Keech Receives 15-30 Year Sentence; from 5 to 8 P.M
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NYALPA Voice (Spring 2018 Issue)
The Voice New York American Legion Press Association Volume 20, Issue 1 www.NYALPA.org & www.nylegion.org Winter/Spring 2018 CALL FOR ENTRIES IN NYALPA CONTEST The New York recognize excellence submit their pub- ing. They may also American Legion or achievement in lications, websites, nominate someone Press Association is public relations and social media, edi- for Public Relations holding its annual journalism. Legion torials, scrapbooks Person of the Year. communications Family members and visual art for Deadline is April 15. competition to are encouraged to the awards judg- Details on PAGE 5. NYALPA SCHOLAR NYALPA HONORS EDITORS, OTHERS Taylor Blake won the 2017 NYALPA The New York youth scholar- American Legion ship. Page 3. Press Association (NYALPA) honored its award-winning news- letter editors, writers, and webmasters at its annual luncheon held in conjunction with the Department of PAUL STEWARD JAMES BOJANOWSKI DOROLYN PERRY New York Convention First Place winner for First Place winner for First Place winner for last July. PAGE 4 post publication county publication editorial writing NYALPA ELECTS OFFICERS FOR 2017-2018 NEW YORK’S Dorothy Button Leads Press Association LEADING CANDIDATE Dorothy Button, ment Commander’s Re-elected as secre- adjutant of Ashford aide. She has been a tary was Kevin Har- NYALPA Member Gary Schacher Memorial Post 1576 NYALPA member for rington of Castleton. is the leading in West Valley, is the about four years. Re-elected as trea- candidate for new president of the ELECTED as vice surer was Executive department com- New York American presidents were:: Carl Director Lynda Pixley mander for 2018- Legion Press Associa- Griffiths of Munns- of Ransomville. -
'Christmas Is 365 Days' May I Wish You a Blessed and Joyous Christmas
Largest weekly newspaper in Southeastern U.S. Catholic Archdiocese of Miami Frldoy, P«c«mpT 23. 1983 Price 25? Vol. XXXI No. 43 mmanuel in Miami Neighborhood families stage Nativity play in Little Havana. Story, page 12. (voice photo by Araceii A MESSAGE FROM THE ARCHBISHOP 'Christmas is 365 days' May I wish you a blessed and joyous Christmas. Our world must come to know and believe in Him and His Father who sent I pray that the day will be rich for you with the true joy, Him, and His Mother who bore Him, through us. peace and hope that is experienced by those who have the Our world must experience and be attracted to the beauty of His Kingdom gift of Faith, by those who are celebrating the birth of by the example we give of His love, of Him feeding the hungry, giving drink to Jesus, our divine Redeemer, by those who are not preoc- the thirsty, caring for the sick. cupied with vague and vapid sentiments of the modern It must hear Him proclaiming the Good News of eternal salvation through secular humanists who have no room for the Lord in their us. It must experience the abomination of sin, the suffering of the crucified inn and so mouth silly expressions of red-nosed reindeer and One, in our attitudes and behavior. cabbage patch dolls, and find their merriment in the jingle This celebration of Jesus come to dwell with us is not a one day event—of bells of the full cash registers that Christmas shopping Midnight Mass, of Christmas decorations, opening presents and a big family brings. -
Accepted Manuscript Version
Research Archive Citation for published version: Kim Akass, and Janet McCabe, ‘HBO and the Aristocracy of Contemporary TV Culture: affiliations and legitimatising television culture, post-2007’, Mise au Point, Vol. 10, 2018. DOI: Link to published article in journal's website Document Version: This is the Accepted Manuscript version. The version in the University of Hertfordshire Research Archive may differ from the final published version. Copyright and Reuse: This manuscript version is made available under the terms of the Creative Commons Attribution-NonCommercial- NoDerivatives License CC BY NC-ND 4.0 ( http://creativecommons.org/licenses/by-nc-nd/4.0/ ), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is properly cited, and is not altered, transformed, or built upon in any way. Enquiries If you believe this document infringes copyright, please contact Research & Scholarly Communications at [email protected] 1 HBO and the Aristocracy of TV Culture : affiliations and legitimatising television culture, post-2007 Kim Akass and Janet McCabe In its institutional pledge, as Jeff Bewkes, former-CEO of HBO put it, to ‘produce bold, really distinctive television’ (quoted in LaBarre 90), the premiere US, pay- TV cable company HBO has done more than most to define what ‘original programming’ might mean and look like in the contemporary TV age of international television flow, global media trends and filiations. In this article we will explore how HBO came to legitimatise a contemporary television culture through producing distinct divisions ad infinitum, framed as being rooted outside mainstream commercial television production. In creating incessant divisions in genre, authorship and aesthetics, HBO incorporates artistic norms and principles of evaluation and puts them into circulation as a succession of oppositions— oppositions that we will explore throughout this paper. -
Paris, New York, and Post-National Romance
Sex and the Series: Paris, New York, and Post-National Romance Dana Heller / love Paris every moment, Every moment of the year I love Paris, why oh why do I love Paris? Because my love is here. —Cole Porter, / Love Paris This essay will examine and contrast two recent popular situation comedies, NBC's Friends and HBO's Sex and the City, as narratives that participate in the long-standing utilization of Paris as trope, or as an instrumental figure within the perennially deformed and reformed landscape of the American national imaginary. My argument is that Paris re-emerges in post-9/11 popular culture as a complex, multi-accentual figure within the imagined mise-en-scene of the world Americans desire. The reasons for this are to a large degree historical: in literature, cinema, television, popular music, and other forms of U.S. cultural production, from the late nineteenth century through the twentieth century and into the twenty first, Paris has remained that city where one ventures, literally and/or imaginatively, to dismember history, or to perform a disarticulation of the national subject that suggests possibilities for the interrogation of national myths and for 0026-3079/2005/4602-145$2.50/0 American Studies, 46:1 (Summer 2005): 145-169 145 146 Dana Heller the articulation of possible new forms of national unity and allegiance. These forms frequently find expression in the romantic transformation of a national citizen-subject into a citizen-subject of the world, a critique of the imperialist aspirations of the nation-state that antithetically masks those same aspirations under the sign of the disillusioned American cosmopolitan abroad. -
Bamcinématek Presents Joe Dante at the Movies, 18 Days of 40 Genre-Busting Films, Aug 5—24
BAMcinématek presents Joe Dante at the Movies, 18 days of 40 genre-busting films, Aug 5—24 “One of the undisputed masters of modern genre cinema.” —Tom Huddleston, Time Out London Dante to appear in person at select screenings Aug 5—Aug 7 The Wall Street Journal is the title sponsor for BAMcinématek and BAM Rose Cinemas. Jul 18, 2016/Brooklyn, NY—From Friday, August 5, through Wednesday, August 24, BAMcinématek presents Joe Dante at the Movies, a sprawling collection of Dante’s essential film and television work along with offbeat favorites hand-picked by the director. Additionally, Dante will appear in person at the August 5 screening of Gremlins (1984), August 6 screening of Matinee (1990), and the August 7 free screening of rarely seen The Movie Orgy (1968). Original and unapologetically entertaining, the films of Joe Dante both celebrate and skewer American culture. Dante got his start working for Roger Corman, and an appreciation for unpretentious, low-budget ingenuity runs throughout his films. The series kicks off with the essential box-office sensation Gremlins (1984—Aug 5, 8 & 20), with Zach Galligan and Phoebe Cates. Billy (Galligan) finds out the hard way what happens when you feed a Mogwai after midnight and mini terrors take over his all-American town. Continuing the necessary viewing is the “uninhibited and uproarious monster bash,” (Michael Sragow, New Yorker) Gremlins 2: The New Batch (1990—Aug 6 & 20). Dante’s sequel to his commercial hit plays like a spoof of the original, with occasional bursts of horror and celebrity cameos. In The Howling (1981), a news anchor finds herself the target of a shape-shifting serial killer in Dante’s take on the werewolf genre. -
Sydney Program Guide
3/20/2020 prtten04.networkten.com.au:7778/pls/DWHPROD/Program_Reports.Dsp_ONE_Guide?psStartDate=22-Mar-20&psEndDate=04-Apr… SYDNEY PROGRAM GUIDE Sunday 22nd March 2020 06:00 am Home Shopping (Rpt) Home Shopping 06:30 am Home Shopping (Rpt) Home Shopping 07:00 am Home Shopping (Rpt) Home Shopping 07:30 am Key Of David PG The Key of David, a religious program, covers important issues of today with a unique perspective. 08:00 am Star Trek: Voyager (Rpt) PG Workforce, Part 1 Mild Violence, Mature Themes The Voyager crew's memories are wiped by a society and made to work among their population. Starring: Kate Mulgrew, Jeri Ryan, Robert Beltran, Robert Picardo, Tim Russ, Roxann Dawson, Ethan Phillips, Robert Duncan McNeill, Garrett Wang Guest Starring: James Read, Robert Joy, Don Most, John Aniston 09:00 am Star Trek: Voyager (Rpt) PG Workforce, Part 2 Violence, Mature Themes Chakotay desperately tries to jog the memories of Janeway and the rest of the crew, but is it too late? Starring: Kate Mulgrew, Jeri Ryan, Robert Beltran, Robert Picardo, Tim Russ, Roxann Dawson, Ethan Phillips, Robert Duncan McNeill, Garrett Wang Guest Starring: James Read, Don Most, Robert Joy, Jay Harrington, John Aniston 10:00 am Shark Tank (Rpt) CC PG Has 24-year old Jade found a gap in the beauty market? Can a Queenland entrepreneur entice the Shark's into his invention? Can an online mattress business secure a half a million dollar investment? 11:00 am Escape Fishing With ET (Rpt) CC G Escape with Andrew Ettingshausen as he travels Australia and the Pacific, hunting out the most exciting species, the most interesting spots and the most fun mates to go fishing with. -
THE CIRCLE Vvolume 29, Number 16 Marist College, Poughkeepslo, N.Y
•3*1 Middle States praises Marist's improvements -percent since 1981. Minorities 1! by Eileen Hayes recommendations • and/ im Curriculum Committee, and the advantage .of new advances provements. - - Ad Hoc Committee on General without undue delay," said the represented 21 percent of the In its followup report, the _The Core curriculum task force Education. evaluation team in its report. newly hired members. Middle States Association, an focused on the issues of a reaf In the 1981 report, the The team does recommend that ..The only concern mentioned in firmation of the.fbur themes of evaluation team found the size of a heeds assessment be conducted the Affirmative Action section of evaluation team for college ac : ••i • creditation, commended Marist Core. These themes are in the. library.; collection and the and policies be set to help aid the the report was in reference- to -is for its response to the 1981 review troductory content, methodology, available space to be deficient, in library staff and faculty to select promotions. The committee which said the college needed skills and values. response to the Middle State. books. It even suggested the questioned whether some of the improvements in the: library, request of an increased budget, possibility of hiring a consultant changes were promotions or Affirmative Action, and the Core The evaluation team said these Marist allocated $250,000 to the to advise the book selection. simply re-classification of the program. areas are important, but it noted library -an increase of $200,000 same job. three concerns.. With Core in its over last year. -
Television Academy
Television Academy 2014 Primetime Emmy Awards Ballot Outstanding Directing For A Comedy Series For a single episode of a comedy series. Emmy(s) to director(s). VOTE FOR NO MORE THAN FIVE achievements in this category that you have seen and feel are worthy of nomination. (More than five votes in this category will void all votes in this category.) 001 About A Boy Pilot February 22, 2014 Will Freeman is single, unemployed and loving it. But when Fiona, a needy, single mom and her oddly charming 11-year-old son, Marcus, move in next door, his perfect life is about to hit a major snag. Jon Favreau, Director 002 About A Boy About A Rib Chute May 20, 2014 Will is completely heartbroken when Sam receives a job opportunity she can’t refuse in New York, prompting Fiona and Marcus to try their best to comfort him. With her absence weighing on his mind, Will turns to Andy for his sage advice in figuring out how to best move forward. Lawrence Trilling, Directed by 003 About A Boy About A Slopmaster April 15, 2014 Will throws an afternoon margarita party; Fiona runs a school project for Marcus' class; Marcus learns a hard lesson about the value of money. Jeffrey L. Melman, Directed by 004 Alpha House In The Saddle January 10, 2014 When another senator dies unexpectedly, Gil John is asked to organize the funeral arrangements. Louis wins the Nevada primary but Robert has to face off in a Pennsylvania debate to cool the competition. Clark Johnson, Directed by 1 Television Academy 2014 Primetime Emmy Awards Ballot Outstanding Directing For A Comedy Series For a single episode of a comedy series. -
Widescreen Weekend 2010 Brochure (PDF)
52 widescreen weekend widescreen weekend 53 2001: A SPACE ODYSSEY (70MM) REMASTERING A WIDESCREEN CLASSIC: Saturday 27 March, Pictureville Cinema WINDJAMMER GETS A MAJOR FACELIFT Dir. Stanley Kubrick GB/USA 1968 149 mins plus intermission (U) Saturday 27 March, Pictureville Cinema WIDESCREEN Keir Dullea, Gary Lockwood, William Sylvester, Leonard Rossiter, Ed Presented by David Strohmaier and Randy Gitsch Bishop and Douglas Rain as Hal The producer and director team behind Cinerama Adventure offer WEEKEND During the stone age, a mysterious black monolith of alien origination a fascinating behind-the-scenes look at how the Cinemiracle epic, influences the birth of intelligence amongst mankind. Thousands Now in its 17th year, the Widescreen Weekend Windjammer, was restored for High Definition. Several new and of years later scientists discover the monolith hidden on the moon continues to welcome all those fans of large format and innovative software restoration techniques were employed and the re- which subsequently lures them on a dangerous mission to Mars... widescreen films – CinemaScope, VistaVision, 70mm, mastering and preservation process has been documented in HD video. Regarded as one of the milestones in science-fiction filmmaking, Cinerama and IMAX – and presents an array of past A brief question and answer session will follow this event. Stanley Kubrick’s 2001: A Space Odyssey not only fascinated audiences classics from the vaults of the National Media Museum. This event is enerously sponsored by Cinerama, Inc., all around the world but also left many puzzled during its initial A weekend to wallow in the nostalgic best of cinema. release. More than four decades later it has lost none of its impact. -
Filmography V6.Indd
a filmography Foreword by The Irish Film Institute For over 60 years, the Irish Film Institute has been dedicated to the promotion of film culture in Ireland and therefore is proud to present this filmography of Samuel Beckett’s work. Beckett remains one of Ireland’s most important and influential artists and Samuel Beckett – A Filmography provides a snapshot of the worldwide reach and enduring nature of his creativity. As part of the Beckett centenary celebrations held in April 2006, the Irish Film Institute organised a diverse programme of films relating to the work of Beckett, including a tour of the line-up to cinemas around the country. Prior to this, the Irish Film Institute provided the unique opportunity to view all 19 films in the ‘Beckett on Film’ series by screening the entire selection in February 2001. This filmography provides the perfect accompaniment to these previous programmes and it illustrates that Beckett’s work will continue to be adapted for film and television worldwide for years to come. Photograph by Richard Avedon Samuel Beckett – A Filmography was made possible though the kind support of the Department of Arts, Sport and Tourism and the Beckett Centenary Council and Festival Committee. Mark Mulqueen Director, The Irish Film Institute An Introduction Compiling a filmography of Beckett’s work is both a challenging and daunting prospect. It was important, from the outset, to set some parameters for this filmography. Therefore, to this end, I decided to focus on the key area of direct adaptations of Beckett’s work filmed for cinema or television. -
Electric Goes Down with Pole in M-21/Alden Nash Accident YMCA
25C The Lowell Volume 14, Issue 14 Serving Lowell Area Readers Since 1893 Wednesday, February 14, 1990 Electric goes down with pole in M-21/Alden Nash accident An epileptic seizure suffered by Daniel Barrett was the cause of his vehicle leaving the road. The electrical pole was broken in three different places. Roughly 200 homes and Zeigler Ford sign and the businesses were without elec- power pole about 10-feet tricity for I1/: hours (5-7:30 above ground before the veh- p.m.) on Thursday (Feb. 8) icle came to a rest on Alden following a one-car accident Nash. at the comer of M-21 and According to Kent County Alden Nash. Deputy Greg Parolini a wit- 0 The Kent County Sheriff ness reported that the vehicle Department s report staled accelerated as it left the road- that Daniel Joseph Barrett, way. 19, of Lowell, was eastbound Barrett incurred B-injuries on M-21 when he suffered an (visible injuries) and was epileptic seizure, causing his transported to Blodgett Hos- vehicle to cross the road and pital by Lowell Ambulance. enter a small dip in the Barrett's collision caused boulevard. Upon leaving the the electrical pole to break in Following Thursday evening's accident at M-21 and Daniel Barrett suffered B-injuries (visible injuries) in low area, the car became air- three different places. A Low- borne, striking the Harold Alden Nash, a Lowell Light and Power crew was busy Thursday's accident. Acc., cont'd., pg. 2 erecting a new electrical pole. # YMCA & City sign one year agreement Alongm • Main Street rinjsro The current will be a detriment to the pool ahead of time if something is and maintenance of the this year. -
Stephen J. Cannell, 1941-2010
STEPHEN J. CANNELL, 1941-2010 Stephen J(oseph) Cannell was born February 5, 1941 to Joseph Cannell, a Pasadena, California entrepreneur. Cannell struggled through his early school years, flunking three different grades of elementary, junior or senior high school, and regularly failing his English classes. Years later, when having one of his own children tested for dyslexia, he discovered that he had suffered from it his entire life. Never the less, he had a passionate love for writing, despite his difficulties with the written word, and set a goal for himself to become a best-selling author. After attending the University of Oregon on a football scholarship and meeting creative writing teachers that bolstered his confidence, Cannell married his high school sweetheart and went to work for his family’s business – driving a furniture truck all day. In the evenings, he set a rigorous writing schedule for himself – writing 5 hours a day, 7 days a week, on spec. He decided that his target market would be the burgeoning television scene, and after 6 years without a sale, he finally sold a script – to the series Ironside. After a few more sales, he caught the eye of the legendary writer/producer Jack Webb, who first hired him to be story editor and ultimately head writer for Adam-12. Cannell was contracted to Universal Television, writing and producing shows for that studio during the early-to-mid 1970s. While there, he produced Chase and wrote for and produced Toma, about real-life New York City detective David Toma. While producing Toma, Cannell and his mentor Roy Huggins (creator of Maverick, and many other tv series) wrote an episode that ended up getting rewritten to serve as a pilot for a series about an unorthodox Southern California P.I.