Read Book a Critical History of Televisions the Red Skelton Show

Total Page:16

File Type:pdf, Size:1020Kb

Read Book a Critical History of Televisions the Red Skelton Show A CRITICAL HISTORY OF TELEVISIONS THE RED SKELTON SHOW, 1951-1971 PDF, EPUB, EBOOK Wesley Hyatt | 215 pages | 10 Dec 2010 | McFarland & Co Inc | 9780786446865 | English | Jefferson, NC, United States A Critical History of Televisions The Red Skelton Show, 1951-1971 PDF Book One memorable segment came in , when Skelton performed a self-written monologue about the Pledge of Allegiance , providing commentary on the meaning of each phrase of the Pledge. Will there ever be others that will equal them? One memorable segment came in , when Skelton performed a self-written monologue about the Pledge of Allegiance , providing commentary on the meaning of each phrase of the Pledge. Skelton opened with a monologue. The year involved some significant events in television. Retrieved 26 May It was a top 10 series for nine years—an accomplishment surpassed only by Gunsmoke and Home Improvement. Freddie could be either a speaking character or totally pantomimed. The Victoria Advocate. But perhaps the biggest change was that the show began to incorporate "regulars" for the first time along with Skelton, Rose, and Rose's orchestra. Lawrence Journal-World. Among the notable guest stars on the program were western film stars Amanda Blake and Roscoe Ates , who played a sheriff in the episode "Candid Clem". Wesley Hyatt. Help Learn to edit Community portal Recent changes Upload file. It was hard for some younger viewers to accept that such an overwhelmingly visual, physical performer had once been a staple of radio. Join our , fans. Cauliflower McPugg. Author : Norman J. One memorable segment came in , when Skelton performed a self-written monologue about the Pledge of Allegiance , providing commentary on the meaning of each phrase of the Pledge. ISBN Clem Kadiddlehopper. In its glory days of the s it became an hour long show and finished at number two in two different years. Maisel : Fleabag. Yes No Report this. Freddie was a bum with a heart of gold, who was played by Skelton and in one episode in , by Ed Sullivan in clown makeup reminiscent of Emmett Kelly but somehow not as sad. The new format never really worked; the audience sensed that there was little chemistry between Skelton and his repertory company. A Critical History of Televisions The Red Skelton Show, 1951-1971 Writer View Catalogs Online. Among the notable guest stars on the program were western film stars Amanda Blake and Roscoe Ates , who played a sheriff in the episode "Candid Clem". Youre the Top Now Youre Not. During its run, the program received three Emmy Awards , for Skelton as best comedian and the program as best comedy show during its initial season, and an award for comedy writing in In the decade prior to hosting the show, Richard "Red" Skelton had a successful career as a radio and motion pictures star. Trivia Red Skelton had a reputation among comedy writers as being extremely difficult to work with, since he didn't like writers in general, and resented CBS for insisting that he use them on his show. Freddie the Freeloader. The new format never really worked; the audience sensed that there was little chemistry between Skelton and his repertory company. The program was a variety show which aired as a special presentation on June 25, , on a five-city network hook-up of Columbia Broadcasting System CBS television stations. Retrieved 25 May Wikimedia Commons. McFarland Amazon. The Dispatch. The new set was dark, devoid of the backdrops that viewers had seen on CBS. During its run, the program received three Emmy Awards , for Skelton as best comedian and the program as best comedy show during its initial season, and an award for comedy writing in All rights reserved. Photograph signed: "Red Skelton". David Rose. At least in part due to Skelton's iconic status, the program was picked up by NBC in late From to , Sherwood Schwartz later widely known for creating the popular sitcoms Gilligan's Island and The Brady Bunch , among others was head writer of Skelton's show, for which Schwartz won an Emmy Award in Black-and-white —; — Color —; — User Reviews One of the best 6 November by jwr4 — See all my reviews. While the vast majority of Skelton's skits were comedy, there were a few serious segments. Retrieved 26 May Johnny Carson , who was a writer on this program for a period, reminisced about writing for this spot. Actor, comedian and artist Richard "Red Skelton" , a veteran of vaudeville since childhood, made his Broadway and radio debut in It was one of the top five television series that year, and Skelton and his show were nominated for Emmys. The Great Clowns of American Television. Was this review helpful to you? Bibliografische Informationen. Edit Storyline Long-running weekly show that spotlighted legendary comedian and beloved television clown, Red Skelton. The year in television involved some significant events. This apparently marked the beginning of one of several attempts by CBS to downplay programming whose primary appeal was to " Middle America ", an audience more rural and also somewhat older than that generally desired by network television advertisers. A Critical History of Televisions The Red Skelton Show, 1951-1971 Reviews Redeem Gift Certificate. In its glory days of the s it became an hour long show and finished at number two in two different years. The Red Skelton Show is an American variety show that was a television staple for two decades, from to Retrieved 22 May This page was last modified on 10 December , at He was also the composer of the show's familiar signature tune, " Holiday for Strings " [1] U. The new format never really worked; the audience sensed that there was little chemistry between Skelton and his repertory company. Outstanding Writing Achievement in Comedy. The new set was dark, devoid of the backdrops that viewers had seen on CBS. Meine Mediathek Hilfe Erweiterte Buchsuche. Free shipping. Toledo Blade. Sound Mix: Mono. Retrieved 28 May Premiere is the first commercially sponsored television program to be broadcast in color. User Reviews One of the best 6 November by jwr4 — See all my reviews. Actor, comedian and artist Richard "Red Skelton" , a veteran of vaudeville since childhood, made his Broadway and radio debut in Bibliografische Informationen. In September , the program was again expanded to a full hour becoming The Red Skelton Hour and remained in this longer format for the balance of its CBS run. Reading Eagle. Cauliflower McPugg. A repertory company of young, comic actors and actresses was added as well as veteran performers such as Eve McVeagh and The Burgundy Street Singers previously seen after an abortive comeback on network television by s folk singing star Jimmie Rodgers on ABC two years earlier. This apparently marked the beginning of one of several attempts by CBS to downplay programming whose primary appeal was to " Middle America ", an audience more rural and also somewhat older than that generally desired by network television advertisers. This was followed by a guest-star performance, often a singer. CBS ended its association with the program in early Added to Watchlist. I doubt it. Television series. While the vast majority of Skelton's skits were comedy, there were a few serious segments. Retrieved 19 May Appendices provide a list of Monday Night Football cast and crew and seasonal ratings. Navigation menu Personal tools Log in Request account. External Sites. Johnny Carson , who was a writer on this program for a period, reminisced about writing for this spot. Retrieved 17 July Television series. Retrieved 26 May Watch the video. View Catalogs Online. Retrieved 19 May About this Signer. Hidden categories: Pages with script errors Pages using deprecated image syntax. Thank you for joining our mailing list! Below is a list of notable events of that year. Appendices list cast and crew credits and special guests by season, and offer information on the post— Red Skelton lives of many of the principal players. Billy Gray , who played Bud Anderson Jr. But perhaps the biggest change was that the show began to incorporate "regulars" for the first time along with Skelton, Rose, and Rose's orchestra. Lawrence Journal-World. A Critical History of Televisions The Red Skelton Show, 1951-1971 Read Online In September , the program was again expanded to a full hour becoming The Red Skelton Hour and remained in this longer format for the balance of its CBS run. Wesley Hyatt. The cancellation of the show by CBS in despite its place in the top 10 was a surprise; the last season back with NBC was a failure. Below is a list of television-related events during The Glory Years. Retrieved 18 May The year in television involved some significant events. Relive the 25 Emmy Awards bestowed on cast and producers of one of the all-time best American television variety series. A Select List. The Dispatch. User Ratings. Toledo Blade. Lawrence Journal-World. The monologue often lapsed into character humor, with two of the recurring bits being "George Appleby", a perennially henpecked husband into whom Red transformed by donning heavy black-rimmed spectacles and a misshapen derby hat, and "Gertrude and Heathcliff, the Two Seagulls", which he performed by crossing his eyes and sticking his thumbs into his armpits for "wings". Images, videos and audio are available under their respective licenses. It was one of the top five television series that year, and Skelton and his show were nominated for Emmys. How to Order. The sketches were usually built around one of Red's many characters, including "Deadeye", an incredibly inept sheriff in the Old West ; "San Fernando Red", a shady real estate agent named for the San Fernando Valley , which was still a largely rural area well at the time that the show began ; "Cauliflower McPugg", a punchdrunk boxer , Clem Kadiddlehopper, a hick who was identified in at least one sketch as being from Cornpone County, Tennessee , and "Freddie the Freeloader".
Recommended publications
  • 15 of the Most Iconic Fads from the Fifties
    15 of the most iconic fads from the fifties: Car hops were THE way to get your hamburger and milkshake Hula hoops DA haircuts—yup, it stands for duck’s ass—the hair was slicked back along the sides of the head Poodle skirts are one of the most iconic fashion fads of the fifties. Invented by fashion designer Juli Lynne Charlot. Sock hops were informal dances usually held in high school gymnasiums, featuring the new Devil’s music—rock ‘n roll Saddle shoes, These casual Oxford shoes have a saddle-shaped decorative panel in the middle. Coonskin caps a major craze among young boys - a tribute to boyhood heroes of the era like Davy Crockett and Daniel Boone. Telephone booth stuffing ; college students crammed themselves into a phone booth. Drive-in movies capitalized on a fortuitous merging of the booming car culture Letterman jackets and letter sweaters: high school/college girls wanted to show off they were dating a jock. Conical bras Marilyn Monroe, Jayne Mansfield, and Jane Russell were largely responsible for igniting the fad. Cateye glasses:the accessory of choice for many young women. Jell-O molds people took a serious interest in encapsulating various foods in gelatin. Fuzzy dice During WWII, fighter pilots hung them in their cockpits for good luck. Sideburns: a classic element of the greaser look, along with DA haircuts, bomber jackets, and fitted T-shirts with sleeves rolled up, Weeks Reached #1 Artist Single @ #1 7-Jan-50 Gene Autry "Rudolph, The Red-nosed Reindeer" 1 14-Jan-50 The Andrews Sisters "I Can Dream, Can't I" 4 11-Feb-50
    [Show full text]
  • Addonizio Aide Indicted
    Hospital Needs, Costs Plague New STORY PAGE 11 Goudy, Cold THEDAILY FINAL Cloudy and cold today Red Bank, Freehold with snow developing tonight Long Branch Partial clearing tomorrow. I 7 EDITION (See Details, Pa8« 3% Monmouth County's Home Newspaper for 92 Years VOL. 93, NO. 125 RED BANK, N. J., TUESDAY, DECEMBER 23, 1969 20 PAGES 10 CENTS ••••Ilil liIlliiioiiiiuBi muni 'in inn mi 'nil HI1 ipiUiiiiiiiiiiiiiiuiiiii Addonizio Aide Indicted NEWARK (AP) - An aide of Newark's Puerto Rican The four-count indictment legally affect the outcome of civil disorder found "a per- in Mayor Hugh J. Addonizio's community. against the two relatively mi- a 1968 criminal case against vasive feeling of corruption" office and a Spanish-lan- Soto was a translator in the nor city employes charges: him. in Newark. guage municipal court inter- court of former chief muni- ' —That Nieves and Soto con- —That Nieves demanded The county grand jury's preter have been indicted on cipal judge James Del Mau- spired to violate a New Jer- and received $250 from De charges of shaking down per- only previous indictment was ro, who was suspended two sey statute that prohibits Leone in another case that of Newark's director of po- sons connected with criminal weeks ago by the State Su- public employes from de- came up in 1969. cases. r lice, Dominiek A. Spina, who preme Court after he took the manding or receiving a fee o The Morales case—since it was charged with "willfully The indictments, returned Fifth Amendment before a reward for the performance involved narcotics—came be- refusing" to crack down on yesterday by an Essex Coun- federal grand jury probing al- of any service in a criminal fore Essex County Judge gambling operations in the ty grand jury, named Hermi- leged corruption in the city.
    [Show full text]
  • CHLA 2017 Annual Report
    Children’s Hospital Los Angeles Annual Report 2017 About Us The mission of Children’s Hospital Los Angeles is to create hope and build healthier futures. Founded in 1901, CHLA is the top-ranked children’s hospital in California and among the top 10 in the nation, according to the prestigious U.S. News & World Report Honor Roll of children’s hospitals for 2017-18. The hospital is home to The Saban Research Institute and is one of the few freestanding pediatric hospitals where scientific inquiry is combined with clinical care devoted exclusively to children. Children’s Hospital Los Angeles is a premier teaching hospital and has been affiliated with the Keck School of Medicine of the University of Southern California since 1932. Table of Contents 2 4 6 8 A Message From the Year in Review Patient Care: Education: President and CEO ‘Unprecedented’ The Next Generation 10 12 14 16 Research: Legislative Action: Innovation: The Jimmy Figures of Speech Protecting the The CHLA Kimmel Effect Vulnerable Health Network 18 20 21 81 Donors Transforming Children’s Miracle CHLA Honor Roll Financial Summary Care: The Steven & Network Hospitals of Donors Alexandra Cohen Honor Roll of Friends Foundation 82 83 84 85 Statistical Report Community Board of Trustees Hospital Leadership Benefit Impact Annual Report 2017 | 1 This year, we continued to shine. 2 | A Message From the President and CEO A Message From the President and CEO Every year at Children’s Hospital Los Angeles is by turning attention to the hospital’s patients, and characterized by extraordinary enthusiasm directed leveraging our skills in the arena of national advocacy.
    [Show full text]
  • Indiana Historical Bureau, an Agency of the State of Indiana, Has Been Marking Indiana History
    Indiana Historical NEWS Bureau For Immediate Release June 28, 2017 140 North Senate Avenue Contact: Indianapolis, Indiana 46204-2296 Casey Pfeiffer, 317-232-2537 TELEPHONE 317-232-2535 [email protected] FAX 317-232-1659 INTERNET www.IN.gov/history “Red Skelton” Indiana State Historical Marker Will Be Dedicated in Vincennes, Indiana A public dedication ceremony for an Indiana state historical marker commemorating comedian, actor, and humanitarian Red Skelton, is scheduled for Friday, July 14, 2017. The marker dedication will begin at 5:30 pm at 111 West Lyndale Ave., Vincennes. Parking for the event will be available along the adjacent streets. The text follows for the state marker entitled “One of America’s Clowns / Red Skelton”: Comedian Richard “Red” Skelton was born here in 1913. As a teenager, performed locally in minstrel shows and as a clown in circus. By 1930s he performed on vaudeville stages; became famous for skits such as “dunking donuts.” MGM signed Skelton to a film contract in 1940, advancing his comedy career. He solidified fame in 1941 with debut of his national NBC radio show. During WWII, Skelton served in the U.S. Army and performed numerous comedy shows for troops. In 1951, he helped popularize television with The Red Skelton Show, which aired for 20 years and won multiple Emmy Awards. Skelton was remembered for on-screen characters like Freddie the Freeloader and for his iconic interpretation of the Pledge of Allegiance. He died 1997. The public is invited to attend the dedication ceremony for this Indiana state historical marker that celebrates Skelton’s long career and contributions in entertainment.
    [Show full text]
  • “TIME FLIES LIKE an EAGLE, FRUIT FLIES LIKE a BANANA: DOES YOUR SOUL EVER LAUGH?” Rev
    “TIME FLIES LIKE AN EAGLE, FRUIT FLIES LIKE A BANANA: DOES YOUR SOUL EVER LAUGH?” Rev. Don Rollins January 13, 2008 INVITE RESPONSES: “WHAT WAS/IS YOUR FAVORITE TV COMEDY?” Fatty Arbuckle; “Roseanne Barr; “Friends”; Lewis and Martin; “Animal House”; Robin Williams; “Car 54”; Margaret Cho; “30 Rock”; “My Girl Friday”; Eddie Murphy He smoked unfiltered Camels, my (adoptive) dad, thus it was through a blue haze that I watched with him his favorite TV shows. There were the westerns: “Big Valley”; “Gunsmoke”; and “Bonanza”. There were the cop shows: “Dragnet”; “Hawaii Five-Oh”; “Cannon”; and “Ironside”. There were the spy shows: “Mission Impossible”; “I Spy”; and “Man From U.N.C.L.E.” There were the science fiction shows: “The Outer Limits”; “The Twilight Zone”; “Alfred Hitchcock Presents”; and “Star Trek”. And there were a handful of variety shows that my father generally tolerated as a passing nod to my (adoptive) mother’s tastes: “The Dean Martin Show”; “The Red Skelton Show”; “The Glen Campbell Goodtime Hour”; and “Hee Haw”. But the shows from the mid-sixties through the early-seventies that I remember best – the ones whose characters remain distinct and whose storylines I still recall – were the comedies: “McHale’s Navy”; “Hogan’s Heroes”; “Get Smart”; “Barney Miller”; and “F Troop”. My dad was generally loyal to these shows save for his weekly bowling night. But if down-home sitcoms had an attendance system, my old man would surely have gotten a gold star when the people who talked more like us came on our television screen: “The Beverly Hillbillies”; “The Andy Griffith Show”; “Petticoat Junction”; and “Green Acres”.
    [Show full text]
  • Notations Spring 2011
    The ASCAP Foundation Making music grow since 1975 www.ascapfoundation.org Notations Spring 2011 Tony Bennett & Susan Benedetto Honored at ASCAP Foundation Awards The ASCAP Foundation held its 15th Annual Awards Ceremony at the Allen Room, Frederick P. Rose Hall, Home of Jazz at Lincoln Center, in New York City on December 8, 2010. Hosted by ASCAP Foundation President, Paul Williams, the event honored vocal legend Tony Bennett and his wife, Susan Benedetto, with The ASCAP Foundation Champion Award in recognition of their unique and significant efforts in arts education. ASCAP Foundation Champion Award recipients Susan Benedetto (l) & Tony Bennett with Mary Rodgers (2nd from left), Mary Ellin A wide variety of ASCAP Foundation Scholarship Barrett (2nd from right), and ASCAP Foundation President Paul and Award recipients were also honored at the Williams (r). event, which included special performances by some of the honorees. For more details and photos of the event, please see our website. Bart Howard provides a Musical Gift The ASCAP Foundation is pleased to announce that composer, lyricist, pianist and ASCAP member Bart Howard (1915-2004) named The ASCAP Foundation as a major beneficiary of all royalties and copyrights from his musical compositions. In line with this generous bequest, The ASCAP Foundation has established programs designed to ensure the preservation of Bart Howard’s name and legacy. These efforts include: Songwriters: The Next Generation, presented by The ASCAP Foundation and made possible by the Bart Howard Estate which showcases the work of emerging songwriters and composers who perform on the Kennedy Center’s Millennium Stage. The ASCAP Foundation Bart Howard Songwriting Scholarship at Berklee College recog- nizes talent, professionalism, musical ability and career potential in songwriting.
    [Show full text]
  • "The Writer Speaks" Oral History Collection
    http://oac.cdlib.org/findaid/ark:/13030/c8gt5vgn Online items available "The Writer Speaks" Oral History Collection Finding aid created by Writers Guild Foundation Archive staff using RecordEXPRESS Writers Guild Foundation Archive 7000 West Third Street Los Angeles, California 90048 (323) 782-4680 [email protected] https://www.wgfoundation.org/archive/ 2021 "The Writer Speaks" Oral History WGF—IA—001 1 Collection Descriptive Summary Title: "The Writer Speaks" Oral History Collection Dates: 1994-2013 Collection Number: WGF—IA—001 Creator/Collector: Extent: 63 interviews; approximately 90 hours of video footage Online items available https://www.youtube.com/playlist?list=PL1cpvBEDotV7pSBwLB55MhqSmZ5O831Bc Repository: Writers Guild Foundation Archive Los Angeles, California 90048 Abstract: “The Writer Speaks” interview series, conducted by the nonprofit Writers Guild Foundation from 1994 to 2013, consists of 63 videotaped oral history interviews with prominent film and television writers. Interviewees include Billy Wilder, Robert Towne, Julius Epstein, Garry Marshall, James L. Brooks, Norman Lear, Carl Reiner, William Goldman and Sidney Sheldon. Among the major topics discussed are early childhood, inspiration and influence, big breaks, career milestones, process and craft, the Hollywood blacklist, and advice to aspiring writers. The collection is available on DVD as well as on the Writers Guild Foundation’s YouTube channel. Language of Material: English Access Access to this collection is unrestricted. Publication Rights The rights belong to the Writers Guild Foundation. Please contact the Archive for requests to reproduce or publish materials. Preferred Citation "The Writer Speaks" Oral History Collection. Writers Guild Foundation Archive Acquisition Information The series was produced by the Writers Guild Foundation between the years 1994 and 2013 and is part of the institutional archive.
    [Show full text]
  • Beyond the Pink: (Post) Youth Iconography in Cinema
    Beyond the Pink: (Post) Youth Iconography in Cinema Christina Lee Bachelor of Arts with First Class Honours in Communication Studies This thesis is presented for the degree of Doctor of Philosophy of Murdoch University 2005 Declaration I declare that this dissertation is my own account of my research and contains as its main content work which has not previously been submitted for a degree at any tertiary education institution. ______________________ Christina LEE Hsiao Ping i Publications and Conference Presentations Refereed Publications Christina Lee. “Party people in the house(s): The hobos of history” in Liverpool of the South Seas: Perth and Its Popular Music. Tara Brabazon (ed.) Crawley: University of Western Australia Press, 2005. pp. 43-52. This chapter was written in association with the research on rave culture, as featured in Chapter Six. Christina Lee. “Let me entertain you” in TTS Australia: Critical Reader. Bec Dean (ed.) Northbridge: PICA, 2005. pp. 17-18. This piece was written in association with the research on nationalism and xenophobia, as featured in Chapter Seven. Christina Lee. “Lock and load(up): The action body in The Matrix”, Continuum: Journal of Media and Cultural Studies, forthcoming 2005. This journal article was written in association with the research on simulacra and masculinity, as featured in Chapter Two and Chapter Seven. Conference Presentations “Lock and Load(up): The Action Body in The Matrix”. Alchemies: Community Exchanges. 7th Annual Humanities Graduate Research Conference. Curtin University of Technology: Bentley, Australia. 6-7 November, 2003. This conference presentation was derived from research on the simulacra and the action hardbody as presented in Chapter Two and Chapter Seven.
    [Show full text]
  • Honor Roll 2006
    i annual report Jennifer Rodriquez, age 3 gifts Childrens hospiTal los angeles honor roll of donors for the time period of January 1, 2006, through December 31, 2006 in gratitude and recognition The patients, families, staff and Board of Trustees of Childrens Hospital Los Angeles are grateful to the many people who help us build for the future and provide clinical care, research and medical education through their financial support. We recognize esteemed individuals, organizations, corporations and foundations for their generosity during the 2006 calendar year. This Honor Roll lists donors who contributed at least $1,000 in cash gifts, pledges or pledge payments. To view the Red Wagon Society Honor Roll of Donors, which lists gifts of $150 to $999, please visit the electronic version of the Honor Roll at www.ChildrensHospitalLA.org/honorroll2006.pdf. Foregoing individual recognition, we also extend thanks to those who made generous contribu- tions directly to one of our Associate and Affiliate, or allied groups. Children’s Miracle Network (CMN) gifts to CMN National will be recognized in the next issue of Imagine. In spite of our best efforts, errors and omissions may occur. Please inform us of any inaccuracies by contacting Marie Logan, director of Donor Relations, at (323) 671-1733, or [email protected]. • | imagine spring 07 $10,000,000 and above The Sharon D. Lund Foundation Confidence Foundation Randy and Erika Jackson Anonymous Friend The Harold McAlister Charitable Corday Foundation Foundation i Foundation Kenneth and Sherry Corday Johnson & Johnson $4,000,000 to $9,999,999 Mrs. J. Thomas McCarthy Mr.
    [Show full text]
  • Barbara Lowdon
    Barbara Lowdon Barbara Romelfanger was born in 1926 in San Francisco, Ca. She is one of 8 children, 4 boys and 4 girls. Luckily they all got along as the 4 girls and 4 boys had to share double beds. All 10 in the household shared only one bathroom. As there were 10 people sharing a 20 gallon gas water heater, she said she never remembered having a hot bath! Dinner times were quite fun as Barbara had to peel potatoes every day for 10 people and the laundry, she said was a real chore! Before school Barbara's job was dusting and after school she was in charge of ironing, cleaning the bathroom and washing and drying the dishes. The family only had a car for a few years. With 10 people to cram into it, all the kids had to sit on stools on the floor in the back seat. Barbara's dad smoked cigars, so, the kids usually got car sick. During the Depression, the children were given a certificate for a free pair of shoes. The girls and boys always wore hand me down clothes. Barbara said she had a very happy childhood even though they weren't wealthy. She said there was always enough to eat. A family friend who owned a bakery used to call on them to come and get day old items. Barbara's school life was very structured as she attended Catholic schools all the way up to her graduation from St. Paul High School in 1944. Life was easy back then with no crime, no locked doors, no TV, phone or newspaper.
    [Show full text]
  • Music Highlights Golden Age of '50S
    Music highlights golden age of '50s Ranking the decades of the 20th century in order of importance is a task best left to future historians. But in terms of music, television and contributions to popular culture, the 1950s may well be the century's defining decade. Guest conductor Jack Everly offered impressive evidence of that notion with a recent Oklahoma City Philharmonic pops concert titled "The Fifties: The Golden Age of Black and White." Television was in its infancy when the 1950s began. And while many of the networks' early efforts proved unremarkable, shows such as "I Love Lucy," "The Red Skelton Show" and "Captain Kangaroo" were anything but. What's more, these programs gave us instantly recognizable theme music that will forever be etched in our memories. We didn't need any visuals to remind us of these shows; just a few measures of music triggered the expected response. Everly was the affable host for this nostalgic stroll, which featured a collection of musical medleys, vocal displays and humorous anecdotes. Chapter Six, an all-male vocal sextet, performed sterling renditions of "Constantinople" and "Mona Lisa," their close-harmony blend as captivating as the songs themselves. Along the way, they were joined by Sharon Wheatley and Sara Kramer, a pair of singers capable of delivering moments of poignance and brash humor with equal flair. The former displayed her considerable comic abilities in the recreation of a Swanson frozen TV dinner commercial and as a befuddled contestant on "Queen for a Day." Kramer, in turn, was spotlighted in Doris Day's "Que Sera, Sera" and, together with Chapter Six, offered a moving rendition of the Nat King Cole classic "Unforgettable." Whether a number called for a lush background accompaniment or driving rhythms for an instrumental feature, the Oklahoma City Philharmonic musicians handled their task with efficiency and finesse.
    [Show full text]
  • Open Your Heart
    Open Your Heart Again this year, you can Open Your Heart to 01(1 in the annual campaign to aid the needy of this area. Beginning December 8th and continuing through the 20th, KFYR will again lend its facilities to the furtherance of the cam- paign. At 10:30 p.m. each week night during this time, KFYR will begin its special Open Your Heart program, with KFYR and its staff donating their services during these broadcasts. Members of the staff - engineers, announcers and others - will be on hand to play your requests and to accept your telephoned offers of gifts, clothing, food, or cash. This is the seventh consecutive year in which KFYR has car- ried on its Open Your Heart broadcasts. Each year listeners throughout the area served by KFYR have been more generous in aiding in the Open Your Heart campaign. This year, let's all join hands to set a new mark - to show that we all want to Open Our Hearts. VOL. IV, No. 6 DECEMBER, 1952 www.americanradiohistory.com Brickbats, Bouquets & Viewpoints LOOK FOR STARS To the Editor: To the Editor: Dialites is a great help to us, be- cause it gives us so much informa- Hope I am not late renewing my tion on program times. We enjoy subscription to Dialites as I would- every minute we listen to KFYR, n't like to miss any. I like the and it's great to hear the announcers Dialites very much. My husband "act ". and I look for the stars from the T. F.
    [Show full text]