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Charles II: Art & Power

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Charles II: Art & Power CONTACT SHEET Charles II: Art & Power The Queen’s Gallery, Palace of Holyroodhouse 23 November 2018 – 2 June 2019 Simon Verelst, Charles II, c.1670–75 Antonio Verrio, The Sea Triumph of Charles II, c.1674 Marco d’Oggiono, The Infant Christ and Saint John Embracing, c.1500–30 John Michael Wright, Charles II, c.1671–76 Georges de la Tour, Saint Jerome, c.1621–3 Side table, c.1670 Press Office, Royal Collection Trust, York House, St James’s Palace, London SW1A 1BQ T. +44 (0)20 7839 1377, [email protected], www.rct.uk Cristofano Allori, Judith with the Parmigianino, Head of Pallas Athena, Holofernes, c.1531–8 1613 Sir Peter Lely, Sir Peter Lely, Barbara Villiers, Catherine of Duchess of Braganza, Cleveland, c.1663–65 c.1665 Orazio Gentileschi, A Sibyl, c.1635–8 Paolo Veronese, The Mystic Marriage of St Catherine of Alexandria, c.1562–9 Leonardo da Vinci, The muscles of the Hans Holbein the back and arm, Younger, Frances, c. 1508 Countess of Surrey, c.1532–3 Press Office, Royal Collection Trust, York House, St James’s Palace, London SW1A 1BQ T. +44 (0)20 7839 1377, [email protected], www.rct.uk Michiel Jansz van Miereveld, A bearded old Man with a Shell, c.1606 Pierre Fourdrinier, The Royal Palace of Holyrood House, c.1753 Domenico Fetti, David with the Head of Goliath, c.1620 Samuel Cooper, Catherine of Braganza, c.1662 A selection of images is available at www.picselect.com. For further information contact Royal Collection Trust Press Office +44 (0)20 7839 1377 or [email protected]. Notes to Editors Royal Collection Trust, a department of the Royal Household, is responsible for the care of the Royal Collection and manages the public opening of the official residences of The Queen. Income generated from admissions and from associated commercial activities contributes directly to The Royal Collection Trust, a registered charity. The aims of The Trust are the care and conservation of the Royal Collection, and the promotion of access and enjoyment through exhibitions, publications, loans and educational programmes. Royal Collection Trust’s work is undertaken without public funding of any kind. The Royal Collection is among the largest and most important art collections in the world, and one of the last great European royal collections to remain intact. It comprises almost all aspects of the fine and decorative arts, and is spread among some 15 royal residences and former residences across the UK, most of which are regularly open to the public. The Royal Collection is held in trust by the Sovereign for her successors and the nation, and is not owned by The Queen as a private individual. Admission to The Queen’s Gallery, Buckingham Palace is managed by The Royal Collection Trust, a registered charity in England and Wales (1016972) and in Scotland (SCO39772). Press Office, Royal Collection Trust, York House, St James’s Palace, London SW1A 1BQ T. +44 (0)20 7839 1377, [email protected], www.rct.uk .
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