Camberwell Conservation Study 1991 1944-45 and Miss B.E
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House at 4 Cobby Street, Campbell
Register of Significant Twentieth Century Architecture RSTCA No: R103 Name of Place: House at 4 Cobby Street Campbell Address/Location: 4 Cobby Street, CAMPBELL ACT Block 5 Section 40 of Listing Status: Other Heritage Listings: Date of Listing: Level of Significance: Citation Revision No: Category: Citation Revision Date: Style: Date of Design: Designer: Construction Period: Client/Owner/Lessee: Date of Additions: Builder: Statement of Significance The residence at 4 Cobby Street, Campbell, is an example of significant architecture and an educational resource. The house is a good example of the Post-War International Style. The design incorporated some of the principal design features which are peculiar to the style including cubiform overall shape and large sheets of glass. The residence also displays elements of the Post-War Melbourne Regional Style including widely projecting eaves and long unbroken roof line. The architecture of this building may contribute to the education of designers in their understanding of post-war architectural styles. Sir Otto Frankel was recognised internationally as Australia's pre-eminent Geneticist and was a member of the executive of the CSIRO. A significant part of his work after his retirement, which was considered to be his most productive time, was undertaken in the residence. The design of this as his own residence highlights the significance of this house for its association with him. Description The three bedroom residence was designed by Roy Grounds, with Theo Bischoff as the project architect, in 1969-70 for Sir Otto and Lady Frankel and construction was completed in 1970-71 1. The building is a late example of a combination of two styles: the Post-War Melbourne Regional Style (1940-60) with its widely projecting eaves (at the rear only) and long, unbroken roof line and; the Post War International Style (1940-60) with its cubiform overall shape and large sheets of glass 2. -
Scientists' Houses in Canberra 1950–1970
EXPERIMENTS IN MODERN LIVING SCIENTISTS’ HOUSES IN CANBERRA 1950–1970 EXPERIMENTS IN MODERN LIVING SCIENTISTS’ HOUSES IN CANBERRA 1950–1970 MILTON CAMERON Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at http://epress.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Author: Cameron, Milton. Title: Experiments in modern living : scientists’ houses in Canberra, 1950 - 1970 / Milton Cameron. ISBN: 9781921862694 (pbk.) 9781921862700 (ebook) Notes: Includes bibliographical references and index. Subjects: Scientists--Homes and haunts--Australian Capital Territority--Canberra. Architecture, Modern Architecture--Australian Capital Territority--Canberra. Canberra (A.C.T.)--Buildings, structures, etc Dewey Number: 720.99471 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design by Sarah Evans. Front cover photograph of Fenner House by Ben Wrigley, 2012. Printed by Griffin Press This edition © 2012 ANU E Press; revised August 2012 Contents Acknowledgments . vii Illustrations . xi Abbreviations . xv Introduction: Domestic Voyeurism . 1 1. Age of the Masters: Establishing a scientific and intellectual community in Canberra, 1946–1968 . 7 2 . Paradigm Shift: Boyd and the Fenner House . 43 3 . Promoting the New Paradigm: Seidler and the Zwar House . 77 4 . Form Follows Formula: Grounds, Boyd and the Philip House . 101 5 . Where Science Meets Art: Bischoff and the Gascoigne House . 131 6 . The Origins of Form: Grounds, Bischoff and the Frankel House . 161 Afterword: Before and After Science . -
City of Wauwatosa, Wisconsin
City of Wauwatosa, Wisconsin Architectural and Historical Intensive Survey Report of Residential Properties Phase 2 By Rowan Davidson, Associate AIA & Jennifer L. Lehrke, AIA, NCARB Legacy Architecture, Inc. 605 Erie Avenue, Suite 101 Sheboygan, Wisconsin 53081 Project Director Joseph R. DeRose, Survey & Registration Historian Wisconsin Historical Society Division of Historic Preservation – Public History 816 State Street Madison, Wisconsin 53706 Sponsoring Agency Wisconsin Historical Society Division of Historic Preservation – Public History 816 State Street Madison, Wisconsin 53706 2019-2020 Acknowledgments This program receives Federal financial assistance for identification and protection of historic properties. Under Title VI of the Civil Rights Act of 1964, Section 504 of the Rehabilitation Act of 1973, and the Age Discrimination Act of 1975, as amended, the U.S. Department of the Interior prohibits discrimination on the basis of race, color, national origin, or disability or age in its federally assisted programs. If you believe you have been discriminated against in any program, activity, or facility as described above, or if you desire further information, please write to Office of the Equal Opportunity, National Park Service, 1849 C Street NW, Washington, DC 20240. The activity that is the subject of this intensive survey report has been financed entirely with Federal Funds from the National Park Service, U.S. Department of the Interior, and administered by the Wisconsin Historical Society. However, the contents and opinions do not necessarily reflect the views or policies of the Department of the Interior or the Wisconsin Historical Society, nor does the mention of trade names or commercial products constitute endorsement or recommendation by the Department of the Interior or the Wisconsin Historical Society. -
Grounds, Boyd and the Philip House
4. Form Follows Formula: Grounds, Boyd and the Philip House Figure 4.1 Philip House, view from north-east Photograph: Ben Wrigley, 2011 John Philip was brought to Canberra as part of Frankel’s ambitious postwar recruitment program, and was appointed head of a new agricultural physics group at the CSIRO. Regarded as Australia’s leading environmental physicist, he was elected a Fellow of the Australian Academy of Science in 1967. His wife, Frances (‘Fay’), was an accomplished artist who was related to the Boyds via the Mills and à Becketts, and had attended the Murrumbeena State School in Victoria with Mary and Arthur Boyd. Many of Frances’s portraits of Australia’s leading scientists and academics—including Sir Mark Oliphant, Doug Waterhouse, John Jaeger, William Rogers, Patrick Moran and Manning Clark—are held in the collections of the Australian Academy of Science and The Australian National University. The Philip House, at 42 Vasey Crescent, Campbell, is one of three adjacent houses by Grounds, Romberg and Boyd that are known collectively as the Vasey Crescent Group. The other two houses in the group are the Blakers House and the Griffing House. Grounds and Boyd were both involved with these houses. All three were designed by Grounds, who arranged initial briefings, recorded 101 Experiments in Modern Living the clients’ requirements and prepared sketches from late 1959 through to early 1960. Boyd met with the clients in January 1960, and took control of the houses from May of that year as Grounds prepared for a three-month overseas trip.1 The Philip House is important for two reasons. -
Architectural Styles/Types
Architectural Findings Summary of Architectural Trends 1940‐70 National architectural trends are evident within the survey area. The breakdown of mid‐20th‐ century styles and building types in the Architectural Findings section gives more detail about the Dayton metropolitan area’s built environment and its place within national architectural developments. In American Architecture: An Illustrated Encyclopedia, Cyril Harris defines Modern architecture as “A loosely applied term, used since the late 19th century, for buildings, in any of number of styles, in which emphasis in design is placed on functionalism, rationalism, and up‐to‐date methods of construction; in contrast with architectural styles based on historical precedents and traditional ways of building. Often includes Art Deco, Art Moderne, Bauhaus, Contemporary style, International Style, Organic architecture, and Streamline Moderne.” (Harris 217) The debate over traditional styles versus those without historic precedent had been occurring within the architectural community since the late 19th century when Louis Sullivan declared that form should follow function and Frank Lloyd Wright argued for a purely American expression of design that eschewed European influence. In 1940, as America was about to enter the middle decades of the 20th century, architects battled over the merits of traditional versus modern design. Both the traditional Period Revival, or conservative styles, and the early 20th‐century Modern styles lingered into the 1940s. Period revival styles, popular for decades, could still be found on commercial, governmental, institutional, and residential buildings. Among these styles were the Colonial Revival and its multiple variations, the Tudor Revival, and the Neo‐Classical Revival. As the century progressed, the Colonial Revival in particular would remain popular, used as ornament for Cape Cod and Ranch houses, apartment buildings, and commercial buildings. -
RMIT Design ARCHIVES JOURNAL Vol 3 Nº 1 2013 RMIT Design ARCHIVES JOURNAL Vol 3 Nº 1 2013 Frederick Romberg: an Architectural Survey
RMIT DesIgn ARCHIVES JOURnAL Vol 3 Nº 1 2013 RMIT DesIgn ARCHIVES JOURnAL Vol 3 Nº 1 2013 Frederick Romberg: an architectural survey Since its beginning the RMIT Design Archives has actively sought Guest Editor Journal Editor methods of engaging contemporary design practitioners in contributing Michael Spooner Harriet Edquist to its innovative approaches to collecting and research. The Romberg Collection, deposited in 2008, documents the practice Editorial Assistance Design of eminent Melbourne architect Frederick Romberg. It has been over Kaye Ashton Letterbox.net.au ten years since the first and last exposition on Romberg’s output was held at RMIT Gallery. That exhibition and subsequent publication, contact Frederick Romberg: The Architecture of Migration 1936–1975, continue [email protected] to serve as the most complete public record of his work to date.1 www.rmit.edu.au/designarchives Frederick Romberg: an architectural survey is a collaborative inter- issn 1838-9406 disciplinary project that has approached the Romberg Collection with Published by rmit Design Archives, rmit University the intention of examining not only his architectural output, but the Text © rmit Design Archives, rmit University and individual authors. many ways in which the collection might be seen to work and have implications for contemporary discourse on design. It has sought from This Journal is copyright. Apart from fair dealing for the purposes of research, criticism or review as permitted under the Copyright Act 1968, the nuances of a collection - the frayed edges, the insistent folds no part may be reproduced, stored in a retrieval system or transmitted – an active archive. by any means without the prior permission of the publisher. -
Cross-Section, Dec 1968 (No
UNIVERSITY OF MELBOURNE DEPARTMENT OF ARCHITECTURE CROSS-SECTION Issue No. 194 December 1, 1968 If The RAIA has bestowed its 1968 Gold Medal on architect Roy Grounds, for distinguished service in the Advancement of Architecture, thus crowning a career of notable achievement — and not before time! If Tasmanian architect Geoff Butterworth was awarded the St. Regis-A.C.I.-Scholarship for research into "Communications between Building Materials Suppliers and Architects". IF Melbourne's square, as everybody knows. Melbourne's square — as everybody knows — is caus- ing a lot of bellyaching and other birth-pangs among the locals. With at least one staunch ally on the City Council, the RAIA Vic. Chap. has mounted a model campaign to see that this opportunity for good Civic Planning is not allowed to lapse into the apathy of potted perennials. Hopes are high for an architectural competition: however, opinions vary about whether it should be international, Australia-wide, or restricted to Victoria. The problem is not so much how to design a square, as what to do with 11/2 acres of waste land between the side of a boom style town hall and the back of a gothic revival cathedral in the centre of a busy city. High on the list of idiot suggestions are 1) put a concrete replica of Batman's Boat (presumably in the middle of a sea of cement), and 2) an enormous floral clock (fitted with seats at a dollar a ride). C-S eagerly awaits the suggestion that it should be filled with buildings. We'll keep you posted. -
National Gallery of Victoria (Former)
Nationally Significant 20th-Century Architecture Revised 22/04/2011 National Gallery of Victoria (former) Address 180 St Kilda Road, Southbank 3006 Practice Grounds, Roy Designed 1959 Completed 1968 Address History & In 1959 Grounds, Romberg and Boyd were appointed architects to Description design a new NGV on a site in St Kilda Road. Later amid great 180 controversy Roy Grounds became the sole architect. His master plan placed the Gallery and two other smaller buildings at the southern end of the site, with the northern end reserved for the St Kilda Road future construction of a theatre and concert hall complex. The large palazzo-like gallery building is rectangular in form with Southbank three internal courtyards providing light and external views to surrounding galleries. The bluestone clad, reinforced concrete Victor 3006 building is relieved only by a large entrance archway and a bronze Victorian coat of arms by Norma Redpath on the front facade. The oriental influenced floating roof, with upturned eaves, is separated from the walls by a continuous band of high clerestorey windows, and a moat surrounds the entire building. The water theme is continued at the entry where a flow of water runs down a glass screen, now known as the water wall. The brief required the inclusion of a reception hall for State functions and this is four storeys in height and features an abstract ceiling of multi-coloured glass by the artist Leonard French. Two principal double height floors, at ground and second floor levels, contain the main gallery spaces, with intermediary floors containing many of the service RAIA Nº areas. -
R047 Forrest Townhouses RSTCA
Register of Significant Twentieth Century Architecture RSTCA No: R047 Name of Place: Forrest Townhouses Other/Former Names: Address/Location: 2 Arthur Circle and 3 Tasmania Circle FORREST 2603 Block 4 Section 11of Forrest Listing Status: Registered Other Heritage Listings: Date of Listing: Level of Significance: Citation Revision No: Category: Citation Revision Date: November 2004 Style: Date of Design: Designer: Construction Period: Client/Owner/Lessee: Date of Additions: Builder: Statement of Significance The Forrest Townhouses are an example of significant architecture and an educational resource. They are an excellent example of the Post-War Melbourne Regional style (1940-60) and are notable for displaying the design skill of the architect Sir Roy Grounds. The design incorporates many of the features that are specific to the style; widely projecting eaves, long unbroken roof line, narrow edge to roof and glass wall with regularly spaced timber mullions. The buildings also display elements of the Post-War International style, (1940-60), including cubiform overall shape and large sheets of glass The following design features are of additional significance; the steel roofing; overhang for shade; plain smooth wall surfaces; exposed rafters; the face concrete blockwork and courtyards; the double height living space overlooked from the gallery and open planning with the interiors opening out into the landscape; the limed ash joinery and paneling; the straw ceiling and exposed framing; the original detailing and type of finishes using natural materials. The townhouses were awarded the RAIA ACT Chapter Twenty Five Year Award in 1996. The complex is important for its strong association with the talented architect Sir Roy Grounds who is considered a key practitioner in the Post-War Melbourne Regional style in Australia. -
MASTER AIA Register of Significant Architecture February2021.Xls AUSTRALIAN INSTITUTE of ARCHITECTS REGISTER of SIGNIFICANT BUILDINGS in NSW MASTER
AUSTRALIAN INSTITUTE OF ARCHITECTS REGISTER OF SIGNIFICANT BUILDINGS IN NSW MASTER O A & K HENDERSON / LOUIS A & K HENDERSON OF MELBOURNE, 1935 1940 1991, 1993, T&G Building 555 Dean Street Albury Albury City 4703473Card HENDERSON rear by LOUIS HARRISON 1994, 2006, 2008 H Graeme Gunn Graeme Gunn 1968-69 Baronda (Yencken House) Nelson Lake Road, Nelson Lagoon Mimosa Rocks Bega Valley 4703519 No Card National Park H Roy Grounds Roy Grounds 1964 1980 Penders Haighes Road Mimosa Rocks Bega Valley 4703518 Digital National Park Listing Card CH [architect not identified] [architect not identified] 1937 Star of the Sea Catholic 19 Bega Street Tathra Bega Valley 4702325 Card Church G [architect not identified] [architect not identified] 1860 1862 Extended 2004 Tathra Wharf & Building Wharf Road Tathra Bega Valley 4702326 Card not located H [architect not identified] [architect not identified] undated Residence Bega Road Wolumla Bega Valley 4702327 Card SC NSW Government Architect NSW Government Architect undated Public School and Residence Bega Road Wolumla Bega Valley 4702328 Card TH [architect not identified] [architect not identified] 1911 Bellingen Council Chambers Hyde Street Bellingen Bellingen 4701129 Card P [architect not identified] [architect not identified] 1910 Federal Hotel 77 Hyde Street Bellingen Bellingen 4701131 Card I G. E. MOORE G. E. MOORE 1912 Former Masonic Hall 121 Hyde Street Bellingen Bellingen 4701268 Card H [architect not identified] [architect not identified] circa 1905 Residence 4 Coronation Street Bellingen Bellingen -
Domestic 3: Suburban and Country Houses Listing Selection Guide Summary
Domestic 3: Suburban and Country Houses Listing Selection Guide Summary Historic England’s twenty listing selection guides help to define which historic buildings are likely to meet the relevant tests for national designation and be included on the National Heritage List for England. Listing has been in place since 1947 and operates under the Planning (Listed Buildings and Conservation Areas) Act 1990. If a building is felt to meet the necessary standards, it is added to the List. This decision is taken by the Government’s Department for Digital, Culture, Media and Sport (DCMS). These selection guides were originally produced by English Heritage in 2011: slightly revised versions are now being published by its successor body, Historic England. The DCMS‘ Principles of Selection for Listing Buildings set out the over-arching criteria of special architectural or historic interest required for listing and the guides provide more detail of relevant considerations for determining such interest for particular building types. See https://www.gov.uk/government/publications/principles-of- selection-for-listing-buildings. Each guide falls into two halves. The first defines the types of structures included in it, before going on to give a brisk overview of their characteristics and how these developed through time, with notice of the main architects and representative examples of buildings. The second half of the guide sets out the particular tests in terms of its architectural or historic interest a building has to meet if it is to be listed. A select bibliography gives suggestions for further reading. This guide, one of four on different types of Domestic Buildings, covers suburban and country houses. -
Oktoberfest Munich - a Full Guide
Destination Munich and Bavaria ~ 1 ~ A few words of introduction… Hi, and thanks for deciding to buy this copy of Destination Munich and Bavaria. I think it’s one of the best guides available to this region, but hey, I wrote it, so I would say that . I want you to make up your mind and if you’re not totally satisfied, remember, you can just ask for a refund. This book has about a dozen sections worth mentioning, so here goes: 1. The city maps are at the back of the book, but they’ll probably be the part you Wiener Platz (Vienna Square) in Munich. want to look at first. There are two public transportation maps and six full-age city maps starting from Page 276 2. The Table of Contents starts on Page 3. This lists every story in the eBook and you can click on the titles to go directly to any given story. 3. The Backstory section starts on Page 14. You probably know a little about Munich and Bavaria already. Do lederhosen, giant beer mugs and BWM ring any bells? This section is where you can learn a whole lot more about the history, traditions and people that have made the region both famous and infamous. 4. The Attractions section starts on Page 61. Munich boasts a plethora of museums, monuments, palaces and other highly see-able sights. The best ones, over 60 of them, are reviewed here. The attractions are grouped by area, there are sections on: the Spotlight: Munich and Bavaria Lederhosen, laptops and fairy-tale castles.