HISTORIC NATCHEZ DESIGN GUIDELINES Natchez, Mississippi
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Exceptional Works of Art 2017 PUSHKIN ANTIQUES – MAYFAIR –
Exceptional works of art 2017 PUSHKIN ANTIQUES – MAYFAIR – At Pushkin Antiques we specialise in unique statement Each item is professionally selected and inspected pieces of antique silver as well as branded luxury items, to ensure we can give our customers a guarantee of stylish interior articles and objects d’art. authenticity and the required peace of mind when buying from us. Since the inception of our company, we’ve been at the forefront of online sales for high end, quality antiques. Our retail gallery is located on the lower floor of the world Our presence on most major platforms has allowed us famous Grays Antiques Centre in the heart of Mayfair. to consistently connect exquisite pieces with the most discerning collectors and interior decorators from all over the world with particular focus on the demands of the markets from the Far East, the Americas, Europe & Russia. www.pushkinantiques.com [email protected] We aim to provide the highest quality in every department: rare hand crafted articles, accurate item descriptions (+44) 02085 544 300 to include the history and provenance of each item, an (+44) 07595 595 079 extensive photography report, as well as a smooth buying process thus facilitating an efficient and pleasant online Shop 111, Lower Ground Floor, Grays Antiques Market. experience. 58 Davies St, London. W1K 5AB, UK. ALEX PUSHKIN OLGA PUSHKINA DUMITRU TIRA Founder & Director Managing Director Photographer Contents 6 ENGLISH SILVER 42 CHINESE SILVER 56 JAPANESE SILVER 66 INDIAN SILVER 78 BURMESE SILVER 86 CONTINENTAL SILVER 100 FRENCH SILVER 108 GERMAN SILVER 118 RUSSIAN SILVER 132 OBJECTS OF VERTU English Silver The style and technique in manufacturing silver during Hester Bateman (1708-1794) was one of the greatest this era (over 100 years) changed radically, reflecting silversmiths operating in this style, she is the most the variations in taste, society, costumes, economic and renowned and appreciated female silversmith of all time. -
The Furnishing of the Neues Schlob Pappenheim
The Furnishing of the Neues SchloB Pappenheim By Julie Grafin von und zu Egloffstein [Master of Philosophy Faculty of Arts University of Glasgow] Christie’s Education London Master’s Programme October 2001 © Julie Grafin v. u. zu Egloffstein ProQuest Number: 13818852 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818852 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 l a s g o w \ £5 OG Abstract The Neues SchloB in Pappenheim commissioned by Carl Theodor Pappenheim is probably one of the finest examples of neo-classical interior design in Germany retaining a large amount of original furniture. Through his commissions he did not only build a house and furnish it, but also erected a monument of the history of his family. By comparing parts of the furnishing of the Neues SchloB with contemporary objects which are partly in the house it is evident that the majority of these are influenced by the Empire style. Although this era is known under the name Biedermeier, its source of style and decoration is clearly Empire. -
Toronto Arch.CDR
The Architectural Fashion of Toronto Residential Neighbourhoods Compiled By: RASEK ARCHITECTS LTD RASE K a r c h i t e c t s www.rasekarchitects.com f in 02 | The Architectural Fashion of Toronto Residential Neighbourhoods RASEK ARCHITECTS LTD Introduction Toronto Architectural Styles The majority of styled houses in the United States and Canada are The architecture of residential houses in Toronto is mainly influenced by its history and its culture. modeled on one of four principal architectural traditions: Ancient Classical, Renaissance Classical, Medieval or Modern. The majority of Toronto's older buildings are loosely modeled on architectural traditions of the British Empire, such as Georgian, Victorian, and Edwardian architecture. Toronto was traditionally a peripheral city in the The earliest, the Ancient Classical Tradition, is based upon the monuments architectural world, embracing styles and ideas developed in Europe and the United States with only limited of early Greece and Rome. local variation. A few unique styles of architecture have emerged in Toronto, such as the bay and gable style house and the Annex style house. The closely related Renaissance Classical Tradition stems from a revival of interest in classicism during the Renaissance, which began in Italy in the The late nineteenth century Torontonians embraced Victorian architecture and all of its diverse revival styles. 15th century. The two classical traditions, Ancient and Renaissance, share Victorian refers to the reign of Queen Victoria (1837-1901), called the Victorian era, during which period the many of the same architectural details. styles known as Victorian were used in construction. The styles often included interpretations and eclectic revivals of historic styles mixed with the introduction of Middle Eastern and Asian influences. -
Chateau-Sur-Mer Other Name/Site
NATIONAL HISTORIC LANDMARK NOMINATION NFS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 CHATEAU-SUR-MER Page 1 United States Department of the Interior, National Park Service_________________________________________National Register of Historic Places Registration Form 1. NAME OF PROPERTY Historic Name: Chateau-sur-Mer Other Name/Site Number: 2. LOCATION Street & Number: 424 Bellevue Avenue Not for publication: City/Town: Newport Vicinity: State: RI County: Newport Code: 005 Zip Code: 02840 3. CLASSIFICATION Ownership of Property Category of Property Private: JL Building(s): X Public-Local: _ District: _ Public-State: _ Site: _ Public-Federal: Structure: _ Object: _ Number of Resources within Property Contributing Noncontributing 4 3 buildings _ sites 3 structures _ objects 7 6 Total Number of Contributing Resources Previously Listed in the National Register:_1 Name of Related Multiple Property Listing: N/A NFS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 CHATEAU-SUR-MER Page 2 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 4. STATE/FEDERAL AGENCY CERTIFICATION As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this __ nomination __ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property __ meets __ does not meet the National Register Criteria. Signature of Certifying Official Date State or Federal Agency and Bureau In my opinion, the property __ meets __ does not meet the National Register criteria. -
City of Wauwatosa, Wisconsin
City of Wauwatosa, Wisconsin Architectural and Historical Intensive Survey Report of Residential Properties Phase 2 By Rowan Davidson, Associate AIA & Jennifer L. Lehrke, AIA, NCARB Legacy Architecture, Inc. 605 Erie Avenue, Suite 101 Sheboygan, Wisconsin 53081 Project Director Joseph R. DeRose, Survey & Registration Historian Wisconsin Historical Society Division of Historic Preservation – Public History 816 State Street Madison, Wisconsin 53706 Sponsoring Agency Wisconsin Historical Society Division of Historic Preservation – Public History 816 State Street Madison, Wisconsin 53706 2019-2020 Acknowledgments This program receives Federal financial assistance for identification and protection of historic properties. Under Title VI of the Civil Rights Act of 1964, Section 504 of the Rehabilitation Act of 1973, and the Age Discrimination Act of 1975, as amended, the U.S. Department of the Interior prohibits discrimination on the basis of race, color, national origin, or disability or age in its federally assisted programs. If you believe you have been discriminated against in any program, activity, or facility as described above, or if you desire further information, please write to Office of the Equal Opportunity, National Park Service, 1849 C Street NW, Washington, DC 20240. The activity that is the subject of this intensive survey report has been financed entirely with Federal Funds from the National Park Service, U.S. Department of the Interior, and administered by the Wisconsin Historical Society. However, the contents and opinions do not necessarily reflect the views or policies of the Department of the Interior or the Wisconsin Historical Society, nor does the mention of trade names or commercial products constitute endorsement or recommendation by the Department of the Interior or the Wisconsin Historical Society. -
Architectural Styles/Types
Architectural Findings Summary of Architectural Trends 1940‐70 National architectural trends are evident within the survey area. The breakdown of mid‐20th‐ century styles and building types in the Architectural Findings section gives more detail about the Dayton metropolitan area’s built environment and its place within national architectural developments. In American Architecture: An Illustrated Encyclopedia, Cyril Harris defines Modern architecture as “A loosely applied term, used since the late 19th century, for buildings, in any of number of styles, in which emphasis in design is placed on functionalism, rationalism, and up‐to‐date methods of construction; in contrast with architectural styles based on historical precedents and traditional ways of building. Often includes Art Deco, Art Moderne, Bauhaus, Contemporary style, International Style, Organic architecture, and Streamline Moderne.” (Harris 217) The debate over traditional styles versus those without historic precedent had been occurring within the architectural community since the late 19th century when Louis Sullivan declared that form should follow function and Frank Lloyd Wright argued for a purely American expression of design that eschewed European influence. In 1940, as America was about to enter the middle decades of the 20th century, architects battled over the merits of traditional versus modern design. Both the traditional Period Revival, or conservative styles, and the early 20th‐century Modern styles lingered into the 1940s. Period revival styles, popular for decades, could still be found on commercial, governmental, institutional, and residential buildings. Among these styles were the Colonial Revival and its multiple variations, the Tudor Revival, and the Neo‐Classical Revival. As the century progressed, the Colonial Revival in particular would remain popular, used as ornament for Cape Cod and Ranch houses, apartment buildings, and commercial buildings. -
Dissent and Disruption: How Artists Redefine Museum Spaces and Audience Engagement Paige E
James Madison University JMU Scholarly Commons Proceedings of the Tenth Annual MadRush MAD-RUSH Undergraduate Research Conference Conference: Best Papers, Spring 2019 Dissent and Disruption: How Artists Redefine Museum Spaces and Audience Engagement Paige E. Sellars Randolph-Macon College Follow this and additional works at: https://commons.lib.jmu.edu/madrush Part of the Art Practice Commons, Contemporary Art Commons, and the Museum Studies Commons Sellars, Paige E., "Dissent and Disruption: How Artists Redefine usM eum Spaces and Audience Engagement" (2019). MAD-RUSH Undergraduate Research Conference. 1. https://commons.lib.jmu.edu/madrush/2019/dissent/1 This Event is brought to you for free and open access by the Conference Proceedings at JMU Scholarly Commons. It has been accepted for inclusion in MAD-RUSH Undergraduate Research Conference by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. Dissent and Disruption: How Artists Redefine Museum Spaces and Audience Engagement Paige Sellars ARTH 422: Senior Thesis Randolph-Macon College Ashland, Virginia, 23005 1 While studying abroad in January 2018, I visited the Frans Hals Museum in Haarlem, the Netherlands, to see the Art of Laughter exhibit, and I experienced the most unexpected, yet memorable and wittily disruptive intervention by Bulgarian artist, Nedko Solakov (1957–) (figure 1). Solakov created drawings of little monkeys and people and wrote narrative on the walls and other surfaces in order to provide counterpoints to the humorous Dutch Baroque paintings on view.1 Although I initially believed that someone desecrated the space—I soon realized it was intentional and was intrigued by the potentialities of the interventions to expand or counteract the established narratives in the didactic labels. -
Teori Arsitektur 03
•Victorian architecture 1837 and 1901 UK •Neolithic architecture 10,000 BC-3000 BC •Jacobethan 1838 •Sumerian architecture 5300 BC-2000 BC •Carpenter Gothic USA and Canada 1840s on •Soft Portuguese style 1940-1955 Portugal & colonies •Ancient Egyptian architecture 3000 BC-373 AD •Queenslander (architecture) 1840s–1960s •Ranch-style 1940s-1970s USA •Classical architecture 600 BC-323 AD Australian architectural styles •New towns 1946-1968 United Kingdom Ancient Greek architecture 776 BC-265 BC •Romanesque Revival architecture 1840–1900 USA •Mid-century modern 1950s California, etc. Roman architecture 753 BC–663 AD •Neo-Manueline 1840s-1910s Portugal & Brazil •Florida Modern 1950s or Tropical Modern •Architecture of Armenia (IVe s - XVIe s) •Neo-Grec 1848 and 1865 •Googie architecture 1950s USA •Merovingian architecture 400s-700s France and Germany •Adirondack Architecture 1850s New York, USA •Brutalist architecture 1950s–1970s •Anglo-Saxon architecture 450s-1066 England and Wales •Bristol Byzantine 1850-1880 •Structuralism 1950s-1970s •Byzantine architecture 527 (Sofia)-1520 •Second Empire 1865 and 1880 •Metabolist Movement 1959 Japan •Islamic Architecture 691-present •Queen Anne Style architecture 1870–1910s England & USA •Arcology 1970s-present •Carolingian architecture 780s-800s France and Germany Stick Style 1879-1905 New England •Repoblación architecture 880s-1000s Spain •Structural Expressionism 1980s-present Eastlake Style 1879-1905 New England •Ottonian architecture 950s-1050s Germany Shingle Style 1879-1905 New England •Postmodern architecture 1980s •Russian architecture 989-1700s •National Park Service Rustic 1872–present USA •Romanesque architecture 1050-1100 •Deconstructivism 1982–present •Chicago school (architecture) 1880s and 1890 USA •Norman architecture 1074-1250 •Memphis Group 1981-1988 •Neo-Byzantine architecture 1882–1920s American •Blobitecture 2003–present •Gothic architecture •Art Nouveau/Jugendstil c. -
An Empire Style Furniture Set at Nedkovich House, Old Town Plovdiv
Architecture and Urban Planning doi: 10.1515/aup-2015-0007 2015/10 An Empire Style Furniture Set at Nedkovich House, Old Town Plovdiv Regina Pavlova Raycheva, University of Forestry Abstract – The paper considers the interior and furnishing of a Revival dows, each with a triangular pediment over the flanking pilas- Bulgarian house built in 1863. The aim of this paper is to present the ar- ters. The portico is embellished with painted medallions (Fig. 1) chitecture and to give a closer overview of a part of the furniture collection belonging to this house: the French Empire style furniture set in the South and so are the window pediments. The steps lead the visitor to East drawing room of the upper floor. The aim is to perform the analysis the gate with two door leaves decorated with neoclassical oval of stylistic features as well as to make a hypothesis concerning the cabinet fan-shaped motifs. The entrance to the building is an official maker. gate centered in the middle column span under the upper floor Keywords – Revival townhouse, residential architecture, French Empire prolonged ahead to form a bay area. After climbing another set style, china display cabinet, tête-à-tête, armchair, guéridon. of stairs the visitor finds himself in a large hayat (or vestibule (Fig. 5)); opposite of the entrance a stair leads to the second floor. The vestibule on the second floor is much larger (Fig. 6), Plovdiv is a Bulgarian city keeping a rich legacy of Late Re- with a recess for the musicians built half a level higher over the vival townhouse architecture. -
Domestic 3: Suburban and Country Houses Listing Selection Guide Summary
Domestic 3: Suburban and Country Houses Listing Selection Guide Summary Historic England’s twenty listing selection guides help to define which historic buildings are likely to meet the relevant tests for national designation and be included on the National Heritage List for England. Listing has been in place since 1947 and operates under the Planning (Listed Buildings and Conservation Areas) Act 1990. If a building is felt to meet the necessary standards, it is added to the List. This decision is taken by the Government’s Department for Digital, Culture, Media and Sport (DCMS). These selection guides were originally produced by English Heritage in 2011: slightly revised versions are now being published by its successor body, Historic England. The DCMS‘ Principles of Selection for Listing Buildings set out the over-arching criteria of special architectural or historic interest required for listing and the guides provide more detail of relevant considerations for determining such interest for particular building types. See https://www.gov.uk/government/publications/principles-of- selection-for-listing-buildings. Each guide falls into two halves. The first defines the types of structures included in it, before going on to give a brisk overview of their characteristics and how these developed through time, with notice of the main architects and representative examples of buildings. The second half of the guide sets out the particular tests in terms of its architectural or historic interest a building has to meet if it is to be listed. A select bibliography gives suggestions for further reading. This guide, one of four on different types of Domestic Buildings, covers suburban and country houses. -
Oktoberfest Munich - a Full Guide
Destination Munich and Bavaria ~ 1 ~ A few words of introduction… Hi, and thanks for deciding to buy this copy of Destination Munich and Bavaria. I think it’s one of the best guides available to this region, but hey, I wrote it, so I would say that . I want you to make up your mind and if you’re not totally satisfied, remember, you can just ask for a refund. This book has about a dozen sections worth mentioning, so here goes: 1. The city maps are at the back of the book, but they’ll probably be the part you Wiener Platz (Vienna Square) in Munich. want to look at first. There are two public transportation maps and six full-age city maps starting from Page 276 2. The Table of Contents starts on Page 3. This lists every story in the eBook and you can click on the titles to go directly to any given story. 3. The Backstory section starts on Page 14. You probably know a little about Munich and Bavaria already. Do lederhosen, giant beer mugs and BWM ring any bells? This section is where you can learn a whole lot more about the history, traditions and people that have made the region both famous and infamous. 4. The Attractions section starts on Page 61. Munich boasts a plethora of museums, monuments, palaces and other highly see-able sights. The best ones, over 60 of them, are reviewed here. The attractions are grouped by area, there are sections on: the Spotlight: Munich and Bavaria Lederhosen, laptops and fairy-tale castles. -
The Swiss Architecture of Murren American Arts and Crafts Movement
The bucolic architecture of the LauterbrunnenValley and upland towns like Murren provide a link to the The Swiss Architecture of Murren American Arts and Crafts movement . Rustic homes in the Alps were the precursors to today’s cottages. trade. Ski clubs were soon formed, and beginning in 1911 the first races took place in the area. These con - BY ROBERT SCHWEITZER tinue today with the “Inferno” the longest amateur ski race in the world. Murren cannot be reached by car; you need to ride a series of cable cars up from the Lauterbrunnen Valley below. From there you can venture further into the Alps, to the famous Schilthorn observation platform to view what are arguably the most stunning views in Europe, including the famous three peaks of Monch, Jungfrau and Eiger. The platform itself is a bit of a celebrity as it is the cinematic home to the evil Spectre group from the James Bond films. The architecture of Murren and the surrounding valley is recognizable as Swiss Chalet style. Known for its wooden construction, employing logs or sawn boards on a rubble foundation, homes are typically two-and-a-half stories in height. Wide eaves, exposed roof rafters at the eaves and a lower pitched roof to support the snow load were common on a design where the house gable faced the street. Extensive porches and galleries/balconies are decorated with massive displays of flowers in the summer months. Tucked into hillsides, this mode of construction is based on vernacular mountain architecture from the German, Swiss and Austrian past.