13 Head Coach: Luke Yaklich (Illinois State, 1998) Time: 11:00 a.m. | 11:00 a.m. (CT) Record at UIC: 8-9 (1st season); Career Record: 8-9 (1st season) Site: Indiana Farmers Coliseum | Indianapolis, Ind. Watch: ESPN+ VS Announcers: TBD IUPUI JAGUARS (5-8, 4-8 HL) Live Stats/Twitter: UICFlames.com / @UIC_MBB Head Coach: Byron Rimm II (Cal State LA, 1999) nd th UIC vs. IUPUI All-Time: 9-1 Record at IUPUI: 12-33 (2 season); Career Record: 180-270 (15 season) Current Series Streak: UIC, 4 First Meeting: Feb. 12, 1980 (W, 78-67 @IUPUI) 3 POINT PLAY DISH IT OUT Last Meeting: March 3, 2020 (W, 93-59 @UIC) • UIC makes its final roadtrip of the regular • Teyvion Kirk had a stellar performance season this weekend, as the Flames head against Valparaiso on Dec. 1, finishing the 2020-21 SCHEDULE/RESULTS (8-9, 5-7 HL) to Indianapolis to take on IUPUI Feb. 12-13. game with 14 points and 14 assists. • The 14 helpers are the most for UIC this DATE OPPONENT TV TIME/RESULT Tipoff both days is set for 11 a.m. -
Gardner • Even Orpheus Needs a Synthi Edit No Proof
James Gardner Even Orpheus Needs a Synthi Since his return to active service a few years ago1, Peter Zinovieff has appeared quite frequently in interviews in the mainstream press and online outlets2 talking not only about his recent sonic art projects but also about the work he did in the 1960s and 70s at his own pioneering computer electronic music studio in Putney. And no such interview would be complete without referring to EMS, the synthesiser company he co-founded in 1969, or namechecking the many rock celebrities who used its products, such as the VCS3 and Synthi AKS synthesisers. Before this Indian summer (he is now 82) there had been a gap of some 30 years in his compositional activity since the demise of his studio. I say ‘compositional’ activity, but in the 60s and 70s he saw himself as more animateur than composer and it is perhaps in that capacity that his unique contribution to British electronic music during those two decades is best understood. In this article I will discuss just some of the work that was done at Zinovieff’s studio during its relatively brief existence and consider two recent contributions to the documentation and contextualization of that work: Tom Hall’s chapter3 on Harrison Birtwistle’s electronic music collaborations with Zinovieff; and the double CD Electronic Calendar: The EMS Tapes,4 which presents a substantial sampling of the studio’s output between 1966 and 1979. Electronic Calendar, a handsome package to be sure, consists of two CDs and a lavishly-illustrated booklet with lengthy texts. -
The Art of Depression with Sonic Boom
The Art of Depression With Sonic Boom Bittles‘ Magazine Sonic Boom is not only a fantastic name for a band, it is also the nom de plume of Peter ›Sonic Boom‹ Kember, who was one of the founding members of the exceedingly excellent Spacemen 3. Spectrum is the only commercially available album he ever released under this name, yet it still stands as a momentous record that bewitches with its dense, layered sound. Released over 20 years ago, it isn’t of its time, or this time, or any time. In fact it is something else, separated from trends, fads or anything else which dilutes music to a turgid meaningless mess. By JOHN BITTLES Peter’s first band Spacemen 3 saw him, and close friend Jason Pierce (who later went on to form Spiritualized) play together with a varied assortment of musicians all linked together in their love of weird psychedelic rock. For almost ten years the band gave the world the type of scuzzy garage noise that most lost and alienated young teens only ever see in particularly vivid wet dreams. Sonic Boom. Photo by Xi Weg Since the split of Spacemen 3 back in 1991 Peter Kember has been releasing quality head music under various aliases including Spectrum (sublime indie rock) and E.A.R. (Experimental Audio Research) (strange drone type sounds). He is also equally well known as a producer having lent his production nous to the likes of MGMT, Panda Bear, Teen and, just recently, the ten tracks of psychedelic weirdness that make up the marvellous album Chambers by Lorelle Meets The Obsolete. -
Interfacing Apache HTTP Server 2.4 with External Applications
Interfacing Apache HTTP Server 2.4 with External Applications Jeff Trawick Interfacing Apache HTTP Server 2.4 with External Applications Jeff Trawick November 6, 2012 Who am I? Interfacing Apache HTTP Server 2.4 with External Applications Met Unix (in the form of Xenix) in 1985 Jeff Trawick Joined IBM in 1990 to work on network software for mainframes Moved to a different organization in 2000 to work on Apache httpd Later spent about 4 years at Sun/Oracle Got tired of being tired of being an employee of too-huge corporation so formed my own too-small company Currently working part-time, coding on other projects, and taking classes Overview Interfacing Apache HTTP Server 2.4 with External Applications Jeff Trawick Huge problem space, so simplify Perspective: \General purpose" web servers, not minimal application containers which implement HTTP \Applications:" Code that runs dynamically on the server during request processing to process input and generate output Possible web server interactions Interfacing Apache HTTP Server 2.4 with External Applications Jeff Trawick Native code plugin modules (uhh, assuming server is native code) Non-native code + language interpreter inside server (Lua, Perl, etc.) Arbitrary processes on the other side of a standard wire protocol like HTTP (proxy), CGI, FastCGI, etc. (Java and \all of the above") or private protocol Some hybrid such as mod fcgid mod fcgid as example hybrid Interfacing Apache HTTP Server 2.4 with External Applications Jeff Trawick Supports applications which implement a standard wire protocol, no restriction on implementation mechanism Has extensive support for managing the application[+interpreter] processes so that the management of the application processes is well-integrated with the web server Contrast with mod proxy fcgi (pure FastCGI, no process management) or mod php (no processes/threads other than those of web server). -
2020 Annual Report
We Are Meteors United! INVESTORS REPORT Honor Roll of Donors 2019–2020 Our Mission De La Salle Institute is an independent Catholic secondary school rooted in the tradition of Christian education begun by St. John Baptist de La Salle. Founded in 1889, its mission has been, and is, to foster a desire for excellence in education. Young people from a variety of ethnic and economic backgrounds are given the opportunity to fully develop their abilities so they may be active, contributing members of our complex, changing society. Table of Contents Message from the Board Chairman and President .1 Board of Directors . .1 We Are Meteors United! . 2 The Student Financial Assistance Program 3 2019–2020 Financial Reports . 4, 5 Son Acknowledges Act of Charity . 6 Principal Benefactors. .7 President’s Club Members. 8 The Legacy Circle . 9 Gifts as Tributes: Bequests, In Memory of, In Honor of . .10–11 LINK Unlimited Scholarship . 12 Establishing Your Legacy at De La Salle . 13 Alumni Donor Listing . 14–23 Anniversary Class Giving . 24 Lourdes Alumnae Donors . 25 The Parent Program . 26 The Helen Brach Foundation . 27 Corporate Matching Gifts. 28 Corporations, Foundations & Organizations . 29 Friends of De La Salle . .30–31 De La Salle’s Tolton Center . 33 Faithful Donors 33–35 Meteoric–Elevating De La Salle Institute. 36 Volunteers, Special Events & Event Sponsors . 37–40 2020–2021 Faculty and Staff. .Inside Back Cover Disclaimer It is with heartfelt gratitude that we acknowledge the generosity of our alumni, parents and friends who invested in De La Salle Institute dur- ing the 2019–2020 fiscal year. -
Threes!, Fives, 1024!, and 2048 Are Hard
Threes!, Fives, 1024!, and 2048 are Hard Stefan Langerman⋆1 and Yushi Uno2 1 D´epartement d’informatique, Universit´eLibre de Bruxelles, ULB CP 212, avenue F.D. Roosevelt 50, 1050 Bruxelles, Belgium. [email protected] 2 Department of Mathematics and Information Sciences, Graduate School of Science, Osaka Prefecture University, 1-1 Gakuen-cho, Naka-ku, Sakai 599-8531, Japan. [email protected] Abstract. We analyze the computational complexity of the popular computer games Threes!, 1024!, 2048 and many of their variants. For most known versions expanded to an m × n board, we show that it is NP-hard to decide whether a given starting position can be played to reach a specific (constant) tile value. 1 Introduction Fig. 2. The game 2048: a board Fig. 3. A forbidden (game over) and one of its initial configuration. Fig. 1. Threes! configuration. arXiv:1505.04274v1 [cs.CC] 16 May 2015 Threes! [2] is a popular puzzle game created by Asher Vollmer, Greg Wohlwend, and Jimmy Hinson (music), and released by Sirvo for iOS on January 23, 2014. The game received considerable attention from players, game critics and game designers. Only a few weeks after its release, an Android clone Fives appeared, and then an iOS clone 1024! with slightly modified rules. Shortly after, two open source web game versions, both called 2048 were released on github on the same day, one by Saming [12], the other by Gabriele Cirulli [5]. Since then over a hundred new variant have been catalogued [9]. In December 2014, Threes! received the Apple Game of the Year and the Apple Design award. -
Delia Derbyshire Sound and Music for the BBC Radiophonic Workshop, 1962-1973
Delia Derbyshire Sound and Music For The BBC Radiophonic Workshop, 1962-1973 Teresa Winter PhD University of York Music June 2015 2 Abstract This thesis explores the electronic music and sound created by Delia Derbyshire in the BBC’s Radiophonic Workshop between 1962 and 1973. After her resignation from the BBC in the early 1970s, the scope and breadth of her musical work there became obscured, and so this research is primarily presented as an open-ended enquiry into that work. During the course of my enquiries, I found a much wider variety of music than the popular perception of Derbyshire suggests: it ranged from theme tunes to children’s television programmes to concrete poetry to intricate experimental soundscapes of synthesis. While her most famous work, the theme to the science fiction television programme Doctor Who (1963) has been discussed many times, because of the popularity of the show, most of the pieces here have not previously received detailed attention. Some are not widely available at all and so are practically unknown and unexplored. Despite being the first institutional electronic music studio in Britain, the Workshop’s role in broadcasting, rather than autonomous music, has resulted in it being overlooked in historical accounts of electronic music, and very little research has been undertaken to discover more about the contents of its extensive archived back catalogue. Conversely, largely because of her role in the creation of its most recognised work, the previously mentioned Doctor Who theme tune, Derbyshire is often positioned as a pioneer in the medium for bringing electronic music to a large audience. -
Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2
PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 001 (SoundExchange) (SME US Latin) Make Money Records (The 10049735 Canada Inc. (The Orchard) 100% (BMG Rights Management (Australia) Orchard) 10049735 Canada Inc. (The Orchard) (SME US Latin) Music VIP Entertainment Inc. Pty Ltd) 10065544 Canada Inc. (The Orchard) 441 (SoundExchange) 2. (The Orchard) (SME US Latin) NRE Inc. (The Orchard) 100m Records (PPL) 777 (PPL) (SME US Latin) Ozner Entertainment Inc (The 100M Records (PPL) 786 (PPL) Orchard) 100mg Music (PPL) 1991 (Defensive Music Ltd) (SME US Latin) Regio Mex Music LLC (The 101 Production Music (101 Music Pty Ltd) 1991 (Lime Blue Music Limited) Orchard) 101 Records (PPL) !Handzup! Network (The Orchard) (SME US Latin) RVMK Records LLC (The Orchard) 104 Records (PPL) !K7 Records (!K7 Music GmbH) (SME US Latin) Up To Date Entertainment (The 10410Records (PPL) !K7 Records (PPL) Orchard) 106 Records (PPL) "12"" Monkeys" (Rights' Up SPRL) (SME US Latin) Vicktory Music Group (The 107 Records (PPL) $Profit Dolla$ Records,LLC. (PPL) Orchard) (SME US Latin) VP Records - New Masters 107 Records (SoundExchange) $treet Monopoly (SoundExchange) (The Orchard) 108 Pics llc. (SoundExchange) (Angel) 2 Publishing Company LCC (SME US Latin) VP Records Corp. (The 1080 Collective (1080 Collective) (SoundExchange) Orchard) (APC) (Apparel Music Classics) (PPL) (SZR) Music (The Orchard) 10am Records (PPL) (APD) (Apparel Music Digital) (PPL) (SZR) Music (PPL) 10Birds (SoundExchange) (APF) (Apparel Music Flash) (PPL) (The) Vinyl Stone (SoundExchange) 10E Records (PPL) (APL) (Apparel Music Ltd) (PPL) **** artistes (PPL) 10Man Productions (PPL) (ASCI) (SoundExchange) *Cutz (SoundExchange) 10T Records (SoundExchange) (Essential) Blay Vision (The Orchard) .DotBleep (SoundExchange) 10th Legion Records (The Orchard) (EV3) Evolution 3 Ent. -
UIC FLAMES (6-9, 1-1) Date: Friday, Jan
2019-20 UIC Men’s Basketball Notes | at Green Bay | Green Bay, Wis. | Credit Union 1 Arena Follow the Flames on Social Media UIC Athletic Communications 839 W. Roosevelt Rd. @UICFLAMESMBB Chicago, IL 60608 @UICFLAMESMBB Director of Communications (MBB Contact): Dan Wallace UIC Men’s Basketball Offic: 315-355-3139 Cell: 630-450-2077 #ItsUIC | #FireUpFlames | #HLMBB E-mail: [email protected] | Web: UICFlames.com # Twitter: @UICFlamesMBB | @_DanWallace GAME INFORMATION - UIC at GREEN BAY UIC FLAMES (6-9, 1-1) Date: Friday, Jan. 3 Head Coach: Steve McClain (Chadron State, 1984) Time: 7:00 p.m. Record at UIC: 64-85 (5th season); Career Record: 221-200 (14th season) Site: Resch Center | Green Bay, Wis. Watch: ESPN3 VS Announcers: TBD GREEN BAY PHOENIX (6-9, 1-1) Live Stats/Twitter: UICFlames.com / @UICFlamesMBB Head Coach: Linc Darner (Purdue, 1995) th th UIC vs. BG All-Time: 40-61 all-time | 37-45 DI era Record at GB: 58-60 (4 season); Career Record: 373-190 (18 season) Current Series Streak: GB, 3 First Division I Meeting: 1981-82 season (L, 74-60) 3 POINT PLAY CLEAN THE GLASS Last Meeting: March 5, 2019 (L, 82-77) • UIC fell to 1-1 in Horizon League action with • In UIC's 71-66 victory over Cleveland a 70-64 setback to Youngstown State Monday State on Dec. 28, the Flames dominated the 2019-20 SCHEDULE/RESULTS (6-9, 1-1 HL) (Dec. 30) evening. Godwin Boahen scored a rebounding battle. UIC outrebounded the team-high 15 points in his second consecutive DATE OPPONENT TV TIME/RESULT Vikings, 36-21, marking the largest rebounding game off the bench whileBraelen Bridges had margin for the Flames this year (+15). -
Machinima As Digital Agency and Growing Commercial Incorporation
A Binary Within the Binary: Machinima as Digital Agency and Growing Commercial Incorporation A thesis presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Megan R. Brown December 2012 © 2012 Megan R. Brown. All Rights Reserved 2 This thesis titled A Binary Within the Binary: Machinima as Digital Agency and Growing Commercial Incorporation by MEGAN R. BROWN has been approved for the School of Film and the College of Fine Arts by Louis-Georges Schwartz Associate Professor of Film Studies Charles A. McWeeny Dean, College of Fine Arts 3 ABSTRACT BROWN, MEGAN R., M.A., December 2012, Film Studies A Binary Within the Binary: Machinima as Digital Agency and Growing Commercial Incorporation (128 pp.) Director of Thesis: Louis-Georges Schwartz. This thesis traces machinima, films created in real-time from videogame engines, from the exterior toward the interior, focusing on the manner in which the medium functions as a tool for marginalized expression in the face of commercial and corporate inclusion. I contextualize machinima in three distinct contexts: first, machinima as historiography, which allows its minority creators to articulate and distribute their interpretation of national and international events without mass media interference. Second, machinima as a form of fan fiction, in which filmmakers blur the line between consumers and producers, a feature which is slowly being warped as videogame studios begin to incorporate machinima into marketing techniques. Finally, the comparison between psychoanalytic film theory, which explains the psychological motivations behind cinema's appeal, applied to videogames and their resulting machinima, which knowingly disregard established theory and create agency through parody.