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This Year's Carnival for a Cure Page 1 of 1
This Year's Carnival For A Cure Page 1 of 1 Click to Print 0 Like Daily Scoop FEB THIS YEAR'S CARNIVAL FOR A CURE 29 Support Diabetes Research While Having An Afternoon Adventure On Sunday, March 11 Posted By: Kat Harrison Family days that pack a well-to-do punch are always our favorite—which is why we're big supporters of the 7th Annual Carnival for a Cure which benefits the Diabetes Research Institute Foundation. Taking place on Sunday, March 11 from 12-3pm at the Metropolitan Pavilion (125 West 18th Street), kids and parents alike can delight in music, jousting, crafts and more. Learn more about the cause and the family-friendly festivities below! What is the mission of the Diabetes Research Institute Foundation (DRI)? As the largest and most comprehensive research center dedicated to curing diabetes, the DRI is aggressively working to shrink the timeline toward the discovery of a biological cure for this disease. Having already shown that diabetes can be reversed through islet transplantation, the DRI is building upon these promising outcomes by bridging cell-based therapies with emerging technologies. The Diabetes Research Institute was created for one reason—to cure diabetes—which is and will continue to be its singular focus until that goal is reached. For the millions of people affected by diabetes, the DRI is the best hope for a cure. For more information, call 1-800-321- 3437 or visit DiabetesResearch.org. This will be the 7th Carnival for a Cure. What kind of fun can families look forward to? The Carnival for a Cure is the city's largest indoor carnival for kids (and fun for parents, too!). -
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
History & Records
HISTORY & RECORDS ® HORIZON LEAGUE IN THE POSTSEASON NCAA 2011 NCAA® Division I Men’s Basketball Championship 1982 Marquette 67, No. 10 Evansville 62 Second Round Third Round Regional Regional National National Regional Regional Third Round Second Round MARCH 17-18 MARCH 19-20 Semifinals Finals Semifinals Semifinals Finals Semifinals MARCH 19-20 MARCH 17-18 1983 Alcorn State 81, No. 12 Xavier 75 MARCH 24-25 MARCH 26-27 APRIL 2 APRIL 2 MARCH 26-27 MARCH 24-25 1984 Memphis 92, No. 11 Oral Roberts 83 First Four 1985 No. 4 Loyola 59, Iona 58 16 UTSA 70 12 UAB 52 First Round 11 USC 46 16 UNC Asheville 81 E Mar 16 E Mar 15 DAYTON SW Mar 16 SE Mar 15 Loyola 70, Southern Methodist 57; 16 Alabama St. 61 12 Clemson 70 March 15-16 11 VCU 59 16 UALR 77 Watch On 1 Ohio St. (32-2) 75 1 Kansas (32-2) 72 Mar 18 1 Ohio St. 98 1 Kansas 73 Mar 18 Georgetown 65, Loyola 53 16 UTSA (19-13) 46 16 Boston U. (21-13) 53 Cleveland Tulsa Ohio St. 60 Kansas 77 Mar 20 1 1 Mar 20 1986 Alabama 97, No. 12 Xavier 80 (1st Rd.) 8 George Mason (26-6) 61 8 UNLV (24-8) 62 Mar 18 8 George Mason 66 9 Illinois 59 Mar 18 9 Villanova (21-11) 57 9 Illinois (19-13) 73 Newark 4 Kentucky 76 1 Kansas 61 San Antonio 1987 No. 13 Xavier 70, Missouri 69 (1st Rd.) Mar 25 Mar 25 5 West Virginia (20-11) 84 5 Vanderbilt (23-10) 66 Mar 17 5 West Virginia 63 12 Richmond 65 Mar 17 Duke 65, Xavier 60 (2nd Rd.) 12 Clemson (21-11) 76 12 Richmond (27-7) 69 Tampa Denver Kentucky 62 Richmond 57 Mar 19 4 12 Mar 19 4 Kentucky (25-8) 59 4 Louisville (25-9) 61 1988 Kansas 85, No. -
Guide to Ella Fitzgerald Papers
Guide to Ella Fitzgerald Papers NMAH.AC.0584 Reuben Jackson and Wendy Shay 2015 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Music Manuscripts and Sheet Music, 1919 - 1973................................... 5 Series 2: Photographs, 1939-1990........................................................................ 21 Series 3: Scripts, 1957-1981.................................................................................. 64 Series 4: Correspondence, 1960-1996................................................................. -
Adult Contemporary Radio at the End of the Twentieth Century
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century Saesha Senger University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2020.011 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Senger, Saesha, "Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century" (2019). Theses and Dissertations--Music. 150. https://uknowledge.uky.edu/music_etds/150 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Playing Every Day on Sesame Street Global Learnings from a Play-Based Pilot Intervention in India, Mexico, and South Africa • Kim Foulds and Abby Bucuvalas
Playing Every Day on Sesame Street Global Learnings from a Play-Based Pilot Intervention in India, Mexico, and South Africa • Kim Foulds and Abby Bucuvalas Research has shown that playful learning helps foster the development of young children. Adult guidance of this play in meaningful ways can unlock the transformative power of education. Lack of knowledge about guided play, however, often leads to children growing up without opportunities to learn through play. Considering this, the authors analyze findings from the pilot phases of Play Every Day, an intervention based in urban communities in India, Mexico, and South Africa. This program is designed to shift the perceptions of care givers about play and its relationship to child development and to allow them to guide children in learning through play. The authors describe the program’s intent to contribute to global knowledge of best practices for promoting playful learning. They discuss developing a global framework and contextualizing its delivery to empower care givers as ambassadors of learning through play in young children’s lives. Key words: guided play; Play Every Day project; play in India; play in Mexico; play in South Africa; scaffolding play; Sesame Workshop It is well established that play is an integral component of early- childhood development . Research has shown that playful learning helps foster the development of young children and lay the foundations for them to become creative, engaged, lifelong learners. Thus, play constitutes an important part of a child’s daily routine, an often underused space in which valuable teaching and learning can take place (Brooker 2013, Kelly-Vance 2008). -
2018-19 Northern Kentucky Men's Basketball Game Notes
2018-19 NORTHERN KENTUCKY MEN’S BASKETBALL GAME NOTES No. 14 Northern Kentucky vs. No. 3 Texas Tech Schedule March 22, 2019 | 1:30 p.m. (ET) Date Opponent Time (ET)/Result Tulsa, Okla. | BOK Center (17,996) October TV/Broadcast: TNT Oct. 30 Thomas More (Ex.) W, 84-47 Brad Nessler (PxP) | Steve Lavin (Color) | Jim November Jackson (Color) | Evan Washburn (Sideline) Nov. 6 Wilmington^ W, 102-38 26-8 Overall, 13-5 Horizon League Radio: ESPN1530 (1530 AM) 26-6 Overall, 14-4 Big 12 Nov. 9 @ Northern Illinois W, 88-85 (2ot) Jim Kelch (PxP) | Steve Moeller (Color) Nov. 11 Wabash W, 99-59 Nov. 16 UNC Asheville^ W, 77-50 Last Game Starters Nov. 17 Manhattan^ W, 59-53 Nov. 18 Coastal Carolina^ W, 89-83 Nov. 24 @ UCF L, 53-66 11 12 15 32 34 Nov. 27 @ Morehead State W, 93-71 Nov. 30 UMBC W, 78-60 December Dec. 4 @ Cincinnati L, 65-78 Dec. 8 @ Eastern Kentucky L, 74-76 Dec. 16 Miami (Ohio) W, 72-66 Dec. 20 Northern Illinois W, 65-62 Jalen Trevon Tyler Dantez Drew Dec. 28 IUPUI* W, 92-77 Tate Faulkner Sharpe Walton McDonald Dec. 30 UIC* W, 73-58 R-So. Fr. Jr. Jr. Sr. January 14.0 PPG 4.9 PPG 14.1 PPG 11.1 PPG 19.1 PPG Jan. 3 @ Oakland* L, 74-76 4.4 RPG 2.5 RPG 3.1 RPG 5.5 RPG 9.5 RPG Jan. 5 @ Detroit Mercy* W, 95-73 4.1 APG 1.1 APG 1.9 APG 2.7 APG 2.9 APG Jan. -
Download Showbook
SWEET SOUL MUSIC REVUE A Change Is Gonna Come It is August 1955 in Mississippi and a 14-year-old African American, Emmet Louis Till, is being dragged out of his bed by white men. They brutally torture and then drown the boy, because Emmet had whistled at the white village beauty queen and called Bye, bye babe after her. The court acquits the murderers. On December 1, 1955, Rosa Parks, an elderly African American lady, refuses to give up her seat on a bus to a white man. She is arrested and taken to court for violating segregation laws. These events in 1955 mark the beginning of the African American Civil Rights Movement, which will grow into a proud political force under the leadership of Dr. Martin Luther King. By 1968 it will have put an end to arbitrary injustice caused by racial segregation in the U.S. There have been times that I thought I couldn‘t last for long / But now I think I‘m able to carry on / It‘s been a long time coming, but I know a change is gonna come – This soul anthem, composed by Sam Cooke in 1963, speaks of the hope for change during these times. Sam himself had been arrested for offences against the laws relating to civil disorders and rioting, because he and his band had tried to check in to a “whites only” motel. Closely linked to the Civil Rights Movement, soul music delivers the soundtrack for this period of political change and upheaval in the United States. -
See What's on ¶O – Lelo This Week, This Hour, This Second
FOR THE WEEK OF MAY 28 - JUNE 3, 2017 THE GREAT INDEX TO FUN DINING • ARTS • MUSIC • NIGHTLIFE Look for it every Friday in the HIGHLIGHTS THIS WEEK on Fox. Jamie Foxx hosts this new game show, which TODAY TUESDAY features Shazam, the world’s most popular song identi- The Leftovers World of Dance fication app. HBO 6:00 p.m. KHNL 9:00 p.m. FRIDAY Kevin (Justin Theroux) assumes an alternate identity Extraordinary dancers from all ages and walks of life Shark Tank when he embarks on a mission of mercy in a new epi- kick off the qualifier round for the chance to win a life- sode of “The Leftovers,” airing today on HBO. altering $1-million prize in the premiere of “World of KITV 7:00 p.m. The post-apocalyptic drama follows a family of survi- Dance,” airing Tuesday on NBC. Jenna Dewan Tatum vors a few years after the mysterious simultaneous dis- serves as mentor and host, while Jennifer Lopez, Business moguls decide whether or not to invest appearance of 140 million people. Derek Hough and Ne-Yo serve as judges. their own money in new products and companies in back-to-back episodes of the critically acclaimed reali- ty TV series “Shark Tank,” airing Friday on ABC. MONDAY WEDNESDAY Hopeful entrepreneurs pitch their ideas in the hopes of Lucifer The F Word snagging a deal with a Shark. KHON 8:00 p.m. KHON 8:00 p.m. SATURDAY Charlotte (Tricia Helfer) acciden- Celebrity chef and TV personality Gordon Ram- To Tell the Truth tally charbroils a man to death say hosts as foodie families and friends compete in self-defence, and Lucifer in high-stakes cook-offs in “The F Word,” pre- KITV 7:00 p.m. -
Untersuchungen Zur Markenidentifikation
Universität Potsdam Philosophische Fakultät Institut für Germanistik Institut für Anglistik und Amerikanistik Masterarbeit zur Erlangung des akademischen Grades Master of Arts (M.A.) im Studiengang Kommunikationslinguistik Thema Dialoge in Online-Leserforen – Struktur und Gegenstand Untersuchungen zur Markenidentifikation am Beispiel der „Locationgate“-Affäre Erstgutachterin: Prof. Dr. Ilka Mindt Zweitgutachter: Prof. Dr. Hans-Georg Wolf vorgelegt von: Anita Rosumek Berlin, 30.04.2012 Dieses Werk ist unter einem Creative Commons Lizenzvertrag lizenziert: Namensnennung 3.0 Deutschland Um die Bedingungen der Lizenz einzusehen, folgen Sie bitte dem Hyperlink: http://creativecommons.org/licenses/by/3.0/de/ Online veröffentlicht auf dem Publikationsserver der Universität Potsdam: URL http://opus.kobv.de/ubp/volltexte/2013/6491/ URN urn:nbn:de:kobv:517-opus-64914 http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-64914 Inhaltsverzeichnis 1. Einleitung 1 2. Hintergrund 2 2.1. Die Marke Apple 3 2.2. Die Marke Android 5 2.3. Zeitliche Entwicklung der „Locationgate“-Affäre 6 3. Theoretische Grundlagen, Begriffsklärung 8 3.1. Online-Diskussions-Foren und Leserkommentare 8 3.2. Kommunikationsform Leser-Forum 10 3.3. „Textsorte“ Online-Leserkommentar 11 3.4. Dialog 14 3.4.1. Dialogstrukturen 15 3.5. Sozialpsychologischer Hintergrund 16 3.5.1. Selbstbild und Fremdbild 16 3.5.2. Gruppenidentität und individuelle Identität 17 3.5.3. Markenidentifikation 18 3.5.4. Fanboy 19 4. Korpus 22 4.1. Untersuchungsgegenstand 22 4.2. Korpuserstellung und Web as Corpus (WaC) 23 4.3. Forschungsethik 25 4.4. Unterschiede der Leserforen heise-online und derStandard.at 26 4.5. Mögliche Einflussfaktoren für Antworten 27 5. Quantitative Analyse: Worthäufigkeiten, Kommentare, Dialogstrukturen 28 5.1. -
Motion Picture Posters, 1924-1996 (Bulk 1952-1996)
http://oac.cdlib.org/findaid/ark:/13030/kt187034n6 No online items Finding Aid for the Collection of Motion picture posters, 1924-1996 (bulk 1952-1996) Processed Arts Special Collections staff; machine-readable finding aid created by Elizabeth Graney and Julie Graham. UCLA Library Special Collections Performing Arts Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm The Regents of the University of California. All rights reserved. Finding Aid for the Collection of 200 1 Motion picture posters, 1924-1996 (bulk 1952-1996) Descriptive Summary Title: Motion picture posters, Date (inclusive): 1924-1996 Date (bulk): (bulk 1952-1996) Collection number: 200 Extent: 58 map folders Abstract: Motion picture posters have been used to publicize movies almost since the beginning of the film industry. The collection consists of primarily American film posters for films produced by various studios including Columbia Pictures, 20th Century Fox, MGM, Paramount, Universal, United Artists, and Warner Brothers, among others. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library. Performing Arts Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library, Performing Arts Special Collections. -
Romantic Villages of Alpine Europe 2017
® ® Romantic Villages of Alpine Europe 2017 EXTEND YOUR TRIP Lake Como & Milan, Italy Munich, Germany & Salzburg, Austria Your Travel Handbook CONTENTS Passport, Visas & Travel Documents ......... 3 Climate ........................................ 21 Your Passport .................................. 3 No Visas Required .............................. 3 About Your Destinations ..................... 24 Trusted Traveler Programs ..................... 4 ........................ 24 Emergency Photocopies of Key Documents ..... 4 Your Program Director ............................. 26 Overseas Taxes & Fees ......................... 4 Interlaken in Brief Seefeld in Brief ................................ 26 Stresa in Brief ................................. 27 Health .......................................... 5 Lake Como in Brief ............................ 27 Keep Your Abilities In Mind ..................... 5 Milan in Brief .................................. 27 Health Check .................................. 5 Munich in Brief . .27 No Vaccines Required ....................... 6 Salzburg in Brief............................... 29 Staying Healthy on Your Trip .................... 6 Shopping ..................................... 29 U.S. Customs Regulations & Shipping Charges ................................... 31 Money Matters ................................. 8 Top Three Tips ................................. 8 Demographics & Background................ 32 Local Currency ................................. 8 How to Exchange Money ....................