Ghost Lights of Texas

Total Page:16

File Type:pdf, Size:1020Kb

Ghost Lights of Texas Ghost Lights Of Texas HERBERT LINDEE ike many other places, Texas has its share of reported ghost lights. The two best- Lknown ghost lights in the state are at Saratoga and at Marfa. We at the Houston Association for Scientific Thinking (HAST) have seen both and have found simple causes for both. Explanations offered for the Saratoga and Marfa A The Saratoga and Marfa lights can look impressive and mysterious. Here is what causes them. lights have included luminescence from human ghosts, swamp gas, Satan, UFOs, campfires seen from far away, piezoelectricity, mirages caused by temperature inversion, St. Elmo's Fire, ball lightning, the moon's reflection in water pools, the glow from bat guano phosphates, and phosphorescence from mineral deposits. Although simple logic dictates that there may indeed be more than one source of energy that produces strangely visible luminescence, there is strong evidence that what most tourists take to be ghost lights outside of these Texas cities is a phenomenon of no more subtlety than car headlights seen along a highway quite a bit farther away than the distance one normally encounters when perceiving such objects. Saratoga is a small town in the East Texas 400 SKEPTICAL INQUIRER, Vol. 16 Sar<JTaq<x. 00 3 A (3 in the \Zie\oiur) Site- about smiles from —HP Map 1: Looking approximately south. (See Map 2, of dotted section.) Point C is a reference point. At point A. a car headed north comes over the rise. The lights then shine into the tunnel of trees formed along Bragg Road. Cars from B to A present a slight red glow with their taillights. piney woods, a part of the Big Thicket, growth of the trees above it and the an ecological treasure whose name thicket beside it create a tunnel of aptly describes its plant growth. Local vegetation as one peers down the legends claim the lights have been roadway in the darkness of night. At seen there since the times of the early night, if you travel five miles north Native Americans. Near Saratoga, into the tunnel and then look back, stretching seven miles across the you can see the lights from the cars forest floor, is Bragg Road, an arrow- as they round the curve on Highway straight former railroad bed about 787 (see diagram). To the naked eye, seven miles long. (See map.) The from such a great distance the two Summer 1992 401 Map 2: Dotted section of Map 1. looking approximately west. At Position 1, the car's headlights do not enter the tunnel of trees along Bragg Road. At Position 2, the car's headlights are suddenly directed full force along Bragg Road. headlights appear to be one bright do something quite different. As the motionless spot in the middle of the car approaches, the headlights are first tunnel. The bright spot appears in the directed upward into the sky above the exact middle of the tunnel for a short tunnel of trees. When the car slips time, then suddenly disappears until over the rise, about 60 to 100 yards the light from another car takes its from Bragg Road, the headlights place. The duration of the pheno- suddenly are directed into the tunnel menon varies with the speed of the harboring Bragg Road. The viewer is cars as they travel along 787. A time- rewarded with first a slight glow and exposure photo of the Saratoga light then a sudden dramatic burst of light can be seen on page 528 of the October instead of the slow buildup one might 1974 National Geographic. The actual expect along a stretch of straight experience is eerier than the photo. highway. The lights do not appear to The slight rise in Highway 787 as be the familiar lights of oncoming a northbound car reaches the point at traffic, so they are often interpreted which its lights shine into the tunnel as mysterious. of trees produces a startling effect that This is what most watchers see as contributes to the eeriness of the the Saratoga lights. We have been phenomenon. On a dark night along there four times. On all four occasions a straight highway, the light from an all participants saw the same thing approaching car expands from a small with the naked eye, first a glow then dot until the first car is close enough a bright spot in the middle of the for a person to observe two bright tunnel that appears suddenly, stays a lights. But cars traveling on 787 to the short time, then disappears just as tunnel of trees formed by Bragg Road suddenly. Looking through binoculars 402 SKEPTICAL INQUIRER, Vol. 16 or through a good terrestrial telescope collected plants till darkness, then unmasks the mystery, for then one drove home. We surmised this is more can see the single light separate into a winter phenomenon because the two car headlights. If the lights are heavy summer foliage filters out the exceptionally bright, one can even light. To check this out, John make out the license-plate holder on Chalmers, HAST's vice-president, and the front of the car. I journeyed to Saratoga on July 29, Those with better eyesight say 1991. The night was slightly hazy. We they can sometimes see a change of could see some stars, but it was not color in the light. This occurs if a car the clear night-sky background that traveling south toward Saratoga our groups had had on previous appears in the viewing window just expeditions. As we drove to Bragg as one traveling north, away from Road, car lights along Highway 105, Saratoga, exits the viewing window. which intersects with 787, looked The tail-lights of the southbound car fuzzy when they were far away. replace the image of the white lights We entered Bragg Road after dark of the northbound car. It is quite a and stopped to look back toward 787 remarkable exhibition even when the at one-mile intervals. After about two cause is well understood. miles the phenomenon became less Local residents seem willing to impressive. Something was filtering perpetuate this phenomenon as a out the light from the cars along 787. mystery, for it brings in a considerable By the time we were four miles in, amount of tourism throughout the we could only faintly see the lights year. To their credit, they do not lie that appeared at the end of the tunnel. when asked about the lights. They The difference between these lights either do not respond to questions, or and the ones seen in the winter was they say something like, "Who knows like the difference between the light what it might be?" from a very powerful flashlight and Another indicator of the true that from a small penlight. We believe nature of the lights is the protest the the cause of this dimming to be the town of Saratoga lodged a short time filtering effect of the leaves that now ago against the cutting of the trees covered the branches around the along the road for forest management. tunnel. It is also possible that the Any destruction of that tunnel of trees higher humidity of the summer might might hinder the ability of the light have some dimming effect on the to travel uncontaminated by other light. light sources along that five miles of We saw far fewer occurrences of dirt road directly to the viewer's eye. the lights than one does in winter. That would change the reputation of Two things could cause this. First, the Saratoga lights. darkness occurs much earlier in An interesting point arose on our winter than in summer. Second, our first visit when we talked to the young other visits were on weekend nights, man minding the local museum, one when people are out doing the things of the most interesting local museums they do on Friday or Saturday even- in the state of Texas. He said he had ings. The traffic on a winter weekend never seen the lights because he had night at six o'clock would be expected been on Bragg Road only in the to be much heavier than that of a summer to collect plants, and the summer weekday night at nine lights seemed to be a winter phenom- o'clock. enon. We assumed he meant he After our excursions to the Sara- Summer 1992 403 toga lights, the Marfa lights in West came to a point on the inner rim of Texas promised to offer something the Chinati Mountains from which special. Persistent rumor claims that one can see the entire basin in which there is no roadway where the Marfa Marfa lies. There I waited until lights are seen. I visited Marfa during darkness fell. I could see car lights all spring break of 1991 and found, to my along the road to Marfa, except where great surprise, a highway running the bends and cuts obscured them, and north-south from Marfa to Presidio I could see the lights of Marfa itself exactly where the lights tend to be nestled at the end of this well-lit trail. seen. (See map.) The viewing site is I could also see the three different- on Highway 90 some nine miles east colored stationary lights we had seen of Marfa. Some people claim that at the viewing site, and I made a records of the Marfa lights go back mental note of their positions relative to the 1880s, when ranchers first to Highway 67 as I traveled it north reported seeing them.
Recommended publications
  • Investigation of the Marfa Lights
    Forward The word “investigation” is defined as “a searching inquiry for ascertaining facts; detailed or careful examination.” The key word here is “facts”. Do ghosts exist? No, it has not been proven. Therefore are no facts to investigate. What we do have is the testimony of the witnesses and this is where an investigational process will work. Investigations are often viewed as a skeptical activity because the main goal is trying to determine what the witness actually saw. Is it explainable or not? This is done through critical thinking and an event replication process developed by SGHA. This is an important concept because what defines a haunting or ghost sighting is “Multiple witnesses reporting unusual phenomena over a period of time”. If these phenomena can be explained, the witness reports are no longer validating paranormal activity as a cause and thus there is no ghost or haunting. Additionally historical research may be done in an attempt to validate facts. It is important to understand that the goal of an investigation is not to find evidence of the paranormal but to attempt to identify any natural or manmade causes of the reported phenomena Definition of Terms Investigation Status: Unsolved investigations will have either an open or closed status. An investigation is given an “Open” status if: The investigators were unable to replicate all of the witness events. Something significant remains that is still unsolved. It is important to understand that an “open” investigation does not mean that the unsolved facts are paranormal in nature. It simply means that we have exhausted our resources and cannot solve the “open” items/events.
    [Show full text]
  • A Rebuttal of the EMBLA 2002 Report on the Optical Survey in Hessdalen
    Italian Committee for Project Hessdalen Comitato Italiano per il Progetto Hessdalen A rebuttal of the EMBLA 2002 report on the optical survey in Hessdalen MATTEO LEONE Italian Committee for Project Hessdalen (CIPH) scientific advisor e-mail: [email protected] Abstract – On August 2002, a scientific expedition to the Hessdalen valley (Norway) – code-named EMBLA – aimed at investigating on an unidentified atmospheric light-phenomenon, was carried out by the physics section of an Italian team of scientists. According to the EMBLA 2002 physics report, the evidence collected point at an unknown atmospheric light phenomenon “able to produce a luminous power of up to 100 kW”. The photometrical and spectroscopical data collected by the team of scientists on August 2002 are analysed and reasons for rejecting the suggested conclusions are presented in this paper. Furthermore, it is proposed an explanation that satisfactorily explains the evidence in terms of a known phenomenon. In spite of this negative findings, the anecdotal evidence collected by this author at Hessdalen suggests that clearly-defined, specific studies into the field of anomalous aerial phenomena should be supported. 1. Introduction Hessdalen is a valley stretching over 12 km of a thinly populated area (Bygdekatalog, 2000) of central Norway, south-east of Trondheim and near the Swedish border (Dalsbygda, 1992; Haltdalen, 1995). As from November 1981 a series of unidentified lights had been reported by the residents of the valley. According to the sighting reports the lights were seen hovering or moving around at various speed. These lights could be anywhere. Sometimes they were reported to be just above the roof of the houses, or just above the ground.
    [Show full text]
  • Bibliography of Occult and Fantastic Beliefs Vol.4: S - Z
    Bruno Antonio Buike, editor / undercover-collective „Paul Smith“, alias University of Melbourne, Australia Bibliography of Occult and Fantastic Beliefs vol.4: S - Z © Neuss / Germany: Bruno Buike 2017 Buike Music and Science [email protected] BBWV E30 Bruno Antonio Buike, editor / undercover-collective „Paul Smith“, alias University of Melbourne, Australia Bibliography of Occult and Fantastic Beliefs - vol.4: S - Z Neuss: Bruno Buike 2017 CONTENT Vol. 1 A-D 273 p. Vol. 2 E-K 271 p. Vol. 3 L-R 263 p. Vol. 4 S-Z 239 p. Appr. 21.000 title entries - total 1046 p. ---xxx--- 1. Dies ist ein wissenschaftliches Projekt ohne kommerzielle Interessen. 2. Wer finanzielle Forderungen gegen dieses Projekt erhebt, dessen Beitrag und Name werden in der nächsten Auflage gelöscht. 3. Das Projekt wurde gefördert von der Bundesrepublik Deutschland, Sozialamt Neuss. 4. Rechtschreibfehler zu unterlassen, konnte ich meinem Computer trotz jahrelanger Versuche nicht beibringen. Im Gegenteil: Das Biest fügt immer wieder neue Fehler ein, wo vorher keine waren! 1. This is a scientific project without commercial interests, that is not in bookstores, but free in Internet. 2. Financial and legal claims against this project, will result in the contribution and the name of contributor in the next edition canceled. 3. This project has been sponsored by the Federal Republic of Germany, Department for Social Benefits, city of Neuss. 4. Correct spelling and orthography is subject of a constant fight between me and my computer – AND THE SOFTWARE in use – and normally the other side is the winning party! Editor`s note – Vorwort des Herausgebers preface 1 ENGLISH SHORT PREFACE „Paul Smith“ is a FAKE-IDENTY behind which very probably is a COLLCETIVE of writers and researchers, using a more RATIONAL and SOBER approach towards the complex of Rennes-le-Chateau and to related complex of „Priory of Sion“ (Prieure de Sion of Pierre Plantard, Geradrd de Sede, Phlippe de Cherisey, Jean-Luc Chaumeil and others).
    [Show full text]
  • Precognitive Remote Perception: Replication of Remote Viewing
    Journal of Scientific Exploration, Vol. 10, No. 1, pp. 109-1 10, 1996 0892-3310196 O 1996 Society for Scientific Exploration Precognitive Remote Perception: Replication of Remote Viewing Princeton Engineering Anomalies Research, School of Engineering and Applied Science, C-131, Princeton University, NJ 08544 The following brief description of the Princeton Engineering Anomalies Re- search (PEAR) Remote Perception program has been prepared at the invita- tion of the ~ditor',in order to augment this special report section of the Jour- nal with information about another substantial database of experiments relevant to those of SRI and SAIC. Given Utts' attention to the importance of replication (Section 3.4), and Hyman's challenge of interlaboratory consisten- cy (Point #3 of his Introduction and Point #2 of his "Suggestions for Future Research"), we submit that the PEAR program has obtained the largest extant body of experimental data that meets their criteria for interlaboratory replica- tion. In point of fact, both the PEAR remote perception program, and the prior studies of Dunne and Bisaha on which it was originally based, were undertak- en as formal replications of the SRI experiments of Puthoff and Targ. Although the PEAR program has accumulated several hundred experimen- tal trials, its primary goal has been to develop a sophisticated analytical judg- ing methodology to replace the human judging process, and thereby to facili- tate more precise quantitative assessment of results and their correlation with various experimental parameters. In our basic procedure, the "free response" of the percipient is encoded using a list of 30 binary descriptor questions, al- lowing algorithmic comparison with the target, similarly encoded by the agent at the scene.
    [Show full text]
  • Lone-Star-Lore-Myth-Mystery-And
    Copyright © 2020 by Texas State Historical Association All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law. For permission requests, write to the publisher, addressed “Attention: Permissions,” at the address below. Texas State Historical Association 3001 Lake Austin Blvd. Suite 3.116 Austin, TX 78703 www.tshaonline.org IMAGE USE DISCLAIMER All copyrighted materials included within the Handbook of Texas Online are in accordance with Title 17 U.S.C. Section 107 related to Copyright and “Fair Use” for Non-Profit educational institutions, which permits the Texas State Historical Association (TSHA), to utilize copyrighted materials to further scholarship, education, and inform the public. The TSHA makes every effort to conform to the principles of fair use and to comply with copyright law. For more information go to: http://www.law.cornell.edu/uscode/17/107.shtml If you wish to use copyrighted material from this site for purposes of your own that go beyond fair use, you must obtain permission from the copyright owner. Dear Texas History Community, Texas has a special place in history and in the minds of people throughout the world. Texas symbols such as the Alamo, oil wells, and the men and women who worked on farms and ranches and who built cities convey a sense of independence, self-reliance, hard work, and courage that speaks a universal language.
    [Show full text]
  • Psychic Experiences Explained
    SKEPTICAL INQUIRER Vol. 16PSYCHI No. 4 C EXPERIENCES EXPLAINED The Scientist's Skepticism The Paranormal's Popularity Self-Help Books/Ghost Lights Published by the Commute Investigation of Claims of the PParanormaa an l THE SKEPTICAL INQUIRER (ISSN 0194-6730) is the official journal of the Committee for the Scientific Investigation of Claims of the Paranormal, an international organization. Editor Kendrick Frazier. Editorial Board James E. Alcock, Martin Gardner, Ray Hyman, Philip J. Klass, Paul Kurtz. Consulting Editors Isaac Asimov, William Sims Bainbridge, John R. Cole, Kenneth L. Feder, C. E. M. Hansel, E. C. Krupp, David F. Marks, Andrew Neher, James E. Oberg, Robert Sheaffer, Steven N. Shore. Managing Editor Doris Hawley Doyle. Contributing Editor Lys Ann Shore. Business Manager Mary Rose Hays. Assistant Business Manager Sandra Lesniak Chief Data Officer Richard Seymour. Computer Assistant Michael Cione. Production Paul E. Loynes. Audio Technician Vance Vigrass. Librarian, Ranjit Sandhu. Staff Leland Harrington, Jonathan Jiras, Atfreda Pidgeon, Kathy Reeves, Elizabeth Begley (Albuquerque). Cartoonist Rob Pudim. The Committee for the Scientific Investigation of Claims of the Paranormal Paul Kurtz, Chairman; professor emeritus of philosophy, State University of New York at Buffalo. Barry Karr, Executive Director and Public Relations Director. Lee Nisbet, Special Projects Director. Fellows of the Committee James E. Alcock, psychologist, York Univ., Toronto; Isaac Asimov, biochemist, author; Robert A. Baker, psychologist, Univ. of Kentucky; Barry Beyerstein, biopsychologist, Simon Fraser University, Vancouver, B.C., Canada; Irving Biederman, psychologist, University of Minnesota; Susan Blackmore, psychologist, Brain Perception Laboratory, University of Bristol, England; Henri Broch, physicist, University of Nice, France; Vern Bullough, Distinguished Professor, State University of New York; Mario Bunge, philosopher, McGill University; John R.
    [Show full text]
  • Ufos and Popular Culture
    UFOs and Popular Culture UFOs and Popular Culture An Encyclopedia of Contemporary Myth James R. Lewis B Santa Barbara, California Denver, Colorado Oxford, England Copyright © 2000 by James R.Lewis All rights reserved.No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, except for the inclusion of brief quotations in a review, without prior permission in writing from the publishers. Library of Congress Cataloging-in-Publication Data Lewis, James R. UFOs and popular culture : an encyclopedia of contemporary myth / James R.Lewis. p. cm. Includes bibliographical references and index. ISBN 1-57607-265-7 (hard : alk.paper) 1. Unidentified flying objects. 2. Popular culture. I. Title. TL789 .L485 2000 001.942'03—dc21 00-010925 CIP 0605040302010010987654321 ABC-CLIO, Inc. 130 Cremona Drive, P.O.Box 1911 Santa Barbara, California 93116-1911 This book is printed on acid-free paper I. Manufactured in the United States of America H Contents h Foreword: UFOs—Folklore of the Space Age, Thomas E. Bullard, ix Introduction,xxvii List of Contributors, xxxix UFOs and Popular Culture: An Encyclopedia of Contemporary Myth Abductees, 1 Astral Projection (Out-of-Body Cape Canaveral Monsters, 59 Abraham, 4 Experience) and UFOs, 40 Captivity Tales and Abductions, 59 The Abyss, 4 Astrology, 41 Cargo Cults, 60 Adamski, George, 4 Atlantis, 42 Carr, Otis T., 63 Advertising, 6 Atmospheric Life-Forms, 44 The Cat from Outerspace, 63 Aetherius
    [Show full text]
  • 0787677647.Pdf
    GEUUhttp-v3.quark 4/4/03 5:18 PM Page 1 GEUUhttp-v3.quark 4/4/03 5:18 PM Page 3 Brad Steiger and Sherry Hansen Steiger 3 Gale Encyclopedia of the Unusual and Unexplained Brad E. Steiger and Sherry Hansen Steiger Project Editor Permissions Product Design Jolen Marya Gedridge Lori Hines Tracey Rowens Editorial Imaging and Multimedia Manufacturing Andrew Claps, Lynn U. Koch, Michael Reade Dean Dauphinais, Lezlie Light Rhonda A. Williams © 2003 by Gale. Gale is an imprint of The Gale age retrieval systems—without the written per- Since this page cannot legibly accommodate all Group, Inc., a division of Thomson Learning, Inc. mission of the publisher. copyright notices, the acknowledgements con- stitute an extension of the copyright notice. Gale and Design™ and Thomson Learning™ For permission to use material from this prod- are trademarks used herein under license. uct, submit your request via Web at While every effort has been made to ensure http://www.gale-edit.com/permissions, or you the reliability of the information presented in For more information, contact may download our Permissions Request form this publication, The Gale Group, Inc. does not The Gale Group, Inc. and submit your request by fax or mail to: guarantee the accuracy of the data contained 27500 Drake Road herein. The Gale Group, Inc. accepts no pay- Farmington Hills, MI 48331-3535 Permissions Department ment for listing; and inclusion in the publica- Or you can visit our Internet site at The Gale Group, Inc. tion of any organization, agency, institution, http://www.gale.com 27500 Drake Rd.
    [Show full text]
  • A Descriptive Analysis of the Critical Thinking Model in Texas Elementary Education
    A DESCRIPTIVE ANALYSIS OF THE CRITICAL THINKING MODEL IN TEXAS ELEMENTARY EDUCATION Oswaldo Jorge Quijano Dissertation Prepared for the Degree of DOCTOR OF PHILOSOPHY UNIVERSITY OF NORTH TEXAS December 2013 APPROVED: Frances Van Tassell, Major Professor Darell Hull, Minor Professor Mary Harris, Committee Member Kelley King, Committee Member Nancy Nelson, Chair of the Department of Teacher Education and Administration Jerry R. Thomas, Dean of the College of Education Mark Wardell, Dean of the Toulouse Graduate School Quijano, Oswaldo Jorge. A Descriptive Analysis of the Critical Thinking Model in Texas Elementary Education. Doctor of Philosophy (Curriculum and Instruction), December 2013, 202 pp., 17 tables, 1 figure, references, 180 titles. Contributions from elementary education to the practice and reality of critical thinking are rare, largely because attempts in basic education to elucidate a concept of critical thinking have a hard time breaking through the elusiveness and indeterminacy that characterize the history and reality of the concept. This situation is due to, and a consequence of, the difficulty of delimiting critical thinking from related fields, such as metacognition, higher-order-thinking, problem solving, informal logic, reasoning skills, and decision making, to name a few. Texas school authorities designed and put into practice a battery of tools to evaluate critical thinking through the assessment programs TAKS and STAAR, without taking a position regarding the indeterminacy problems of the content of critical thinking. The purpose of this study was to reconstruct the pieces of the critical thinking model imparted to Texas elementary school children since 1999 and continues today. The findings indicate that the critical thinking model implemented in Texas elementary schools is a particular version of a skills-only approach of critical thinking that follows the classical logical paradigm, consisting of two sets of complementary skills.
    [Show full text]
  • Marfa 51 Midland 53 Odessa 55 Ozona 56 Presidio 60 Terlingua/Study Butte 62 Toyahvale/Balmorhea 63 Van Horn
    Contents BIG BEND AND TEXAS MOUNTAINS TRAVEL GUIDE 8 Welcome to the Guide 10 Regional Map 12 Calendar of Events 15 National & State Parks Big Bend National Park Guadalupe Mountains National Park City Listings 25 Alpine 32 El Paso 35 Fort Davis 38 Fort Stockton 42 Lajitas 44 Marathon 47 Marfa 51 Midland 53 Odessa 55 Ozona 56 Presidio 60 Terlingua/Study Butte 62 Toyahvale/Balmorhea 63 Van Horn 64 Features Photography in the Big Bend featuring James Evans Texas Mountain Trail 72 Last Look GREG HILLJE BIGBENDTRAVELGUIDE.COM 7 Publisher’s Letter THANK YOU for picking up a copy of the 2014/15 Big Bend and Texas Mountains Travel Guide! This is the Contributors second year that I’ve had the privilege of publishing this travel guide. It has been published once a year since 1984, which is pretty impressive! I’d like to thank Beth James Evans Nobles and Ron Sanders with the Texas Mountain Trail for their commitment to the travel guide and for Originally from West Virginia, James Evans has been the opportunity given to our team to publish it. I love based in Marathon for 25 years, and is perhaps the to travel throughout the area, and even before I became most well known photographer of the Big Bend the publisher I carried the publication with me for vital region. Two very popular books showcase his art- information and tips. It’s an incredible resource for any- istry: Big Bend Pictures and Crazy from the Heat. In one wishing to explore the region. For example, you’ll an Austin American-Statesman, Evans explains the find information on various parks (state and national), as appeal of the region.
    [Show full text]
  • A Magazine for the Alumni/Ae of the Toronto Waldorf School 5 2007/08
    a magazine for the alumni/ae of the Toronto Waldorf School 5 2007/08 outofbounds Katja Rudolph '84 attended TWS from Grade 2 to 12. After graduating, she travelled for a year in Europe and Canada and then completed a BA in cultural studies and political science at Trent University. She moved to England to enter the M.Phil program in social and political science at King’s College, Cambridge. After a two year break during which she worked and traveled to India, she began a PhD degree in the Theory and Policy Studies in Education Department at the University of Toronto. Her doctoral work developed a theoretical argument for a post-liberal choosing subject and the socialization of choice in education (an anti-privitization model) by deconstructing liberal accounts of subjectivity, agency, choice, and the welfare state. She received her degree in 1999. She is now a writer and researcher, and is working on her second novel. She lives in Toronto with her partner who is a set and costume designer for theatre, opera and corporate events, and a Reiki therapist. 22-33 Alumni/ae Features FRONT COVER: Scott Murley '81 Katherine Dynes '84 The Class of '07 with over fi ve hundred other Eva Svoboda '92 Catherine Ellard '85 Waldorf grade twelve students from around the world at the “Connect 2007 International Susan Guenther '95 Anna Purcell '91 on the other side of the desk Youth Conference,” in front of the Goetheanum. Martina & Nick Sorbara '97 Lucas Sorbara '88 Dornach, Switzerland, June 2007 46-49 contents Tyler Churchward-Venné '99 Shane Haniff '96 - photo courtesy of Julia Figueiredo '07 Katja in Grade 6 Sarah Duguid '01 Joanna Russell '89 outofbounds IS: Publisher: 34 Alumni/ae, What’s Your Passion? Toronto Waldorf School editorial Books Andrew Bieler '99 Editor: Katja Rudolph '84 2 Editorial Music Vassag Baghboudrian '00 Designer: Katja Rudolph '84 Justice (and Adventure) Francis Murchison '98 Feature Writers: Well, it’s time for me to say good-bye.
    [Show full text]
  • En Creative Work Submitted to the Faculty of San Francisco State University in Partial Fulfillment of the Requirements for the Degree
    ABDUCTION A Written Creative Work submitted to the faculty of San Francisco State University in partial fulfillment of the requirements for the Degree A5 Master of Fine Arts 3G In M(p E«&cw Crea,ive Writine • by Lauren Amber Mendoza San Francisco, California May 2016 Copyright by Lauren Amber Mendoza 2016 ABDUCTION Lauren Amber Mendoza San Francisco, California 2016 Abduction is a fictional novel that tells the story of a journalist, a heathen, a fire-eater, a soldier, a Professor of telepathy, and a translator, all abducted in one way or another. It takes place in Austin and Marfa, Texas, in July, 1979. I certify that the abstract is a correct representation of the content of this Written Creative Work. Chair, Thesis Comjpittee Date CERTIFICATION OF APPROVAL I certify that I have read Abduction by Lauren Amber Mendoza, and that in my opinion this work meets the criteria for approving a thesis submitted in partial fulfillment of the requirement for the degree Master of Fine Arts: Creative Writing at San Francisco State University. Andrew Joron Assistant Professor of Creative Writing Aa . Peter Orner Professor of Creative Writing ACKNOWLEDGEMENTS I am indebted to the Faculty and Staff of the SFSU Creative Writing department, in particular, Andrew Joron, Peter Omer, Junse Kim, and Carolina De Robertis for their assistance in this project. Thank you to my peers, Dirk Petersen, Karlee Johnson, Kacy Cunningham, and many more for the time they spent with this piece. Thank you to my family, the original Reyna Terror, my mother Kathy Reyna, my father, Rudy Mendoza, and my sister Tiffany Tantrum Mendoza for all of their encouragement.
    [Show full text]