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Musica Lirica
Musica Lirica Collezione n.1 Principale, in ordine alfabetico. 891. L.v.Beethoven, “Fidelio” ( Domingo- Meier; Barenboim) 892. L.v:Beethoven, “Fidelio” ( Altmeyer- Jerusalem- Nimsgern- Adam..; Kurt Masur) 893. Vincenzo Bellini, “I Capuleti e i Montecchi” (Pavarotti- Rinaldi- Aragall- Zaccaria; Abbado) 894. V.Bellini, “I Capuleti e i Montecchi” (Pavarotti- Rinaldi- Monachesi.; Abbado) 895. V.Bellini, “Norma” (Caballé- Domingo- Cossotto- Raimondi) 896. V.Bellini, “I Puritani” (Freni- Pavarotti- Bruscantini- Giaiotti; Riccardo Muti) 897. V.Bellini, “Norma” Sutherland- Bergonzi- Horne- Siepi; R:Bonynge) 898. V.Bellini, “La sonnanbula” (Sutherland- Pavarotti- Ghiaurov; R.Bonynge) 899. H.Berlioz, “La Damnation de Faust”, Parte I e II ( Rubio- Verreau- Roux; Igor Markevitch) 900. H.Berlioz, “La Damnation de Faust”, Parte III e IV 901. Alban Berg, “Wozzeck” ( Grundheber- Meier- Baker- Clark- Wottrich; Daniel Barenboim) 902. Georges Bizet, “Carmen” ( Verret- Lance- Garcisanz- Massard; Georges Pretre) 903. G.Bizet, “Carmen” (Price- Corelli- Freni; Herbert von Karajan) 904. G.Bizet, “Les Pecheurs de perles” (“I pescatori di perle”) e brani da “Ivan IV”. (Micheau- Gedda- Blanc; Pierre Dervaux) 905. Alfredo Catalani, “La Wally” (Tebaldi- Maionica- Gardino-Perotti- Prandelli; Arturo Basile) 906. Francesco Cilea, “L'Arlesiana” (Tassinari- Tagliavini- Galli- Silveri; Arturo Basile) 907. P.I.Ciaikovskij, “La Dama di Picche” (Freni- Atlantov-etc.) 908. P.I.Cajkovskij, “Evgenij Onegin” (Cernych- Mazurok-Sinjavskaja—Fedin; V. Fedoseev) 909. P.I.Tchaikovsky, “Eugene Onegin” (Alexander Orlov) 910. Luigi Cherubini, “Medea” (Callas- Vickers- Cossotto- Zaccaria; Nicola Rescigno) 911. Luigi Dallapiccola, “Il Prigioniero” ( Bryn-Julson- Hynninen- Haskin; Esa-Pekka Salonen) 912. Claude Debussy, “Pelléas et Mélisande” ( Dormoy- Command- Bacquier; Serge Baudo). 913. Gaetano Doninzetti, “La Favorita” (Bruson- Nave- Pavarotti, etc.) 914. -
La Sonnambula 3 Content
Florida Grand Opera gratefully recognizes the following donors who have provided support of its education programs. Study Guide 2012 / 2013 Batchelor MIAMI BEACH Foundation Inc. Dear Friends, Welcome to our exciting 2012-2013 season! Florida Grand Opera is pleased to present the magical world of opera to the diverse audience of © FLORIDA GRAND OPERA © FLORIDA South Florida. We begin our season with a classic Italian production of Giacomo Puccini’s La bohème. We continue with a supernatural singspiel, Mozart’s The Magic Flute and Vincenzo Bellini’s famous opera La sonnam- bula, with music from the bel canto tradition. The main stage season is completed with a timeless opera with Giuseppe Verdi’s La traviata. As our RHWIEWSRÁREPI[ILEZIEHHIHERI\XVESTIVEXSSYVWGLIHYPIMRSYV continuing efforts to be able to reach out to a newer and broader range of people in the community; a tango opera María de Buenoa Aires by Ástor Piazzolla. As a part of Florida Grand Opera’s Education Program and Stu- dent Dress Rehearsals, these informative and comprehensive study guides can help students better understand the opera through context and plot. )EGLSJXLIWIWXYH]KYMHIWEVIÁPPIH[MXLLMWXSVMGEPFEGOKVSYRHWWXSV]PMRI structures, a synopsis of the opera as well as a general history of Florida Grand Opera. Through this information, students can assess the plotline of each opera as well as gain an understanding of the why the librettos were written in their fashion. Florida Grand Opera believes that education for the arts is a vital enrich- QIRXXLEXQEOIWWXYHIRXW[IPPVSYRHIHERHLIPTWQEOIXLIMVPMZIWQSVI GYPXYVEPP]JYPÁPPMRK3RFILEPJSJXLI*PSVMHE+VERH3TIVE[ILSTIXLEX A message from these study guides will help students delve further into the opera. -
Cavalleria Rusticana Pagliacci
Pietro Mascagni - Ruggero Leoncavallo Cavalleria rusticana PIETRO MASCAGNI Òpera en un acte Llibret de Giovanni Targioni -Tozzetti i Guido Menasci Pagliacci RUGGERO LEONCAVALLO Òpera en dos actes Llibret i música de Ruggero Leoncavallo 5 - 22 de desembre Temporada 2019-2020 Temporada 1 Patronat de la Fundació del Gran Teatre del Liceu Comissió Executiva de la Fundació del Gran Teatre del Liceu President d’honor President Joaquim Torra Pla Salvador Alemany Mas President del patronat Vocals representants de la Generalitat de Catalunya Salvador Alemany Mas Mariàngela Vilallonga Vives, Francesc Vilaró Casalinas Vicepresidenta primera Vocals representants del Ministerio de Cultura y Deporte Mariàngela Vilallonga Vives Amaya de Miguel Toral, Antonio Garde Herce Vicepresident segon Vocals representants de l'Ajuntament de Barcelona Javier García Fernández Joan Subirats Humet, Marta Clarí Padrós Vicepresident tercer Vocal representant de la Diputació de Barcelona Joan Subirats Humet Joan Carles Garcia Cañizares Vicepresidenta quarta Vocals representants de la Societat del Gran Teatre del Liceu Núria Marín Martínez Javier Coll Olalla, Manuel Busquet Arrufat Vocals representants de la Generalitat de Catalunya Vocals representants del Consell de Mecenatge Francesc Vilaró Casalinas, Àngels Barbarà Fondevila, Àngels Jaume Giró Ribas, Luis Herrero Borque Ponsa Roca, Pilar Fernández Bozal Secretari Vocals representants del Ministerio de Cultura y Deporte Joaquim Badia Armengol Santiago Fisas Ayxelà, Amaya de Miguel Toral, Santiago de Director general -
28Apr2004p2.Pdf
144 NAXOS CATALOGUE 2004 | ALPHORN – BAROQUE ○○○○ ■ COLLECTIONS INVITATION TO THE DANCE Adam: Giselle (Acts I & II) • Delibes: Lakmé (Airs de ✦ ✦ danse) • Gounod: Faust • Ponchielli: La Gioconda ALPHORN (Dance of the Hours) • Weber: Invitation to the Dance ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Slovak RSO / Ondrej Lenárd . 8.550081 ■ ALPHORN CONCERTOS Daetwyler: Concerto for Alphorn and Orchestra • ■ RUSSIAN BALLET FAVOURITES Dialogue avec la nature for Alphorn, Piccolo and Glazunov: Raymonda (Grande valse–Pizzicato–Reprise Orchestra • Farkas: Concertino Rustico • L. Mozart: de la valse / Prélude et La Romanesca / Scène mimique / Sinfonia Pastorella Grand adagio / Grand pas espagnol) • Glière: The Red Jozsef Molnar, Alphorn / Capella Istropolitana / Slovak PO / Poppy (Coolies’ Dance / Phoenix–Adagio / Dance of the Urs Schneider . 8.555978 Chinese Women / Russian Sailors’ Dance) Khachaturian: Gayne (Sabre Dance) • Masquerade ✦ AMERICAN CLASSICS ✦ (Waltz) • Spartacus (Adagio of Spartacus and Phrygia) Prokofiev: Romeo and Juliet (Morning Dance / Masks / # DREAMER Dance of the Knights / Gavotte / Balcony Scene / A Portrait of Langston Hughes Romeo’s Variation / Love Dance / Act II Finale) Berger: Four Songs of Langston Hughes: Carolina Cabin Shostakovich: Age of Gold (Polka) •␣ Bonds: The Negro Speaks of Rivers • Three Dream Various artists . 8.554063 Portraits: Minstrel Man •␣ Burleigh: Lovely, Dark and Lonely One •␣ Davison: Fields of Wonder: In Time of ✦ ✦ Silver Rain •␣ Gordon: Genius Child: My People • BAROQUE Hughes: Evil • Madam and the Census Taker • My ■ BAROQUE FAVOURITES People • Negro • Sunday Morning Prophecy • Still Here J.S. Bach: ‘In dulci jubilo’, BWV 729 • ‘Nun komm, der •␣ Sylvester's Dying Bed • The Weary Blues •␣ Musto: Heiden Heiland’, BWV 659 • ‘O Haupt voll Blut und Shadow of the Blues: Island & Litany •␣ Owens: Heart on Wunden’ • Pastorale, BWV 590 • ‘Wachet auf’ (Cantata, the Wall: Heart •␣ Price: Song to the Dark Virgin BWV 140, No. -
Programme ALL SAINTS SESSIONS
Programme ALL SAINTS SESSIONS Hosted by Cheryl Moskowitz and Alastair Gavin All Saints’ Church, Edmonton Thursday 6th Dec 2018 7.30pm email: [email protected] PROGRAMME Four arias after Vincenzo Bellini Richard Scott Ah! non credea mirarti Aria from “La Sonnambula” by Vincenzo Bellini Elinor Popham - Soprano Alastair Gavin - Electric Piano Reading Richard Ebben? Ne andrò lontana Aria from “La Wally” by Alfredo Catalani Elinor/Alastair 23 Words Cheryl Moskowitz Music by Alastair -------- INTERVAL -------- No One’s Rose A poem sequence by Richard and Cheryl 1) That Word All Over Again after Walt Whitman’s ‘Reconciliation’ - Cheryl 2) le jardin secret (from ‘Soho’) - Richard 3) Lines from ‘Psalm’ by Paul Celan – Cheryl 4) botany4boys - Richard 5) Making Our Own Garden (a Golden Shovel* after Paul Celan’s Psalms) - Cheryl 6) Oh My Soho! (section I) - Richard 7) Creation Story ‘Before there was anything there was…’ - Cheryl 8) Oh My Soho! (section IX) - Richard Music by Elinor & Alastair, concluding with Ma rendi pur content from “Composizioni da Camera” by Vincenzo Bellini * The Golden Shovel is a poetic form devised and given its name by American poet Terrance Hayes (who, with Richard, is also on this year’s TS Eliot prize shortlist). Part cento and part erasure, the form takes a line or a section from a poem by another poet and uses the words from that line or section as the end words in the new poem. The result is an honouring, a response to, and a reinvention of the original. Special thanks to Revd. Stuart Owen for his support and enthusiasm for this venture, Anthony Fisher for his generous donation of sound equipment, and of course to our very special guests Richard Scott and Elinor Popham. -
Pink Floyd – Live at Knebworth 1990
Pink Floyd – Live At Knebworth 1990 (55:45, CD, LP, Digital, Parlophone/Warner, 1990/2021) Es war zu erwarten, dass die einzelnen Elemente des teuren „The Later Years“-Boxsets nach und nach auch als Standalone- Veröffentlichungen eintrudeln würden. Nachdem schon relativ kurz nach der Box die überarbeitete „Delicate Sound Of Thunder“ in den Regalen stand, gibt’s nun mit „Live At Knebworth 1990“ das nächste Liveschnittchen derGilmour - geführten Pink Floyd. Nun waren Pink Floyd bei besagtem Konzert nur einer von vielen Mega-Acts und spielten deshalb auch nur ein knappes Festivalset-Stündchen – wie Dire Straits, Phil Collins (mit Genesis-Gastauftritt), Paul McCartney, Eric Clapton, Tears For Fears und Status Quo auch. Auf Live-Raritäten oder Experimente muss man hier also verzichten. Neben dem damals noch einigermaßen aktuellen ‚Sorrow‘ gibt’s hier lediglich je zwei Songs von „The Wall“ (‚Run Like Hell‘, ‚Comfortably Numb‘), zwei von „Wish You Were Here“ (‚Shine On…‘ und den Titelsong) sowie unvermeidlicherweise auch zwei von „Dark Side Of The Moon“ – ‚Money‘ und ‚The Great Gig In The Sky‘. Der Grund für die Auswahl des Letzteren dürfte darin zu finden sein, das an diesem Abend mit Clare Torry die Originalsängerin des Stücks mit Floyd auf der Bühne stand. Damit sind wir auch schon bei der Besonderheit dieses Knebworth-Auftritts: die prominenten Gäste. Pink Floyd waren ja nicht unbedingt dafür bekannt, sich Freunde auf die Bühne einzuladen. Da fallen den Meisten wohl nur Billy Corgan 1996 in der Rock And Roll Hall Of Fame, Frank Zappa 1969 auf einem Festival in Belgien und Douglas Adams 1994 im Earls Court ein, und so ist das Auftauchen gleich dreier Nicht-Bandmitglieder schon ein Grund für Sammler, das vorliegende Album in die Sammlung einzureihen. -
The Great Gig in the Sky
ABOUT THE GREAT GIG IN THE SKY “The Great Gig in the Sky” is the fifth track on The Dark Side of the Moon, the 1973 album by the English rock band Pink Floyd. It features vocals by Clare Torry. The song talks to the pressure of mortality on life, with the “Great Gig in the Sky” being a reference to heaven or an afterlife What have the artists said about the song? Almost everyone involved in this song with the exception of drummer Nick Mason has commented about the production, offering different inputs and insights about how the song was created. Great Gig in the Sky? It was just me playing in the studio, playing some chords, and probably Dave or Roger saying “Hmm… that sounds nice. Maybe we could use that for this part of the album.” And then, me going away and trying to develop it. So then I wrote the music for that, and then there was a middle bit, with Clare Torry singing, that fantastic voice. We wanted something for that bit, and she came in and sang on it. Richard Wright, taken from 1984 interview with Charlie Kendall It was something that Rick had already written. It’s a great chord sequence. “The Great Gig in the Sky” and the piano part on “Us and Them,” in my view, are the best things that Rick did – they’re both really beautiful. And Alan [Parsons] suggested Clare Torry. I’ve no idea whose idea it was to have someone wailing on it. Clare came into the studio one day, and we said, “There’s no lyrics. -
Abstract Music Is an Essential Part of Our Lives. the World Wouldn't Be The
Abstract Music is an essential part of our lives. The world wouldn’t be the same without it. Everyone is so enthralled by music that whether they are bored or they are working, music is often times the thing that they want to have playing in the background of their life. A. The wide range of genres allows people to choose the type of music they want to listen to. The music can range from soothing and light forms to the heavy metal instrumentals and vocals. Many singers and artists are working in the music industry, and many of them have served a lot to this industry. Best sellers of the artists are appreciated in the whole world. It is known know, music knows no boundaries are when a singer does a fantastic job; they become famous all across the globe. Sadly, as time goes on musicians pass away however, their legacy remains very much alive have passed, but their names are still alive. The world still listens to their music and appreciates their work. One such singer is Michael Jackson. His album Thriller broke the records and was the best seller. No one can be neat the files of the king of pop. Similarly, Pink Floyd made records by their album The Dark Side of the Moon. It was an enormous economic and critical success. Many teens are still obsessed by the songs of Pink Floyd. AC/DC gave an album called Back in Black. This was also one of the major hits of that era. All these records are still alive. -
Dark Side of the Moon Free
FREE DARK SIDE OF THE MOON PDF Sherrilyn Kenyon | 384 pages | 07 Aug 2009 | St Martin's Press | 9780312934347 | English | New York, United States What's Really on the Far Side of the Moon We've all heard the term "dark side of the Moon" as a description for the far side of our planet's satellite. Dark Side of the Moon actually quite a mistaken idea based on a misconception that if we can't Dark Side of the Moon the other side of the Moon, it must be dark. In ancient times, people really did believe that Dark Side of the Moon side of the Moon was always dark. Dark Side of the Moon course, we now know that the Moon orbits Earth, and they both orbit the Sun. The "dark" side is merely a trick of perspective. The Apollo astronauts who went to the Moon saw the other side and actually basked in the sunlight there. Its shape seems to change, which is what we call the phases of the Moon. Interestingly, "New Moon," which is the time when the Sun and Moon are on the same side of Earth, is when Dark Side of the Moon face we Dark Side of the Moon from Earth actually IS dark and the far side is brightly lit by the Sun. So, calling the part that faces away from us as the "dark side" really IS a mistake. So, what do we call that part of the Moon we don't see each month? The better term to use is the "far side. -
In Concert the Hologram Tour Callas in Concert the Hologram Tour 80.26
CALLAS IN CONCERT THE HOLOGRAM TOUR CALLAS IN CONCERT THE HOLOGRAM TOUR 80.26 Gioachino Rossini (1792-1868) 1 La gazza ladra, Overture (excerpt) 2.55 Philharmonia Orchestra · Carlo Maria Giulini Charles Gounod (1818-1893) 2 Roméo et Juliette, Act 1: Juliet’s Waltz. “Ah! Je veux vivre dans ce rêve” (Juliette) 3.40 Maria Callas Orchestre National de la Radiodiffusion Française · Georges Prêtre Giuseppe Verdi (1813-1901) 3 Macbeth, Act 1: Letter Scene. “Nel dì della vittoria ... Vieni! t’affretta” (Lady Macbeth, Chorus) 7.48 Maria Callas Philharmonia Chorus & Orchestra · Nicola Rescigno Georges Bizet (1838-1875) Carmen 4 Overture 2.17 5 Act 1: Habanera. “L’amour est un oiseau rebelle” (Carmen, Chorus) 4.22 6 Act 3: Card Aria. “Mêlons! Coupons!” (Frasquita, Mercédès, Carmen) 6.56 Carmen Maria Callas Frasquita Nadine Sautereau · Mercédès Jane Berbié Orchestre de l’Opéra National de Paris · Georges Prêtre Giuseppe Verdi Macbeth 7 Act 3: Ballabile (Valzer) 3.11 New Philharmonia Orchestra · Riccardo Muti 8 Act 4: Sleepwalking Scene. “Una macchia è qui tuttora!” (Lady Macbeth) 11.17 Maria Callas Philharmonia Orchestra · Nicola Rescigno Alfredo Catalani (1854-1893) 9 La Wally, Act 1: “Ebben?... Ne andrò lontana”* (Wally) 4.51 Maria Callas Philharmonia Orchestra · Tullio Serafin 2 Ambroise Thomas (1811-1896) 10 Hamlet, Act 4: Mad Scene. “À vos jeux, mes amis … Partagez-vous mes fleurs” (Ophélie) 10.24 Maria Callas Philharmonia Orchestra · Nicola Rescigno Amilcare Ponchielli (1834-1886) La Gioconda, Act 4: 11 Prelude 5.04 12 “Suicidio!” (Gioconda) -
Pink Floyd Original Vocalist
Pink floyd original vocalist click here to download Pink Floyd were an English rock band formed in London in They achieved international Pink Floyd were founded by students Syd Barrett on guitar and lead vocals, Nick Mason on drums, Roger Waters on bass and vocals, and Richard Wright on keyboards and vocals. They gained popularity performing in London's. The Madcap Laughs - Barrett - Syd Barrett discography - Stars - Opel. Wet Dream - Broken China - Identity -. The personnel of the rock group Pink Floyd has centred on a small number of full-time members, List of Pink Floyd band members. From Wikipedia, the free . Ginger Gilmour - David Gilmour discography - Polly Samson -. List of songs recorded by Pink Floyd. From Wikipedia, the free encyclopedia. Jump to navigation Jump to search. Pink Floyd were an English rock band who . Richard Wright, Vocalisations by Roger Waters & David Gilmour, Non-album. Clare Torry - Time (Pink Floyd song) - Money (Pink Floyd song). The Wall is the eleventh studio album by English rock band Pink Floyd. It was released as a double album on 30 November in the United Kingdom by Harvest Records and in the United States by Columbia Records. Bassist and songwriter Roger Waters conceived the album as a rock opera during Pink Floyd's Pink Floyd's In the Flesh Tour was their first playing in large stadiums. Jul 11, Syd Barrett, the former lead singer of Pink Floyd and one of the key figures was well-documented and he was often described as the original. Jul 11, The surviving members of Pink Floyd — David Gilmour, Nick Mason, Roger Waters and Richard Wright — said they were “very upset and sad to. -
Top 50 Death Songs 11 Woman Then Hotfoots to Mexico to Avoid Noose
“Leader Of The Pack” The Shangri-Las (1965) “The Seventh Seal” Scott Walker (1969) Sweet girl tells biker boy it is over. He vrooms off. Knight is checkmated by Death. Inspired by 1957 Tires screech. “Look out! Look out! Look out!” film of same name. 9 Melodrama par excellence. 16 “I Want My Baby Back” Jimmy Cross (1965) “Suicide Is Painless/Theme From M*A*S*H” Johnny Mandel (1970) Teen’s girlfriend dies in car crash. They’re 10 reunited—when he digs her up… 17 Eerily matter-of-fact view of self-immolation. “Hey Joe” Jimi Hendrix (1966) “Lady D’Arbanville” Cat Stevens (1970) Oft-covered murder ballad, though Hendrix’s Is she sleeping? Not exactly. Melancholy ode to breakthrough hit is definitive. Man shoots unfaithful grave-bound sweetheart. Top 50 death songs 11 woman then hotfoots to Mexico to avoid noose. 18 “St. James Infirmary Blues” Louis Armstrong (1928) “Tell Laura I Love Her” Ray Peterson (1960) “Ode To Billy Joe” Bobbie Gentry (1967) “Ben” Michael Jackson (1972) Top version of much-covered lament. Man drops Will he win the stock-car race and buy his baby Her boy leaps to death from bridge. Quite why, Tender tribute to pet rat. (See also Elvis Presley’s by morgue to see late girlfriend. a ring? Or will he crash and die? What do you no one knows. (Inspired movie.) “Old Shep.”) 1 5 think? 12 19 Gloomy Sunday” Billie Holiday (1941) “Johnny Remember Me” John Leyton (1961) “The End” The Doors (1967) “I Love The Dead” Alice Cooper (1973) Haunting song rumored to have inspired He hears his lost lady love in the wind and the Song about killing dad and boffing mom graces Tender lament to blue-fleshed cadaver.