360 Sound Change Instructor: Michela Russo Tuesday/Friday: 1:05-2:30 PM

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360 Sound Change Instructor: Michela Russo Tuesday/Friday: 1:05-2:30 PM 1. Latin as a source for the Romance languages: - Syllables and word stress in classical and vulgar Latin: Quantity-sensitive stress (Metrical, moraïc and template-based approaches) - Stressed vowels and Latin diphthongs - Vowels and Consonants (An approach in Elements Theory) The Phonology of Late Latin: - Special developments in stressed vowels: Stress and hiatus 2. The transition from Latin to the Romance languages: - Latin length neutralisation in Early Romance - Changes in the vowel system from Latin to Romance - Vowel systems: A phonological Elements account - The earliest Romance texts: Orthography and Phonology - Prosody and syllable structure in Romance - Diphthongization (as alinear syntax chains) Computation of diphthongs in a Word-Syntax account - Palatalization: An Elementary account. - Sandhi phenomena 3. Early Latin changes in syllable structure and consonants: - Early consonant losses - Consonantal sandhi and early Raddoppiamento Sintattico in the Latin regions (epigraphic and medieval Latin) Template-based accounts and Word-Syntax account - Prosthetic vowels and syncope - Carolingian language as source for the Gallo-Romance language. Phonological interpretation of orthography 4. Latin and Romance in the medieval period: - Early Latin changes in syllable structure and consonants: - Merger of /b/ and /w/ in Late Latin - Degemination - Phonological lenition Phonological computation, representation and melodic content 5. Metaphony and Vowel Harmony in Romance. Theoretical issues: -Stress dependent Harmony -Diachrony and Synchrony -Raising and Lowering Metaphonies in Romance -Phonological opacity -An Elements account -Morphosyntax-phonology interface -Non-concatenative Morphology – a new account for Italo-Romance Metaphony 1 6. Fortition in Romance: Raddoppiamento Sintattico in Italo-Romance from medieval to modern Italian - Raddoppiamento Sintattico licenced by Syntax - Raddoppiamento Sintattico licenced by Stress - Raddoppiamento Sintattico in Early medieval Gallo-Romance Strong position, melodic strength effects and strength mechanisms Representational and computational processes. Positional factors 7. Fortition and phonotactic in Southern and Western Romance: - From the Merger of /b/ and /w/ in Late Latin to the betacism Ibero-Romance, Occitan, Gascon languages - Restructuring the Latin merger of /b/ and /w/ in Southern Italo-Romance languages Process inhibition, segmental structure, environments and positional strength 8. Consonantal Liaison: From Late Latin to Gallo-Romance - Liaison licenced by Syntax - Morphological liaison Templatic and computational approaches -A Word-Syntax account -Recursion in Phonology? Evaluation: students will be asked to respond to seven major questions specific to course content. 2 .

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T3 Sandhi Rules of Different Prosodic Hierarchies
T3 Sandhi rules of different prosodic hierarchies Abstract This study conducts acoustic analysis on T3 sandhi of two characters across different boundaries of prosodic hierarchies. The experimental data partly support Chen (2000)’s view about sandhi domain that “T3 sandhi takes place obligatorily within MRU”, and “sandhi rule can not apply cross intonation phrase boundary”. Nonetheless, the results do not support his claim that “there are no intermediate sandhi hierarchies between MRU and intonation phrase”. On the contrary, it is found that, although T3 sandhi could occur across all kinds of hierarchical boundaries between MRU and intonation phrase, T3 sandhi rules within a foot (prosodic word), or between foots without pause, or between pauses without intonation (phonology phrase) are very different in terms of acoustic properties. Furthermore, based on the facts that (1) T3 sandhi could occur cross boundary of pauses and (2) phrase-final sandhi could be significantly lengthening, it is argued that T3 sandhi is due to dissimilation of low tones, rather than duration reduction within MRU domain. It is also demonstrated that tone sandhi and prosodic hierarchies may not be equivalently evaluated in Chinese phonology. Prosodic hierarchies are determined by pause and lengthening, not by tone sandhi. Key words: tone sandhi; prosodic hierarchies; boundary; Mandarin Chinese 1 Introduction So-called T3 sandhi in mandarin Chinese has been widely discussed in Chinese Phonology. Mandarin Chinese has four tones: T1 (level 55), T2 (rising 35), T3 (low-rise 214), T4 (falling 51).Generally, when a T3 is followed by another T3, it turns into T2. The rule could be simply stated as: 214->35/ ___214.
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Long-Distance /R/-Dissimilation in American English
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Prosody of Tone Sandhi in Vietnamese Reduplications
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Jurij Kusmenko Humboldt-Universität Zu Berlin 1
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