Cross-Section

Total Page:16

File Type:pdf, Size:1020Kb

Cross-Section UNIVERSITY OF MELBOURNE DEPARTMENT OF ARCHITECTURE CROSS-SECTION Issue No. 200 June 1, 1969 ¶ Camp Hill was recommended by the Joint Select and having a suitable environment for working staff. Committee on the New and Permanent Parliament They also admired the restrained use of the owner's House as the site for the new Parliament House and name on the building. It represents the first use in has been accepted by Parliament. Another supplemen- Australia of Aus-Ten 50 steel on the external struc- tary recommendation was that the summit of Capitol tural frame. The oxidation of this material as it Hill be reserved for "an architectural shaft or other matures creates a warm brown "which will blend in feature of a symbolic nature which would not compete with the semi-rural surroundings of the site". It has by reason of its mass, its form or its significance with a forceful and energetic form and proportioning on the Parliament building but, if possible, complement Miesian principles. Builder: A. V. Jennings Industries and enhance the building's appearance". A flagpole? (Aust.) Ltd. Structural Engineer: Irwin Johnston & A giant flagpole was recommended long ago by Sir Partners Pty. Ltd. Mechanical & Electrical Engineers: William Holford. The remaining question is what build- W. E. Bassett & Partners. Quantity Surveyor: Rider, ing appearance should the architectural shaft enhance? Hunt & Partners. Photo: Mark Strizic Photo: David Moore C-S celebrates its 200th edition by publishing the R.A.I.A. Victorian Chapter 1969 cited finalists for the Bronze Medal award. At the time of writing the Bronze Medal winner and other citation winners (architects and builders) were not available for publication. Some Photo: Mark Strizic of these prize buildings have already been reviewed The Fletcher house by architects Romberg and Boyd in this magazine. The National Gallery designed by was placed first in the Domestic category. Blank brick Sir Roy Grounds (see C-S Issue No. 191, Sept. '68) was walls are placed to a busy street and western sun. first in the General category, the Awards Committee The exposed steel roofed skillions differentiate in commenting that this is the only monumental building external appearance the three blocks of separated established in Melbourne since the Shrine of Remem- functions: living/dining wing, bedroom wing and guest brance was built after a design competition in the wing. Each wing has its own courtyard and they are 1920's. Another favourable point mentioned was that linked by glazed galleries to a treble carport. The the project management control enabled it to be interest in the design here is in its picturesqueness. completed on schedule within the designated cost Owner/builder: Mr. Norman Fletcher. structure. Illustrated is the Bamboo Garden, one of The City of Malvern Harold Holt Memorial Pool (see three internal courts. The two major contracting firms C-S Issue No. 199, May '69) is first in the Environmental were A. V. Jennings Industries (Aust.) Ltd. and John category. The Awards Committee praised the imagina- Holland (Constructions) Pty. Ltd. The Industrial cate- tively laid out exterior pools on a confined site and the gory was won by architects Eggleston Macdonald and "dramatic enclosure" of the two indoor pools which Secomb for their B.H.P. Melbourne Research Labora- has a finely divided glass wall which contrasts with tories in the suburb of Clayton. Illustrated is this the chunky shapes and forms of its service and cir- independent first stage of a larger development com- culation structures illustrated: Architects: Kevin plex. The Awards Committee considered it well con- Borland and Daryl Jackson. Builder: A. R. P. Crow & ceived and well executed, lacking industrial faults Sons Pty. Ltd. The illustration of the Collins St. facade shows the merits of its proportions. The greatest excitement for the layman visitor is to observe and hear the hub-bub and shouting from the cantilevered visitors' gallery overlooking the trading floor activities and the ever- changing wall pattern of chalked figures. Structural Engineer: John Connell & Associates. Principal Con- tractor: Hansen and Yuncken Pty. Ltd. Electrical and Mechanical: Buchan, Laird and Buchan Pty. Ltd. Quantity Surveyor: Wolferstan Trower and Partners. Photo: Ian McKenzie In the Retail category the Awards Committee was im- pressed by the Southland Shopping Centre, Chelten- ham, as a building type peculiar to the 20th century as it must cater for motorised traffic rather than for the shopper arriving and leaving on foot or by estab- lished railway lines and other forms of 19th century orientated public transport. It is the car-user shopper that has created the need for retailing with facilities at this scale outside the old commercial centre, or did the retailer simply see the sprawl, the shift of population to outer suburban living, a static non-growth of public transport and a high rate of individual car ownership? The retailer then supplied this kind of retail complex and by all means at his disposal per- suaded the car-shopper to use it? The public response has marked such building types as a great success. Conditions like this have put into the lap of architects engaged to design a great complexity of needs and persuasions a brief to design for popular taste. In addition the necessary vast acreage of car-parking asphalt and kerbing and signs and the air-conditioned collection of building at the centre of the site makes the designer's task to create a good environment very difficult. The design of this centre by architects Tomp- kins, Shaw and Evans establishes a high standard. The central generally reinforced concrete structure is spread low over three levels with 150,000 sq. ft. coping Photo: John Squire with a 3-level department store, a junior department Stock Exchange House in Collins Street, Melbourne, store, supermarket, 59 other shops, 9 professional was first in the Urban category. Designed by architects suites, an auditorium and roof garden. Centred on 25i Buchan, Laird & Buchan Pty. Ltd. it is an indication acres the building is fully enclosed and fully air- that the inheritors of the International Style amongst conditioned. The long low terraced tiers are as viable Melbourne's city office block architects are now con- as F.L.W.'s organic forms and setting in a given cerned with an outer skin of glazed precast concrete topography. The pedestrian's traffic and his car and panels on external walls, having abandoned the glass the building are connected on two levels and isolated curtain wall. The complex functions of the A.N.Z. Bank from a service truckway. Some ceramic murals Head Office and banking chambers and the Stock and sculpture entertain the potential purchaser Exchange of Melbourne are embraced in two clear along the way. Southland was first in the Retail cate- cut towers, a 26-storey steel framed bank offices block gory. Structural Engineers: J. L. & E. M. Daly. Civil to Collins St. and a 9-storey low rise post-tensioned Engineers (site works): L. T. Frazer & Associates. Land- reinforced concrete block Stock Exchange with a scape: R. Skerrit. Electrical and Mechanical: Crooks, 9,000 square ft. columnless trading floor three stories Michell, Peacock and Stewart. Quantity Surveyor: high. This is achieved by walled-in concrete arches Wolferstan, Trower and Partners. Builder: Lewis Con- springing from the trading floor level terminating at structions Co. Pty. Ltd. As the awards range over a roof level and suspending from these the five floors number of categories so do these buildings range over over the trading area. Both tower blocks are clad a number of sometimes very different architectural externally with pre-cast reconstructed Harcourt granite principles, but with one thing in common — excellent curtain wall panels. Due to a fall across a long narrow quality. site the main public access ways in the lower floors 11 The 19-storey A.M.P. building in Adelaide (C-S Issue are split to street frontages and connected by escala- No. 193, Nov. 1968) won its contractors Hansen Yuncken tors. Bronze-green carpet and wall facings of blue-grey (S.A.) Pty. Ltd. an award for the most outstanding Italian marble with russet lines meandering through constructional project in Australia in the past 10 years. it and some natural timber finishes to a circular bank- The award was sponsored by the International Federa- ing chamber give warmth to the cool comfort and pre- tion of Asian and Western Pacific Contractors' Associa- cisely formed and detailed air-conditioned interiors. tions who recently held a convention in Adelaide. The population of Canberra reached 117,130 on March 31st, not including 1,300 diplomats and their families. The Canberra growth is almost 1,000 people per month and is mainly concentrating in the two satellite districts of Woden and Belconnen. ¶ The "Financial Review" 17.4.69 has optimistically estimated Australia's population at 23 million by the year 2000, and used this figure as a basis for discussing N.S.W. planning and industrial development of the future. This figure takes no account of possible (likely?) further drastic increases due to spillage from the rest of the world's estimated 6,000 million. The discussion centres around the theme of employment opportunities and the establishment of industries to provide them. There is no real cause for optimism here — by the year 2000 the problem will be not how to keep people employed but rather how to feed a largely unemploy- able population and how to stop them dying from the sheer boredom of too much leisure, unless of course we are prepared to channel the national workforce into producing sufficient food to feed the starving millions who do not live in the Lucky Country.
Recommended publications
  • 5. Through Non-Military Eyes: Developing the Postwar Bilateral
    5 THROUGH NON-MILITARY EYES: DEVELOPING THE POSTWAR BILATERAL RELATIONSHIP Somewhere in the vast ruin of post-nuclear Hiroshima, two middle- aged Japanese men walk towards a stationary camera (see Figure 5.1). They look purposeful and strangely cheerful. As two Australian diggers slouch back into the colossal bombsite and towards the vanishing point beneath a cluster of stripped trees, the conspicuously civilian, Western- attired Japanese duo stride out of it, moving away from the militarism that led to such wholesale destruction and into a future that would be independently determined by men such as them. The photograph is carefully conceived, staged to capture a significant point of departure in postwar Japanese history—a people leaving war and military occupation behind and embarking on the task of rebuilding and remaking the nation. Significantly, this richly allegorical image was not taken by one of the professional photographers affiliated to the military and official civilian agencies. Rather, it is the work of an amateur, Hungarian-born Stephen Kelen, who served with British Commonwealth Occupation Force (BCOF) Intelligence before joining the military newspaper British Commonwealth Occupation News (BCON). Kelen was an enthusiastic and accomplished photographer. Several of the images that illustrate his memoir, I Remember Hiroshima, have become iconic pictures of the stricken city in the early stages of its reconstruction. His photographs of orphans and of an outdoor schoolroom that had sprung up in the rubble are among the best known pictures of atomic Hiroshima, featuring in 153 PACIFIC EXPOSURES Figure 5.1. Stephen Kelen, Hiroshima, c. 1946–48, published in I Remember Hiroshima (Sydney: Hale & Iremonger, 1983), 18.
    [Show full text]
  • House at 4 Cobby Street, Campbell
    Register of Significant Twentieth Century Architecture RSTCA No: R103 Name of Place: House at 4 Cobby Street Campbell Address/Location: 4 Cobby Street, CAMPBELL ACT Block 5 Section 40 of Listing Status: Other Heritage Listings: Date of Listing: Level of Significance: Citation Revision No: Category: Citation Revision Date: Style: Date of Design: Designer: Construction Period: Client/Owner/Lessee: Date of Additions: Builder: Statement of Significance The residence at 4 Cobby Street, Campbell, is an example of significant architecture and an educational resource. The house is a good example of the Post-War International Style. The design incorporated some of the principal design features which are peculiar to the style including cubiform overall shape and large sheets of glass. The residence also displays elements of the Post-War Melbourne Regional Style including widely projecting eaves and long unbroken roof line. The architecture of this building may contribute to the education of designers in their understanding of post-war architectural styles. Sir Otto Frankel was recognised internationally as Australia's pre-eminent Geneticist and was a member of the executive of the CSIRO. A significant part of his work after his retirement, which was considered to be his most productive time, was undertaken in the residence. The design of this as his own residence highlights the significance of this house for its association with him. Description The three bedroom residence was designed by Roy Grounds, with Theo Bischoff as the project architect, in 1969-70 for Sir Otto and Lady Frankel and construction was completed in 1970-71 1. The building is a late example of a combination of two styles: the Post-War Melbourne Regional Style (1940-60) with its widely projecting eaves (at the rear only) and long, unbroken roof line and; the Post War International Style (1940-60) with its cubiform overall shape and large sheets of glass 2.
    [Show full text]
  • Gillian Welch's Long-Awaited New Album
    FREE JULY 2011 Readings Monthly • • • Peter Salmon Ann Patchett Alan Hollinghurst Robert Hughes (SEE P18) THE HARROW AND HARVEST IMAGE FROM GILLIAN WELCH'S NEW ALBUM Gillian Welch’s long-awaited new album p 17 Highlights of July book, CD & DVD new releases. More inside. NON-FICTION AUS FICTION FICTION FICTION YA DVD POP CD CLASSICAL $50 $39.95 $29.99 $24.95 $30 $24.95 $33 $27.95 $19.95 $24.95 $25.95 $21.95 $24.95 >> p19 >> p5 >> p6 >> p7 >> p8 >> p14 >> p16 (for July) >> p17 July event highlights : Matthew Evans on Winter on the Farm. James Boyce at Readings Carlton, Favel Parrett, Rosalie Ham. See more events inside. All shops open 7 days, except State Library shop, which is open Monday - Saturday. Carlton 309 Lygon St 9347 6633 Hawthorn 701 Glenferrie Rd 9819 1917 Malvern 185 Glenferrie Rd 9509 1952 Port Melbourne 253 Bay St 9681 9255 St Kilda 112 Acland St 9525 3852 Readings at the State Library of Victoria 328 Swanston St 8664 7540 email us at [email protected] Browse and buy online at www.readings.com.au and at ebooks.readings.com.au travel card travel card Instant WIN a $10,000 4000 1234 5678 9010 4000 5678 9010 4000 1234 4000 GOOD THRU 00/00 GOOD THRU 00/00 ANZ Travel Card It’s money made to travel Purchase any Lonely Planet product with a promotional sticker from 9am 04/06/11 until ANZ Travel Card ANZ Travel Cards 5pm 31/07/11 and visit lonelyplanet.com/anztravelcard to be in the running to win..
    [Show full text]
  • Art Gallery of South Australia Major Achievements 2003
    ANNUAL REPORT of the ART GALLERY OF SOUTH AUSTRALIA for the year 1 July 2003 – 30 June 2004 The Hon. Mike Rann MP, Minister for the Arts Sir, I have the honour to present the sixty-second Annual Report of the Art Gallery Board of South Australia for the Gallery’s 123rd year, ended 30 June 2004. Michael Abbott QC, Chairman Art Gallery Board 2003–2004 Chairman Michael Abbott QC Members Mr Max Carter AO (until 18 January 2004) Mrs Susan Cocks (until 18 January 2004) Mr David McKee (until 20 July 2003) Mrs Candy Bennett (until 18 January 2004) Mr Richard Cohen (until 18 January 2004) Ms Virginia Hickey Mrs Sue Tweddell Mr Adam Wynn Mr. Philip Speakman (commenced 20 August 2003) Mr Andrew Gwinnett (commenced 19 January 2004) Mr Peter Ward (commenced 19 January 2004) Ms Louise LeCornu (commenced 19 January 2004) 2 TABLE OF CONTENTS Principal Objectives 5 Major Achievements 2003-2004 6 Issues and Trends 9 Major Objectives 2004–2005 11 Resources and Administration 13 Collections 22 3 APPENDICES Appendix A Charter and Goals of the Art Gallery of South Australia 27 Appendix B1 Art Gallery Board 29 Appendix B2 Members of the Art Gallery of South Australia 29 Foundation Council and Friends of the Art Gallery of South Australia Committee Appendix B3 Art Gallery Organisational Chart 30 Appendix B4 Art Gallery Staff and Volunteers 31 Appendix C Staff Public Commitments 33 Appendix D Conservation 36 Appendix E Donors, Funds, Sponsorships 37 Appendix F Acquisitions 38 Appendix G Inward Loans 50 Appendix H Outward Loans 53 Appendix I Exhibitions and Public Programs 56 Appendix J Schools Support Services 61 Appendix K Gallery Guide Tour Services 61 Appendix L Gallery Publications 62 Appendix M Annual Attendances 63 Information Statement 64 Appendix N Financial Statements 65 4 PRINCIPAL OBJECTIVES The Art Gallery of South Australia’s objectives and functions are effectively prescribed by the Art Gallery Act, 1939 and can be described as follows: • To collect heritage and contemporary works of art of aesthetic excellence and art historical or regional significance.
    [Show full text]
  • Scientists' Houses in Canberra 1950–1970
    EXPERIMENTS IN MODERN LIVING SCIENTISTS’ HOUSES IN CANBERRA 1950–1970 EXPERIMENTS IN MODERN LIVING SCIENTISTS’ HOUSES IN CANBERRA 1950–1970 MILTON CAMERON Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at http://epress.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Author: Cameron, Milton. Title: Experiments in modern living : scientists’ houses in Canberra, 1950 - 1970 / Milton Cameron. ISBN: 9781921862694 (pbk.) 9781921862700 (ebook) Notes: Includes bibliographical references and index. Subjects: Scientists--Homes and haunts--Australian Capital Territority--Canberra. Architecture, Modern Architecture--Australian Capital Territority--Canberra. Canberra (A.C.T.)--Buildings, structures, etc Dewey Number: 720.99471 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design by Sarah Evans. Front cover photograph of Fenner House by Ben Wrigley, 2012. Printed by Griffin Press This edition © 2012 ANU E Press; revised August 2012 Contents Acknowledgments . vii Illustrations . xi Abbreviations . xv Introduction: Domestic Voyeurism . 1 1. Age of the Masters: Establishing a scientific and intellectual community in Canberra, 1946–1968 . 7 2 . Paradigm Shift: Boyd and the Fenner House . 43 3 . Promoting the New Paradigm: Seidler and the Zwar House . 77 4 . Form Follows Formula: Grounds, Boyd and the Philip House . 101 5 . Where Science Meets Art: Bischoff and the Gascoigne House . 131 6 . The Origins of Form: Grounds, Bischoff and the Frankel House . 161 Afterword: Before and After Science .
    [Show full text]
  • John ASHBERY, Poet (1927–2017)
    XXXXX SIZE: 170x170 Cuneiform tablet c. 2050 BCE Southern Mesopotamia (modern-day Iraq) RARES 099 C89 Cuneiform writing, developed by the ancient culture of Sumer, was one of the world’s first scripts. It was written on clay tablets using a wedged stick (cunea is Latin for ‘wedge’); the tablets were then sun-dried or fired. The earliest tablets (c. 3400 BCE) record economic transactions. This tablet records taxes paid in sheep and goats in the tenth month of the 46th year of Shulgi, second king of the Third Dynasty of Ur. BOOKS AND IDEAS ‘[T]he book is an extension of the eye …’ Marshall McLuha n The history of ideas is mirrored in the history of the book. Books have altered the course of history itself, through the dissemination of ideas that have changed how we think about the world and ourselves. In many cultures across different eras, books have played a highly symbolic and iconic role. There was a time when it was thought that the world’s knowledge could be collected between the covers of a book. The information explosion of recent times now makes it impossible to contain the world’s knowledge within one library, let alone in one book, yet books continue to be a powerful means of informing and inspiring new generations. XXXXX SIZE: 170x170 Leaf from an antiphonal showing the Office for Pope Gregory the Great England (?), c. 1400 Gift of Meredith Sherlock RAREP 782.324 C2862O CASE: XX SIZE: 150x 150 Claudius PTOLEMY (c. 100–170 CE) Ptolomaeus Almagestus (Ptolemy’s Greatest Work) Translated from Arabic into Latin by Gerardus Cremonensis Northern Italy, 1200–25 RARES 091 P95A Greek-born scholar Claudius Ptolemy lived in Roman-ruled Egypt, contributing significantly in the fields of philosophy, astronomy, mathematics and geography.
    [Show full text]
  • European Influences in the Fine Arts: Melbourne 1940-1960
    INTERSECTING CULTURES European Influences in the Fine Arts: Melbourne 1940-1960 Sheridan Palmer Bull Submitted in total fulfilment of the requirements of the degree ofDoctor ofPhilosophy December 2004 School of Art History, Cinema, Classics and Archaeology and The Australian Centre The University ofMelbourne Produced on acid-free paper. Abstract The development of modern European scholarship and art, more marked.in Austria and Germany, had produced by the early part of the twentieth century challenging innovations in art and the principles of art historical scholarship. Art history, in its quest to explicate the connections between art and mind, time and place, became a discipline that combined or connected various fields of enquiry to other historical moments. Hitler's accession to power in 1933 resulted in a major diaspora of Europeans, mostly German Jews, and one of the most critical dispersions of intellectuals ever recorded. Their relocation to many western countries, including Australia, resulted in major intellectual and cultural developments within those societies. By investigating selected case studies, this research illuminates the important contributions made by these individuals to the academic and cultural studies in Melbourne. Dr Ursula Hoff, a German art scholar, exiled from Hamburg, arrived in Melbourne via London in December 1939. After a brief period as a secretary at the Women's College at the University of Melbourne, she became the first qualified art historian to work within an Australian state gallery as well as one of the foundation lecturers at the School of Fine Arts at the University of Melbourne. While her legacy at the National Gallery of Victoria rests mostly on an internationally recognised Department of Prints and Drawings, her concern and dedication extended to the Gallery as a whole.
    [Show full text]
  • Grounds, Boyd and the Philip House
    4. Form Follows Formula: Grounds, Boyd and the Philip House Figure 4.1 Philip House, view from north-east Photograph: Ben Wrigley, 2011 John Philip was brought to Canberra as part of Frankel’s ambitious postwar recruitment program, and was appointed head of a new agricultural physics group at the CSIRO. Regarded as Australia’s leading environmental physicist, he was elected a Fellow of the Australian Academy of Science in 1967. His wife, Frances (‘Fay’), was an accomplished artist who was related to the Boyds via the Mills and à Becketts, and had attended the Murrumbeena State School in Victoria with Mary and Arthur Boyd. Many of Frances’s portraits of Australia’s leading scientists and academics—including Sir Mark Oliphant, Doug Waterhouse, John Jaeger, William Rogers, Patrick Moran and Manning Clark—are held in the collections of the Australian Academy of Science and The Australian National University. The Philip House, at 42 Vasey Crescent, Campbell, is one of three adjacent houses by Grounds, Romberg and Boyd that are known collectively as the Vasey Crescent Group. The other two houses in the group are the Blakers House and the Griffing House. Grounds and Boyd were both involved with these houses. All three were designed by Grounds, who arranged initial briefings, recorded 101 Experiments in Modern Living the clients’ requirements and prepared sketches from late 1959 through to early 1960. Boyd met with the clients in January 1960, and took control of the houses from May of that year as Grounds prepared for a three-month overseas trip.1 The Philip House is important for two reasons.
    [Show full text]
  • RMIT Design ARCHIVES JOURNAL Vol 3 Nº 1 2013 RMIT Design ARCHIVES JOURNAL Vol 3 Nº 1 2013 Frederick Romberg: an Architectural Survey
    RMIT DesIgn ARCHIVES JOURnAL Vol 3 Nº 1 2013 RMIT DesIgn ARCHIVES JOURnAL Vol 3 Nº 1 2013 Frederick Romberg: an architectural survey Since its beginning the RMIT Design Archives has actively sought Guest Editor Journal Editor methods of engaging contemporary design practitioners in contributing Michael Spooner Harriet Edquist to its innovative approaches to collecting and research. The Romberg Collection, deposited in 2008, documents the practice Editorial Assistance Design of eminent Melbourne architect Frederick Romberg. It has been over Kaye Ashton Letterbox.net.au ten years since the first and last exposition on Romberg’s output was held at RMIT Gallery. That exhibition and subsequent publication, contact Frederick Romberg: The Architecture of Migration 1936–1975, continue [email protected] to serve as the most complete public record of his work to date.1 www.rmit.edu.au/designarchives Frederick Romberg: an architectural survey is a collaborative inter- issn 1838-9406 disciplinary project that has approached the Romberg Collection with Published by rmit Design Archives, rmit University the intention of examining not only his architectural output, but the Text © rmit Design Archives, rmit University and individual authors. many ways in which the collection might be seen to work and have implications for contemporary discourse on design. It has sought from This Journal is copyright. Apart from fair dealing for the purposes of research, criticism or review as permitted under the Copyright Act 1968, the nuances of a collection - the frayed edges, the insistent folds no part may be reproduced, stored in a retrieval system or transmitted – an active archive. by any means without the prior permission of the publisher.
    [Show full text]
  • Cross-Section, Dec 1968 (No
    UNIVERSITY OF MELBOURNE DEPARTMENT OF ARCHITECTURE CROSS-SECTION Issue No. 194 December 1, 1968 If The RAIA has bestowed its 1968 Gold Medal on architect Roy Grounds, for distinguished service in the Advancement of Architecture, thus crowning a career of notable achievement — and not before time! If Tasmanian architect Geoff Butterworth was awarded the St. Regis-A.C.I.-Scholarship for research into "Communications between Building Materials Suppliers and Architects". IF Melbourne's square, as everybody knows. Melbourne's square — as everybody knows — is caus- ing a lot of bellyaching and other birth-pangs among the locals. With at least one staunch ally on the City Council, the RAIA Vic. Chap. has mounted a model campaign to see that this opportunity for good Civic Planning is not allowed to lapse into the apathy of potted perennials. Hopes are high for an architectural competition: however, opinions vary about whether it should be international, Australia-wide, or restricted to Victoria. The problem is not so much how to design a square, as what to do with 11/2 acres of waste land between the side of a boom style town hall and the back of a gothic revival cathedral in the centre of a busy city. High on the list of idiot suggestions are 1) put a concrete replica of Batman's Boat (presumably in the middle of a sea of cement), and 2) an enormous floral clock (fitted with seats at a dollar a ride). C-S eagerly awaits the suggestion that it should be filled with buildings. We'll keep you posted.
    [Show full text]
  • National Gallery of Victoria (Former)
    Nationally Significant 20th-Century Architecture Revised 22/04/2011 National Gallery of Victoria (former) Address 180 St Kilda Road, Southbank 3006 Practice Grounds, Roy Designed 1959 Completed 1968 Address History & In 1959 Grounds, Romberg and Boyd were appointed architects to Description design a new NGV on a site in St Kilda Road. Later amid great 180 controversy Roy Grounds became the sole architect. His master plan placed the Gallery and two other smaller buildings at the southern end of the site, with the northern end reserved for the St Kilda Road future construction of a theatre and concert hall complex. The large palazzo-like gallery building is rectangular in form with Southbank three internal courtyards providing light and external views to surrounding galleries. The bluestone clad, reinforced concrete Victor 3006 building is relieved only by a large entrance archway and a bronze Victorian coat of arms by Norma Redpath on the front facade. The oriental influenced floating roof, with upturned eaves, is separated from the walls by a continuous band of high clerestorey windows, and a moat surrounds the entire building. The water theme is continued at the entry where a flow of water runs down a glass screen, now known as the water wall. The brief required the inclusion of a reception hall for State functions and this is four storeys in height and features an abstract ceiling of multi-coloured glass by the artist Leonard French. Two principal double height floors, at ground and second floor levels, contain the main gallery spaces, with intermediary floors containing many of the service RAIA Nº areas.
    [Show full text]
  • R047 Forrest Townhouses RSTCA
    Register of Significant Twentieth Century Architecture RSTCA No: R047 Name of Place: Forrest Townhouses Other/Former Names: Address/Location: 2 Arthur Circle and 3 Tasmania Circle FORREST 2603 Block 4 Section 11of Forrest Listing Status: Registered Other Heritage Listings: Date of Listing: Level of Significance: Citation Revision No: Category: Citation Revision Date: November 2004 Style: Date of Design: Designer: Construction Period: Client/Owner/Lessee: Date of Additions: Builder: Statement of Significance The Forrest Townhouses are an example of significant architecture and an educational resource. They are an excellent example of the Post-War Melbourne Regional style (1940-60) and are notable for displaying the design skill of the architect Sir Roy Grounds. The design incorporates many of the features that are specific to the style; widely projecting eaves, long unbroken roof line, narrow edge to roof and glass wall with regularly spaced timber mullions. The buildings also display elements of the Post-War International style, (1940-60), including cubiform overall shape and large sheets of glass The following design features are of additional significance; the steel roofing; overhang for shade; plain smooth wall surfaces; exposed rafters; the face concrete blockwork and courtyards; the double height living space overlooked from the gallery and open planning with the interiors opening out into the landscape; the limed ash joinery and paneling; the straw ceiling and exposed framing; the original detailing and type of finishes using natural materials. The townhouses were awarded the RAIA ACT Chapter Twenty Five Year Award in 1996. The complex is important for its strong association with the talented architect Sir Roy Grounds who is considered a key practitioner in the Post-War Melbourne Regional style in Australia.
    [Show full text]