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												  Duchess and Hostage in Renaissance Naples: Letters and OrationsIPPOLITA MARIA SFORZA Duchess and Hostage in Renaissance Naples: Letters and Orations • Edited and translated by DIANA ROBIN and LYNN LARA WESTWATER Iter Press Toronto, Ontario Arizona Center for Medieval and Renaissance Studies Tempe, Arizona 2017 Sforza_book.indb 9 5/25/2017 10:47:22 AM Iter Press Tel: 416/978–7074 Email: [email protected] Fax: 416/978–1668 Web: www.itergateway.org Arizona Center for Medieval and Renaissance Studies Tel: 480/965–5900 Email: [email protected] Fax: 480/965–1681 Web: acmrs.org © 2017 Iter, Inc. and the Arizona Board of Regents for Arizona State University. All rights reserved. Printed in Canada. Library of Congress Cataloging-in-Publication Data Names: Sforza, Ippolita, 1445-1488, author. | Robin, Diana Maury, editor, translator. | Westwater, Lynn Lara, editor, translator. Title: Duchess and hostage in Renaissance Naples : letters and orations / Ippolita Maria Sforza ; edited and translated by Diana Robin, Lynn Lara Westwater. Description: Tempe, Arizona : Arizona Center for Medieval and Renaissance Studies ; Toronto, Ontario : Iter Press : Arizona Center for Medieval and Renaissance Studies, 2017. | Series: Medieval and Renaissance Texts and Studies ; 518 | Series: The Other Voice in Early Modern Europe. The Toronto Series, 55 | Includes bibliographical references and index. Identifiers: LCCN 2016059386 | ISBN 9780866985741 (pbk. : alk. paper) Subjects: LCSH: Sforza, Ippolita, 1445-1488—Correspondence. | Naples (Kingdom)—Court and courtiers—Correspondence. | Naples (Kingdom)—History—Spanish rule, 1442-1707--Sources. Classification: LCC DG848.112.S48 A4 2017 | DDC 945/.706092 [B]—dc23 LC record available at https://lccn.loc.gov/2016059386 Cover illustration: Pollaiuolo, Antonio del (1433-1498), Portrait of a Young Woman, ca.
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												  Spring 2011 Catalogue:1 21/10/10 12:09 Page 1Spring 11 Cat. Cover final_1 21/10/2010 11:26 Page 1 YALE yale spring & summer 2011 spring & summer 2011 London WC1B 3DP • Yale University Press 47 Bedford Square www.yalebooks.co.uk Bolton - McQueen page:1 17/11/10 15:46 Page 1 A stunning overview of the career of designer Alexander McQueen, whose iconic and intricate fashions challenged the conventional parameters of clothing From left to right: ‘Sarabande’, Spring/Summer 2007, ‘It’s Only a Game’, Spring/Summer 2005, ‘The Overlook’, Autumn/Winter 1999. Alexander McQueen JUST ANNOUNCED Savage Beauty Andrew Bolton and Harold Koda With contributions by Tim Blanks and Susannah Frankel Alexander McQueen (1969–2010) was one of the most influential, imaginative and inspirational designers at the turn of the millennium. His fashions both challenged and expanded the conventional parameters of clothing beyond utility to a compelling expression of culture, politics and identity. Focusing on the most iconic and acclaimed designs of his prolific career, this stunning book examines McQueen’s inimitable technical virtuosity and its subversion of traditional tailoring and dressmaking practices. MuseumThe of Art Metropolitan York • New The book also focuses on the highly sophisticated narrative structures found in McQueen’s collections and in his astonishing and extravagant runway presentations, which suggested the most avant-garde installation and performance art. Intended as an assessment of Alexander McQueen’s entire career, the book includes in-depth studies Exhibition of six collections that illustrate and encapsulate thematic chapters as The Metropolitan Museum of Art, well as an interview with Sarah Burton, the new creative director of 04/05/11–31/07/11 Alexander McQueen who had been the designer’s right-hand design aide since 1996.
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												  EUI Working PapersDEPARTMENT OF HISTORY AND CIVILIZATION EUI Working Papers HEC 2010/02 DEPARTMENT OF HISTORY AND CIVILIZATION Moving Elites: Women and Cultural Transfers in the European Court System Proceedings of an International Workshop (Florence, 12-13 December 2008) Giulia Calvi and Isabelle Chabot (eds) EUROPEAN UNIVERSITY INSTITUTE , FLORENCE DEPARTMENT OF HISTORY AND CIVILIZATION Moving Elites: Women and Cultural Transfers in the European Court System Proceedings of an International Workshop (Florence, 12-13 December 2008) Edited by Giulia Calvi and Isabelle Chabot EUI W orking Paper HEC 2010/02 This text may be downloaded for personal research purposes only. Any additional reproduction for other purposes, whether in hard copy or electronically, requires the consent of the author(s), editor(s). If cited or quoted, reference should be made to the full name of the author(s), editor(s), the title, the working paper or other series, the year, and the publisher. ISSN 1725-6720 © 2010 Giulia Calvi and Isabelle Chabot (eds) Printed in Italy European University Institute Badia Fiesolana I – 50014 San Domenico di Fiesole (FI) Italy www.eui.eu cadmus.eui.eu Abstract The overall evaluation of the formation of political decision-making processes in the early modern period is being transformed by enriching our understanding of political language. This broader picture of court politics and diplomatic networks – which also relied on familial and kin ties – provides a way of studying the political role of women in early modern Europe. This role has to be studied taking into account the overlapping of familial and political concerns, where the intersection of women as mediators and coordinators of extended networks is a central feature of European societies.
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												  Full Press ReleasePress Contacts Patrick Milliman 212.590.0310, [email protected] Sandra Ho 212.590.0311, [email protected] THE MORGAN LIBRARY & MUSEUM TO EXHIBIT NEWLY ACQUIRED PRAYER BOOK MADE FOR QUEEN CLAUDE DE FRANCE TINY BOOK—JUST 2 ¾ BY 2 INCHES—IS AN EXTREMELY RARE MASTERWORK OF RENAISSANCE ILLUMINATION Manuscript to Go on View May 20 New York, NY, May 9, 2008—The Morgan Library & Museum will put on special exhibition beginning May 20 an extremely rare Renaissance illuminated manuscript, the Prayer Book of Queen Claude de France (1499–1524), created around the time of her coronation in 1517. It is the most important single illuminated manuscript acquired by the Morgan in the last twenty-five years and will go on view in the East Room of the historic McKim building. The tiny, jewel-like book, measuring just 2 ¾ by 2 inches, is richly illustrated with 132 scenes from the lives of Christ, the Virgin Mary, the apostles, and numerous saints. The work was created by an artist known as the Master of Claude de France and can be characterized as the pinnacle of delicacy in Renaissance illumination. The artist, named after this prayer book and a companion manuscript, was active in Tours during the first quarter of the sixteenth century. Barely a dozen of his works survive. The prayer book was given to the Morgan by Mrs. Alexandre P. Rosenberg, a long time generous supporter of the Museum. The gift is in memory of her husband Alexandre Paul Rosenberg, who died in Virgin and Child with St. John the Baptist, with the coat of arms of Queen Claude de France in the lower border, illuminated 1987.
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												  Medieval and Renaissance ManuscriptsTHE MORGAN LIBRARY & MUSEUM MASTERWORKS FROM THE MORGAN: MEDIEVAL AND RENAISSANCE MANUSCRIPTS Although Pierpont Morgan acquired medieval and Renaissance manuscripts only during the last dozen years of his life, his collection of some six hundred manuscripts was world renowned. His son, J. P. Morgan, Jr., added two hundred more that matched those of his father in terms of quality and importance. The collection currently numbers nearly fourteen hundred books and leaves. Written by hand and often sumptuously painted or illuminated with gold leaf, these manuscripts reflect the religious, intellectual, and artistic life of their time. Often commissioned by leaders of church and state, they were frequently made of rare and precious materials, requiring the combined skills of parchment makers, scribes, editors, illuminators, and binders. Protected by their bindings, the vivid colors of their miniatures have changed little, making them the best preserved of all medieval and Renaissance paintings. The icons of illumination shown here were selected because each, in some way, is the best of its kind and part of the core of masterworks upon which the Morgan’s international reputation is based. Nativity, in an initial P, leaf from a Gradual (I), in Latin. Italy, Florence, 1392–99, illuminated at Santa Maria degli Angeli by Don Silvestro dei Gherarducci for Paolo Venier, abbot of San Michele à Murano. This large historiated initial and four others in the Morgan come from the same two-volume Gradual, a choir book containing the sung portions of the Mass. The initial P begins the Introit for the Christmas Mass, taken from Isaiah (9:6): Puer natus est nobis (A child is born to us).
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												  First, Unique and Unrepeatable Editions Limited to 987 CopiesFirst, unique and unrepeatable editions limited to 987 copies numbered and certifi ed by notary public LIVRE DE CHASSE Binding of the Livre de Chasse, by GASTON PHOEBUS by Gaston Phoebus Bibliothèque nationale de France • Paris First, unique and unrepeatable edition limited to 987 copies numbered and certifi ed by notary public The Livre de Chasse (Book of the Hunt) was written by Gaston Phoebus, count of Foix and expert huntsman. For many years this treatise was famous for both the quality of its hunting lessons and its extraordinary illuminations: a masterpiece of early-fi fteenth- century manuscript production in Paris, and one of the very few educational books to be illustrated as lavishly as a Bible. Besides the lessons it contains, this treatise also presents hunting as a redeeming exercise enabling hunters to go straight to Heaven by endowing them with an upright body and mind. The composition itself of this deeply pondered book links the hunter to the spiritual world. The different artists who worked on this manuscript – skilful mas- ters of medieval canons of illustration such as line dynamics, repeated fi gures, effects of colours, etc – placed their art at the service of Gaston Phoebus’s desire to teach, thereby setting out not merely a lesson of hunting but a lesson of life. Shelf mark: Français 616 Date: early 15th c. Size: 380 x 280 mm 436 pages, 87 illuminations Morocco-bound New! Full-colour commentary volume moleiro.com — f. 57v — 57v — f. — f. 94r — THE HOURS OF HENRY VIII The Morgan Library & Museum • New York First, unique and unrepeatable edition limited to 987 copies numbered and certifi ed by notary public The Hours of Henry VIII, Jean Poyer’s masterpiece, receives its name from King Henry VIII of England, second monarch of the House of Tudor.
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												  Spotlight on ToursSpotlight on Tours Medieval Books of Hours from Tours at Dr. Jörn Günther Rare Books Basel – Stalden, Switzerland Spotlight on Tours Whereas Paris has so long been France’s ‘capital of the arts’ – around 1500 it had to share this title with Tours on the Loire, favoured by royalty and their entourage. Many of them were avid patrons of the arts and books. Since the second half of the 15th century to the early 16th century, the city of Tours was a renowned centre of manuscript illumination. Four French kings – Louis XI, Charles VIII, Louis XII and Francis I – were served here by the best illuminators. Jean Bourdichon (c. 1457-1521) had been the pupil of Jean Fouquet (c. 1420-1481) in Tours, where both men painted several masterpieces. They inspired the Master of Petrarch’s Triumphs (c. 1490-1510), Jean Poyer (c. 1465–1503), the Master of Claude de France (1498-c.1520) and their circles. But it began even earlier…. THE ‘DE NULLY DE GROSSEVRE’ HOURS ILLUMINATED IN THE CIRCLE OF THE JOUVENEL MASTER AND THE MASTER OF BOETHIUS FRANÇAIS 809. France, Tours (?), c. 1450-1460. Manuscript on vellum, 213 x 148 mm, 183 leaves with 17 large miniatures with full borders, three-sided vine- leaf borders on each page. The provenance is uncertain but some saints (Gatian, Lidorius) in the Litany point to Tours as city of origin. The fine Annunciation is attributed to the Boethius Master. He was also influenced by Jean Fouquet. The ‘De Nully de Grossevre’ Hours illuminated in the circle of the Jouvenel Master and the Master of Boethius Français 809.
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												  Iluminace Od První Poloviny 15UNIVERSITA KARLOVA FILOSOFICKÁ FAKULTA ÚSTAV PRO DĚJINY UMĚNÍ DISERTAČNÍ PRÁCE PhDr. Kateřina Průšová Kniha jako klenot Frankoflámské knihy hodinek z pražského Klementina Book as a Jewel, Francoflemish Books of Hours from the National Library in Prague Školitel: PhDr. Hana J. Hlaváčková 2016 2 Prohlašuji, že jsem disertační práci vypracovala samostatně, že jsem řádně citovala všechny použité prameny a literaturu a že práce nebyla využita v rámci jiného vysokoškolského studia či k získání jiného nebo stejného titulu. V Praze, dne 8. 3. 2016 PhDr. Kateřina Průšová 3 Abstrakt Účelem této disertace je představit první souborný uměleckohistorický katalog frankoflámských knih hodinek ze sbírek Národní knihovny v Praze (NK). Některé rukopisy byly již časopisecky publikovány, jiné dosud publikovány nebyly. Jádrem katalogu je formální a stylová analýza knih hodinek, atribuce jednotlivým mistrům a dílnám, lokalizace a datace založená na srovnání se stylově příbuznými rukopisy. Katalog je pokračováním mé předešlé badatelské práce zaměřené na pařížské knihy hodinek (NK Břevnov 297, NK Osek 70 and NK XXIII G 89, magisterská a rigorózní práce). Šest knih hodinek je uloženo ve sbírkách Národní knihovny (NK XXIII H 22, NK Břevnov 296, NK XXIII F 198, NK XXIII G88, NK Osek 65, NK VI D 25) a jeden rukopis ve sbírce Lobkowiczů na Nelahozevsi, dříve deponován v pražské Národní knihovně (pod sign. VI Fg 67). Katalog pokrývá období největšího rozkvětu flámské iluminace od první poloviny 15. století do počátku 16. století. Knihy hodinek z pražského Klementina pochází převážně ze šlechtických sbírek (Lobkowiczové, Rohanové) pokud je možné sledovat jejich původ. Majitelé knih hodinek v 15. století byli zástupci širokých společenských kruhů, od bohatých obchodníků a měšťanů po členy vysoce postavených šlechtických a královských rodin.
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												  Galeries Nationales – Grand Palais Dossier Pédagogique EnseignantsGALERIES NATIONALES – GRAND PALAIS DOSSIER PÉDAGOGIQUE ENSEIGNANTS FRANCE 1500 ENTRE MOYEN ÂGE ET RENAISSANCE Jean Hey Annonciation, vers 1495, détail Huile sur bois The Art Institute of Chicago © RMN / The Art Institute of Chicago 2010 Affiche de l’exposition France 1500 (6 octobre 2010 – 10 janvier 2011) Réunion des musées nationaux, 2010 1 SOMMAIRE DOSSIER DES ENSEIGNANTS INTRODUCTION page 3 REPÈRES CHRONOLOGIQUES page 4 1 LA COMMANDE page 5 Le commanditaire ; ses obligations Maître d’œuvre et atelier 2 POUR TOUS LES GOÛTS page 9 Une production très variée Thèmes anciens et nouveaux Ornements modernes et antiques Le portrait 3 UN MONDE EN MOUVEMENT page 14 Les biens circulent Les artistes voyagent La révolution de l’imprimerie CONCLUSION page 17 QUELQUES PERSONNALITÉS page 18 DOSSIER DES ÉLÈVES (second fichier pdf à télécharger) LES ŒUVRES RACONTENT TOMBEAU DES ENFANTS DE CHARLES VIII ET ANNE DE BRETAGNE (1506) page 4 MÉDAILLE : LOUIS XI ET ANNE DE BRETAGNE (1499) page 6 RETABLE PAR JEAN HEY : L’ANNONCIATION (VERS 1495) page 8 PORTRAIT PAR LÉONARD DE VINCI : LA BELLE FERRONNIÈRE (VERS 1495-1499) page 10 PORTRAITS D’UN HOMME ET D’UNE FEMME PAR JEAN PERRÉAL (VERS 1500) page 12 IMPRIMÉ : LA DANSE MACABRE (VERS 1492) page 14 ENLUMINURE DE JEAN POYER : VIERGE EN MAJESTÉ (VERS 1500) page 16 FRAGMENT DE TAPISSERIE : PÉNÉLOPE (VERS 1500) page 18 VITRAIL : SAINT ÉLOI PROUVE SON INNOCENCE (VERS 1510) page 20 L’IMPRIMERIE: UNE TECHNIQUE RÉVOLUTIONNAIRE page 22 Réunion des musées nationaux, 2010 2 INTRODUCTION « France 1500, entre Moyen Âge et Renaissance » : tout est dit ! Comme toute période charnière de l’histoire de l’art, celle qui correspond ici aux règnes des rois Charles VIII et Louis XII restait à découvrir pour elle-même.
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												  LISTE LABELLISES Au 11 02 2020Établissements labellisés « École conduite qualité » 11 FÉVRIER 2020 Délégation à la sécurité routière - Ministère de l'Intérieur N° AGRÉMENT Ain (01) E1700100070 ECF AMBERIEU 101 RUE ALEXANDRE BERARD 01500 AMBERIEU-EN-BUGEY E1400100130 ADL AMBERIEU AVENUE LEON BLUM 01500 AMBERIEU-EN-BUGEY E1000104450 A VOUS DE CONDUIRE AMBERIEU 8 AVENUE DU GENERAL SARRAIL 01500 AMBERIEU-EN-BUGEY E1700100010 VIRAGE PERMIS 90 RUE GOMBETTE 01330 AMBERIEUX-EN-DOMBES E1800100170 ARBENT MARCHON 4 RUE DU MAQUIS 01100 ARBENT E1800100120 FORMUL'AIN 494 GRANDE RUE L'AGORA 01340 ATTIGNAT E0800104320 CATIN 181 ROUTE DE VOUVRAY 01200 BELLEGARDE-SUR-VALSERINE E1500100130 3 D 46 BOULEVARD DU MAIL 01300 BELLEY E1300100020 CHRIS'CONDUITE 18 BOULEVARD DU MAIL 01300 BELLEY E0300103750 SUZON BOURG EN BRESSE 4 RUE DU LYCEE 01000 BOURG-EN-BRESSE E0600104060 LYCEES BOURG EN BRESSE 6 RUE DU LYCEE 01000 BOURG-EN-BRESSE E0300102490 ECF CARRIAT 11 PLACE CARRIAT 01000 BOURG-EN-BRESSE E1800100130 LA PASSERELLE 27 AVENUE JEAN JAURES 01000 BOURG-EN-BRESSE E1500100180 ALPHA BOURG 12 RUE DU LYCEE 01000 BOURG-EN-BRESSE E1500100170 IKRAM 26 BIS AVENUE MARECHAL LECLERC 01200 CHATILLON-EN-MICHAILLE E1400100210 HELENA 629 RUE AIME BONNEVILLE 01200 CHATILLON-EN-MICHAILLE 5 AVENUE MARECHAL DE LATTRE DE E1700100090 HELENA 01 01200 CHATILLON-EN-MICHAILLE TASSIGNY E1500100080 MONTMERLE 3 RIVIERES RUE DE LA POSTE 01400 CHATILLON-SUR-CHALARONNE E1400100030 CASNO 684 ROUTE DE GENEVE 01120 DAGNEUX E1700100110 ODYSSEE GEX 18 RUE FRANCIS BLANCHARD 01170 GEX E1600100050 3 RIVIERES JASSANS COEUR DE VILLE
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												  The Age of Wars of Religion, 1000-1650THE AGE OF WARS OF RELIGION, 1000–1650 THE AGE OF WARS OF RELIGION, 1000–1650 AN ENCYCLOPEDIA OF GLOBAL WARFARE AND CIVILIZATION Volume 1, A–K Cathal J. Nolan Greenwood Encyclopedias of Modern World Wars GREENWOOD PRESS Westport, Connecticut London Library of Congress Cataloging-in-Publication Data Nolan, Cathal J. The age of wars of religion, 1000–1650 : an encyclopedia of global warfare and civilization / Cathal J. Nolan. p. cm.—(Greenwood encyclopedias of modern world wars) Includes bibliographical references and index. ISBN 0–313–33045–X (set)—ISBN 0–313–33733–0 (vol. 1)— ISBN 0–313–33734–9 (vol. 2) 1. Middle Ages—History—Encyclopedias. 2. History, Modern—17th century— Encyclopedias. 3. Military history, Medieval—Encyclopedias. 4. Military history, Modern—17th century—Encyclopedias. 5. Biography—Middle Ages, 500–1500— Encyclopedias. 6. Biography—17th century—Encyclopedias. I. Title. D114.N66 2006 909.0703—dc22 2005031626 British Library Cataloguing in Publication Data is available. Copyright # 2006 by Cathal J. Nolan All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 2005031626 ISBN: 0–313–33045–X (set) 0–313–33733–0 (vol. I) 0–313–33734–9 (vol. II) First published in 2006 Greenwood Press, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. www.greenwood.com Printed in the United States of America The paper used in this book complies with the Permanent Paper Standard issued by the National Information Standards Organization (Z39.48–1984).
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												  “No Gretter Perile”: Over-Mighty Subjects and Fifteenth-Century Politics in Malory’S Morte Darthur“No gretter perile”: Over-mighty Subjects and Fifteenth-Century Politics in Malory’s Morte Darthur Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Michael M. Baker, M.A. Graduate Program in English The Ohio State University 2013 Dissertation Committee: Karen A. Winstead, Advisor Richard Firth Green Ethan Knapp Copyright by Michael M. Baker 2013 Abstract Traditionally read as a deeply nostalgic text – one that looks back to Arthur’s Camelot as a Golden Age of English history and chivalry – Sir Thomas Malory’s Morte Darthur is, instead, a very contemporarily relevant text. Completed in 1469/70, at the mathematical center of the divisive Wars of the Roses (c. 1455-1485), Malory’s Morte considers problematic contemporary political issues that threaten the peace and stability of the realm. Chief among these are issues involving over-mighty subjects, identified by Sir John Fortescue in The Governance of England (c. 1471/75) as the greatest threat to fifteenth-century kings. Since K. B. McFarlane’s 1964 declaration that “only an undermighty ruler had anything to fear from overmighty subjects,” however, the over- mighty have been under-studied. It is important, though, when examining a text to consider the prevalent beliefs of its time; even if McFarlane’s statement is true, neither Fortescue nor Malory would have agreed with it. Malory’s Morte does not create perfect analogues to fifteenth-century persons or events (i.e., Lancelot is not the Kingmaker, the final battle near Salisbury is not Towton), but it does create many parallels to fifteenth-century political issues.