Crowded Dreams 2004 2013 First Chapter
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Stand Up, Fight Back!
admin.iatse-intl.org/BulletinRegister.aspx Stand Up, Fight Back! The Stand Up, Fight Back campaign is a way for Help Support Candidates Who Stand With Us! the IATSE to stand up to attacks on our members from For our collective voice to be heard, IATSE’s members anti-worker politicians. The mission of the Stand Up, must become more involved in shaping the federal legisla- Fight Back campaign is to increase IATSE-PAC con- tive and administrative agenda. Our concerns and inter- tributions so that the IATSE can support those politi- ests must be heard and considered by federal lawmakers. cians who fight for working people and stand behind But labor unions (like corporations) cannot contribute the policies important to our membership, while to the campaigns of candidates for federal office. Most fighting politicians and policies that do not benefit our prominent labor organizations have established PAC’s members. which may make voluntary campaign contributions to The IATSE, along with every other union and guild federal candidates and seek contributions to the PAC from across the country, has come under attack. Everywhere from Wisconsin to Washington, DC, anti-worker poli- union members. To give you a voice in Washington, the ticians are trying to silence the voices of American IATSE has its own PAC, the IATSE Political Action Com- workers by taking away their collective bargaining mittee (“IATSE-PAC”), a federal political action commit- rights, stripping their healthcare coverage, and doing tee designed to support candidates for federal office who away with defined pension plans. promote the interests of working men and women. -
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 COUNCIL ON LIBRARY AND INFORMATION RESOURCES AND THE LIBRARY OF CONGRESS The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 Mr. Pierce has also created a da tabase of location information on the archival film holdings identified in the course of his research. See www.loc.gov/film. Commissioned for and sponsored by the National Film Preservation Board Council on Library and Information Resources and The Library of Congress Washington, D.C. The National Film Preservation Board The National Film Preservation Board was established at the Library of Congress by the National Film Preservation Act of 1988, and most recently reauthorized by the U.S. Congress in 2008. Among the provisions of the law is a mandate to “undertake studies and investigations of film preservation activities as needed, including the efficacy of new technologies, and recommend solutions to- im prove these practices.” More information about the National Film Preservation Board can be found at http://www.loc.gov/film/. ISBN 978-1-932326-39-0 CLIR Publication No. 158 Copublished by: Council on Library and Information Resources The Library of Congress 1707 L Street NW, Suite 650 and 101 Independence Avenue, SE Washington, DC 20036 Washington, DC 20540 Web site at http://www.clir.org Web site at http://www.loc.gov Additional copies are available for $30 each. Orders may be placed through CLIR’s Web site. This publication is also available online at no charge at http://www.clir.org/pubs/reports/pub158. -
Doherty, Thomas, Cold War, Cool Medium: Television, Mccarthyism
doherty_FM 8/21/03 3:20 PM Page i COLD WAR, COOL MEDIUM TELEVISION, McCARTHYISM, AND AMERICAN CULTURE doherty_FM 8/21/03 3:20 PM Page ii Film and Culture A series of Columbia University Press Edited by John Belton What Made Pistachio Nuts? Early Sound Comedy and the Vaudeville Aesthetic Henry Jenkins Showstoppers: Busby Berkeley and the Tradition of Spectacle Martin Rubin Projections of War: Hollywood, American Culture, and World War II Thomas Doherty Laughing Screaming: Modern Hollywood Horror and Comedy William Paul Laughing Hysterically: American Screen Comedy of the 1950s Ed Sikov Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema Rey Chow The Cinema of Max Ophuls: Magisterial Vision and the Figure of Woman Susan M. White Black Women as Cultural Readers Jacqueline Bobo Picturing Japaneseness: Monumental Style, National Identity, Japanese Film Darrell William Davis Attack of the Leading Ladies: Gender, Sexuality, and Spectatorship in Classic Horror Cinema Rhona J. Berenstein This Mad Masquerade: Stardom and Masculinity in the Jazz Age Gaylyn Studlar Sexual Politics and Narrative Film: Hollywood and Beyond Robin Wood The Sounds of Commerce: Marketing Popular Film Music Jeff Smith Orson Welles, Shakespeare, and Popular Culture Michael Anderegg Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, ‒ Thomas Doherty Sound Technology and the American Cinema: Perception, Representation, Modernity James Lastra Melodrama and Modernity: Early Sensational Cinema and Its Contexts Ben Singer -
The Pennsylvania State University the Graduate School Department
The Pennsylvania State University The Graduate School Department of Political Science POWER, IDENTITY, CREDIBILITY & COOPERATION: EXAMINING THE DEVELOPMENT OF COOPERATIVE ARRANGEMENTS AMONG VIOLENT NON-STATE ACTORS A Dissertation in Political Science by Kanisha D. Bond © 2010 Kanisha D. Bond Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2010 The dissertation of Kanisha D. Bond was reviewed and approved* by the following: Douglas Lemke Associate Professor of Political Science Dissertation Advisor Chair of Committee Glenn Palmer Professor of Political Science D. Scott Bennett Distinguished Professor of Political Science Head of the Political Science Department Navin Bapat Assistant Professor of Political Science Stephen A. Matthews Associate Professor of Sociology, Anthropology, and Demography *Signatures are on file in the Graduate School ii ABSTRACT Much of the empirical and theoretical work on the external politics of violent non-state actors (VNAs) has focused on either their conflict behaviors or their potential for cooperation with state actors. However, cooperation among VNAs themselves has received limited systematic scrutiny, despite significant anecdotal evidence suggesting that this behavior has been prevalent in and significant to world politics over time. In this dissertation, I examine the development of inter- VNA cooperative arrangements, specifically showing how organization-level characteristics influence how VNAs answer three key questions about inter-group cooperation: 1) What are the general costs and benefits of cooperation as a strategy for increasing security; 2) With which other VNAs to cooperate?; and 3) How should that cooperation be designed? My main argument is that variation among VNAs in terms of bargaining credibility – as inferred from organization-level power and identity characteristics – partly explains why some VNAs cooperate with other violent organizations while others do not, as well as why there is variation in the design of the arrangements that are formed. -
Terrorist Healthdog and Other Stories
San Jose State University SJSU ScholarWorks Master's Theses Master's Theses and Graduate Research 2008 Terrorist healthdog and other stories Carlos A. Solis San Jose State University Follow this and additional works at: https://scholarworks.sjsu.edu/etd_theses Recommended Citation Solis, Carlos A., "Terrorist healthdog and other stories" (2008). Master's Theses. 3605. DOI: https://doi.org/10.31979/etd.qz32-uw27 https://scholarworks.sjsu.edu/etd_theses/3605 This Thesis is brought to you for free and open access by the Master's Theses and Graduate Research at SJSU ScholarWorks. It has been accepted for inclusion in Master's Theses by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. TERRORIST HEALTHDOG AMD OTHER STORIES A Thesis Presented to The Faculty of the Department of English San Jose State University In Partial Fulfillment of the Requirements for the Degree Master of Fine Arts by Carlos A. Solis December 2008 UMI Number: 1463385 Copyright 2008 by Solis, Carlos A. All rights reserved. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. ® UMI UMI Microform 1463385 Copyright 2009 by ProQuest LLC. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. -
His Girl Friday (1940)
Conversations about great films with Diane Christian & Bruce Jackson HOWARD HAWKS (30 May 1896, Goshen, Indiana—26 December 1977, Palm Springs, California, aftermath of a fall) directed 47 films (and was producer on most of them) and wrote 24 screenplays. The last film he directed was Rio Lobo 1970; his first was Road to Glory 1926. Some of the others were: Man's Favorite Sport? (1964), Hatari! (1962), Rio Bravo (1959), Land of the Pharaohs (1955), Gentlemen Prefer Blondes (1953), I Was a Male War Bride (1949), A Song Is Born (1948), Red River (1948), The Big Sleep (1946), To Have and Have Not (1944), Sergeant York (1941), Only Angels Have Wings (1939), Bringing Up Baby (1938), Come and Get It (1936), Barbary Coast (1935), Twentieth Century (1934), Scarface (1932), and The Dawn Patrol (1930). He won an honorary Oscar in 1975. BEN HECHT (28 February 1894, New York City—18 April 1964, NYC, HIS GIRL FRIDAY (1940). 92 min thrombosis) wrote or co-wrote 128 screenplays, half of them uncredited. Produced and directed by Howard Hawks Some of them are Cleopatra (1963), Mutiny on the Bounty (1962), Walk on Based on the play, “The Front Page,” by Ben Hecht the Wild Side (1962), A Farewell to Arms (1957), Miracle in the Rain and Charles MacArthur (1956), The Court-Martial of Billy Mitchell (1955), The Man with the Screenplay by Charles Lederer Golden Arm (1955), Guys and Dolls (1955), Rope (1948), The Miracle of Cinematography by Joseph Walker the Bells (1948), Ride the Pink Horse (1947), Kiss of Death (1947), Duel in the Sun (1946), Notorious (1946), Gilda (1946), Spellbound (1945), Cary Grant ...Walter Burns Lifeboat (1944), The Outlaw (1943), Gone with the Wind (1939), Wuthering Rosalind Russell ...Hildegaard 'Hildy' Johnson Heights (1939), Stagecoach (1939), Angels with Dirty Faces (1938), Ralph Bellamy ...Bruce Baldwin Barbary Coast (1935), Viva Villa! (1934), Scarface (1932), and The New Gene Lockhart ...Sheriff Peter B. -
This E-Book Was Scanned by Anexperience (Exbot) This E-Book
This e-book was scanned by anexperience (exbot) This e-book was Proof read by anexperience (exbot) Find me on IRC and a.b.e-books Releases: Dean Koontz - Demon Seed Clive Barker - Books Of Blood Vol 2 Dean Koontz - Ticktock Dean Koontz - Sole Survivor Clive Barker - Books Of Blood Vol 1 Original copyright year:1984 e-text Version: 1.0 Date of e-text: 05/02/03 ISBN 0 316 85367 4 (Hardback) Comments: Please correct the errors you find in this e-text, update the version number and redistribute Clive Barker - Books Of Blood Vol 3 I used Hardback copy of Clive Barker - Books Of Blood Omnibus Vol 1 (Saved from fire) HP Scanjet 5300C flatbed scanner (Old scanner unfortunately did not survive the fire) Page 1 ABBYY Finereader 6.0 Corporate MS Word XP A PC Hope you enjoy this book START BOOKS OF BLOOD Volume 3 CONTENTS SON OF CELLULOID RAWHEAD REX CONFESSION OF A (PORNOGRAPHER'S) SHROUD Page 2 SCAPE-GOATS HUMAN REMAINS Son of Celluloid ONE: TRAILER Barberio felt fine, despite the bullet. Sure, there was a catch in his chest if he breathed too hard, and the wound in his thigh wasn't too pretty to look at, but he'd been holed before and come up smiling. At least he was free: that was the main thing. Nobody, he swore, nobody would ever lock him up again, he'd kill himself rather than be taken back into custody. If he was unlucky and they cornered him, he'd stick the gun in his mouth and blow off the top of his head. -
"A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 Piano Solo | Twelfth 12Th Street Rag 1914 Euday L
Box Title Year Lyricist if known Composer if known Creator3 Notes # "A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 piano solo | Twelfth 12th Street Rag 1914 Euday L. Bowman Street Rag 1 3rd Man Theme, The (The Harry Lime piano solo | The Theme) 1949 Anton Karas Third Man 1 A, E, I, O, U: The Dance Step Language Song 1937 Louis Vecchio 1 Aba Daba Honeymoon, The 1914 Arthur Fields Walter Donovan 1 Abide With Me 1901 John Wiegand 1 Abilene 1963 John D. Loudermilk Lester Brown 1 About a Quarter to Nine 1935 Al Dubin Harry Warren 1 About Face 1948 Sam Lerner Gerald Marks 1 Abraham 1931 Bob MacGimsey 1 Abraham 1942 Irving Berlin 1 Abraham, Martin and John 1968 Dick Holler 1 Absence Makes the Heart Grow Fonder (For Somebody Else) 1929 Lewis Harry Warren Young 1 Absent 1927 John W. Metcalf 1 Acabaste! (Bolero-Son) 1944 Al Stewart Anselmo Sacasas Castro Valencia Jose Pafumy 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Accidents Will Happen 1950 Johnny Burke James Van Huesen 1 According to the Moonlight 1935 Jack Yellen Joseph Meyer Herb Magidson 1 Ace In the Hole, The 1909 James Dempsey George Mitchell 1 Acquaint Now Thyself With Him 1960 Michael Head 1 Acres of Diamonds 1959 Arthur Smith 1 Across the Alley From the Alamo 1947 Joe Greene 1 Across the Blue Aegean Sea 1935 Anna Moody Gena Branscombe 1 Across the Bridge of Dreams 1927 Gus Kahn Joe Burke 1 Across the Wide Missouri (A-Roll A-Roll A-Ree) 1951 Ervin Drake Jimmy Shirl 1 Adele 1913 Paul Herve Jean Briquet Edward Paulton Adolph Philipp 1 Adeste Fideles (Portuguese Hymn) 1901 Jas. -
The Soul of My Shoes
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Senior Thesis Projects, 2003-2006 College Scholars 2004 The Soul of my Shoes Ryan James Dainty Follow this and additional works at: https://trace.tennessee.edu/utk_interstp3 Recommended Citation Dainty, Ryan James, "The Soul of my Shoes" (2004). Senior Thesis Projects, 2003-2006. https://trace.tennessee.edu/utk_interstp3/17 This Project is brought to you for free and open access by the College Scholars at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Senior Thesis Projects, 2003-2006 by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. c::. FORM3~~ COLLEGE SCHOLARS P~._L APPROVAL Scholar Mentor Project Title and Completion Date (Semester and Year) COMMITTEE MEMBERS (Minimum 3 Required) Name Signature fkfol!1r~ , i2(f-Lrgl l/Jofl;f/lf)1/ PLEASE ATTACH A COpy OF THE WRITTEN PROPOSAL TO THIS SHEET AND RETURN TO THE PROGRAM DIRECTOR. DATE APPROVED: ~!i~ 2c::JZ; F - - - .. Rainy Day Jesus .. - I know a man with fire, His eyes; perseverance, His beaten brow; truth, His jaw; strength, His tired back; suffering, His shoulders; mercy, His hands; and grace, His feet. - I met Him one rainy day; He was walking across puddles, his steps making not even a .. ripple or a splash in the shallow pools of water. He looked wet and weary, so I offered my umbrella to which He kindly responded, "Oh, no thank you," and continued walking, - looking up at the grays of sky and down at the greens, reds, and yellows of autumn leaves - thrown about the earth in perfect geometry to the soul. -
Three Partners; Or, the Big Strike on Heavy Tree Hill
THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES GIFT OF Mr. & Mrs. Jo Surer-ling anto Stories ftp 33ret |)arte. THE LUCK OF ROARING CAMP, AND OTHER STORIES. i6mo, $1.25. In Riverside Aldine Series, $1.00. MRS. SKAGGS'S HUSBANDS, AND OTHER SKETCHES. TA'LES' OF THE ARGONAUTS, AND OTHER SKETCHES. i6mo, $1.25. THANKFUL BLOSSOM. i8mo, $1.00. TWO MEN OF SANDY BAR. A Play. i8mo, $1.00. THE STORY OF A MINE. i8mo, $1.00. DRIFT FROM TWO SHORES. i8mo, $1.00. THE TWINS OF TABLE MOUNTAIN, AND OTHER STO RIES. iSmo, $1.00. FLIP, AND FOUND AT BLAZING STAR. Two Stories. i8mo, $1.00. IN THE CARQUINEZ WOODS. i8mo.Ji.oo. ON THE FRONTIER. i8mo, $1.00. BY SHORE AND SEDGE. i8mo, $1.00. MARUJA. A Novel. i8mo, $1.00. SNOW-BOUND AT EAGLE'S. i8mo, $1.00. A MILLIONAIRE OF ROUGH-AND-READY, AND DEVIL'S FORD. 181110, $1.00. A WAIF OF THE PLAINS. i8mo, $1.00. A PHYLLIS OF THE SIERRAS, AND DRIFT FROM RED WOOD CAMP. i8mo, $1.00. THE ARGONAUTS OF NORTH LIBERTY. i8mo, $1.00. THE CRUSADE OF THE EXCELSIOR. Illustrated. i6mo, $1.25 ; paper, 50 cents. CRESSY. i6mo, $1.25. THE HERITAGE OF DEDLOW MARSH, AND OTHER TALES. i6mo, $1.25. A WARD OF THE GOLDEN GATE. i6mo, $1.25; paper, 50 cents. A SAPPHO OF GREEN SPRINGS, AND OTHER STORIES. i6mo, $1.25 ; paper, 50 cents. A FIRST FAMILY OF TASAJARA. i6tno, $1.25. COLONEL STARBOTTLE'S CLIENT, AND SOME OTHER PEOPLE. i6mo, $1.25. SUSY. A Story of the Plains. -
Evenfall: Volume II Director's
EVeNFALL In the Company of Shadows Evenfall: Volume II Director’s Cut Ais & Santino Evenfall: Volume II Director’s Cut Copyright © 2014 Thank you Ale, Ashley, Daniel, Kira, Gaby, and Lenore for all of your help with everything from proofing to formatting to languages to research. We couldn’t have improved this edition without any of you. ONE Dust was thick in the air which made the hot, arid wind feel even scratchier against Boyd’s skin. The sun blazed down like a ball of fire; a drastic change from the dreary, rainy climate of Lexington, PA. Due to the impact of the war, Laredo, Texas was only partially in- tact with buildings scattered along the riverbed. Several of the bridges spanning the Rio Grande had been destroyed, but with the passing of years and slow degradation of borders, rickety replacements now stood in their place. The transit station adjoined to the airport was little more than a parking lot decorated with potholes. Boyd and Sin stood in the shadows of a nearby building while Boyd flipped through a Spanish phrasebook; he was attempting to teach himself as much Spanish as he could. There were enough similarities to French that it wasn’t completely confusing, but he wished they’d had more warning before taking off to Mexico—he would have attempted to become fluent. They waited for nearly an hour before their transport arrived; it came trundling from the horizon on tires that were threadbare and two shades darker with mud. A cloth banner covering the dirty bus read in a handwritten scrawl, ‘Vive México.’ “Experience Mexico,” Sin translated absently at Boyd’s glance. -
Eyes on the Prize | 3 Episode 5: Mississippi: Is This America? (1962 - 1964)
A Blackside Publication A Study Guide Written by Facing History and Ourselves Copyright © 2006 Blackside, Inc. All rights reserved. Cover photos:(Signature march image) James Karales; (Front cover, left inset image) © Will Counts, Used with permission of Vivian Counts; (All other inset images) © Bettmann/Corbis Design by Planet Studio For permissions information, please see page 225 TABLE OF CONTENTS FOREWORD BY REP. JOHN LEWIS. 6 INTRODUCTION AND ACKNOWLEDGMENTS. 8 Judi Hampton of Blackside Margot Stern Strom of Facing History and Ourselves USING THE STUDY GUIDE . 12 EPISODE 1: AWAKENINGS (1954 - 1956). 14 Black Boys from Chicago Mamie Till-Mobley Goes Public Mose Wright Stands Up Rosa Parks Remembers A New Leader Emerges Women Working Together EPISODE 2: FIGHTING BACK (1957 - 1962). 26 Overturning Segregation in the Supreme Court The First Day of School Mob Rule Cannot be Allowed to Override the Decisions of Our Courts Confronting Desegregation Student to Student President Clinton Remembers Little Rock EPISODE 3: AIN’T SCARED OF YOUR JAILS (1960 - 1961). 40 Nashville Lunch Counter Sit-ins: An Interview with Diane Nash Nonviolence in Nashville Student Power A New Leader Emerges Freedom Rides EPISODE 4: NO EASY WALK (1961 - 1963) . 52 The Albany Movement Letter From a Birmingham Jail President Kennedy Addresses Civil Rights We Want Our Freedom and We Want It Now! We All Did It EYES ON THE PRIZE | 3 EPISODE 5: MISSISSIPPI: IS THIS AMERICA? (1962 - 1964) . 66 The White Citizens’ Councils Trying to Vote in Mississippi Freedom Summer An Integrated Movement Freedom Songs Incomplete Justice: Forty Years Later Taking It for Ourselves EPISODE 6: BRIDGE TO FREEDOM (1965) .