Mosley and Michael X Local Horrible History Talks
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Curriculum Vitae
CURRICULUM VITAE 1.0 PERSONAL DATA: NAME: Edwin Richard Galea BSc, Dip.Ed, Phd, CMath, FIMA, CEng, FIFireE HOME ADDRESS: TELEPHONE: 6 Papillons Walk (home) +44 (0) 20 8318 7432 Blackheath SE3 9SF (work) +44 (0) 20 8331 8730 United Kingdom (mobile) +44 (0)7958 807 303 EMAIL: WEB ADDRESS: Work: [email protected] http://staffweb.cms.gre.ac.uk/~ge03/ Private: [email protected] PLACE AND DATE OF BIRTH: NATIONALITY: Melbourne Australia, 07/12/57 Dual Citizenship Australia and UK MARITAL STATUS: Married, no children EDUCATION: 1981-84: The University of Newcastle, NSW, Australia. PhD in Astrophysics: The Mathematical Modelling of Rotating Magnetic Upper Main Sequence Stars 1976-80: Monash University, Melbourne, Australia Dip.Ed. and B.Sc.(Hons) in Science, with a double major in mathematics and physics HII(A) 1970-75: St Albans High School, Melbourne, Australia 2.1 CURRENT POSTS: CAA Professor of Mathematical Modelling, University of Greenwich, (1992 - ) Founding Director, Fire Safety Engineering Group, University of Greenwich, (1992 - ) Vice-Chair International Association of Fire Safety Science (Feb 2014 - ) Visiting Professor, University of Ghent, Belgium (2008 - ) Visiting Professor, Western Norway University of Applied Sciences (HVL), Haugesund, Norway, (Nov 2015 - ) Technical Advisor Clevertronics (Australia) (March 2015 - ) Associate Editor, The Aeronautical Journal of the Royal Aeronautical Society (Nov 2013 - ) Associate Editor, Safety Science (Feb 2017 - ) Expert to the Grenfell Inquiry (Sept 2017 - ) 2.2 PREVIOUS POSTS: External Examiner, Trinity College Dublin (June 2013 – Feb 2017) Visiting Professor, Institut Supérieur des Matériaux et Mécaniques Avancés (ISMANS), Le Mans, France (2010 - 2016) Associate Editor of Fire Science Reviews until it merged with another fire journal (2013 – DOC REF: GALEA_CV/ERG/1/0618/REV 1.0 1 2017) Associate Editor of the Journal of Fire Protection Engineering until it merged with another fire journal (2008 – 2013) 3.0 QUALIFICATIONS: DEGREES /DIPLOMAS Ph.D. -
Ladbroke Grove
Background and Context The Ladbroke Grove Inquiry, which was conducted by Lord Cullen, arose out of the crash at Ladbroke Grove junction on 5 October 1999 between trains operated by Thames Trains and First Great Western. There were 31 fatalities. How the Topic was Handled The inquiry was conducted under section 14 of the Health and Safety at Work etc Act 1974. The inquiry had the following terms of reference: 1. To inquire into, and draw lessons from, the accident near Paddington Station on 5.10.99, taking account of the findings of the HSE ‘s [Health and Safety Executive] into immediate causes. 2. To general experience derived from relevant accidents on the railway since the Hidden inquiry [1988 Clapham Rail Crash], with a view to drawing conclusions about: o factors which affect safety management o the appropriateness of the current regulatory regime 3. In the light of the above, to make recommendations for improving safety on the future railway. The inquiry complemented, rather than replaced, investigations by the Health and Safety Executive. Dr Knapman, the coroner for Inner West London, carried out an inquest into each fatality, into the time and place of death, and the medical cause of death. In accordance with section 17A of the Coroners Act 1988, each of the inquests was adjourned to await the outcome of the inquiry and then not resumed. The costs of the inquest proceedings (much shorter than they would have been if there had been no public inquiry) were met by the local authorities with the coroner’s district (Westminster, Kensington and Chelsea, Wandsworth and Merton). -
Ladbroke Grove, Notting Hill
Ladbroke Grove, Notting Hill W11 Set in one of the most desirable locations in Notting Hill, this delightful second floor apartment (with lift) benefits from an abundance of natural light and lovely views over and access to the Stanley Crescent Communal Gardens. FirstSituated paragraph, on the very editorial top of style,Ladbroke short, Grove considered the apartment headline benefitsbenefits windowsof living onhere. all fourOne sidesor two ofsentences the building that and convey therefore what youhas wouldan abundance say in person. of natural light. SecondThe apartment paragraph, offers additional great reception details ofspace note toabout the frontthe with a property.separate Wordingdining or to TV add room. value The and master support bedroom image selection.is situated at Temthe rear volum with is asolor bay windowsi aliquation overlooking rempore peaceful puditiunto Stanley qui utatis Crescent adit,gardens. animporepro There is aexperit second et doubledolupta bedroom ssuntio mos with apieturerea shower room ommostiadjacent. Thesquiati separate busdaecus kitchen cus also dolorporum overlooking volutem. the gardens was recently renovated. Third paragraph, additional details of note about the property. WordingThe building to add provides value and direct support access image to the selection. private communal Tem volumgardens is solorand further si aliquation benefits rempore from a puditiuntolift. qui utatis adit, animporepro experit et dolupta ssuntio mos apieturere ommostiAlso benefitting squiati from busdaecus Share of cus the dolorporum Freehold. volutem. XXX2 2 1 X GreatLadbroke Missenden Grove runs1.5 miles, off Holland London Park Marlebone Avenue 39 in minutes, Notting Hill Amershamnorth to Kensal 6.5 miles, Rise. ItM40 is close J4 10 to miles,Holland Beaconsfield Park and bustling 11 miles, M25Portobello j18 13 miles,Road, Central bohemian London Westbourne 36 miles Grove (all distances with its stylishand timesboutiques are approximate). -
Kristine Stiles
Concerning Consequences STUDIES IN ART, DESTRUCTION, AND TRAUMA Kristine Stiles The University of Chicago Press Chicago and London KRISTINE STILES is the France Family Professor of Art, Art Flistory, and Visual Studies at Duke University. The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2016 by Kristine Stiles All rights reserved. Published 2016. Printed in the United States of America 24 23 22 21 20 19 18 17 16 15 12345 ISBN13: 9780226774510 (cloth) ISBN13: 9780226774534 (paper) ISBN13: 9780226304403 (ebook) DOI: 10.7208/chicago/9780226304403.001.0001 Library of Congress CataloguinginPublication Data Stiles, Kristine, author. Concerning consequences : studies in art, destruction, and trauma / Kristine Stiles, pages cm Includes bibliographical references and index. ISBN 9780226774510 (cloth : alkaline paper) — ISBN 9780226774534 (paperback : alkaline paper) — ISBN 9780226304403 (ebook) 1. Art, Modern — 20th century. 2. Psychic trauma in art. 3. Violence in art. I. Title. N6490.S767 2016 709.04'075 —dc23 2015025618 © This paper meets the requirements of ANSI/NISO z39.481992 (Permanence of Paper). In conversation with Susan Swenson, Kim Jones explained that the drawing on the cover of this book depicts directional forces in "an Xman, dotman war game." The rectangles represent tanks and fortresses, and the lines are for tank movement, combat, and containment: "They're symbols. They're erased to show movement. 111 draw a tank, or I'll draw an X, and erase it, then redraw it in a different posmon... -
White City Ladbroke Grove North Kensington
e an L on m om C ak O ld O Site of proposed High Speed 2 rail station Saint Mary’s Catholic Cemetery O l d O a k C o m m o n L a n e Kensal Green N Cemetery M i t r e W a B y rayb roo Wormwood Scrubs k St reet W ul f Park s t a n S Me Little Wormwood t lli r tus ee St reet t Scrubs Recreation Ground B r a y b r o o k M S t e r l e Th li e e t t Fa u irway s S t r e e t H e M n F i t c i r t h e z m n W e a a a LADBROKE n y l S S t t r r e e e e t t et W re St u ald lf w st con a Er n S t ns r rde e Ga Dalgarno et rno Gardens GROVE a Dalg Barlby Road t St ree oke y St sl Wa ey ey itre sl St M et ke ree B re to t r St S a iot y Fol b r i H o H o d g a Bras e k o sie h R Ave n y nu S e c l lb v B e r h t a t r e r B m e e tre e e w R S a r d n t B al s w r t n S o o F t a e c i a Er t re ce r z d n e G w S e t a e r t M a l ll d e S R t n a r O oa r s e k l e ’ d t d s a O R 12 o a Su k B4 d nn o in C gd a W ad l m Oakworth Ro e Du u C m A an e lf R v o s o ad e t n a n n P S u L a a S c e r n n t r u g e e b e b t s o L u a r n n e e A Norbr ad o Ro v ke S Pole e tr Hammersmith h n eet ort Kensington N u Hospital e Memorial Park S t D Qu u Ca in N ne R ti orbr oad n oke S Av tree en t ue L a t H i h g Westway m i reet e l St r l C l e averswa R Latymer v oa e r R Upper School d Ba o nste a ad d E Cou ast Act rt on Lane Prim Playing Fields ula S treet Foxg S love t S E tre M et y n eet a tr h Glenroy S r A40 k Ba a n ’ m stead Du s Co C ur an R t e R R Kingsbridge Roa d o o Lane Wood ad o a H a ea th d sta d n R o ad NORTH d a o R e e r -
Squatting – the Real Story
Squatters are usually portrayed as worthless scroungers hell-bent on disrupting society. Here at last is the inside story of the 250,000 people from all walks of life who have squatted in Britain over the past 12 years. The country is riddled with empty houses and there are thousands of homeless people. When squatters logically put the two together the result can be electrifying, amazing and occasionally disastrous. SQUATTING the real story is a unique and diverse account the real story of squatting. Written and produced by squatters, it covers all aspects of the subject: • The history of squatting • Famous squats • The politics of squatting • Squatting as a cultural challenge • The facts behind the myths • Squatting around the world and much, much more. Contains over 500 photographs plus illustrations, cartoons, poems, songs and 4 pages of posters and murals in colour. Squatting: a revolutionary force or just a bunch of hooligans doing their own thing? Read this book for the real story. Paperback £4.90 ISBN 0 9507259 1 9 Hardback £11.50 ISBN 0 9507259 0 0 i Electronic version (not revised or updated) of original 1980 edition in portable document format (pdf), 2005 Produced and distributed by Nick Wates Associates Community planning specialists 7 Tackleway Hastings TN34 3DE United Kingdom Tel: +44 (0)1424 447888 Fax: +44 (0)1424 441514 Email: [email protected] Web: www.nickwates.co.uk Digital layout by Mae Wates and Graphic Ideas the real story First published in December 1980 written by Nick Anning by Bay Leaf Books, PO Box 107, London E14 7HW Celia Brown Set in Century by Pat Sampson Piers Corbyn Andrew Friend Cover photo by Union Place Collective Mark Gimson Printed by Blackrose Press, 30 Clerkenwell Close, London EC1R 0AT (tel: 01 251 3043) Andrew Ingham Pat Moan Cover & colour printing by Morning Litho Printers Ltd. -
Play and No Work? a 'Ludistory' of the Curatorial As Transitional Object at the Early
All Play and No Work? A ‘Ludistory’ of the Curatorial as Transitional Object at the Early ICA Ben Cranfield Tate Papers no.22 Using the idea of play to animate fragments from the archive of the Institute of Contemporary Arts, this paper draws upon notions of ‘ludistory’ and the ‘transitional object’ to argue that play is not just the opposite of adult work, but may instead be understood as a radical act of contemporary and contingent searching. It is impossible to examine changes in culture and its meaning in the post-war period without encountering the idea of play as an ideal mode and level of experience. From the publication in English of historian Johan Huizinga’s Homo Ludens in 1949 to the appearance of writer Richard Neville’s Play Power in 1970, play was used to signify an enduring and repressed part of human life that had the power to unite and oppose, nurture and destroy in equal measure.1 Play, as related by Huizinga to freedom, non- instrumentality and irrationality, resonated with the surrealist roots of the Institute of Contemporary Arts (ICA) in London and its attendant interest in the pre-conscious and unconscious.2 Although Huizinga and Neville did not believe play to be the exclusive preserve of childhood, a concern for child development and for the role of play in childhood grew in the post-war period. As historian Roy Kozlovsky has argued, the idea of play as an intrinsic and vital part of child development and as something that could be enhanced through policy making was enshrined within the 1959 Declaration of the -
Eddie Adams Transcript
EDDIE ADAMS BRITAIN AT WORK Interviewed by Tom Vague 240 Lancaster Road North Kensington 28/5/09 Eddie Adams was a sheet metal worker on Latimer Road in the early 50s, then he worked at the Heinz factory in Harlesden, and as an electrician for the Ministry of Works and at Ford in Dagenham. As a member of the electricians’ union (ETU), he became a shop steward and the west London convenor of shop stewards at the Ministry of Works. He later worked at the Law Centre on Golborne Road and set up the Gloucester Court Reminiscence Group. Since the 50s he has also been a leading community activist in Notting Hill. Eddie has published several local history books and is still active on various community campaigns in North Kensington. Vulcan sheet metal works Latimer Road I started work at 15. My first job was at Vulcan sheet metal works which were underneath the arches in Latimer Road (now Freston Road). This was a small industrial unit which made colt cowls, which some people may remember, you can still see a few of them on chimneys. They were to draw off the smoke from the chimneys. The firm also made ventilators, and there were roughly 20 people working there. I was 15 in 1951, that’s when I started work there and I probably stayed there for two years. It was a place where lots of young people started their working life in North Kensington. One of those fairly dead end jobs but it was an introduction to work and some skills. -
Cultural Placemaking in the Royal Borough of Kensington and Chelsea
Cultural Placemaking in the Royal Borough of Kensington and Chelsea Contents Introduction 4VSÁPI Inside the World’s Cultural City The Royal Borough: Seizing the Opportunity Case Studies 8LI'VIEXMZI(MWXVMGX4VSÁPIV Earl’s Court Lots Road Kensal Gasworks and Surrounds Kensington and Chelsea: Cultural Motifs Cultural Interventions: A series of initial ideas for consideration Next Steps Report Partners Introduction Councillor Nicholas Paget-Brown This publication has arisen from a desire to explore the relationship between local ambitions for arts, culture and creativity and new property developments in the Royal Borough of Kensington and Chelsea. Culture continues to prove its key significance to our part of London in so many ways and it is heartening that developers, artists and arts organisations have in recent times been collaborating on projects much more closely. In our desire to find the right way forward We are in an excellent position to connect for Kensington and Chelsea we wanted to developers to the creative content of the examine what has been achieved, look at borough, and thereby both to animate and emerging patterns and map out the right add value to their plans. We believe that, approach for the borough as a whole. armed with a long-term neighbourhood vision and a clear appreciation of the We are privileged to have a fabulous significance of the borough in the wider cultural mix in the borough, ranging from London context, we are in a strong internationally renowned institutions to position to broker successful partnerships creative entrepreneurs, from specialist that will benefit developers, artists, arts organisations to major creative residents, local businesses and visitors industries. -
Table of Contents
National Discourse on Carnival Arts Report by Ansel Wong, October 2009 1 2 © Carnival Village, Tabernacle 2009 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form, or by any means, electronic, mechanical, photocopying, recorded or otherwise, without the prior permission of the author. Contact details for further information: Shabaka Thompson CEO Carnival Village, Tabernacle Powis Square London W11 2AY Tel: +44 (0) 20 7286 1656 [email protected] www.Carnivalvillage.org.uk 3 This report is dedicated to the memory of David Roussel-Milner (Kwesi Bachra) 18 February 1938 – 28 October 2009 4 Executive Summary Introduction The Carnival Village, The ELIMU Paddington Arts Carnival Band, the Victoria and Albert Museum and HISTORYtalk hosted the National Discourse on Carnival from Friday 2 October to Sunday 4 October 2009 with a number of post-conference events lasting for the duration of the month of October. The programme was delivered through two strands – ROOTS (a historical review and critical analysis of Carnival in London from 1969) and ROUTES (mapping the journey to artistic and performance excellence for Carnival and its related industries) - to achieve the following objectives: Inform Carnival Village‟s development plans Formulate an approach to and build a consensus on Carnival Arts Identify and develop a strategic forum of stakeholders, performers and artists Recognise and celebrate artistic excellence in Carnival Arts Build on the legacies of Claudia Jones and other Carnival Pioneers The Programme For the duration of the event, there were two keynote presentations; the first was the inaugural Claudia Jones Carnival Memorial Lecture delivered by Dr Pat Bishop and the second was delivered by Pax Nindi on the future of Carnival. -
Game Reserves, Murder, Afterlives: Grace A
This is a repository copy of Game Reserves, Murder, Afterlives: Grace A. Musila’s A Death Retold in Truth and Rumour. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/121047/ Version: Accepted Version Article: Nicholls, BL (2017) Game Reserves, Murder, Afterlives: Grace A. Musila’s A Death Retold in Truth and Rumour. Eastern African Literary and Cultural Studies, 3 (2-4). pp. 184-199. ISSN 2327-7408 https://doi.org/10.1080/23277408.2017.1343006 © 2017 Brendon Nicholls. This is an Accepted Manuscript of an article published by Taylor & Francis in Eastern African Literary and Cultural Studies on 11th October 2017, available online: https://doi.org/10.1080/23277408.2017.1343006. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ 1 Brendon Nicholls Game Reserves, Murder, Afterlives: Grace A. Musila’s A Death Retold in Truth and Rumour At the end of Ngg wa Thiong’o’s Petals of Blood, a young woman called Akinyi visits Karega, a trade unionist imprisoned on suspicion of communism by the Kenyatta regime. -
The Divine Comedy Inferno • Purgatory • Paradise • a Life of Dante POETRY Read by Heathcote Williams with John Shrapnel Inferno
Dante The Divine Comedy Inferno • Purgatory • Paradise • A Life of Dante POETRY Read by Heathcote Williams with John Shrapnel Inferno 1 Canto I 7:43 2 Canto II 7:27 3 Canto III 7:45 4 Canto IV 8:02 5 Canto V 8:16 6 Canto VI 6:55 7 Canto VII 7:44 8 Canto VIII 7:28 9 Canto IX 7:34 10 Canto X 7:29 11 Canto XI 5:51 12 Canto XII 7:03 13 Canto XIII 7:21 14 Canto XIV 7:50 15 Canto XV 5:58 16 Canto XVI 7:39 2 17 Canto XVII 6:30 18 Canto XVIII 7:36 19 Canto XIX 6:35 20 Canto XX 6:29 21 Canto XXI 6:18 22 Canto XXII 7:11 23 Canto XXIII 8:00 24 Canto XXIV 7:45 25 Canto XXV 7:17 26 Canto XXVI 7:36 27 Canto XXVII 6:21 28 Canto XXVIII 7:43 29 Canto XXIX 7:10 30 Canto XXX 7:57 31 Canto XXXI 7:55 32 Canto XXXII 6:35 33 Canto XXXIII 8:34 34 Canto XXXIV 8:30 Time: 4:10:30 3 Purgatory 35 Canto I 8:16 36 Canto II 8:01 37 Canto III 8:24 38 Canto IV 8:45 39 Canto V 8:23 40 Canto VI 9:01 41 Canto VII 7:35 42 Canto VIII 8:11 43 Canto IX 9:00 44 Canto X 8:20 45 Canto XI 8:14 46 Canto XII 7:54 47 Canto XIII 9:07 48 Canto XIV 8:05 49 Canto XV 8:31 50 Canto XVI 8:11 4 51 Canto XVII 8:13 52 Canto XVIII 7:53 53 Canto XIX 8:17 54 Canto XX 8:28 55 Canto XXI 8:11 56 Canto XXII 8:12 57 Canto XXIII 7:44 58 Canto XXIV 8:55 59 Canto XXV 8:06 60 Canto XXVI 8:28 61 Canto XXVII 8:09 62 Canto XXVIII 7:47 63 Canto XXIX 7:20 64 Canto XXX 7:55 65 Canto XXXI 7:58 66 Canto XXXII 8:32 67 Canto XXXIII 8:59 Time: 4:33:28 5 Paradise 68 Canto I 8:42 69 Canto II 8:36 70 Canto III 6:38 71 Canto IV 7:48 72 Canto V 7:47 73 Canto VI 7:44 74 Canto VII 8:12 75 Canto VIII 7:41 76 Canto IX 7:48