DOCSLIB.ORG

Nepali Times

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Nepali Times #30 16 - 22 February 2001 20 pages Rs 20 ASHUPPPPASHUPTINAAAA ASHUPTINATH TINA 9 SHIVSHIVAAA SHIV’S NIGHT 10-11 EXCLUSIVE Collateral Damage Coinciding with the fifth anniversary of the launch of the armed struggle, the Maoists have carried out a series of LOVING TO HATE GIRIJA stealthy ambushes which represents a BINOD○○○○○○○○○○○○○○○○○○○○ BHATTARAI shift from their earlier strategy of daring frontal night-time assaults on hey all want him out: rebels within the isolated police posts. But the new ruling Congress, the main opposition tactics, which involve the use of t UML, the smaller parties in parliament, booby-trapped pipe bombs and the Maoists, the extreme right. Even pressure cooker explosives, have led Nepal’s donors are getting impatient. But to several “mistakes” in which Girija Prasad Koirala is a stubborn fighter, innocents, foreigners and unintended and he is getting ready to take a last stand. targets have also been attacked. After thinking he had defused a mutiny First, it was Chief Justice Keshav within his party at the Pokhara Convention BAJRACHARYA DIPENDRA Prasad Upadhyay who had a narrow last month, Koirala was getting ready to train his guns at the opposition. But the HANGING THEIR HEADS IN SHAME? (from l to r): KP Oli and Madhav Kumar Nepal from the opposition internal rifts were too deep to heal, and bench, Girija Prasad Koirala, Ram Chandra Poudel, and even a crucial reshuffle last week didn’t do Govinda Raj Joshi at the opening of the winter session the trick. Key ministerial appointee Khum of parliament. Parliament was paying its respects to Bahadur Khadka refused to take his oath of “known and unknown” martyrs. office at the Royal Palace and was fired a week later. Even the threat of a united Girija-bashing is going into high gear. opposition move during the winter session to take sides, if only to prove that they too not only a failed prime minister, but also why the tourism minister went back on his of parliament that began on 8 February exist. The country meanwhile teeters on the corrupt. “If he wants to help the investiga- decision not to get the jet through direct failed to unite the Congress. edge, Girija refuses to go and the opposition tion he should resign, otherwise we’ll have negotiations. There is no hard evidence to The UML’s main charge is that Koirala escape when a convoy he was refuses to let go. to understand he’s there to destroy back the allegations of malpractice, and the travelling in was ambushed near was up to his neck in the controversial lease The UML and the four other opposi- evidence,” he warned. Nepal also gave the accusations hinge on suspicions that Surkhet on 3 Feb. Five others, of a Boeing 767 for Royal Nepal Airlines tion groups know that they do not CIAA a veiled warning saying it was being kickbacks were offered, and taken. They including the registrar of the Surkhet from the Austrian charter operator, Lauda command the numbers to get rid of Koirala, watched to see if it would “chicken out” on probably were, but someone has to Appellate Court, died. The Maoists later Air. Koirala sacrificed the airline’s executive they are banking on an outpouring of public the investigation. prove it. admitted it was a mistake. Then a chairman and later his tourism minister but outrage as in the Philippines which forced To be sure, even considering the The CIAA is now combing the similar ambush on 10 Feb in the opposition was not satisfied. We’ve President Estrada out after charges of accepted wisdom that all aircraft deals in paperwork, including what we’re told is a Sindhupalchowk wounded a Chinese learnt that it may take more time for the corruption. They are also seemingly Nepal are tainted, the Lauda lease has some voluminous proposal given to the national working on the Indrawati Commission for the Investigation of the unconcerned about what all this politicking kinks. The aircraft is expensive (the $3,350 Cabinet. Only after it is through and Hydro Project, the first ever foreigner Abuse of Authority (CIAA) to press formal will do to the CIAA, which is investigating per flying hour quoted does not include the prepares a case will we know if there will to be injured in a Maoist attack. charges, if any. But that’s not stopping the Lauda deal, and remains one of few large bills for crew layovers and other be any formal charges. One senior Eleven police were injured in the UML’s Madhav Kumar Nepal from making institutions that most Nepalis still believe is overheads). Still, papers available so far Koirala aide told us: “The opposition ensuing firefight. The Chinese this the main issue in parliament. The UML clean. A CIAA source confided: “We’re from the Parliamentary Accounts Commit- knows the prime minister won’t resign warned they will abandon the project and the smaller left and right opposition worried about where all this flag-waving is tee (PAC) do not directly implicate the over these charges. They may eventually if adequate security measures are members have been raising slogans inside dragging us. There is no reason why the prime minister; all they show is that the try to take the issue to the streets.” not taken. In the latest attack, two the House, walking out and staying away. entire nation should be paralysed by one cabinet approved the purchase and released Ironically, the boycott of parliament is children died when a pipe bomb left So, there we have it: a government specific investigation that is taking its the foreign exchange. What PAC members delaying the enactment of crucial anti- by Maoists at a community water tap whose presence cannot be felt, a ruling normal course.” were more incensed about is that the corruption bills, including one that would in Mangalsen, Accham, exploded on party with a majority but which is paralysed The UML knows it has a juicy bone Cabinet ignored it earlier directive to stop give the CIAA more teeth. With the house the morning of 12 Feb. Eight others by dissent, an opposition driven to make its and is snarling at anyone who comes near. the agreement pending an investigation, and paralysed, the Armed Police Force ordinance were injured, five of them minors. presence felt because of impending In a two-hour long tirade on the opening for violating a CIAA directive on leasing to set up a special paramilitary unit to fight Meanwhile, the National Human elections, and minor political groups forced day of parliament, Nepal said Koirala was procedures. It was also suspicious about the Maoists also hangs in the balance. Rights Commission is still waiting for their Maoist “visas” to visit the four mid- western districts. Stop, look, and don’t go he transport strike has been called off but enough time to ponder the problem. But because we’ve not heard of any steps by government to 10% clearly this is no reason to celebrate. The assess the impact and alternatives, don’t be surprised if there’s another standoff one month After failing to resolve the 10 percent t government has just bought itself a from now. service charge issue by the 11 Feb month to meet the 13 demands of transport It would first need to back its pollution claims and suggest alternatives for mass transit— operators, most important of which is to especially after chakka-jams early this week. Then there’s the task force report of November deadline, all parties gave themselves roll back its decision to ban old vehicles. 2000 (when the ban was announced), which had recommended that no new passenger vehicles be till Saturday to do so. The prime The issue about student fares was only a registered until traffic management is improved considerably. The Department of Traffic minister has asked his new tourism minor irritant. The country’s environment Management (DOTM) had then said it would “soon formulate a policy to allow only minister to read the National Planning authorities and traffic managers seem environmentally friendly vehicles to ply in Kathmandu” and also “recommend the development of Commission report and see what thoroughly confused about how to handle a mass transit system”. That was the last we heard of the plan. MIN BAJRACHARYA action can be taken. There is a the issue. This is not the first time that promises of “environmentally friendly vehicles” and “mass rapid system” have been tossed about. The National Planning Commission (NPC) had made general mellowing of the hardline Clearly the government found itself in a fix. It did little homework on how the decision these suggestions as early as 1996. But instead of following the NPC recommendations, the stance on both sides, with a would impact not just transporters but also government offered tax concessions to microbuses and electric and gas three-wheelers. With the proposal to postpone bargaining for commuters. Then there’s the Vikram tempo number of commuters rising every year, the proliferation of small capacity vehicles will only two years, or until tourism arrivals hit ghost lurking in the shadows. The government had allowed Vikram owners to import low-capacity lead to greater traffic problems. But this is also contentious territory—this is where arguments 500,000, whichever happens first. vehicles effectively tax-free, and to-be-displaced transport operators may demand the same. concerning per capita contribution to pollution and the “notorious” and “lesser” polluters, faster The Federation of Nepalese Transport Entrepreneurs has given the government more than and slower vehicles, and industrial pollution in the Valley, also rest.
Load more

Recommended publications
  • Aboriginal Art - Resistance and Dialogue
    University of New South Wales College of Fine Arts School of Art Theory ABORIGINAL ART - RESISTANCE AND DIALOGUE The Political Nature and Agency of Aboriginal Art A thesis submitted by Lee-Anne Hall in fulfilment of the requirements for the degree of Master of Art Theory CFATH709.94/HAL/l Ill' THE lJNIVERSllY OF NEW SOUTH WALES COLLEGE OF FINE ARTS Thesis/Project Report Sheet Surnune or Funily .nune· .. HALL .......................................................................................................................................................-....... -............ · · .... U · · MA (TH' rn ....................................... AbbFinlname: . ·......... ' ....d ........... LEE:::ANNE ......................lend.............. ................. Oher name/1: ..... .DEBaaAH. ....................................- ........................ -....................... .. ,CVlalJOn, or C&ltltal &1YCOIn '"" NVCfllt)'ca It:.... ..................... ( ............................................ School:. .. ART-����I��· ...THEORY ....... ...............................··N:t�;;�?A�c·���JlacjTn·ar··................................... Faculty: ... COLLEGE ... OF. ...·Xr"t F.J:blll:...................... .AR'J: ..................... .........................-........................ n,1e:........ .................... •••••••••••••••••••••••••••••••••• .. •••••• .. •••••••••••••••••••••••••• .. •• • .. ••••• .. ••••••••••• ..••••••• .................... H ................................................................ -000000000000••o00000000
    [Show full text]
  • GUMURRII News
    GUMURRII News Issue 12 Acknowledgement of Country Griffith University acknowledges the people who are the traditional custodians of the land, pays respect to the Elders, past and present, and extends that respect to other Aboriginal and Torres Strait Islander peoples. Contents 3 Welcome 4 Welcome messages 5 GUMURRII SSU office news 6 Griffith | Aboriginal and Torres Strait Islander Units 7 Indigenous Research Unit 8 Recognising all who served their Country: Naming the forgotten soldiers 9 Student profiles — Kim Ah Sam 10 Student profiles — Amanda Wrigley | Callum Robinson 11 Student profiles — Violet Singh | Chantay Link 12 Valedictory dinner 2017 14 Graduating students 15 Queensland College of Art — Honour students 16 Walk and Talk provides path to reconciliation 17 NAIDOC Week 2018 18 Gold Coast 2018 Commonwealth Games 19 Griffith News | Community 20 Griffith News | Alumni 21 Useful information 1 2 Welcome The GUMURRII Student Support Unit is the heart of Griffith University’s Aboriginal and Torres Strait Islander community and is located on each of Griffith’s five campuses. 2018 marks 30 years for GUMURRII SSU—the dedicated student support unit for Aboriginal and Torres Strait Islander students at Griffith University. New GUMURRII logo The new logo for GUMURRII Student Support Unit symbolises the five campuses with the five traditional owners of the land and depict the career pathways to learning and development, joined by the red to symbolise their journey at Griffith University. 3 Welcome messages Message from Message from the Deputy the Director Vice Chancellor (Engagement) Each year I look forward to our GUMURRII For over thirty years the GUMURRII Valedictory dinner, and last year’s event Student Support Unit has been fundamental was extra special.
    [Show full text]
  • Visual Arts Visual Arts Australia Council for the Arts 372 Elizabeth Street, Surry Hills NSW 2010 PO Box 788, Strawberry Hills NSW 2012 ABN 38 392 626 187
    2ND EDITION Protocols for producing Indigenous Australian visual arts Visual arts Australia Council for the Arts 372 Elizabeth Street, Surry Hills NSW 2010 PO Box 788, Strawberry Hills NSW 2012 ABN 38 392 626 187 Telephone +61 2 9215 9000 Toll-free 1800 226 912 Facsimile +61 2 9215 9111 Email [email protected] www.australiacouncil.gov.au Visual arts 01 Contents Australia Council for the Arts Introduction 2 What happens when artists sell 372 Elizabeth Street, Surry Hills NSW 2010 their paintings? 23 Using this guide 3 PO Box 788, Strawberry Hills NSW 2012 Collaborative works 23 What are protocols? 3 ABN 38 392 626 187 Communal ownership vs. joint ownership 24 What are the Indigenous visual arts? 4 Telephone +61 2 9215 9000 Commissioned photographs 24 Special nature of Indigenous visual arts 5 Toll-free 1800 226 912 Facsimile +61 2 9215 9111 What are moral rights? 24 Indigenous heritage 6 Email [email protected] Licensing use of artworks 25 Current protection of heritage 6 www.australiacouncil.gov.au Managing copyright to protect This publication is available online your interests 25 at www.australiacouncil.gov.au Principles and protocols When is copyright infringed? 26 © Australia Council 2007 Respect 9 The Myer report 27 First published 2002, edited and revised 2006. This work Acknowledgment of country 9 Publishing and reproduction of is copyright. Apart from any use as permitted under the Public art – acknowledging land 10 Indigenous art 27 Copyright Act 1968, no part may be reproduced by any Accepting diversity 10 process without prior written permission from the Australia Indigenous communal moral rights 28 Council for the Arts.
    [Show full text]
  • A Study Guide by Roger Stitson
    TALKING LANGUAGE © ATOM 2014 A STUDY GUIDE BY ROGER STITSON http://www.metromagazine.com.au ISBN: 978-1-74295-453-0 http://www.theeducationshop.com.au This study guide contains a range of class activities relevant to each specific episode. There are also episode synopses at the beginning of each section. The activities on each episode are in self- contained sections throughout the study guide. Later in the study guide there is a section devoted to a general conclusion to the entire series. There is also a dedicated Media Studies section of activities relevant to the construction, purposes and outcomes of the series. This section may also be applied to individual episodes. Series Synopsis Talking Language, presented by Ernie Dingo, is a personal Ernie visits must answer: what is the future of Aboriginal journey providing a unique understanding of how knowledge languages in their community? of Aboriginal languages is shaped by ancestral connections to the land, stars, water, sea and the air we breathe. CURRICULUM LINKS Ernie visits six people from across Australia whose stories This study guide is mainly aimed at middle and upper–sec- of a spiritual connection to country highlight some of the ondary school levels, with relevance to English, Australian benefits and current challenges people face to maintain, History, Geography, Indigenous Studies, Language Studies, revive and create languages within their communities. Sustainability, Interpersonal Development, Personal Learning, Cultural Studies, Ethics and Philosophy and Media Studies. Throughout his journey Ernie explores the complex bal- ance between language, stories and relationship to country. CREDITS Importantly, he discovers how these relationships have been affected by a different type of relationship to country Made by CAAMA Productions for Imparja Television.
    [Show full text]
  • Brenda L.Croft
    Up in the sky, behind the clouds Brenda L. Croft I do what I do because I like doing it, I’m not chasing fame … Photography is just a medium for me, a way of putting across my views and images to the world. It’s no big deal.1 Big sky. Flat, open plains. Scudding clouds, as if swept across the canvas by a colossal invisible hand. The plane shudders as its landing gear drops – clunk – and, when its wing dips to the right, the black soil of Moree rises up in greeting. I was travelling there to meet with the family and friends of Michael Riley (1960– 2004), whose mother’s people were part of the Moree Kamilaroi community, and whose father’s people came from the red-soil western plains of Dubbo, Wiradjuri country, to the south, where I had travelled some weeks earlier. How do you measure a person’s life? Through their creative output? Their traces left behind, the memento mori? Through the reminiscences of others, in the spoken and written word? Through their family, their ancestors and descendants? Michael left us physically in August 2004, aged 44, suffering the after- effects of childhood poverty – the fate of too many Indigenous people in Australia, a First-World country, where the majority of the Indigenous people continue to live in Third-World conditions. By any standards Michael’s life was extraordinary and he has left behind a body of work that encompasses the complexity of contemporary Aboriginal life in myriad forms: portraiture, social-documentary and conceptual photography and film, and fine-art film.
    [Show full text]
  • Protocols for Producing Indigenous Australian Media Arts
    2ND EDITION Protocols for producing Indigenous Australian media arts Media arts Australia Council for the Arts 372 Elizabeth Street, Surry Hills NSW 2010 PO Box 788, Strawberry Hills NSW 2012 ABN 38 392 626 187 Telephone +61 2 9215 9000 Toll-free 1800 226 912 Facsimile +61 2 9215 9111 Email [email protected] www.australiacouncil.gov.au Media arts 01 Contents Australia Council for the Arts Introduction 2 Reproducing works 26 372 Elizabeth Street, Surry Hills NSW 2010 Accessing archival audio-visual material 26 Using this guide 3 PO Box 788, Strawberry Hills NSW 2012 Licensing the use of works 26 What are protocols? 3 ABN 38 392 626 187 Assigning copyright versus licensing 26 What is media art? 4 Telephone +61 2 9215 9000 What are Indigenous communal The special nature of Indigenous media art 5 Toll-free 1800 226 912 Facsimile +61 2 9215 9111 moral rights? 27 Indigenous heritage 7 Email [email protected] Managing copyright to protect Current protection of heritage 8 www.australiacouncil.gov.au your interests 28 This publication is available online Copyright notice 28 at www.australiacouncil.gov.au Principles and protocols Moral rights notice 29 © Australia Council 2007 Respect 10 When is copyright infringed? 29 First published 2002, edited and revised 2007. This work Acknowledgement of country 10 Fair dealing provisions 29 is copyright. Apart from any use as permitted under the Accepting diversity 11 Crown use of artworks 30 Copyright Act 1968, no part may be reproduced by Representation 11 any process without prior written permission from the Library copying 30 Australia Council for the Arts.
    [Show full text]
  • Beyond the Aesthetic a STUDY OF
    Beyond the Aesthetic A STUDY OF INDIGENEITY AND NARRATIVE IN CONTEMPORARY AUSTRALIAN ART – VOLUME ONE – Catherine Slocum December 2016 A thesis submitted for the degree of Doctor of Philosophy of The Australian National University © Copyright by Catherine Slocum 2016 All Rights Reserved INDIGENOUS AUSTRALIANS SHOULD BE AWARE THAT THIS DOCUMENT CONTAINS NAMES AND IMAGES OF DECEASED PERSONS. ii THE TERM ‘INDIGENOUS AUSTRALIANS’ HAS BEEN ADOPTED AND MAINTAINED THROUGHOUT THIS THESIS. THERE ARE MANY DIFFERENT DISPLAYS OF THIS TERM, HOWEVER THIS TERM IS USED AS IT INCLUDES THOSE WHO IDENTIFY AS ABORIGINAL, TORRES STRAIT ISLANDER AND ABORIGINAL AND TORRES STRAIT ISLANDER. iii DECLARATION I declare that this thesis is wholly my own original work unless otherwise referenced or acknowledged. ………………………………………… Catherine Slocum December 2016 iv ACKNOWLEDGEMENTS I would like to express my sincere gratitude to my supervisor Professor Paul Pickering for the continuous support of my PhD study and research. His insightful comments and valuable discussion are gratefully acknowledged. My sincere thanks are extended to Dr Thuy Do for her useful comments in the final stages and Dr Lan Tran for her valuable assistance during the course of my study. A very special thanks to Vernon Ah Kee, Tony Albert, Brook Andrew, Daniel Boyd, Dianne Jones, Christopher Pease and Christian Thompson whose work I feel privileged to have been given the opportunity to study at length. The project would not have been possible without the specialist Indigenous Australian collection at the Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS) Library in Canberra. I gratefully acknowledge the financial support of the College of Arts and Social Sciences at the Australian National University.
    [Show full text]
  • U Places and People: Taking Aboriginal Understandings Seriously in Land and Sea Management
    YolYol\\\\uu Places and People: Taking Aboriginal Understandings Seriously in Land and Sea Management Margaret Leanne Ayre B. For. Sc. (Hons), University of Melbourne Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy 2002 Department of History and Philosophy of Science The University of Melbourne Abstract In this thesis I look at the work of managing Yol\u Aboriginal estates by the Dhimurru Land Management Aboriginal Corporation (Dhimurru) and Yol\u Aboriginal communities of NE Arnhem Land. I examine the practices of doing contemporary land and sea management at Dhimurru drawing on work I did at Dhimurru assisting in the development of a plan of management for the Yol\u place, }anydjaka (Cape Arnhem in English), and negotiating a curriculum/pedagogy for Dhimurru Yol\u Rangers. I examine the mobilisation strategies of the environmental sciences and Yol\u knowledges which together perform the ‘object of management’ in Dhimurru’s practice, ‘}anydjaka/Cape Arnhem’, as a multiplicity: a Yol\u-managed place. Showing ‘}anydjaka/Cape Arnhem’ as a multiplicity (multiple but partially connected objects) allows us to understand place as multiple materialities performed through sets of routine, but quite often very different, sets of practices. The work of managing ‘}anydjaka/Cape Arnhem’ is the work of managing multiple realities within which the object of management is continually performed as partial, messy, contingent and local. I contend that in order to take Yol\u understandings seriously in land and sea management we need to understand Dhimurru’s unique ontology as a knowledge landscape characterised by an emergent methodology I call ‘journeying-naming- tracing’.
    [Show full text]
  • Ownership and Appropriation ASA Monographs ISSN 0066–9679 the Relevance of Models for Social Anthropology, Ed M
    Ownership and Appropriation ASA Monographs ISSN 0066–9679 The Relevance of Models for Social Anthropology, ed M. Banton Political Systems and the Distribution of Power, ed M. Banton Anthropological Approaches to the Study of Religion, ed M. Banton The Social Anthropology of Complex Societies, ed M. Banton The Structural Study of Myth and Totemism, ed E.R. Leach Themes in Economic Anthropology, ed R. Firth History and Social Anthropology, ed I.M. Lewis Socialization: The Approach from Social Anthropology, ed P. Mayer Witchcraft Confessions and Accusations, ed M. Douglas Social Anthropology and Language, ed E. Ardener Rethinking Kinship and Marriage, ed R. Needham Urban Ethnicity, ed A. Cohen Social Anthropology and Medicine, ed J.B. Loudon Social Anthropology and Law, ed I. Hamnett The Anthropology of the Body, ed J. Blacking Regional Cults, ed R.P. Werbner Sex and Age as Principles of Social Differentiation, ed J. La Fontaine Social and Ecological Systems, ed P C Burnham and R.F. Ellen Social Anthropology of Work, ed S. Wallman The Structure of Folk Models, ed L. Holy and L. Stuchlik Religious Organization and Religious Experience, ed J. Davis Semantic Anthropology, ed D. Parkin Social Anthropology and Development Policy, ed R. Grillo and A. Rew Reason and Morality, ed J. Overing Anthropology at Home, ed A. Jackson Migrants, Workers, and the Social Order, ed J.S. Eades History and Ethnicity, ed E. Tonkin, M. McDonald and M. Chapman Anthropology and the Riddle of the Sphinx: Paradox and Change in the Life Course, ed P. Spencer Anthropology and Autobiography, ed J. Okely and H.
    [Show full text]
  • Valuing Art, Respecting Culture
    VALUING ART, RESPECTING CULTURE PROTOCOLS FOR WORKING WITH THE AUSTRALIAN INDIGENOUS VISUAL ARTS AND CRAFT SECTOR You can show/hide bookmarks by clicking this icon in the tools palette above. Care has been taken in compiling this document, to obtain the appropriate permissions for reproduction of images, and to respect cultural and intellectual property rights. Readers are advised however, that unintentional offence or distress may be caused by the use of images, or names of persons who have passed away since printing and publication of the document. General Editor and Principal Consultant Doreen Mellor Web links to many Indigenous artists, support organisations and retail Authors Doreen Mellor and Terri Janke outlets can be accessed via the Visual Arts Net website. In addition, the Copy Editor Lorraine Rogge Executive Summaries of Valuing Art, Respecting Culture can be downloaded from the site. Site address www.visualarts.net.au Designer Creative consultancy provided by Jones Davis Creative Pty Ltd ©National Association for the Visual Arts Ltd Copyright in any ‘prior material’ used in this publication remains with the original author. Funded by the Aboriginal and Torres Strait Islander Commission ISBN 0 9585 474 0 8 (ATSIC); the Commonwealth Government through the Australia Council's Aboriginal and Torres Strait Islander Arts Board; and the Cover image ©Brian Nyinawanga “Visions of the City” 1994. Northern Territory Government's Department of Arts and Museums. Screenprint. Image courtesy of the Museum and Art Gallery of the Northern Territory. “When Brian Nyinawanga visited Sydney, it was the first major city he had seen apart from Darwin. It made a significant impression upon him, particularly the claustrophobic streets with their tall buildings, depicted here in classic plan perspective.
    [Show full text]
  • Protecting Australian Indigenous Art: Ownership, Copyright and Marketing Issues for NSW Schools
    Protecting Australian Indigenous Art: ownership, copyright and marketing issues for NSW schools Protecting Australian Indigenous Art: ownership, copyright and marketing issues for NSW schools Warnings • This text might identify Aboriginal or Torres Strait Islander people who are now deceased in ways that inadvertently give offence to particular families or communities. • Nothing in this document should be construed as legal advice. The purpose of this publication is to provide general information to teachers and students on issues relating to Indigenous cultural and intellectual property. Anyone needing legal advice should contact a qualified legal practitioner. Published on the internet in 2006 by the Board of Studies NSW, GPO Box 5300, Sydney 2001, Australia. Tel: (02) 9367 8111 Fax: (02) 9367 8484 Website: www.boardofstudies.nsw.edu.au ISBN 17414 7422 1 2006331 © 2006 Copyright Board of Studies NSW for and on behalf of the Crown in right of the State of New South Wales. This document contains Material prepared by the Board of Studies NSW for and on behalf of the State of New South Wales. The Material is protected by Crown copyright. All rights reserved. No part of the Material may be reproduced in Australia or in any other country by any process, electronic or otherwise, in any material form or transmitted to any other person or stored electronically in any form without the written prior permission of the Board of Studies NSW, except as permitted by the Copyright Act 1968. School students in NSW and teachers in schools in NSW may copy reasonable portions of the material for the purposes of bona fide research or study.
    [Show full text]
  • Project Notes
    Education Kit - Project Notes Djalkiri is a cross-cultural art project which commemorates the 150th anniversary of the publication of On the Origin of the Species by Charles Darwin. In 2009 Nomad Art Productions in Darwin brought a group of artists, scientists and printmakers together for a cross- cultural collaborative workshop in northern Australia. During the project nine Indigenous and non-Indigenous artists created art about the land, knowledge, history and events of the region. The result is an exhibition that explores the unspoiled environment of remote Blue Mud Bay in Arnhem Land and records knowledge of the natural environment, heritage, traditions and change. The Djalkiri Education Kit provides an introduction to the exhibition from an educational perspective. More information can be found in the Djalkiri exhibition catalogue. We are standing on their names Djalkiri:Blue Mud Bay • Project Notes Contents Message from Blue Mud Bay 3 Traditional Land Owners 4 Monsoon Traders (Macassans) 4 The Place 5 Life and Death in Baniyala 5 The Project 6 The Workshop 7 The Journey - Howard Morphy 7 Sea Rights 8 Collaborative Printmaking 9 The Printmaking Process 9 History of Aboriginal Printmaking 10 The Environment of the Top End 11 Ethno-biology in the Northern Territory 11 Glenn Wightman - Ethno-biologist 11 Laynhapuy Rangers Caring for Country 11 The Northern Territory Herbarium 12 How Plants are Named 12 Aboriginal Knowledge and Plant Use 12 Organising Knowledge Yolngu Way 13 Artwork Plant and Animal Species 14 Artists and Participants 16 Djambawa Marawili AM 17 Liyawaday Wirrpanda 18 Marrirra Marawili 19 Marrnyula Mununggurr 20 Mulkun Wirrpanda 21 Fiona Hall 22 John Wolseley 23 Jörg Schmeisser 24 Judy Watson 25 Basil Hall 26 Glenn Wightman 26 Howard Morphy 26 Peter Eve 26 Angus Cameron 27 Rose Cameron 27 Curriculum Links 27 Web Sites 28 Indigenous Knowledge and Protocols 29 2 We are standing on their names Djalkiri:Blue Mud Bay • Project Notes Message from Blue Mud Bay “Yolngu.
    [Show full text]