Dave O'brien Red Skelton Show Scripts, Ca.1955-Ca.1969, (Bulk, Ca.1955-Ca.1963)

Total Page:16

File Type:pdf, Size:1020Kb

Dave O'brien Red Skelton Show Scripts, Ca.1955-Ca.1969, (Bulk, Ca.1955-Ca.1963) http://oac.cdlib.org/findaid/ark:/13030/kt7x0nf7vv No online items Finding Aid for the Dave O'Brien Red Skelton Show scripts, ca.1955-ca.1969, (bulk, ca.1955-ca.1963) Processed by Arts Special Collections staff; machine-readable finding aid created by Elizabeth Graney and Julie Graham. UCLA Library Special Collections Performing Arts Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm The Regents of the University of California. All rights reserved. 237 1 Descriptive Summary Title: Dave O'Brien Red Skelton Show scripts, Date (inclusive): ca.1955-ca.1969, Date (bulk): (bulk, ca.1955-ca.1963) Collection number: 237 Creator: O'Brien, Dave, 1912-1969 Extent: 11 boxes (5.25 linear ft.) Abstract: Dave O'Brien was an actor and writer from the 1940s through the 1960s. The collection consists of script material for his work as the head writer for the television series The Red Skelton Show. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library. Performing Arts Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library, Performing Arts Special Collections. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. Provenance/Source of Acquisition Gift, 2002. Preferred Citation [Identification of item], Dave O'Brien Red Skelton Show scripts (Collection 237). Performing Arts Special Collections, Charles E. Young Research Library, UCLA. Biography Dave "Tex" O'Brien started his career as dancer in early 1930s musical motion pictures. He is best remembered for his roles in the Texas Rangers films (1942-1945), his involvement with the Pete Smith shorts at MGM, and his role in Captain Midnight. He became the head writer on the Red Skelton television show, winning an Emmy in 1961. He passed away in CA, ca. 1969. The Red Skelton Show, one of the longest running variety programs on television (1951-1971), was one of the first shows to make the successful transition from radio to television. The program format consisted of an opening monologue by Skelton, followed by a music segment from David Rose and his orchestra, and a series of sketches featuring one or more of Skeltons characters. Skeltons regular characters included Clem Kadiddlehopper, Junior the Mean Widdle Kid, Sheriff Deadeye, and Freddie the Freeloader. Although many stars got their start on the show, the series did not rely on guest stars every week. Skeltons signature closing line became "Good night and may God bless". Scope and Content Collection consists of Red Skelton Show scripts related to the career of writer Dave O'Brien. Script materials include bound volumes and loose scripts for programs aired ca. 1955-1963 and a few from 1969. Organization and Arrangement The collection is arranged in chronological order as can best be determined. Indexing Terms The following terms have been used to index the description of this collection in the library's online public access catalog. Subjects O'Brien, Dave,1912-1969 -- Archives. Television writers -- Archival resources. Genres and Forms of Material television scripts. 237 2 Johnny Carson Show, The Box 1, Volume 1 Script 1955 June 2 Note Writers: Jacobs, Seaman; Carson, Johnny Note Part of a bound volume of scripts. Red Skelton Box 1, Volume 1 First draft script 1955 May 31 Note Writers: Schwartz, Sherwood; O'Brien, Dave; Goldstein, Jesse Note Part of a bound volume of scripts. Box 1, Volume 1 First draft script 1955 June 7 Note Writers: Schwartz, Sherwood; Meltzer, Lou; O'Brien, Dave Note Part of a bound volume of scripts. Box 1, Volume 1 Revised script 1955 Jun 14 Note Writers: Schwartz, Sherwood; Meltzer, Lou; O'Brien, Dave Note Part of a bound volume of scripts. Box 1, Volume 1 Script pages no date Note Part of a bound volume of scripts. Box 1, Volume 1 Revised script pages 1955 Sep 27 Note Part of a bound volume of scripts. Box 1, Volume 1 Second draft script 1955 Sep 27 Note Writers: Schwartz, Sherwood; Goldstein, Jess; Greene, Mort Note Part of a bound volume of scripts. Box 1, Volume 2 Final script 1955 Oct 4 Note Writers: Schwartz, Sherwood; Goldstein, Jess; Greene, Mort Note Part of a bound volume of scripts. 237 3 Container List Box 1, Volume 2 Revised script 1955 Oct 11 Note Writers: Schwartz, Sherwood; Goldstein, Jesse; Greene, Mort Note Part of a bound volume of scripts. Box 1, Volume 2 Script pages 1955 Oct 25 Note Part of a bound volume of scripts. Box 1, Volume 2 1955-1956 Schedule 1955-1956 Note Two-page list of sponsor initials, dates, show numbers, guests, and titles. Part of a bound volume of scripts. Box 1, Volume 2 San Fernando's Treasure Hunt - revised script pages no date Note Part of a bound volume of scripts. Box 1, Volume 2 First draft script 1955 Nov 1 Note Writers: Schwartz, Sherwood; Goldstein, Jesse; Greene, Mort Note Part of a bound volume of scripts. Box 1, Volume 2 Great Brain Robbery, The - script ca. 1955 Note Writers: Simmons, Ed; O'Brien, Dave; Ragaway, Martin A. Note Part of a bound volume of scripts. Box 1, Volume 2 First draft script 1955 Nov 15 Note Writers: Schwartz, Sherwood; Goldstein, Jesse; Greene, Mort Note Part of a bound volume of scripts. Box 1, Volume 2 Revised script pages 1955 Nov 22 Note Part of a bound volume of scripts. Box 1, Volume 2 Revised script 1955 Dec 6 Note Writers: Schwartz, Sherwood; Goldstein, Jesse; Greene, Mort Note With commercials for S.C. Johnson and Son, Inc. and Pet Milk Company. Part of a bound volume of scripts. Box 1, Volume 2 Script pages no date Note Part of a bound volume of scripts. 237 4 Container List Box 1, Volume 2 Script pages 1955 Oct 11 Note Part of a bound volume of scripts. Box 2, Volume 3 Revised script 1955 Oct 11 Note Writers: Schwartz, Sherwood; Goldstein, Jesse; Greene, Mort Note Part of a bound volume of scripts. Box 2, Volume 3 Revised script 1955 Oct 18 Note Writers: Schwartz, Sherwood; Goldstein, Jesse; Greene, Mort Note Part of a bound volume of scripts. Box 2, Volume 3 Script 1955 Oct 25 Note Writers: Schwartz, Sherwood; Goldstein, Jesse; Greene, Mort Note Part of a bound volume of scripts. Box 2, Volume 3 Revised script 1955 Nov 1 Note Writers: Schwartz, Sherwood; Goldstein, Jesse; Greene, Mort Note Part of a bound volume of scripts. Box 2, Volume 3 First draft script ca. 1955 Note Writers: Schwartz, Sherwood; Goldstein, Jesse; Greene, Mort Note Part of a bound volume of scripts. Box 2, Volume 3 Revised script 1955 Nov 15 Note Writers: Schwartz, Sherwood; Goldstein, Jesse; Greene, Mort Note Part of a bound volume of scripts. Box 2, Volume 3 Revised script 1955 Nov 22 Note Writers: Schwartz, Sherwood; Goldstein, Jesse; Greene, Mort Note Part of a bound volume of scripts. 237 5 Container List Box 2, Volume 3 Script 1955 Dec 27 Note Writers: Schwartz, Sherwood; Goldstein, Jesse; Greene, Mort Note Part of a bound volume of scripts. Box 4, Volume 8 Second draft script 1955 Sep 27 Note Writers: Schwartz, Sherwood; Goldstein, Jesse; Greene, Mort Note Part of a bound volume of scripts. Box 2, Volume 4 Barbershop Quartet, The - revised script 1956 Jan 3 Note Writers: Schwartz, Sherwood; Goldstein, Jesse; Greene, Mort Note Part of a bound volume of scripts. Box 2, Volume 4 Script 1956 Jan 10 Note Writers: Schwartz, Sherwood; Goldstein, Jesse; Greene, Mort Note Part of a bound volume of scripts. Box 2, Volume 4 Sculpture Show - revised script 1956 Jan 17 Note Writers: Schwartz, Sherwood; Goldstein, Jesse; Greene, Mort Note Part of a bound volume of scripts. Box 2, Volume 4 Film Show - script 1956 Jan 17 Note Writers: Schwartz, Sherwood; Goldstein, Jesse Note Part of a bound volume of scripts. Box 2, Volume 4 Ship Story - script 1956 Jan 24 Note Writers: Schwartz, Sherwood; Goldstein, Jesse; Greene, Mort Note Part of a bound volume of scripts. Box 2, Volume 4 Milktoast - script 1956 Jan 31 Note Writers: Schwartz, Sherwood; Goldstein, Jesse; Greene, Mort Note Part of a bound volume of scripts. 237 6 Container List Box 3, Volume 5 Election Show, The - script 1956 Feb 7 Note Writers: Schwartz, Sherwood; Goldstein, Jesse; Greene, Mort Note Part of a bound volume of scripts. Box 3, Volume 5 Valentine Show, The - script 1956 Feb 14 Note Writers: Schwartz, Sherwood; Goldstein, Jesse; Greene, Mort Note Part of a bound volume of scripts. Box 3, Volume 5 Mad Scientist, The - script 1956Feb 21 Note Writers: Schwartz, Sherwood; Goldstein, Jesse; Greene, Mort Note Part of a bound volume of scripts. Box 3, Volume 5 Korean Baby, The - script 1956 Feb 28 Note Writers: Schwartz, Sherwood; Goldstein, Jesse; Greene, Mort Note Part of a bound volume of scripts. Box 3, Volume 5 Hollywood Plumber, The - script 1956 Mar 6 Note Writers: Schwartz, Sherwood; Goldstein, Jesse; Greene, Mort Note Part of a bound volume of scripts.
Recommended publications
  • 15 of the Most Iconic Fads from the Fifties
    15 of the most iconic fads from the fifties: Car hops were THE way to get your hamburger and milkshake Hula hoops DA haircuts—yup, it stands for duck’s ass—the hair was slicked back along the sides of the head Poodle skirts are one of the most iconic fashion fads of the fifties. Invented by fashion designer Juli Lynne Charlot. Sock hops were informal dances usually held in high school gymnasiums, featuring the new Devil’s music—rock ‘n roll Saddle shoes, These casual Oxford shoes have a saddle-shaped decorative panel in the middle. Coonskin caps a major craze among young boys - a tribute to boyhood heroes of the era like Davy Crockett and Daniel Boone. Telephone booth stuffing ; college students crammed themselves into a phone booth. Drive-in movies capitalized on a fortuitous merging of the booming car culture Letterman jackets and letter sweaters: high school/college girls wanted to show off they were dating a jock. Conical bras Marilyn Monroe, Jayne Mansfield, and Jane Russell were largely responsible for igniting the fad. Cateye glasses:the accessory of choice for many young women. Jell-O molds people took a serious interest in encapsulating various foods in gelatin. Fuzzy dice During WWII, fighter pilots hung them in their cockpits for good luck. Sideburns: a classic element of the greaser look, along with DA haircuts, bomber jackets, and fitted T-shirts with sleeves rolled up, Weeks Reached #1 Artist Single @ #1 7-Jan-50 Gene Autry "Rudolph, The Red-nosed Reindeer" 1 14-Jan-50 The Andrews Sisters "I Can Dream, Can't I" 4 11-Feb-50
    [Show full text]
  • Addonizio Aide Indicted
    Hospital Needs, Costs Plague New STORY PAGE 11 Goudy, Cold THEDAILY FINAL Cloudy and cold today Red Bank, Freehold with snow developing tonight Long Branch Partial clearing tomorrow. I 7 EDITION (See Details, Pa8« 3% Monmouth County's Home Newspaper for 92 Years VOL. 93, NO. 125 RED BANK, N. J., TUESDAY, DECEMBER 23, 1969 20 PAGES 10 CENTS ••••Ilil liIlliiioiiiiuBi muni 'in inn mi 'nil HI1 ipiUiiiiiiiiiiiiiiuiiiii Addonizio Aide Indicted NEWARK (AP) - An aide of Newark's Puerto Rican The four-count indictment legally affect the outcome of civil disorder found "a per- in Mayor Hugh J. Addonizio's community. against the two relatively mi- a 1968 criminal case against vasive feeling of corruption" office and a Spanish-lan- Soto was a translator in the nor city employes charges: him. in Newark. guage municipal court inter- court of former chief muni- ' —That Nieves and Soto con- —That Nieves demanded The county grand jury's preter have been indicted on cipal judge James Del Mau- spired to violate a New Jer- and received $250 from De charges of shaking down per- only previous indictment was ro, who was suspended two sey statute that prohibits Leone in another case that of Newark's director of po- sons connected with criminal weeks ago by the State Su- public employes from de- came up in 1969. cases. r lice, Dominiek A. Spina, who preme Court after he took the manding or receiving a fee o The Morales case—since it was charged with "willfully The indictments, returned Fifth Amendment before a reward for the performance involved narcotics—came be- refusing" to crack down on yesterday by an Essex Coun- federal grand jury probing al- of any service in a criminal fore Essex County Judge gambling operations in the ty grand jury, named Hermi- leged corruption in the city.
    [Show full text]
  • Indiana Historical Bureau, an Agency of the State of Indiana, Has Been Marking Indiana History
    Indiana Historical NEWS Bureau For Immediate Release June 28, 2017 140 North Senate Avenue Contact: Indianapolis, Indiana 46204-2296 Casey Pfeiffer, 317-232-2537 TELEPHONE 317-232-2535 [email protected] FAX 317-232-1659 INTERNET www.IN.gov/history “Red Skelton” Indiana State Historical Marker Will Be Dedicated in Vincennes, Indiana A public dedication ceremony for an Indiana state historical marker commemorating comedian, actor, and humanitarian Red Skelton, is scheduled for Friday, July 14, 2017. The marker dedication will begin at 5:30 pm at 111 West Lyndale Ave., Vincennes. Parking for the event will be available along the adjacent streets. The text follows for the state marker entitled “One of America’s Clowns / Red Skelton”: Comedian Richard “Red” Skelton was born here in 1913. As a teenager, performed locally in minstrel shows and as a clown in circus. By 1930s he performed on vaudeville stages; became famous for skits such as “dunking donuts.” MGM signed Skelton to a film contract in 1940, advancing his comedy career. He solidified fame in 1941 with debut of his national NBC radio show. During WWII, Skelton served in the U.S. Army and performed numerous comedy shows for troops. In 1951, he helped popularize television with The Red Skelton Show, which aired for 20 years and won multiple Emmy Awards. Skelton was remembered for on-screen characters like Freddie the Freeloader and for his iconic interpretation of the Pledge of Allegiance. He died 1997. The public is invited to attend the dedication ceremony for this Indiana state historical marker that celebrates Skelton’s long career and contributions in entertainment.
    [Show full text]
  • “TIME FLIES LIKE an EAGLE, FRUIT FLIES LIKE a BANANA: DOES YOUR SOUL EVER LAUGH?” Rev
    “TIME FLIES LIKE AN EAGLE, FRUIT FLIES LIKE A BANANA: DOES YOUR SOUL EVER LAUGH?” Rev. Don Rollins January 13, 2008 INVITE RESPONSES: “WHAT WAS/IS YOUR FAVORITE TV COMEDY?” Fatty Arbuckle; “Roseanne Barr; “Friends”; Lewis and Martin; “Animal House”; Robin Williams; “Car 54”; Margaret Cho; “30 Rock”; “My Girl Friday”; Eddie Murphy He smoked unfiltered Camels, my (adoptive) dad, thus it was through a blue haze that I watched with him his favorite TV shows. There were the westerns: “Big Valley”; “Gunsmoke”; and “Bonanza”. There were the cop shows: “Dragnet”; “Hawaii Five-Oh”; “Cannon”; and “Ironside”. There were the spy shows: “Mission Impossible”; “I Spy”; and “Man From U.N.C.L.E.” There were the science fiction shows: “The Outer Limits”; “The Twilight Zone”; “Alfred Hitchcock Presents”; and “Star Trek”. And there were a handful of variety shows that my father generally tolerated as a passing nod to my (adoptive) mother’s tastes: “The Dean Martin Show”; “The Red Skelton Show”; “The Glen Campbell Goodtime Hour”; and “Hee Haw”. But the shows from the mid-sixties through the early-seventies that I remember best – the ones whose characters remain distinct and whose storylines I still recall – were the comedies: “McHale’s Navy”; “Hogan’s Heroes”; “Get Smart”; “Barney Miller”; and “F Troop”. My dad was generally loyal to these shows save for his weekly bowling night. But if down-home sitcoms had an attendance system, my old man would surely have gotten a gold star when the people who talked more like us came on our television screen: “The Beverly Hillbillies”; “The Andy Griffith Show”; “Petticoat Junction”; and “Green Acres”.
    [Show full text]
  • Barbara Lowdon
    Barbara Lowdon Barbara Romelfanger was born in 1926 in San Francisco, Ca. She is one of 8 children, 4 boys and 4 girls. Luckily they all got along as the 4 girls and 4 boys had to share double beds. All 10 in the household shared only one bathroom. As there were 10 people sharing a 20 gallon gas water heater, she said she never remembered having a hot bath! Dinner times were quite fun as Barbara had to peel potatoes every day for 10 people and the laundry, she said was a real chore! Before school Barbara's job was dusting and after school she was in charge of ironing, cleaning the bathroom and washing and drying the dishes. The family only had a car for a few years. With 10 people to cram into it, all the kids had to sit on stools on the floor in the back seat. Barbara's dad smoked cigars, so, the kids usually got car sick. During the Depression, the children were given a certificate for a free pair of shoes. The girls and boys always wore hand me down clothes. Barbara said she had a very happy childhood even though they weren't wealthy. She said there was always enough to eat. A family friend who owned a bakery used to call on them to come and get day old items. Barbara's school life was very structured as she attended Catholic schools all the way up to her graduation from St. Paul High School in 1944. Life was easy back then with no crime, no locked doors, no TV, phone or newspaper.
    [Show full text]
  • Music Highlights Golden Age of '50S
    Music highlights golden age of '50s Ranking the decades of the 20th century in order of importance is a task best left to future historians. But in terms of music, television and contributions to popular culture, the 1950s may well be the century's defining decade. Guest conductor Jack Everly offered impressive evidence of that notion with a recent Oklahoma City Philharmonic pops concert titled "The Fifties: The Golden Age of Black and White." Television was in its infancy when the 1950s began. And while many of the networks' early efforts proved unremarkable, shows such as "I Love Lucy," "The Red Skelton Show" and "Captain Kangaroo" were anything but. What's more, these programs gave us instantly recognizable theme music that will forever be etched in our memories. We didn't need any visuals to remind us of these shows; just a few measures of music triggered the expected response. Everly was the affable host for this nostalgic stroll, which featured a collection of musical medleys, vocal displays and humorous anecdotes. Chapter Six, an all-male vocal sextet, performed sterling renditions of "Constantinople" and "Mona Lisa," their close-harmony blend as captivating as the songs themselves. Along the way, they were joined by Sharon Wheatley and Sara Kramer, a pair of singers capable of delivering moments of poignance and brash humor with equal flair. The former displayed her considerable comic abilities in the recreation of a Swanson frozen TV dinner commercial and as a befuddled contestant on "Queen for a Day." Kramer, in turn, was spotlighted in Doris Day's "Que Sera, Sera" and, together with Chapter Six, offered a moving rendition of the Nat King Cole classic "Unforgettable." Whether a number called for a lush background accompaniment or driving rhythms for an instrumental feature, the Oklahoma City Philharmonic musicians handled their task with efficiency and finesse.
    [Show full text]
  • Open Your Heart
    Open Your Heart Again this year, you can Open Your Heart to 01(1 in the annual campaign to aid the needy of this area. Beginning December 8th and continuing through the 20th, KFYR will again lend its facilities to the furtherance of the cam- paign. At 10:30 p.m. each week night during this time, KFYR will begin its special Open Your Heart program, with KFYR and its staff donating their services during these broadcasts. Members of the staff - engineers, announcers and others - will be on hand to play your requests and to accept your telephoned offers of gifts, clothing, food, or cash. This is the seventh consecutive year in which KFYR has car- ried on its Open Your Heart broadcasts. Each year listeners throughout the area served by KFYR have been more generous in aiding in the Open Your Heart campaign. This year, let's all join hands to set a new mark - to show that we all want to Open Our Hearts. VOL. IV, No. 6 DECEMBER, 1952 www.americanradiohistory.com Brickbats, Bouquets & Viewpoints LOOK FOR STARS To the Editor: To the Editor: Dialites is a great help to us, be- cause it gives us so much informa- Hope I am not late renewing my tion on program times. We enjoy subscription to Dialites as I would- every minute we listen to KFYR, n't like to miss any. I like the and it's great to hear the announcers Dialites very much. My husband "act ". and I look for the stars from the T. F.
    [Show full text]
  • Women's Leadership in Primetime Television an Introductory Study
    Women’s Leadership in Primetime Television An Introductory Study Natalie Greene Spring 2009 General University Honors Capstone Advisor: Karen O’Connor Greene 1 Women’s Leadership in Prime-time Television: An Introductory Study Introduction When television executives report their core audience, women always come out ahead. A 2007 Nielsen Media Research report showed that, with only two exceptions, every broadcast network channel had more female viewers than men. ABC’s female audience almost doubled its male audience during the 2007-08 season (Atkinson, 2008). 1 Women onscreen, however, seem to reflect a different reality, making up only 43% of characters in the prime-time 2007-08 season (Lauzen, 2008). 2 As studies going back as far as the 1970s show, women on screen not only fail to represent the proportional makeup of women in society, they also overwhelmingly show a stereotypically gendered version of women (McNeil, 1975; Signorielli and Bacue, 1999; United States Commission on Civil Rights, 1977). This paper aims to address the evolution of women’s leadership in prime-time network scripted television from 1950 to 2008. Because of the way that women have been traditionally marginalized in television, it is important to study the shows that have featured women as lead characters. Characters such as Lucy Ricardo ( I Love Lucy, 1951-1960) influenced later female leads such as Ann Marie ( That Girl, 1966-1971), Mary Richards ( The Mary Tyler Moore Show, 1970-1977) and Murphy Brown ( Murphy Brown, 1988-1998). Thus, along with an introduction to socialization theory and feminist television criticism, this paper covers a selection of some of the most influential female characters and women-centered shows of this period.
    [Show full text]
  • The History of CBS Hollywood Television Studios
    1 The History of CBS Hollywood Television Studios By Bobby Ellerbee and Eyes Of A Generation.com Preface and Acknowledgement This is a unique look at the events that preceded the need for CBS television studios in Hollywood and, as in New York, the radio division is leading the way. This project is somewhat different than the prior reports on the New York studios of CBS and NBC, for two reasons. The first reason is that in that in those reports, television was brand new and being developed through the mechanical function to an electronic phenomenon. Most of that work occurred in and around their headquarters in New York. In this case, both CBS and NBC are at the mercy of geological and technological developments outside their own abilities…namely the Rocky Mountains and AT&T. The second reason has to do with the success of the network’s own stars. Their popularity on radio soon translated to public demand once “talking pictures” became possible. That led many New York based radio stars to Hollywood and, in a way, Mohammed had to come to the mountain. This story is told to the best of our abilities, as a great deal of the information on these facilities is now gone…like so many of the men and women who worked there. I’ve told this as concisely as possible, but some elements are dependent on the memories of those who were there many years ago, and from conclusions drawn from research. If you can add to this with facts or photos, please contact me as this is an ongoing project.
    [Show full text]
  • The Maine Broadcaster Local History Collections
    Portland Public Library Portland Public Library Digital Commons The Maine Broadcaster Local History Collections 12-1946 The Maine Broadcaster : December 1946 (Vol. 2, No. 12) Maine Broadcasting System (WCSH Portland, ME) Follow this and additional works at: https://digitalcommons.portlandlibrary.com/mainebroadcaster THE P•rtJand Public LibJ'~ ~~~ BROADCASTING MAINE BROADCASTER: SYSTEM PUBLISHED AS AN AID TO BETTER RADIO LISTENING Vol. II. No. yr' -12.. Portland. :Maine, D ecember, 1946 Price, Five Cents HOLIDAY SEASON BRINGS AIR TREATS Newest Allen's Alley Character Special Fare Began Radio Career _As Ti11y Tim Scheduled On NBC To Present NBC Stations Christmas is the one seaso11 of the Big ·9rchestras ye1tr - the uvern.ge year • when Amel"­ ican radio goes all out nnd gives tbe Of The Nation best it has to offer. Starting December 7th, the Orches­ Another two wel·ks or so 1rnd the tras of the Nation program, beginning eft'cct of tl1is tradition will begin to its fourth season over NBC, wil pre· !Jc noted on the loudspeakers of sent I 8 orchestras from 1111 sections of Maine's radio listeners as the various the count ry in a 26-week series. All stat ions of the s tutc send out the spe­ three Meris stations will carry the cial Christmns season programs from concerts on Saturdays from 8.00 to the various networks they represent, -t oo P· m. plus their own carr fully·ttrilored local shows. Twelve of the orchestras will !Jc new to t hl! series. M1111y of U1ese units, The Maine Broadcaster had been un­ which huve performed only in their able at press ti rne to obtn in a listing own cities, will l>e heard ttcross the of special ' BC programs which will nation for the firsl timl.'.
    [Show full text]
  • Lightening Bolts Vol3no2 Apr 05 Curiosity Website
    LIGHTENING BOLTS April 2005 Vol 3 No 2 FEATURE ARTICLE Humor is a Curious Thing Even though curiosity killed the cat, it gives new life to humor. In fact, I believe it may well be the most important technique for seeing humor in the world. In her book, The Comedy Bible, Judy Carter teaches her readers four basic questions for finding the humor in a situation. It starts with taking a familiar experience and asking, “What’s weird, scary, hard or stupid about this?” The movie Comedian is a documentary that follows Jerry Seinfeld as he spends a year writing a brand new stand-up routine. One scene shows him in a restaurant with Colin Quinn, another comedian, as they talk about the concept of “think tanks”. Seinfeld says, “What is that all about?” and from that moment on the two of them create a comedy routine by reenacting what think tankers might say to one another. With questions such as “What do you think?” and “Do you think?” they come up with a funny way of looking at this topic. Historically, inventors have been recognized as the epitome of curiosity since their curious exploration has led to great discoveries. In a 1960 study, D.E. Berlyne identified several curiosity catalysts. Among them were incongruity and surprise. The cool thing is, incongruity and surprise are also elements of humor. A few years ago, I was the auctioneer for a Rotary Club fundraiser. Two bald men were holding a large Persian rug which was the next item to be auctioned off.
    [Show full text]
  • This Is a Test
    ‘ANNIE CLAUS IS COMING TO TOWN’ CAST BIOS MARIA THAYER (Annie) – A native of Oregon, actress Maria Thayer is best known for her comedic roles on blockbuster films ―Forgetting Sarah Marshall,‖ alongside Kristen Bell and Jason Segel, ―Accepted,‖ ―Hitch‖ and ―Strangers with Candy,‖ both the movie and the television series. After her turn in ―Forgetting Sarah Marshall‖ as a Mormon newlywed opposite ―30 Rock‖ star Jack McBrayer, she reunited with McBrayer again on his hit NBC show, playing his character’s shallow love interest, Jennifer, on a 2009 Valentine’s Day episode. Her resume boasts additional roles in Universal Picture’s ―State of Play,‖ playing Sonia, a mistress of a congressman played by Ben Affleck, and guest spots on several series, including ―Will & Grace,‖ ―The Colbert Report,‖ ―Nip/Tuck,‖ ―Important Things with Demetri Martin,‖ ―Law & Order: Special Victims Unit,‖ ―Lipstick Jungle,‖ ―30 Rock,‖ ―House M.D.‖ and ―Traffic Light.‖ Currently, Thayer stars with Chris Elliott in the Cartoon Network’s Adult Swim comedy series, ―Eagleheart,‖ which parodies cop shows with humorous violence. Thayer has just finished filming the feature ―Let Go,‖ with David Denman and Gillian Jacobs. ### VICKI LAWRENCE (Mrs. Claus) – Multi-talented Vicki Lawrence was born in Inglewood, California where she excelled in dancing and singing, was a cheerleader and was voted ―Most Likely to Succeed‖ by her graduating class. From 1965 to 1967 Lawrence sang with the Young Americans musical group and also appeared in the feature film ―The Young Americans‖ which won an Academy Award® for Best Documentary. During her senior year of high school, Lawrence sent Carol Burnett a letter including a local newspaper article mentioning their resemblance.
    [Show full text]