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THE DEFINITIVE, OUTRAGEOUS STORY of the COSMIC BROADWAY EPIC Fall 2015 • Voice of the Comics Medium • Number 10 Table of Contents

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THE DEFINITIVE, OUTRAGEOUS STORY of the COSMIC BROADWAY EPIC Fall 2015 • Voice of the Comics Medium • Number 10 Table of Contents THE DEFINITIVE, OUTRAGEOUS OF THE STORY COSMIC EPIC BROADWAY 0 4 1 82658 97073 4 A TwoMorrows Publication TwoMorrows Cover artbyNeal Adams No. 10,Fall2015 $ in theUSA 8.95 Fall 2015 • Voice of the Comics Medium • Number 10 TABLE OF CONTENTS Ye Ed’s Rant: It’s All in the Bagge .................................................................................... 2 WARP-WOODY COMICS CHATTER CBC mascot by J.D. KING Incoming: Missives touching upon the awesome work of the late Steve Gerber .......... 4 ©2015 J.D. King. About Our The Good Stuff: George Khoury looks at some invincible, superior die-cast figures ..... 8 Cover Hembeck’s Dateline: Our Man Fred remembers when, in the comic strip pages, Mary Perkins shared her stage with super-hero Captain Virtue!............................... 9 Art by P ETER BAGGE Color by JOANNE BAGGE Man of Miracles: Cory Sedlmeier discusses the revival and restoration of perhaps the greatest super-hero saga of them all, Miracleman ............................. 10 The Big Red Cheese in 75: As told to FCA’s P.C. Hamerlinck, Captain Marvel reflects on his three-quarter century as the World’s Mightiest Mortal ................... 15 Comics in the Library: Rich Arndt takes a look at the Mystery of Rick Geary! ........... 17 TM & © DC Comics. WARP! SPECIAL SECTION The Night Broadway Got Warped!: More than four years before Star Wars, an innovative and daring theatrical troupe out of Chicago created a cosmic trilogy of the forces of good versus evil — all inspired by the Marvel Age of comics — that awed audiences in the Windy City… but could the show, Justice League Adventures now joined by the legendary Neal Adams, make it on the Great White Way? .......18 Peter Bagge’s great apocalyptic cover is actually a parody of the THE MAIN EVENT Bruce Timm/Alex Ross collabo- ration cover of Justice League Peter Bagge’s World and Welcome to It: CBC’s comprehensive interview with Adventures #1 [Jan. 2002]. Goes one of the great American cartoonists, from surviving suburbia as a kid to his to show you how long Pete has been waiting for yours truly start in the “punk” comics scene, to Weirdo, Neat Stuff, Hate, and to modern- to finally — day work as a graphic novelist — a remarkably candid and insightful talk............ 40 FINALLY — get ready this issue BACK MATTER devoted to the All characters TM & © Peter Bagge. great cartoon- Coming Attractions: The indelible mark of the amazing Gil Kane! ............................... 78 ist, especially given P.B.’s A Picture Is Worth A Thousand Words: Ernie Colón shares his Dark Opal ............... 79 piece is dated 2006! — Ye Ed. Note: With regret, we were unable to include any number of items prepared for this issue due to the If you’re viewing a Digital respective lengths of both of our two cover features, but CBC with strive to include those articles in future Edition of this publication, issues. Our appreciation to you patient readers and to all of the magazine’s understanding contributors. PLEASE READ THIS: This is copyrighted material, NOT intended Right: Cover detail from the last issue of Peter Bagge’s Neat Stuff magazine, #15, April 1989. for downloading anywhere except our website or Apps. If you downloaded it from another website or torrent, go ahead and SPECIAL THANKS: Glenn Whitmore colored our awesome Warp cover. Art is by (of course) Neal Adams! read it, and if you decide to keep it, DO THE RIGHT THING and buy a legal down- load, or a printed copy. Otherwise, DELETE IT FROM YOUR DEVICE and DO NOT SHARE IT WITH FRIENDS OR POST IT ANYWHERE. If you enjoy our publications Comic Book Artist Vol. 1 & 2 are now available enough to download them, please pay for as digital downloads from twomorrows.com! them so we can keep producing ones like this. Our digital editions should ONLY be downloaded within our Apps and at www.twomorrows.com Comic Book Creator ™ is published quarterly by TwoMorrows Publishing, 10407 Bedfordtown Dr., Raleigh, NC 27614 USA. Phone: (919) 449-0344. Jon B. Cooke, editor. John Morrow, publisher. Comic Book Creator editorial offices: P.O. Box 204, West Kingston, RI 02892 USA. E-mail: [email protected] subscription funds to TwoMorrows, NOT to the editorial offices. Four-issue subscriptions: $40 US, $54 Canada, $60 elsewhere. All characters are © their respective copyright owners. All material © their COMIC BOOK CREATOR creators unless otherwise noted. All editorial matter ©2015 Jon B. Cooke/TwoMorrows. Comic Book is a proud joint production of Creator is a TM of Jon B. Cooke/TwoMorrows. ISSN 2330-2437. Printed in China. FIRST PRINTING. Jon B. Cooke/TwoMorrows marvelman The Return of Miracleman Cory Sedlmeier, Marvel’s restoration virtuoso, on the revial of the classic series Interview conducted by JON B. COOKE CBC Editor came in and said, “We’re going for Miracleman.” Well, it took quite a while to get everything ironed out because it’s [For many of us old-time comics fans, the domain the longest and craziest history of any character — of the devil got downright frigid on Jan. 15, by a pretty long stretch, going as far back as the 2014, when the first issue of a reprinting of ’40s, if you want to draw a really long line. It the legendary Miracleman series, that took some time to get everything untangled, ground-breaking saga as originally written but once the green light was finally lit, I by Alan Moore and Neil Gaiman, made it jumped in with both feet. to the racks. We all knew that the property We started work in late October of was fraught with contention, and litigation, 2013. It’s amazing that much time has and that one giant mess engulfed the passed, but I’ve been busy, busy, busy, try- tales — arguably composing the finest ing to gather all the materials and original super-hero saga ever written — and many artwork that we can… From there it’s been were resigned that the epic would never again all about working with the artists, Garry Leach, see print. But the House of Ideas pulled off the Alan Davis, Rick Veitch, and John Totleben, and impossible and the stories are again seeing the light of now Mark Buckingham, to bring the series back to day (albeit without Moore’s name attached, by his request, print in a way that best represents their creative as the credits feature only the credit, “The Original Writer”). vision. Because, particularly for guys like Garry, Cory Sedlmeier is overseeing the re-presentation of the Alan, and Rick, they didn’t have a lot of involve- series, which will soon return from hiatus with the Neil ment or input as to how their work looked beyond Gaiman-scribed story arcs. (Full disclosure: Cory has been the ink they put on the page. Chuck Austen’s first my editor for a handful of introductions I’ve written for the story, for instance. That was a nighttime scene, Marvel Masterworks series.) Transcribing by but they originally colored it as daytime! Steven Thompson. — Y.E.] In particular, Garry told me stories about how the early Eclipse stuff, when his stories were first Comic Book Creator: Can you give us a printed in color, that they were colored by underpaid little background, Cory, and what people might fabric designers from Spain. They had no idea how recognize as you having worked on? to color a comic! Garry described it as if an insane Cory Sedlmeier: The main thing that person dumped an Easter Egg kit all over the I do now is edit the Marvel Masterworks. pages. I came to Marvel 14 years ago, as a When we got to Alan Davis’ run, I spoke with college intern, and they tossed me into him about how he wanted to approach bringing the collections department. I wanted his work back to print. I asked what he thought to learn as much as I could and threw of the original series’ coloring, and he said, myself headlong into whatever “I’ve actually never seen my Miracleman they’d let me do. At the end of the work in color — ever.” I sent him PDFs of internship, Axel offered me a job, the original stuff and his response was that but by intent or just unwittingly, I’d he didn’t have any nostalgia for it because, specialized in being a little crazy of course, he’d never seen it before and about making the classic collections the best he didn’t like what he saw in the versions they could possibly be. The collection guys Miracleman TM & © Marvel Characters, Inc. Cpry Sed;meier photo by and Bruce Guthrie. from the ’80s. I interned for grabbed me and I ended up I wanted to keep the look of the helping them before moving on to edi- series consistent with the time that torial proper. I worked on… just about it was conceived. The colorist that I everything everywhere there was a fire thought could best do that was Steve to put out… Epic, X-Men, you name it. Oliff, who, I didn’t know this at first, Working with Garth Ennis on Punisher worked at Eclipse and developed a lot of MAX and helping launch Astonishing the coloring techniques that were used X-Men were great experiences. Of the on Miracleman in the ’80s and ’90s. They series I edited on staff, Fantastic Four/ just weren’t used as well as he used Iron Man: Big in Japan, by Zeb Wells them! At least, not until Sam Parsons, and Seth Fisher, is the most important to who Steve trained back then, took over.
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