Edna and Red Skelton Collection 1936-1956
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15 of the Most Iconic Fads from the Fifties
15 of the most iconic fads from the fifties: Car hops were THE way to get your hamburger and milkshake Hula hoops DA haircuts—yup, it stands for duck’s ass—the hair was slicked back along the sides of the head Poodle skirts are one of the most iconic fashion fads of the fifties. Invented by fashion designer Juli Lynne Charlot. Sock hops were informal dances usually held in high school gymnasiums, featuring the new Devil’s music—rock ‘n roll Saddle shoes, These casual Oxford shoes have a saddle-shaped decorative panel in the middle. Coonskin caps a major craze among young boys - a tribute to boyhood heroes of the era like Davy Crockett and Daniel Boone. Telephone booth stuffing ; college students crammed themselves into a phone booth. Drive-in movies capitalized on a fortuitous merging of the booming car culture Letterman jackets and letter sweaters: high school/college girls wanted to show off they were dating a jock. Conical bras Marilyn Monroe, Jayne Mansfield, and Jane Russell were largely responsible for igniting the fad. Cateye glasses:the accessory of choice for many young women. Jell-O molds people took a serious interest in encapsulating various foods in gelatin. Fuzzy dice During WWII, fighter pilots hung them in their cockpits for good luck. Sideburns: a classic element of the greaser look, along with DA haircuts, bomber jackets, and fitted T-shirts with sleeves rolled up, Weeks Reached #1 Artist Single @ #1 7-Jan-50 Gene Autry "Rudolph, The Red-nosed Reindeer" 1 14-Jan-50 The Andrews Sisters "I Can Dream, Can't I" 4 11-Feb-50 -
Spring 2014 Commencement Program
TE TA UN S E ST TH AT I F E V A O O E L F A DITAT DEUS N A E R R S I O Z T S O A N Z E I A R I T G R Y A 1912 1885 ARIZONA STATE UNIVERSITY COMMENCEMENT AND CONVOCATION PROGRAM Spring 2014 May 12 - 16, 2014 THE NATIONAL ANTHEM THE STAR SPANGLED BANNER O say can you see, by the dawn’s early light, What so proudly we hailed at the twilight’s last gleaming? Whose broad stripes and bright stars through the perilous fight O’er the ramparts we watched, were so gallantly streaming? And the rockets’ red glare, the bombs bursting in air Gave proof through the night that our flag was still there. O say does that Star-Spangled Banner yet wave O’er the land of the free and the home of the brave? ALMA MATER ARIZONA STATE UNIVERSITY Where the bold saguaros Raise their arms on high, Praying strength for brave tomorrows From the western sky; Where eternal mountains Kneel at sunset’s gate, Here we hail thee, Alma Mater, Arizona State. —Hopkins-Dresskell MAROON AND GOLD Fight, Devils down the field Fight with your might and don’t ever yield Long may our colors outshine all others Echo from the buttes, Give em’ hell Devils! Cheer, cheer for A-S-U! Fight for the old Maroon For it’s Hail! Hail! The gang’s all here And it’s onward to victory! Students whose names appear in this program have completed degree requirements. -
1 Sex Differences in Preferences for Humor Produced by Men Or Women: Is Humor in the Sex of the Perceiver? [Word Count = <25
1 Sex differences in preferences for humor produced by men or women: Is humor in the sex of the perceiver? [word count = <2500] Address correspondence to: 2 ABSTRACT It is a common argument that men are funnier than women. Recently, this belief has received modest empirical support among evolutionary psychologists who argue that humor results from sexual selection. Humor signals intelligence, and women thus use humor to discriminate between potential mates. From this, it follows that in addition to men being skilled producers of humor, women should be skilled perceivers of humor. Extant research has focused on humor production; here we focus on humor perception. In three studies, men and women identified the most humorous professional comedian (Studies 1 and 2) or individual they know personally (Study 3). We found large sex differences. In all three studies, men overwhelmingly preferred humor produced by other men, whereas women showed smaller (study 1) or no (studies 2 and 3) sex preference. We discuss biological and cultural roots of humor in light of these findings. 3 Sex differences in humor perception: Is humor in the sex of the perceiver? Although sex differences in the ability to produce humor have been debated at least since the 17th century (Congreve, 1695/1761; for more recent discussion, see the dialog between Hitchens and Stanley, Hitchens, 2007; Stanley, 2007), surprisingly few empirical studies exist on the topic. Yet understanding any sex difference in humor production or perception is important, since research suggests that humor mediates crucial social, psychological, and physiological processes. Socially, humor performs invaluable roles in persuasion (Mulkay, 1988) and managing personal relationships (Shiota, Campos, Keltner, & Hertenstein, 2004). -
Addonizio Aide Indicted
Hospital Needs, Costs Plague New STORY PAGE 11 Goudy, Cold THEDAILY FINAL Cloudy and cold today Red Bank, Freehold with snow developing tonight Long Branch Partial clearing tomorrow. I 7 EDITION (See Details, Pa8« 3% Monmouth County's Home Newspaper for 92 Years VOL. 93, NO. 125 RED BANK, N. J., TUESDAY, DECEMBER 23, 1969 20 PAGES 10 CENTS ••••Ilil liIlliiioiiiiuBi muni 'in inn mi 'nil HI1 ipiUiiiiiiiiiiiiiiuiiiii Addonizio Aide Indicted NEWARK (AP) - An aide of Newark's Puerto Rican The four-count indictment legally affect the outcome of civil disorder found "a per- in Mayor Hugh J. Addonizio's community. against the two relatively mi- a 1968 criminal case against vasive feeling of corruption" office and a Spanish-lan- Soto was a translator in the nor city employes charges: him. in Newark. guage municipal court inter- court of former chief muni- ' —That Nieves and Soto con- —That Nieves demanded The county grand jury's preter have been indicted on cipal judge James Del Mau- spired to violate a New Jer- and received $250 from De charges of shaking down per- only previous indictment was ro, who was suspended two sey statute that prohibits Leone in another case that of Newark's director of po- sons connected with criminal weeks ago by the State Su- public employes from de- came up in 1969. cases. r lice, Dominiek A. Spina, who preme Court after he took the manding or receiving a fee o The Morales case—since it was charged with "willfully The indictments, returned Fifth Amendment before a reward for the performance involved narcotics—came be- refusing" to crack down on yesterday by an Essex Coun- federal grand jury probing al- of any service in a criminal fore Essex County Judge gambling operations in the ty grand jury, named Hermi- leged corruption in the city. -
The BG News November 8, 1979
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 11-8-1979 The BG News November 8, 1979 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News November 8, 1979" (1979). BG News (Student Newspaper). 3669. https://scholarworks.bgsu.edu/bg-news/3669 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. The BT3 He ws Bowling "Green 'Stale University thurs- Grants to aid women, minority grads day n-8-79 by Paul O'Donnell "We are trying to increase the pool of Staff reporter University among top-funded institutions qualified minority students," he said. The proposal for next year has Freshman loses The University has received $140,400 STONE SAID the federal funds will plementation of an effective graduate standing of each individual graduate already been submitted, and Stone said in grants from the Department of allow for 18 fellowships this year: two program. student, he noted. The areas of study he has requested added support. bid for mayor Health, Education and Welfare (HEW) in mathematics, seven in biological are identified by the University in the He said he hopes to obtain three more to assist minority and women students sciences, five in graduate business ad- HE WAS required to develop a writ- proposal submitted to HEW. -
Indiana Historical Bureau, an Agency of the State of Indiana, Has Been Marking Indiana History
Indiana Historical NEWS Bureau For Immediate Release June 28, 2017 140 North Senate Avenue Contact: Indianapolis, Indiana 46204-2296 Casey Pfeiffer, 317-232-2537 TELEPHONE 317-232-2535 [email protected] FAX 317-232-1659 INTERNET www.IN.gov/history “Red Skelton” Indiana State Historical Marker Will Be Dedicated in Vincennes, Indiana A public dedication ceremony for an Indiana state historical marker commemorating comedian, actor, and humanitarian Red Skelton, is scheduled for Friday, July 14, 2017. The marker dedication will begin at 5:30 pm at 111 West Lyndale Ave., Vincennes. Parking for the event will be available along the adjacent streets. The text follows for the state marker entitled “One of America’s Clowns / Red Skelton”: Comedian Richard “Red” Skelton was born here in 1913. As a teenager, performed locally in minstrel shows and as a clown in circus. By 1930s he performed on vaudeville stages; became famous for skits such as “dunking donuts.” MGM signed Skelton to a film contract in 1940, advancing his comedy career. He solidified fame in 1941 with debut of his national NBC radio show. During WWII, Skelton served in the U.S. Army and performed numerous comedy shows for troops. In 1951, he helped popularize television with The Red Skelton Show, which aired for 20 years and won multiple Emmy Awards. Skelton was remembered for on-screen characters like Freddie the Freeloader and for his iconic interpretation of the Pledge of Allegiance. He died 1997. The public is invited to attend the dedication ceremony for this Indiana state historical marker that celebrates Skelton’s long career and contributions in entertainment. -
Published Sheet Music from the Rudy Vallee Collection
Published Sheet Music from the Rudy Vallee Collection The Rudy Vallee collection contains almost 30.000 pieces of sheet music (about two thirds published and the rest manuscripts); about half of the titles are accessible through a database and we are presenting here the first ca. 2000 with full information. Song: 21 Guns for Susie (Boom! Boom! Boom!) Year: 1934 Composer: Myers, Richard Lyricist: Silverman, Al; Leslie, Bob; Leslie, Ken Arranger: Mason, Jack Song: 33rd Division March Year: 1928 Composer: Mader, Carl Song: About a Quarter to Nine From: Go into Your Dance (movie) Year: 1935 Composer: Warren, Harry Lyricist: Dubin, Al Arranger: Weirick, Paul Song: Ace of Clubs, The Year: 1926 Composer: Fiorito, Ted Arranger: Huffer, Fred Song: Ace of Diamonds, The Year: 1926 Composer: Fiorito, Ted Arranger: Huffer, Fred Song: Ace of Spades, The Year: 1926 Composer: Fiorito, Ted Arranger: Huffer, Fred K. Song: Actions (speak louder than words) Year: 1931 Composer: Vallee, Rudy; Himber, Richard; Greenblatt, Ben Lyricist: Vallee, Rudy; Himber, Richard; Greenblatt, Ben Arranger: Prince, Graham Song: Adios Year: 1931 Composer: Madriguera, Enric Lyricist: Woods, Eddie; Madriguera, Enric(Spanish translation) Arranger: Raph, Teddy Song: Adorable From: Adorable (movie) Year: 1933 Composer: Whiting, Richard A. Lyricist: Marion, George, Jr. Arranger: Mason, Jack; Rochette, J. (vocal trio) Song: African Lament (Lamento Africano) Year: 1931 Composer: Lecuona, Ernesto Lyricist: Gilbert, L. Wolfe Arranger: Katzman, Louis Song: African Lament (Lamento Africano) -
“TIME FLIES LIKE an EAGLE, FRUIT FLIES LIKE a BANANA: DOES YOUR SOUL EVER LAUGH?” Rev
“TIME FLIES LIKE AN EAGLE, FRUIT FLIES LIKE A BANANA: DOES YOUR SOUL EVER LAUGH?” Rev. Don Rollins January 13, 2008 INVITE RESPONSES: “WHAT WAS/IS YOUR FAVORITE TV COMEDY?” Fatty Arbuckle; “Roseanne Barr; “Friends”; Lewis and Martin; “Animal House”; Robin Williams; “Car 54”; Margaret Cho; “30 Rock”; “My Girl Friday”; Eddie Murphy He smoked unfiltered Camels, my (adoptive) dad, thus it was through a blue haze that I watched with him his favorite TV shows. There were the westerns: “Big Valley”; “Gunsmoke”; and “Bonanza”. There were the cop shows: “Dragnet”; “Hawaii Five-Oh”; “Cannon”; and “Ironside”. There were the spy shows: “Mission Impossible”; “I Spy”; and “Man From U.N.C.L.E.” There were the science fiction shows: “The Outer Limits”; “The Twilight Zone”; “Alfred Hitchcock Presents”; and “Star Trek”. And there were a handful of variety shows that my father generally tolerated as a passing nod to my (adoptive) mother’s tastes: “The Dean Martin Show”; “The Red Skelton Show”; “The Glen Campbell Goodtime Hour”; and “Hee Haw”. But the shows from the mid-sixties through the early-seventies that I remember best – the ones whose characters remain distinct and whose storylines I still recall – were the comedies: “McHale’s Navy”; “Hogan’s Heroes”; “Get Smart”; “Barney Miller”; and “F Troop”. My dad was generally loyal to these shows save for his weekly bowling night. But if down-home sitcoms had an attendance system, my old man would surely have gotten a gold star when the people who talked more like us came on our television screen: “The Beverly Hillbillies”; “The Andy Griffith Show”; “Petticoat Junction”; and “Green Acres”. -
Skelton United Nations Concert, February 27, 1968
CBS Television Network Press Information, 51 West 52 Street, New York, N.Y.10019 February 21, 1968 VICE PRESIDENT HUMPHREY TO INTRODUCE RED SKELTON'S SPECIAL PROGRAM FEB. 27 "Laughter - The Universal Language, 11 Skelton 1 s Pantomime Concert, Performed Before International U.N. Diplomatic Audience in New York Vice President Hubert H. Humphrey introduces Red Skelton and welcomes his distinguished audience of United Nations diplomats to 11 Laughter- The Universal Language," Skelton's pantomime concert to be broadcast on "The Red Skelton Hour 11 Tuesday, Feb. 27 (8:30-9:30 PM, EST) in color on the CBS Television Network. The Vice President taped his introductory remarks in Washington on Wednesday, Feb. 21 as a preface for the pantomime concert. The con cert itself was taped the previous night in New York before a black-tie audience representing 73 missions at the United Nations. Mr. Humphrey was unable to attend the New York performance because of Washington commitments. 11 Laughter - The Universal Language 11 is performed by Skelton without dialogue, except for the announcer 1 s spoken introductions, which are in English and French. Following the taping of the broadcast, Skelton and Mrs . Skelton greeted the diplomatic audience at a formal reception tendered by the (More) '. CBS Television Network 2 CBS Television Network and the United Nation: Association -U.S.A. at the Plaza Hotel in New York. In the receiving line with the Skeltons were Thomas H. Dawson, President of the CBS Television Network, and Mrs. Dawson; Oscar A. deLima, Chairman of the Executive Committee of the United Nations Asso ciation, and Mrs. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
George P. Johnson Negro Film Collection LSC.1042
http://oac.cdlib.org/findaid/ark:/13030/tf5s2006kz No online items George P. Johnson Negro Film Collection LSC.1042 Finding aid prepared by Hilda Bohem; machine-readable finding aid created by Caroline Cubé UCLA Library Special Collections Online finding aid last updated on 2020 November 2. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections George P. Johnson Negro Film LSC.1042 1 Collection LSC.1042 Contributing Institution: UCLA Library Special Collections Title: George P. Johnson Negro Film collection Identifier/Call Number: LSC.1042 Physical Description: 35.5 Linear Feet(71 boxes) Date (inclusive): 1916-1977 Abstract: George Perry Johnson (1885-1977) was a writer, producer, and distributor for the Lincoln Motion Picture Company (1916-23). After the company closed, he established and ran the Pacific Coast News Bureau for the dissemination of Negro news of national importance (1923-27). He started the Negro in film collection about the time he started working for Lincoln. The collection consists of newspaper clippings, photographs, publicity material, posters, correspondence, and business records related to early Black film companies, Black films, films with Black casts, and Black musicians, sports figures and entertainers. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: English . Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Portions of this collection are available on microfilm (12 reels) in UCLA Library Special Collections. -
Barbara Lowdon
Barbara Lowdon Barbara Romelfanger was born in 1926 in San Francisco, Ca. She is one of 8 children, 4 boys and 4 girls. Luckily they all got along as the 4 girls and 4 boys had to share double beds. All 10 in the household shared only one bathroom. As there were 10 people sharing a 20 gallon gas water heater, she said she never remembered having a hot bath! Dinner times were quite fun as Barbara had to peel potatoes every day for 10 people and the laundry, she said was a real chore! Before school Barbara's job was dusting and after school she was in charge of ironing, cleaning the bathroom and washing and drying the dishes. The family only had a car for a few years. With 10 people to cram into it, all the kids had to sit on stools on the floor in the back seat. Barbara's dad smoked cigars, so, the kids usually got car sick. During the Depression, the children were given a certificate for a free pair of shoes. The girls and boys always wore hand me down clothes. Barbara said she had a very happy childhood even though they weren't wealthy. She said there was always enough to eat. A family friend who owned a bakery used to call on them to come and get day old items. Barbara's school life was very structured as she attended Catholic schools all the way up to her graduation from St. Paul High School in 1944. Life was easy back then with no crime, no locked doors, no TV, phone or newspaper.