SEMİHA BERKSOY Born in 1910; Died in 2004

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SEMİHA BERKSOY Born in 1910; Died in 2004 SOLO EXHIBITIONS 2017 Semiha Berksoy with Love, O’Art, In Collaboration with Galerist and Odeabank, İstanbul 2014 Wall of Hallucination, Galerist, İstanbul 2010 I Lived on Art, I Lived on Love, Yapı Kredi Kazım Taşkent Gallery, 2003 Retrospective, İş Sanat Kibele Sanat Gallery, İstanbul 2003 Semiha Berksoy, Viyana Tanzquartier, Vienna 2000 Zeitwenden-Outlook into the Next Millenium, Bonn Kunstmuseum, Bonn 2000 Zeitwenden-Outlook into the New Millenium, Viyana Kunstmuseum, Vienna 1992 Semiha Berksoy, Cemal Reşit Rey Concert Hall, İstanbul 1982 Semiha Berksoy, Atatürk Cultural Central, İstanbul 1974 Semiha Berksoy, Ankara State Painting Sculpture Gallery Ankara, Turkey 1969 Semiha Berksoy, Lützowhaus, Berlin GROUP EXHIBITIONS 2014 Plurivocality, Istanbul Modern, İstanbul / Turkey 2013 Past and Future, Istanbul Modern, İstanbul / Turkey 2012 9th Shangai Biennale, Curated by: Defne Ayas, Shangai / China 2012 Dream and Reality, Istanbul Modern, İstanbul / Turkey 2009 Istanbul Next Wave, Akademie der Künste, Berlin / Germany 2007 Gender Battle, CGAC Santiago de Compostela / Spain 2006 Venice – İstanbul, Istanbul Modern, İstanbul / Turkey 2005 Always a Little Further, Curated by Rosa Martinez, 51th Venice Biennale, Venice / Italy 2003 Blut und Hoing, Sammlung Essl, Vienna / Austria 1998 Manifesta II, European Biennial of Contemporary Art, Luxembourg 1997 Semiha B. Unplugged, 5th Istanbul Biennial, İstanbul 1997 İskorpit, Haus Der Kulturen Der Welt, Berlin 1995 Die Kunst, Curated by: All Fann, Hann-Münden 1961 Ankara Language History Geography Faculty State and Painting Sculpture Museum Ankara CORPORATE COLLECTIONS Kunst Museum Bonn, Germany Vehbi Koc Vakfi Collection, Turkey Istanbul Modern Collection, Turkey Istanbul Museum of Painting and Sculpture Collection, Turkey PUBLICATIONS 2017 Semiha Berksoy: Catalogue Raisonné, Galerist 2010 ‘Ateş Kuşu’, T.C Kültür ve Turizm Bakanlığı Kütüphaneler ve Yayımlar Genel 2010 Ben Yaşardım Aşk ve Sanatla, Yapı Kredi Yayınları 2008 Nazım Hikmet ve "Tosca"sı Semiha Berksoy, Yapı Kredi Yayınları 2006 Semiha Berksoy- Fikret Mualla- İki Aykırının Mektupları, Boyut Yayınları 2003 Semiha Berksoy, Türkiye İş Bankası Vigo 21 Dering Street, London, W1S 1AL T: + 44 (0)2074933492 [email protected] vigogallery.com #vigogallery .

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RES ART WORLD / WORLD ART NO:3 MAY 2009 CONTENTS COVER (detail) Vik Muniz, Action Photo, after Hans Namuth INTERVIEW WITH VIK MUNIZ KATHY BATTISTA (Pictures of Chocolate), 1997 Cibachrome print, 60 x 48 in / 152.4 x 121.9 cm INTERVIEW WITH SEMİHA BERKSOY HANS ULRICH OBRIST © Vik Muniz / Licensed by VAGA, New York, NY WHAT IS CONTEMPORARY IN CONTEMPORARY RUSSIAN ART OLESYA TURKINA A REVIEW OF THE TAIPEI BIENNIAL 2008: NO:3 MAY 2009 (WHEN) GLOBAL ATTACKS ON A LOCAL PARADISE ADNAN YILDIZ INTERVIEW WITH RAINER FUCHS AND PETER KOGLER RES INTERVIEW WITH JAMES COHAN DEBORA WARNER NO EXCEPTION FOR CONTEMPORARY ART: WHY AN EXHIBITION OF THE PRISHTINA ART SCENE COULD NOT OPEN IN BELGRADE SEZGİN BOYNİK VIK MUNIZ / THE CONTEMPORARY ARTS LIBRARY IN PRISHTINA/BERLIN JUDITH RAUM, FITORE ISUFI-KOJA, ‹Z ÖZTAT STATES AND TRAITS OF SERBIAN ART SCENE NIKOLA SUICA SEMİHA BERKSOY INTERVIEW WITH FULYA ERDEMCİ / SKOR BORGA KANTÜRK INTERVIEW WITH SOLMAZ SHAHBAZI ASHKAN SEPAHVAND KOONS IN VERSAILLES SABINE BOEHL SPACES BETWEEN SPACES: AYŞE ERKMEN—WEGGEFÄHRTEN ADNAN YILDIZ / PETER KOGLER BJØRN MELHUS AT THE AMERICAN HOSPITAL’S OPERATION ROOM LILIANA RODRIGUES DER NITSCH UND SEINE FREUNDE (NITSCH AND FRIENDS) FREYA MARTIN SOLMAZ SHAHBAZI RES Art World / World Art Publisher: Dirimart Abdi ‹pekçi Caddesi 7/4 Niﬂantaş› 34367 Istanbul TR T: +90 212 291 3434 F: +90 212 219 6400 [email protected] www.resartworld.com www.dirimart.org Not for sale Review biannual Not to be cited without permission of the author/s and RES Art World / World Art ISBN 978-605-5815-05-9 Editors: M.
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6.3.—2.5.2021 CARNIVALESCA Donna Hunca, DIOSAS de CUEVA VERDE EMOCIÓNALES, (D.F. Copal) [1-8], 2020 Courtesy of the artist and Peres Projects 2 Donna Hunca, DIOSAS de CUEVA VERDE EMOCIÓNALES, (D.F. Copal) [1-8], 2020 Courtesy of the artist and Peres Projects CARNIVALESCA WAS MALEREI SEIN KÖNNTE / WHAT PAINTING MIGHT BE 6.3. - 2.5.2021 3 FIRELEI BÁEZ SEMIHA BERKSOY ANNA BETBEZE ANNA BOGHIGUIAN HUGO CANOILAS BEATRIZ GONZÁLEZ EL HADJI SY DONNA HUANCA HELEN JOHNSON LEE KIT VICTOR MAN THAO NGUYEN PHAN KHALIL RABAH RAPHAELA VOGEL 4 "IT IS ONLY THROUGH ART THAT WE CAN ESCAPE FROM OURSELVES AND KNOW HOW ANOTHER PERSON SEES A UNIVERSE WHICH IS NOT THE SAME AS OUR OWN AND WHOSE LANDSCAPES WOULD OTHERWISE HAVE REMAINED AS UNKNOWN AS ANY THERE MAY BE ON THE MOON." MARCEL PROUST, IN SEARCH OF LOST TIME, 1913 5 CARNIVALESCA - WAS MALEREI SEIN orten lange Zeit vernachlässigt wurden. Un- KÖNNTE sere Ausstellung wird Fortschritte hervorhe- 6.3. – 2.5.2021 ben, die von einer jüngeren Generation von Künstler*innen gemacht wurde, die die Grenzen Mit der Gruppenausstellung CARNIVALESCA der Malerei weit über den bloßen Rahmen und wollen wir einen Dialog mit einer traditionellen die Leinwand ihrer Bilder hinaus verschoben und Kunstform führen – der Malerei. Für unsere auf die Auseinandersetzung mit dem Sozialen Annäherung an sie verwenden wir das Wort und Politischen ausgedehnt haben. Und sie wird Karneval, weil es Ausgelassenheit und Freude eine zeitgenössische Szene internationaler Ma- bedeutet, hinter ihm zugleich aber auch eine lerei in der Vielfalt ihrer künstlerischen Ansätze gewisse Unsicherheit, ja, sogar Melancholie beleuchten, die Diversität ihres diskursiven aufscheint.
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SEMİHA BERKSOY WALL OF HALLUCINATION NOVEMBER 13 2014 –JANUARY 10 2015 OPENING: NOVEMBER 13, THURSDAY 19:00-21:00 Galerist is proud to announce that it will be representing Semiha Berksoy in Turkey and abroad. ‘Wall of Hallucination’; the first gallery exhibition of the artist will take place between November 13, 2014 – January 10, 2015. This exhibition, presenting highlights from the artist’s prolific and multi-faceted career, offers a dynamic interpretation of Berksoy’s ouevre, as well as her unique perspective. A selection of paintings, audio recordings, videos, photographs, personal objects and documents will be presented through a biographic and thematic approach. Semiha Berksoy says that she sees the reflections of people whom she defines as supreme characters, leaving great marks on her life, on the ‘Wall of Hallucination’ situated in her room. Berksoy lived a life amongst spirits of her loved ones; she turned to them for inspiration and kept them alive through her paintings. The artist doesn’t see death as an end to existence but considers it a part of life. Berksoy focuses on people and incidents shaping her life through love, death and music mostly with her self-portraits. Having lost her mother at the tender age of eight, it is visible in Berksoy’s work that she used art as a medium of self-expression and as a way of holding onto life, whereas love is the source and meaning of life for her. She is committed to opera, theatre, art, people whom she is inspired by, animals, plants and to life itself with love.
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Semiha Berksoy Solo Presentation Frieze Masters 4 - 7.10.2018 Booth G15 Regent’S Park, London
in collaboration with VIGO GALLERY SEMİHA BERKSOY SOLO PRESENTATION FRIEZE MASTERS 4 - 7.10.2018 BOOTH G15 REGENT’S PARK, LONDON SEMİHA BERKSOY, ‘‘LOVE UNDER THE MOONLIGHT’’, 1971, OIL ON HARDBOARD, 100X70 CM Please click here to view all works. Vigo Gallery, London and Galerist, Istanbul are proud to present, at Frieze Masters 2018, a solo presentation of historically significant paintings by Semiha Berksoy (1910 – 2004). One of the most significant figures in Turkey’s modern cultural history and an extraordinary creative force by any standards, Berksoy was, over her long lifetime, one of the leading opera singers in Europe, an actress, performance artist, poet and painter. Born in Istanbul in 1910, Berksoy began her creative career as an actress, taking, at the age of 21, the leading role in the first Turkish sound movie, ‘Istanbul Sokaklari’ (‘The Streets of Istanbul’’). Soon afterwards Berksoy started in the first Turkish opera, ‘Özsoy’, performing in front of Mustafa Kemal Ataturk, the founder of modern Turkey, who became a lifelong fan and supporter. In 1939, for the 75th birthday of Richard Strauss in Berlin, she sang the role of Ariadne in Ariadne auf Naxos, becoming the first Turkish prima donna to perform on stage in Europe. Back in Turkey, she worked with Carl Ebert in helping found and inspire the Turkish State Opera and Ballet. Berksoy painted throughout her life, having studied art as a teenager, but painting was for her, until late in her life, an intensely private affair. An autodidact, self-mythologizer and mystic, the works, expressed in a powerfully immediate and emotive style, comprise a compelling visual diary of both Berksoy’s storied career and her vital and turbulent inner world.
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Semiha Berksoy
SEMiHA BERKSOY HALÜSİNASYON DUVARI WALL OF HALLUCINATION 13.11.2014 - 10.01.2015 Heykeltıraş Fatma Saime ve şair Ziya Cenap Berksoy’un kızları, çok yönlü sanatçı ve Opera Kuşbakışı İnsanlık ‘diva’sı, soprano Semiha Berksoy, 1910’da doğduğunda sanat ve kültürü genlerine işlemiş bir ‘Modern Prenses’ti adeta. Sanatın tüm dallarıyla sarmalanmış yaşamıyla, ölümün DNA’sını çözüp, insanlığın varoluşuna ölümsüz tarifler kazandırmayı başaran bu masalsı kadın, Ağustos Manzarası 2004’te aramızdan ayrılana kadar da. adının anlamı gibi, ‘cömert ve eli açık’ bir şekilde var oldu. Evrim Altuğ İçine doğduğu tarih, Osmanlı’dan Cumhuriyet’e hız, azim, umut ve enerjiyle evrilen bir döneme, aslında bir nevî talihe de karşılık geliyordu ve o bu süreçte, ilk edebî öyküsünü daha sekiz yaşında iken kaleme almış, ilerleyen zaman içinde, ta 1929’a gelindiğinde, yani daha 19’unda iken ise, Rimsky Korsakov’un Sadko operasında ‘Chanson Endu’yu, Bohem operasında da Musetta Aryası’nı seslendirecek aşamaya, çoktan gelmişti. Üstelik bu konserde piyanoda kendisine, tanınmış besteci ve vokalist, Türk Beşleri üyesi, Cemal Reşit Rey eşlik etmekteydi. İşte tam da bu dönem, Berksoy’a güzel sanatların kapısını da araladı. Dönemin Güzel San’atlar Akademisi’ne, Namık İsmail Atölyesi’ne kabul edilen sanatçı, burada Refik Epikman ile heykel, İsmail Hakkı Toygar ile ise seramik çalıştı. Berksoy bunun ardından, tiyatro okulu sınavı için ise, Kate rolü için Shakespeare’in 1590-91 yılları arasında yazdığı kabul edilen komedisi, ‘Taming of The Shrew’ / ‘Hırçın Kız’a hazırlandı ve bu sınavı da kazandı. Berksoy, zamanının öncesi ve sonrasına kendini odakladığı kadar, zamanın ta kendisine işlemek konusunda da kusursuzdu ve yine bir ilke imza atarak, 1931 tarihli, yönetmen, yapımcı ve tiyatrocu Muhsin Ertuğrul imzalı ilk Türk sesli filmi ‘İstanbul Sokaklarında’da ‘Hancı kızı Semiha’ adı ile, Bedia Muvahhit ile birlikte rol almayı başardı.
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SEMİHA BERKSOY (1910-2004) Solo Exhibitions 2019 'Portraits', Galerist
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Semiha Berksoy ‘Halüsinasyon Duvari’ 13 Kasim 2014 – 10 Ocak 2015 Açiliş: 13 Kasim, Perşembe 19:00-21:00
SEMİHA BERKSOY ‘HALÜSİNASYON DUVARI’ 13 KASIM 2014 – 10 OCAK 2015 AÇILIŞ: 13 KASIM, PERŞEMBE 19:00-21:00 Galerist, Semiha Berksoy’un yerel ve uluslarası temsiliyetini üstlenmekten ve sanatçının ‘Halüsinasyon Duvarı’ başlıklı ilk galeri sergisine, 13 Kasım 2014 – 10 Ocak 2015 tarihleri arasında ev sahipliği yapmaktan onur duyar. Sergi, sanatçının başarılarla dolu yaşama yayılan pratiğinden önemli bir kesit sunar. Berksoy’un çok yönlü sanat üretimini yansıtacak, resim, video, kişisel obje ve belgelerin yer aldığı kapsamlı seçki, sanatçının duygusal ve bilişsel bağ kurduğu kişilerle olan ilişkisini ve yaşam, ölüm ve zamanın sınırlarını göz ardı eden tutkulu kişiliğini biyografik ve tematik bir şekilde ortaya koyar. Semiha Berksoy, yüce insanlar olarak tabir ettiği ve yaşamında büyük izler bırakan kişilerin yansımalarını odasındaki ‘Halüsinasyon Duvarı’nda gördüğünü söyler. Sanatçı ölümü bir sınır, bir yokoluş olarak görmez, hayatla bir tutar. Yakın olduğu bir çok kişinin ruhunu yanıbaşında hisseder, onlardan ilham alır ve resimlerinde onları ölümsüz ikonlara dönüştürür. Berksoy, aşk, ölüm ve müzik üzerinden hayatına yön veren kişiler ve olaylara çoğunlukla otoportreleriyle odaklanır. Annesini sekiz yaşında daha küçük bir çocukken kaybetmiş olması, sanatçının hayata bakış açısının şekillenmesinde, kendini ifade etmesi ve hayatta kalabilmek için sanata tutunmayı seçmiş olmasındaki en belirleyici etkendir. Aşk ise, Semiha Berksoy için hayatın kaynağı ve anlamıdır. Operaya, tiyatroya, resme, ona ilham veren kişilere, hayvanlara, bitkilere ve hayata aşkla bağlıdır. 1929 yılında başlayan opera kariyeri bir çok ülke ve nice zorlukları aşarak, 1972 yılında kendi emekliliğini isteyene kadar, otuzu aşkın sene boyunca devam eder. Tiyatro ve operada bir duygu yoğunluğunu tek bir ifadeyle aktarma tecrübesini, resimlerinde kullanarak naif ve sade çizgilerle hayal kırıklığını ve bilgeliğini aktarır.
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