ANNUAL REPORT 2005–06 The National Gallery of is a Commonwealth authority established under the National Gallery Act 1975.

The vision of the National Gallery of Australia is the cultural enrichment of all Australians through access to their national art gallery, the quality of the national collection, the exceptional displays, exhibitions and programs, and the professionalism of Gallery staff.

Led by a Chairman appointed by the Governor- General, the governing body, the Council of the National Gallery of Australia, has expertise in arts administration, corporate governance, administration and financial and business management.

In 2005–06 the National Gallery received an appropriation from the Australian Government totalling $45.706 million, raised $10.725 million, and employed 238 full-time equivalent staff.

© National Gallery of Australia 2006 ISSN 1323 5192

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National Gallery of Australia GPO Box 1150 Canberra ACT 2601 nga.gov.au/Reports cover: Unknown maker Mask Torres Strait Islander people wood, shell, resin, human, hair, fibre string, white pigment National Gallery of Australia, Canberra back cover: The bronze weaver 6th century bronze National Gallery of Australia, Canberra

 National gallery of AustRalia Annual Report 2005–06 September 2006 Senator the Hon. Rod Kemp Minister for the Arts and Sport Parliament House CANBERRA ACT 2600

Dear Minister

I have pleasure in submitting to you, for presentation to each House of Parliament, the National Gallery of Australia’s Annual Report covering the period 1 July 2005 to 30 June 2006.

The report is submitted to you in accordance with the Commonwealth Authorities and Companies Act 1997 and the National Gallery Act 1975. The Performance Report has been prepared consistent with the Commonwealth Authorities and Companies (Report of Operations) Orders 2005. The financial statements have been prepared in accordance with the Finance Minister’s Orders made under the Commonwealth Authorities and Companies Act 1997.

Yours sincerely

Rupert Myer AM Chairman of Council

National gallery of AustRalia Annual Report 2005–06  CONTENTS

LETTER OF TRANSMITTAL 3

CHAIRMAN’S FOREWORD 7

DIRECTOR’S REPORT 9

CORPORATE OVERVIEW 15

PERFORMANCE REPORT 2005–06 21 Outcome and Outputs

REPORT AGAINST STRATEGIC PLAN 2004–07 Collection Development Goal 1 Acquire premium works of art 28 Goal 2 Strengthen and refine the national collection 29

Collection Management Goal 3 Maintain and protect the national collection 45

Access to and Promotion of Works of Art Goal 4 Deliver outstanding displays and exhibitions 49 Goal 5 Provide and promote access to the national collection 55

People and Resource Management Goal 6 Sustain an encouraging and productive environment for all staff 65 Goal 7 Refurbish and enhance the National Gallery’s building and precinct 73 Goal 8 Strengthen the National Gallery’s resource base 77

 National gallery of AustRalia Annual Report 2005–06 NATIONAL GALLERY OF AUSTRALIA FINANCIAL REPORT 2005–06 81

APPENDICES 1. Council of the National Gallery of Australia 119 2. Management Structure at 30 June 2006 122 3. Staff of the National Gallery of Australia at 30 June 2006 123 4. Acquisitions 2005–06 125 5. Total Acquisitions including Purchases and Gifts 2000–01/2005–06 217 6. Exhibitions held at the National Gallery of Australia 2005–06 218 7. Attendance 2000–06 219 8. Travelling Exhibitions 2005–06 220 9. Outward Loans to Exhibitions – Australia and International 222 10. Inward Loans 227 11. Outward Loans including Travelling Exhibitions 2000–01/2005–06 230 12. National Gallery of Australia Sponsors 2005–06 231 13. National Gallery of Australia Volunteers at 30 June 2006 232 14. Publications of the National Gallery of Australia 2005–06 234 15. Consultants 2005–06 235 16. Performance Measures and Outcomes against 2005–06 Business Plan 236 17. Compliance Index and Contact Officers 238 INDEX 239

National gallery of AustRalia Annual Report 2005–06  National Gallery of Australia Council: (l–r) Mr John Calvert-Jones AM, Mrs Ashley Dawson-Damer, Mr Michael Chaney AO, Mr Rupert Myer AM, Mrs Roslynne Bracher, Mr Ron Radford AM, Ms Lee Liberman, Mr Charles Curran AC, Ms Elizabeth Nosworthy AO, Mrs Roslyn Packer, Mr Robert Champion de Crespigny AC.

 National gallery of AustRalia Annual Report 2005–06 CHAIRMAN’S FOREWORD

In this my first report as Chairman of the Important works of art were acquired National Gallery of Australia Council, I through the year, many with the assistance of would like to acknowledge the outstanding generous benefactors. I would like to thank contribution made by my predecessor Mr all those who assisted the Gallery to expand Harold Mitchell AO whose seven years on the and further develop the national collection. Council, the last five as Chairman, concluded In particular, I would like to acknowledge the last December. Mr Mitchell’s leadership, success of the National Gallery of Australia personal generosity and enthusiastic Foundation, and especially Mr Tony Berg AM commitment significantly contributed to the who retired as Chairman of the Foundation Gallery’s achievements over that time for in April 2006 after leading the Foundation for which we thank him sincerely. a seven-year period of extraordinary success. I am delighted that Mr Charles Curran AC has been appointed to chair the Foundation’s I should also like to acknowledge the Board. The success of the Foundation will be contributions made by members of the integral to the success of the Gallery. Council to the ongoing success of the Gallery, and to thank them for the support I The design for the Gallery’s redevelopment, have received in my new role as Chairman. with a new entrance, increased collection display and other facilities, was refined by During another eventful year, the Council our project architects during the year. We endorsed Director Ron Radford’s exciting remain optimistic about securing support for Vision for the National Gallery of Australia. the provision of the exciting additions to the This strategy document will guide the Gallery building. Gallery in coming years in the key areas of refocusing the collection, and hence The Gallery’s exhibition, educational and the Gallery’s acquisition policy, and in its other public programs were presented aspirations for an improved Gallery building. with the generous assistance of sponsors and I would like to acknowledge their Access to the Gallery’s collection of support which is vital to the delivery of more than 140,000 works of art remains our high quality exhibitions programs. a priority and was achieved in this year I am particularly delighted about the through permanent collection display in the establishment of the National Gallery of Gallery in Canberra, through our travelling Australia Council Exhibitions Fund and thank exhibitions and loan programs which benefit my Council colleagues for their support of audiences around Australia and around the this and other initiatives this year. world, and through traditional publications and online access facilities. I would also like to thank warmly our volunteers for their wonderful service as researchers, guides and in many other

National gallery of AustRalia Annual Report 2005–06  capabilities that both support the Gallery’s operations and enhance visitor experiences. The role that the guides play in interpreting our collections and exhibitions for our visitors is right at the heart of the Gallery’s mission.

The Council acknowledges with appreciation the support of the Australian Government and in particular the support provided by the Minister for the Arts and Sport, the Hon. Rod Kemp and the Minister for Communications, Information Technology and the Arts, the Hon. Helen Coonan. The Australian Government’s Art Indemnity Australia program is vital to the success of the Gallery’s major exhibition program and in this year this program supported the Gallery’s Constable: Impressions of land, sea and sky exhibition and the Treasures from Australia’s Great Libraries exhibition. The national tour of the latter exhibition to the National Library and State Libraries is being managed by the Gallery.

Finally, my sincere thanks go to Director Ron Radford and the talented staff of the National Gallery for their efforts during another year of challenge and achievement.

Yours sincerely

Rupert Myer AM

 National gallery of AustRalia Annual Report 2005–06 DIRECTOR’S REPORT

In August 2005 the Gallery Council endorsed Significant acquisitions in all collecting areas my Vision for the National Gallery of were made through both purchase and gift Australia which was chiefly concerned with with 1,589 works of art being acquired. two high priority matters: Our Asian art collection in particular was 1. refocusing of the collections and considerably enhanced in preparation for hence a new policy and strategy for the opening of the new Asian galleries. future acquisitions, and 2. a concept for an improved and Significant works acquired from the Indian expanded National Gallery building. Subcontinent included magnificent fifteenth- century Indian wooden wall brackets, the Future collection development will focus to a gift of Margaret Olley AC, which are unique greater extent on the art of Australia and our in any art museum outside India. Among Asia–Pacific region while still continuing the others were the commanding third century development of our modern European and Gandharan figure, theBodhisattva , which American collections. shows the crucial early influence of Greco– Roman art on the Indian subcontinent, the An improved National Gallery building is sixth to eighth century Standing Nagaraja envisaged with expansion of collection from North India, and a Krishna Lila display space in staged additions to the Pichhavai, Nathdvara, Rajasthan, India. Gallery. Further development of the design for the proposed Stage 1 building additions Pine trees by the shore c. 1540 (purchased was undertaken in the year and the design with the assistance of Andrew and Hiroko is now well resolved. The Gallery is working Gwinnett) is a pair of gilded screens from with Government to advance the proposal. Japan’s Muromachi period and arguably the earliest and most important pair of During the year the Gallery continued Japanese screens to enter an Australian refurbishment of the existing building with public collection. upgraded fire detection, monitoring and sprinkler systems being installed and work From Indonesia is the exquisite and commencing on improving the lighting extremely rare seventh-century Bronze of collection displays. The full exterior of Weaver, arguably the most important bronze the building has been completely cleaned. sculpture to be found in the Indonesian Planning is also well advanced for the archipelago in the twentieth century and improved presentation of the permanent certainly the most significant and the earliest collection with new Indian, Southeast Asian Southeast Asian sculpture to enter the and International mixed media displays and Gallery’s collection. finally, the re-established sculpture gallery, to be opened progressively throughout 2006–07.

National gallery of AustRalia Annual Report 2005–06  In Australian art significant acquisitions The contribution of Otto Pareroultja, a close included Australia’s first symbolist picture, contemporary of Western Arrernte artist, once thought lost, Charles Conder’s Hot Albert Namatjira, to the early Hermannsburg wind 1889 (purchased with the assistance watercolourist school has been reviewed of the Sarah and Bailleu Myer Family in recent times, and the acquisition of Foundation); Sydney Long’s Flamingoes a watercolour painting by the artist is a c. 1905–06, an important addition to the wonderful addition to the representation of Gallery’s collection of turn-of-the-century art Hermannsburg artists. nouveau and symbolist paintings (purchased with the Masterpieces of the Nation Fund); Ascension (1993), arguably the most a very large English surrealist abstract, New significant painting by Kija artist Hector Atlantis c1933, by Roy de Maistre, the Jandany, now the senior artist at Warmun, Australian artist who worked in Britain in the who commenced his artistic career last decades of his life; and an unusual and through working with Rover Thomas, was a very fine early seminal Fred Williams painting stunning acquisition and valuable addition entitled Saplings c. 1961. to the representation of the Warmun school of artists. Wiradjuri/Kamilaroi artist, The Gallery also acquired a group of rare Michael Riley, was honoured with a major nineteenth-century Australian colonial prints retrospective, spanning his photomedia and and drawings, including John Carmichael’s film/video practice and number of important Select views of Sydney, c. early works and his last series were acquired, 1829. making the National Gallery of Australia’s holdings the most comprehensive in the country. The Aboriginal and Torres Strait Islander collection has been greatly improved with Significant acquisitions of international prints many fine contemporary acquisitions. and photographs included Damien Hirst’s, However, there have also been a number Methamphetamine 2004, and Mademoiselle of significant very early works acquired. Bécat aux Ambassadeurs [Mademoiselle Heading the list of nineteenth-century works Bécat at the Café Ambassadeurs] 1877–78, is a spectacular and very rare Torres Strait a major lithograph by Edgar Degas, one of the Island mask, the only one to have entered great European print makers of the second an art museum collection. The acquisition of half of the nineteenth century. a very finely detailed late nineteenth, early twentieth-century bicornual basket from the rainforest region of Far North Queensland The Gallery also acquired photographer has added significantly to the representation Anton Bruehl’s group of 113 unique vintage of similar works from this region and period. gelatin silver prints and later prints from 1925 to 1955. Bruehl, born in South Australia,

10 National gallery of AustRalia Annual Report 2005–06 was a doyen of American advertising support of donors. Raphy Star enabled the photography who is best known today as Gallery to acquire several significant works a pioneer of brilliant colour photography featured in Transformations, including the produced under exclusive contract to the blade-like porcelain form of Scene II by the Condé Nast magazine group. The works Japanese artist Sueharu Fukami. The Gallery’s were the gift of Anton Bruehl Jr through the collection of contemporary Australian American Friends of the National Gallery of ceramics was further developed through Australia. A group of thirteen photographs John Eager’s donation of a recent work by Rosemary Laing was acquired as a gift by leading Australian ceramic artist from her parents. Marea Gazzard.

Acclaimed American sculptor James Altogether 802 works of art were accepted as Turrell visited the Gallery and plans for gifts in the year. The continued development his commissioned work Skyspace for of the national collection is dependent in the National Gallery of Australia were large measure on the support of donors and advanced. The Gallery also acquired major we are grateful for the continued support of sculptures including the dramatic abstract our many generous benefactors. and transcendental bronze sculpture by Cy Twombly, one of the world’s greatest The development of the collection also senior living artists, and Untitled 2005, and includes assessing the appropriateness Max Ernst’s Habokuk 1934/1970, a giant of works of art to remain in the collection bronze work that should become one of the and during the year 466 works were Gallery’s defining sculptures. deaccessioned by way of gift to other institutions. The major exhibition Transformations: the language of craft afforded the Gallery Also during the year 1,712 works of art a unique opportunity to acquire works by received conservation treatment and work leading international contemporary craft commenced on improving short-term practitioners for the first time. Examples collection storage facilities. In the longer include a striking geometric necklace by term increased collection display space and renowned Italian goldsmith Giampaolo the provision of additional collection storage Babetto, and an innovative contemporary facilities will be required to enable the textile, Lia Cook’s hand-woven Big collection to be appropriately housed. beach boy 2003, which combines new technologies with traditional processes. Over 3,500 condition reports were The Gallery’s Australian and international completed and over 2,000 works were holdings of contemporary ceramics were mounted and framed including a special greatly enhanced through the continued program of replacement frames for key

National gallery of AustRalia Annual Report 2005–06 11 Australian works which required framing in neighbours of Indonesia, , Brunei, appropriate period style. the Philippines, Thailand and Cambodia, and Constable: impressions of land, sea and The Gallery’s ongoing commitment sky, the first exhibition of the work of John to providing access to works from the Constable in Australia in over 30 years which collection and information about the considered previously unexplored themes of collection continued with our program his highly original approach to image making. of exhibitions, public programs, loans, and publications. It is particularly pleasing that over 50,000 people visited the Crescent Moon: Islamic art and civilisation in This year 3,473,930 people took the exhibition making it one of the most popular opportunity to view works from the national Asian art exhibitions ever held in Australia in collection. Around 420,000 people visited the past twenty years. Over 100,000 visited the Gallery in Canberra (a steady increase Constable: impressions of land, sea and sky. on the past three years); over 380,000 visited National Gallery of Australia Travelling Importantly, too, a significant record number Exhibitions; and over 2.67 million people of 4,334,358 people accessed information visited other exhibitions which included from the research library and collection works on loan from the national collection. study room and especially the expanded web site. During the year online visitation Twelve exhibitions were presented at the increased significantly by 61% to 4,304,358 Gallery in Canberra and ten exhibitions visits or an average of nearly 12,000 visits travelled to venues throughout Australia with each day. The number of images of works of one of these exhibitions also being displayed art captured digitally by the Gallery and put in the United States of America. Exhibition on our website increased by over 15,000. highlights included the third National Access to the collection was also afforded Sculpture Prize and exhibition supporting through the Gallery lending 1,093 works of and promoting Australian sculpture, Bill Viola: art. The Passions where video and projection was used by the artist to convey the power A lively and varied program of events related and complexity of emotion, Transformations: to the Gallery’s collection, exhibitions and the language of craft which featured over other activities was presented to extend 130 works by leading international and visitor experience. More than 148,000 Australian artists working in the areas of people attended such events. craft and design, Crescent Moon: Islamic art The Gallery continued improving its and civilisation in Southeast Asia which occupational health and safety practice and celebrated the Islamic art and heritage of further developed risk management and the Muslim communities of Australia’s close business continuity management practices.

12 National gallery of AustRalia Annual Report 2005–06 It has been a year of achievement against key strategic objectives expressed in the Gallery’s Strategic Plan 2004–07 and in preparation for improvements to visitor access to, and experience of, the collection in the future.

I would like to acknowledge the assistance and support received from our many partners, donors, sponsors and supporters, including of course the public at large. I would also like to acknowledge the assistance and support received from the Australian Government, the Gallery Council, the National Gallery of Australia Foundation and especially acknowledge the efforts of the Gallery’s talented staff and wonderful volunteers.

Ron Radford Director

National gallery of AustRalia Annual Report 2005–06 13 14 National gallery of AustRalia Annual Report 2005–06 CORPORATE OVERVIEW

ENABLING LEGISLATION • appoint a person to act temporarily in The National Gallery of Australia, which the position of Director of the National opened to the public in October 1982, is Gallery and determine the terms and a Commonwealth authority established conditions of that appointment by the National Gallery Act 1975. The • terminate temporary appointments as Gallery forms part of the Communications, Director of the National Gallery Information Technology and the • issue directions regarding employment Arts portfolio. of staff and terms and conditions of employment of staff at the National RESPONSIBLE MINISTERS Gallery and The Ministers responsible for the National • issue directions regarding the form and Gallery during the year were Senator timing of submission of budget estimates the Hon. Helen Coonan, Minister for of the National Gallery each Communications, Information Technology financial year. and the Arts and Senator the Hon. Rod Kemp, Minister for the Arts and Sport. EXERCISE OF MINISTER’S POWERS During 2005–06 the Minister appointed a The National Gallery Act 1975 and the person to act temporarily in the position Commonwealth Authorities and Companies of Director four times and approved the Act 1997 empower the Minister to: deaccessioning of a number of works of art. The Minister also approved Commonwealth • make available Commonwealth land and indemnity for two exhibitions in which the buildings for National Gallery purposes National Gallery of Australia was involved. • approve the acquisition of works of art valued in excess of a prescribed limit ($10 million) NATIONAL GALLERY’S POWERS • approve the disposal of works of art AND FUNCTIONS • approve the acquisition or disposal The powers of the National Gallery as of any property, right or privilege, prescribed in the National Gallery Act other than a work of art, in excess of a 1975 are, subject to that Act, to do all things prescribed limit ($1 million) necessary or convenient to be done for, or • approve or revoke the appointment of in connection with, the performance of its deputies for part-time National Gallery functions. The Gallery’s functions as provided Council members in the Act are to: • convene a meeting of the National Gallery Council • develop and maintain a national • grant the Director of the National collection of works of art Gallery leave of absence other than recreation leave

National gallery of AustRalia Annual Report 2005–06 15 • exhibit, or make available for exhibition and experience of the visual arts and other by others, works of art from the national areas of knowledge relevant to the affairs of collection, or works of art that are the Gallery. otherwise in the possession of the Gallery and The term of appointment as Chairman of the • use every endeavour to make the Council of Mr Harold Mitchell AO concluded most advantageous use of the national in December 2005 and Mr Rupert Myer AM collection in the national interest. was appointed Chairman of the Council from 20 December 2005. STRATEGIC PLAN 2004–07 In 2004, the National Gallery issued its Throughout the year the Council was Strategic Plan 2004–07, which was developed assisted by three committees: the Risk by the previous Director and Program Management and Audit Committee, the Managers in consultation with staff and Acquisitions Committee, and the endorsed by the Gallery Council. Building Committee.

The purpose of the National Gallery, as stated Details of membership of the Council of in the Strategic Plan, is to serve the Australian the National Gallery of Australia and its public by enhancing understanding and committees are included at Appendix 1. enjoyment of the visual arts through the effective and efficient use of the national MANAGEMENT STRUCTURE collection, which is developed, researched, The Management Structure of the National preserved, displayed, interpreted, promoted Gallery is set out at Appendix 2. The structure and complemented with exhibitions and was not altered during the year. loans. The Gallery aims to provide access to, and information about, works of art locally, INTERNAL AND EXTERNAL SCRUTINY nationally and internationally. The Strategic Compliance audits and audits of systems Plan maps the goals, key strategies and and controls were undertaken during the direction of the Gallery for 2004–07. year. The audit of financial statements was COUNCIL OF THE NATIONAL undertaken by the Australian National Audit GALLERY OF AUSTRALIA Office. The financial statements are included The National Gallery is governed by an at pages 81 to 116. eleven member Council. The Director of Audit activity is monitored by the Council’s the Gallery is the Executive Officer and a Risk Management and Audit Committee. The member of the Council. Council members, role of the Committee is to assist the Council other than the Director, are appointed by in fulfilling its responsibilities in relation the Governor-General usually for three-year to the identification of areas of significant terms, having regard to their knowledge business risk and the monitoring of:

16 National gallery of AustRalia Annual Report 2005–06 • effective management of financial risk all programs. Major strategies for the year • reliable management reporting focused on OHS, risk management training, • compliance with laws and regulations project management and procurement. in respect of financial management The Gallery achieved a score of seven reporting and (maximum ten) in Comcover’s Benchmarking • maintenance of an effective and Risk Management Survey for 2005–06, which efficient audit. resulted in a 7% discount on the insurance premium. The Gallery welcomes Comcover’s The Risk Management and Audit Committee ongoing support and assistance. met four times during the year. The following internal audit reports were presented to the In evaluating the impact of risk management, Committee: the Gallery’s plan focuses on:

• Data Backup and Recover Review (2002) • the national collection • Review of Payroll Services (2003) • all stakeholders including the public • IT Security Framework (2004) • Gallery employees and their skills • Review of Internal Budgeting and • the environment in which the Gallery Reporting Process (2004) operates, with a special focus on Contract Management Review (2005) • Occupational Health and Safety • Review of NGA Governance • the quality of service Framework (2005). • Gallery assets and intellectual property • contractual and statutory obligations and The Gallery was the subject of formal • Gallery image and reputation. reviews by Comcare, the authority responsible for workplace safety, BUSINESS CONTINUITY compensation and rehabilitation. Comcare MANAGEMENT investigations are also referred to under Occupational Health and Safety at pages The Business Continuity Plan has been 67 to 68. reviewed and updated to ensure fit-for- purpose plans. The Gallery is introducing RISK MANAGEMENT a strong business continuity management The National Gallery of Australia continued culture throughout the organisation as part its focus on integrating the risk management of its overall Emergency Planning policies. function across its programs and on building The purpose is to create business resilience, a sound framework for such management. with the aim of lessening the probability The Gallery’s corporate Risk Registers were of incidents occurring that may adversely reviewed and updated by the Planning affect people and, importantly, the national and Risk Management Reference Group collection, and to minimise the impact should comprising senior representatives from incidents occur.

National gallery of AustRalia Annual Report 2005–06 17 A Business Continuity Plan testing schedule During 2005–06 the Gallery received 612 was developed and an initial testing and comments, an increase of 83% over the training exercise for team leaders and previous year. The majority of the complaints deputies was conducted. Further training related to: and testing exercises are planned to be conducted regularly. In accordance with • the state of the building and its environs Australian Government initiatives, the Gallery • exhibitions and displays is developing strategies and procedures for • catering services and dealing with a possible Avian Flu Pandemic. • parking.

Service Charter All comments were acknowledged and The National Gallery’s Service Charter was responded to within an average of ten days. reviewed during the year. Developed in consultation with Gallery staff and visitors, SOCIAL JUSTICE AND EQUITY The National Gallery is committed to social the Charter outlines the services that the justice and equity and to the principles Gallery provides, what services visitors outlined in the Australian Government’s can expect, and how visitors can assist the Charter of Public Service in a Culturally Gallery in making improvements to the Diverse Society (July 1998). A statement current level of service. about the Gallery’s programs, which are developed with an emphasis on public Standards against which services accessibility, is included in the report under are measured: Goal 5 (page 55). • a welcome and safe environment ADVERTISING AND • development and care of the collection MARKET RESEARCH • permanent collection displays Market research and audience evaluation • exhibitions, including travelling was conducted during the year to gain an exhibitions understanding of the Gallery’s visitors • education, public programs and research and markets. • membership • websites A total of $39,637 was spent on market • merchandise and publications and research in 2005–06 compared to $6,358 • appropriate and well-maintained facilities. in the previous year. Exhibition surveys conducted throughout the year examined Visitors are invited to provide feedback on visitor demographics and psychographics, the extent to which these service standards use of Gallery facilities and awareness of have been met in several ways: using the marketing and communications initiatives. Service Charter form on the Gallery’s Evaluation of major exhibitions was also website, nga.gov.au/info/charter, or by fax, undertaken to assist in the development of letter or telephone to the Gallery. marketing programs.

18 National gallery of AustRalia Annual Report 2005–06 Market research ensures effective advertising will encompass appropriate fraud prevention, and communication with visitors and the detection, investigation and reporting broader public. The Gallery promotes its procedures and processes. Implementation of programs though print and electronic media. this plan will occur in the later half of 2006. Total expenditure on advertising in 2005–06 was $705,969 compared to $741,477 in the FREEDOM OF INFORMATION previous year. In 2005–06 the National Gallery of Australia received no requests for access to documents INTERACTION WITH under the Freedom of Information Act 1982. OTHER AUTHORITIES Members of the public may inquire in person The nature of the Gallery’s business about Freedom of Information matters, requires it to deal with Commonwealth, submit formal requests for access, or inspect state and local government politicians and documents to which access has been granted agencies, as well as diplomatic missions, (during business hours, Monday to Friday, art dealers, auction houses, other galleries 10 am – 5 pm). Inquiries about procedures and museums, universities, art schools, for seeking information from the Gallery and other professional bodies nationally under the Freedom of information Act 1982 and internationally. Reference to the may also be made in writing, by telephone, interaction that occurred in 2005–06 is made facsimile or email to: throughout this report. Freedom of Information Coordinator National Gallery of Australia COMMITTEES OF INQUIRY GPO Box 1150 National Gallery of Australia staff CANBERRA ACT 2601 appeared before the Senate Environment, telephone: (02) 6240 6677 Communications, Information Technology facsimile: (02) 6240 6529 and the Arts Legislation Committee, and email: [email protected] provided information about the Gallery’s website: nga.gov.au operations. The Director, Deputy Director, Head of JUDICIAL DECISIONS Human Resource Management and Business There were no judicial decisions involving Support, Manager of Human Resource the National Gallery of Australia in 2005–06. Management and the Manager of Business Support were authorised decision makers FRAUD CONTROL as required by the Freedom of Information In line with Commonwealth Fraud Control Act. The categories of documents held by Guidelines, the National Gallery of Australia the Gallery are detailed in the Personal has engaged the services of WalterTurnbull to Information Digest, published annually develop a detailed fraud risk assessment and by the Privacy Commissioner, Human fraud control plan. The fraud control plan Rights Australia.

National gallery of AustRalia Annual Report 2005–06 19 PRIVACY LEGISLATION The National Gallery of Australia provides information as required to the Privacy Commissioner for inclusion in the Personal Information Digest. No reports by the Privacy Commissioner under Section 30 of the Privacy Act 1988 concerning actions or practices by the Gallery were received during 2005–06. The Gallery reviewed its application of Information Privacy Principle 2 Notices relating to the collection of personal information for inclusion in a record or in a generally available publication. An implementation schedule was developed to ensure compliance with the Privacy Act. The Gallery is currently reviewing its Privacy Policy. The review is expected to be completed by September 2006.

OMBUDSMAN No issues or matters about the National Gallery of Australia were referred to, or raised with, the Commonwealth Ombudsman’s Office.

20 National gallery of AustRalia Annual Report 2005–06 outcome and outputs

National gallery of AustRalia Annual Report 2005–06 21 OUTCOME AND OUTPUTS VISION The purpose of the National Gallery of The vision of the National Gallery of Australia Australia is to serve the Australian public by is the cultural enrichment of all Australians enhancing understanding and enjoyment of through access to their national art gallery, the visual arts. It serves the public through the quality of the national collection, the effective and efficient use of the national the exceptional displays, exhibitions and collection, which is developed, researched, programs, and the professionalism of preserved, displayed, interpreted, promoted Gallery staff. and complemented with exhibitions and loans. The Gallery aims to provide access to, OUTCOME and information about works of art locally, The National Gallery of Australia delivers nationally and internationally. three outputs to achieve the outcome of enhancing understanding, knowledge and This purpose is consistent with the enjoyment of the visual arts by providing National Gallery Act 1975 which directs the access to, and information about works of art Gallery to: locally, nationally and internationally.

• develop and maintain a national OUTPUT 1.1 COLLECTION collection of works of art DEVELOPMENT • exhibit, or make available for exhibition The National Gallery aims to build a by others, works of art from the national collection of works of art of outstanding collection, or works of art that are quality through purchase, gift and bequest, otherwise in the possession of the and through disposal. Gallery and • use every endeavour to make the most OUTPUT 1.2 COLLECTION advantageous use of the national MANAGEMENT collection in the national interest. The national collection is accessioned and documented in order to account for each A national collection of outstanding aesthetic work of art in the collection. Works of art quality is important to the Australian are catalogued to provide information about community. The national collection provides the national collection and to enable access the basis for enhancing understanding and to that information. The National Gallery of enjoyment of the visual arts, and thus the Australia stores, secures and conserves the Gallery seeks to maximise the productive use national collection in order to preserve it for of the national collection as a public asset. the Australian people now and in the future.

22 National gallery of AustRalia Annual Report 2005–06 OUTPUT 1.3 ACCESS TO AND PROMOTION OF WORKS OF ART The National Gallery of Australia provides access to works of art by displaying, exhibiting and lending its collection, as well as borrowing works of art from other sources. Access to works of art from the national collection that are not on display is also provided in the collection study room or via the Gallery’s publications and websites.

The Gallery enhances the understanding, knowledge and enjoyment of art by providing information about, and promoting the benefits of, works of art through print and electronic media. The Gallery seeks to achieve the widest possible audience both in attracting visitors to the Gallery and by sending works of art around Australia and overseas, thereby improving access to works of art and providing information about them.

The following table lists the performance information that the Gallery used to assess the level of achievement during 2005–06. The table shows the efficiency of the outputs in contributing to the outcome. Information shown is both quantitative and qualitative.

Targets for effectiveness have been included where these are applicable and appropriate for performance information for the outcome.

National gallery of AustRalia Annual Report 2005–06 23 PORTFOLIO BUDGET STATEMENTS PERFORMANCE INFORMATION

OUTCOME Encourage understanding, knowledge and enjoyment of the visual arts by providing access to, and information about, works of art locally, nationally and internationally EFFECTIVENESS – OVERALL ACHIEVEMENT OF THE OUTCOME TARGET ACTUAL Improved understanding % of visitors to the Gallery, or to works displayed 85% 89% and knowledge of the by the Gallery, believed their understanding visual arts and knowledge of the visual arts was improved through such visits

Enhanced enjoyment of the % of visitors to the Gallery, or to works of art 85% 93% visual arts displayed by the Gallery, enjoyed their experience of the visual arts

Increased access to works Number of people who saw works of art from the 1,350,000 3,473,930 of art national collection or exhibitions * Number of works of art from the national 1,200 1,093 collection loaned nationally and internationally

PERFORMANCE INFORMATION FOR DEPARTMENTAL OUTPUTS TARGET ACTUAL OUTPUT 1.1 Quality Collection Development % of works of art acquired consistent with 100% 100% acquisition policy % of works of art acquired, researched and 100% 100% documented Quantity Number of works of art acquired during the year – 1,589 Number of works of art deaccessioned during – 466 the year PRICE Costs associated with acquiring and $6.046m $4.579m deaccessioning works of art OUTPUT 1.2 Quality Collection Management % of the national collection reviewed to assess 4% 9% condition and maintenance requirements % of works of art identified for maintenance 100% 100% treated in accordance with priorities Quantity National collection of 140,679 items stored to 100% 100% appropriate standards **

Number of works of art subjected to conservation 1,800 1,712 treatment

24 National gallery of AustRalia Annual Report 2005–06 PERFORMANCE INFORMATION FOR DEPARTMENTAL OUTPUTS TARGET ACTUAL PRICE Cost per item stored $57.35 $47.70 Cost per work of art treated $1,330.51 $1,465.26 Costs associated with collection management $10.081m $9.219m

OUTPUT 1.3 Quality Access to and Promotion of Works of Art % of visitors satisfied with displays and 85% 88% exhibitions % of attendees satisfied with Gallery events 85% 88% Quantity Number of people who saw works of art from the 1,350,000 3,473,930 national collection or exhibitions * Number of attendees at Gallery events 110,000 148,501 Number of people who accessed information via 2,000,000 4,304,358 the Gallery’s Research Library, Collection Study PRICE Cost per visitor and website $18.93 $7.83 Cost per attendee at events $42.81 $36.12 Cost per user access $0.42 $0.28 Costs associated with access to and promotion $31.110m $33.786m of works of art

* People visiting National Gallery of Australia exhibitions in Canberra, nationally and internationally, plus visitors to other institutions displaying works from the national collection. * * Appropriate standards relates to environmental conditions and security. Adequate storage facilities for a growing collection is an issue.

National gallery of AustRalia Annual Report 2005–06 25 REPORT AGAINST STRATEGIC PLAN 2004–07 This report on performance is made against the eight goals expressed in the National Gallery’s Strategic Plan 2004–07. A detailed discussion of performance follows, and Appendix 16 (pages 236 to 237) lists the performance measures and outcomes for 2005–06.

Goal 1 Acquire premium works of art

Goal 2 Strengthen and refine the national collection

Goal 3 Maintain and protect the national collection

Goal 4 Deliver outstanding displays and exhibitions

Goal 5 Provide and promote access to the national collection

Goal 6 Sustain an encouraging and productive environment for all staff

Goal 7 Refurbish and enhance the National Gallery’s building and precinct

Goal 8 Strengthen the National Gallery’s resource base

26 National gallery of AustRalia Annual Report 2005–06 goals one and two GOAL 1 – ACQUIRE PREMIUM WORKS OF ART

To acquire works of art of outstanding aesthetic quality, thereby enhancing the reputation of the national collection and increasing public understanding and enjoyment of the visual arts.

KEY STRATEGIES • Identify premium works of art and position the Gallery to acquire them • Pursue and attain funding to facilitate the purchase of premium works of art • Pursue and attain gifts of premium works of art • Research and document all premium works of art acquired.

28 National gallery of Australia Annual Report 2005–06 GOAL 2 – STRENGTHEN AND REFINE THE NATIONAL COLLECTION

To enhance understanding and During the year curatorial staff continued enjoyment of the visual arts by assessing the appropriateness of works of art building on the strengths of the to remain in the national collection and 466 national collection through acquiring works were deaccessioned. important works of art and refining the existing national collection. Works deaccessioned comprised:

KEY STRATEGIES • gifts of Eastern European posters to • Identify works of art that build on the Murdoch University Art Collection, strengths of the national collection and position the Gallery to acquire them • gift of Rick Roser Sculpture to Tweed • Pursue and attain funding to facilitate the River Region Art Gallery of NSW. purchase of works of art • Pursue and attain gifts of works of art ACQUISITIONS 2005–06 • Research and document works of art acquired ABORIGINAL AND TORRES STRAIT • Progressively review works of art ISLANDER ART for compliance with the collection During 2005–06 the Aboriginal and Torres development policy and, where Strait Islander Art department acquired 283 appropriate, dispose of works of art. works of art, comprising bark paintings, paintings on canvas, weaving and fibre works, ACQUISITION OF WORKS OF ART works on paper, sculpture, carvings, digital The National Gallery of Australia acquired media and a large number of photographic 1,589 works of art in the year, all meeting works. Several significant donations of the requirements of the Gallery’s acquisition Aboriginal and Torres Strait Islander art were policy. These were premium works of made throughout the year. All the donors are art and works of art that strengthen the important supporters of Indigenous art and national collection. The Gallery’s capacity their gifts have contributed greatly to the to acquire works of art is dependent on strengths of the Aboriginal and Torres Strait ongoing funding provided by the Australian Islander collection. Government and on the generosity of donors and benefactors. Some 802 works of art Rupert and Annabel Myer donated a valued at $2.186 million were acquired as painting by /Luritja artist Lorna gifts while $1.579 million was donated to Brown Napanangka, Grandfather’s country assist the purchase of works of art. at Warren Creek, in honour of Sarah and Baillieu Myer. Roslynne Bracher donated a DISPOSAL OF WORKS OF ART spectacular hollow log by Manggalili artist In accordance with the National Gallery Act Naminapu Maymuru-White, Milniyawuy 1975, the disposal of works of art from the [Milky Way]. Ron Radford donated a textile national collection must be approved by the by South Australian Kaurna/Ngarrindjeri Gallery Council and the Minister. artist Muriel Mumthelang Van Der Byl, Campsites, waterholes and mud creeks,

National gallery of AustRalia Annual Report 2005–06 29 which featured in the exhibition Looking Highlights of Aboriginal and Torres Strait back, looking forward as part of the Islander art purchases for 2005–06 include Adelaide Fringe festival 2006. Barrie Dexter a substantial body of works by Ku Ku/Erub/ donated an early watercolour by Western Mer artist Destiny Deacon, covering her Arrernte artist Otto Pareroultja, Untitled, in entire career since its inception in 1990. memory of his wife Judith Dexter who was This collection of 100 works includes the a Volunteer Guide at the Gallery from 1984 series Forced into images, Postcard from to 1996. This early work will complement Mummy, and an assortment of other photos, the Gallery’s collection of 67 works by other textiles and videos that will complement Hermannsburg artists. the Gallery’s collection of works by Destiny Deacon. Dr K David G Edwards donated through the American Friends of the National Gallery Another significant purchase, Kristina [no of Australia bark paintings by Iwaidja artist glasses], is an early vintage gelatin silver print Paddy Compass Namatbara, artist by Wiradjuri/Kamilaroi artist Michael Riley. Lily Karadada, and a carved shield by an Two larrakitjs by Gulumbu Yunupingu, a unknown artist. leading female Gumatj artist, strengthen the Gallery’s large holdings of hollow logs, most James and Dr Joan Kerr donated a decorative of which feature in the Aboriginal Memorial. work by the late Dharawal/Eora artist Lola Ryan, Harbour Bridge. This work will complement the three shell and fabric Many of the acquisitions for this year have decorated Sydney Harbour Bridges also made been publicly shown for the first time in by Lola Ryan, which were donated by Peter the exhibition Right here right now: recent Fay, who also donated a large collection of Aboriginal and Torres Strait Islander work he had collected over many years. acquisitions at the Gallery in 2006. This This collection comprises twenty works included works such as the / by Indigenous artists, including two early artist Julie Dowling series Stations of the drawings by Pintupi/ artist Old Cross; fourteen oil paintings by Waanyi/ Tutuma Tjapangati, Native bush-cat man Waanjiminjin artist Gordon Hookey; an early ‘Kurningka’ and Kerdaitja man, a woven Papunya painting by Luritja/Warlpiri artist basket by Wangkajunga artist Lucy Loomoo Long Jack Phillipus Tjakamarra; a painting Nungurrayi, not titled [round basket], and by Gija artist Hector Jandany; nineteenth a collection of thirteen handmade dolls by century and early twentieth century Jawun Mavis Bolton, Jean and Elizabeth Riley, and baskets [bicornual], and a very rare Torres Nungalka Stanley. Strait Islander carved wooden Mask as well as Spear tip, by unknown makers. Blair Gardner donated two bark paintings by the late Lardil artist Dick Goobalathaldin Gunybi Ganambarr, a young Datiwuy artist Roughsey, Fish hunting and The coming was a finalist in the third National Sculpture of the Balamanda. Goobalathaldin is a Prize and exhibition in 2005 and his work key artist and these works will strengthen Dhanbarr, a larrakitj 2004 was acquired by the Gallery’s collection of works from the Gallery. Mornington Island.

30 National gallery of Australia Annual Report 2005–06 AUSTRALIAN DECORATIVE ARTS AUSTRALIAN PAINTING AND AND DESIGN SCULPTURE Over the past year the Australian Decorative The Australian Painting and Sculpture Arts and Design collection was developed department received a number of significant in a number of areas, with acquisitions of gifts under the Cultural Gifts Program during ceramics, glass, jewellery and metalwork. 2005–06. These included key works given by Dr David Edwards: Elwyn Lynn’s Night A silver necklace by Brenda Ridgewell was snow and cross 1987 and Silver drift 1987 acquired through the Meredith Hinchliffe and two paintings by Jan Riske, Yellow melt Fund. Other major gifts included a ceramic out 1986 and Prussian pink 1989. Anne work by Marea Gazzard, donated by John Burge donated an important painting by Eager, a brooch by Helge Larsen and Darani West Australian artist Brian Blanchflower, Lewers, donated by John Thompson and Canopy XVIII – Belief System (The stones of a glass work by Nick Mount, donated by Stenness) 1989, while Pauline Hunter gave an anonymous donor. A pair of porcelain the Gallery a key work by Rosalie Gascoigne, teacups by Les Blakebrough was donated by Wheat belt 1989, that represents the artist’s Ron Radford. A group of ceramic works was highly inventive approach to materials and bequeathed through the estate of ceramicists, poetic response to the landscape. Reg Preston and Phyl Dunn, while a group of ceramics from Milton Moon and Tom Sanders The Peter Fay Gift is a generous addition was bequeathed through the estate of to the national collection. Peter Fay is Ruth Komon. considered to be one of Australia’s most perceptive collectors of innovative Works by Bronwyn Kemp, Jeff Mincham, contemporary art and the works included in Alan Peascod, Ivan Englund, Gerry Wedd this gift span all Australian art collecting areas and David Pottinger (ceramics), Rowena and are significant examples of each artist’s Gough, Robert Foster, Cinnamon Lee and work. Artists whose works are included in Roger Hutchinson (metalwork) were the gift include Slim Barrie, Peter Cooley, purchased to broaden the representation Tony de Lautour, Anna De Luca, Mikala Dwyer, of these established artists. The Gallery’s Rosalie Gascoigne, Robert MacPherson, Linda collection of contemporary Australian glass Marrinon, Noel McKenna, Michelle Nikou, was strengthened with recent works by Neil Roberts, Joan Ross, Gina Sinozich, Val Gerry King and Judi Elliott. A lacquered wood Sutherland, Louise Weaver and Ken Whisson. cabinet by furniture designer/maker, Khai Liew, was also purchased. A significant gift to the national collection from Jamie Smiley was John Glover’s Guidelines and strategies were developed painting, Rural landscape with herdsman, for funding and collection support of the milkmaid and cattle c. 1820, a fine example National Gallery Foundation’s Decorative Arts of his English work that provides a most and Design Collection Development Fund. interesting comparison with his later work

National gallery of AustRalia Annual Report 2005–06 31 undertaken in Australia. Donald Friend’s Bar Roy de Maistre’s New Atlantis c. 1933 is in Brisbane with juke box and sailors c. one of the most important paintings by the 1943 was generously given by Bill Beresford. artist to enter the national collection. It is A representative and important war-time an impressive and daring work for its time work by this artist, it helps to fill a gap in the that conveys the fluid interplay between collection. Another gap in the collection was modernist ideas in Australia and Britain. Fred filled in the area of conceptual art with the Williams’ exceptional painting Saplings thought-provoking work by Ian Burn, c. 1961 was produced at a time when the This painting is nearly as good 1993, artist was working with extraordinary kindly donated by Avril Burn. concentration and energy. It combines a strong emphasis on abstraction as well as In the Australian Painting and Sculpture references to the natural environment, department the Gallery’s collection of and brings a fresh dimension to the nineteenth century and early twentieth Gallery’s representation of this major century Australian art was significantly Australian painter. enhanced by the purchase of major works by Charles Conder and Sydney Long. Charles Following the third National Sculpture Conder’s Hot wind 1889 is a key work from Prize and exhibition in 2005, a number of the artist’s Australian period. The painting had outstanding works were acquired for the disappeared into a private collection many national collection including the winning years ago and its rediscovery is important work American crater near Hanoi #2 2005 to Australian art history. Painted six months by Glen Clarke. Other works acquired are before the 9 x 5 Impression exhibition, Woven Water: submarine landscape 2003 the work is arguably the most important by Maria Fernanda Cardoso, Tilt 2005 by of Conder’s group of allegorical, symbolist Fred Fisher, and Wall zip (for Brancusi and paintings. It will complement other symbolist Barnett Newman) 2005 by Simeon Nelson. works in the collection, as will the recent significant acquisition of Sydney Long’s A number of impressive paintings by Flamingoes c. 1905–06. This work belongs to contemporary artists from around Australia the early period of Long’s oeuvre – a period were acquired throughout the year. These characterised by the decorative flattening of included recent works by Brent Harris, his compositions and his use of the sinuous Robert MacPherson, Robert Rooney and linear rhythms of art nouveau. Long’s work Savanhdary Vongpoothorn, as well as a key was purchased with the kind assistance of work by the New Zealand artist Shane Cotton. Philip Bacon as part of the Masterpieces of the Nation Fund and Conder’s work with the assistance of the Sarah and Baillieu Myer Family Foundation.

32 National gallery of Australia Annual Report 2005–06 AUSTRALIAN PHOTOGRAPHY Gallery’s representation of one of the most The year was an exciting one for the important nineteenth century Australian Australian Photography department photographers. with excellent results across several projects including the acknowledgement Several works by senior contemporary of sophisticated new media art, an photographers with long histories of work in ongoing review of the collection through the Asia–Pacific region were also acquired; a deaccessioning and successful progress 1992 diptych collage Waterway to Quilon, in filling gaps identified in the Acquisition Kerala from the Indian journeys of Perth- strategy. Nineteenth century portraiture based artist Max Pam and a large portrait of a of Indigenous people was a major focus. young girl photographed on Bougainville in Acquisitions included rare 1880s portraits 2005 by Jon Lewis from his extensive work of Northern Australian Aboriginals by in the region was received as a gift from Paul Foelsche, a police inspector in Port Patricia Sabine. Photojournalism has been a Darwin, which were included in a group major force in Australian photography and of studio portraits of Aboriginal people has become very prominent as a dynamic made or published by the prominent award winning genre in recent years. This Sydney photographer Henry King. Foelsche, was also a focus of attention during 2005–06. who began work in 1860s, was the first Work by older and younger practitioners was photographer to work extensively in the acquired including street photographs chiefly Northern Territory. Coontajandra and from the 1960s by Robert McFarlane. From Sanginguble, an unusually large and intimate among a younger generation the Gallery close-up portrait by JW Lindt of a Central acquired a photoessay by Philip Gostelow on Australian Workii man and woman, portrays a the 2002 bush fires in the Blue Mountains, couple who were members of a performing as well as Minutes to midnight, a portfolio troupe called ‘Wild Australia’ brought to of 30 images from journeys across Australia Brisbane, Sydney and Melbourne in 1892–93 1999–2004 undertaken by Trent Parke, the by Archibald Meston. first Australian to join Magnum, the legendary international photo-agency. A further iconic The Asia–Pacific region has become a priority work by Trent Parke, Untitled #3 from the for increased representation. Photographs 2001 series Dream/Life & Beyond, was from nineteenth century , for donated by Stills Gallery, Sydney and The example, are rare and in particular mural Freedman Foundation in memory of Sydney- size carbon prints by JW Lindt from his 1885 based Gallery educator Linda Slutzkin. New Guinea expedition have been sought since 1988. It was very pleasing that two A large gift of thirteen works by contemporary Lindt mural prints, Moto water carrier Port photomedia artist Rosemary Laing, received Moresby and Mourners and Dead House at from Maureen and Bernard Laing, greatly Kalo, were secured at auction in Melbourne increased the importance of holdings of an in November 2005. The acquisition of these artist whose career has been followed for major works by Lindt greatly strengthens the some time. The gift included early works

National gallery of AustRalia Annual Report 2005–06 33 from Laing’s disaster and blow-out series Significant gifts of Australian prints were as well as from the seminal brownwork, again an important part of the Gallery’s airport, NASA and flight research series. acquisitions, including ongoing gifts of their A key recent work by Laing called welcome own works by David Rose, William Robinson to Australia from her 2004 series to walk on and Jorg Schmeisser. Thea Exley and Tony a sea of salt, which addresses the subject of Coleing continued their support of the the detention of asylum seekers in Australia, collection with their gifts of contemporary was also purchased during the year. A group Australian prints and Russell Harper donated of works by two other contemporary a group of prints by John Kelly. photographers, Shayne Higson and Elaine Campaner that also comment on recent political events concerning immigration and The Australian Prints and Drawings identity came into the collection as a gift department have endeavoured to acquire from Eduardo Campaner. Several works by nineteenth-century works to complement Campaner also entered the collection under the collection. These include John Lewin’s the Australian Government’s Cultural Gifts watercolour Studies of a Remora fish Program through the Peter Fay Gift. Other c. 1807; Harden S Melville’s rare drawings photographers in the latter gift included of Cape Upstart, Northern Australia 1843 Nicholas Nedelkopoulos, Ronnie van Hout and Darnley Island and Torres Strait 1845; and Shaun Gladwell. Gladwell, a time- surveyor, architect and artist Robert Russell’s based artist, also personally donated a floor 1850s drawings of Melbourne from the west projection work Quay Sequence MDCCCVIII c. 1855 and Melbourne sketches, wharves – MCMLXXXVIII 2005 in conjunction with and steam tugs 1854; and William Strutt’s the Gallery’s purchase of his large digital Study for the hero in ‘Black Thursday, video triptych War Memorial Sessions, February 6th, 1851’ 1862–64. Emma von 2004–05. Steiglitz’s pencil drawing Mona Vale, Ross, AUSTRALIAN PRINTS Van Diemen’s Land 1846 and Emma Minnie AND DRAWINGS Boyd’s The quail shooter 1884 are the first Gifts of Australian drawings included Donald works by these artists to be acquired for Friend’s Portrait of Bill Beresford 1944 and the national collection. Both drawings will Mad memorable party 1944 presented by enhance our small collection of drawings by Bill Beresford; Clifford Bayliss’s Man with women artists of the nineteenth century. one eye closed 1946, from the artist’s widow Josephine Bayliss; Lloyd Rees’ Moreton Highlights of twentieth-century Australian Bay Fig Tree, McMahon’s Point, 1932 from drawings acquisitions include Arthur Boyd Carolyn Cameron; Janet Dawson’s gift of her Senior’s Gathering seaweed before the Paddock sketchbook 1999–2004 and a group storm, Sandringham Beach 1900, the first of 51 drawings and prints by contemporary work by Boyd Senior to come into the Australian artists from Daphne Morgan. In collection; Napier Waller’s fine watercolour addition eX de Medici gave her nine-panel study Bantam rooster and hens c. 1927; a pencil drawing Spectre #1 (Swastika) 1996. rare watercolour portrait Neey-too-gulpa

34 National gallery of Australia Annual Report 2005–06 [ tribesman] c. 1937 by Albert Acquisition of twentieth–century prints Namatjira and a small group of pencil include The hole in the trees 1914 and drawings from the late 1920s by Aletta Lewis. Ploughing the hill Berwick 1921, which Among the contemporary works acquired add to the important collection of Jessie were eX de Medici’s large scale watercolours Traill prints. Contemporary prints acquired Material rule 2005 and des Esseintes’ through the Gordon Darling Australasian shame 2005. Print Fund include Dennis Nona’s large and highly detailed linocuts Awai Yithuyil 2004 In the area of Australian prints there has and Sesserae 2004; Aotearoa New Zealand been a strengthening of the collection with artist Shane Cotton’s group of six lithographs works from the seventeenth, eighteenth created during a residency at the Australian and nineteenth century. The earliest pre- Print Workshop; a significant group of artists’ settlement prints acquired were John books by Petr Herel, Alex Selenitsch and Savage’s Prince Giolo c. 1692; James and Michael Reed; and Mario Luccio’s highly John Cleveley’s 1788 Views of the South detailed drypoints of the city of Melbourne. Seas; F Bartolozzi’s 1774 and William Hodges’s 1777 engravings of Omai, the ASIAN ART Polynesian Islander who travelled to London Acquisitions throughout this year focused with Captain James Cook in 1774; and largely on the development and expansion Thomas Gosse’s rare engraving Founding of South and Southeast Asian collections, of the settlement of Port Jackson at Botany especially in the Gallery’s areas of strength Bay New South Wales 1799. The nineteenth – sculpture and textiles. century collection was enriched with James Wallis’s 1821 folio An historical account Broadening the range of fine Indian sculpture of the Colony of New South Wales and its was achieved through strategic acquisitions. dependent settlements; John Carmichael’s A stone Nagaraja serpent king from north Select views of Sydney, New South Wales India demonstrates the legacy of Indian 1829; Charles Atkinson’s album Views deities associated with nature and the through Hobart town 1833; Frederick elements. An unusually large Gandharan Nixon’s Twelve views in Adelaide and image of a Buddhist saviour illuminates the its vicinity, South Australia 1845; William impact of Hellenic style on early Buddhist Lyttleton’s Panshanger, Tasmania, the seat art in South and Central Asia in the aftermath of Joseph Archer Esquire 1835; François of Alexander the Great. Other key images Cogné’s 1859 lithographs of the burgeoning in Indian art include the great god Vishnu city of Ballarat; and a major group of prints with his consort Lakshmi in loving embrace by ST Gill. In Australian prints too the and a pair of menacing yet protective door collection of works by nineteenth–century guardian figures. An early Chola dynasty women artists has been enhanced by the sculpture of the goddess Kali seated beside acquisition of works by Fanny de Mole, Annie a trident, symbol of Shiva, adds to the small Walker and Fanny Anne Charsley. collection of images of female deities so central to Indian art. Indian textiles for

National gallery of AustRalia Annual Report 2005–06 35 export were again a target, with acquisitions Acquisitions, through gift and purchase, were of bold trade cloths in Indonesian, European inspired by the path-breaking exhibition and Persian styles. of Southeast Asian Islamic art, Crescent Moon. These included a number of finely For Southeast Asia, it was the field of embroidered end-panels for ceremonial ancestral art that was the particular focus of bolsters, gold ornaments, and the Gallery’s acquisitions this year. The most significant first Islamic manuscript from Southeast Asia acquisition of the year is the Bronze Weaver, – a late eighteenth–century, early nineteenth– the earliest Southeast Asian sculpture to century Qur’an from a Malay principality in coastal . enter the collection and a pivotal work in the history of the region’s art: its dating to With the support of the National Gallery the sixth century suggests it was made in of Australia Foundation, very generous outer island Indonesia rather than by the donations from long-time Asian art Dong Son culture of northern Vietnam. The supporters – Margaret Olley of Sydney and unique image links sculpture and textiles, Andrew and Hiroko Gwinnett of Adelaide the Gallery’s key collecting specialities. The – enabled the Gallery to acquire two major acquisition of a rare group of Li textiles works: an architectural feature of huge, from Hainan Island, woven on similar looms intricately carved wooden brackets and to that portrayed in the Bronze Weaver, lintels from India; and a superb pair of early extended the focus of the Southeast Asian Japanese screens, Pine trees by the shore. textile collections. The gift by Michael Chaney of Yan Pei Ming’s self-portrait complements the Gallery’s small Other ancestral works included a funerary collection of contemporary Chinese art. spirit figure, the first sculpture from Vietnam to enter the collection; a seated guardian INTERNATIONAL DECORATIVE ARTS sculpture from Luzon in the northern AND DESIGN Philippines; a small but powerful ancestor The International Decorative Arts and image from Nias Island off north ; Design collection was developed in a and sculptures from Sumba and Borneo. number of areas, with acquisitions of A number of important textiles and ceramics, glass, textiles, jewellery and sculptures added to the Gallery’s small metalwork. The development of the collection of ancestral objects from this department of Decorative Arts and Design’s important region of northern Sumatra. major exhibition project for the year, Large Indian paintings formed a new Transformations: the language of craft, was collecting direction. These depict scenes a key strategy for research into appropriate from the life of Krishna, including the works to add depth and strength to the popular god surrounded by adoring international decorative arts and design milkmaids. Another painting, a huge picture collection, with a focus on contemporary of the pilgrimage town of Satrunjaya, adds to works by major international artists working the Gallery’s small Jain art collection. in craft media.

36 National gallery of Australia Annual Report 2005–06 Forty of the exhibition’s 135 works were by Cy Twombly, Untitled 2005, came into acquired during 2005–06, substantially the collection to represent this renowned building the collection. The exhibition contemporary artist. The sculpture is a tall catalogue documented these works and and elegant monument of extraordinary was enhanced with a detailed webpage on power and subtle surface, made of bronze the exhibition, including interviews with a with a grey-green painted patina. In using number of the artists in the exhibition who the traditional material of classical sculpture visited the Gallery during the opening period still common today, the artist calls on the and took part in its associated conference. conventions of ancient art as well as those of modernism. Another extraordinary Among these acquisitions was a work acquisition was Habakuk 1934–70 by the by Spanish ceramicist, Claudi Casanovas, important Surrealist artist Max Ernst, whose donated by Raphy Star through the Gallery gigantic bronze bird-man figure stands 4.5 Foundation’s Decorative Arts and Design metres high. The Gallery further developed Collection Development Fund. Mr Star also its proposed commission for a Skyspace by provided funds for the purchase of a work the American sculptor James Turrell, to be by Japanese ceramicist, Sueharu Fukami, placed in the Sculpture Garden. and two works by American ceramicist, Jun Kaneko. Helen Drutt English, through the The generous gift by Jon Plapp and Richard American Friends of the National Gallery McMillan of a painting by Larry Poons, Mover of Australia, donated necklaces by Swedish 1972, strengthens the Gallery’s world-class jeweller, Tore Svensson, and German jeweller, collection of Abstract Expressionist art. Dr Hermann Jünger. Helen Drutt English also K David G Edwards gave works in memory facilitated the gift of a 1970 ceramic work by of his wife, the Australian artist Margery the American artist, Robert Turner, donated Edwards, including sculptures by Joseph in his honour by his children through the Beuys and Donald Judd. American Friends. A pair of blown glass vessels by American glass artist, William Morris, was donated by Klaus Moje, adding PACIFIC ARTS depth to the Gallery’s growing collection The ceremonial house post from the of international contemporary glass. The Solomon Islands is carved in the form of a international costume collection was naked man, with earrings and armlets, who enhanced with gifts of a 1967 evening stands on the head of a bent and crouching gown by Spanish designer, Pedro Rodriguez, smaller man. The main figure is topped by donated by Carmen Scott, and a 1920s dance a large shark flanked by two bonito. Earthly dress donated by Darani Lewers. and divine creatures are combined to produce a work of great mana, the spiritual INTERNATIONAL PAINTING power desired by humans. The acquisition AND SCULPTURE of a masterpiece such as this sculpture The Gallery purchased several major strengthens the collection of the arts of the sculptures this year. An exciting recent work Pacific in the Gallery’s collection.

National gallery of AustRalia Annual Report 2005–06 37 Part of the collection of the late Professor for the Taiwanese Pavilion at the 2001 Anthony Forge was donated by Don Moffitt Venice Biennale, was purchased thanks in and Cecilia Ng. The New Guinea part to funding from the Gene and Brian sculptures deepen the representation of the Sherman Contemporary Asian Art Fund. Three Abelam culture in the collection, especially images by Dayanita Singh, one of the most the remarkable painted figures and carved internationally renowned contemporary coconut shells. Indian photographers, were also acquired with funding from the National Gallery INTERNATIONAL PHOTOGRAPHY of Australia Photography Fund, Farrell The Asia–Pacific region occupied an Family Foundation donation. The artist also important part of the development offered a gift of work from the same series of the 2008 photography exhibition, in recognition of the Gallery’s interest in which will survey photography of the representing Indian photographers. Asia–Pacific from its beginnings to the 1950s. Major acquisitions favoured works Attention in 2005–06 also turned to the by the first generation of native-born acquisition of mid nineteenth-century photographers in Asia, including a pair of French portraits and views, an area with unusually large portraits of His Majesty small representation in the collection and King Chulalongkorn, Fifth Rama of of premium interest and price within the the Chakri Dynasty and of Her Majesty photographic market. Two works made in the Queen SriSavarindira c. 1890–91 by newly landscaped Bois de Boulogne in Paris court photographer Francis Chit (Khun in 1858 by leading French photographer Sunthonsathitlak), the first Thai-born Charles Marville were acquired: a tree study professional photographer. A number of and a picture of the old restaurant near hand-coloured portraits and views by the cascade. Le Tour du Bois, Au Bois de nineteenth-century Japanese photographer Boulogne et Boulevard St Germain (1884), K Kimbei were acquired, including his own a published album of portraits of riders on amusing studio advertisement and Beautiful their steeds and in carriages from pioneer West Lake: the light with its harmony, a equestrian photographer Jean Delton, was photographically illustrated book from acquired from the estate of the writer 1931 by Pictorialist photographer Shinzo Colette. Geranium flower in pot c. 1865 by Fukuhara, founder of the Shisheido company. Charles Aubry, a startlingly ’modern’ looking The West Lake at Hangzhou is a long- still-life, and a charming daguerreotype of established tourist destination in and a Seated female nude in boudoir 1852 by these images justify Fukuhara’s prominent Duboscq–Soleil were also acquired. position as the leading art photographer in Japan during the wars. Twentieth-century American photography is an area of strength in the collection, and Contemporary Asian art was also acquired: it has been further strengthened by Anton Taiwanese and New York-based artist Shu- Bruehl Jr of San Francisco, through the Min Lin’s Glass ceiling, the work chosen American Friends of the National Gallery of

38 National gallery of Australia Annual Report 2005–06 Australia, presenting his personal collection Kenneth Tyler and Marabeth Cohen-Tyler of work by his father Anton Bruehl in generously gave a small drawing made with recognition of his Australian origins. In the mulberry juice, which marked the beginning popular and photographic press Bruehl was of years of collaboration between the artist regularly celebrated as ‘one of the world’s and printer. foremost photographers’ and a ‘master’. He died in San Francisco in 1982. The Bruehl gift A group of significant prints and posters consists of 112 photographs, 18 colour and from the nineteenth and twentieth 94 gelatin silver, and covers Bruehl’s career centuries were purchased by private sale from the 1920s to the 1950s. The gift is the and at auction with the Poynton Bequest, highest in value ever to have been presented established by the department’s late great to the Photography department and makes benefactor, Orde Poynton Esq, AO, CMG. this the largest holding of Bruehl’s work in These included an important lithograph any public institution. Mlle Bécat at the Café des Ambassadeurs by Edgar Degas, two further intaglio prints Anton Bruehl was born to German parents from the existing collection of four of Joan in South Australia in 1900, trained as an Miro’s major Surrealist series Noir et Rouge engineer, and moved to New York in 1919. 1938 and a group of posters including the With the backing of Condé Nast publications bold and large scale work by Boris Bucan’s in the 1930s, Bruehl pioneered colour Firebird Petrushka [Zar Ptica] 1983. photography in illustration work, and for forty years, aided by his brother Martin Recent works from England and the United (also born in Australia), the Anton Bruehl States included a portfolio of 83 etchings, studio remained at the top of this genre of Disasters of War 1999, the powerful and commercial photography. Anton Bruehl’s disturbing response by the Chapman documentary work in black and white was Brothers to the original series by Francisco de Goya. The American Friends of the also of fine quality, especially the work he National Gallery of Australia generously made in Mexico in 1933 which became the donated Lyle 2003, a tour de force of colour basis for his book Mexico, a copy of which is screenprinting by Chuck Close using 149 also in the collection. colours. This gift was to honour the late William Lieberman, an American curator of INTERNATIONAL PRINTS, DRAWINGS great significance, who had close associations AND ILLUSTRATED BOOKS with the National Gallery of Australia. The department continues to organise the documentation and safe housing of the As part of the Edwards collection gift, the Tyler collection of artworks, film, sound department was fortunate to acquire a group and photography – an important record of works on paper, twentieth-century prints of printmaking in the United States from and drawings by artists including Sonia the 1960s to the turn of the century. On Delaunay, Max Ernst, Roy Lichtenstein, the occasion of the opening of Against the Robert Motherwell, Robert Rauschenberg , grain: the woodcuts of Helen Frankenthaler and Antoni Tapiès.

National gallery of AustRalia Annual Report 2005–06 39 RESEARCH AND PUBLISHING Revisionism: an anthology of writings on The National Gallery of Australia acquisition Australian Art, edited by Rex Butler. She and related exhibition programs continue to coordinated and wrote for the catalogue be underpinned by excellent research work for the National Gallery of Australia’s major on works in the collection. Further research exhibition, Constable: Impressions of land, and publishing included the following: sea and sky. She also presented a paper on ‘Impressions of land, sea and sky’ at the Brenda L Croft, Senior Curator of Aboriginal Constable symposium on 8 April 2006. and Torres Strait Islander Art, in conjunction with Hetti Perkins, Senior Curator of Gael Newton, Senior Curator of Photography, Aboriginal Art at the Art Gallery of New provided catalogue essays on the West South Wales, continued to work on the major Australian landscape photographers Richard commission from Australia to the Musée Woldendorp and Miriam Stannage, the former du quai Branly which opened in Paris in published in the Museum of Contemporary June 2006. Staff in the Aboriginal and Torres Art’s Interesting times catalogue and the Strait Islander Art department continued to latter in Stannage’s survey of the last 20 research two major exhibitions – Michael years work at Curtin University Gallery, Riley: sights unseen (which opens at the Western Australia. Newton also gave papers Gallery in July 2006), and Jesus loves me, and lectures on Woldendorp and Stannage this I know, with Canadian and New Zealand at the Fotofreo conference in April 2006. curatorial colleagues, scheduled to open in As well she contributed an article on the early 2009 and then tour internationally. Staff controversial manipulated colour work by also undertook research for an exhibition in the Gallery’s Project Gallery, Right here, right Leica Documentary prize winner Domenico now: recent Aboriginal and Torres Strait Cozzolino, for the volume of published Islander acquisitions, which opened in May lectures of the Centre for Contemporary 2006, and its accompanying exhibition Photography in Melbourne. Newton also room brochure. wrote an article on a 1974 photobook by Carol Jerrems for Art and Australia Staff conducted ongoing research on journal and an essay on the development of the Aboriginal and Torres Strait Islander Indigenous photographers in the 1980s for collection, including research for a proposed the Michael Riley retrospective. collection catalogue due for release in 2007. Staff also worked on an exhibition catalogue Gael was involved in research for the major to accompany Michael Riley: sights unseen. exhibition on the history of photography in Anna Gray, Assistant Director of Australian the Asia–Pacific region 1840s to the 1960s Art, wrote a chapter on Australian landscapes to be shown at the Gallery for the Canberra and national identity for the Oxford History Photofestival in 2008. She is also an active of the British Empire (Australia), edited adviser to Professor John Hannavy, Editor for by Deryck Schreuder and Stuart Ward. the forthcoming Routledge Encyclopedia She contributed two essays to Radical of 19th century photography to which she

40 National gallery of Australia Annual Report 2005–06 contributed entries on a number of Australian Dr Deborah Hart, Senior Curator of Australian and international photographers as well as Painting and Sculpture, undertook research surveys on the history of photography in for the major survey exhibition of acclaimed Asia. Photography Department Honorary contemporary artist Imants Tillers. Opening Researcher Robert Deane undertook in July 2006, this exhibition provides the various research projects on collection opportunity to trace the high points of works, including identification of subjects Tillers’ artistic development over more than and makers of images in two 1860s–1870s two decades. She also contributed an essay Australian albums known as the Monckton for the catalogue Zones of contact: 2006 albums. He provided entries on ‘Underwater Biennale of Sydney, 2006. Photography’ and on Sun Artists, an early photographically illustrated book in the Roger Butler, Senior Curator of the Australian collection of the National Gallery of Australia. Prints and Drawings, has been researching Deane is also researching the work of French and preparing for the major exhibition photojournalist Henri Cartier-Bresson in Asia Printmaking: an Australian history, opening and photographers of Bali in the nineteenth in March 2007. He is concurrently working and twentieth centuries for the 2008 exhibition. on his two-volume publication with the same title. Anne O’Hehir, Assistant Curator of Photography, travelled to and Anne McDonald, Assistant Curator of India to undertake research on Asia–Pacific Australian Prints and Drawings, has been photography. She undertook research preparing a publication to accompany the in India on the Australian photographer exhibition Moist: Australian watercolours. Robyn Beeche, now a resident of Vrindavan, She was awarded the Harold Wright whose work is well represented in the Scholarship at the British Museum’s Print collection. While there, she met with a Room and will undertake research at the number of prominent Indian curators and Museum until December 2006. Under photographers. She spoke about her trip to the supervision of the Senior Curator, the India at FotoFreo, the increasingly important department is overseeing three publications Fremantle photography biennale. She also by post-2003 Gordon Darling Australasian gave a number of talks in Brisbane on Print Fund Fellows: Papua New Guinea the American photographer Diane Arbus, Prints, Australian Artists Books and including at the Gold Coast Art Gallery and as Redback Graphix. part of the seminar series ‘Art and God’ at the Queensland College of Art. Robert Bell, Senior Curator Decorative Arts and Design, developed a catalogue for the Volunteer Bernard Lilienthal also provided Transformations: the language of craft research assistance across all acquisitions exhibition. This allowed the documentation during the year as did Australian National of the works acquired from the exhibition University intern Leo Santos from and was enhanced with a detailed webpage March to June 2006.

National gallery of AustRalia Annual Report 2005–06 41 that included interviews with a number Senior Curator of International Prints, of the artists in the exhibition, who visited Drawings and Illustrated Books, Jane the Gallery to take part in its associated Kinsman, published her essay Rosenquist: conference. Welcome to the Water Planet, for the exhibition she curated of the same title A webpage for Australian and International which opened in June 2006. She carried out Decorative Arts and Design was introduced research on the Tyler collection of prints in on the Gallery’s website, facilitating access connection with the Kenneth Tyler website to this collection. The department’s major nga.gov.au/InternationalPrints/Tyler and project for 2006 was research and enhanced undertook studies towards a PhD on the cataloguing of the extensive collection of prints of David Hockney. Her essay A Rake’s Australian crafts and design donated in 1981 Progress: a graphic talk comprising sixteen by the Crafts Board of the Australia Council. etchings 1961–63 by David Hockney was Many works from this collection will be published in February 2006. included in the August 2006 exhibition, The crafted object 60s–80s. This work was Curator of International Prints, Drawings and undertaken by Curatorial Assistant Sarah Illustrated Books, Mark Henshaw, published Edge and Volunteer Meredith Hinchcliffe. his essay War: The prints of Otto Dix for the exhibition he curated which opened Further research and enhanced cataloguing in December 2005. He also continued to of the Gallery’s extensive collection research the The birth of the modern poster of costumes for the Ballets Russes was for a publication and exhibition scheduled undertaken and work began on the development of a dedicated website for this for February 2007. element of the collection. Assistant Curator Jaklyn Babington undertook Robert Bell also continued his PhD research research on prints by artists in the Tyler on Scandinavian design and Australia. collection for publication on the website. Christine Dixon, Senior Curator of She published her essay Against the grain: International Painting and Sculpture, woodcuts of Helen Frankenthaler, written presented a paper on ‘Max Ernst: Artist and for the exhibition she curated, which opened collector’ to the Australian Association for the in November 2005. She carried out research Advancement of Pacific Studies Conference on recent printmaking for the website and, in Brisbane. Assistant Curator Lucina Ward along with Research Officer Amanda Morley, delivered a paper entitled ‘Time and time undertook research for the James Rosenquist again: considering Viola’s Going forth by exhibition. day and the Arundel Society in the light of Giotto’s frescoes at Padua’ as part of the All members of the International Prints, Australian National University’s Art and Drawings and Illustrated Books department Time conference. carried out research on artists who are included in the forthcoming display in the

42 National gallery of Australia Annual Report 2005–06 International Art Galleries. The Publishing Unit of the Gallery has supported research initiatives of the curatorial staff through the production of books and other print based products including:

• National Sculpture Prize and exhibition 2005, commissioning editor Elena Taylor. • Transformations: the language of craft, commissioning editor Robert Bell. • Constable: impressions of land, sea and sky, commissioning editor Anna Gray. • Artonview numbers 42–45 inclusive. • Brochures and interpretative material to accompany the touring exhibition Moist: Australian watercolours. • Room brochures for the Orde Poynton and Project Gallery exhibitions Frankenthaler; War: the prints of Otto Dix; Right here, right now: recent Aboriginal and Torres Strait Islander acquisitions, and Welcome to the water planet. • Education material to support the major exhibitions National Sculpture Prize and exhibition 2005 Bill Viola: the passions, Transformations: the language of craft, Crescent Moon: Islamic art and civilisations in Southeast Asia and Constable: impressions of land, sea and sky. Publications in production, but not finalised during 2005–06 include: • Michael Riley: sights unseen • Imant Tillers: one world many visions • History of Australian Printmaking Volume 1 – Colonial prints • Papua New Guinea Prints.

National gallery of AustRalia Annual Report 2005–06 43 44 National gallery of Australia Annual Report 2005–06 goal three

National gallery of AustRalia Annual Report 2005–06 45 GOAL 3 – MAINTAIN AND PROTECT THE NATIONAL COLLECTION

To maintain and protect the national CONSERVATION OF collection and works of art on loan THE COLLECTION through the highest standards of The conservation and care of the care in the presentation, conservation collection is a primary focus for the Gallery. storage and documentation of works Documenting, treating and preparing works of art. for display and loan has been a priority during 2005–06, however there has also been KEY STRATEGIES a dedication to conserving works from the permanent collection, undertaking collection • Undertake research into the national surveys and critical research into elements collection to assess its condition and of the collection. The condition of over 9% of maintenance requirements the collection was assessed during 2005–06. • Implement appropriate measures to preserve and protect the national The Gallery investigated new fumigation collection and works on loan to techniques in the area of preventive the Gallery conservation and gained approval from the • Identify and use appropriate technology Australian Quarantine Inspection Service and systems to care for, manage, to implement anoxic treatments for works protect and document the national coming into the collection. It has also made collection. significant improvements to internal light monitoring and control, with the installation MAINTENANCE AND ACCESS of blinds and a digital light-logging program. TO THE COLLECTION The National Gallery of Australia maintains The Gallery’s commitment to treat works and preserves its collection of works of from the permanent collection not required art in order to enhance the community’s for exhibition or loan saw some complex understanding and enjoyment of the and major treatments undertaken last year. visual arts, now and in the future. The One of these was the cleaning of a very sensitive paint surface on 6 August 1956 Gallery provides high quality facilities and by Pierre Soulage. Conservators removed environmental conditions in its display highly discoloured varnish and retouched old and storage areas and applies the highest damage on Ethel Carrick’s Paris Park Scene professional standards of collection and Luxembourg Gardens, Paris, Frank management. Brangwyn’s Furling the sails and James Cant’s In the deserted city. Six paintings by The refurbishment of many areas of Eugene von Guerard have undergone full the Gallery’s art storage facilities was treatment including varnish removal and undertaken during the year. Collection re-varnishing. Frederick McCubbin’s growth projections and storage capacity painting Afterglow was the subject of a requirements were reassessed and a project major treatment, and work has started on plan to address the Gallery’s storage the treatment of Ad Reinhardt’s Painting requirements developed. Initiatives directed 1954–58 which has not been displayed at short-term solutions were implemented. for the last decade.

46 National gallery of Australia Annual Report 2005–06 Staff carried out a successful major large exhibitions including Constable: conservation treatment of To do with blue Impressions of land, sea and sky and the by Tony Coleing and undertook a survey of significant exhibition of Aboriginal and all works in the sculpture garden, developing Torres Strait Islander art Right here, right a detailed maintenance report. They now. Preparations for major retrospectives treated two badly damaged Indian patolas Imants Tillers: one world many visions and and performed research and analysis into Grace Crowley and the exhibition Crescent the pigments used on an Indian painting Moon were a major achievement for textile (pichhavai). They also undertook a program and objects conservation, with extensive to remove adhesive tape from works in the conservation treatments carried out on many newly acquired Tyler collection. of the works.

Surveys of the collection have identified Preparing works for display and loan is future needs for its care. A major survey an integral part of the Gallery’s work of the Asian sculpture collection has program. Over 3,500 condition reports were commenced, and a report on the condition completed and 2,038 works have been of the Tyler collection was completed, with mounted and framed. Paintings Conservation 1,337 works checked and documented staff have worked with the Director and during the year. A Textile Collection curatorial staff on developing a program of Condition Survey saw staff photographing, reframing major works from the Australian condition checking and entering data Colonial collection and to date eleven works into the Collection Management System have been reframed. database with 1,550 condition checks completed. Some 195 Theatre arts items were A continuing commitment to developing photographed and new storage supports knowledge on the collection has seen major manufactured for each work. The audiovisual research projects undertaken during the component of the collection has been year. Conservation staff have researched condition checked and transferred to the the materials of Ron Mueck’s Pregnant National Library of Australia’s cold storage woman and the materials and techniques facility. of Australian Colonial Prints. They continue to develop the watermark database of the Around 1,800 treatments were undertaken works of James McNeill Whistler and have this year to prepare works for exhibition performed research into air pollutants and and loan. Some 717 works on paper were spectroscopy to investigate pigments and treated including works for Moist: Australian dyes. A range of research techniques used watercolours and the completion of the by the department will be presented in an complex treatment of Boite en valise by exhibition curated by its staff, Abracadabra: Marcel Duchamp, a three-dimensional, the magic in conservation, in July 2007. multi-component piece. Conservation staff have been involved in a number of

National gallery of AustRalia Annual Report 2005–06 47 PROTECTION OF THE COLLECTION A CMS User Group is working within the The protection of the national collection Gallery to improve communication and the has been maintained through the continued identification of corporate strategic aims in efforts and vigilance of the Gallery’s relation to CMS issues, and to form a stronger security and other staff and its security nexus between similar Gallery-related areas. systems and infrastructure. Security risks are The User Group meets regularly to discuss reviewed regularly and efforts are made to data and system issues. The User Group continuously improve systems and practices also has regular contact and exchange with directed at collection protection. similar CMS user groups from other cultural institutions within the region to address INSURANCE OF THE COLLECTION common problems and challenges. In collaboration with Comcover, the Australian Government’s self-managed The inclusion of a digital image of key works insurance fund, the Gallery maintained an in the collection is a strategic priority and effective risk-based insurance program for work continued on this activity throughout the national collection, as well as its other the year. insurable risks. Insurance premium costs were reduced although the value of the collection increased. Based on Comcover’s advice, the Gallery has arranged insurance capped at a figure of maximum probable loss for the main Gallery site at Parkes. As a result of Comcover initiatives, a continuing low property claims record and improved risk management practices, the Gallery expects to achieve a further reduction in its insurance premium for 2006–07.

COLLECTION DOCUMENTATION The Gallery’s collection is accessioned and documented so that each work of art is accurately recorded, with this information held on a collection management system (CMS).

During the year staff commenced a review of CMS policy and protocol, maintenance, new initiatives, and training programs. Some of the key contemporary CMS issues and goals being considered are ease of access and use for all stakeholders, web accessibility, and multimedia capabilities.

48 National gallery of Australia Annual Report 2005–06 goal FOUR

National gallery of AustRalia Annual Report 2005–06 49 GOAL 4 – DELIVER OUTSTANDING DISPLAYS AND EXHIBITIONS

To provide stimulating informative During 2005–06 a total of 831,971 people and enjoyable experiences through viewed works from the Gallery’s collection displays and exhibitions of works of and its temporary and travelling exhibitions. art from the national collection Of these, 419,896 visited the Gallery in Canberra and 382,290 visited the Gallery’s KEY STRATEGIES travelling exhibitions. More than 29,785 • Develop and deliver a stimulating, people attended exhibitions which included informative and enjoyable exhibitions works of art on loan from the national program in Canberra, throughout collection in venues around Australia and Australia and overseas throughout the world. • Identify and explore innovative ways to better present displays and exhibitions, Total numbers of visitors to the Gallery in with particular regard to rural and Canberra, to Gallery exhibitions in Australia regional Australia and to Gallery exhibitions internationally, • Continue to develop a diverse display 2000–2006 are included at Appendix 7. and exhibitions program of Australian and international art, with an emphasis DISPLAY OF THE COLLECTION on promoting the work of significant The Gallery regularly changes the display of contemporary Australian artists its permanent collection in order to provide • Promote displays and exhibitions through access to the widest possible range of works educational, multimedia and membership of art. This practice ensures that fragile items programs and events and strategic are rested, recent acquisitions are shown to marketing, and through the provision of the public and that popular items are rotated. published material and merchandise • Facilitate research and provide The Gallery also maintains a program of information and published material about exhibitions dedicated to the display of the display and exhibition program. Australian Art in the Project Gallery and to the presentation of international prints in The Gallery maintains an ambitious program the Orde Poynton Gallery. With works drawn of exhibitions and displays that provides mainly from the permanent collection, and visitors with a stimulating, informative sometimes complemented by loans, these and enjoyable experience of the visual exhibitions highlight specific areas of the arts. Access to works of art from the four Gallery’s collection. collecting areas of the national collection

– Aboriginal and Torres Strait Islander The Gallery also runs a program of changing Art, Australian Art, International Art and exhibitions in the Children’s Gallery which Asian Art – is provided locally, nationally and internationally through displays and is a dedicated space designed to introduce exhibitions, loans, educational and public children and families to aspects of the collection. programs, as well as through printed and electronic publishing.

50 National gallery of Australia Annual Report 2005–06 EXHIBITIONS groupings under the titles, Narrative, Twelve exhibitions were presented at the Materiality and Structure to illustrate Gallery during 2005–06 (see Appendix 6). different aspects of contemporary craft The following five major exhibitions were practice. the highlights of the year. Crescent Moon: Islamic Art and National Sculpture Prize Civilisation in Southeast Asia and Exhibition 24 February – 28 May 2006 15 July – 9 October 2005 Galleries 11,12 and Orde Poynton Gallery Temporary Exhibition Galleries This celebration of the Islamic art and The National Sculpture Prize and Exhibition heritage of Australia’s close neighbours was a partnership between the Gallery and – Indonesia and Malaysia, and the Muslim Macquarie Bank to support and promote communities of the Philippines, Thailand, Australian sculpture and to recognise Myanmar (Burma) and Cambodia – explored outstanding works. The winner of the 2005 the beauty and complexity of the region’s National Sculpture Prize was Glen Clarke for metalwork, textiles, wood carving, his work American Crater near Hanoi # 2. illuminated manuscripts, gold, lacquer, The artist received one of the most generous porcelain and stone. Treasures from Southeast prizes for contemporary art in Australia, with Asian museums and palaces, displayed the awarding of the non-acquisitive prize alongside objects from Australian institutions, of $50,000. A selection of works from the revealed the transformations of indigenous exhibition also went on tour to Melbourne, Southeast Asian motifs and techniques Sydney and Brisbane. into dynamic new art forms to express the message of the Prophet Mohammad. Bill Viola: The Passions 29 July – 6 November 2005 Constable: Impressions of Land, Galleries 11, 12 and Orde Poynton Gallery Sea and Sky Emotions were the subject of The Passions, 3 March – 12 June 2006 a series Bill Viola made over the past three Temporary Exhibition Galleries years. In these new video and projection This exhibition of John Constable’s work, works he grappled with one of the oldest the first in Australia for over thirty years, problems in art: how to convey the power considered previously unexplored themes in and complexity of emotion. his work, all of them related to Constable’s highly original approaches to image making. Transformations: The Language The exhibition drew together selectively over of Craft 100 works by the artist from major museums 11 November 2005 – 29 January 2006 and collections in Britain and America, Temporary Exhibition Galleries including the National Gallery of Scotland, The exhibition featured over 130 works by the Royal Academy, Tate Britain, the Victoria 86 leading international and Australian artists and Albert Museum and the Yale Center for working in the areas of craft and design. British Art. After closing at the Gallery the The works were drawn together in thematic exhibition moved to the Museum of New

National gallery of AustRalia Annual Report 2005–06 51 Zealand, Te Papa Tongarewa, Wellington from collection of fifty-two of the artist’s 7 July to 1 October 2006. sketchbooks. These sketchbooks vividly demonstrated how ideas prior to the First TRAVELLING EXHIBITIONS World War came to fruition several decades The Gallery’s travelling exhibitions later. program continues to be an energetic and important part of its strategy for providing The National Sculpture Prize access to works of art to a wide audience and Exhibition 2005 beyond Canberra – in regional, remote and This exhibition was a partnership between metropolitan areas throughout Australia and the Gallery and Macquarie Bank that internationally. Application of the highest saw a selection of works by the thirty- standards of conservation and security nine finalists tour to three venues in ensures the success of this outstanding Melbourne, Sydney and Brisbane. The program. exhibition showcased Australian sculpture, in particular outstanding works by artists Three new exhibitions released in 2005–06, such as Geoffrey Bartlett, Glenn Clarke, Maria together with seven ongoing travelling Cardoso, Mikala Dwyer, Richard Goodwin, exhibitions, demonstrate the strengths Gunybi Ganabarr, Christopher Langton and of this program. Simeon Nelson, among others.

Grace Cossington Smith: Moist: Australian Watercolours A retrospective exhibition This exhibition provided a rare glimpse into This exhibition celebrated the work of the Gallery’s extraordinary collection of one of Australia’s most important post- Australian watercolours that demonstrated impressionists. Grace Cossington Smith how Australian artists have created visual (1892–1984) was a brilliant colourist and representations of such states, from the played a vital role in the development highly figurative to the purely abstract and of modernism in Australia. It looked intensely emotional. The title was chosen at Cossington Smith’s contribution to specifically to refer to the liquid nature of Australian art in fresh ways and explored watercolour, but also because the word rich intersections between public and ‘moist’ elicits images of an atmospheric, private environments, drawing upon themes physical or emotional state of being. The and variations that inspired her work: the exhibition brought together seventy- modern, urban environment; the metropolis; three works from the colonial period to the Sydney Harbour Bridge; the bush and the present day. Some are well-known landscape; the war; theatre; ballet; her home treasures from the collection and others ‘Cossington’ and her inner circle of family were exhibited for the first time. This was an and friends. eclectic group of works, with no restriction In addition to over 100 paintings, the to style, size or motif – each with its own exhibition drew attention to the importance story, yet there were common threads that of drawing in the development of the artist’s drew them together. work by including the Gallery’s remarkable

52 National gallery of Australia Annual Report 2005–06 Ongoing exhibitions for 2005–06 included exhibitions. During 2005–06, eleven No ordinary place: the art of David travelling exhibitions (including three Elaine Malangi, Place made: Australian Print and Jim Wolfensohn Gift exhibitions) were Workshop, Home Sweet Home: Works visited by 412,075 people at eighty-six from the Peter Fay Collection, After image: venues (including seventy Elaine and Jim screenprints of Andy Warhol and The Elaine Wolfensohn Gift venues). and Jim Wolfensohn travelling exhibitions program – suitcase kits Red case: myths Details of travelling exhibitions 2005–06 are and rituals, Yellow case: form, space and included in Appendix 8. design, Blue case: technology and the 1888 ART INDEMNITY AUSTRALIA Melbourne Cup. The Australian Government indemnifies major exhibitions of works of art or The three Elaine and Jim Wolfensohn Gift antiquities that tour Australia, through Art suitcase kits and the 1888 Melbourne Cup Indemnity Australia. have toured to schools and community groups throughout regional Australia and Art Indemnity Australia supported the during the year also travelled to the United Gallery’s exhibition Constable: Impressions States of America. of land, sea and sky and enabled the exhibition to travel to Te Papa Tongarewa, In the United States of America, the three Wellington, New Zealand, where indemnity suitcases and 1888 Melbourne Cup toured to was provided by the New Zealand the Australian Embassy in Washington, local Government Indemnity Program. schools in Washington, DC, and schools in Tampa, Florida. Art Indemnity Australia also supported the exhibition National Treasures from The Gallery also regularly provides advice Australia’s Great Libraries which was to venues and arts professionals including organised by the Council of Australian State organising and presenting Preventative Libraries (CASL) with the National Gallery of Conservation and Travelling Exhibitions Australia acting as the managing organisation. workshops. The Gallery is currently working The exhibition was displayed at the National on the development and adoption of a Library of Australia 8 December 2005 – national Australian Facility Report for use 19 February 2006 and then toured to the by archives, galleries, libraries and museums State Library of Victoria 10 March – 7 May who generate exhibitions and loans. This 2006 and the Tasmanian Museum and Art initiative is anticipated to take two years Gallery 26 May – 23 July 2006. The exhibition to complete. will complete its national tour in August 2007.

In all, 620 works of art (317 works from the Gallery’s collections and 293 inwards loans) were shown in this year’s travelling

National gallery of AustRalia Annual Report 2005–06 53 VISIONS OF AUSTRALIA Visions of Australia is an Australian Government program supporting touring exhibitions by providing funding assistance for the development and touring of cultural material around Australia. The Children’s Focus Exhibition Stage fright: the art of theatre received a Visions of Australia grant in 2005–06 which enabled the national tour of this ground-breaking partnership between the Gallery and the Australian Theatre for Young People that will see works from the Gallery’s Theatre Arts Collection being travelled regionally with interactives and a program of workshops conducted by educators from both organisations.

The National Gallery of Australia acknowledges the significant support it has received from the Australian Government which administers Art Indemnity Australia, and Visions of Australia.

54 National gallery of Australia Annual Report 2005–06 goal FIVE

National gallery of AustRalia Annual Report 2005–06 55 GOAL 5 – PROVIDE AND PROMOTE ACCESS TO THE NATIONAL COLLECTION

To promote understanding and official residences and for exhibition by enjoyment of the national collection others, through arranged visits to view works by making it accessible locally, in the Gallery’s Collection Study Room, and nationally and internationally. through print and electronic publishing.

KEY STRATEGIES In 2005–06 the Gallery loaned 1,093 works of art from the national collection. Outward • Make the national collection more loan details are included in Appendix 9. accessible locally, nationally and internationally through loans, The Gallery borrowed a total of 1,243 works partnerships, travelling exhibitions and during the year, including 593 works from joint ventures public institutions and 650 works from • Enhance access for people with private lenders. Significant loan negotiation particular needs and coordination was required for the major • Promote the national collection through exhibitions presented in the year. Gallery educational, multimedia and membership staff travelled to Asia to negotiate works programs and events and strategic for The Crescent Moon: Islamic art and marketing, and through the provision of civilisation in Southeast Asia exhibition, published material and merchandise developing many long term relationships • Facilitate research, provide information with the lenders to the exhibition. The and publish material (also online) about the national collection and the visual arts Gallery was the managing organisation for • Stimulate and promote discussion of art, the Council of Australian State Libraries major art museums and issues relating to the touring exhibition National Treasures from visual arts and art scholarship in Australia Australia’s Great Libraries in order to access and overseas the Australian Government’s Art Indemnity • Align and integrate information Australia program. Inward loan details are technology services to enhance shown in Appendix 10. communication with the public through the use of technology During the year the Gallery announced the • Create an environment that enhances loan of works from its old master paintings visitor experience by providing high and sculpture to the Art Gallery of South quality facilities and services. Australia, Art Gallery of New South Wales and the National Gallery of Victoria. The loan of ACCESS TO THE these works enables works from the Gallery’s NATIONAL COLLECTION collection to be placed in the context of the Access to the national collection was larger more significant collections of such achieved through the display of works from works. the collection at the Gallery in Canberra, through the display of works in travelling Details of access to the collection achieved exhibitions, through the loans of works to through displays and Gallery exhibitions are included in the report against Goal 4.

56 National gallery of Australia Annual Report 2005–06 SOCIAL JUSTICE AND EQUITY For major and travelling exhibitions, The Gallery’s programs are developed with the Education staff produced education an emphasis on public accessibility and resources which were distributed in printed adhere to the principles outlined in the and electronic formats as audio tours, trails Australian Government’s Charter of Public for young children and their families and as Service in a Culturally Diverse Society (July exhibition brochures. Education staff worked 1998). in collaboration with the Gallery’s marketing staff to promote exhibitions, activities Exhibitions, public programs and and programs through radio, television and media. publications are designed to provide the greatest possible access to the Gallery’s Professional development sessions and collection for all Australians and visitors. teachers previews for primary and secondary Special services are provided for people teachers were held relating to the national with disabilities and for speakers of collection and for each major exhibition. In- languages other than English. The Gallery’s service training sessions were also held for travelling exhibitions program focuses on Early Childhood teachers. providing access to the national collection for Australians living interstate and in rural Teachers’ seminars in Queensland, Victoria, and remote communities. Further access is New South Wales and the ACT were provided through the Gallery’s website presented and professional development nga.gov.au. Aboriginal and Torres Strait sessions relating to Key Learning Areas and Islander art and culture are fundamental cross-curriculum themes were presented aspects of the national collection and of when requested. its focus, and their works are shown in consultation with Indigenous communities. Highlights for the year included a Children’s Festival held in September 2005. Over 1200 EDUCATION family visitors attended the three day event, From Canberra and across Australia a total of which offered workshops, performances, 60,930 students and teachers in organised interactive tours, behind the scenes talks and excursion groups participated in the demonstrations and interactive internet art Gallery’s education programs during the which involved staff from all areas of year. An information brochure was sent to all the Gallery. schools in Australia in collaboration with the NCETP (National Capital Education Tourism The 2006 National Gallery of Australia and Project) to promote the Gallery’s education Sony Foundation Summer Scholarship brought 16 students – two from each state programs and to encourage educational visits and territory – to the Gallery for an intensive to Canberra. week of study focusing on visual arts, involving staff from across the Gallery.

National gallery of AustRalia Annual Report 2005–06 57 Twelve special access tours were held for The Gallery provided a wide selection of people with disabilities, their families and public floor talks and lectures by a range of carers for the exhibitions Bill Viola: The special guests in support of its program of Passions, The National Sculpture Prize major exhibitions and permanent collection. and Exhibition, Transformations: the Language of Craft, Constable: Impressions A series of lectures and late night openings of Land, Sea and Sky and Crescent Moon: called Bill Viola by Night were held in Islamic Art and Civilisations in Southeast conjunction with the Bill Viola exhibition. Asia. Special Access sign interpreted tours These events successfully brought the were conducted for several exhibitions, younger 18–25 target audience to the Gallery the permanent collection and many events, to see the exhibition. John Bell of the Bell including a program with the Macquarie Shakespeare Company also presented a one- Trio. The Gallery was also given a Best hour lecture about the craft of acting, passion and the work of Bill Viola. Practice in a Public Institution award from Vision Australia for the programs and access A highlight for the year was the sell out provided to vision impaired visitors. lecture by the internationally renowned American artist James Turrell who spoke Voluntary Guides provided 1704 Discovery about Skyspaces and his life’s work the Tours for 25,570 primary school students Roden Crater project – a volcano in Arizona plus twice-daily tours of the collection, major where visitors experience the sight of the exhibitions and tours for specific groups sun, the moon and rare celestial alignments. including Government and Diplomatic Another highlight was the annual Barbara visitors (a total of 46,013 attendees). Guides’ Blackman Temenos Foundation Lecture training sessions were held for all exhibitions featuring actress and author Diane Cilento and collection changes, developing visual who discussed ‘Sainthood and Sufism’ in presentations and communication skills. commemoration of the 700th anniversary of the death of Jelau’ddin Rumi. PUBLIC PROGRAMS The permanent collection and the Gallery’s The Allan Coleman: International temporary exhibition program provided Photography lecture was held in April 2006 inspiration for more than 188 Public with New York photography critic Allan Programs events. Lectures, floor talks, Coleman speaking to a sell out crowd, giving symposia, concerts, films and workshops a world view of contemporary photography. were presented to enhance the visitor’s experience of the Gallery and its collections. Musical performances included Constable: The audience for these events totalled 13,141 The harmony of nature, art and music and comprised Gallery members, the general presented in association with the Canberra public, academics, teachers and students International Chamber Music Festival, from the local and national education sector, providing an evening of orchestra music by Voluntary Guides and interstate and The Haydn Bande followed by viewing of overseas visitors. the Constable: impressions of land, sea and sky exhibition.

58 National gallery of Australia Annual Report 2005–06 Special events included the digital media Melbourne-based dance company Chunky weekend in August 2005 providing a digital Move was in residency at the Gallery in focus with three separate events highlighting September 2005. The week-long, work-in- cutting edge new media art. progress sessions presented in the Small Theatre developed new work inspired by Forecast: art and fashion combined a late Bill Viola: The passions. The finished piece night viewing of the Constable: impressions premiered in May 2006 and toured nationally. of land, sea and sky and Come rain or shine exhibitions with an experimental The 2006 Multicultural Film Festival was fashion parade inspired by the theme presented in collaboration with the European of weather. The event was presented in Union and the National Multicultural partnership with the Canberra Institute of Festival, with a film program highlighting Technology and various community groups comedy, politics and social drama from nine and local businesses. Over 400 people award-winning European directors. The attended, the majority of them aged between gala opening night attracted many from the 20 and 35. diplomatic community and over 880 people attended seven screenings during the week- long festival held in February 2006. The Crescent Moon: Cultural Day was a day- long celebration of Islamic art and Southeast The month-long Contemporary Australian Asian culture and included talks, workshops, Architects Speaker Series of four lectures is performances, tours and free entry to the an ongoing annual collaboration between the Crescent Moon: Islamic Art and Civilisation Royal Australian Institute of Architects and in Southeast Asia exhibition. Sponsored by the Gallery. Architects from award winning the Myer Foundation, the Australia-Malaysia Australian firms McBride Charles Ryan, Institute and the Australia Indonesia Institute Virginia Kerridge, Lahz Nimmo and Terroir the event attracted over 1400 people. were invited to present overviews of their current work. As part of the national celebration of Indigenous Australian culture 11 events were The Gallery also hosted the last day of the presented at the Gallery during NAIDOC the fourth biennial International Museum Week, including a program of artists’ and Theatre Alliance (IMTAL) Conference on curators’ talks, performances, storytelling and Performance in Cultural Institutions: screenings. Connecting, Exploring, Provoking in October 2005. This offered delegates from The Gallery ran a National Sculpture Prize around the world an opportunity to share Artists’ Day where 120 people attended their knowledge and expertise in the field of this day of artist’s talks. Speakers included museum theatre and performance. National Sculpture Prize finalists Simeon Nelson, Jon Tarry, Mona Ryder, James Angus, Conferences and symposia included the Damiano Bertoli and Ian Howard who were Transformations: the language of craft joined by John Stringer, a judge of the conference and forum in November 2005. 2005 prize. A day filled with parallel sessions featuring

National gallery of AustRalia Annual Report 2005–06 59 18 leading Australian and international Audiovisual technical support was provided practitioners discussing their work was for 700 events. followed by a day of discussions about interpreting contemporary craft and the Attendance at Public Programs events in creative industries in Australia. 2005–06 totalled 13,141, with 3036 visitors attending talks and lectures, 7725 attending The Constable: impressions of land, sea special events, 944 attending screenings, and sky symposium in March 2006 was 367 attending workshops and 1257 an opportunity to see the exhibition and attending performances. hear three leading international Constable experts discuss Constable’s work. They MEMBERSHIP included Conal Shields, Constable Scholar During 2005–06 a total of 1,691 Gallery and co-curator of the 1973 Constable members attended 30 events which were exhibition for the Tate; John Gage, British developed and delivered exclusively for art scholar and co-curator of the Paris members and their guests. Invitations Constable Exhibition with Lucien Freud; to attend special viewings were sent to Professor Michael Rosenthal, author of the all members for the major exhibitions major Thames & Hudson book on Constable and special members’ viewings and as well as Australian scholars and artists. programs were run in association with all NGA exhibitions throughout the year. The Director, Assistant Directors, The members’ viewing of the Constable Conservation, Education and Public exhibition booked out so quickly that a Programs, Exhibitions staff and Voluntary second event was arranged with a total of Guides delivered lunchtime talks and 480 members attending the two events. symposia papers in front of works of art in Gallery spaces, in the Collection Study Room, Membership highlights during the year and in the theatres. included the Melbourne Cup lunch in the Members Lounge, behind the scenes Practical workshops for children and families tours of the Conservation laboratory, an were conducted during school holidays artist’s talk for the National Sculpture including the National Sculpture Prize Prize and Exhibition by Bert Flugelman, and Exhibition family day where over 1500 curators’ tours for members for each people attended creative art workshops, exhibition throughout the year, a floor talk talks, tours, and performances throughout by Ken Tyler for the Helen Frankenthaler the Gallery, focusing on sculpture. exhibition, Constable poetry readings, the Constable high tea and the members’ More than 128,000 printed calendars were children’s Christmas party. distributed during the year and the Gallery website was regularly updated to allow The Gallery also completed a review of greater access to information about the Membership Program, which included public programs. a survey going to all members and many

60 National gallery of Australia Annual Report 2005–06 lapsed members to ascertain their opinion Visitors came from: North America (40.12%), of the quality, value and service offered. Europe (28.18%), Pacific including Australia (22.22%), Asia (8.87%), South America At 30 June 2006 the number of financial (0.08%) and Africa (0.50%). members of the Gallery totalled 21,467 (11,751 memberships). All Australian states The number of subscribers to artonline, and territories are represented in the national the Gallery’s free email newsletter, totalled membership, the majority being held in 18,011 at 30 June 2006, an 11% increase over NSW and Victoria. Internationally there the total of 16,125 at 30 June 2005. are members in Papua New Guinea, New Zealand, Asia, the United Kingdom and the Major online projects completed in 2005–06 United States of America. included: ü an upgraded online collection search COLLECTION STUDY ROOM facility featuring 19,457 images Works of art from the national collection ü an upgraded online media centre which are not currently on display are ü nga.gov.au/Transformations – with 136 available for viewing in the Collection Study images and 13 video files Room (CSR) by the general public, students, ü nga.gov.au/Frankenthaler – with 132 scholars and artists. In 2005–06 the program images, 5 audio slideshows + 1 video file attracted 792 visitors viewing 2208 works ü nga.gov.au/Constable – with 109 images of art. and articles + 17 audio files ü nga.gov.au/SculpturePrize05 – with 42 MULTIMEDIA images and articles + 19 audio files During 2005–06 there were 4,304,358 ü nga./gov.au/Tuckson – with 48 images online visits to the Gallery – a 61% increase and 3 essays compared with a total of 2,669,256 online ü nga.gov.au/CrescentMoon – with 27 visits during 2004–05 – an average of 11,792 images, 8 articles and a glossary visitors per day. ü nga.gov.au/Rosenquist – with 11 images, 1 essay + 2 transcripts Visitors to Gallery websites viewed ü nga.gov.au/Dix – with 1 essay, 7 articles 29,219,921 pages – a 95% increase compared and a 51-image audio slideshow with a total of 14,961,806 during 2004–05 ü nga.gov.au/Moist – with 2 essays and 20 – an average of seven pages per visitor. images ü nga.gov.au/Viola – with 1 essay + 19 Visitors accessed 567 gigabytes of images and articles information and images – a 57.5% increase ü nga.gov.au/Imagining – with 1 essay and over the total of 360 gigabytes in 2004–05 16 images – equivalent to 5670 metres of books ü nga.gov.au/RightHereRightNow – with 6 on shelves. images and 5 articles ü nga.gov.au/Conservation – with 23 essays, 29 articles and 143 images.

National gallery of AustRalia Annual Report 2005–06 61 Major onsite projects completed in exchange arrangements, streamlining of 2005–06 included: the procedures for external access by researchers, more and improved storage for ü Transformations – a 60 minute video, the collections, management of Research featuring interviews with 12 artists Library and Gallery historical archives, ü Sculpture Prize 05 – a 40 minute video, creating catalogue records for the Australian featuring interviews with 11 artists Art & Artists documentation files to improve ü Frankenthaler – a 10 minute video and access, and the development of audiovisual 5 audio slideshows and digital collections. ü Rosenquist – a 20 minute audio slideshow featuring 93 images. The archives held in the Research Library are a key national resource for Australian artists’ Special projects in 2005–06 included: papers and collections. Consequently, a new ü Constable – a CD-ROM featuring 17 staffing profile was created and approved zoomable images, articles and audio files to provide the Gallery with expertise in ü 15 issues of artonline distributed archival practice as well as in museum library to subscribers management. ü 8 issues of artonline members edition distributed to 5,000 Gallery members Nationally, the Research Library has joined ü 10 issues of Media Update distributed two consortiums: The Council of Australian to media outlets. University Librarians Electronic Information Resources Committee to provide efficient RESEARCH LIBRARY and economic access to online resources and The Research Library not only holds the the National Library of Australia’s National largest collections in the visual arts in Licensing Consortium which provides Australia with 125,000 monographs and authoritative, online information resources. 800 current serials, but also is developing provision of information through digital International collaboration focused on a collections. pilot project with ARTstor (artstor.org), a non-profit initiative founded by the Andrew With the appointment of a new Chief W Mellon Foundation, with a mission to use Librarian, the Research Library responded digital technology to enhance scholarship, to the Director’s vision for the Gallery with teaching and learning. The ARTstor Digital new strategic directions. Library is a repository of hundreds of thousands of visual arts digital images and The vital areas identified for the management related data. It is available free to the Gallery of the library’s physical and electronic for one year to assess Australian requirements collections to provide optimum services for galleries and museums. Other pilot to meet the research needs of the Gallery’s partners include major universities in staff, volunteers and visiting scholars include Australia. The Research Library continues to the cataloguing backlog, automation of collaborate with the Frick Art Reference serials processing, more efficient publication

62 National gallery of Australia Annual Report 2005–06 Library to add Australian art sales catalogues newspaper clippings from 1874 to 1936. to the international database, SCIPIO, a Following the stocktake in 2005, a Rare project initiated in 2006. Book Directory has been created which facilitates retrieval of the rare items from the Other full-text online resources initiated off-site store. The books were re-arranged during the year include ArtFullText with into fixed location with all items encased in articles from 87 art-related journals available archival wrapping and stored in a controlled to all Gallery staff. In collaboration with air-conditioned environment. Rare books our Marketing and Merchandising staff, the total 2,947. Research Library has subscribed to Factiva, which provides access to more than 10,000 The Australian Art & Artists Documentation full-text sources from 152 countries in Files have grown to 37,840 individual artist 22 languages including 1500 global and records. Over 20,000 items were added to local newspapers. Key television and radio both the Australian and international files transcripts include the BBC, ABC, CBC, in the past year. 1800 monographs were NBX and Fox. Who’s Who in France is also catalogued and added to the collection with included and features more than 20,000 790 received as gifts/exchange. There were personal biographies, about 13,000 of which 3800 serial issues accessioned. include a linked photograph. Of the 2,980 total reference queries received, A major acquisition for the Research almost 50% were external received by email, Library collection for 2005–06 was telephone, fax and letter. There were 542 Benezit – Dictionary of Artists in the external visitors to the library. new English edition with over 170,000 entries, comprising over 20,000 pages in The Chief Librarian presented a paper 14 volumes and published in France by Changing roles, changing realities; Editions Grund. Benezit provides important Australian art librarians in a brave new factual information about almost any world at ARLIS/Norden and IFLA Art Libraries painter, sculptor, engraver or draftsman of all Section Pre-conference, Oslo in August countries and schools, from antiquity to the 2005. The paper was published in 2006 in present day. The Research Library is the only Art Libraries Journal Vol. 31, no. 2, p.19–28. library in Australia to hold this publication. The Chief Librarian also visited the Frick Art Reference Library, the National Gallery of Major donations included the Peter Johnson Canada Library & Archives and the Ontario Architectural Archive for the 2005 entries to Gallery of Art Library & Archives as part of a the RAIA Architecture Awards. The Archive best practice study of art museum libraries. dates from 1986 and is rapidly developing The Research Library continues to provide into an extraordinary source of information a leadership role with the Arts Libraries for the study of contemporary Australian Society of Australia and New Zealand through architecture and is available to the public hosting of events at the Gallery and by for research. In addition, the Art Gallery of taking on national executive roles including New South Wales Research Library & Archive webmaster, Discussion List Manager, and has donated 8 folio volumes of its early National Secretary.

National gallery of AustRalia Annual Report 2005–06 63 PUBLICATIONS AND and is sold commercially in the Gallery shop. MERCHANDISING National Gallery of Australia publications are Publishing and Merchandising activities listed for the year in Appendix 14. promote access to information about works of art in the Gallery’s collection, or significant Merchandising extends access to the loans related to exhibitions. Gallery’s collections and provides a lasting memento of a Gallery visit or favourite work During the year a parallel publishing policy of art. All core ranges were reviewed during was endorsed, meaning that publishing the year, especially printed products. is done concurrently in print and on the The Product Development Committee internet, providing the widest possible worked with curators, educators and product designers to develop material appropriate access to Gallery scholarship. Publications for sale in the Gallery shop/s and for other completed during the year include: business opportunities. The Gallery engaged a new worldwide poster distributor during ü National Sculpture Prize and exhibition the year which is expected to open up 2005 export markets for Gallery posters. ü Transformations: the language of craft ü Constable: impressions of land, sea IMAGING SERVICES and sky. The year saw the consolidation of digital capture and processing with over 16,000 A number of publications are in preparation digital assets being created during the year. for the forward exhibition and publishing Over 15,000 of these assets, some 95% of program. images created during the year, were related to the collection. Gallery designer Sarah Robinson was awarded a ‘highly commended’ by the PROMOTION OF GALLERY Museum’s Australia Publishing Design PROGRAMS Awards for the design of Margaret Michaelis, Gallery programs and activities were love loss and photography, a 2004–05 actively promoted in various ways, including publication. print and electronic marketing, outdoor placements, direct mail and the use of the The Gallery’s quarterly magazine artonview Gallery’s internet site/s. In the course of its which features the collection, new promotional activity the Gallery also assisted acquisitions, exhibitions, artist statements complementary industry sectors such as and information about public programs tourism, business and the arts. and other activities was issued with the assistance of contributions from Gallery staff, artists, and external specialist contributors. The magazine is a benefit of membership of the Gallery; it is distributed free to members

64 National gallery of Australia Annual Report 2005–06 goal six

National gallery of AustRalia Annual Report 2005–06 65 GOAL 6 – SUSTAIN AN ENCOURAGING AND PRODUCTIVE ENVIRONMENT FOR ALL STAFF

To provide an encouraging, AUSTRALIAN WORKPLACE productive and accountable AGREEMENTS environment in which all staff Eighteen Australian Workplace Agreements will have the opportunity to fulfil were current at 30 June 2006. The AWAs their roles and responsibilities and are designed to encourage and reward a contribute to achieving the National high performance culture and provide the Gallery of Australia’s goals flexibility to attract and retain highly skilled employees at senior levels. KEY STRATEGIES POLICY AND PRACTICES TO • Encourage staff to be innovative and ESTABLISH APPROPRIATE productive and to continue to improve ETHICAL STANDARDS the efficiency and effectiveness of Gallery staff are guided in their standards of administrative and operational processes conduct and ethical behaviour through the • Engage staff in the Gallery’s planning, Gallery’s Code of Conduct and the Code of delivery, monitoring, evaluation and Ethics. As part of the review of the Gallery’s reporting processes Code of Ethics, a number of pilot workshops • Promote a safety culture and continue to were held in 2006. The outcome of the improve Occupational Health and Safety workshops is guiding the final revision of practices the Code, which is expected to incorporate • Continue to review, develop and guidelines on professional and personal improve people management policies conduct. and procedures, including the Individual Development and Performance WORKFORCE PLANNING, STAFF Agreement system TURNOVER AND RETENTION • Emphasis leadership and management Turnover of staff was marginally higher this training in staff development year at 8.5%, a 1.5% increase on the previous • Promote and recognise staff achievement year. During the year two staff members and professional activity reached the significant milestone of 20 years • Integrate risk and opportunity service. management principles in the planning and delivery of Gallery activities TRAINING AND DEVELOPMENT Gallery staff participated in a broad range of CERTIFIED AGREEMENT corporate, program and professional training The National Gallery Certified Agreement and development activities throughout 2005–2008, made under section 170LJ of the year. the Workplace Relations Act 1996, was Training and development activities certified in the Australian Industrial Relations covered a wide range of topics, including Commission on 27 July 2005. information technology, project management, writing skills, first aid, forklift driver

66 National gallery of Australia Annual Report 2005–06 GOAL 6 – SUSTAIN AN ENCOURAGING AND PRODUCTIVE ENVIRONMENT FOR ALL STAFF

training, professional speaking, leadership The average staffing level during the year was and management training and contractor 238 full time equivalent (232 in 2004–05), management training. Occupational including staff engaged to service major Health and Safety (OH&S) Awareness exhibitions. sessions continue to be held on a regular basis along with Manual Handling and OCCUPATIONAL HEALTH Ergonomics, Avoiding Strains and Sprains, AND SAFETY Health and Safety representative training, In accordance with Subsection 74(1) Risk Management and Control, Incident of the Occupational Health and Safety Investigation, Dangerous Goods and (Commonwealth Employment) Act 1991, Hazardous Substances and Disaster Recovery. (the Act) the following information is provided: Expenditure on staff training during the year totalled $185,016. The objectives of the Gallery’s Occupational Health and Safety Policy and Agreement were INDIVIDUAL DEVELOPMENT AND endorsed by the Director and relevant unions PERFORMANCE AGREEMENTS during the year. Individual Development and Performance Agreements (IDPAs) enabled staff, in The Policy’s objectives are, as far as is consultation with their supervisors, to reasonably practicable, to: identify their key activities as well as their • provide and maintain a healthy and safe training and development needs. The working environment for all employees IDPAs include a component on staff OH&S • prevent accidents, injury, illness, disease competency levels and needs. This ensures and dangerous situations in the workplace alignment of individual effort to the Gallery’s • promote awareness and understanding of Strategic Plan and enables employees to OHS at all levels undertake appropriate career planning. • foster and maintain an effective and The IDPA scheme provides for formal cooperative relationship between the feedback to staff every six months on their performance against key activities. Gallery, its employees and the involved unions on health and safety matters in STATISTICS ON STAFFING the workplace and Gallery staff are employed under the • protect the health and safety of other National Gallery Act 1975. On 30 June 2006 persons at or near the Gallery workplaces. the Gallery employed 278 staff, made up of 186 permanent staff (77 male and 109 The Gallery’s OH&S Committee met six female), 55 temporary staff (12 male and 43 times during the year. Staff in the Gallery female) and 37 casual employees (16 male belong to one of six Designated Work and 21 female). The 186 permanent staff Groups which are aligned with the corporate comprised 163 full time and 23 part time structure. All staff representatives and their employees, a slight decrease from 190 in deputies have attended training conducted 2004–05. by the National Safety Council of Australia.

National gallery of AustRalia Annual Report 2005–06 67 OH&S activities included workplace Project were to launch an innovative ergonomic assessments, screen-based vision campaign to better engage Gallery testing, and refresher training for first employees and contractors and to further aid officers. strengthen the Gallery’s safety culture by tailoring internal messages in an During 2005–06 warden and fire appropriately appealing manner. extinguisher training was conducted and an Emergency Training Program that identifies a During 2005–06 the Gallery received a number of other training requirements was ‘Highly Commended’ Award at the NSCA/ developed. Training scheduled for 2006–07 Telstra National Safety Awards of Excellence includes general occupant training, Chief in the category of ‘Best Communication of Warden Panel training, further warden an OH&S Message’ for the work that was and fire extinguisher training as well as an undertaken on the Branding Project. evacuation exercise. The Gallery had three incidents that were In July 2005 the National Safety Council notifiable under Section 68 of the Act. of Australia (NSCA) awarded the Gallery a 3 Star rating following an audit of its The following Comcare Investigation reports OH&S Management System and assessment were received during the year: of performance against the NSCA 5 star program. (In 2004–05, the Gallery received • Investigation conducted under the a 2 star rating.) The overall result from the Occupational Health and Safety audit demonstrated a continued commitment (Commonwealth Employment) by management and employees to provide Act 1991 (the Act) – Assessment of for and improve safe systems of work. documents relating to the Through the development of a Continuous National Gallery of Australia (NGA) Improvement Action Plan, the Gallery continues to review and refine its OH&S The investigator concluded that there is no Management System. evidence that documents were deliberately withheld from him. In 2005–06 an ‘OH&S Branding Committee’ • Investigation conducted under the was established and a project developed to Occupational Health and Safety further enrich the Gallery’s safety culture (Commonwealth Employment) Act and support employees and contractors in 1991 (the Act) – Wall Collapse the development of progressive and effective Incident, Temporary Exhibition safety attitudes, leading to a safe working Gallery (February 2005) environment for all employees, contractors and visitors.

The objectives of the OH&S Branding

68 National gallery of Australia Annual Report 2005–06 The investigator concluded that the Gallery Program Managers were employed. These contravened subsection 16 (1) of the positions are not aligned directly with the Act which requires employers to take all Senior Executive Service, but remuneration reasonably practicable steps to protect for these positions exceeds that available for the health and safety at work of the Gallery Executive Level 2 positions. employer’s employees. SENIOR MANAGEMENT • Investigation conducted under the COMMITTEES AND THEIR ROLES Occupational Health and Safety The Gallery has a long established and (Commonwealth Employment) Act effective framework for decision-making, 1991 (the Act) – Hot Water System, communication and consultation that seeks Temporary Exhibition Gallery to be consultative and provide opportunities (February 2005) for staff to participate in the planning and delivery of programs and activities. An improvement notice was issued by Comcare in September 2005 and an investigation report is pending.

PERFORMANCE PAY During the year performance bonuses totalling $30,152 were paid to eligible staff members with individual Australian Workplace Agreements (AWA). The amount of the bonus is determined by a performance review.

SENIOR EXECUTIVES AND THEIR RESPONSIBILITIES Six Program Managers, together with the Director, comprise the senior management team. This team meets weekly to develop strategies, review policies, provide advice to the Director and Council, and coordinate the Gallery’s activities.

SENIOR EXECUTIVE SERVICE On 30 June 2006 the Gallery had two male Senior Executive Service officers – the Director, Band 3 equivalent, and the Deputy Director, Band 2 equivalent. In addition, five

National gallery of AustRalia Annual Report 2005–06 69 The Gallery’s senior management committees for 2005–06 were:

Committee Role Membership Council of the National The Council is constituted under The Council consists of not more Gallery of Australia Part III of the National Gallery than 11 members, namely the Act 1975. Its role is to conduct the Chairman, the Director, and not affairs of the National Gallery. more than nine other members. The Council is assisted in its role by a number of committees. These are listed at Appendix 1. Program Managers The Program Managers meet weekly The Director, Deputy Director, and to consider matters of corporate Assistant Directors. governance, and to plan and monitor progress with operational and strategic matters. Senior Managers Group (SMG) The SMG meets monthly to consider The SMG comprises the Program a range of corporate governance Managers, together with senior issues. managers representing all functional areas of the Gallery. Occupational Health and The OH&S Committee’s broad The Committee comprises a Safety (OH&S) Committee charter is to consider any matter representative from each of the relevant to health and safety within six designated work groups in the Gallery. It meets generally every the Gallery, five management second month. representatives, and the OH&S Officer. Consultative Committee The Consultative Committee The Committee comprises staff provides a forum for discussion representatives nominated or between management, employees elected by the members of and employee representatives. It their designated working group meets generally quarterly. (regardless of their membership or non-membership of unions), official representatives from the relevant employee associations, and management representatives including the Deputy Director who chairs the Committee. Publications Committee The Publications Committee acts as The Committee is chaired by the a steering committee to guide the Assistant Director Marketing and Gallery’s publishing program. Merchandising and comprises the Program Managers, Publications staff, relevant curators, and independent expert adviser. Product Development The Product Development The Committee is chaired by the Committee Committee facilitates the Assistant Director Marketing and development of merchandise Merchandising and comprises the products based on the collection or Senior Designer, Merchandising exhibition program. Manager, Assistant Shop Manager, and relevant curators.

70 National gallery of Australia Annual Report 2005–06 Committee Role Membership Exhibitions Committee The Exhibitions Committee The Committee is chaired by the provides a forum for Gallery-wide Assistant Director Access Services, planning and evaluation for the and comprises representatives of implementation and delivery of a Gallery sections involved in the balanced exhibition and display delivery of the Gallery’s exhibition program. program. Information Systems Working The Information Systems Working The Working Group is chaired by Group Group provides a forum for the Head of Facilities Management the planning, implementation and IT, and includes representatives and evaluation of strategic and from the major IT users of the operational information technology Gallery. initiatives. In addition to the above formal structures, there were regular meetings of managers and staff at Program, Department and Section level.

WORKPLACE DIVERSITY available on the Gallery’s website, nga.gov.au, AND EQUAL EMPLOYMENT explaining access to the building and special OPPORTUNITY programs for people with disabilities. The Gallery values the contribution made by all staff through their diversity of The Service Charter invites feedback on backgrounds, experiences and perspectives the provision of Gallery services and how and plans to review its Workplace Diversity these can be improved. Comments and Program in 2006–07. complaints received through the Service Charter and Visitor Book are responded to by REPORT ON PERFORMANCE the appropriate staff member. Guidelines on complaints handling procedures are available IN IMPLEMENTING THE on the Gallery’s website. Details of feedback COMMONWEALTH received through the Service Charter are DISABILITY STRATEGY included under Corporate Overview at The Gallery recognises the importance page 18. of the Disability Discrimination Act 1992 and is covered by the categories of All employment policies, procedures and provider, employer and purchaser under practices comply with the requirements of the Commonwealth Disability Strategy the Act. Performance Reporting Framework. The following practices address performance All major contracts are reviewed centrally to criteria for these categories. ensure they meet Commonwealth guidelines.

Programs specially designed for people with All exhibitions reflect consultation processes. disabilities are regularly incorporated into Wide consultation is undertaken with the public programs calendar. Information is relevant officials from the community where appropriate.

National gallery of AustRalia Annual Report 2005–06 71 INDUSTRIAL DEMOCRACY INDEMNITIES AND INSURANCE The Gallery is committed to consulting PREMIUMS FOR NATIONAL GALLERY and communicating with employees and OF AUSTRALIA STAFF employees’ representatives about workplace Comcover, the National Gallery’s insurer, issues. The Gallery Consultative Committee provides on a fee basis Professional met on four occasions during the year and Indemnity Cover for the Council, Director its agreed purpose is to discuss workplace and staff to a limit of $100 million on any one issues in a spirit of cooperation and trust. claim and in the aggregate. The Committee’s terms of reference were reviewed this year to improve employee representation and to ensure a more strategic focus to discussions.

COMPLAINTS There are two formal channels for persons to register complaints concerning the Gallery:

• through the Service Charter, which enables visitors to the Gallery (or to the Gallery’s website), to provide feedback about services and • through complaints handling procedures that provide the means for members of the public and Gallery staff to lodge complaints about any aspect of the Gallery’s operations.

Details of feedback received through the Service Charter are included under the Corporate Overview at page 18.

Two formal complaints were received from members of the public. In addition, staff made four other complaints or requests for assistance from the Gallery’s Human Resource Management Department in resolving issues.

The Gallery’s complaints handling processes are standing agenda items for a number of forums, including the Senior Managers’ Group and the Consultative Committee.

72 National gallery of Australia Annual Report 2005–06 goal SEVEN

National gallery of AustRalia Annual Report 2005–06 73 GOAL 7 – REFURBISH AND ENHANCE THE GALLERY’S BUILDING AND PRECINCT

To complete the Gallery’s building ECOLOGICALLY SUSTAINABLE and precinct refurbishment and DEVELOPMENT AND enhancement program to better ENVIRONMENTAL PERFORMANCE display, maintain and protect works In accordance with section 516A of the of art and to improve access and Environmental Protection and Biodiversity facilities for visitors and staff. Conservation Act 1999 (Cwth) Australian Government agencies are required to KEY STRATEGIES include in their annual reports information detailing the environmental performance • Undertake the building and precinct of the organisation and the organisation’s refurbishment and enhancement contribution to ecologically sustainable program with regard to Gallery programs development. This remains a key objective for the Gallery, and is being applied to the and stakeholders development of plans for the enhancement • Develop and deliver a public relations and ongoing maintenance of the building and and communications strategy to seek the organisation’s operations. input from, and to inform stakeholders about the building and precinct Improvements continue to be made to • Undertake refurbishment and the Gallery’s heating air conditioning enhancement program and ventilation system. During 2005–06 • Develop concepts (for further the Gallery’s boiler burner management building development) to meet future system was replaced, resulting in further requirements of the Gallery ongoing reductions in gas consumption and • Secure funding for the building program pollutants entering the atmosphere. beyond the Stage 1 development. A draft waste management strategy NATIONAL GALLERY BUILDING covering environmental, economic and Refurbishment of the Gallery building social sustainability was developed and it continued throughout the year with is anticipated that it will be finalised and implemented in 2006–07. The strategy upgraded fire detection, monitoring and focuses on minimising waste by addressing sprinkler systems being installed. The procurement policy, waste reduction, waste Gallery’s focus on continuous improvement reuse and waste recycling. in occupational health and safety resulted in ongoing improvement of building systems A practical example of waste recycling is and services. being explored through the development of a memorandum of understanding with During the year architects further refined the the Construction Industry Training and design for the proposed expansion of the Employment Association which will provide Gallery’s principal building at Parkes. for the Gallery’s waste timber materials (mainly resulting from exhibition change overs) being used in training construction industry apprentices.

74 National gallery of Australia Annual Report 2005–06 HERITAGE MANAGEMENT With the assistance of specialist consultants the Gallery prepared a draft Heritage Strategy in accordance with its obligations under section 341ZA of the Environmental Protection and Biodiversity Conservation Act 1999 (Cwth) (the EPBC Act).

This Heritage Strategy meets the Gallery’s specific obligations to prepare a Heritage Strategy in relation to the land it manages. It also provides a strategy to meet its general obligations under the EPBC Act to take no action that has, will have or is likely to have a significant impact on the environment unless approved by the Minister for the Environment and Heritage.

It is anticipated that the Heritage Strategy will be submitted for formal approval by the relevant authorities during 2006–07.

FUNDING OF BUILDING REFURBISHMENT AND ENHANCEMENT Expenditure of $42.9 million was approved by the Australian Government in 2001–02 for the refurbishment and enhancement of the building. Funds to meet this obligation were to be drawn from the Government appropriations of the Gallery’s ongoing operations, as well as a loan to meet the funds flow obligations of the project. Expenditure on building refurbishment and enhancement to 30 June 2006 totalled $17.3 million.

National gallery of AustRalia Annual Report 2005–06 75 76 National gallery of Australia Annual Report 2005–06 goal eight

National gallery of AustRalia Annual Report 2005–06 77 GOAL 8 – STRENGTHEN THE GALLERY’S RESOURCE BASE

To secure additional financial and was achieved. Of this sum $3.765 million other resources from the private was received as donations in cash or in and public sectors and strategically kind for the development of the Gallery’s manage resources to achieve the collection of works of art with the balance National Gallery of Australia’s goals. being applied to improvement of the Gallery building. KEY STRATEGIES • Secure private sector support to develop In addition an equity injection of $4 and maintain the national collection and million was received from the Australian enhance program delivery Government to fund development of • Seek to increase net revenue from the collection. merchandising and commercial enterprises Capital outlays in the year included $3.162 • Secure increased operating and capital million on property, plant and equipment funding from Government to develop including expenditure on the refurbishment and maintain the national collection and and planning for the enhancement of enhance program delivery the building, and $23.365 million on the • Improve planning for Gallery displays, purchase of works of art and additions to exhibitions and programs to enable the Research Library collection. The capital funding opportunities and support to expenditure was funded from Australian be identified in a timely manner Government appropriations and from • Continue to improve the effective and donations for the purchase of works of art. efficient management of financial and ASSET MANAGEMENT other resources. The Gallery’s collection assets include FINANCIAL OPERATIONS works of art, $3.124 billion, and the Financial statements for the year 2005–06 Research Library collection, $24.8 million. are included on pages 81–116. Works of art over $500,000 are valued individually and other items are valued Revenue from operations totalled $52.475 using sampling techniques. million, compared to $52.676 million in the previous year. $41.706 million (79%) was The Gallery’s land and buildings are valued provided by the Australian Government, and at $172.4 million. The building is currently $10.769 million (21%) from other sources, undergoing a major refurbishment and compared to $41.660 million (79%) and enhancement program that will increase the $11.016 million (21%) respectively in value of the building. Infrastructure plant and 2004–05. equipment assets are valued at $2.0 million. CONSULTANCY SERVICES Expenditure totalled $47.619 million, compared to $46.598 million in 2004–05. Consultants paid more than $10,000 to A net operating surplus of $4.856 million undertake consultancy work for the Gallery

78 National gallery of Australia Annual Report 2005–06 during the year totalled twenty-eight. expanding the Gallery experience. The total cost of these consultancies was Total revenue earned from commercial $2,583,830. Consultancy services are used operations in 2005-06 was $2.506 million, when there is a requirement for specialised compared to $2.752 million in the services that cannot be undertaken by previous year. Gallery staff due to lack of expertise, insufficient in-house resources or where GOVERNMENT FUNDING independent advice is required. Particulars The Australian Government appropriations of consultancies for 2005–06 are provided at to the Gallery in 2005–06 totalled $45.706 Appendix 15. million, comprising $41.706 million for operations and $4 million as an equity COMPETITIVE TENDERING injection for the purchase of works of art. AND CONTRACTING The Gallery remains committed to PRIVATE FUNDING investigating outsourcing options in cases The Gallery’s program this year was achieved where this is beneficial. Services outsourced with the generous support of many sponsors included cleaning, legal, internal and external and donors. Donations of cash and works of audit, printing, exhibition layout construction art to the Gallery and the National Gallery and painting, and other services secured by of Australia Foundation, and sponsorship of the engagement of consultants, as detailed in the Gallery’s activities totalled $4.1 million in Appendix 15. 2005–06 compared to $5.065 million in the previous year. COMMERCIAL OPERATIONS The Gallery generates revenue through NATIONAL GALLERY OF commercial operations which supplement AUSTRALIA FOUNDATION government and other private funding of The National Gallery of Australia Foundation the Gallery. Commercial activities include is a non-profit organisation established to retail, wholesale and e-commerce operations, and revenue from worldwide distribution of support the Gallery. It is a company limited Gallery publications including royalty and by guarantee under the Corporations Law. copyright fees. Commercial contracts include The Gallery controls the Foundation through revenue collected for the grant of a licence its appointment of the Foundation’s Board; to a catering contractor, and revenue from and the Gallery’s Director, the Council venue hire at the Gallery. Chairman and nominated Council members are directors of the Foundation. The Gallery’s The Gallery’s commercial operations also Financial Report incorporates the financial include publishing and merchandising. A activities of the Foundation. Mr Tony Berg wide selection of products and range of AM retired as Chairman of the Foundation publications related to the collection enables in April 2006 and Mr Charles Curran AC was the Gallery to engage with audiences within appointed as the new Chairman. and beyond the Gallery, extending and

National gallery of AustRalia Annual Report 2005–06 79 In 2005–06 the Foundation received significant support for the development of the Gallery’s collections through donations and pledges.

The National Gallery of Australia Foundation Annual Report 2005–06 details the Foundation’s operations and activities and lists all members. Further information may be obtained from the Gallery’s Development Office, telephone (02) 6240 6454.

AMERICAN FRIENDS OF THE NATIONAL GALLERY OF AUSTRALIA The American Friends of the National Gallery of Australia (AFANG) is a charitable foundation established in the United States of America to enable taxpayers in that country to support the Gallery, and to receive tax deductions in the United States for such support. AFANG facilitates gifts and bequests of cash, works of art and other property to the Gallery from American taxpayers.

80 National gallery of Australia Annual Report 2005–06 financial reports

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National gallery of Australia Annual Report 2005–06 119 APPENDIX 1 COUNCIL OF THE NATIONAL GALLERY OF AUSTRALIA

The following members served on the Council and on Council Committees during the year ending 30 June 2006. The Council met on six occasions in the year, the Risk Management and Audit Committee on 4 occasions, the Acquisitions Committee on 6 occasions and a representative of the Building Committee met formally once but maintained ongoing oversight of issues associated with the building.

120 National gallery of Australia Annual Report 2005–06 Appointment terms Council Meetings Council Committee meetings

Eligible to attend Attended Eligible to attend Attended Mr Harold Mitchell AO1 6 6 - - 24/11/98 – 23/11/01 20/12/01 – 19/12/04 20/12/04 – 19/12/05 Mr Ron Radford AM 6 6 6 6 (Director) 20/12/04 – 19/12/09 Mr Michael Chaney AO 6 3 4 4 13/12/00 – 12/12/03 14/12/03 – 12/12/06 Mr Champion de 6 4 4 3 Crespigny AC 16/5/02 – 15/5/05 16/5/05 – 15/5/08 Mrs Roslyn Packer 6 4 6 4 26/6/02 – 25/6/05 26/6/05 – 25/6/08 Ms Elizabeth Nosworthy 6 4 4 4 AO 17/7/03 – 16/7/06

Mr Rupert Myer AM2 6 6 7 7 24/9/03 – 26/9/06 Mr Charles Curran AC 6 5 1 1 24/9/03 – 26/9/06 Ms Lee Liberman 6 4 6 4 19/2/04 – 18/2/07 Mrs Roslynne Bracher 6 6 6 6 19/8/04 – 18/8/07 Ms Ashley 6 6 - 6 Dawson-Damer 22/4/05 – 21/4/08

1 Chairman from 01/01/01 – 19/12/05 2 Chairman from 20/12/05 Acquisitions Committee COUNCIL COMMITTEES Mr Rupert Myer AM (Chair) Mrs Roslyn Packer Risk Management and Mrs Roslynne Bracher Audit Committee Mrs Lee Liberman Mr Michael Chaney AO (Chair) Mr Robert Champion de Crespigny AC Building Committee Ms Elizabeth Nosworthy AO Mr Harold Mitchell AO (to 19/12/05) Mr Rupert Myer AM (Ex-officio) Mr Charles Curran AC (Chair) Mr Rupert Myer AM

National gallery of Australia Annual Report 2005–06 121 APPENDIX 2 MANAGEMENT STRUCTURE AT 30 JUNE 2006

NAJuTIONALne GALLE2006RY CouOF AUSTRALIAncil

CHAIR Rupert Myer AM

National Gallery DIRECTOR of Australia Foundation Ron Radford AM

CHAIR Charles Curran AC

Assistant Assistant Assistant Deputy Assistant Assistant Director Director Director Director Director Director Marketing & Collection Access Services Administration International Australian Art Merchandising Services Adam Worrall and Executive Art Anna Gray Ruth Patterson Erica Persak (A/g) Alan Froud (Vacant)

Imaging and Registration Education Finance International Australian Publishing Paintings and Painting and Sculpture Sculpture

Marketing and Research Public Human International Australian Communications Library Programs Resource Prints Prints Management Drawings and Drawings and and Business Illustrated Illustrated Support Books Books

Commercial Conservation Exhibitions Facilities Asian Art Aboriginal and Operations and travelling Managemen t Torres Strait Exhibitions and IT Islander Art

Development Photography Decorative Arts and Design

122 National gallery of Australia Annual Report 2005–06 APPENDIX 3 STAFF OF THE NATIONAL GALLERY OF AUSTRALIA AT 30 JUNE 2006

EXECUTIVE AUSTRALIAN AND Ren Pryor, Registrar of Collections Ronald Radford, Director INTERNATIONAL ART Valerie Alfonzi Hester Gascoigne Robert Bell, Senior Curator, Sam Bottari Dorothy Rollins Decorative Arts and Design Elizabeth Campbell Alan Froud, Deputy Director Sarah Edge Tess Cashmore Kirsti Partridge Anne O’Hehir Bruce Egan Adrian Finney (on leave) AUSTRALIAN ART COLLECTION SERVICES Charlotte Galloway Anna Gray, Assistant Director, Erica Persak, Assistant Director, Peta Hendriks Australian Art Collection Services Fiona Hinton Melanie Beggs-Murray Lesley Arjonilla Sara Kelly Roger Butler, Senior Curator, Blaide Lallemand Australian Prints, Drawings and Debbie Ward, Head of Conservation Adam Mann Illustrated Books Lisa Addison Jane Marsden Brenda Croft, Senior Curator, Shulan Birch Rose Montebello Aboriginal and Torres Strait Islander Kim Brunoro (on leave) Rebecca Nielson Art Allan Byrne Aaron Pollock Deborah Hart, Senior Curator, Kassandra Coghlan Alex Reddaway Australian Painting and Sculpture Cathy Collins Jane Saker Jaklyn Babington Kate Eccles-Smith Joel Smith Simona Barkus Micheline Ford Laura Webster Tina Baum Scott Franks Juliet Flook Caitlin Goodall ACCESS SERVICES Beatrice Gralton Greg Howard Adam Worrall, Acting Assistant Deborah Hill Libby Jones (on leave) Director, Access Services and Anne McDonald (on leave) Fiona Kemp Head of Exhibitions and Travelling Sarina Noordhuis-Fairfax Cheree Martin Exhibitions Mary-Lou Nugent Jael Muspratt (on leave) Olivia Sophia Bree Richards Adriane Boag Elena Taylor Sheridan Roberts Margaret Kevin Debra Spoehr INTERNATIONAL ART Joanna Krabman Jaishree Srinivasan Jenny Manning Gael Newton, Senior Curator, Sharon Towns Photography, Acting Assistant Jo-Anne Walsh Beata Tworek-Matuszkiewicz Elizabeth Wilson Director, International Art James Ward Jane Wild Paola Beretta Soares De Araujo Christine Dixon, Senior Curator, Andrea Wise International Painting and Sculpture Piera Bigna David Wise Ulli Brunnschweiler Jane Kinsman, Senior Curator, Stefanie Woodruff International Prints, Jodie Cunningham Drawings and Illustrated Books Evelyn Dyball Joye Volker, Chief Librarian Robyn Maxwell, Senior Curator, Asian Michael Fensom-Lavender (on leave) Kate Brennand Art Christine Nicholas Kathleen Collins Kate Buckingham Egidio Ossato Gillian Currie Bronwyn Campbell Nicole Ryan Charmane Head Hwei-fen Cheah Joanne Tuck-Lee Helen Hyland Melanie Eastburn Vicki Marsh Mark Henshaw Peita Cockram Nick Nicholson Amanda Morley Helen Kennett Cheng Phillips Sophie Ross Patricia Maldon Samantha Pym Lucina Ward Mark Bayly Anna Reidy Lloyd Hurrell

National gallery of Australia Annual Report 2005–06 123 Derek O’Connor Daniel Bigna Sylvain Brudo Katrina Power Annie Connor Ramon Cabrera Patrice Riboust Susie Greentree Jose Campuzano Ben Taylor (on leave) Heather Herring Garry Cox Isobel Trundle Ali Mackay-Sim (on leave) Joy Dawe David Turnbull Yolande Norris David Eals Peter Vandermark Annette Stefanou Peter Elliot Genevieve Swifte Laurence Geraghty Brett Redfern Antonia Throsby Peter Gleeson Helmut Rudolf (on leave) John Gryniewicz David Sharrock ADMINISTRATION Mathew Hogan Charles Summerell Silvana Colucciello Darren Houlihan Frances Corkhill Sue Howland Belinda Cotton Annalisa Millar Anthony Hughes Melanie Douglas Paul Hulford Dominique Nagy Tony Bray Stephen Jones Denise Officer Damian Elliott Len Kershaw Lorraine Jovanovic Michael Lawrence MARKETING AND Brendan Arnel Darrel Lord MERCHANDISING Mark Mandy Ruth Patterson, Assistant Director, Karyn Cooper, Head of Finance Frank Mayrhofer Marketing and Merchandising Mehran Akbari Gail McAllister John Kearns Andrew McLeod Elizabeth Malone, Acting Head of Trinh Poonpol Gale Millwood Marketing and Communications Barbara Reinstadler Philip Murphy Lyn Brown Roberto Thomas Frank Navarro Alix Fiveash (on leave) John O’Malley Todd Hayward Tony Rhynehart, Head of Human Craig O’Sullivan Caroline Vero Resource Management and Business James Parker Support Peter Petryk Helen Motbey, Head of Imaging and Lisa Cargill (on leave) Kadrinka Ratajkoska Publishing Services Melinda Carlisle Maurice Renton Janette Howe Helen Gee Josip Rukavina Erica Seccombe Anne Kavanagh Zora Santrac Debra Luck Eduardo Serrano Paige Amor Irma Parkes Joe Stefek Carla Da Silva Pastrello Manolita Ramsey Zek Stefek Leanne Handreck Janine Ossato (on leave) Tui Tahi Kirsty Morrison Margaret Webber Michael Whitby Sarah Robinson John Santolin Ben Williams Eve Sullivan Mary-Lou Lyon (on leave) Svetlana Zec Roger Booth Rory McQuinn Wilhelmina Kemperman Joanne Sultana Eleni Kypridis Anne Lupton Barry Le Lievre Mark Nash, Major Projects Brenton McGeachie Coordinator Steve Nebauer John Tassie Dean Marshall, Acting Head of Rebecca Chandler Facilities Management Andrew Powrie Greg Bond Jose Robertson Yvonne Brown

124 National gallery of Australia Annual Report 2005–06 APPENDIX 4 ACQUISITIONS 2005–06

ABORIGINAL & TORRES born Australia 1957 Untitled (Central Australian STRAIT ISLANDER ART Ku Ku/Erub/Mer peoples landscape with ghost gums) – DECORATIVE ART Postcard from Mummy [video] c. 1967–69 1998 watercolour, gouache, pencil RYAN, Lola from the series Postcard from 38.4 x 53.6 cm Australia 1925–2003 Mummy 2005.596 Dharawal/Eora people VHS video Harbour Bridge 2000 2006.394.89 Untitled sea shells, watercolour, glitter on watercolour, cotton fabrics on cardboard Jump [video] 1999–2000 53.0 x 73.0 cm 16.8 x 39.8 x 8.5 cm VHS Video Gift of the Dexter family in memory Gift of Peter Fay 2005 2006.396 of Judith Dexter (1924–2005) 2005.794 Volunteer Guide (1984–1996) DEACON, Destiny 2006.402 Harbour Bridge 2000 born Australia 1957 watercolour, sea shells and glitter on Ku Ku/Erub/Mer peoples TJAPANGATI, Old Tutuma synthetic fur on cardboard FRASER, Virginia Australia c. 1909–1987 43.2 x 61.3 x 7.6 cm born Australia Pintupi/Pitjantjatjara people Gift of Peter Fay 2005 Forced into images [video] 2001 Kerdaitja man 1979 2005.795 from the series Forced into images pencil super 8 transferred to digital video sheet 19.5 x 28.5 cm Harbour Bridge 2000 2006.393.11 Gift of Peter Fay 2005 sea shells and glitter on cotton 2005.799 fabrics on cardboard Matinee [video] 2003 11.0 x 22.5 x 5.2 cm DVD, 7.30 minutes Native bush-cat man ‘Kurningka’ Gift of Peter Fay 2005 2006.395 1980 2005.797 pencil ABORIGINAL & TORRES 28.0 x 20.0 cm Harbour Bridge 2000 STRAIT ISLANDER ART Gift of Peter Fay 2005 sea shells and glitter on cotton – DRAWING 2005.800 fabrics on cardboard AH KEE, Vernon 16.5 x 39.5 x 8.3 cm born Australia 1967 WEDGE, H J Gift of James and Dr Joan Kerr 2006 Kuku Yalanji/Yidinji/Waanyi/Gugu born Australia 1957 2006.287 Yimithirr people Wiradjuri people Craig Smith 2005 The road we choose/the path you RYAN, Lola charcoal on paper choose 1998 Australia 1925–2003 101.0 x 76.0 cm synthetic polymer paint on paper Dharawal/Eora peoples 2006.405 34.0 x 24.5 cm FAY, Peter 2005.1038 born Australia 1944 Marcus McCarthy 2005 Cockatoo 2000 charcoal on paper ABORIGINAL & TORRES sea shells, synthetic polymer paint on 101.0 x 76.0 cm STRAIT ISLANDER ART four boards 2006.406 – OBJECTS approx 50.0 x 15.0 cm Anthony Jia 2005 ARTIST Unknown Gift of Peter Fay 2005 charcoal on paper Australia born died n.d 2005.796 101.0 x 76.0 cm Spearthrower c. 1960s 2006.407 leaf-shaped and stone adze in handle, ABORIGINAL & TORRES red in colour STRAIT ISLANDER ART PAREROULTJA, Otto 63.0 x 16.0 cm – DIGITAL MEDIA ART Australia 1914–1973 Gift from the artist’s widower, Dr K DEACON, Destiny Western Arrernte people David G Edwards, M D, B S (U Syd),

National gallery of Australia Annual Report 2005–06 125 F R A C P, F A A C B (retired), sole DONEGAN, Nuniwa Imundura natural pigments on carved owner of the David and Margery born Australia 1928 hardwood Edwards’ New York Art Pitjantjatjara people 86.7 cm Collection. Thongs 2004 2005.599 2005.432 mixed fibres 27.0 x 8.0 cm MAKER, Unknown BENSON, Kantjupayi 2005.322.A-B Australia born died n.d born Australia 1928 people Rainforest region LOOMOO NUNGURRAYI, Lucy Anteater 2004 Shield [Rainforest] late 19th, early born Australia 1933 Tjanpi (desert grass), Ininti (red 20th century Wangkajungka people beans from the bat winged coral natural pigments on carved wood not titled [round basket] 2002 tree), Tartu (eucalypt gumnuts), 97.5 cm grass and wool Wipiya (emu feathers), raffia and 2005.600 wire and string 20.0 x 45.0 x 42.0 cm Gift of Peter Fay 2005 variable 30.0 x 77.0 x 25.0 cm MAKER, Unknown 2005.321 2005.786 Australia born died n.d Torres Strait Island region BOLTON, Mavis MAKER Unknown born Australia 1927 Australia born died n.d Spear tip late 19th, early 20th /Nyoongar people Rainforest region century not titled [rag doll with red top and Jawun basket [bicornual] late 19th, wood, fibre string, resin and bone pants] 1998 early 20th century 67.2 cm dyed cotton and wool, hand sewn lawyer cane 2006.293 18.0 x 10.0 x 4.0 cm 45.0 x 46.0 x 22.0 cm Gift of Peter Fay 2005 2005.598 RILEY, Elizabeth 2005.781 born Australia 1951 MAKER Unknown Wiilman/Nyoongar people not titled [rag doll with blue eyes Australia born died n.d not titled [rag doll man with beard and orange hair] 1998 Torres Strait Island region and orange and black top] 1998 dyed cotton and wool, hand sewn Mask late 19th, early 20th century 17.0 x 8.0 x 3.0 cm dyed cotton and wool, hand sewn wood, shell, resin, human hair, fibre Gift of Peter Fay 2005 35.0 x 20.0 x 8.0 cm 2005.782 string, white pigment Gift of Peter Fay 2005 42.0 x 22.0 x 13.0 cm 2005.787 not titled [rag doll with red eyes 2006.1 and grey hair] 1998 not titled [rag doll man with dyed cotton and wool, hand sewn MAKER Unknown checked top] 1998 16.0 x 12.0 x 4.0 cm Australia born died n.d dyed cotton and wool, hand sewn Gift of Peter Fay 2005 Queensland / Northern New South 29.5 x 18.0 x 5.0 cm 2005.783 Wales region Gift of Peter Fay 2005 Kathleen [rag doll with blue eyes Shield [Gulmari] 1930s 2005.788 and grey hair] 1998 natural pigments on carved wood dyed cotton and wool, hand sewn 58.0 x 20.0 cm not titled [rag doll with black and 17.0 x 9.0 x 3.5 cm white knitted top] 1998 Gift of Peter Fay 2005 2005.593 dyed cotton and wool, hand sewn 2005.784 MAKER Unknown 25.0 x 12.0 x 3.0 cm Annabel [rag doll with red Australia born died n.d Gift of Peter Fay 2005 gingham dress] 1998 Murrumbidgee and Lachlan River 2005.789 dyed cotton and wool, hand sewn Regions 18.5 x 10.0 x 3.0 cm Shield [parrying] late 19th, early not titled [rag doll with white hair Gift of Peter Fay 2005 20th century and bound legs] 1998 2005.785

126 National gallery of Australia Annual Report 2005–06 dyed cotton and wool, hand sewn ATKINS, Yunkurra Billy BRINKIN, Charles 20.0 x 12.5 x 5.0 cm born Australia c. 1940 Australia 1910–1993 Gift of Peter Fay 2005 Murrinh-thebin people 2005.790 Jila Kujarra Pula Nyinani Parntal Nesting magpie geese in billabong yarra-ngungka 1971 RILEY, Jean (Two snakes are staying in the lake natural earth pigments on eucalyptus born Western Australia 1948 country) 2004 bark Wiilman/Nyoongar people synthetic polymer paint on canvas 61.0 x 36.0 cm not titled [rag doll with Aboriginal 121.5 x 198.0 cm 2006.29 flag headband]1998 2005.312 dyed cotton and wool, hand sewn 17.0 x 12.0 x 2.0 cm Hunting at Waterhole 1971 BENN PERRURLE, Billy Gift of Peter Fay 2005 natural earth pigments on eucalyptus 2005.791 born Australia 1943 bark Anmatyerr people 41.0 x 56.5 cm not titled [rag doll with Aboriginal Untitled 2005 2006.30 flag headband and feather anklets] synthetic polymer paint on board 1998 30.0 x 240.0 cm BROWN, Anmanari dyed cotton and wool, feathers, hand 2005.1041 born Australia c. 1930s sewn Pitjantjatjara people 16.0 x 11.0 x 2.0 cm BENNETT, Gordon Minyma Tjuta Tjukurrpa [Seven Gift of Peter Fay 2005 born Australia 1955 Sisters Dreaming] 2005 2005.792 Birri Gubba/Darambal people synthetic polymer paint on canvas Number 17 [Diptych] 2005 139.0 x 201.0 cm not titled [rag doll with white synthetic polymer paint on canvas 2005.1040 knitted top] 1998 152.0 x 364.0 cm dyed cotton and wool, hand sewn 2006.408 CAMPBELL JNR, Robert 30.0 x 12.0 x 6.0 cm Australia 1944–1993 Gift of Peter Fay 2005 BOYD, Daniel 2005.793 Ngaku/Dhunghutti people born Australia 1982 Untitled [catfish, witchetty grubs] Kudjla/Gangalu people STANLEY, Nungalka 1987 King no Beard 2005 / 2006 born Australia 1943 synthetic polymer paint on bark Pitjantjatjara people oil on canvas framed 51.5 x 56.0 cm not titled [girl throwing ball] 2002 190.0 x 110.0 cm 2006.291 natural and dyed straw with wool 2006.283 and plastic beads Ngaku clan story 1986 74.0 x 30.0 x 16.0 cm Captain no beard 2005 / 2006 synthetic polymer paint on linen Gift of Peter Fay 2005 oil on canvas 92.0 x 120.0 cm 2005.798 192.0 x 108.0 cm 2006.292 2006.284 ABORIGINAL & TORRES CHRISTOPHERSON, Christine STRAIT ISLANDER ART Treasure Island 2005 / 2006 born Australia 1959 – PAINTING oil on canvas Iwatja/Iwaidja people ARTIST Unknown 192.5 x 220.0 cm The Observers 2004 Australia born died n.d 2006.285 synthetic polymer paint on canvas Murrinh-Patha people 129.00 x 115.0 cm 2005.610 Crocodiles, stingray and fishc. 1965 Jolly Jack 2005 / 2006 natural pigments on eucalyptus bark oil on canvas 20.0 x 48.0 cm 192.0 x 220.0 cm 2005.597 2006.286

National gallery of Australia Annual Report 2005–06 127 DOWLING, Julie Falls the third time 2005 KARADEDA, Lily born Australia 1969 from the series Stations of the Cross born Australia 1929 Badimaya/Yamatji people oil on canvas Wunambal people Is condemned to die 2005 60.0 x 40.0 cm Bark painting of a Wandjina from the series Stations of the Cross 2005.607.9 c. 1970s oil on canvas natural pigments on bark 60.0 x 40.0 cm Is stripped naked 2005 62.0 x 28.0 x 3.5 cm 2005.607.1 from the series Stations of the Cross Gift from the artist’s widower, Dr. K oil on canvas David G. Edwards, M.D., B.S. (U.Syd.), Takes up his cross 2005 60.0 x 40.0 cm F R A C P., F A A C B (retired), sole 2005.607.10 from the series Stations of the Cross owner of the David and Margery oil on canvas Edwards’ New York Art Collection. Is nailed to the cross 2005 60.0 x 40.0 cm 2005.438 from the series Stations of the Cross 2005.607.2 oil on canvas MARDIGAN, Charles 60.0 x 40.0 cm Australia 1926–1986 Falls the first time2005 2005.607.11 from the series Stations of the Cross Marringarr people Ceremony 1970 oil on canvas Dies on the cross 2005 natural earth pigments on 60.0 x 40.0 cm from the series Stations of the Cross 2005.607.3 oil on canvas composition board 60.0 x 40.0 cm 78.0 x 55.5 cm Meets his mother 2005 2005.607.12 2006.32 from the series Stations of the Cross oil on canvas Is taken down 2005 Birds, Snakes and War Shields 1971 60.0 x 40.0 cm from the series Stations of the Cross natural earth pigments on eucalyptus 2005.607.4 oil on canvas bark 60.0 x 40.0 cm 52.3 x 29.5 cm Simon helps carry the cross 2005 2005.607.13 2006.33 Untitled (Totem Painting) c. 1970 from the series Stations of the Cross natural earth pigments on eucalyptus oil on canvas Laid in his tomb 2005 bark 60.0 x 40.0 cm from the series Stations of the Cross 62.5 x 29.0 cm 2005.607.5 oil on canvas 60.0 x 40.0 cm 2006.34 Wipes his face 2005 2005.607.14 from the series Stations of the Cross MCLEAN, Pantjiti Mary oil on canvas HOOKEY, Gordon born Australia 1935 60.0 x 40.0 cm born Australia 1961 Ngaatjatjarra 2005.607.6 Waanyi/Waanjiminjin people Palunya 2002–04 A painting for the underdawg 2005 synthetic polymer paint on canvas Falls the second time 2005 oil on canvas 210.0 x 345.0 cm from the series Stations of the Cross 133.0 x 250.0 cm 2006.27.A-M oil on canvas 2005.613 60.0 x 40.0 cm NAKAMARRA, Doreen Reid 2005.607.7 JANDANY, Hector born Australia 1948 born Australia 1922 Pintupi people Gija people Untitled 2005 Meets the women 2005 Ascension [Kimberley] 1993 synthetic polymer paint on canvas from the series Stations of the Cross natural pigments and binders on 153.0 x 122.0 cm oil on canvas canvas 2005.1046 60.0 x 40.0 cm 190.0 x 186.0 cm 2005.607.8 2005.595

128 National gallery of Australia Annual Report 2005–06 NAKAMARRA, Elizabeth NAPANANGKA, Lorna Brown synthetic polymer paint on canvas Marks born Australia 1961 153.0 x 122.0 cm born Australia 1959 Pintupi/Luritja people 2006.409 Pintupi people Grandfather’s Country at Warren Untitled 2005 Creek 2005 ROUGHSEY, Dick synthetic polymer paint on canvas synthetic polymer paint on canvas GOOBALATHALDIN 183.0 x 153.0 cm 182.0 x 156.0 cm Australia 1924–1985 Purchased 2005 Gift of Rupert and Annabel Myer Lardil people Fish Hunting 1978 2005.1044 in honour of his parents Sarah and natural earth pigments on bark Baillieu Myer 70.0 x 20.0 cm NAMARNYILK, Jimmy 2006.289 Galareya Gift from Blair Gardner 2006.403 born Australia 1935 NAPANGATI, Yukultji Kuninjku people born Australia c. 1970 Datjubi 2004 The coming of the Balamanda Pintupi people Natural earth pigments on paper 1978 Untitled 2005 105.0 x 76.0 cm natural earth pigments on bark synthetic polymer paint on canvas 2005.608 80.0 x 33.0 cm 183.0 x 153.0 cm Gift from Blair Gardner 2005.1042 Galagala 2004 2006.404 Natural earth pigments on paper STANLEY, Jim 105.0 x 76.0 cm NAPURRULA, Ningura born Australia 1924 2005.609 born Australia 1936 Pintupi people Yuriandialli people Women at Wirrulnga 2004 Aboriginal Elders doing dances Rainbow Serpent and Figure synthetic polymer paint on Belgian 2004 c. 1985 linen synthetic polymer paint and biro on natural earth pigments on eucalyptus 183.0 x 153.0 cm board bark 2005.311 20.0 x 25.2 cm 56.5 x 41.0 cm 2005.315 2006.31 PEASE, Christopher Dreamtime sacred wildlife 2004 born Australia 1969 synthetic polymer paint and biro on NAMATBARA, Paddy Compass Minang//Barlardung, board Australia 1890–1973 Nyoongar people 20.0 x 25.0 cm Iwaidja/Alardju people New Water Dreaming 2005 2005.316 Untitled 1964 oil on canvas Natural pigments on bark 100.0 x 180.0 cm Yuriandialli people 43.0 x 58.0 cm 2005.1035 Sacred Animals 2004 Gift of Dr K David G Edwards, MD, synthetic polymer paint and biro on BS (U Syd.), FRACP, FAACB (retired), PHILLIPUS TJAKAMARRA, sole owner of the David and Margery Long Jack board Edwards’ New York Art Collection. Australia 1932–1993 20.0 x 25.0 cm 2005.434 Luritja/Warlpiri people 2005.317 Dingo Dreaming 1974 NAPALTJARRI, Eileen synthetic polymer paint on canvas Yuriandialli people born Australia 1956 101.5 x 172.5 cm Thee Devil Hole 2004 2005.309 Pintupi people synthetic polymer paint and biro on Untitled 2005 board PICKETT, Shane synthetic polymer paint on canvas 27.4 x 35.2 cm born Australia 1957 153.0 x 122.0 cm Nyoongar people 2005.318 2005.1043 On the Horizon of 2005

National gallery of Australia Annual Report 2005–06 129 Church, Dad, Mum 2004 WARD TJUNGURRAYI, Fred Where’s Mickey? 2002 synthetic polymer paint and biro on born Western Australia 1946 light jet print from Polaroid original board Pintupi people 100.0 x 80.0 cm 25.3 x 25.3 cm Untitled (Tingari Cycle) 2005 2006.193 2005.319 synthetic polymer paint on canvas 213.4 x 152.4 cm I seen myself 1991–2003 light jet print from Polaroid original Jesus Christ... 2004 2006.28 100.0 x 139.5 cm synthetic polymer paint and biro on 2006.389 board WATSON, Judy 12.4 x 17.8 cm born Australia 1959 Axed 1994–2003 2005.320 Waanyi people light jet print from Polaroid original midden shell with shooting star 100.0 x 80.0 cm TAYLOR, Muuki 2004 2006.390 born Australia c. 1947 synthetic polymer paint and natural Martu people earth pigments on canvas No need looking–A 1999–2004 Jakulyukulyu [Seven sisters] 2001 180.5 x 120.5 cm light jet print from Polaroid original 60.0 x 90.0 cm 2005.773 100.0 x 80.0 cm 2005.313 2006.391 Jurta-rarra Pula Yaninypa, the WEDGE, H. J. No need looking–B 1999–2004 born Australia 1957 Sisters are Going to Another Place light jet print from Polaroid original Wiradjuri people 2004 100.0 x 80.0 cm Hippy Priest 1992 150.0 x 100.0 cm 2006.392 2005.314 synthetic polymer paint on canvas 40.6 x 30.5 cm Freefall 2001 TJAPANGATI, Nyilyari 2005.1037 from the series Forced into Images born Australia 1969 light jet print from Polaroid original WULANJBIRR, Timothy Pintupi people 77.0 x 95.0 cm born Australia 1969 Untitled 2005 2006.393.1 Kuninjku (eastern Kunwinjku) Baby Love 2001 synthetic polymer paint on canvas people 183.0 x 153.0 cm from the series Forced into Images Untitled (Mardayin at light jet print from Polaroid original 2005.1045 Barrihdjowkkeng), 2004 95.0 x 77.0 cm natural earth pigments on bark 2006.393.2 TJUNGURRAYI, George WARD 192.0 x 89.0 cm born Australia 1954 2005.1047 Where’s Mummy? 2001 Pintupi people from the series Forced into Images Untitled 2003 ABORIGINAL & TORRES light jet print from Polaroid original synthetic polymer paint on linen STRAIT ISLANDER ART 95.0 x 77.0 cm 244.0 x 183.0 cm – PHOTOGRAPHY 2006.393.3 2005.310 DEACON, Destiny born Australia 1957 Girl Alone 2001 UGLE, Primus K’ua K’ua from the series Forced into Images born Australia 1941 Ku Ku/Erub/Mer peoples light jet print from Polaroid original Torres Strait Islands 95.0 x 77.0 cm Bibbulmun/Nyoongar people My boomerang did come back 2003 2006.393.4 Sportsday at Carrolup 2003 light jet print from Polaroid original synthetic polymer paint on canvas 100.0 x 80.0 cm Happy, Happy Institution 2001 75.0 x 100.0 cm 2006.192 from the series Forced into Images 2005.612 light jet print from Polaroid original 77.0 x 95.0 cm 2006.393.5

130 National gallery of Australia Annual Report 2005–06 Trustee 2001 Postcard from Cooktown (4) 1998 Postcard from Finch Bay (4) 1998 from the series Forced into Images from the series Postcards from from the series Postcards from light jet print from Polaroid original Mummy Mummy 95.0 x 77.0 cm colour laser print colour laser print 2006.393.6 paper 21.0 x 29.7 cm paper 21.0 x 29.7 cm 2006.394.4 2006.394.11 Protecting Paradise 2001 from the series Forced into Images Postcard from Cooktown (5) 1998 Postcard from Finch Bay (5) 1998 light jet print from Polaroid original from the series Postcards from from the series Postcards from 95.0 x 77.0 cm Mummy 2006.393.7 Mummy colour laser print colour laser print paper 21.0 x 29.7 cm Home Truths 2001 paper 21.0 x 29.7 cm 2006.394.12 from the series Forced into Images 2006.394.5 light jet print from Polaroid original Postcard from Finch Bay (6) 1998 77.0 x 95.0 cm Postcard from Cooktown (6) 1998 from the series Postcards from 2006.393.8 from the series Postcards from Mummy Mummy colour laser print Waiting for Work 2001 colour laser print paper 21.0 x 29.7 cm from the series Forced into Images paper 21.0 x 29.7 cm 2006.394.13 light jet print from Polaroid original 2006.394.6 95.0 x 77.0 cm 2006.393.9 Postcard from Black Mountain (A) Postcard from Cooktown (7) 1998 1998 Escape 2001 from the series Postcards from from the series Postcards from from the series Forced into Images Mummy Mummy light jet print from Polaroid original colour laser print colour laser print 77.0 x 95.0 cm paper 21.0 x 29.7 cm paper 21.0 x 29.7 cm 2006.393.10 2006.394.7 2006.394.14 Postcard from Cooktown (1) 1998 Postcard from Finch Bay (1) 1998 from the series Postcards from from the series Postcards from Postcard from Black Mountain (B) Mummy Mummy 1998 colour laser print colour laser print from the series Postcards from paper 21.0 x 29.7 cm paper 21.0 x 29.7 cm Mummy 2006.394.1 2006.394.8 colour laser print paper 21.0 x 29.7 cm Postcard from Cooktown (2) 1998 Postcard from Finch Bay (2) 1998 2006.394.15 from the series Postcards from from the series Postcards from Mummy Mummy Postcard from Cedar Bay (1) 1998 colour laser print colour laser print from the series Postcards from paper 21.0 x 29.7 cm paper 21.0 x 29.7 cm Mummy colour laser print 2006.394.2 2006.394.9 paper 21.0 x 29.7 cm 2006.394.16 Postcard from Cooktown (3) 1998 Postcard from Finch Bay (3) 1998 from the series Postcards from from the series Postcards from Postcard from Cedar Bay (2) 1998 Mummy Mummy colour laser print from the series Postcards from colour laser print Mummy paper 21.0 x 29.7 cm paper 21.0 x 29.7 cm 2006.394.10 colour laser print 2006.394.3 paper 21.0 x 29.7 cm 2006.394.17

National gallery of Australia Annual Report 2005–06 131 Postcard from Cedar Bay (3) 1998 Postcard from Bloomfield River (1) colour laser print from the series Postcards from 1998 paper 21.0 x 29.7 cm Mummy from the series Postcards from 2006.394.31 colour laser print Mummy paper 21.0 x 29.7 cm colour laser print Postcard from Bloomfield Beach 2006.394.18 paper 21.0 x 29.7 cm (B) 1998 2006.394.25 from the series Postcards from Postcard from Ayton (A) 1998 Mummy Postcard from Bloomfield River (2) from the series Postcards from colour laser print 1998 Mummy paper 21.0 x 29.7 cm from the series Postcards from 2006.394.32 colour laser print Mummy paper 21.0 x 29.7 cm colour laser print 2006.394.19 Postcard from Bloomfield Track (1) paper 21.0 x 29.7 cm 1998 2006.394.26 from the series Postcards from Postcard from Ayton (B) 1998 Mummy from the series Postcards from Postcard from Bloomfield River (3) colour laser print Mummy 1998 paper 21.0 x 29.7 cm colour laser print from the series Postcards from 2006.394.33 paper 21.0 x 29.7 cm Mummy 2006.394.20 colour laser print paper 29.7 x 21.0 cm Postcard from Daintree (A) 1998 2006.394.27 from the series Postcards from Postcard from Ayton (C) 1998 Mummy from the series Postcards from Postcard from Bloomfield River (4) colour laser print Mummy 1998 paper 21.2 x 29.8 cm colour laser print from the series Postcards from 2006.394.34 paper 21.0 x 29.7 cm Mummy 2006.394.21 colour laser print Postcard from Daintree (B) 1998 paper 21.2 x 29.8 cm from the series Postcards from Postcard from Ayton (1) 1998 2006.394.28 Mummy from the series Postcards from Postcard from Bloomfield River (5) colour laser print Mummy 1998 paper 21.2 x 29.8 cm colour laser print from the series Postcards from 2006.394.35 paper 21.0 x 29.7 cm Mummy 2006.394.22 colour laser print Postcard from Daintree (C) 1998 paper 21.2 x 29.8 cm from the series Postcards from Postcard from Ayton (2) 1998 2006.394.29 Mummy from the series Postcards from colour laser print Mummy Postcard from Bloomfield River (6) paper 21.2 x 29.8 cm colour laser print 1998 2006.394.36 paper 21.0 x 29.7 cm from the series Postcards from 2006.394.23 Mummy Postcard from Daintree River (A) colour laser print 1998 Postcard from Ayton (3) 1998 paper 21.2 x 29.8 cm from the series Postcards from from the series Postcards from 2006.394.30 Mummy Mummy colour laser print colour laser print Postcard from Bloomfield Beach paper 21.0 x 29.7 cm paper 21.0 x 29.7 cm (A) 1998 2006.394.37 2006.394.24 from the series Postcards from Mummy

132 National gallery of Australia Annual Report 2005–06 Postcard from Daintree River (B) Postcard from Atherton Tablelands Postcard from Yungaburra (4a) 1998 (C) 1998 1998 from the series Postcards from from the series Postcards from from the series Postcards from Mummy Mummy Mummy colour laser print colour laser print colour laser print paper 21.0 x 29.7 cm paper 52.0 x 29.8 cm paper 20.1 x 29.7 cm 2006.394.38 2006.394.45 2006.394.52

Postcard from Yarrabah (1) 1998 Postcard from Atherton Tablelands Postcard from Eacham (1) 1998 from the series Postcards from (D) 1998 from the series Postcards from Mummy from the series Postcards from Mummy black and white laser print Mummy colour laser print paper 29.7 x 21.0 cm colour laser print paper 21.0 x 29.7 cm 2006.394.39 paper 52.0 x 29.8 cm 2006.394.53 2006.394.46 Postcard from Yarrabah (2) 1998 Postcard from Lake Barrine 1998 from the series Postcards from Postcard from Yungaburra (1) 1998 from the series Postcards from Mummy from the series Postcards from Mummy black and white laser print Mummy colour laser print paper 29.7 x 21.0 cm colour laser print paper 29.7 x 42.2 cm 2006.394.40 paper 20.1 x 29.7 cm 2006.394.54 2006.394.47 Postcard from Cairns (1) 1998 Postcard from Lake Barrine ( ) Postcard from Yungaburra (2) 1998 from the series Postcards from 1998 from the series Postcards from Mummy from the series Postcards from Mummy black and white laser print Mummy colour laser print paper 21.0 x 29.8 cm colour laser print paper 20.1 x 29.7 cm 2006.394.41 paper 21.0 x 29.7 cm 2006.394.48 Postcard from Cairns (2) 1998 2006.394.55 Postcard from Yungaburra (2a) from the series Postcards from Postcard from Lake Barrine (4) 1998 Mummy 1998 from the series Postcards from black and white laser print from the series Postcards from Mummy paper 21.0 x 29.8 cm Mummy colour laser print 2006.394.42 colour laser print paper 20.1 x 29.7 cm paper 21.0 x 29.8 cm 2006.394.49 Postcard from Atherton Tablelands 2006.394.56 (A) 1998 Postcard from Yungaburra (3) 1998 from the series Postcards from Postcard from Lake Barrine (5) from the series Postcards from Mummy 1998 Mummy colour laser print from the series Postcards from paper 52.0 x 29.8 cm colour laser print Mummy 2006.394.43 paper 20.1 x 29.7 cm colour laser print 2006.394.50 paper 21.0 x 29.8 cm Postcard from Atherton Tablelands 2006.394.57 (B) 1998 Postcard from Yungaburra (4) 1998 from the series Postcards from from the series Postcards from Postcard from Innisfail (1) 1998 Mummy Mummy from the series Postcards from colour laser print colour laser print Mummy paper 20.1 x 29.7 cm paper 52.0 x 29.8 cm black and white laser print 2006.394.51 2006.394.44 paper 29.7 x 21.0 cm 2006.394.58

National gallery of Australia Annual Report 2005–06 133 Postcard from Innisfail (2) 1998 Postcard from Townsville (1) 1998 Postcard from Wujal Wujal 1998 from the series Postcards from from the series Postcards from from the series Postcards from Mummy Mummy Mummy colour laser print black and white laser print colour laser print paper 21.0 x 29.7 cm paper 21.2 x 29.7 cm paper 29.7 x 42.2 cm 2006.394.59 2006.394.66 2006.394.73

Postcard from Innisfail (3) 1998 Postcard from Urangan (1) 1998 Postcard from Mossman 1998 from the series Postcards from from the series Postcards from from the series Postcards from Mummy Mummy Mummy colour laser print colour laser print colour laser print paper 21.0 x 29.7 cm paper 29.7 x 42.2 cm paper 20.1 x 29.7 cm 2006.394.60 2006.394.74 2006.394.67 Postcard from Innisfail (4) 1998 Postcard from Mossman Gorge (1) Postcard from Urangan (2) 1998 from the series Postcards from 1998 from the series Mummy Postcards from from the series Postcards from colour laser print Mummy Mummy paper 21.0 x 29.7 cm colour laser print colour laser print 2006.394.61 paper 20.1 x 29.7 cm paper 21.0 x 29.6 cm 2006.394.68 2006.394.75 Postcard from Innisfail (5) 1998 from the series Postcards from Postcard from Urangan (3) 1998 Postcard from Mossman Gorge (2) Mummy from the series Postcards from 1998 black and white laser print Mummy from the series Postcards from paper 21.0 x 29.7 cm colour laser print Mummy 2006.394.62 paper 20.1 x 29.7 cm colour laser print Postcard from Innisfail (6) 1998 2006.394.69 paper 21.0 x 29.6 cm from the series Postcards from Postcard from Urangan (4) 1998 2006.394.76 Mummy from the series Postcards from Postcard from Mossman Gorge (3) black and white laser print Mummy 1998 paper 21.0 x 29.7 cm colour laser print from the series Postcards from 2006.394.63 paper 20.1 x 29.7 cm Mummy 2006.394.70 colour laser print Postcard from Captain Cook paper 21.0 x 29.6 cm Highway (A) 1998 Postcard from Urangan (5) 1998 2006.394.77 from the series Postcards from from the series Postcards from Mummy Postcard from Mossman 1998 Mummy colour laser print from the series Postcards from colour laser print paper 21.0 x 29.7 cm Mummy paper 21.2 x 29.8 cm 2006.394.64 colour laser print 2006.394.71 paper 29.7 x 42.2 cm Postcard from Captain Cook 2006.394.78 Highway (B) 1998 Postcard from Urangan (6) 1998 from the series Postcards from from the series Postcards from Postcard from Port Douglas 1998 Mummy Mummy from the series Postcards from colour laser print colour laser print Mummy paper 21.0 x 29.7 cm paper 21.2 x 29.8 cm colour laser print 2006.394.65 2006.394.72 paper 29.7 x 42.2 cm 2006.394.79

134 National gallery of Australia Annual Report 2005–06 Postcard from Maryborough 1998 Blak like me, mummy 1991–2003 etching from the series Postcards from light jet print from Polaroid original 32.5 x 24.5 cm Mummy 100.0 x 163.5 cm 2005.611.3 colour laser print 2006.398 paper 29.7 x 42.2 cm Tjintir-tjintirpa munu tjalpu- 2006.394.80 MOFFATT, Tracey tjalpu (A lot of people sitting and born Australia 1960 listening) 2004 Mummy at 6 Years old – Darnley/ Some Lads (no 2) 1986 etching Erub Island 1998 2005.1034 24.0 x 19.5 cm from the series Postcards from 2005.611.4 Mummy RILEY, Michael colour laser print Australia 1960–2004 DAVIDSON, Nora paper 42.2 x 29.7 cm Wiradjuri/Kamilaroi peoples born Australia date unknown 2006.394.81 Kristina (no glasses) 1984 Pitjantjatjara people silver gelatin photograph Untitled 2004 Mummy, about 13 years old at 29.75 x 42.0 cm etching Hopevale 1998 2005.1036 24.0 x 19.5 cm from the series Postcards from 2005.611.5 Mummy ABORIGINAL & TORRES colour laser print STRAIT ISLANDER ART DAWSON, Alkawari paper 42.2 x 29.8 cm – PRINTS born Australia date unknown 2006.394.82 Ngaanyatjarra people BROWN, Anmanari Tawal-Tawalpa 2004 born Australia c. 1930s Mummy’s Grandfather: Edward Pitt etching Pitjantjatjara people 1998 24.5 x 32.5 cm MARTIN, Angampa from the series Postcards from 2005.611.6 Mummy born Australia c. early 1940s colour laser print Pitjantjatjara people WOODS, Tjayanka DAWSON, Nyakul paper 42.2 x 29.6 cm born Australia late 1930s 2006.394.83 born Australia c. 1935 Pitjantjatjara people Pitjantjatjara people Seven Sisters 2004 Ikulukulu 2004 Mummy’s Mother: Emma Pitt Nain, etching 1940 1998 synthetic polymer paint on paper 66.0 x 102.0 cm 32.5 x 24.5 cm from the series Postcards from 2005.611.7 Mummy 2005.611.1 colour laser print LINDJUWANGA, Kay BURKE, Jean paper 42.1 x 29.7 cm born Australia 1957 2006.394.84 born Australia 1945 Kuninjku (Eastern Kunwinjku) Irrunytju community Mardayin at Dilebang 2004 Mummy – Brisbane, 1950’s 1998 Liru Kutra (Two water snakes) hard ground copper etchings on from the series Postcards from 2004 Moulin du Gue paper Mummy etching 50.2 x 33.0 cm colour laser print 32.5 x 24.5 cm 2005.332 paper 21.0 x 29.7 cm 2005.611.2 2006.394.85 Mardayin at Dilebang 2004 BUTLER, Roma hard ground copper etchings on Blak like me 1991–2003 born Australia 1959 Moulin du Gue paper light jet print from Polaroid original Irrunytju community 50.2 x 33.0 cm 100.0 x 214.5 cm Minyma munu Wati nyintaka (A 2005.333 2006.397 man lizard and a woman) 2004

National gallery of Australia Annual Report 2005–06 135 Mardayin at Mukkamukka 2004 50.2 x 32.9 cm NELSON, Raymond hard ground copper etchings on Purchased 2005 born Australia c. 1935 Moulin du Gue paper 2005.326 Irrunytju community 50.3 x 33.0 cm Mituna (Rockhole) 2004 2005.334 Mardayin at Mukkamukka 2004 etching hard ground copper etchings on 32.5 x 24.5 cm Milmilngkan Billabong 2004 Moulin du Gue paper 2005.611.9 hard ground copper etchings on 37.7 x 29 cm Moulin du Gue paper Purchased 2005 NYUMI, Elizabeth 2005.329 50.3 x 33.0 cm born Australia 1945 2005.337 Pintupi people Mardayin Design 2004 Parwalla 2005 Waterlily at Milmilngkan 2004 hard ground copper etchings on Moulin du Gue paper etching hard ground copper etchings on 64.0 x 39.0 cm Moulin du Gue paper 50.0 x 32.7 cm 2006.294.5 38.0 x 29.0 cm Purchased 2005 PADOON, Kathleen 2005.336 2005.328 born Australia 1938 Waterlily at Milmilngkan 2004 Mardayin Design 2004 Ngarti people hard ground copper etchings on hard ground copper etchings on Nakarra Nakarra 2005 Moulin du Gue paper Moulin du Gue paper etching 50.0 x 33.0 cm 50.2 x 33 cm Purchased 2005 2005.335 64.0 x 39.0 cm 2005.327 2006.294.9 MARTIN, Angampa Wayuk at Kakodbabuldi 2004 born Australia c. early 1940s Nakarra Nakarra 2005 hard ground copper etchings on Pitjantjatjara people etching Moulin du Gue paper Liru (Water snake) 2004 64.0 x 39.0 cm 50.2 x 32.5 cm etching 2006.294.8 Purchased 2005 32.5 x 24.5 cm 2005.330 2005.611.8 PRESLEY, Patju born Australia c. mid 1940s NAMPITJIN, Eubena Pitjantjatjara people MAWURNDJUL, John Australia 1920–2002 born Australia 1952 Kukatja/Purtitjarra/Mantjilytjarra/ Minyma Tjukurpa (Women’s Story) Kuninjku (Eastern Kunwinjku) Wangkajungka people 2004 people Kinyu 2005 etching Billabong at Milmilngkan 2004 etching 32.5 x 24.5 cm hard ground copper etchings on 64.0 x 39.0 cm 2005.611.10 Moulin du Gue paper 2006.294.7 50.2 x 32.9 cm TJAKAMARRA, Fred 2005.325 Midjul 2005 Australia 1926–2006 etching Kukatja people Kun-madj 2004 64.0 x 39.0 cm Lappi Lappi 2005 hard ground copper etchings on 2006.294.6 etching Moulin du Gue paper 64.0 x 39.0 cm 50.3 x 32.7 cm NANGALA, Ningie 2006.294.1 Purchased 2005 born Australia 1930 2005.331 Kukatja people TJAPANANGKA, Tjumpo Walu 2005 born Australia 1927 Mardayin at Dilebang 2004 etching Pintubi/Kakatja people hard ground copper etchings on 64.0 x 39.0 cm Wilkinkarra 2005 Moulin du Gue paper 2006.294.4

136 National gallery of Australia Annual Report 2005–06 etching etching stringybark 64.0 x 39.0 cm 32.5 x 24.5 cm 243.0 x 20.0 cm 2006.294.2 2005.611.14 2005.323

TJILYA, Tjinkuma WATSON, Tommy Lorrkon [Hollow log]–Mardayin born Australia 1938 born Australia 1933 design 2004 Pitjantjatjara people Pitjantjatjara people natural pigments and PVA fixative on Wiralau (Rockholes) 2004 Wankamara (Homeland) 2004 stringybark etching etching 213.0 x 23.0 cm 32.5 x 24.5 cm 32.5 x 24.5 cm 2005.324 2005.611.11 2005.611.15 MAYMURU-WHITE, Naminapu TJUNGURAYAI, Brandy WOODS, Tjayanka born Australia 1952 born Australia 1930 born Australia 1933 Manggalili people Pintubi/Kakatja people Pitjantjatjara people Milniyawuy [Milky Way] 2004 Pinti 2005 Kungka Ranganka (Seven Sisters) natural pigments on hollow log etching 2004 213.0 x 30.0 cm x 96.0 cm (circ) 64.0 x 39.0 cm etching Gift of Roslynne Bracher 2005 2006.294.10 32.5 x 24.5 cm 2005.295 2005.611.16 TJUNGURRAYI, Helicopter THAAPITCH Joey ABORIGINAL & TORRES Australia 1945–2005 born Australia 1947 STRAIT ISLANDER ART Kugu Muminh/Kugu Uwanh people Kukatja people – SCULPTURE Ku’tha Thagi [Fierce Dog] 2004 Wangkartu 2005 natural pigments and synthetic etching GANAMBARR, Gunybi polymer paint on milkwood 64.0 x 39.0 cm born Northern Territory 1973 48.0 x 97.0 x 21.0 cm 2006.294.3 Datiwuy people 2005.614 Dhanbarr 2004 WATSON, Ngiyu Shirley natural earth pigments on carved Taap Yongk [Law Poles] 2003 born Australia date unknown termite hollowed stringybark trunk Ochres/ synthetic polymer paint on Pitjantjatjara people 259.0 cm, 15.0 cm (diam) milkwood Untitled 2004 2005.1039 variable 250.0 cm etching 2005.615.1–4 24.0 x 19.5 cm MALANGI DAYMIRRINGU, WINSLEY, Joyce 2005.611.12 David Australia 1927–1999 Australia 1938–2001 Nyoongar people WATSON, Nyankulya Manyarrngu people Chinaman c. 1999 born Australia 1936 Gurrmirringu’s wife c. 1968 Guilford [cordiline] grass Pitjantjatjara people natural earth pigments on wood 85.0 x 18.0 x 13.0 cm 30.0 x 30.0 cm, 17.0 cm (diam) Untitled 2004 2006.399 etching 2005.594 32.5 x 24.5 cm Didjeridu player 2001 MAWURNDJUL, John 2005.611.13 Guilford [cordiline] grass born Australia 1952 35.0 x 50.0 cm, 10.0 cm (diam) Kuninjku (eastern Kunwinjku) WATSON, Tjuruparu 2006.400 born Australia 1938 people Pitjantjatjara people Lorrkon [Hollow log] 2004 Minyma Lingnga 2004 natural pigments and PVA fixative on

National gallery of Australia Annual Report 2005–06 137 Storyteller c. 2000 DEACON, Destiny KUNMANARA, K Guilford [cordiline] grass born Australia 1957 Australia 1946–1992 40.0 x 42.0 cm, 25.0 cm (diam) Ku Ku/Erub/Mer peoples Pitjantjatjara people 2006.401 Teatowel from Mummy 1998 Untitled c. 1988 – Mossman 1998 silk habutai WULANJBIRR, Timothy from the series Postcard from 200.00 cm born Australia 1969 Mummy 2006.288.3 Kuninjku people Inkjet print on teatowel 52.0 x 77.0 cm Hollow log 2004 Untitled c. 1988 2006.394.86 Japanese silk natural pigments and PVC fixative 340.00 x 90.0 cm on hollowed log Teatowel from Mummy 1998 2006.288.4 295.0 x 30.0 cm – Port Douglas 1998 2005.253 from the series Postcard from MARKS, Yilpi YUNUPINGU, Gulumbu Mummy born South Australia 1969 born Australia 1943 Inkjet print on teatowel Pitjantjatjara people Gumatj people 52.0 x 77.0 cm Untitled c. 2001 Garak the Universe 2005 2006.394.87 silk satin natural pigments on stringybark Teatowel from Mummy 1998 300.0 cm 304.0 x 24.0 cm – Twin Kauri trees, Atherton trees 2006.288.12 2005.603 1998 from the series Postcard from TAPAYA, Kunmanara Gan’yu 2005 Mummy born Australia 1947 natural pigments on stringybark Inkjet print on teatowel Pitjantjatjara people 254.0 x 12.0 cm 2006.394.88 Untitled c. 1990 2006.410 silk habutai HAGGIE, Amanyi 150.0 cm Gan’yu 2005 born Northern Territory 1936 2006.288.9 natural pigments on stringybark Pitjantjatjara people 254.0 x 17.0 cm Untitled pre 1997 TAPAYA, Tjunkaya 2006.411 silk habutai born Australia 1947 240.0 cm Pitjantjatjara people ABORIGINAL & TORRES 2006.288.8 Untitled STRAIT ISLANDER ART INTJALKI, Atipalku silk satin – TEXTILES born Australia 1955 210.0 x 110.0 cm Pitjantjatjara people 2006.288.10 CARROLL, Alison Untitled pre 1997 born Australia 1958 silk satin Untitled c. 2000 Pitjantjatjara people 260.0 x 110.0 cm silk habutai Untitled 1998 2006.288.7 230.0 x 110.0 cm silk habutai Purchased 2006 360.0 x 90.0 cm KULYURU, Angkuna 2006.288.6 2006.288.11 born Australia 1943 Pitjantjatjara people VAN DER BYL, Muriel DAGG, Margaret Untitled c. 1989 Mumthelang born Australia 1949 silk satin born Australia 1943 Pitjantjatjara people 300.00 cm Kaurna/Ngarrindjeri peoples Untitled c. 1990 2006.288.1 Campsites, Waterholes and Mud silk habutai Creeks 2005 260.0 x 90.0 cm Untitled c. 1989 silk with ink dyes 2006.288.5 silk habutai 400.0 x 114.0 cm 260.00 cm Gift of Ron Radford, 2006 2006.288.2 2006.290

138 National gallery of Australia Annual Report 2005–06 Various ARTISTS Hanging plate c. 1971 Gift of the Estate of Reg Preston and Pitjantjatjara people glazed stoneware Phyl Dunn Nia Fliam 2.0 x 9.5 x 9.5 cm 2005.624 Agus Ismoyo Gift of the Estate of Reg Preston and Mas Cong Phyl Dunn Lidded jar c. 1962 Indonesian people 2005.617 glazed earthenware Seven Sisters 2005 8.5 x 7.0 x 7.0 cm silk habutai Covered pot c. 1968 Gift of the Estate of Reg Preston and length 250.0 cm glazed stoneware Phyl Dunn 2006.288.13 16.0 x 7.0 x 7.0 cm 2005.625.A-B Gift of the Estate of Reg Preston and AUSTRALASIAN Phyl Dunn Bowl c. 1968 DECORATIVE ARTS AND 2005.618.A-B glazed stoneware DESIGN Bowl c. 1969 7.5 x 7.0 x 7.0 cm ANNAND, Douglas designer glazed stoneware Gift of the Estate of Reg Preston and Australia 1903–Australia 1976 9.5 x 32.0 x 32.0 cm Phyl Dunn ROYAL AUSTRALIAN MINT Gift of the Estate of Reg Preston and 2005.626 manufacturer Phyl Dunn The Douglas Annand Penny 2005.619 Bowl c. 1968 bronze glazed stoneware 0.5 x 6.3 x 6.3 cm Casserole c. 1968 8.0 x 7.0 x 7.0 cm Ruth Komon Bequest 2002 glazed stoneware Gift of the Estate of Reg Preston and 2005.338 17.0 x 31.0 x 31.0 cm Phyl Dunn Gift of the Estate of Reg Preston and 2005.627 BLAKEBROUGH, Les Phyl Dunn born Great Britain 1930 2005.620.A-B Sugar pot c. 1968 Australia from 1948 glazed stoneware Pair of cups and saucers c. 2004 Bread crock 1967 13.0 x 10.0 x 10.0 cm glazed ‘Southern Ice’ porcelain glazed stoneware Gift of the Estate of Reg Preston and cup 7.2 x 12.0 x 10.1 cm 27.0 x 32.0 x 32.0 cm Phyl Dunn saucer 2.7 cm, 16.5 cm (diam) Gift of the Estate of Reg Preston and 2005.628.A-B Gift of Ron Radford Phyl Dunn Covered pot c. 1969 2006.655.A-B 2005.621.A-B glazed stoneware 16.0 x 14.0 x 14.0 cm Pair of cups and saucers c. 2004 Bowl c. 1985 Gift of the Estate of Reg Preston and ‘Southern Ice’ porcelain, glazed glazed stoneware Phyl Dunn cup 7.2 x 12.0 x 10.1 cm 9.0 x 24.0 x 24.0 cm 2005.629.A-B saucer 2.7 cm, 16.5 cm (diam) Gift of the Estate of Reg Preston and Gift of Ron Radford Phyl Dunn Sugar/honey pot c. 1967 2006.656.A-B 2005.622 glazed stoneware 12.0 x 12.0 x 12.0 cm DUNN, Phyl Bowl c. 1985 Gift of the Estate of Reg Preston and Australia 1911–1999 glazed stoneware Phyl Dunn Bowl c. 1985 9.0 x 27.0 x 27.0 cm 2005.630.A-B glazed porcelaneous stoneware Gift of the Estate of Reg Preston and 8.0 x 6.5 x 6.5 cm Phyl Dunn Vase c. 1965 Gift of the Estate of Reg Preston and 2005.623 glazed earthenware Phyl Dunn 23.5 x 15.5 x 15.5 cm 2005.616 Plate c. 1985 Gift of the Estate of Reg Preston and glazed stoneware Phyl Dunn 2.5 x 27.0 x 27.0 cm 2005.631

National gallery of Australia Annual Report 2005–06 139 Bowl c. 1968 Snake stack neckpiece 1997 LIEW, Khai glazed stoneware c. 1900 mother-of-pearl buttons born Malaysia 1952 8.0 x 11.0 x 11.0 cm (Trocus shell) and 925 sterling silver to Australia 1971 Gift of the Estate of Reg Preston and 76.0 x 3.0 x 1.8 cm Jian, cabinet 2000 Phyl Dunn 2006.24 frame: blackwood and silver gilt; 2005.632 case: lacquered wood; handle: sterling silver HUTCHINSON, Roger ELLIOTT, Judi 138.0 x 130.0 x 45.0 cm born Australia 1944 2006.508 born Australia 1934 Desk lamp 2005 Writing on the wall 2005 stainless steel, anodised aluminium, 2 McKENNA, Noel glass x 3-watt LED lights born Australia 1956 47.0 x 59.0 cm 70.0 x 105.0 x 10.0 cm not titled [17 piece dinner set with 2005.352 2006.21 equestrian motifs] 1993 slip-cast earthenware with painted ENGLUND, Ivan KEMP, Bronwyn underglaze decoration born Australia 1915 born Australia 1953 4.0 x 48.0 x 25.5 cm Fine wine (jar) 2000 Bowl 2000 15.0 cm (diam) 29.0 cm (diam) glazed stoneware porcelain, glazed over sgraffito slip Gift of Peter Fay 2005 39.0 x 19.0 x 19.0 cm decoration 2005.953.1–17 2005.1048 25.0 x 58.8 x 26.3 cm 2005.348 MINCHAM, Jeff Platter 2002 born Australia 1950 glazed stoneware KING, Gerry Reflection2005 4.5 x 37.5 x 37.5 cm born Australia 1945 glazed earthenware 2005.1049 Toledo blade 3/05 and stand 2005 12.5 x 30.0 x 31.0 cm FOSTER, Robert kiln-cast glass, steel 2005.349 born Australia 1962 195.0 x 31.0 x 30.0 cm MOON, Milton Emerald odyssey teapot 2005 2005.350.A-B born Australia 1926 stainless steel and anodised Charger aluminium LEE, Cinnamon glazed stoneware 25.0 x 26.0 x 15.0 cm born Australia 1977 5.0 x 36.8 x 36.8 cm 2005.643 Up lamp 2005 Ruth Komon Bequest 2002 stainless steel, silver, nylon, rapid- 2005.339 GAZZARD, Marea prototyped ABS plastic 180.0 x 28.0 x 28.0 cm Pot c. 1974 born Australia 1928 glazed stoneware 2006.22 Hania V 2005 23.0 x 21.0 x 21.0 cm glazed stoneware Ruth Komon Bequest 2002 LARSEN, Helge maker 66.5 x 72.0 x 3.0 cm 2005.340 born Denmark 1929 Gift of John Eager to Australia 1961 2005.950 Pot c. 1974 LEWERS, Darani maker glazed stoneware born Australia 1936 23.0 x 22.0 x 22.0 cm GOUGH, Rowena Bermagui Series brooch 1999 born Australia 1958 Ruth Komon Bequest 2002 sterling silver 2005.341 Continuous stack neckpiece 1997 4.3 x 6.0 x 0.5 cm c. 1900 mother-of-pearl buttons Gift of Dr John Thompson Large water jug c. 1974 (Trocus shell) and 750 gold 2006.657 glazed stoneware 64.0 x 3.0 x 1.8 cm 25.0 x 20.5 x 18.0 cm 2006.23 Ruth Komon Bequest 2002 2005.342

140 National gallery of Australia Annual Report 2005–06 Oil jug c. 1972 Vase c. 1976–8 45.0 x 12.0 x 3.0 cm glazed stoneware glazed stoneware Acquired with funds from the 28.0 x 13.0 x 13.0 cm 20.0 x 17.0 x 17.0 cm Meredith Hinchliffe Fund Ruth Komon Bequest 2002 Gift of the Estate of Reg Preston and 2006.507 2005.343.A-B Phyl Dunn Small bowl c. 1974 2005.635 SANDERS, Tom glazed stoneware Square dish c. 1975 born Australia 1925 10.0 x 12.0 x 12.0 cm glazed stoneware Covered vessel with two handles Ruth Komon Bequest 2002 5.0 x 23.0 x 23.0 cm glazed stoneware 2005.344 Gift of the Estate of Reg Preston and 25.0 x 32.0 x 19.0 cm Phyl Dunn Ruth Komon Bequest 2002 2005.636 MOUNT, Nick 2005.345.A-B born Australia 1952 Squared form vessel 1975 Scent bottle 2005 Jug glazed stoneware glazed stoneware blown, ground and polished glass 6.0 x 23.0 x 23.0 cm 107.0 x 30.0 x 12.0 cm Gift of the Estate of Reg Preston and 22.0 x 21.0 x 13.5 cm Acquired with funds from an Phyl Dunn Ruth Komon Bequest 2002 anonymous donor. 2005.637 2005.346 2005.642 Lidded pot c. 1967 Teapot PEASCOD, Alan glazed stoneware glazed stoneware born Great Britain 1943 7.5 x 11.0 x 11.0 cm 27.0 x 34.0 x 16.5 cm Australia from 1952 Gift of the Estate of Reg Preston and Ruth Komon Bequest 2002 Jar 1986 Phyl Dunn 2005.347.A-B stoneware with dry glaze 2005.638.A-B 42.0 x 28.0 x 28.0 cm Vase c. 1968 WARBURTON, Toni 2005.351 glazed stoneware born Australia 1951 18.5 x 15.5 x 15.5 cm UK, Ireland, Europe 1981 POTTINGER, David Gift of the Estate of Reg Preston and Double Mountain: cave, Double born Australia 1965 Phyl Dunn Mountain: well 2001 Tessellated elliptical vessel 2006 2005.639 glazed earthenware with underglaze porcelain decoration 26 x 20 x 17 cm Covered pot c. 1988 2006.312 each 36.0 x 33.0 x 19.0 cm glazed stoneware Gift of Peter Fay 2005 20.0 x 19.0 x 19.0 cm 2005.952.A-B PRESTON, Reg Gift of the Estate of Reg Preston and Australia 1917–2000 Phyl Dunn Lidded jar c. 1972 WEDD, Gerry 2005.640.A-B glazed stoneware born Australia 1957 25.5 x 22.0 x 22.0 cm Vase c. 1976 Boat of women 2005 Gift of the Estate of Reg Preston and glazed stoneware glazed stoneware with underglaze- Phyl Dunn painted cobalt decoration 2005.633.A-B 25.0 x 18.0 x 18.0 cm Gift of the Estate of Reg Preston and 12.0 x 35.0 x 17.0 cm 2006.305 Lidded pot c. 1987 Phyl Dunn glazed stoneware 2005.641 17.5 x 18.0 x 18.0 cm Poppy kangaroo 2005 Gift of the Estate of Reg Preston and RIDGEWELL, Brenda glazed stoneware with underglaze- Phyl Dunn born Western Australia 1948 painted cobalt decoration 2005.634.A-B Codified space 3, neckpiece 2005 23.5 x 23.0 x 28.0 cm sterling silver, 9 carat gold and cubic 2006.306 zirconia

National gallery of Australia Annual Report 2005–06 141 Dog 2005 Zealand 1983 not titled [bound figure]2001 glazed stoneware with underglaze- Periods in England, France, Australia, charcoal with brush and ink on painted cobalt decoration Italy, Spain, Japan and China 1927–46 paper 23.5 x 23.0 x 28.0 cm Design for a theatre curtain sheet 24.8 x 29.1 cm 2006.307 c. 1920s Gift of Peter Fay 2005 Stooping figure 2005 watercolour, gouache and pencil 2005.862 glazed stoneware with underglaze- on card painted cobalt decoration sheet 61.0 x 118.0 cm ANNAND, Douglas Australia 1903 – Australia 1976 23.5 x 23.0 x 28.0 cm 2005.753 Sketch for ‘The Home’ Easter cover 2006.308 1942 ALLEN, Joyce gouache on paper Dog 2005 Australia 1916–Australia 1992 framed 25.0 x 20.0 cm glazed stoneware with underglaze- A day in the life of ... 1991 2006.483 painted cobalt decoration ink on thick white Steinbach paper 23.5 x 23.0 x 28.0 cm image 40.0 x 58.0 cm Bush landscape 1944 2006.309 sheet 52.3 x 71.8 cm watercolour on paper Gift of Daphne Morgan 2005 framed 30.0 x 45.0 cm Dog 2005 2005.461 2006.484 glazed stoneware with underglaze- painted cobalt decoration ALSOP, Edith BATES, John born Australia 1945 23.5 x 23.0 x 28.0 cm Australia 1871–Australia 1958 not titled [bowser] c. 1995 2006.310 Europe 1928–31 synthetic polymer paint and charcoal Sienna c. 1930 on paper Strange land urn 2005 watercolour on paper sight 50.0 x 65.2 cm glazed stoneware with underglaze- image 33.6 x 24.8 cm Gift of Peter Fay 2005 painted cobalt decoration frame 36.2 x 27.4 cm 2005.865 23.5 x 23.0 x 28.0 cm 2005.1070 2006.311 not titled [desert] 1998 Fountain – Rome c. 1930 synthetic polymer paint and fibre- AUSTRALASIAN ART ink wash and pastel on paper tipped pen on paper – DRAWING image 33.6 x 22.8 cm sheet 33.0 x 50.0 cm AKO, Jakupa frame 36.2 x 25.4 cm Gift of Peter Fay 2005 2005.864 Papua New Guinea 1942 2005.1071 not titled [bird] 1975 BAYLISS, Clifford San Gimignano 1929 watercolour on thick cream wove Australia 1916–England 1989 paper pastel on paper England from 1935 printed image (irregular) image 49.6 x 32.0 cm Man with one eye closed 1946 48.0 x 58.5 cm frame 68.4 x 49.2 cm black conté with pastel on paper sheet 53.6 x 72.2 cm 2005.1069 sheet 76.0 x 50.5 cm Gift of Cecilia Ng in memory of Gift in memory of Clifford Bayliss Anthony Forge 2006 ALVAREZ, Alvaro from Josephine Bayliss, the 2006.654.22 born Costa Rica 1965 artist’s wife 2005 Australia from c. 1975 2006.332 ALLAN, Ailsa not titled [male ballet dancer] 2001 BAYLISS, Craig Australia 1899–Australia 1943 charcoal and colour pencil on paper Life story 2000 MOORE-SIMS, Sylvia sheet 50.2 x 32.8 cm Gift of Peter Fay 2005 ball point pen, coloured fibre-tipped STEWART, Helen pens, pencil and coloured pencil 2005.863 Wellington 1900–Aotearoa New on paint additions on 99 wallpaper

142 National gallery of Australia Annual Report 2005–06 samples bound in folder with reproductions on paper Arches paper synthetic polymer sight 84.0 x 59.4 cm image 47.8 x 69.8 cm sheet 40.0 x 38.0 cm Gift of Peter Fay 2005 sheet 57.0 x 76.3 cm book open 41.0 x 73.0 cm 2005.869 2005.764 book closed 41.5 x 41.5 x 5.5 cm Gift of Peter Fay 2005 Untitled 1980 COLEING, Tony 2005.866 brown conté crayon on paper born Australia 1942 sheet 38.0 x 56.0 cm England 1963–68; USA 1989 BEN, Peter Gift of Peter Fay 2005 Drawing for me as a boy 1982 born Australia 1972 2005.870 graphite; blue coloured pencil Boat 1999 image [recto] 88.4 x 49.5 cm synthetic polymer paint on paper CALVANO, Antonella image [verso] 58.0 x 57.5 cm sight 32.8 x 50.0 cm born Australia 1963 sheet 102.2 x 73.9 cm Gift of Peter Fay 2005 not titled [no] 1993 2006.584 2005.867 coloured fibre-tipped pens and watercolour on paper COOLEY, Peter BOOTH, Peter sight 25.0 x 32.5 cm born Australia 1956 born England 1940 Gift of Peter Fay 2005 Koalas 1980 Australia from 1958 2005.871 paper collage and gouache on green not titled [conjoined, mutant paper not titled 2002 figures]c. 1983 sight 22.4 x 15.0 cm ink, felt pen and watercolour on charcoal on paper Gift of Peter Fay 2005 paper sheet 18.2 x 26.0 cm 2005.874 Gift of Peter Fay 2005 image 42.0 x 39.4 cm sheet 42.0 x 39.4 cm 2005.868 Gift of Peter Fay 2005 COULSON, Michelle 2005.942 born Australia 1967 BOYD, Arthur Merric Horse and rider 1999 New Zealand 1862 – Australia 1940 not titled [ononono] 2002 pencil on paper Australia from 1886; England, Europe black and blue fibre-tipped pens on sight 25.0 x 29.2 1890–92 paper Gift of Peter Fay 2005 not titled [gathering seaweed before sheet 25.0 x 29.4 cm 2005.875 the storm, Sandringham beach] Gift of Peter Fay 2005 1900 2005.872 CUPPAIDGE, Virginia watercolour on paper born Australia 1943 sheet 25.3 x 40.6 cm CAPOZZI, Mark United States 2006.42 born Australia 1976 Romanesque 1995 not titled [fluoro lights]1991 gouache on paper BOYD, Emma Minnie pencil and coloured pencils on sheet 24.7 x 32.1 cm Australia 1858–Australia 1936 paper Gift of Dr K David G Edwards, England, Europe 1890–92 sight 33.2 x 49.4 cm (ret.) from the David and Margery The quail shooter 1884 Gift of Peter Fay 2005 Edwards New York Art Collection, watercolour on paper 2005.873 2005 sheet 17.5 x 26.0 cm 2005.425 2006.486 COBURN, John born Australia 1925 CUSSEN, Leo France 1969–72 BROWN, Leonard born Australia 1959 Design for backcloth – “Voyage born Australia 1949 not titled [table in black landscape] within” W.A. Ballet 1988 1987 Untitled 1984 c. 2000 gouache and crayon on thick white collage of colour photographic oil pastel on paper

National gallery of Australia Annual Report 2005–06 143 sight 50.2 x 65.4 cm DE MEDICI, eX Riding horses 2000 Gift of Peter Fay 2005 born Australia 1959 gouache, coloured fibre-tipped pens, 2005.879 Spectre # 1 (Swastika) 1996 coloured pencil, pencil and blue ball coloured pencil on 9 sheets of 245 point pen on green Captain Cook c. 1998 gsm warm-white wove paper paper crayon on two sheets of paper sheet A 56.5 x 71.0 cm sight 41.1 x 57.0 cm sheet (overall) 35.2 x 50.2 cm sheet B 56.5 x 71.0 cm Gift of Peter Fay 2005 Gift of Peter Fay 2005 sheet C 56.5 x 71.0 cm 2005.884 2005.878 sheet D 56.5 x 71.0 cm sheet E 56.5 x 71.0 cm Artsenta 2000 WW II plane 1998 sheet F 56.5 x 71.0 cm coloured fibre-tipped pens, coloured oil pastel on paper pencil, pencil on beige paper sheet G 56.5 x 71.0 cm sheet 33.0 x 50.0 cm sight 41.2 x 57.0 cm sheet H 56.5 x 71.0 cm Gift of Peter Fay 2005 Gift of Peter Fay 2005 sheet I 56.5 x 71.0 cm 2005.877 2005.882 overall 169.5 x 213.0 cm 2005.990.A-I Fred and Ginger 2002 FRIEND, Donald oil pastel with brush and synthetic Australia 1915–Australia 1989 polymer paint on coloured paper des Esseintes’ shame 2005 travels Europe, Africa, SE Asia from sheet (irregular) 38.4 x 56.7 cm watercolour and metallic pigment 1936 for most of life; Australia Gift of Peter Fay 2005 paint on paper 1940–67; Bali 1967–80; 2005.876 sheet 114.0 x 120.0 cm Australia from 1980 2005.1199 Portrait of Bill Beresford 1944 Xena 2000 pen and ink, watercolour and charcoal on paper MCLEAN, Raymond gouache on paper sheet 50.4 x 33.2 cm Material rule 2005 sheet 47.0 x 37.5 cm Gift of Peter Fay 2005 watercolour and metallic pigment Gift of Mr Bill Beresford 2005 2005.880 paint on paper 2005.363 sheet 114.0 x 120.0 cm The last biplane 1998 2005.1142 Mad Memorable Party 1944 oil pastel on paper pen and ink, watercolour on paper sight 33.0 x 50.0 cm EBATARINJA, Arnulf sheet 20.0 x 30.0 cm Gift of Peter Fay 2005 born Australia 1931 Gift of Mr Bill Beresford 2005 2005.881 not titled [landscape] 1960s 2005.362 watercolour on thick cream artist’s DAWSON, Janet board FRIEND, Ian born Australia 1935 printed image 37.4 x 54.8 cm born United Kingdom 1951 England 1957–59; Italy, France sheet 37.4 x 54.8 cm Australia from 1985 1959–60 Gift of the Robbins Family, Canberra The perfume river, Hue 2005 Paddock sketchbook 1999–2004 2006 casein, pigment gouache and crayon pencil on spiral bound 100 sheet 2006.26 on three sheets of white Arches sketchbook, black plastic front cover paper and brown cardboard FREEMAN, Margaret overall 78.0 x 326.0 cm back cover born Aotearoa New Zealand 1935 Gift of Robyn Daw 2006 book open 21.0 x 31.0 cm People 2000 2006.482.A-C book closed 21.0 x 16.4 x 2.0 cm black and blue fibre-tipped pen with Gift of Janet Dawson and Michael pastel on pink paper FULLER, Helen Boddy 2006 sight 40.0 x 57.1 cm born Australia 1949 2006.383 Gift of Peter Fay 2005 Red circuit (board) 2005 2005.883 acrylic on white laid paper

144 National gallery of Australia Annual Report 2005–06 image 64.5 x 49.6 cm HANRAHAN, Bridgid Untitled (a strange and brutal sheet 64.5 x 49.6 cm born Australia 1972 angel hovers over me) 2003 The Rotary Collection of Australian Coppelia 2000 oil over gouache wash on cardboard Art Fund 2006 gouache on paper 14.6 x 18.4 cm 2006.364 sheet 36.4 x 28.2 cm Gift of Peter Fay 2005 Gift of Peter Fay 2005 2005.892 Orange and lemons 2005 2005.887 HOPKINS, Anthony ink, gouache and gingham on thick born Australia 1957 white Waterford paper HART, Eleanor Exploding in spasm. Earth light image 76.5 x 55.8 cm born Australia 1946 c. 1998 sheet 76.5 x 55.8 cm Aspect pastel and coloured pencil on paper The Rotary Collection of Australian oil pastel, watercolour, conté, pencil sheet 23.4 x 16.6 cm Art Fund 2006 and ink on white wove paper Gift of Peter Fay 2005 2006.366 image 114.0 x 82.2 cm 2005.893 sheet 114.0 x 82.2 cm B/w/grey diamonds 2005 2006.331 HORTIN, Nan acrylic and gouache on thin white Australia 1916–Australia 1971 Chinese paper HARTIGAN, Patrick England, China, India, c. 1935–39 image 69.6 x 46.8 cm born Sydney Australia 1977 Practice of democracy c. 1940 sheet 69.6 x 46.8 cm Untitled (after Piero della crayon on buff wove paper sheet 36.4 x 53.8 cm The Rotary Collection of Australian Francesca) 2002 2005.1061 Art Fund 2006 watercolour and pencil on paper 2006.365 sight 14.8 x 21.0 cm HOWARD WILKS, Miles Gift of Peter Fay 2005 born Australia 1979 Blood orange 2005 2005.889 not titled [dog] 2000 gouache, gingham and cotton on charcoal, conté and grey oil pastel thick white Waterford paper Untitled (after Piero della on paper image 76.6 x 56.1 cm Francesca) 2002 sheet 70.4 x 50.4 cm sheet 76.6 x 56.1 cm watercolour and pencil on paper Gift of Peter Fay 2005 The Rotary Collection of Australian sight 14.9 x 21.1 cm 2005.894 Art Fund 2006 Gift of Peter Fay 2005 2006.367 2005.888 HOYLE, Anna born Australia 1969 FULLER, Jimmy Untitled (after Piero della Six station lawn genie 2004 ink on six sheets of white paper born Australia 1941 Francesca) 2002 sheet (overall) 98.0 x 180.0 cm not titled [self portrait on bench] watercolour and pencil on paper 2005.1053.A-F c. 1995 sight 14.8 x 21.0 cm pastel and charcoal on paper Gift of Peter Fay 2005 JAKSIC-BERGER, Mimi sight 65.5 x 50.3 cm 2005.891 born Serbia 1936 Gift of Peter Fay 2005 Australia from 1959 2005.885 Untitled (after Piero della Flight 3 1982 Francesca) 2002 watercolour on paper not titled [map of the world] 1993 watercolour and pencil on paper sheet (sight) 87.6 x 64.8 cm pastel and pencil on paper sight 14.8 x 21.0 cm frame 90.4 x 67.5 cm sight 65.5 x 50.2 cm Gift of Peter Fay 2005 Bequest of Dr George Martin J Gift of Peter Fay 2005 2005.890 Berger 2004 2005.886 2005.450

National gallery of Australia Annual Report 2005–06 145 Stockade II – Ulster 1971–74 KALIVODA, Bob LEWIN, John c. 1975? born Czech Republic 1926 England 1770–Australia 1819 watercolour on paper Australia from 1950 Australia from 1800 sheet (sight) 101.00 x 77.4 cm Roots 15 12 October 1986 not titled [Studies of a Remora fish] frame 107.00 x 81.4 cm pencil on paper (c. 1807) Bequest of Dr George Martin J image 17.0 x 25.5 cm watercolour on paper Berger 2004 sheet 20.6 x 20.6 cm image 13.2 x 41.0 cm Gift of Rotary Club of Queanbeyan 2005.456 sheet 21.6 x 55.8 cm West 2003 2005.938 2005.768 The night of the wombat 2 1981 watercolour on paper LEWIS, Aletta Roots 16 25 September 1986 England 1904–United States 1955 sheet (sight 68.6 x 70.8 cm pencil on paper frame 82.6 x 83.4 cm Australia 1927–29; England image 25.0 x 13.0 cm from 1930 Bequest of Dr George Martin J sheet 26.0 x 20.8 cm not titled [portrait] 1928 Berger 2004 Gift of Rotary Club of Queanbeyan pencil on paper 2005.451 West 2003 image (irregular) 21.7 x 20.0 cm 2005.769 sheet 36.8 x 26.8 cm not titled [abstract] c. 1980 2005.759 watercolour on paper Roots 17 25 September 1986 sheet (sight) 174.4 x 134.00 cm pencil on paper not titled [portrait] 1928 frame 176.4 x 136.6 cm image 21.0 x 13.0 cm sheet 26.0 x 20.8 cm orange pencil on paper Bequest of Dr George Martin J image (irregular) 33.0 x 22.6 cm Berger 2004 Gift of Rotary Club of Queanbeyan West 2003 sheet (irregular) 36.8 x 26.8 cm 2005.454 2005.770 2005.760 not titled [abstract] c. 1980 Roots 18 25 September 1986 not titled [seated figure]1928 watercolour on paper pencil and crayon on paper pencil on paper sheet (sight) 127.4 x 75.0 cm image 26.0 x 20.8 cm image (irregular) 33.0 x 19.9 cm frame 131.5 x 79.0 cm sheet 26.0 x 20.8 cm sheet 37.0 x 26.8 cm Bequest of Dr George Martin J Gift of Rotary Club of Queanbeyan 2005.761 Berger 2004 West 2003 2005.455 2005.771 LYNCH, Anne born Australia 1956 Spring in Sydney c. 1980 Roots 19 1986 not titled [three birds] 1999 watercolour on paper pencil and watercolour on paper pastel and pencil on paper sheet (sight) 186.6 x 122.6 cm image 17.0 x 12.0 cm sheet 25.3 x 32.8 cm frame 188.4 x 125.2 cm sheet 17.0 x 12.0 cm Gift of Peter Fay 2005 Bequest of Dr George Martin J Gift of Rotary Club of Queanbeyan 2005.896 Berger 2004 West 2003 2005.453 2005.772 MACDONALD, Fiona born Australia 1956 KILLEEN, Richard Oriental garden 1981 Haute ecole 1 2001 born Aotearoa New Zealand 1946 watercolour on paper brush and ink and pencil on 11 Burning the children of the poor sheet (sight) 106.4 x 74.0 cm sheets of paper 1998 frame 109.00 x 76.8 cm sheet (each) 29.8 x 21.1 cm synthetic polymer paint on 48 paper Gift of Peter Fay 2005 Bequest of Dr George Martin J jeweller’s tags 2005.897.1–12 Berger 2004 sheet (each) 4.7 x 3.0 cm 2005.452 Gift of Peter Fay 2005 2005.895.1–48

146 National gallery of Australia Annual Report 2005–06 MACDONALD, J S charcoal on paper Lost dog 2001 Australia 1878–Australia 1952 sight 80.2 x 56.3 cm brush and ink over pencil with England, Europe, United States of Gift of Peter Fay 2005 gouache on paper America 1898–1910 2005.902 sheet 57.6 x 38.3 cm Self portrait 1928 Gift of Peter Fay 2005 pencil on paper MARTIN, Beryl 2005.906 sheet 26.0 x 19.5 cm Well beloved garden 1992 watercolour and pencil on thick Gift of Bridget McDonnell 2006 Playground 1 1989 rough wove paper 2006.329 watercolour, pen and ink and pencil image 38.0 x 55.5 cm on paper MACPHERSON, Robert sheet 38.0 x 55.5 cm sheet 29.0 x 47.6 cm born Australia 1937 Gift of Daphne Morgan 2005 Gift of Peter Fay 2005 United Kingdom, Europe 1973; 2005.468 United States of America 1976 2005.908 “555 Frog Poems” A grasshopper MASON, Chris 1990–93 born Australia 1976 Lost, Heathcliff 2001 pencil, red ink stamp on paper Solid girl 2000 watercolour, pen and ink and pencil sheet 29.2 x 41.2 cm gouache, watercolour and pencil on on paper Gift of Peter Fay 2005 paper sheet 57.4 x 38.0 cm 2005.898 sheet 24.7 x 35.2 cm Gift of Peter Fay 2005 Gift of Peter Fay 2005 2005.905 “555 Frog Poems” A pardalope 2005.903 1990–93 Budgie 1997 pencil, red ink stamp and Two teenage schoolgirls Rebecca watercolour heightened with white watercolour on paper and Adell both naked in girls’ pencil on paper in painted wood sheet 29.2 x 41.2 cm change rooms 2000 and glass frame Gift of Peter Fay 2005 gouache and watercolour over overall 40.0 x 9.0 x 3.0 cm 2005.900 pencil on paper sheet 36.8 x 57.4 cm Gift of Peter Fay 2005 “555 Frog Poems” A deep valley Gift of Peter Fay 2005 2005.907 1990–93 2005.904 pencil, red ink stamp and Burwood grotto 2005 watercolour on paper MCCLINTOCK, Alexander ink and watercolour on paper sheet 29.2 x 41.2 cm 1869–1922 sheet 37.5 x 42 cm Gift of Peter Fay 2005 Landscape 1910 2006.505 2005.899 watercolour on paper sight 24.0 x 33.2 cm MCMAHON, Marie MAGUIRE, Tim 2006.485 born Australia 1953 born England 1958 She is only a small girl [Nyirra Australia 1959–93; Germany MCKENNA, Noel Kirijinga] 1990 1984–85; France and England born Australia 1956 colour pencil on thick white from 1993 Horse 1996 textured paper Twin tanks NYC 1988 carbon transfer and pencil on paper image 49.5 x 17.5 cm coloured pastel on paper sight 31.4 x 29.4 cm sheet 56.0 x 20.2 cm sight 25.4 x 33.2 cm Gift of Peter Fay 2005 Gift of Daphne Morgan 2005 Gift of Peter Fay 2005 2005.910 2005.490 2005.901 not titled (green house) 1998 MEDWORTH, Frank enamel on cardboard MARNELL, Wayne England 1892 – Mexico 1947 sight 39.0 x 34.4 cm born Australia 1967 Australia from 1939 Gift of Peter Fay 2005 Captain 1997 Diana aged 14, Sally aged 10 1943 2005.909

National gallery of Australia Annual Report 2005–06 147 watercolour, pencil, ink and pen on NORTHE, John PIGGOTT, Rosslynd buff wove paper born Australia 1943 born Australia 1958 image 32.4 x 52.4 cm not titled [horse] 2001 Italy 1988 sheet 32.4 x 52.4 cm coloured oil pastel, charcoal and High bed and empty pictures 1995 2005.1062 pencil on grey cardboard watercolour on thick white wove sheet 64.9 x 49.8 cm paper MELVILLE, Harden S Gift of Peter Fay 2005 sheet 75.0 x 56.0 cm England – (unknown) 2005.912 2005.754 Australia 1842–46, England from not titled [female nude, Diane] 1847 PLOWMAN, Robin 1992 born Australia 1963 Cape Upstart, Northern Australia pencil on paper not titled [figure]1999 1843 sheet 76.1 x 51.0 cm pencil, coloured pencil and pastel pencil with traces of watercolour Gift of Peter Fay 2005 on paper on paper 2005.915 sheet 25.2 x 35.0 cm image 12.5 x 13.7 cm Gift of Peter Fay 2005 sheet 23.6 x 18.4 cm James Joyce c. 2000 2005.919 2006.503 pencil on paper image 44.0 x 34.1 cm POUND, Patrick Darnley Island and Torres Strait sheet 59.4 x 47.5 cm born Aotearoa New Zealand 1962 1845 Gift of Peter Fay 2005 Australia from 1989 pen and sepia ink on thin white 2005.913 Album with clouds 1999 paper charcoal, oilstick, gouache and pastel image 10.4 x 15.8 cm not titled [seated pink nude] 1993 with photographs and photo corners sheet 18.4 x 23.5 cm coloured pastel and pencil on paper on 19 brown 2006.504 sheet 66.0 x 50.4 cm cardboard album inserts Gift of Peter Fay 2005 sight 67.0 x 113.2 cm NAMATJIRA, Albert 2005.914 Gift of Peter Fay 2005 Australia 1902–1959 2005.920 Neey-too-gulpa [Ngalia tribesman] PERRETTE, Steven born Australia 1962 c. 1937 REES, Lloyd not titled [cars] 1999 watercolour, pastel and pencil traces Australia 1895–Australia 1988 pencil on paper on paper England, Europe 1923–24; Australia sight 33.0 x 50.2 cm image 37.0 x 47.5 cm 1924–52; alternately England, Europe Gift of Peter Fay 2005 sheet 39.0 x 49.5 cm and Australia 1952– 2005.916 73; Australia from 1973 2005.943 not titled [University of Sydney old NEDELKOPOULOS, Nicholas not titled [milk] 1999 Medical School[ 1949 born Australia 1955 pencil and charcoal on coloured pencil and watercolour on sheet of Surprise 1991 paper sketchbook paper pastel on paper sheet 16.4 x 25.0 cm sheet 24.0 x 28.0 cm sheet 19.0 x 25.0 cm Gift of Peter Fay 2005 Gift of Doug England 2004 Gift of Peter Fay 2005 2005.918 2005.765 2005.911 Trotsky, the dog c. 2000 Moreton Bay Fig Tree, McMahon’s Collins St 1988 pencil with black and brown conté Point. 1932 pastel on paper crayon on paper pencil on paper sheet 28.2 x 38.0 cm sheet 50.0 x 70.0 cm sheet 21.0 x 22.5 cm Gift of Peter Fay 2005 Gift of Peter Fay 2005 Gift of Carolyn Cameron 2005 2005.808 2005.917 2005.766

148 National gallery of Australia Annual Report 2005–06 REID, Lisa RUSSELL, Robert Hometown art was a hobby rather born Australia 1975 England 1808–Australia 1900 than a profession 1984 not titled [life drawing] 2002 Australia from 1833, England brush and pen and ink on white pencil on paper 1856–60 paper sheet 65.6 x 50.2 cm Melbourne from the west c. 1855 image (irregular) 25.2 x 36.5 cm Gift of Peter Fay 2005 watercolour on paper sheet 30.1 x 40.2 cm 2005.921 image 17.2 x 24.7 cm Gift of Dr K David G Edwards, sheet (sight) 17.2 x 24.7 cm (ret.) from the David and Margery RICHARDSON, Tobias 2006.506 Edwards New York Art Collection, SCHUMAN, Christian 2005 2005.413 1/2 n’ 1/2 1991 Melbourne sketches, wharves and watercolour heightened with white, steam tugs 1854 STRUTT, William gouache with collage and decals; ink and brush on paper England 1825–England 1915 brush and ink, ball point image 16.4 x 30.6 cm pen, coloured pencils, pencil and France 1838–48; Australia 1850–55; sheet 28.0 x 38.4 cm fibre tipped pen on card New Zealand 1855–56; Australia 2005.602 sheet 15.1 x 32.7 cm 1856–62; England from 1862 Gift of Peter Fay 2005 Study for the Hero in ‘Black SELENITSCH, Alex 2005.922 Thursday, February 6th, 1851’’ born Bavaria 1946 (1862–64) Australia from 1949 RISKE, Jan watercolour and pencil on paper born The Netherlands 1932 Sator mounted on paper Australia from 1952 black ink on handmade buff paper image 12.6 x 18.6 cm Drawing One (Quantum series) printed image 25.2 x 26.0 cm sheet 13.0 x 19.0 cm 1987 sheet 61.8 x 45.6 cm backing 15.8 x 19.8 cm pen and ink, black india ink on paper 2005.1089 2005.944 image 48.8 x 26.5 cm sheet 50.8 x 36.4 cm SHEEHAN, Margaret THOMPSON, Martin Gift of Dr K David G Edwards, (ret.) born Australia 1951 born Aotearoa New Zealand 1956 from the David and Margery Edwards Death of Buddy Holly 1999 not titled [green graph paper piece] New York Art Collection, 2005 pen and ink and watercolour c. 2000 2005.412 on paper collage of green fibre tipped pen sight 25.0 x 33.0 cm with tape on graph paper Untitled 1989 Gift of Peter Fay 2005 sheet (irregular) 29.5 x 18.6 cm pen and ink drawing, black india ink 2005.923 mount 32.0 x 21.0 cm on paper Gift of Peter Fay 2005 image 58.8 x 82.4 cm SMITH, Ian 2005.924 sheet 77.0 x 103.4 cm born Australia 1950 Gift of Dr K David G Edwards, (ret.) Humid, mosquito-netted, TONG, Reece from the David and Margery Edwards hometown nights when the born New Zealand 1968 1999 New York Art Collection, 2005 beacons on Edgehill warned the not titled [three dogs] synthetic polymer paint on paper 2005.410 planes 1983 sheet 42.5 x 60.0 cm Gift of Peter Fay 2005 Shadow field1989 brush and pen and ink on white 2005.925 brush and ink, black india ink on paper paper image (irregular) 23.1 x 37.4 cm Unknown Australian image 40.0 x 40.0 cm sheet 29.3 x 40.0 cm artist sheet 53.0 x 53.0 cm Gift of Dr K David G Edwards, not titled [the bush, the settlement, Gift of Dr K David G Edwards, (ret.) (ret.) from the David and Margery the aftermath] c. 1850 from the David and Margery Edwards Edwards New York Art Collection, pen and ink on paper New York Art Collection, 2005 2005 image (irregular) 10.6 x 24.2 cm 2005.411 2005.414 sheet 22.2 x 27.4 cm 2005.674

National gallery of Australia Annual Report 2005–06 149 VEHEARY, Barbara Pandanus roll 2000 The Phantom 2000 born Poland 1949 watercolour on whit wove paper ball point pen with fibre-tipped pen not titled [ain’t I pritty – not pritty image 12.9 x 17.9 cm on paper awful though] c. 1990 sheet 12.9 x 17.9 cm sheet 32.4 x 25.5 cm pencil on paper Gift of Daphne Morgan 2005 Gift of Peter Fay 2005 sight 50.0 x 35.0 cm 2005.483 2005.928 Gift of Peter Fay 2005 2005.926 Two scones and cream on plate WOOLLOFF, David pencil on thin white paper born Aotearoa New Zealand 1961 VON STEIGLITZ, Emma image (irregular) 12.6 x 20.7 cm Flowers on table 1997 England 1807–Australia 1880 sheet 16.6 x 23.6 cm pencil on paper Mona Vale, Ross, Van Diemen’s Gift of Daphne Morgan 2005 sheet 41.0 x 28.5 cm Land 1846 January 3 2005.475 Gift of Peter Fay 2005 pencil on smooth white paper 2005.932 image 17.0 x 26.8 cm Cup of tea 2000 sheet 17.0 x 26.8 cm watercolour on whit wove paper Australasian Art 2006.374 image 12.8 x 13.0 cm sheet 12.8 x 13.0 cm – Multimedia WALLER, Napier Gift of Daphne Morgan 2005 GLADWELL, Shaun Australia 1893–Australia 2005.481 born Australia 1972 Europe 1929–30 Quay sequence 2005 Bantam rooster and hens c. 1927 WIGLEY, James watercolour and pencil on paper single channel digital video Australia 1918–Australia 1999 sheet 25.7 x 37.6 cm 2005.645 France, England 1948–52 2006.388 Aboriginal children in a tent War memorial sessions 2004–05 c. 1947 WHISSON, Ken triple channel digital video ink and crayon on paper born Australia 1927 2005.646 sheet 31.0 x 41.0 cm England, Europe 1954–56; Morocco 1968–69; Europe, England 1969–70; 2006.370 Kickflipper: fragments edit 2000–03 Italy and Australia single channel digital video WILLIAMS, Timothy from 1978 Gift of Peter Fay 2005 born Australia 1964 not titled [cat drawing] 2005.805 pencil on paper Elvis [for Mandy] 2001 ball-point pen with photo-lithograph sheet 50.0 x 29.5 cm Storm sequence 2000 collage element with tape on paper Gift of Peter Fay 2005 single channel digital video sheet 32.8 x 26.0 cm 2005.927 Gift of Peter Fay 2005 Gift of Peter Fay 2005 2005.806 WHITE, Robin 2005.929 born Aotearoa New Zealand 1946 Kiribati 1982–1999 Self-portrait 2000 AUSTRALASIAN ART Slice of bread 2000 fibre-tipped pen, photo lithograph – PAINTING watercolour on whit wove paper collage element with masking tape BLANCHFLOWER, Brian image 12.8 x 12.8 cm on paper sheet 12.8 x 12.8 cm sheet 29.1 x 24.8 cm born England 1939 Gift of Daphne Morgan 2005 Gift of Peter Fay 2005 Australia from 1972; UK, Europe 2005.479 2005.930 1984 Canopy XVIII – Belief System (The One scone and knife on plate Elephant c. 2000 stones of Stenness) May 1989 pencil on thin white paper pen and ink on paper oil, sand, chalk on pigmented image (irregular) 13.4 x 20.6 cm sheet 25.0 x 17.2 cm synthetic polymer paint on four sheet 16.9 x 24.8 cm Gift of Peter Fay 2005 unstretched indian jute panels each Gift of Daphne Morgan 2005 2005.931 243.0 x 176.0 cm 2005.473

150 National gallery of Australia Annual Report 2005–06 overall 243.0 x 704.0 cm Gift of Peter Fay 2005 oil on canvas Gift of Ann Burge 2006 2005.836 38.5 x 44.0 cm 2006.25.A–D Gift of Mr Bill Beresford 2005 COTTON, Shane 2005.361 BURN, Ian born Aotearoa New Zealand 1964 Australia 1939–Australia 1993 Three-quarter view 2005 GLEESON, James Homage to Albert (South through synthetic polymer paint on canvas born Australia 1915 the Ranges, Heavitree Gap 1952) 180.0 x 160.0 cm England, Europe 1947–49; Europe, 2005.1052 1989 USA 1958–59; letraset & watercolour on bromide Principles of the ritual of homicide DE LAUTOUR, Tony paper, reproduction on transparency 1939 in synthetic polymer sheet, oil & born Melbourne 1965 oil on canvas wood frame New Zealand from 1967 64.5 x 79.6 30 x 23 x 10 cm Island 1999 82.1373 2006.414 oil on linen This painting is nearly as good sheet 78.5 x 118.5 cm GLOVER, John 1993 Gift of Peter Fay 2005 England 1767 – Australia 1849 oil on card, wood frame 2005.837 Australia from 1831, with visits to each 29 x 39 x 4.5 cm England Rural landscape with herdsman, Gift of Avril Burn 2006 DE LUCA, Anna milkmaid and cattle c. 1820 2006.415.A–C Italy 1929 – Australia 2001 oil on canvas Australia from 1952 51.5 x 71.0 cm CONDER, Charles Boat 2001 England 1868–England 1909 Gift of Mr James Smiley 2006 oil on canvas Australia 1884–90; England and 2006.416 72.0 x 100.0 cm France from 1890 Gift of Peter Fay 2005 Hot wind 1889 HARRIS, Brent oil on board 2005.838 born Aotearoa New Zealand 1956 29.4 x 75.0 cm Australia from 1981 Acquired with the assistance of not titled [poppies] c. 1999 Plato’s cave: painting no.4 2005 the Sarah and Baillieu Myer Family oil on canvas oil on linen Foundation 2006 25.2 x 35.4 cm 244.0 x 183.0 cm 2006.386 Gift of Peter Fay 2005 2005.365 2005.839 COOLEY, Peter LONG, Sydney born Australia 1956 DE MAISTRE, Roy Australia 1871 – England 1955 More ideals? Ask yourself Mickey Australia 1894 – England 1968 England, Europe 1910–21; Australia wants Jane no. 2 1990 England, France 1923–26; Australia 1921–22; England 1922–25; oil with felt on canvas 1926–29; England, France from 1929 Australia 1925–52; England 89.0 x 116.0 cm New Atlantis c. 1933 from 1952 Gift of Peter Fay 2005 oil on canvas Flamingoes c. 1905–06 2005.834 135.5 x 153.0 cm oil on canvas 2006.387 30.6 x 61.0 cm Bluebonnet 2002 Acquired with the assistance of the gouache on canvas Masterpieces for the Nation Fund sight 91.2 x 60.6 cm FRIEND, Donald 2006 Gift of Peter Fay 2005 Australia 1915 – Australia 1989 2006.2 2005.835 travels Europe, Africa, SE Asia from 1936 for most of life; Australia 1940– Desert Pea 2002 67; Bali 1967–80; Australia from 1980 gouache on canvas Bar in Brisbane with juke box and 91.0 x 60.5 cm sailors c. 1943

National gallery of Australia Annual Report 2005–06 151 LYNN, Elwyn RISKE, Jan 60.0 x 90.0 cm Australia 1917 – Australia 1997 born The Netherlands 1932 Gift of Peter Fay 2005 Europe, USA 1958–59, 1964, 1968, Australia from 1952 2005.854 in 1970s Yellow melt out 1988 Silver drift 1987 oil on canvas THOMPSON, Pat mixed media on canvas 152.4 x 152.4 cm United Kingdom 59.0 x 59.0 cm Gift of Dr K David G Edwards (date of birth unknown) Gift of Dr K David G Edwards (ret.), from the David and Margery Pink 1972 (ret.), from the David and Margery Edwards New York Art Collection, oil on canvas Edwards New York Art Collection, 2005 45.2 x 54.8 cm 2005 2005.422 Gift of Peter Fay 2005 2005.421 2005.955 Prussian pink 1989 Night snow and cross 1987 oil on canvas VONGPOOTHORN, Savanhdary mixed media on canvas 175.3 x 175.3 x 5.1 cm born Laos 1971 40.6 x 50.8 cm Gift of Dr K David G Edwards Australia from 1979 Gift of Dr K David G Edwards (ret.), from the David and Margery Incantation 2005 (ret.), from the David and Margery Edwards New York Art Collection, synthetic polymer paint on Edwards New York Art Collection, 2005 perforated canvas 2005 2005.423 180.0 x 300.0 cm 2005.420 2005.360 ROONEY, Robert MACPHERSON, Robert born Australia 1937 WHISSON, Ken born Australia 1937 Icare down under (Homage to Sid born Australia 1927 United Kingdom, Europe 1973; and Serge) 2004 England, Europe 1954–56; Morocco United States of America 1976 synthetic polymer paint on canvas 1968–69; Europe, England 1969–70; ‘Mayfair: Fresh Cut, 2 Frog Poems 128.0 x 182.0 cm Italy and Australia from 1978 and a Rose for William Neaves’ 2005.1050 Dark sail 1967 1998 oil on board Dulux weathershield acrylic on two ROSS, Joan 62.5 x 91.5 boards born United Kingdom 1961 Gift of Peter Fay 2005 overall 122.0 x 183.0 cm Australia from 1962 2005.860 Gift of Peter Fay 2005 (And so I spent some time inside 2005.844 the cat) it was still warm 1988 [Flag painting] 1976 oil on board oil on board 50.8 x 76.2 cm “Mayfair (three beers for three 79.0 x 72.5 cm Gift of Peter Fay 2005 steers and a curry for a man in Gift of Peter Fay 2005 2005.852 a hurry) for Mrs Frank Dyke” 2005.861 1992–2004 SINOZICH, Gina four panels, synthetic polymer paint WILLIAMS, Fred born Croatia 1930 on masonite Australia 1927–Australia 1982 Australia from 1957 each panel 122.0 x 91.0 cm England 1951–56 My son Michael when he was six 2005.359.A–D Saplings c. 1961 years old 2003 oil on board oil with glitter on board 89.5 x 77.0 cm MCKENNA, Noel 39.2 x 43.8 cm 2006.385 born Australia 1956 Gift of Peter Fay 2005 Tree, bluff 2000 2005.853 enamel on plywood Australasian Art – Photography 40.0 x 50.0 cm Poppy field 2002 Gift of Peter Fay 2005 oil on synthetic polymer paint on ABERHART, Laurence 2005.848 board born New Zealand 1949

152 National gallery of Australia Annual Report 2005–06 Midway Beach, Gisborne, 13 June image 20.7 x 27.6 cm image 14.2 x 19.2 cm 1986 1986 card 50.8 x 40.6 cm card 23.6 x 29.5 cm gelatin silver photograph printed 2006.314 2006.216 1989 image 19.6 x 24.5 cm J. Jaye & Co 1872 Maori Chief – 3780 Te Heu Heu – At sheet (irregular) 23.8 x 30.4 cm albumen silver photograph Tokaanu – King Country c. 1885 Gift of Peter Fay 2005 image 22.4 x 28.5 cm albumen silver photograph 2005.813 card 50.8 x 40.6 cm image 19.1 x 13.6 cm 2006.315 2006.217 Taranaki, Midhurst, 11 July 1991 1991 ANSON, Henry Maori Woman & Child – 3796 gelatin silver photograph printed FRANCIS, William A – Ngahui – At Papakai – King 1997 born Australia 1863 Country c. 1885 image 19.4 x 24.3 cm Studio portrait of a bearded albumen silver photograph Gift of Peter Fay 2005 Aboriginal man c. 1865 image 19.4 x 14.2 cm 2005.814 albumen silver carte-de-visite 2006.218 photograph Taranaki Oeo Rd #1 1991 image 9.4 x 6.3 cm Auckland wharf c. 1885 gelatin silver photograph printed albumen silver photograph card 10.5 x 6.6 cm 2000 image 19.4 x 14.2 cm 2005.555 image 19.0 x 24.4 cm 2006.219 Gift of Peter Fay 2005 Maori Women – 3603 – Kahu BAYLISS, Charles 2005.815 Topune – Waimiha – King Country England 1850–Australia 1897 c. 1885 Dimboola, Victoria, 13 August 1997 Australia from 1854 albumen silver photograph 1997 Queensland natives c. 1885 image 19.5 x 14.2 cm platinum print printed 1998 albumen silver photograph 2006.220 image 20.0 x 24.6 cm image 14.4 x 19.8 cm sheet 24.1 x 29.4 cm card 23.6 x 29.5 cm Maori Bathing – 3762 – In The Gift of Peter Fay 2005 2006.227 Puias – Tokaanu – Lake Taupo 2005.816 – King Country c. 1885 BURTON BROTHERS albumen silver photograph Moreporks (Bird Skins Room no. 2) 1868–1898 image 14.1 x 19.4 cm Taranaki St, Wellington, 3 October BURTON, Alfred 2006.221 1995 1995 England 1834–New Zealand 1914 gelatin silver photograph printed Maori Chiefs – Rewi, Tawhana, Maori Village – 3575 – Village Scene 2000 Taonui, Wetere Te Rerenga Te – Coroniti – (Corinth-) Wanganui image 17.0 x 24.5 cm Rangituataka, Te Naunau 3622 River c. 1885 sheet 24.0 x 30.4 cm albumen silver photograph Gift of Peter Fay 2005 Great Chiefs at Whare – Komiti image 14.3 x 19.4 cm 2005.817 –Haerehuka – King Country c. 1885 2006.222 AMERICAN & AUSTRALASIAN albumen silver photograph Maori Village – 3577 – Taumaranui PHOTOGRAPHIC CO. image 14.3 x 19.2 cm – King Country c. 1885 established Sydney 1869 card 23.6 x 29.5 cm albumen silver photograph MERLIN, Henry Beaufoy 2006.215 image 14.2 x 19.8 cm Great Britain 1830–Australia 1873 2006.223 Australia from 1848 Warepuni – 3508 Wharepuni At Bank of New South Wales, Orange, Parekino – Wanganui River, x 19.3 NSW 1873 1873 cm c. 1885 albumen silver photograph albumen silver photograph

National gallery of Australia Annual Report 2005–06 153 Pink Terrace – 3924/Lyttleton c. image 14.6 x 20.0 cm Scene on the Black Spur, Nr. 1885 card 22.2 x 30.2 cm Fernshaw, Victoria c. 1870 albumen silver photograph 2006.213 albumen silver photograph image 14.2 x 19.0 cm image 18.2 x 12.3 cm 2006.224 First Church Moray Place c. 1885 2006.202 albumen silver photograph Maoris [sic] rubbing noses c. 1885 image 14.2 x 19.0 cm Giant Fern Trees, nr. Fernshaw, albumen silver photograph 2006.225 Victoria c. 1870 image 14.4 x 19.8 cm albumen silver photograph card 23.6 x 29.5 cm image 17.2 x 12.0 cm 2006.226 The great ngatimaniapoto chief – Wahanui – family and friends 2006.203 Wharepuni at Papekino – 1885 Wanganui river 1885 albumen silver photograph CAMPANER, Elaine albumen silver photograph image 14.1 x 20.2 cm born Australia 1969 image 13.6 x 20.4 cm card 22.2 x 30.2 cm Let it be me 2005 card 30.0 x 23.8 cm 2006.214 from the series Internment 2006.206 Type C colour photograph CAIRE, Nicholas image 45.0 x 65.0 cm Te Hauhau – at Te Kwiti – King United Kingdom 1837– Gift of Eduardo Campaner Country 1885 Australia 1918 2006.421 albumen silver photograph Australia from 1858 image 19.6 x 14.0 cm View on The Watts River at 100% Australian 2005 2006.207 from the series Border protection Tiki Ohinemutu 1885 Fernshaw c. 1870 Type C colour photograph albumen silver photograph albumen silver photograph image 45.0 x 65.0 cm image 19.8 x 14.4 cm image 14.3 x 19.5 cm Gift of Eduardo Campaner card 22.2 x 30.2 cm 2006.197 2006.208 2006.417 Township of Fernshaw c. 1870 Hongi at Whakarewera 1885 albumen silver photograph Sea pumice 2005 albumen silver photograph image 13.4 x 18.4 cm from the series Border protection image 14.5 x 19.9 cm 2006.198 Type C colour photograph sheet 30.2 x 22.2 cm image 45.0 x 65.0 cm 2006.210 Making Palings in the Forest, Gift of Eduardo Campaner Fernshaw, Victoria c. 1870 2006.420 Te Hahipu, Poipoi and Ngataua at albumen silver photograph Pitoritori 1885 image 13.0 x 18.3 cm Paradise if you can stand it 2005 albumen silver photograph 2006.199 from the series Border protection image 13.9 x 19.4 cm Type C colour photograph sheet 30.2 x 22.2 cm image 45.0 x 65.0 cm 2006.211 State School, Fernshaw, Victoria c. 1870 Gift of Eduardo Campaner 2006.418 Huingatini – at Whatiwhatihoe albumen silver photograph – Kings residence 1885 image 13.4 x 18.3 cm Illegal photograph (orange albumen silver photograph 2006.200 image 19.8 x 14.2 cm monochrome #1) 2005 from the series Internment card 30.2 x 22.2 cm Tall Trees – Broadbents Gully, Nr. Type C colour photograph 2006.212 Fernshaw, Victoria c. 1870 image 45.0 x 65.0 cm albumen silver photograph Winete Paranihi and Kuini Gift of Eduardo Campaner image 18.1 x 13.2 cm – Papakai – King Country 1885 2006.422 2006.201 albumen silver photograph

154 National gallery of Australia Annual Report 2005–06 Border protection 2005 CULBERT, Bill gelatin silver photograph from the series Border protection born Aotearoa New Zealand 1935 image 38.8 x 38.6 cm Type C colour photograph East Coast North Island 1992 sheet 40.6 x 50.8 cm image 45.0 x 65.0 cm gelatin silver photograph 2005.571 Gift of Eduardo Campaner image 39.2 x 39.2 cm 2006.423 Gift of Peter Fay 2005 Backyard, Woodford 2002 2005.822 from the series The Black Christmas Out of the ship Bush Fires ( sea cucumbers 1) 2005 EATON, John B gelatin silver photograph from the series Protection England 1881–Australia 1967 image 38.8 x 38.6 cm Type C colour photograph to Australia 1889 sheet 40.6 x 50.8 cm image 45.0 x 65.0 cm Untitled [Eucalypt] c. 1930 2005.572 Gift of Eduardo Campaner gelatin silver photograph 2006.419 image 36.0 x 28.0 cm Elliott’s, Wallacia 2002 sheet 38.7 x 30.5 cm from the series The Black Christmas Yellow car 1999 Gift of Mr John McPhee Bush Fires ink jet print 2005.644 gelatin silver photograph image 19.5 x 28.5 cm image 38.8 x 38.6 cm Gift of Peter Fay 2005 FOELSCHE, Paul sheet 40.6 x 50.8 cm 2005.804 Germany 1831–Australia 1914 2005.573 to Australia 1854 Truck 1999 Northern Australian Aboriginal Dick McNeill, Kurrajong Heights ink jet print woman 1880s 2002 image 19.5 x 28.5 cm albumen silver photograph from the series The Black Christmas image 21.0 x 15.6 cm Gift of Peter Fay 2005 Bush Fires 2005.527 2005.803 gelatin silver photograph image 38.8 x 38.6 cm Harry Coonah, Larrakeah clan Asleep 1999 sheet 40.6 x 50.8 cm 1880s ink jet print 2005.574 image 19.5 x 28.5 cm albumen silver photograph Gift of Peter Fay 2005 image 20.8 x 15.6 cm 2005.530 Boy, Lawson 2002 2005.802 from the series The Black Christmas Bush Fires Shipwreck 1999 Northern Australian Aboriginal woman 1880s gelatin silver photograph ink jet print image 38.8 x 38.6 cm image 19.5 x 28.2 cm albumen silver photograph image 20.8 x 15.6 cm sheet 40.6 x 50.8 cm Gift of Peter Fay 2005 2005.575 2005.801 2005.529 GOSTELOW, Philip HIGSON, Shayne CAUCHI, Ben born Australia 1960 born New Zealand 1974 born Australia 1962 to China 2006 Give me warmth 2004 Bugle 2002 Anxious Girls, Mona Road 2002 from the series Attachment ambrotype from the series The Black Christmas lightjet digital photograph image 24.0 x 20.0 cm Bush Fires image 69.0 x 92.0 cm Gift of Peter Fay 2005 gelatin silver photograph 2005.1140 2005.821 image 38.8 x 38.6 cm sheet 40.6 x 50.8 cm Proof of Identity 2003 Burnt matchstick 2002 2005.570 lightjet digital photograph gelatin silver photograph image 100.0 x 75.4 cm image 16.8 x 12.3 cm Sheehan’s, Wallacia 2002 2005.1139 Gift of Peter Fay 2005 from the series The Black Christmas 2005.820 Bush Fires

National gallery of Australia Annual Report 2005–06 155 Vacant journey 1987 Group of three Aboriginal men in Seated Aboriginal woman 1890s from the series A New Depth Of studio 1890s albumen silver photograph Field albumen silver photograph image 20.0 x 15.2 cm direct positive colour photograph image 15.5 x 20.8 cm 2005.525 image 50.8 x 50.8 cm 2005.539 2005.1138 Full length studio portrait of an Head and shoulders of Aboriginal Aboriginal man, head turned Bedroom 1986 man 1890s to right 1890s from the series A New Depth Of albumen silver photograph albumen silver photograph Field image 20.0 x 15.0 cm image 20.6 x 15.2 cm direct positive colour photograph 2005.538 2005.524 image 51.8 x 51.8 cm 2005.1137 Full-length studio portrait of LAING, Rosemary Aboriginal man, seated on a log born Australia 1959 JOHNS, John 1890s airport #1 1997 United Kingdom 1924–Aotearoa albumen silver photograph from the series airport New Zealand 1999 image 20.2 x 15.2 cm Type C colour photograph Aotearoa New Zealand from c. 1948 2005.537 image 122.0 x 279.0 cm Habitat of native orchids, avenue Gift of Maureen and Bernard Laing of Corsican pines, Hanmer Forest Aboriginal man 1890s 2005.565 Park 1986 albumen silver photograph 2004 gelatin silver photograph image 20.7 x 15.2 cm from the series to walk on a sea image 36.8 x 49.8 cm 2005.535 of salt Gift of Peter Fay 2005 Type C colour photograph 2005.824 Aboriginal woman, head and image 110.0 x 224.0 cm shoulders 1890s 2006.313 KING, Henry albumen silver photograph United Kingdom 1855–Australia image 20.4 x 15.1 cm The artist’s camp (cyclones) 1988 1923 2005.534 from the series Natural disasters to Australia 1857 gelatin silver photograph, steel, Head and shoulders of bearded Aboriginal man holding spear and wood, gesso, acrylic Aboriginal man 1890s three throwers 1890s image 56.0 x 250.0 x 4.0 cm albumen silver photograph albumen silver photograph Gift of Maureen and Bernard Laing image 20.5 x 14.5 cm image 20.6 x 15.2 cm 2005.560 2005.536 2005.533 blow out 1993 Aboriginal woman, lower torso Aboriginal woman looking right from the series blow out covered by animal pelt 1890s 1890s polyester particles in baked albumen silver photograph albumen silver photograph polyurethane image 20.6 x 15.1 cm image 20.6 x 15.1 cm image 95.0 x 255.0 x 5.0 cm 2005.531 2005.532 Gift of Maureen and Bernard Laing 2005.561 Half-length studio portrait of Old Aboriginal man 1890s brownwork #8 1997 albumen silver photograph an Aboriginal man, holding from the series brownwork boomerang 1890s image 20.5 x 15.4 cm Type C colour photograph albumen silver photograph 2005.528 image 122.0 x 283.0 cm image 20.3 x 15.6 cm Gift of Maureen and Bernard Laing 2005.526 2005.562

156 National gallery of Australia Annual Report 2005–06 NASA – Dryden Flight Research brownwork #9 1997 seated on floor c. 1865 Center #2 1998–99 from the series brownwork albumen silver carte-de-visite from the series NASA Type C colour photograph photograph Type C colour photograph image 122.0 x 258.0 cm image 9.5 x 6.2 cm image 122.0 x 258.0 cm Gift of Maureen and Bernard Laing card 10.4 x 6.5 cm Gift of Maureen and Bernard Laing 2005.564 2005.543 2005.557 flight research #1 1998 MARQUIS, Daniel SKUNKWORKS – Lockhead SR-71 from the series flight research Scotland 1829–Australia 1879 Blackbird, Belly view 1998–99 Type C colour photograph to Australia 1866 from the series NASA Studio portrait of an Aboriginal image 122.0 x 270.0 cm Type C colour photograph family seated c. 1865 Gift of Maureen and Bernard Laing image 122.0 x 265.0 cm albumen silver carte-de-visite Gift of Maureen and Bernard Laing 2005.559 photograph 2005.558 image 9.4 x 6.2 cm LEWIS, Jon card 10.5 x 6.4 cm NASA – Kennedy Space Center #1 born Australia 1950 2005.542 1998–99 Ieta Village, Buka-Bougainville from the series NASA 2005 Studio portrait of the head and Type C colour photograph gelatin silver photograph shoulders of Queensland Aboriginal sight image 72.5 x 92.5 cm woman with basket [2] c. 1865 image 122.0 x 270.0 cm albumen silver carte-de-visite Gift of Maureen and Bernard Laing sight (overall) 92.0 x 110.0 cm photograph 2005.568 2006.426 image 9.4 x 6.2 cm card 10.4 x 6.4 cm NASA – Dryden Flight Research LINDT, J W 2005.541 Center #1 1998–99 Germany 1845–Australia 1926 from the series NASA to Australia 1862 Studio portrait of the head and Type C colour photograph Coontajandra and Sanginguble image 122.0 x 287.0 cm shoulders of Queensland Aboriginal 1891-2 woman with basket [3] c. 1865 Gift of Maureen and Bernard Laing carbon print 2005.569 albumen silver carte-de-visite image 61.0 x 30.5 cm photograph airport #3 1997 2005.576 image 9.5 x 6.2 cm from the series airport card 10.5 x 6.5 cm Type C colour photograph Moto water carrier, Port Moresby 2005.540 image 122.0 x 252.0 cm 1885 Gift of Maureen and Bernard Laing carbon print Studio portrait of an Aboriginal 2005.567 image 129.0 x 129.0 cm man from the back holding 2005.1158 boomerang c. 1865 airport #2 1997 albumen silver carte-de-visite photograph from the series airport Mourners and Dead House at Kalo, Type C colour photograph image 9.4 x 6.4 cm New Guinea 1885 image 122.0 x 263.0 cm card 10.4 x 6.4 cm carbon print Gift of Maureen and Bernard Laing 2005.546 2005.566 image 88.0 x 120.0 cm 2005.1159 Studio portrait of the head brownwork #7 1997 and shoulders of Queensland from the series brownwork MARQUIS, Daniel Aboriginal woman [1] c. 1865 Type C colour photograph Scotland 1829–Australia 1879 albumen silver carte-de-visite image 122.0 x 262.0 cm to Australia 1866 photograph Gift of Maureen and Bernard Laing Studio portrait of an Aboriginal image 9.1 x 6.0 cm 2005.563 man standing holding spear, lubra card 10.0 x 6.1 cm 2005.550

National gallery of Australia Annual Report 2005–06 157 Studio portrait of the head and Melbourne [many ships, people, rail Playing pinball, Surry Hills shoulders of Queensland Aboriginal wagons] c. 1870 laundromat 1967 man with weapons [1] c. 1865 albumen silver photograph on sheet gelatin silver photograph printed by albumen silver carte-de-visite 13.6 x 19.5 cm Roger Scott 2005 photograph 2006.196 image 25.0 x 37.1 cm image 9.5 x 6.2 cm sheet 40.6 x 50.8 cm card 10.4 x 6.4 cm MCFARLANE, Robert 2005.1151 2005.549 born Australia 1942 Chips Rafferty marching down Young woman on train to Seacliff, Studio portrait of three Aboriginal Martin Place , Sydney. Anzac Day Adelaide 1964 men c. 1865 c. 1967 gelatin silver photograph printed by albumen silver carte-de-visite gelatin silver photograph printed Roger Scott 2005 photograph 1985 image 37.3 x 25.0 cm image 9.4 x 6.2 cm image 17.5 x 26.0 sheet 40.6 x 50.8 cm card 10.4 x 6.4 cm sheet 27.8 x 35.4 cm 2005.1153 2005.544 2005.1157 Swan Lake Corps de ballet, Sydney Smiling veteran before 1939–1945 Entertainment Centre 1999 Studio portrait of a group of seven Flag, Anzac Eve reunion, Adelaide gelatin silver photograph printed by Aboriginal men and six women 1963 Roger Scott 2005 seated in front on floor c. 1865 gelatin silver photograph printed by image 37.2 x 25.0 cm albumen silver carte-de-visite Roger Scott 2005 sheet 40.6 x 50.8 cm photograph image 25.0 x 37.0 cm 2005.1155 image 6.4 x 9.4 cm sheet 40.8 x 50.6 cm card 6.4 x 10.9 cm 2005.577 Anzac Memorial at Brighton 2005.545 Beach, Adelaide, damaged by Go-go dancers, Madam’s club, severe storm 1963 Studio portrait, head and shoulders William Street, Kings Cross c. 1967 gelatin silver photograph printed by of Queensland Aboriginal man gelatin silver photograph printed by Roger Scott 2005 with boomerang c. 1865 Roger Scott 2005 image 25.0 x 37.1 cm image 37.2 x 25.0 cm albumen silver carte-de-visite sheet 40.6 x 50.8 cm sheet 50.8 x 40.6 cm photograph 2005.1150 2005.586 image 9.2 x 5.9 cm card 10.4 x 6.5 cm ATN 7 news crew with film camera, Family at work and play at Ayers 2005.548 Barrack Street, Sydney 1965 Rock (now Uluru) 1969 gelatin silver photograph Printed by gelatin silver photograph Studio portrait, Aborignal mother Roger Scott 2005 printed by Roger Scott 2005 image 25.0 x 37.1 cm in blanket cape and child on her image 25.0 x 37.1 cm sheet 40.6 x 50.8 cm back with another woman in light sheet 40.6 x 50.8 cm 2005.1148 coloured dress c. 1865 2005.1156 albumen silver carte-de-visite Newspaper seller in Martin Place, photograph Sir Edward ‘Weary’ Dunlop resting Sydney on day Whitlam was sacked on the banks of the River Kwai, image oval 7.0 x 4.8 cm as Australian Prime Minister on near ‘Hellfire Pass’, site of his image 9.4 x 6.0 cm 11th November, 1975 1975 imprisonment by the Japanese card 10.4 x 6.5 cm gelatin silver photograph printed by Army during World War II 1986 2005.547 Roger Scott 2005 gelatin silver photograph image 37.0 x 25.4 cm printed by Roger Scott 2005 MCDONALD, Donald sheet 40.6 x 50.8 cm image 25.0 x 37.0 cm working Australia c. 1867–91 2005.584 The Railway Pier, Sandridge, Nr sheet 40.6 x 50.8 cm 2005.1154

158 National gallery of Australia Annual Report 2005–06 Grandmother Lily McFarlane (née Pub fire in Bondi Junction c. 1965 Studio portrait Aboriginal woman Gelsthorpe Brimage) at a dinner gelatin silver photograph in white jacket c. 1865 for her 77th birthday at our family printed by Roger Scott 2005 albumen silver carte-de-visite home at Downing Street, Brighton, image 25.0 x 37.1 cm photograph Adelaide 1964 sheet 40.6 x 50.8 cm image 9.2 x 6.2 cm gelatin silver photograph card 10.6 x 6.5 cm printed by Roger Scott 2005 2005.551 Charlie Perkins at National image 25.0 x 37.0 cm Aborigines Day event, Martin Place, sheet 40.6 x 50.8 cm PAM, Max Sydney 1964 2005.1149 born Australia 1949 gelatin silver photograph Waterway to Quilon, Kerala 1992 Lonely man and his pet rabbit, ‘The printed by Roger Scott 2005 gelatin silver photograph, postage Newcastle Hotel’, Sydney 1964 image 25.0 x 37.0 cm stamps, pencil and ink gelatin silver photograph sheet 40.8 x 50.6 cm image 46.6 x 99.2 cm printed by Roger Scott 2005 2005.582 2005.648 image 25.0 x 36.8 cm sheet 40.8 x 50.6 cm Dawn service, Anzac Day, Thirroul, Eko and the human eye 1990 2005.578 NSW c. 1978 gelatin silver photograph Young boy watching Anzac Day gelatin silver photograph image 80.0 x 80.0 cm parade in Market Street, Sydney printed by Roger Scott 2005 2005.647 c. 1966 image 25.0 x 37.0 cm gelatin silver photograph sheet 40.8 x 50.6 cm PARKE, Trent printed by Roger Scott 2005 2005.585 born Australia 1971 image 37.2 x 25.2 cm Moving bus, Sydney 2003 sheet 50.6 x 40.8 cm Young couple at ‘Happening’, from the portfolio Minutes to 2005.579 Centennial Park, Sydney 1969 midnight gelatin silver photograph gelatin silver photograph printed Girl taking photographs in Anzac printed by Roger Scott 2005 2005 Day crowd, Sydney c. 1967 image 37.0 x 25.0 cm image 30.0 x 44.0 cm gelatin silver photograph sheet 50.6 x 40.8 cm sheet 50.5 x 60.0 cm printed by Roger Scott 2005 2005.583 2006.165 image 25.0 x 37.0 cm sheet 40.8 x 50.6 cm NEDELKOPOULOS, Nicholas After the rodeo, Harts Ranges, 2005.580 born Australia 1955 Northern Territory 2004 Footscray Tech monsters 1976 from the portfolio Minutes to Group of people on stairs watching gelatin silver photograph printed midnight 1965–70 1991 gelatin silver photograph printed gelatin silver photograph image 10.8 x 16.4 cm 2005 printed by Roger Scott 2005 Gift of Peter Fay 2005 image 30.0 x 44.0 cm image 36.9 x 25.4 cm 2005.807 sheet 50.5 x 60.0 cm sheet 50.6 x 40.8 cm 2006.166 2005.587 NETTLETON, Charles England 1826–Australia 1902 Beauty queen contestants, Whitlam dismissal, street protestors, to Australia c. 1854 annual harvest festival, Babinda, Sydney 1975 Sandridge Pier, Melbourne c. 1870 Queensland 2003 gelatin silver photograph albumen silver photograph from the portfolio Minutes to printed by Roger Scott 2005 image 13.2 x 19.2 cm midnight image 37.0 x 25.0 cm 2006.204 gelatin silver photograph printed sheet 50.4 x 40.8 cm 2005 2005.581 NIXON, Frederick Robert image 30.0 x 44.0 cm England 1817–Mauritius 1860 sheet 50.5 x 60.0 cm Australia 1838–46 2006.167

National gallery of Australia Annual Report 2005–06 159 Backyard, outback Queensland 2005 Self portrait, midnight, Menindee, 2003 image 30.0 x 44.0 cm outback New South Wales 2003 from the portfolio Minutes to sheet 50.5 x 60.0 cm from the portfolio Minutes to midnight 2006.173 midnight gelatin silver photograph printed gelatin silver photograph printed 2005 Caravan park, Queensland II 2003 2005 image 30.0 x 44.0 cm from the portfolio Minutes to image 30.0 x 44.0 cm sheet 50.5 x 60.0 cm midnight sheet 50.5 x 60.0 cm 2006.168 gelatin silver photograph printed 2006.179 2005 Backyard swingset, Queensland image 30.0 x 44.0 cm Mining town, Mt Isa, outback 2003 sheet 50.5 x 60.0 cm Queensland 2004 from the portfolio Minutes 2006.174 from the portfolio Minutes to to midnight Firestorm, Canberra 2003 midnight gelatin silver photograph printed from the portfolio Minutes to gelatin silver photograph printed 2005 midnight 2005 image 30.0 x 44.0 cm gelatin silver photograph printed image 30.0 x 44.0 cm sheet 50.5 x 60.0 cm 2005 sheet 50.5 x 60.0 cm 2006.169 image 30.0 x 44.0 cm 2006.180 sheet 50.5 x 60.0 cm Plague of flying foxes, Mataranka, 2006.175 My parents in their backyard, Pam, Northern Territory 2004 Newcastle, New South Wales 2003 from the portfolio Minutes to Possum jumping from tree, from the portfolio Minutes to midnight Newcastle 2004 midnight gelatin silver photograph printed from the portfolio Minutes to gelatin silver photograph printed 2005 2005 midnight image 30.0 x 44.0 cm image 30.0 x 44.0 cm gelatin silver photograph printed sheet 50.5 x 60.0 cm sheet 50.5 x 60.0 cm 2005 2006.181 2006.170 image 30.0 x 44.0 cm sheet 50.5 x 60.0 cm Storm, Mt Berwick, Victoria 2004 2006.176 My parents in their backyard, from the portfolio Minutes to Richard, Newcastle, New South midnight Light bulb, outback Queensland Wales 2003 gelatin silver photograph printed 2003 from the portfolio Minutes to 2005 from the portfolio Minutes to midnight image 30.0 x 44.0 cm midnight gelatin silver photograph printed sheet 50.5 x 60.0 cm gelatin silver photograph printed 2005 2006.171 2005 image 30.0 x 44.0 cm image 30.0 x 44.0 cm sheet 50.5 x 60.0 cm Fireworks, Cairns 2003 sheet 50.5 x 60.0 cm 2006.182 from the portfolio Minutes to 2006.177 midnight My son Jem is born, Sydney 2004 gelatin silver photograph printed Bachelor & Spinsters Ball, from the portfolio Minutes to 2005 Gunnedah, New South Wales 2004 midnight image 30.0 x 44.0 cm from the portfolio Minutes to gelatin silver photograph printed sheet 50.5 x 60.0 cm midnight 2005 2006.172 gelatin silver photograph printed image 30.0 x 44.0 cm 2005 sheet 50.5 x 60.0 cm Caravan park, Queensland I 2003 image 30.0 x 44.0 cm 2006.183 from the portfolio Minutes to sheet 50.5 x 60.0 cm midnight 2006.178 gelatin silver photograph printed

160 National gallery of Australia Annual Report 2005–06 Narelle, six months pregnant with A rally car leaves a trail of dust, Five metre shark, Cottesloe, Western our son Jem, billabong, outback Western Australia 2003 Australia 2004 Northern Territory 2004 from the portfolio Minutes to from the portfolio Minutes to from the portfolio Minutes to midnight midnight midnight gelatin silver photograph printed gelatin silver photograph printed gelatin silver photograph printed 2005 2005 2005 image 30.0 x 44.0 cm image 30.0 x 44.0 cm image 30.0 x 44.0 cm sheet 50.5 x 60.0 cm sheet 50.5 x 60.0 cm sheet 50.5 x 60.0 cm 2006.189 2006.164 2006.184 Water tank, outback Queensland Today coldwater, George Street, Nimbin, New South Wales 2003 2003 Sydney 2005 from the portfolio Minutes to from the portfolio Minutes to Type C colour photograph midnight midnight 2006.424 gelatin silver photograph printed gelatin silver photograph printed 2005 2005 PEIRCE, J Duncan image 30.0 x 44.0 cm image 30.0 x 44.0 cm Australia working c. 1885–1907 sheet 50.5 x 60.0 cm sheet 50.5 x 60.0 cm Aboriginal group for the Indian 2006.185 2006.190 and Colonial Exhibition, Melbourne 1886 New year’s eve, Gunnedah, New Wiluna, outback Western Australia albumen silver photograph South Wales 2003 2004 image 19.0 x 13.8 cm from the portfolio Minutes to from the portfolio Minutes to 2005.554 midnight midnight gelatin silver photograph printed gelatin silver photograph printed PERYER, Peter 2005 2005 born Aotearoa New Zealand 1941 image 30.0 x 44.0 cm image 30.0 x 44.0 cm The Wind at Whenuapai 1998 sheet 50.5 x 60.0 cm sheet 50.5 x 60.0 cm gelatin silver photograph 2006.186 2006.191 image 10.3 x 14.8 cm Gift of Peter Fay 2005 George Street, city centre, Sydney Bathurst Car Races, Mount 2005.825 2002 Panorama, New South Wales 1999 from the portfolio Minutes to from the portfolio Minutes to Kelmarna Gardens 1984 midnight midnight gelatin silver photograph gelatin silver photograph printed gelatin silver photograph printed image 21.6 x 29.5 cm 2005 2005 Gift of Peter Fay 2005 image 30.0 x 44.0 cm image 30.0 x 44.0 cm 2005.826 sheet 50.5 x 60.0 cm sheet 50.5 x 60.0 cm 2006.187 2006.194 SEARLE, Bruce born Australia 1949 Plague of flying foxes, Mataranka, Jellyfish, Western Australia 2004 As far as the eye can see 2001 outback Northern Territory 2004 from the portfolio Minutes to artist’s book, pigment ink prints from the portfolio Minutes to midnight image 14.0 x 103.0 cm midnight gelatin silver photograph printed sheet 22.0 x 105.0 cm gelatin silver photograph printed 2005 2005.653 2005 image 30.0 x 44.0 cm image 30.0 x 44.0 cm sheet 50.5 x 60.0 cm Came the wet / came the fine 2000 sheet 50.5 x 60.0 cm 2006.195 artist’s book, gelatin silver 2006.188 photographs image 8.0 x 11.0 cm

National gallery of Australia Annual Report 2005–06 161 sheet 14.0 x 19.5 cm DAVIS, H WASHBOURNE, Thomas book open 14.5 x 47.0 cm working Australia 1860s-1878 [?] 1822–Australia 1905 2005.652 THE ADELAIDE Studio portrait of an Aboriginal PHOTOGRAPHIC COMPANY man c. 1865 Windows on Tempe House 2002 operated Adelaide c. 1863–1900 albumen silver carte-de-visite artist’s book, pigment inkjet prints Studio portrait of an Aboriginal photograph image 8.5 x 12.5 cm man in light coloured jacket c. 1865 image 9.4 x 10.5 cm sheet 16.5 x 22.0 cm albumen silver carte-de-visite card 6.2 x 6.4 cm book open 17.0 x 47.0 cm photograph 2005.553 2005.655 image 9.6 x 6.1 cm card 10.5 x 6.4 cm Studio portrait of an Aboriginal A Chinese temple 1999 woman c. 1869 2005.523 artist’s book, pigment inkjet prints, albumen silver carte-de-visite rag board box, colour Kodachrome photograph UNKNOWN PHOTOGRAPHER images on Viewmaster reels image 9.4 x 6.2 cm overall 10.0 x 61.0 cm Fijian man-eaters [two warriors card 10.5 x 6.4 cm and dwarf priest at the Midway 2005.651 2005.552 of the Philadelphia Centennial exhibition 1876] 1876 Convulsive landscape 1991 WINTER, Alfred albumen silver photograph [two artist’s book, gelatin silver Australia 1860–81 warriors and dwarf priest on show ‘Westrella’, Mansion Hobart 1860s photographs at the Midway of the Philadelphia albumen silver photograph overall 25.4 x 30.5 cm Centennial exhibition 1876] image 9.4 x 15.5 cm 2005.649 image 25.4 x 20.4 cm 2005.1143 2006.477 Cooks River marginalia or a Dead Track to Bower. Hobart 1860s C scroll 1997 VAN HOUT, Ronnie albumen silver photograph Cooks River marginalia, or A Dead C born Aotearoa New Zealand 1962 image 9.4 x 15.5 cm scroll 1997 to Australia 2000 2005.1144 overall 8.0 x 600.0 cm Model trees 1989 2005.650.A-B gelatin silver photograph The Huon road, Tasmania 1860s image 39.8 x 54.8 cm albumen silver photograph image 9.6 x 14.9 cm Relics of settlement 2004 Gift of Peter Fay 2005 2005.1145 pigment inkjet prints, cardboard box 2005.810 images each 9.0 x 83.0 cm Wood’s hut Springs, near Mt 2005.654 VAN HOUT, Ronnie Wellington 1860s born Aotearoa New Zealand 1962 albumen silver photograph SEYMOUR, Ava to Australia 2000 image 9.4 x 15.7 cm born Aotearoa New Zealand 1967 Concorde 1989 2005.1146 White wedding, Invercargill 1997 gelatin silver photograph Type C colour photograph image 73.3 x 47.8 cm WOOLLEY, Charles image 69.5 x 85.5 cm Gift of Peter Fay 2005 Australia 1834–1922 Gift of Peter Fay 2005 2005.811 King Billy last native; River Esk, 2005.827 Launceston; Queen Trucanini [recto] Sandridge pier, Melbourne; Undead 1993 SHANNON, Marie Flinders Street, Melbourne [verso] born Aotearoa New Zealand 1960 Type C colour photograph c. 1865 The house at night 1991 image 48.2 x 58.1 cm albumen silver carte-de-visite gelatin silver photograph Gift of Peter Fay 2005 photographs image 40.0 x 50.5 cm 2005.812 image (each) 9.5 x 6.2 cm Gift of Peter Fay 2005 card (each) 10.5 x 6.5 cm 2005.828 2005.1147.A-E

162 National gallery of Australia Annual Report 2005–06 ZAHALKA, Anne ALDER, Alison Eagle-Hawk Gully. Bendigo. 1852 born Australia 1957 born Australia 1958 lithographs, printed in black ink Santa’s Kingdom Christmas Tunnel, Railway silos 1991 from one stone, hand-coloured; on Fox Studios, Sydney 2004 screenprint, printed in colour, from paper from the series Natural Wonders multiple screens; on white wove printed image 23.8 x 36.2 cm Type C colour photograph paper sheet 31.9 x 51.0 cm image 115.0 x 145.0 cm printed image 21.0 x 32.0 cm 2005.1200 2005.1141 sheet 21.0 x 32.0 cm WOOLCOTT & CLARKE Gift of Daphne Morgan 2005 publisher 2005.487 AUSTRALASIAN ART Australia 1851–1854 – PRINT Silo 1991 screenprint, printed in colour, from Six views of the Gold Field of AINSWORTH, Ruth multiple screens; on white wove Ophir, at Summerhill and Lewis’s born Australia 1900 paper Ponds Creeks. 1851 Europe 1922–23 printed image 30.0 x 21.3 cm George French Angas. Six Views of Gypsies 1927 sheet 30.0 x 21.3 cm the gold Fields of Ophir. Sydney: linocut, printed in black ink, from Gift of Daphne Morgan 2005 Woolcott and Clarke, 185 one block; on cream laid oriental 2005.488 letterpress; lithographs, printed in style paper colour, each from multiple stones; printed image 22.4 x 23.6 cm Shears 1991 on paper sheet (irregular) 23.6 x 26.2 cm screenprint, printed in colour, from book (closed) 32.0 x 41.0 x 41.0 2005.1068 multiple screens; on white wove cm paper book (open) 32.0 x 81.6 cm AKIS printed image 44.0 x 20.0 cm Papua New Guinea 1940–Papua New sheet 44.0 x 20.0 cm 2005.516.1–6 Guinea 1984 Gift of Daphne Morgan 2005 Tingting bilong mi Akis [exhibition 2005.486 ANTONELLI, Giuseppe poster] not dated working Italy 1841 screenprint, printed in brown ink, ALLEN, Joyce Un Curraneii; Inhabitants of from two stencil; on thin white Australia 1916–Australia 1992 Sydney 1841 hot-pressed paper Garden c. 1980s From Universal Gallery of all the printed image (irregular) linocut, printed in black ink, from Peoples of the World. Venice,1841 58.8 x 38.0 cm one block; hand-coloured; on thin lithograph, printed in black ink, sheet 64.2 x 43.8 cm white wove paper from two stones; on thin white Gift of Cecilia Ng in memory of printed image 71.0 x 47.0 cm wove paper Anthony Forge 2006 sheet 83.8 x 59.6 cm printed image (1) 10.6 x 12.6 cm 2006.654.36 Gift of Daphne Morgan 2005 printed image (2) 10.5 x 12.6 cm 2005.504 sheet 26.4 x 19.0 cm not titled [bird] September 1974 2005.1135 screenprint, printed in colour, from ANGAS, George French two stencils (black and red); on thin England 1822–England 1886 Colonists of the Swan River; Australia 1844–45, 1850–63 white hot-pressed Natives of Van Diemen’s Land, ALLAN, J printer paper near the English colony 1841 active Australia 1845–61 printed image (irregular) From Universal Gallery of all the Forest Creek. Mount Alexander. 43.4 x 61.4 cm Peoples of the World. Venice,1841 From Adelaide Hill. 1852 sheet 49.6 x 71.1 cm lithograph, printed in black ink, lithographs, printed in black ink, from two stones; on thin white Gift of Cecilia Ng in memory of from one stone; hand-coloured; on Anthony Forge 2006 paper wove paper 2006.654.26 image 23.4 x 35.6 cm printed image (1) 10.6 x 12.8 cm sheet 32.0 x 51.0 cm printed image (2) 10.6 x 12.8 cm 2005.510 sheet 26.4 x 19.0 cm 2005.1130

National gallery of Australia Annual Report 2005–06 163 Natives of New Holland;Savages lithograph, printed in black ink, from Gift of Cecilia Ng in memory of making baskets 1841 two stones; on thin white wove Anthony Forge 2006 From Universal Gallery of all the paper 2006.654.38 Peoples of the World. Venice,1841 printed image (1) 10.4 x 12.6 cm lithograph, printed in black ink, from printed image (2) 10.3 x 12.6 cm Made in Maprik [exhibition poster] two stones; on thin white wove sheet 26.4 x 19.0 cm not dated paper 2005.1132 screenprint, printed in colour, from printed image (1) 10.6 x 12.4 cm multiple screens; on thick white hot- printed image (2) 10.6 x 12.4 cm ARTIST UNKNOWN pressed paper sheet 26.4 x 19.0 cm Papua New Guinea printed image (irregular) 2005.1133 Antigone [theatre poster] not dated 71.0 x 48.5 cm screenprint, printed in colour, from sheet 81.8 x 51.0 cm Convict ship/ Arrival of the convicts multiple screens; on thick white hot- Gift of Cecilia Ng in memory of in Sydney Harbour 1841 pressed paper Anthony Forge 2006 From Universal Gallery of all the printed image (irregular) 2006.654.39 Peoples of the World. Venice,1841 61.2 x 37.0 cm lithograph, printed in black ink from sheet 61.2 x 37.9 cm Made in Aibom [exhibition poster] two stones; on thin white Gift of Cecilia Ng in memory of not dated wove paper Anthony Forge 2006 screenprint, printed in colour, from multiple screens; on thick white hot- printed image (1) 10.4 x 13.0 cm 2006.654.41 printed image (2) 10.4 x 13.0 cm pressed paper printed image (irregular) 79.9 x 48.4 sheet 26.4 x 19.0 cm Hanuabada [exhibition poster] 2005.1134 cm not dated sheet 81.9 x 50.6 cm screenprint, printed in black ink, Hobart-town; Inhabitants of the Gift of Cecilia Ng in memory of from one screen; on thick white hot- Papua Islands 1841 Anthony Forge 2006 From Universal Gallery of all the pressed paper 2006.654.40 Peoples of the World. Venice,1841 printed image (irregular) 61.4 x 31.2 lithograph, printed in black ink, from cm Which way big man? [theatre poster] two stones; on thin white wove sheet 64.0 x 34.0 cm not dated paper Gift of Cecilia Ng in memory of screenprint, printed in colour, from printed image (1) 10.6 x 12.6 cm Anthony Forge 2006 two screens (black, blue); on thin printed image (2) 10.4 x 12.6 cm 2006.654.42 white paper sheet 26.4 x 19.0 cm printed image (irregular) 40.9 x 61.6 2005.1131 Olgeta amamas long di blong yu cm big man not dated sheet 41.2 x 63.6 cm Gift of Cecilia Ng in memory of of the (New) Holland savages; cardboard cut-out; on thin orange Anthony Forge 2006 Human flesh given to dogs by cardboard 2006.654.48 savages 1841 sheet 17.5 x 19.0 cm From Universal Gallery of all the Gift of Cecilia Ng in memory of Peoples of the World. Venice,1841 The seized collections of the Papua Anthony Forge 2006 lithograph, printed in black ink from New Guinea Museum [exhibition 2006.654.37 two stones; poster] not dated printed image (1) 10.3 x 12.6 cm screenprint, printed in colour, from printed image (2) 10.2 x 12.6 cm Shields of war [exhibition poster] multiple screens; on thin white sheet 26.4 x 19.0 cm not dated paper 2005.1136 screenprint, printed in colour, from printed image (irregular) multiple stencils; on thick white hot- 38.0 x 66.1 cm Inhabitants of New South Wales; pressed paper sheet 41.3 x 71.4 cm Natives of Norfolk Island printed image (irregular) Gift of Cecilia Ng in memory of From Universal Gallery of all the 74.0 x 48.2 cm Anthony Forge 2006 Peoples of the World. Venice,1841 sheet 81.7 x 50.6 cm 2006.654.47

164 National gallery of Australia Annual Report 2005–06 Paintings reliefs and dolls BALCOMBE, Thomas Entrapped 1991 [exhibition poster] 1975 St Helena 1810–Australia 1861 screenprint, printed in colour, from screenprint, printed in black ink, Australia from April 1824 (Hibernia) multiple screens; on cream wove from one screen; on thin white paper WINSTANLEY, Edward BFK Rives paper printed image 42.5 x 55.0 cm England 1820–Australia 1849 printed image (irregular) sheet 45.0 x 56.4 cm Australia from 1833 55.2 x 66.6 cm sheet 56.8 x 76.0 cm Gift of Cecilia Ng in memory of Five-Dock Grand Steeple-Chase, 2005.743 Anthony Forge 2006 1844. No 1 The First Leap 1844 2006.654.46 lithograph, printed in black ink, from one stone; hand-coloured; on thin Lizard land 1994 screenprint, printed in colour, from The abelam [exhibition poster] off-white paper printed image 32.9 x 47.3 cm multiple screens; on paper screenprint, printed in colour, from sheet 45.6 x 64.0 cm printed image (irregular) multiple screens; on thin white hot- 2006.501 68.8 x 44.5 cm pressed paper sheet 75.8 x 56.0 cm printed image 68.5 x 48.8 cm Five-Dock Grand Steeple-Chase, 2005.744 sheet 68.5 x 48.8 cm 1844. No.4 1844 Gift of Cecilia Ng in memory of lithograph, printed in black ink, from Life created, life begins 1991 Anthony Forge 2006 one stone; hand-coloured; on thin screenprint, printed in colour, from 2006.654.45 off-white paper multiple screens; on cream wove printed image 32.0 x 46.4 cm BFK Rives paper ATKINSON, Charles sheet 45.4 x 63.9 cm printed image (irregular) England 1806–Australia 1837 2006.502 56.4 x 65.5 cm Australia from 20 May 1833 sheet 75.3 x 81.5 cm (Adelaide) BANCROFT, Bronwyn born Australia 1958 2005.745 WOOD, James publisher This land, your land, our land 1994 England 1792–Australia 1854 screenprint, printed in colour, from BARTOLOZZI, Francesco Australia from 27 July 1824, England multiple screens; on white wove engraver 1828–29 BFK Rives paper Italy 1725–England 1815 Views through Hobart-Town 1833 printed image 28.2 x 42.1 cm England from 1764 lithographs, printed in black ink, sheet 37.8 x 56.5 cm DANCE, Nathaniel print after each from one stone; on stiff white Gift of Daphne Morgan 2005 England 1735–1811 paper 2005.496 Omai, a native of Ulaietea 1774 book (closed) 22.0 x 34.0 cm engraving, printed in black ink, from book (open) 22.0 x 65.0 cm Cloud over past generations 1991 one copper plate; on paper screenprint, printed in colour, from 2006.327.1–9 printed image 46.5 x 29.1 cm multiple screens; on cream wove sheet (sight) 51.3 x 29.9 cm BFK Rives paper AUSTIN, John Baptist 2006.478 England 1827–Australia 1896 printed image (irregular) 56.6 x 65.6 cm Australia from 1843 (Augusta) sheet 75.2 x 80.8 cm BOSUN, David Adelaide, South Australia 1849 2005.742 born Australia 1973 lithograph, printed in black ink, from Dying industry 2001 one plate; hand-coloured; on white Koori creation 1991 linocut, printed in colour, from one wove paper screenprint, printed in colour, from block; on white wove Somerset printed image 20.0 x 30.0 cm multiple screens; on cream wove paper plate-mark 23.0 x 32.0 cm BFK Rives paper printed image 30.0 x 24.3 cm sheet 31.8 x 42.1 cm printed image (irregular) sheet 48.5 x 37.7 cm 2006.38 45.3 x 57.0 cm Gift of Daphne Morgan 2005 sheet 56.8 x 76.3 cm 2005.495 2005.741

National gallery of Australia Annual Report 2005–06 165 Gelan Nguzu Kazi 2001 sight 57.0 x 27.5 cm Royal Mail Talbot Inn, Richards linocut, printed in colour, from one Gift of Dr Thea M Exley 2005 and Plough Inn, Ireland 1836 block; on off white wove Somerset 2005.973 engraving, printed in black ink, from paper one copper plate; on thin cream printed image 46.0 x 60.8 cm CAFFIN, Neil wove paper, subsequently sheet 52.6 x 75.9 cm born Australia 1915 attached lower edge to thin cream Gift of Daphne Morgan 2005 The end of summer 1976 rice paper etching, printed in red ink, from one 2005.469 printed image 10.0 x 18.8 cm plate; hand-coloured; on thick white plate-mark 10.6 x 19.0 cm wove paper BOYD, Arthur sheet (1) 12.2 x 19.6 cm plate-mark 29.8 x 19.8 cm Australia 1920–Australia 1999 sheet (both) 12.4 x 19.6 cm sheet 52.4 x 37.4 cm England, Australia, Italy from 1959 2005.681 Gift of Dr Thea M. Exley 2005 Nebuchadnezzar protecting 2005.972 his gold 1990 Robinson’s saloon 1835 From The New South Wales collograph, printed in colour, from CALVERT, Samuel calendar and general post office multiple plates; on paper England 1828–England 1913 directory for 1835. Sydney, 1835. printed image 50.4 x 61.5 cm Australia 1848–88, 1894 c. 1905 engraving, printed in black ink, from sheet 63.0 x 90.8 cm City of Adelaide 1850 one stone; on paper Gift of Dr K David G Edwards, M.D., lithograph, printed in black ink, from printed image 7.8 x 11.4 cm BS (U Syd.), F R A C P, F A A C B one stone; hand-coloured; on white (retired), through wove paper sheet 12.5 x 20.0 cm the American Friends of the printed image 22.6 x 33.6 cm 2005.675 Australian National Gallery (AFANG), sheet 30.0 x 42.5 cm to the National Gallery of Australia, 2006.39 Spital Fields Hotel [advertisment] August 2005 1834 2005.424 CANNING, Criss From The New South Wales born Australia 1947 calendar and general post office BRACK, John SMITH, Paul printer directory for 1834. Sydney, 1834. Australia 1920–Australia 1999 born Fiji 1955 engraving, printed in black ink, from KING, Grahame printer Australia from 1970 one copper plate; on thin cream born Australia 1915 Banksia cones and hakea pod 2004 wove paper England 1947–51 England, United collograph reduction print, printed printed image 4.2 x 12.8 cm States 1967–70 in colour, from seven plates; on plate-mark 14.8 x 15.0 cm Adagio 1967 white Somerset paper sheet 12.2 x 19.0 cm lithograph, printed in black ink, from printed image 68.0 x 68.0 cm 2005.682 one plate; on cream wove Aquarelle sheet 77.2 x 83.8 cm Arches J. Perrigot Gift of Criss Canning 200?? HILL, Arthur printer Special MBM paper 2006.481 Active Australia 1826–1834 printed image 38.0 x 24.0 cm Select views of Sydney, New South CARMICHAEL, John sheet 56.1 x 38.0 cm Wales 1829 Scotland 1803–Australia 1857 Gift of Dr Thea M Exley 2005 engravings, printed in black ink, each Australia from 31 October 1825 2005.965 from one copper plate; on white (Triton) wove paper R. Bourne & Co. [advertisment] BRASH, Barbara book (closed) 27.8 x 22.0 cm c. 1836 Australia 1925–Australia 2002 book (open) 27.8 x 44.2 cm engraving, printed in black ink, from 2006.328.1–7 Haze c. 1980s one copper plate; on paper screenprint, printed in colour, from image (irregular) 6.8 x 10.8 cm MACLEHOSE, James publisher multiple screens; on thick white plate-mark 8.2 x 11.3 cm Scotland active Australia c. 1833–44 paper sheet 12.0 x 21.4 cm Woolloomoolloo from Domain printed image 55.6 x 26.2 cm 2005.683

166 National gallery of Australia Annual Report 2005–06 road. 1838 CLEVELEY, James COGNE, Francois From James Maclehose. The picture active England 1780s France 1829–France 1883 of Sydney; and strangers’ guide in CLEVELEY, John painter Australia 1856–64 New South Wales, for one England 1745–1786 DEUTSCH & FERGUSON engraving, printed in black ink, from JUKES, Francis engraver printer/publisher one copper plate; on blue paper England 1745–England 1812 active Australia 1850s MARTYN, Thomas publisher (discoloured and now Chamber of Commerce, Views of the South Seas. (set of 4 green) Ballarat West 1859 prints) 1788 printed image (irregular) From Ballarat Album 7.2 x 16.8 cm etching and aquatint, each printed in black ink from one plate; hand- lithograph, printed in colour, from sheet 10.8 x 18.2 cm two stones (black image, buff tint- 2005.684 coloured; 2005.440.1–4 stone); on white wove paper printed image 27.0 x 43.6 cm Sydney Cove from the stream 1838 CLUTTERBUCK, Bob printed image and text 30.7 x 43.6 from James Maclehose. The picture born Australia 1951 cm of Sydney; and strangers’ guide in Holmes à Court: making money sheet 38.6 x 55.3 cm New South Wales, for 18 with money c. 1980s engraving, printed in black ink, from 2006.488 screenprint, printed in colour, from one copper plate; on paper two screens; on smooth white paper printed image (irregular) Lydiard St. Ballarat West 1859 printed image (irregular) From Ballarat Album 7.3 x 17.0 cm 98.4 x 68.6 cm lithograph, printed in colour, from sheet 10.8 x 18.2 cm sheet (irreg deckle) 102.0 x 75.8 cm two stones (black image, buff tint- 2005.685 2005.983 stone); on white wove paper CHARSLEY, Fanny Anne Kerry Packer: leaving Australia with printed image 27.7 x 43.6 cm England 1828–England 1915 a sticky wicket c. 1980s sheet 33.9 x 53.4 cm Australia 1857–1867 screenprint, printed in colour, from 2006.489 The wild flowers around Melbourne two screens; on smooth white paper 1867 printed image (irregular) Part of the Main Road, lithographs, printed in black ink, 98.4 x 68.6 cm Ballarat East 1859 each from one stone; hand-coloured; sheet (irreg deckle) 102.0 x 75.8 cm from Ballarat Album on thick off-white wove 2005.984 lithograph, printed in colour, from paper two stones (black image, buff tint- book (closed) 38.0 x 28.5 x 1.7 cm Alan Bond: the ‘Great Sportsman’ stone); on white wove paper book (open) 38.0 x 56.6 cm c. 1980s printed image 27.2 x 43.2 cm screenprint, printed in colour, from 2006.37.1–14 sheet 38.2 x 55.7 cm two screens; on smooth white paper 2006.491 CHAZAL, Antoine printed image (irregular) 98.4 x 68.6 France 1793–France 1854 cm View near the swamp c. 1859 Waterfall in New Ireland sheet (irreg deckle) 102.0 x 75.8 cm From Ballarat Album from Voyage de la Coquille 2005.985 lithograph, printed in colour, from etching, printed in black ink from one plate; hand coloured; on cream Rupert Murdoch: this man is bad two stones (black image, cream tint- wove paper news! c. 1980s stone); on white wove image 19.4 x 12.6 cm screenprint, printed in colour, from paper plate 33.2 x 25.8 cm two screens; on smooth white paper printed image 27.2 x 43.4 cm printed image (irregular) sheet 48.8 x 31.8 cm sheet 38.3 x 55.8 cm 98.4 x 68.6 cm 2005.1117 2006.490 sheet (irreg deckle) 102.0 x 75.8 cm 2005.986

National gallery of Australia Annual Report 2005–06 167 COLEING, Tony workshop, lunchtime lecture series Seal hunter’s dwellings, Westernport born Australia 1942 1980 lithograph, printed in black ink, from England 1963–68; USA 1989 screenprint, printed in colour, from one stone; on white wove paper [A group of 144 state proof prints multiple screens; on thin white bond printed image 23.1 x 32.1 cm and one drawing] 1980–95 paper sheet 33.1 x 49.4 cm various measurements printed image (irregular) 2005.1104 2006.510–653 47.2 x 41.8 cm sheet 69.0 x 43.0 cm St George’s Sound – a native COTTON, Shane 2005.979 showing his companions the born Aotearoa New Zealand 1964 presents received on board the KING, Martin printer DE MOLE, Fanny Astrolabe born Australia 1957 London 1835–Australia 1866 lithograph, printed in black ink, from AUSTRALIAN PRINT 1856 migrated to Australia one stone; on white wove paper WORKSHOP print workshop Wild flowers of South Australia printed image 22.8 x 34.6 cm sheet 33.1 x 49.4 cm Australia 1989 1861 2005.1105 No title ( a work in 6 parts) 2004 lithographs, printed in black ink, lithograph, printed in black ink, from each from one stone; hand-coloured; Jervis Bay one stone; on paper on thick off-white wove lithograph, printed in black ink, from printed image 45.4 x 55.0 cm paper one stone; on white wove paper sheet 56.8 x 76.4 cm book (closed) 35.8 x 28.4 x 1.8 cm book (open) 35.8 x 56.0 cm printed image 22.8 x 33.8 cm Gordon Darling Australasian Print sheet 33.1 x 49.4 cm 2006.35.1–21 Fund 2005 2005.1106 2005.446.1–6 DE SAINSON, Louis Oyster Bay – St George’s Sound France 1801–1887 CROSTON, Doug lithograph, printed in black ink, from Australia and Pacific 1826-29 born Australia 1915 one stone; on white wove paper View of the harbour at Grid 2 1981 printed image 22.9 x 37.4 cm St George’s Sound screenprint, printed in colour, from sheet 33.2 x 49.4 cm lithograph, printed in black ink, from seven screens; on off-white wove 2005.1107 Fabriano 19 paper one stone; on white wove paper printed image 56.2 x 44.2 cm printed image 20.0 x 36.7 cm Natives – St George’s Sound sheet 75.6 x 56.4 cm sheet 33.0 x 49.4 cm lithograph, printed in black ink, from Gift of Dr Thea M. Exley 2005 2005.1101 one stone; on white wove paper 2005.957 printed image (irregular) 25.6 x 26.0 Taking on water – the Astrolabe cm DANGAR, John – St George’s Sound sheet 49.8 x 33.2 cm Friday apinun 1970s lithograph, printed in black ink, from 2005.1108 screenprint, printed in black and one stone; on white wove paper red ink, from two screens; on thick printed image 23.6 x 33.4 cm View of the Heads – Port Jackson white hot-pressed paper sheet 33.0 x 49.4 cm lithograph, printed in black ink, from 2005.1102 printed image (irregular) one stone; on white wove paper 60.6 x 46.7 cm printed image 22.1 x 33.6 cm View of the “Riviere des François”, sheet 71.0 x 50.6 cm sheet 33.2 x 49.4 cm near St George’s Sound Gift of Cecilia Ng in memory of 2005.1109 lithograph, printed in black ink, from Anthony Forge 2006 one stone; on white wove paper 2006.654.43 Westernport Bay, Victoria printed image 21.2 x 29.6 cm lithograph, printed in black ink, from sheet 33.0 x 49.4 cm one stone; on white wove paper DAUTH, Louise 2005.1103 printed image 23.0 x 34.3 cm born Australia 1951 sheet 31.5 x 49.5 cm Power foundation and art 2005.1110

168 National gallery of Australia Annual Report 2005–06 New Holland and New From Views in New South Wales, four screens; on orange wove paper Zealand huts London 1830 printed image 55.8 x 43.1 cm lithograph, printed in black ink; on lithograph, printed in black ink, from sheet 64.9 x 48.1 cm white wove paper one stone; hand coloured; on thick Gift of Daphne Morgan 2005 printed image 30.0 x 36.5 cm off-white wove paper 2005.458 sheet 34.0 x 50.4 cm printed image 2005.1111 sheet 26.0 x 35.2 cm no title [‘Civilization’ invading 2006.499 Aboriginal Australia] 1989 Jervis Bay – sailors from the screenprint, printed in colour, from Astrolabe share their fish with the FOWLES, Joseph multiple screens; on cream natives Australia 1810–1878 wove paper lithograph, printed in black ink, from Australia from August 1838 printed image 42.3 x 54.8 cm one stone; on white wove paper MANSELL, F printer sheet 42.3 x 54.8 cm printed image 20.8 x 30.8 cm active Australia 1848 Gift of Daphne Morgan 2005 The Congregational Church, Pitt sheet 33.2 x 49.4 cm 2005.457 Street Sydney. 1848 2005.1128 From Joseph Fowles. Sydney in FRIZZELL, Dick 1848. Sydney: J. Fowles, 1848. View of George Street, Sydney born Aotearoa New Zealand 1943 engraving, printed in black ink, from lithograph, printed in black ink, from Le Tiki 2003 one plate; hand-coloured; on paper one stone; on white wove paper printed image (irregular) lithograph, printed in black ink, from printed image 22.4 x 33.2 cm 15.5 x 17.8 cm one stone; on paper sheet 33.2 x 49.4 cm sheet 20.5 x 27.1 cm printed image 42.5 x 39.2 cm 2005.1129 2005.687 sheet 76.5 x 56.8 cm 2005.449 DUMONT D’URVILLE, Jules MANSELL, F engraver Sebastien Cesar active Australia 1848 GARDINER, Ian France 1790–France 1842 The Free Presbyterian Church 1848 born Australia 1943 Tasmanian Aboriginal heads From Joseph Fowles. Sydney in 1848. Japan 1973–74 from Dumont D’Urville Sydney: J. Fowles, 1848. Wajima personified 1988 lithograph, printed in black ink, from engraving, printed in black ink, from woodcut, printed in colour, from one stone; on white wove paper one plate; hand-coloured; on paper multiple blocks; on thin off-white printed image 29.4 x 34.4 cm printed image (irregular) rice paper sheet 35.8 x 54.8 cm 15.6 x 22.4 cm printed image (irregular) 2005.1114 sheet 20.9 x 27.6 cm 91.6 x 61.3 cm 2005.688 sheet 93.2 x 62.4 cm lithograph, printed in black ink from Gift of Dr Thea M. Exley 2005 one stone; on white wove paper The Police Office, Sydney 1848 2005.971 printed image 28.2 x 35.8 cm From Joseph Fowles. Sydney in 1848. sheet 35.8 x 54.8 cm Sydney: J. Fowles, 1848. GILES (KERWINGIE), Kerry 2005.1113 engraving, printed in black ink, from Australia 1959–1997 one plate; hand-coloured; on paper Desert wildflowers 1992 EARLE, Augustus printed image (irregular) photo-screenprint (from linocut), England 1793–1838 12.5 x 22.8 cm printed in blue ink, from one screen; Australia and New Zealand 1825–28 sheet 21.6 x 27.6 cm on paper HULLMANDEL, Charles Joseph 2005.689 printed image 27.2 x 35.1 cm printer printed image and text Great Britain 1789–1850 FRANKLIN, Annie 54.6 x 35.1 cm J CROSS publisher born Australia 1962 sheet (irreg deckle) 59.6 x 42.2 cm active England 1817–51 no title [Logging forests] 1990s 2005.987 The North Head of Port Jackson, screenprint, printed in colour, from New South Wales. 1830

National gallery of Australia Annual Report 2005–06 169 GILL, ST lithograph, printed in black ink, Set of 5 tinted lithographs c. 1854 England 1818–Australia 1880 from one stone; hand-coloured; on lithograph, printed in black ink, from Australia from 1839 cream laid paper one stone; on paper Native Dignity c. 1860 printed image (irregular) 2005.522.1–5 lithograph, printed in black ink, 19.2 x 17.8 cm from one stone; on paper sheet 25.3 x 20.6 cm GILL, ST printed image (irregular) 2005.695 CAMPBELL & FERGUSSON 32.0 x 25.0 cm printer sheet 34.0 x 26.6 cm Australia 1854 Government House/Fort Macquarie 2005.519 JAMES J. BLUNDELL & CO from Domain 1856 publisher lithograph, printed in black ink, from sketches of the Victoria gold Australia 1854–67 one stone; hand-coloured; on paper diggings and diggers as they are. Sketches in Victoria 1855–56 Melbourne: Macartney & printed image (irregular) from Sketches in Victoria Melbourne: Galbraith, 1852 1852 15.3 x 21.4 cm James J. Blundell & Co, 1855–56 lithographs, printed in black ink, sheet (irregular) 15.8 x 22.2 cm lithographs, printed in black ink, each from one stone; on paper 2005.696 from one stone each; on paper 2005.509.1–40 2005.512.1–15 Sydney illustrated 1856 The chair 1852 from Sydney illustrated. Sydney: The diggers and diggings of Victoria lithograph, printed in colour, from Allan & Wigley Lithographic Printers, as they are in 1855. 1855–56 multiple stones; on paper 1856 from The diggers and diggings image (irregular) 25.8 x 20.6 cm lithographs, printed in black ink, of Victoria as they are in 1855. sheet 38.4 x 28.8 cm from one stone each; hand-coloured; Melbourne: James J. Blundell & Co, 18 2005.690 on paper lithographs, printed in black ink, 2005.513.1-5 GILL, ST each from one stone each; on paper 2005.511.1–21 ALLAN & WIGLEY printer Dry Dock, Balmain 1856 active Australia 1856–68 lithograph, printed in black ink, from Cunningham’s monument, botanic GILL, ST print after one stone; on paper HAMILTON, George print after gardens, Sydney. image 13.2 x 21.3 cm lithograph, printed in black ink, from England 1812–Australia 1883 sheet 15.5 x 21.6 cm Australia from 1839 one stone; hand-coloured; on cream 2005.691 laid paper MAY, EC lithographer image (irregular) 9.8 x 16.9 cm Australia 1840–1920 GILL, ST sheet 25.1 x 20.2 cm [Colonial scenes] c. 1889 CAMPBELL & FERGUSSON 2005.692 lithographs, printed in black ink, printer from one stone each; hand-coloured; Australia 1854 Wesleyan Chapel, Newtown 1860 on paper St Patrick’s Church, East Melbourne lithograph, printed in black ink, from 2005.517.1–10 1854 one stone; on thin white wove paper lithograph, printed in colour, from GILL, ST image 12.8 x 18.6 cm multiple stones; on paper JAMES J BLUNDELL & CO sheet 26.0 x 20.8 cm printed image (irregular) printer 2005.693 37.5 x 54.6 cm Australia 1854–67 Quartz crushing, base of Black Hill, Circular Quay, Sydney 1856 sheet 47.0 x 57.2 cm Ballarat. 1855 lithograph, printed in black ink, from 2005.762 lithograph, printed in black ink, from one stone; hand-coloured; on paper one stone; on paper image (irregular) 15.8 x 22.2 cm GILL, ST image (irregular) 11.8 x 19.4 cm sheet 22.7 x 28.5 cm CAMPBELL & FERGUSSON sheet (irregular) 14.6 x 20.1 cm 2005.694 lithographer Australia 1854 2005.697

170 National gallery of Australia Annual Report 2005–06 GILL, ST print after HAAS, Juli sheet 16.1 x 12.4 cm MASON, Walter George engraver born Australia 1952 Gift of Daphne Morgan 2005 England 1820–Australia 1866 Bread and honey 1996 2005.478 Australia dry point, printed in black ink, from The grand match for the one plate; hand-coloured; on off- Heroine 1974 championship of the Australian white, wove paper etching, printed in black ink, from colonies and two thousand pounds. printed image 31.2 x 24.3 cm one plate; on off-white wove Rives 1857 sheet 50.2 x 38.3 cm paper wood engraving, printed in colour, Gift of Daphne Morgan 2005 plate-mark 48.0 x 32.5 cm from two blocks (black image and 2005.494 sheet 65.2 x 50.0 cm tint block); on paper Gift of Dr Thea M. Exley 2005 printed image 34.0 x 42.4 cm HAMEL, Julius 2005.967 sheet 41.6 x 46.6 cm Germany 1812–Australia 1894 2005.518 Australia from 12 November 1852 HARRIS, Pamela (Great Britain) Australia 1946–Australia 1992 GOSSE, Thomas Illustrations of Ballarat mining Memory trace 1983 Great Britain 1765 1867 photo screenprint, printed in colour, Founding of the settlement of Port pen lithographs, printed in brown from multiple stencils; on light grey Jackson at Botany Bay New South ink, each from one stone; on paper wove BFK Rives paper Wales 1799 sheet (each) 18.0 x 27.0 cm printed image (irregular) mezzotint, printed in black ink, from 2005.508.1–5 57.2 x 45.0 cm one copper plate; on paper sheet (irreg deckle) printed image 49.8 x 60.5 cm HAMMON, G. H. 76.4 x 56.8 cm plate-mark 53.5 x 60.6 cm active Australia, Aotearoa New 2005.989 sight 54.4 x 61.4 cm Zealand 1880–1910 2006.479 Sydney Heads 1881 The powder room 1984 etching, printed in black ink, from photo-screenprint, printed in colour, GRIEVE, Robert one plate; on thick white from multiple screens; on thick blue born Australia 1924 wove paper wove Magnani paper England 1952–54 printed image 12.0 x 17.2 cm printed image 32.8 x 43.0 cm not titled [abstract] 1968 plate-mark 15.0 x 20.0 cm sheet (irreg deckle) lithograph, printed in black ink, from sheet 24.2 x 30.0 cm 76.0 x 56.0 cm one stone; on thick white wove 2005.699 2005.980 paper printed image (irregular) HANRAHAN, Barbara HART, Eleanor 43.2 x 31.0 cm Australia 1939–Australia 1991 born Australia 1946 sheet 46.7 x 34.0 cm England 1963–64; England 1965–73 Internal form II c. 1975 Gift of Dr Thea M. Exley 2005 Mermaid 1977 etching and aquatint, printed in 2005.975 screenprint, printed in colour, from black ink, from one plate; on white multiple screens; on white wove paper GRIST, Harry wove paper plate-mark 61.0 x 49.0 cm printed image 11.1 x 7.2 cm active Australia 1875 sheet 73.6 x 60.0 cm sheet 20.5 x 15.9 cm TROEDEL, Charles printer 2006.330 Gift of Daphne Morgan 2005 Germany 1835–Australia 1906 2005.476 Australia from 1860 HARVEY, Geoffrey The two orphans (Theatre Royal) Cat woman 1977 born Australia 1954 1875 screenprint, printed in colour, from City sign language 1979 lithograph; multiple screens; on white wove screenprint, printed in colour, from 2005.698 paper one photo and four handcut stencils; printed image 11.0 x 7.2 cm on off-white wove

National gallery of Australia Annual Report 2005–06 171 Arches Dessin – Blanc 100 gsm printed image 76.0 x 57.0 cm image 14.0 x 22.2 cm paper sheet 76.0 x 57.0 cm plate-mark 15.8 x 23.2 cm printed image 41.0 x 53.0 cm Gift of Dr Thea M. Exley 2005 sheet 25.0 x 35.2 cm sheet 54.0 x 62.6 cm 2005.964 2005.703 Gift of Dr Thea M. Exley 2005 2005.960 HODGES, William print after HORACEK, Judy England 1744–England 1797 born Australia 1961 HEADLAM, Kristin CALDWALL, James engraver World leader pyjamas born Australia 1953 England 1739–1820 black ink; on thin off white wove LOANE, John printer Omai 1777 paper born Australia 1950 engraving, printed in black ink, from image (irregular) 17.0 x 24.3 cm one copper plate; on white paper Oscar Wilde Suite 1998 sheet 21.1 x 29.6 cm plate-mark 30.0 x 17.5 cm Suite of 5 prints Gift of Daphne Morgan 2005 etchings, printed in black ink, each sheet 37.5 x 29.4 cm 2005.480 from one plate; on cream wove 2005.752 Hahnemuhle paper plate-mark 21.0 x 21.0 cm HOGAN, Jan As I suspected my every step was 2006.44.1–5 born Australia 1963 being dogged Day six 1 1995 etching, printed in black ink, from HERALD printer etching, printed in red-brown ink, one plate: hand-coloured; on off active Australia 1860s from one stencil; on cream wove white wove paper Pulpit Rock Cape Schanck, Hahnemuhle paper printed image 17.1 x 20.0 cm Newsletter of Australasia 1862 printed image 49.1 x 64.2 cm sheet 19.5 x 27.0 cm wood engraving, printed in black sheet 65.9 x 79.7 cm Gift of Daphne Morgan 2005 ink, from one block; on thin tracing Gift of Daphne Morgan 2005 2005.482 paper 2005.502 image (irregular) 15.2 x 18.5 cm HOWE, Robert sheet 16.6 x 20.8 cm HOPKINS, Livingston England 1795–Australia 1829 2005.700 United States of America 1846– Australia from 1800 (Royal Admiral) Australia 1927 HEREL, Petr Australia from 1883 Australian Almanac, for the year born Czechoslovakia 1943 Cows with cat in front of old barn of Our Lord 1827. Sydney: Robert France 1971; Australia from 1973; shed 1891 Howe, 1827 1827 France 1976, 1976–78, 1985–86 etching, printed in black ink, from letterpress; on paper REED, Michael one plate; on white wove paper book (closed) 19.4 x 13.1 cm born Aotearoa New Zealand 1950 plate-mark 16.2 x 12.0 cm book (open) 19.4 x 25.8 cm MELLOR, Danie printer sheet 17.8 x 22.4 cm 2005.514.1–2 (letterpress) 2005.701 born Australia 1971 HOYLE, Anna Man disappears 2002 Old Sydney. Cumberland Street, born Australia 1969 etchings; letterpress text; on cream Argyle Cut 1886 laid Chinese village paper, Neo jumbucks 2003 etching, printed in black ink, from lithograph, printed in black ink, from cream tissue one plate; on paper book closed 25.4 x 13.0 x 0.4 cm one stone; on paper image 25.8 x 16.4 cm book open 25.4 x 26.0 cm sight 56.0 x 76.0 cm plate-mark 30.0 x 19.9 cm 2005.1057 2005.1054 sheet 32.2 x 22.2 cm 2005.702 HESTERMAN, Heather HUTCHINSON, Lonnie born Australia 1967 [Row-boat with industrial works on born Aotearoa New Zealand 1963 Black letter 1990 shore] 1894 MAGUIRE, Marian printer linocut, printed in black ink, from etching, printed in sepia ink, from born Aotearoa New Zealand 1962 one block; on off-white wove paper one plate; on off-white wove paper PAPERGRAPHICA print

172 National gallery of Australia Annual Report 2005–06 workshop 19.8 x 18.4 cm 2006.654.27 Aotearoa New Zealand 1995 sheet 29.6 x 19.1 cm In the act of being trustful Sista 2 2004 Gift of Cecilia Ng in memory of not dated woodcut, printed in black ink, from Anthony Forge 2006 screenprint, printed in purple ink, one block; on thick white wove BFK 2006.654.34 from one stencil; on thick white Rives paper paper printed image 64.8 x 47.8 cm KELLY, John printed image (irregular) sheet 76.3 x 57.0 cm born England 1965 49.2 x 48.4 cm 2006.50 Australia from 1965 sheet 59.8 x 58.4 cm A set of 10 prints 2002 Gift of Cecilia Ng in memory of woodcut, printed in black ink, from etchings, printed in black ink, each Anthony Forge 2006 one block; on thick white wove BFK from one plate; on white wove CM 2006.654.29 Rives paper Fabriano paper printed image 63.7 x 48.0 cm 2005.991.1–10 The whore not dated sheet 76.2 x 57.0 cm screenprint, printed in purple ink, from one stencil; on thick white 2006.49 KENNEDY, Helen paper born Australia 1967 printed image 49.5 x 39.2 cm JONES, Henry Gilbert engraver The strait 1997 sheet 59.2 x 48.8 cm Wales 1804–Australia 1888 etching and aquatint, printed in Australia from 1840 Gift of Cecilia Ng in memory of black ink with plate tone, from one Anthony Forge 2006 Elizabeth Street plate; on off-white wove etching, printed in blue ink, from 2006.654.30 paper one plate; on thin cream wove paper plate-mark 56.5 x 76.2 cm printed image (irregular) My name 1976 sheet 56.5 x 76.2 cm 4.6 x 13.7 cm Lasisi, David. Searching. Boroko: Gift of Dr Thea M. Exley 2005 sheet 21.6 x 17.8 cm National Arts School, 1976 2005.959 2005.672 screenprint, printed in black ink, from one stencil; on thick white LAMANG, Kambau Namaleu KAUAGE, Mathias paper Papua New Guinea 1944–Papua New born Papua New Guinea 1948 printed image (irregular) Guinea 2003 O meri wantok 1972 44.6 x 49.7 cm not titled [two female figures and screenprint, printed in colour, from sheet 59.4 x 62.2 cm bird] September 1974 two screens (black, red); on thin Gift of Cecilia Ng in memory of screenprint, printed in brown ink, white paper Anthony Forge 2006 from one stencil; on thin white printed image (irregular) 2006.654.31 textured paper 69.4 x 47.0 cm printed image (irregular) sheet 71.2 x 50.5 cm Samkuila 1976 45.4 x 68.0 cm Gift of Cecilia Ng in memory of screenprint, printed in orange ink, sheet 50.6 x 71.0 cm Anthony Forge 2006 from one stencil; on thick white Gift of Cecilia Ng in memory of 2006.654.44 paper Anthony Forge 2006 printed image (irregular) 40.6 x 56.0 cm 2006.654.28 LASISI, David born Papua New Guinea 1955 sheet 50.8 x 63.5 cm Gift of Cecilia Ng in memory of KAUAGE, Mathias The moieties not dated screenprint, printed in blue/green Anthony Forge 2006 Papua New Guinea 1944–Papua New 2006.654.32 Guinea 2003 ink, from one stencil; on thick off- white wove paper The confused one 1976 The life and death of Imbakey printed image (irregular) From Lasisi, David. Searching. Okuk [exhibition poster] 1987 24.6 x 50.4 cm Boroko: National Arts School, 1976 screenprint, printed in black ink, sheet 39.0 x 63.6 cm screenprint, printed in red ink, from from one stencil; on thin white hot- Gift of Cecilia Ng in memory of one stencil; on thick white paper pressed paper Anthony Forge 2006 printed image (irregular) printed image (irregular) 51.3 x 39.8 cm

National gallery of Australia Annual Report 2005–06 173 sheet 60.6 x 49.0 cm LE BRETON, Louis Torres Strait Islander and masks Gift of Cecilia Ng in memory of France 1818–France 1866 lithograph, printed in black ink, from Anthony Forge 2006 Australian waters between 1839–40 one stone; on white wove paper 2006.654.33 New Victoria (Port Essington) printed image 26.6 x 34.0 cm lithograph, printed in black ink, from sheet 35.8 x 54.8 cm Lupa 1976 one stone; on white wove paper 2005.1116 From Lasisi, David. Searching. printed image 19.8 x 31.0 cm Boroko: National Arts School, 1976 sheet 34.8 x 54.4 cm LEACH-JONES, Alun screenprint, printed in red and black, 2005.1112 born England 1937 from two stencils; on thick white Europe 1957; Australia 1960–64; hot-pressed paper Ships – Torres Strait England, Europe 1964–66; Australia printed image (irregular) lithograph, printed in black ink, from from 1966 with visits to 49.8 x 47.4 cm one stone; on white wove paper many countries, incl India 1973 sheet 64.3 x 59.2 cm printed image 27.2 x 39.8 cm Germany and South Korea 1980; USA sheet 35.7 x 55.0 cm Gift of Cecilia Ng in memory of 1981–82 2005.1120 Anthony Forge 2006 New England Night No.1 1997 2006.654.35 screenprint, printed in colour, from Torres Strait – native canoe multiple stencils; on paper lithograph, printed in black ink, from LAUVERGNE, Barthelemy printed image 52.2 x 68.7 cm one stone; on white wove paper France 1805 sheet 58.0 x 76.8 cm printed image 16.6 x 30.0 cm not titled [coastal profile] sheet 34.8 x 54.6 cm Gift of Alun Leach-Jones from Coastal profiles including New 2005.1121 2005.767 Guinea and Tasmania etching, printed in black ink, from Fijian prao (2 wormholes ?) LEAR, Edward print after one plate; handcoloured; on cream lithograph, printed in black ink, from England 1812–Italy 1888 wove paper one stone; on white wove paper Phaps chalcoptera (Bronzewing image 54.8 x 42.2 cm printed image 23.9 x 33.3 cm dove) c. 1832 plate-mark 64.5 x 45.6 cm sheet 35.5 x 51.3 cm etching, printed in black ink, from sheet 64.5 x 47.8 cm 2005.1122 one plate; hand-coloured; on cream 2005.1115 wove paper Torres Strait – Clamshell reservoirs printed image (irregular) LAWSON & PEARSON lithograph, printed in black ink, from 8.6 x 14.4 cm lithographers one stone; on white wove paper Gift of William Hamilton 2006 active Australia 1860s printed image 28.2 x 23.0 cm 2005.993 St. John the Evangelist, Toorak sheet 43.2 x 32.0 cm c. 1860 2005.1127 LEWIS, Aletta lithograph, printed in black ink, from England 1904–United States 1955 one stone; on thin white paper Trepang fishermen, Raffles Bay Australia 1927–29; England from printed image 22.6 x 31.9 cm lithograph, printed in black ink, from 1930 sheet 24.4 x 32.1 cm one stone; on white wove paper not titled [London street scene] 2006.375 printed image 18.8 x 31.4 cm c. 1931 sheet 34.8 x 54.4 cm wood-engraving, printed in black ink, LAYCOCK, Donald 2005.1123 born Australia 1931 from one block; on paper Apocalypse c. 1960 Torres Strait funerary monument printed image 12.4 x 8.8 cm etching and aquatint, printed in lithograph, printed in black ink from sheet 16.6 x 11.6 cm black ink, from one plate; on paper one stone; on white wove paper 2005.758 plate-mark 15.0 x 20.0 cm printed image 18.4 x 33.8 cm Gordon Darling Australasian Print sheet 34.9 x 48.0 cm LIGHTFOOT, Pippa Fund 2005 2005.1118 born Australia 1944 2005.1072 Elizabeth’s trunk 1998

174 National gallery of Australia Annual Report 2005–06 etching and woodcut with screen one plate; on white wove Velin image 28.0 x 17.8 cm print; chine colle; on cream Arches Arches paper sheet 36.3 x 26.4 cm BFK Rives 285 gsm plate-mark 60.0 x 73.5 cm 2005.704 book (closed) 9.0 x 11.2 x 2.0 cm 2005.757 book (open) 9.0 x 11.2 cm LYNN, Elwyn 2006.500 LYCETT, Joseph Australia 1917–Australia 1997 Europe, USA 1958–59 England 1775–England 1828 Chums LOPES, Steve Australia 1814–22 1970 born Australia 1971 J SOUTER publisher lithograph, printed in black ink, Immigrant 2001 active England 1814–47 from one stone; collage, rice paper, etching, printed in black ink, from Beckett’s Fall, on the River Apsley, newsprint, sealing wax and one plate; on white wove paper New South Wales 1825 string; on paper plate-mark 30.0 x 30.4 cm etching, printed in black ink, from printed image (irregular) sheet 75.3 x 55.2 cm one plate; hand-coloured; on paper 45.6 x 56.2 cm 2005.443 printed image 27.8 x 17.8 cm sheet 58.8 x 78.8 cm plate-mark 32.8 x 23.0 cm Gift of Dr K David G Edwards, Man with bird 2001 sheet 35.2 x 27.4 cm (ret.) from the David and Margery etching, printed in black ink, from 2005.749 Edwards New York Art Collection, one plate; on white wove paper 2005 2005.405 printed image 76.4 x 56.2 cm Beckett’s Fall, on the River Apsley, sheet 76.4 x 56.2 cm New South Wales August 1 1824 2005.444 Burnt mountain with copper lithograph, printed in black ink, from bronze sky 1985 one stone; hand-coloured; on paper lithograph, printed in black ink, from Man with whale skull 2003 printed image 27.8 x 17.8 cm one stone; collage, postage stamps etching, printed in black ink, from sheet 35.8 x 26.2 cm and envelopes; hand one plate; on white wove paper 2005.748 applied ink and paint; on paper printed image 76.0 x 55.0 cm printed image 56.8 x 76.2 cm sheet 76.0 x 55.0 cm Rosenthal ferry near Hobart Town, sheet 56.8 x 76.2 cm 2005.445 Van Diemens Land. December 1 Gift of Dr K David G Edwards, 1824 (ret.) from the David and Margery LUCCIO, Marco lithograph, printed in colour, from Edwards New York Art Collection, born Italy 1969 one plate; on paper 2005 Spencer Street Station 2003 printed image 17.5 x 27.6 cm 2005.406 drypoint, printed in black ink, from plate-mark 23.1 x 32.4 cm Bauhaus 1983 one plate; on white wove Velin sheet 25.9 x 35.5 cm lithograph, printed in black ink, from Arches paper 2005.750 plate-mark 54.5 x 88.5 cm one stone; collage, postage stamps Gordon Darling Australasian Print and envelopes; hand Kissing Point, New South Wales, applied ink and paint; on paper Fund 2005 the property of the late Mr James image 56.6 x 76.2 cm 2005.755 Squires. July 1 1824 sheet 56.6 x 76.2 cm Cranes and State Library from the lithograph, printed in black ink, from Gift of Dr K David G Edwards, QVB site 2003 one stone; hand-coloured; on paper (ret.) from the David and Margery drypoint, printed in black ink, from printed image 17.7 x 27.0 cm Edwards New York Art Collection, one plate; on white wove sheet (irregular) 26.4 x 35.8 cm 2005 Somerset paper 2005.747 2005.403 plate-mark 69.0 x 88.0 cm Gordon Darling Australasian Print Beckett’s Fall, on the River Apsley, Fund 2005 New South Wales August 1 1824 2005.756 lithograph, printed in black ink, from Cranes and the pit 2003 one stone; hand-coloured; on paper drypoint, printed in black ink, from

National gallery of Australia Annual Report 2005–06 175 Pyramid with green clouds 2005.492 printed image 84.2 x 53.2 cm 1982 Jurrumatji gu gaytjurr 1987 sheet 90.7 x 63.0 cm lithograph, printed in black ink, linocut, printed in yellow ochre ink, Gift of Daphne Morgan 2005 from one stone; collage, fabric and from one block; on off-white wove 2005.464 commercially printed matter; Fabriano paper hand applied ink, paint and crayon; printed image 30.0 x 41.0 cm Earth mother on paper sheet 38.1 x 56.2 cm woodcut, printed in black ink, from printed image (irregular) Gift of Daphne Morgan 2005 one block; hand-coloured; on cream 53.0 x 75.8 cm 2005.472 wove Arches paper sheet 56.8 x 76.3 cm printed image 45.6 x 30.5 cm Gift of Dr K David G Edwards, MARTENS, Conrad sheet 66.6 x 49.6 cm (ret.) from the David and Margery England 1801–Australia 1878 Gift of Daphne Morgan 2005 Edwards New York Art Collection, Australia from 1835 2005.506 2005 North Head Entrance 2005.404 lithograph, printed in colour, from MASON, Cyrus multiple plates; hand-coloured; on England 1829–Australia 1915 National Park 1983 paper Australia from 1855 lithograph, printed in black ink, from printed image 14.8 x 25.9 cm Town Hall Geelong 1855 one stone; collage, commercially sheet 26.8 x 36.8 cm lithograph, printed in colour, from printed matter; hand 2005.707 two stones; black ink with cream tint applied ink, paint and crayon; stone; on paper on paper View in Double Bay, Port Jackson printed image 47.2 x 71.6 cm image (irregular) 53.0 x 76.2 cm lithograph, printed in colour, from sheet 50.6 x 74.6 cm sheet 56.5 x 76.2 cm multiple plates; on paper 2006.376 Gift of Dr K David G Edwards, printed image 14.2 x 25.0 cm (ret.) from the David and Margery sheet 17.0 x 36.1 cm MAY, Anne-Marie Edwards New York Art Collection, 2005.708 born AUSTRALIA 1965 2005 KING, Martin printer 2005.402 Port of Port Jackson with Garden born Australia 1957 Island, from near the Church, AUSTRALIAN PRINT LYTTLETON, William Thomas Darling Point WORKSHOP workshop England 1776–1839 lithograph, printed in black ink, from Australia 1989 Australia 1809–14, Ceylon 1814– one plate; on paper Untitled 2004 c. 1820, England 1820–25, Australia printed image 14.2 x 23.0 cm off-set photo lithographs; on white 1825–36 sheet 16.7 x 36.2 cm wove paper Panshanger, Tasmania, the seat of 2005.705 34.0 x 26.0 cm Joseph Archer Esquire 1835 The Lower Lodge, Domain 2005.447.1–8 lithograph, printed in colour, from lithograph, printed in colour, from multiple stones; on paper multiple plates; hand-coloured; on MCMAHON, Marie printed image 47.0 x 66.4 cm paper born Australia 1953 sheet (sight) 56.4 x 72.1 cm image 12.2 x 24.6 cm Mother 1975 2006.498 sheet 26.6 x 36.2 cm photo screenprint, printed in colour 2005.706 vitreous enamels, from multiple MARIKA, stencils; on steel sheet born Australia 1954 MARTIN, Seraphina printed image 30.4 x 40.6 cm Baypinga 1987 born Italy 1954 Gordon Darling Australasian linocut, printed in black ink, from Australia by 1969, Europe 1974–77, Print Fund one block; on off white wove 1987–88 2006.371 Fabriano paper printed image 19.4 x 33.4 cm The great mother Aboriginal land 1990 sheet 38.0 x 56.4 cm woodcut, printed in black ink, from screenprint, printed in colour, from Gift of Daphne Morgan 2005 one block; on off white; wove Arches paper multiple screens; on smooth off

176 National gallery of Australia Annual Report 2005–06 white paper one copper plate; on thin cream Adam and Eve 1990 printed image 63.7 x 45.2 cm wove paper screenprint, printed in colour, from sheet 67.1 x 48.5 cm printed image 18.4 x 10.2 cm multiple screens; on paper Gift of Daphne Morgan 2005 sheet (irreg deckle) 19.2 x 12.0 cm printed image 60.9 x 43.2 cm 2005.462 2005.709 sheet 76.2 x 55.8 cm Gift of Dr K David G Edwards, Beach scene 1975 Pulteney Family Hotel [trade card] (ret.) from the David and Margery photo screenprint, printed in colour 1835 Edwards New York Art Collection, 2005 in vitreous enamels, from multiple From The New South Wales 2005.409 stencils; on steel sheet calendar and General post office printed image 40.5 x 41.0 cm directory for 1835. Sydney, 1835 Under fire 1989 sheet 40.5 x 41.0 cm engraving, printed in blue ink, from Gordon Darling Australasian Print screenprint, printed in colour, from one copper plate; on thin cream multiple screens; on paper Fund wove paper 2006.372 printed image 38.1 x 41.9 cm printed image 6.8 x 10.0 cm sheet 40.6 x 20.0 cm plate-mark 7.5 x 11.3 cm MACQUEEN, Mary Gift of Dr K David G Edwards, sheet 12.2 x 19.6 cm Australia 1912–Australia 1994 (ret.) from the David and Margery 2005.710 Africa puzzle 1976 Edwards New York Art Collection, 2005 lithograph, printed in colour, from W. Pendray 1838 2005.407 multiple stones; on thin white engraving, printed in black ink, from Japanese rice paper one copper plate; on thin cream River picture 1989 printed image (irregular) wove paper screenprint, printed in colour, from 48.0 x 27.0 cm printed image 6.9 x 9.0 cm multiple screens; on paper sheet 40.2 x 59.0 cm plate-mark 7.8 x 10.4 cm printed image 60.9 x 43.1 cm Gift of Dr Thea M. Exley 2005 sheet (irreg deckle) sheet 76.2 x 55.8 cm 2005.974 12.2 x 19.0 cm Gift of Dr K David G Edwards, 2005.711 (ret.) from the David and Margery MITELMAN, Allan Edwards New York Art Collection, born Poland 1946 MORGAN, Glenn 2005 Australia from 1953; Middle East, born Australia 1958 2005.408 Europe 1969–70 Night tram 1987 PARRY, Ian printer linocut, printed in black ink, from MORUBUBUNA, Martin born Australia 1947 one block; on cream wove paper born Papua New Guinea 1957 S.T. 1971 printed image 20.0 x 28.0 cm Osa 1975 screenprint, printed in black ink, screenprint, printed in colour, from sheet 27.8 x 37.6 cm from one stencil; on thin white hot- two stencils; on cream wove off-set Gift of Dr Thea M. Exley 2005 pressed paper paper 2005.962 printed image (irregular) printed image 37.9 x 55.8 cm 35.0 x 42.6 cm sheet (irregular) 58.0 x 76.6 cm MORGAN, Sally sheet 51.0 x 64.0 cm Gift of Dr Thea M. Exley 2005 born Australia 1951 Gift of Cecilia Ng in memory of 2005.970 Broken hearted 1989 Anthony Forge 2006 screenprint, printed in colour, from 2006.654.24 MOFFITT, William engraver multiple screens; on white wove England 1802–Australia 1874 BFK Rives paper Bulala [fish] 1975 Australia from 1827 printed image 50.2 x 40.4 cm screenprint, printed in orange/ E. Fagan, Wellington Brewery sheet 76.1 x 56.8 cm yellow ink, from one stencil; on thin [advertisment] 1838 Gift of Daphne Morgan 2005 white hot-pressed paper engraving, printed in blue ink, from 2005.470 printed image (irregular) 40.8 x 53.0 cm

National gallery of Australia Annual Report 2005–06 177 sheet 51.0 x 64.0 cm born Australia 1957 Awai Thithuiyil (Badu Island Gift of Cecilia Ng in memory of MCCARTHY, Christine Story) 2004 Anthony Forge 2006 born Australia 1952 linocut kaidaral, printed in black and 2006.654.25 NEWMARCH, Ann coloured ink, from one block; hand born Australia 1945 coloured; on wove 350 Uligova [crocodile] 1975 USA, UK 1980; China 1986 gsm Saunders medium cotton paper screenprint, printed in orange ink, SANKEY, Olga printed image (irregular) from one stencil; on thin white hot- born Australia 1950 125.8 x 106.0 cm pressed paper Commemorative Print Portfolio: sheet 151.4 x 119.4 cm printed image (irregular) Picture Women. The Flinders 2005.441 48.0 x 58.5 cm University of South Australia. sheet 53.6 x 72.2 cm Women’s Suffrage Centenary 1994 O’CONNOR, Vic Gift of Cecilia Ng in memory of 2005.976.1–6 born Australia 1918 Anthony Forge 2006 England, Europe 1973–74 2006.654.23 Winterset c. 1935/36 NICHOLAS, William linocut, printed in black ink, from England 1809–Australia 1854 NEAL, Alexis one block; on thin handmade paper Australia from 1836 active Aotearoa New Zealand 2004 printed image (irregular) Mary 1842 Ngore Paheke 2004 17.8 x 9.7 cm lithograph, printed in black ink, from lithograph, printed in colour, from sheet 24.2 x 16.9 cm four plates; on thick white one stone; on smooth white paper; 2006.497 wove paper two thin sheets stuck printed image 52.2 x 68.3 cm together PATTERSON, Ambrose sheet 52.2 x 68.3 cm printed image 25.4 x 16.4 cm Australia 1877–United States of 2006.47 sheet 25.4 x 16.4 cm America 1966 2006.496 France 1898–99; United States of Sewn Plume 2004 America 1899–1901; France and lithograph, printed in colour, from NIXON, Frederick Robert Europe 1901–10; United four plates; on thick white wove England 1817–Mauritius 1860 States of America from 1916 paper Australia 1838–1846 Lantern Parade, Honolulu c. 1925 printed image 52.2 x 68.3 cm Twelve views in Adelaide and its woodblock, printed in black ink, sheet 52.2 x 68.3 cm vicinity, South Australia. 1845 from one block; on cream laid 2006.48 etchings, printed in black ink, each Japanese paper from one copper plate each; on thin printed image 26.3 x 20.0 cm NEWMARCH, Ann white wove paper sheet 37.4 x 27.6 cm born Australia 1945 book (closed) 21.6 x 27.9 cm 2005.1060 USA, UK 1980; China 1986 book (open) 21.6 x 65.8 cm Colour me out: the death card 2006.51.1–12 Native swimmers, Hawaii c. 1925 c. 1982 woodblock, printed in black ink, screenprint, printed in black ink, NONA, Dennis from one block; on cream laid from one screen; on white paper born Australia 1973 Japanese paper printed image (irregular) TREMBLAY, Theo printer printed image 26.2 x 20.0 cm 72.2 x 49.6 cm born United States of America 1952 sheet 37.8 x 27.4 cm sheet (irreg deckle) 91.4 x 65.0 cm Australia from 1977 2005.1064 2005.988 Sesserae (Badu Island Story) 2004 linocut, printed in black and Pounding poi, Hawaii c. 1925 woodblock, printed in black ink, GILES (KERWINGIE), Kerry coloured ink, from one block; from one block; on cream laid Australia 1959–1997 handcoloured; on wove 300gsm Japanese paper HALL, Rita Saunders Waterford CP paper printed image 19.0 x 23.8 cm born Australia 1947 printed image 111.6 x 199.6 cm sheet 27.8 x 37.6 cm LONGLEY, Dianne sheet 119.4 x 209.2 cm 2005.442 2005.1065

178 National gallery of Australia Annual Report 2005–06 Under the ikan tree, Mouna Hotel paper linocut printed in black ink from c. 1925 printed image 29.2 x 22.1 cm one block; on white wove paper woodblock, printed in black ink, sheet 29.2 x 22.1 cm block-mark 12.2 x 9.6 cm from one block; on cream laid Gift of Daphne Morgan 2005 sight 13.7 x 10.0 cm Japanese paper 2005.485 2006.373 printed image 23.8 x 18.8 cm sheet 37.6 x 27.4 cm Messenger COUTANT, Jean Louis Denis 2005.1059 etching, printed in black ink, from engraver one plate; on buff Hahnemuhle 320 France 1776–1831 Hawaii: twelve woodcuts. Seattle: gsm paper PRÈTRE, Jean Gabriel print after University of Washington Book plate-mark 40.2 x 49.4 cm Crabe bronzé. Grapse peint. 1825 Store, 1928. (University of sheet 54.0 x 65.0 cm from Louis de Freycinet. Voyage Washington Chapbooks No. 15) Gift of Daphne Morgan 2005 autour du monde. Atlas historique. 1928 2005.459 Paris: Pillet Aîné, 1825 lineblocks, printed in black ink, each etching, printed in colour, from one from one block; letterpress text; on Lily, me + the mountain 2000 plate; hand coloured; on white wove thick cream etching, printed in black ink, from paper wove paper one plate; on buff Hahnemuhle 320 image 23.4 x 16.8 cm sheet 25.4 x 17.8 cm gsm paper plate 32.2 x 23.4 cm book (closed) 25.8 x 18.2 cm plate-mark 41.5 x 50.0 cm sheet 49.2 x 32.4 cm Gift of Rosemary Dobson Bolton sheet 53.3 x 63.6 cm 2005.1124 2004 Gift of Daphne Morgan 2005 2005.992 2005.505 PROSPECT MURAL GROUP active Australia 1982 In the oriental quarter, Honolulu STUDIO ONE INC print History of Australia: Prospect Mural c. 1925 workshop Group 1982 woodblock, printed in black ink, Australia 1985–2000 off-set lithograph, printed in black, from one block; on cream laid Significant others 2002 from one plate; on smooth Japanese paper etching, printed in black ink, from white paper printed image 19.9 x 26.8 cm one plate; on cream Hahnemuhle printed image (irregular) sheet 23.2 x 33.2 cm 320 gsm paper 54.1 x 83.4 cm 2005.1063 plate-mark 34.4 x 27.8 cm sheet (irregular deckle) 61.0 x 85.8 sheet 53.5 x 39.4 cm cm PERROW, Deborah Gift of Daphne Morgan 2005 2005.982 born Australia 1958 2005.507 England 1984–87 PROUT, John Skinner Merry Xmas Alice & Charlie 2000 Mission England 1805–England 1876 etching, printed in black ink, from etching, printed in black ink, from Australia 1840–48 one plate; hand coloured in gold ink; one plate; on cream Hahnemuhle Longford and Part of Norfolk on off-white 320 gsm paper Plains VDL Hahnemuhle 320 gsm paper plate-mark 40.0 x 50.6 cm From Tasmania illustrated. Vol 1, image (irregular) 91.6 x 61.3 cm sheet 53.2 x 63.2 cm Part 2 sheet 93.2 x 62.4 cm Gift of Daphne Morgan 2005 lithograph, printed in black ink, from Gift of Daphne Morgan 2005 2005.467 one stone; hand-coloured; on off- 2005.477 white wove paper PERRY, Adelaide image 25.4 x 39.2 cm Messenger [smaller version] Australia 1891–Australia 1973 etching, printed in black ink, from Aotearoa New Zealand 1904–1914; printed image and text one plate; hand coloured; on off- England, France 1922–25 28.0 x 39.2 cm sheet (sight) 37.0 x 53.6 cm white Hahnemuhle 320 gsm Waratahs c. 1930 2006.493

National gallery of Australia Annual Report 2005–06 179 Residence of the Aborigines, RANSOME, Richard engraver multiple screens; on smooth white Flinders Island 1846 active Australia 1850s paper From Tasmania illustrated. Vol 1. KAY, Charles printer printed image 73.4 x 48.2 cm Part 2 active Australia 1850s sheet 76.0 x 50.8 cm lithograph, printed in black ink, from St Andrew’s Cathedral, Sydney Gift of Daphne Morgan 2005 one stone; hand-coloured; on off- NSW c. 1856 2005.503 white wove paper etching, printed in black ink, from image 25.3 x 37.7 cm one copper plate; on paper ROBINSON, William printed image and text plate-mark 18.2 x 28.5 cm born Australia 1936 27.4 x 37.7 cm sheet 22.7 x 30.7 cm ATELIER FRANCK BORDAS sheet 37.1 x 53.6 cm 2005.712 print workshop 2006.655 France 1978 REDE, Geraldine Summer self portrait II 2004 Ben Lomond from Fingal VDL 1844 Australia 1874–1943 lithograph, printed in colour, from From Tasmania illustrated. Vol 1. multiple stones; on thick white Nine pages from Little book of Part 2. Arches paper Australian trees 1909 lithograph, printed in black ink, from printed image (irregular) each woodcut, printed in black ink one stone; hand-coloured; on off- 44.8 x 54.3 cm in the Japanese method, from one white wove paper sheet 54.7 x 77.0 cm block; letterpress text; on paper printed image 25.3 x 34.2 cm Gift of William Robinson 2006 printed image and text each sheet 19.3 x 12.5 cm 2006.352 26.6 x 34.2 cm Gift of Terence Lane 2005 sheet (sight) 28.1 x 36.3 cm 2005.1023 -2005.1030; 2005.1197 Farmyard self portrait II 2004 2006.492 lithograph, printed in colour, from REDOUTE, Pierre Joseph multiple stones; on thick white BLUETT, Thomas printer Flanders 1759–France 1840 Arches paper England 1809–46 Banksia repens printed image (irregular) Australia 1844–45 engraving, printed in black ink, from 38.2 x 62.4 cm RAE, J printer (letterpress) one plate; on white wove paper sheet 54.7 x 77.0 cm Australia from 1838 plate-mark 45.0 x 31.2 cm Gift of William Robinson 2006 Sydney Illustrated. Sydney: Kemp sheet 56.8 x 41.2 cm 2006.355 and Fairfax, 1844 1843–44 2005.1096 lithographs, printed in colour, from Parody III 2004 two stones; letter-press text; Anigozanthos rufa lithograph, printed in colour, from on paper engraving, printed in black ink, from multiple stones; on thick white book (closed) 38.3 x 27.7 cm one plate; on white wove paper Arches paper book (open) 38.3 x 56.6 cm plate-mark 44.6 x 30.4 cm printed image (irregular) 2005.1058.1–14 sheet 56.8 x 41.2 cm 23.0 x 39.4 cm 2005.1097 sheet 36.2 x 56.4 cm DE HAVENON, Gaston printer Gift of William Robinson 2006 active Australia 1857 Eucalyptus cornuta 2006.348 Corio Bay from the Barabool Hills engraving, printed in black ink, from 1847 one plate; on white wove paper Self portrait for town and country From Views in Melbourne and plate-mark 44.6 x 30.8 cm 2004 Geelong. Port Phillip, 1847 sheet 56.8 x 41.4 cm lithograph, printed in colour, from lithograph, printed in black ink from 2005.1100 multiple stones; on thick white one stone; hand-coloured; on paper Arches paper printed image 24.4 x 37.0 cm printed image (irregular) ROBERTSON, Toni sheet 31.8 x 43.0 cm 40.6 x 58.5 cm born Australia 1953 2005.520 sheet 54.7 x 77.0 cm “Peace on where?” 1983 Gift of William Robinson 2006 screenprint, printed in colour, from 2006.359

180 National gallery of Australia Annual Report 2005–06 Self portrait with brisket 2004 Farm self portrait IX 2004 Farm self portrait II 2004 lithograph, printed in colour, from lithograph, printed in colour, from lithograph, printed in colour, from multiple stones; on thick white multiple stones; on thick white multiple stones; on thick white Arches paper Arches paper Arches paper printed image (irregular) printed image (irregular) printed image (irregular) 58.2 x 41.0 cm 22.0 x 33.6 cm 23.8 x 33.8 cm sheet 77.0 x 54.4 cm sheet 26.4 x 37.6 cm sheet 26.4 x 37.6 cm Gift of William Robinson 2006 Gift of William Robinson 2006 Gift of William Robinson 2006 2006.363 2006.342 2006.337

Professor John and Brother William Parody V 2004 Farmyard self portrait I 2004 2004 lithograph, printed in colour, from lithograph, printed in colour, from lithograph, printed in colour, from multiple stones; on thick white multiple stones; on thick white multiple stones; on thick white Arches paper Arches paper Arches paper printed image (irregular) printed image (irregular) printed image (irregular) 20.2 x 47.3 cm 40.0 x 58.6 cm 58.6 x 38.0 cm sheet 36.2 x 56.4 cm sheet 54.7 x 77.0 cm sheet 77.0 x 54.4 cm Gift of William Robinson 2006 Gift of William Robinson 2006 Gift of William Robinson 2006 2006.350 2006.333 2006.360 William with Josephine 2004 Farm self portrait III 2004 Farm self portrait VIII 2004 lithograph, printed in colour, from lithograph, printed in colour, from lithograph, printed in colour, from multiple stones; on thick white multiple stones; on thick white multiple stones; on thick white Arches paper Arches paper Arches paper printed image (irregular) printed image (irregular) printed image (irregular) 38.2 x 62.5 cm 22.6 x 34.0 cm 21.5 x 33.4 cm sheet 54.7 x 77.0 cm sheet 26.4 x 37.6 cm sheet 26.4 x 37.6 cm Gift of William Robinson 2006 Gift of William Robinson 2006 Gift of William Robinson 2006 2006.356 2006.338 2006.341 Self portrait with goose feathers Farm self portrait VI 2004 Summer self portrait I 2004 2004 lithograph, printed in colour, from lithograph, printed in colour, from lithograph, printed in colour, from multiple stones; on thick white multiple stones; on thick white multiple stones; on thick white Arches paper Arches paper Arches paper printed image (irregular) printed image (irregular) printed image (irregular) 21.8 x 33.7 cm 43.0 x 53.8 cm 57.8 x 40.8 cm sheet 26.4 x 37.6 cm sheet 54.7 x 77.0 cm sheet 77.0 x 54.7 cm Gift of William Robinson 2006 Gift of William Robinson 2006 Gift of William Robinson 2006 2006.339 2006.358 2006.353 Farm self portrait I 2004 Equestrian self portrait 2004 Unanimous self portrait 2004 lithograph, printed in colour, from lithograph, printed in colour, from lithograph, printed in colour, from multiple stones; on thick white multiple stones; on thick white multiple stones; on thick white Arches paper Arches paper printed image (irregular) Arches paper printed image (irregular) 22.4 x 33.5 cm printed image (irregular) 40.8 x 54.6 cm sheet 26.4 x 37.6 cm 40.4 x 55.5 cm sheet 54.7 x 77.0 cm Gift of William Robinson 2006 sheet 54.7 x 77.0 cm Gift of William Robinson 2006 2006.336 Gift of William Robinson 2006 2006.361 2006.357

National gallery of Australia Annual Report 2005–06 181 Farm self portrait VII 2004 Farm self portrait IV 2004 Parody VI 2004 lithograph, printed in colour, from lithograph, printed in colour, from lithograph, printed in colour, from multiple stones; on thick white multiple stones; on thick white multiple stones; on thick white Arches paper Arches paper Arches paper printed image (irregular) printed image (irregular) printed image (irregular) 21.2 x 33.0 cm 22.5 x 34.0 cm 28.0 x 39.6 cm sheet 26.4 x 37.6 cm sheet 26.4 x 37.6 cm sheet 36.2 x 56.4 cm Gift of William Robinson 2006 Gift of William Robinson 2006 Gift of William Robinson 2006 2006.340 2006.334 2006.349

Parody II 2004 Farm self portrait V 2004 Self portrait with sand turtle 2004 lithograph, printed in colour, from lithograph, printed in colour, from lithograph, printed in colour, from multiple stones; on thick white multiple stones; on thick white multiple stones; on thick white Arches paper Arches paper Arches paper printed image (irregular) printed image (irregular) printed image (irregular) 18.4 x 41.0 cm 22.4 x 33.3 cm 21.0 x 33.0 cm sheet 36.2 x 56.4 cm sheet 26.4 x 37.6 cm sheet 26.4 x 37.6 cm Gift of William Robinson 2006 Gift of William Robinson 2006 Gift of William Robinson 2006 2006.347 2006.335 2006.344

Parody I 2004 William with guernsey 2004 ROSE, David lithograph, printed in colour, from lithograph, printed in colour, from born Australia 1936 multiple stones; on thick white multiple stones; on thick white Creek near Jindabyne 1995 Arches paper Arches paper screenprint, printed in colour, from printed image (irregular) printed image (irregular) multiple screens; on ivory wove 20.6 x 49.0 cm 31.0 x 33.0 cm Arches Velin paper sheet 26.4 x 37.6 cm sheet 36.2 x 56.4 cm printed image 62.8 x 56.8 cm Gift of William Robinson 2006 Gift of William Robinson 2006 sheet 76.4 x 56.9 cm 2006.346 2006.345 Gift of the artist 2005.1003 Goats 2004 Farm self portrait X 2004 lithograph, printed in colour, from lithograph, printed in colour, from Daisies from studio garden 1995 multiple stones; on thick white multiple stones; on thick white screenprint, printed in colour, from Arches paper Arches paper multiple screens; on cream wove printed image (irregular) printed image (irregular) 40.3 x 60.1 cm 21.2 x 33.6 cm Arches aquarelle paper sheet 54.7 x 77.0 cm sheet 26.4 x 37.6 cm printed image (irregular) Gift of William Robinson 2006 Gift of William Robinson 2006 55.0 x 56.4 cm 2006.354 2006.343 sheet 76.4 x 57.0 cm Gift of the artist Self portrait with stunned mullet Parody IV 2004 2005.1004 2004 lithograph, printed in colour, from lithograph, printed in colour, from multiple stones; on thick white Resting model 1996 multiple stones; on thick white Arches paper screenprint, printed in colour, from Arches paper printed image (irregular) multiple screens; on thick ivory printed image (irregular) 17.4 x 51.2 cm wove Velin Arches paper 52.3 x 41.0 cm sheet 36.2 x 56.4 cm printed image 74.2 x 56.0 cm sheet 77.0 x 54.4 cm Gift of William Robinson 2006 sheet 76.3 x 57.1 cm Gift of William Robinson 2006 2006.351 Gift of the artist 2006.362 2005.1005

182 National gallery of Australia Annual Report 2005–06 Model with cushion 1996 Morning moon, Leichhardt Early morning, Little Bay 2001 screenprint, printed in colour, from Hills 1997 screenprint, printed in colour, from multiple screens; on thick ivory screenprint, printed in colour, from multiple stencils; on off-white wove wove Arches Velin paper multiple screens; on ivory wove Arches 88 paper printed image 65.8 x 56.2 cm Arches Velin paper printed image 56.8 x 57.2 cm sheet 76.2 x 57.0 cm printed image 45.7 x 76.4 cm sheet 76.6 x 56.9 cm Gift of the artist sheet 57.3 x 76.4 cm Gift of the artist 2005.1006 Gift of the artist 2005.1018 2005.1013 Standing woman 1996 Evening from Horseshoe Bay 2002 screenprint, printed in colour, from At Tidal River, Wilson’s Promontory screenprint, printed in colour, from multiple screens; on ivory wove 1998 multiple screens; on white wove Arches Velin paper screenprint, printed in colour, from Arches 88 paper printed image 74.8 x 56.2 cm multiple screens; on Arches Velin printed image 53.2 x 76.5 cm sheet 76.6 x 57.0 cm paper sheet 57.0 x 76.5 cm Gift of the artist printed image 62.4 x 56.6 cm Gift of the artist 2005.1007 sheet 76.4 x 57.2 cm 2005.1021 Gift of the artist Woman (Japan red) 1996 2005.1014 Cheetah drinking 2002 screenprint, printed in red and black screenprint, printed in colour, from ink, from two screens; on thick ivory At Guerilla Bay 1998 two screens; on off-white wove wove Arches Velin screenprint, printed in colour, from Johannot paper paper multiple screens; on ivory wove printed image 65.8 x 55.0 cm printed image 67.1 x 50.6 cm Arches Velin paper sheet 76.3 x 57.1 cm sheet 76.4 x 56.8 cm printed image 48.8 x 56.4 cm Gift of the artist Gift of the artist sheet 76.4 x 57.2 cm 2005.1022 2005.1009 Gift of the artist 2005.1015 Bateau Bay – evening 1992 Flowers from Mieke’s garden 1996 screenprint, printed in colour, from screenprint, printed in colour, from Sydney by night II 1999 multiple stencils; on Arches 88 paper multiple screens; on white wove screenprint, printed in colour, from printed image 38.4 x 76.6 cm Arches Velin paper multiple screens; on white wove sheet 56.4 x 76.6 cm printed image (irregular) BFK Rives paper Gift of the artist 62.3 x 50.2 cm printed image 29.0 x 37.3 cm 2005.994 sheet 76.3 x 56.9 cm sheet 54.2 x 40.0 cm Gift of the artist Gift of the artist Autumn at MacQuarie River 1993 2005.1010 2005.1016 screenprint, printed in colour, from multiple stencils; on cream wove Tulips 1996 Sydney by night I 1999 Arches paper screenprint, printed in colour, from screenprint, printed in colour, from printed image 58.4 x 56.6 cm multiple screens; on ivory wove multiple screens; on white wove sheet 76.0 x 56.6 cm Arches Velin paper BFK Rives paper Gift of the artist printed image 69.2 x 52.4 cm printed image 28.8 x 37.9 cm 2005.995 sheet 76.4 x 56.8 cm sheet 54.2 x 40.0 cm Gift of the artist Gift of the artist Poplars at Thredbo River 1993 2005.1011 2005.1017 screenprint, printed in colour, from multiple stencils; on Arches aquarelle paper printed image 67.4 x 56.4 cm

National gallery of Australia Annual Report 2005–06 183 sheet 76.0 x 56.4 cm On the road to Oberon 1994 RUSSELL, Robert Gift of the artist screenprint, printed in colour, from England 1808–Australia 1900 2005.996 multiple screens; on off-white wove Australia from 1833, England Arches aquarelle paper 1856–60 At Iron Pot Creek near Jindabyne printed image 48.1 x 74.4 cm JG AUSTIN AND CO printer 1993 sheet 56.3 x 76.0 cm established Australia 1836 screenprint, printed in colour, from Gift of the artist Old windmill 1836 multiple stencils; on cream wove 2005.1002 lithograph, printed in black ink, from Arches aquarelle paper one stone; hand-coloured; on paper Angophora, Salamander Bay 2001 printed image 65.4 x 56.6 cm image 16.1 x 24.0 cm screenprint, printed in colour, from sheet 76.0 x 56.6 cm plate-mark 19.5 x 25.2 cm multiple stencils; on ivory wove Gift of the artist sheet 22.4 x 29.4 cm Arches Velin paper 2005.713 2005.997 printed image 67.8 x 55.8 cm sheet 76.3 x 57.2 cm SABATIER, Leon Jean Baptiste Large Zinnia 1994 Gift of the artist France 1830–France 1887 screenprint, printed in colour, from 2005.1008 Ships – Arctic ice floes multiple stencils; on ivory wove from Voyage au pole sud et dans Arches Velin paper Early morning, Toowoon Bay 1997 l’oceanie. Atlas pittoresque by Jules printed image 63.9 x 53.6 cm screenprint, printed in colour, from Dumont D’Urville. Paris: G sheet 75.8 x 56.2 cm multiple screens; on ivory wove lithograph, printed in black ink from Gift of the artist Arches Velin paper one stone; on white wove paper 2005.998 printed image 41.0 x 75.4 cm image 29.8 x 47.0 cm The Fish River in April 1994 sheet 56.6 x 76.4 cm sheet 36.0 x 55.0 cm screenprint, printed in colour, from Gift of the artist 2005.1125 multiple stencils; on cream Arches 2005.1012 aquarelle paper Arctic iceberg border 56.5 x 51.9 cm HANKS, Rew lithographer from Voyage au pole sud et dans sheet 76.6 x 56.8 cm born Australia 1958 l’oceanie. Atlas pittoresque by Jules Gift of the artist Life drawing #3 2001 Dumont D’Urville. Paris: G 2005.999 lithograph, printed in black ink, from lithograph, printed in black ink from one stone over screenprint, printed one stone; on white wove paper Burnt Angophoras 1994 in warm buff ink, from image 30.6 x 48.0 cm screenprint, printed in colour, from one screen; on white wove BFK sheet 35.4 x 51.0 cm multiple stencils; on ivory wove Rives paper 2005.1126 Arches paper printed image 59.0 x 49.0 cm printed image (irregular) 63.0 x 55.8 sheet 76.0 x 56.6 cm SAVAGE, John engraver cm Gift of the artist active England 1680–1700 sheet 76.4 x 56.7 cm 2005.1020 Prince Giolo, Son to the King of Gift of the artist Moangis or Gilolo: lying under the 2005.1000 Life drawing #2 (getting near Equator in the Long; of 152 Degas) 2001 Deg. 30 Min. a fruitful island Early morning, Bateau Bay 1995 lithograph, printed in black ink, from abounding with rich spices and screenprint, printed in colour, from one stone over screenprint, printed other valuable commodities...c. multiple stencils; on ivory wove in warm buff ink, from 1692 Arches velin paper one screen; on white wove BFK engraving, printed in black ink, from printed image (irregular) 50.8 x 76.4 Rives paper one copper plate; on paper cm printed image 63.2 x 49.0 cm plate-mark 30.3 x 27.5 cm sheet 56.8 x 76.4 cm sheet 76.1 x 56.4 cm sheet 37.8 x 27.8 cm Gift of the artist Gift of the artist 2005.751 2005.1001 2005.1019

184 National gallery of Australia Annual Report 2005–06 SCHRAMM, Alexander from one screen; on smooth BFK Rives paper lithographer white card book (closed) 30.0 x 23.6 x 0.8 cm Germany 1814–Australia 1864 printed image 12.5 x 13.7 cm book (open) 48.0 x 30.0 Australia from 1849 sheet 50.4 x 37.6 cm 2005.1079.A-F ALLEN, James Jr author 2005.1093 active Australia 1849 SELENITSCH, Alex Allen, James Jr. Journal of an Rivers of light #2 1998 born Bavaria 1946 experimental trip by the ‘Lady laserprints/photocopy; on smooth Australia from 1949 Augusta’ on the River Murray. white paper HEREL, Petr Adelaide; C. G.E. Platts, 1853. 1853 book (closed) 31.0 x 21.5 x 0.3 cm born Czechoslovakia 1943 etching, printed in black ink, from book (open) 31.0 x 41.8 cm France 1971; Australia from 1973; one plate; on thin white paper 2005.1088.A-U France 1976, 1976–78, 1985–86 book (closed) 20.4 x 27.3 x 1.2 cm MELLOR, Danie book (open) 20.4 x 40.2 cm daisy train 1969 born Australia 1971 2006.487 screenprint, printed in green and DE GRUCHY, Ian printer black ink from two screens; on born Australia 1950 SELENITSCH, Alex smooth white card How angels appear to us born Bavaria 1946 printed image 37.6 x 50.4 cm 21/09/2002 Australia from 1949 sheet 37.6 x 50.4 cm computer generated, printed in Southern Cross (epsilon series) 2005.1091 colour, from digital files; on black 1995 starling 1969 wove paper; within plasic case silkscreen and autotape on painted screenprint, printed in black ink also containing sculpture MDF boards; boxed; from one screen; on smooth book closed 17.6 x 17.6 cm box 37.0 x 25.0 x 5.0 cm white card case 23.6 x 20.8 x 6.3 cm print 30.0 x 21.5 x 0.3 cm printed image 10.0 x 15.5 cm 2005.1084.A-I 2005.1090.A-F sheet 50.4 x 37.6 cm 2005.1095 SELENITSCH, Alex LYSSIOTIS, Peter Four folds 2000 born Cyprus 1949 folded coloured paper, string, tape; ‘n’ versions of the Southern Cross RYRIE, John printer work 30.5 x 22.0 x 0.2 cm artist’s sketchbook; drill holes; born Australia 1961 2005.1083.A-B book (closed) 12.5 x 9.5 x 1.0 cm 2005.1081 Mnemopolis 2000 letterpress, colour laserprints,; on raingold 1969 250gsm black Somerset velvet cover; The Southern Cross in Dante 1994 screenprint, printed in blue and offwhite 195gsm found Penguin book with yellow ink from two screens; on Arches satine HP, warm grey 160gsm drilled holes; smooth white card Canson Mi-Tientes and red Unryushi printed image 49.5 x 37.8 cm book (closed) 18.0 x 12.0 x 2.0 cm papers sheet 49.5 x 37.8 cm 2005.1080 book (closed) 30.0 x 22.0 x 0.75 cm 2005.1092 2005.1087.A-D.1–10 SELENITSCH, Alex text mudlark born Bavaria 1946 SELENITSCH, Alex screenprint, printed in black ink Australia from 1949 RYRIE, John from one screen; on smooth printmaker born Australia 1961 white card born Australia 1958 Magpie song 1999 printed image 9.6 x 12.8 cm Switzerland 1960–69, England from letterpress, photocopy; printed in sheet 50.4 x 37.6 cm 1996 black ink from one block; on cream 2005.1094 wove paper TIBBITS, George composer unfolded 21.0 x 41.0 cm windgull 1969 born Australia 1933 folded 11.0 x 21.5 cm screenprint, printed in black ink Shadows and traces 1991 2005.1086.A–B offset press and etchings; on white

National gallery of Australia Annual Report 2005–06 185 Pixel 1999 SHIMMEN, Heather brown wove paper with letterpress, photocopy; on hand-cut born Australia 1957 orange and gold tissue adheared to white paper; cover printed on lime YOUNG, Bill printer cover Canson Mi-tientes paper born Australia 1952 book (closed) 13.0 x 13.0 cm book (closed) 21.0 x 21.0 x 0.2 cm Portrait of Mr G 1982 book (open) 13.0 x 26.0 cm 2005.1082.A-B etching, softground etching and 2005.1056.A-J aquatint, printed in black ink, from Augenblick (moment) 1998 one plate; on white wove SPOWERS, Ethel letterpress, photocopy; on white Hahnemuhle paper Australia 1890–Australia 1947 wove paper plate-mark 49.0 x 54.0 cm England, Europe 1921–24, 1928–29, book (closed) 21.0 x 21.0 x 0.2 cm sheet 56.6 x 76.4 cm 1931 2005.1076.A-B Gift of Dr Thea M. Exley 2005 Melbourne from the Yarra c. 1926 13 ways of looking at a magpie 1998 2005.961 woodcut, printed in colour, from one letterpress, photocopy,; on white, block; on paper hand-cut village paper, black stock SHIRLOW, John printed image 19.0 x 22.8 cm paper Australia 1869–Australia 1936 sheet (sight) 20.0 x 23.4 cm book (closed) 21.0 x 21.0 x 0.3 cm Twilight, River Yarra 1899 2006.43 book (open) 21.0 x 41.8 mezzotint, printed in black ink, from 2005.1077.A-C one copper plate; on cream STOPPS, AJ lithographer Equals 1999 wove paper England 1842–Australia 1931 letterpress, photocopy; on hand-cut printed image 13.6 x 18.6 cm Australia from 1863 white paper; plate-mark 14.0 x 19.1 cm JAMES J BLUNDELL & CO book (closed) 21.0 x 21.0 x 0.2 cm sheet 23.0 x 29.1 cm publisher 2005.1078.A-B 2005.1075 Australia 1854–1867 View of Iron Bark from Victoria HILL, Hamish wood turner SPARKE, Franki Reef, Bendigo. Trees, ladders 1995 born Australia 1953 from News-letter of Australasia. woodcuts and letterpress on six They barked and barked but it Melbourne: George Slater, 1856–62 folded sheets, inside folio in a timber never moved lithograph, printed in black ink, from case; on timber case, stamped-print, printed in black, from one stone; hand-coloured; on paper thick grey handmade paper folio and one rubber block: hand-coloured; on printed image (irregular) thick cream wove paper pages cream wove paper 11.2 x 19.2 cm slipcase 50.0 x 24.0 x 5.0 cm printed image (irregular) sheet (sight) 13.2 x 19.8 cm folio (closed) 47.0 x 23.0 x 1.5 cm 12.5 x 9.8 cm 2005.521 2005.1085.A-H sheet 26.9 x 19.5 cm Gift of Daphne Morgan 2005 STORRIER, Tim SHEPARD, R print after 2005.474 born Australia 1949 Active Australia 1860 LITHOS PRESS HAM, Thomas printer The kangaroos are angry Australia 1983 – 1988 England 1821–Australia 1874 stamped-print, printed in black, from Paper notes 1985 Australia from 1842 one rubber block: hand-coloured; on screenprint, printed in colour, from Sandridge road as it will be 1860 thin cream wove one stencil; lithograph, printed in lithograph, printed in colour, from paper colour, from one stone; on multiple stones; hand-coloured; on image (irregular) 11.8 x 10.8 cm envelope thick grey/brown wove cream wove paper sheet 24.2 x 15.9 cm paper; prints on off-white wove printed image (irregular) Gift of Daphne Morgan 2005 250gsm Lana paper 13.0 x 21.0 cm 2005.471 folio (closed) 29.0 x 24.5 cm sheet 19.2 x 25.2 cm 2006.369.1–6 2005.1055 Ten common mistakes stamped-prints, printed in black ink, each from one rubber block; on

186 National gallery of Australia Annual Report 2005–06 STREETON, Arthur TERRY, FC from group of 13 engravings Australia 1867–Australia 1943 England 1825–Australia 1869 engraving, printed in black ink, from England 1898–1923 Australia from 1852 one plate; on smooth cream paper A dinner, Sir Henry Parkes GCMG, The Gap, South Heads [letter-paper] printed image (irregular) on entering his 80th year 1894 1853 11.0 x 14.4 cm lithograph, printed in green ink, from group of 13 engravings sheet (folded in half) 25.5 x 20.2 cm from one stone; hand-coloured; on engraving, printed in black ink, from sheet 25.5 x 40.4 cm cardboard one plate; on smooth cream paper 2005.723 printed image (irregular) printed image (irregular) 20.4 x 26.6 cm 11.0 x 17.0 cm North Head from Vaucluse sheet 21.4 x 27.4 cm sheet (folded in half) 25.4 x 20.0 cm [letter-paper] 1853 2005.1066 sheet 25.4 x 40.0 cm from group of 13 engravings 2005.719 engraving, printed in black ink, from TALBOT, Jennifer one plate; on smooth cream paper printed image (irregular) born Australia 1941 Sydney, from the Old Point Piper 11.9 x 17.2 cm England 1964–65 Road [letter-paper] 1853 sheet (folded in half) 25.5 x 20.3 cm Crotonhurst 1980 from group of 13 engravings sheet 25.5 x 40.6 cm etching, printed intaglio and relief in engraving, printed in black ink, from 2005.724 colour, from one plate; on chin colle one plate; on smooth cream paper Newcastle from the Nobby 1 of piece of Japanese printed image (irregular) paper lower right on thick cream [letter-paper] 853 12.2 x 16.0 cm from group of 13 engravings Arches Creme 300 gsm paper sheet (folded in half) 25.4 x 20.2 cm engraving, printed in black ink, from printed image 30.0 x 45.6 cm sheet 25.4 x 40.4 cm one plate; on smooth cream paper sheet 54.0 x 75.8 cm 2005.720 printed image (irregular) Gift of Dr Thea M. Exley 2005 10.0 x 15.2 cm 2005.968 St Leonard’s Church, North Shore sheet (folded in half) 25.3 x 20.2 cm [letter-paper] 1853 sheet 25.3 x 40.4 cm TAYLOR, E Mervyn from group of 13 engravings 2005.725 Aotearoa New Zealand 1906– engraving, printed in black ink, from Aotearoa New Zealand 1964 one plate; on smooth cream paper Sydney Cove from Fort Macquarie Magical wooden head (Polynesian printed image (irregular) [letter-paper] 1853 legend) 1940s 10.4 x 14.8 cm from group of 13 engravings wood engraving, printed in black ink, sheet (folded in half) 25.4 x 20.0 cm engraving, printed in black ink, from from one block; on paper sheet 25.4 x 40.0 cm one plate; on smooth cream paper sight 22.7 x 17.5 cm 2005.721 printed image (irregular) 2005.448 11.5 x 16.9 cm Byrnes Cloth Factory, Parramatta sheet (folded in half) 25.2 x 20.0 cm TAYLOR, RA River [letter-paper] 1853 sheet 25.2 x 40.0 cm active Australia from 1880s 2005.726 SANDS & MCDOUGALL printer/ from group of 13 engravings engraving, printed in black ink, from publisher Fruit market, Sydney [letter-paper] one plate; on smooth cream paper Australia 1863 1853 printed image (irregular) Five lithographs from Coursing in from group of 13 engravings 10.2 x 15.4 cm Australia 1890s engraving, printed in black ink, from each lithograph, printed in colour, sheet (folded in half) 25.4 x 20.1 cm one plate; on smooth cream paper from multiple stones; on paper sheet 25.4 x 40.2 cm printed image (irregular) each printed image 16.5 x 25.0 cm 2005.722 10.0 x 12.8 cm each sheet 25.5 x 32.8 cm sheet (folded in half) 25.3 x 20.2 cm 2005.714–718 Government House, from the sheet 25.3 x 40.4 cm Botanical Gardens 2005.727 [letter-paper] 1853

National gallery of Australia Annual Report 2005–06 187 Entrance to Sydney Harbour, North Cook c. 1850 THOMAS, Edmund Heads and seen from the Flagstaff photo-lithograph, printed in colour, PHILP, James Buckingham [letter-paper] 1853 from multiple stones; on paper lithographer from group of 13 engravings printed image 9.6 x 13.8 cm England 1830–Australia engraving, printed in black ink, from sheet 19.1 x 17.8 cm Australia from 1853 (Arrogant) one plate; on smooth cream paper 2005.733 HUXTABLE & CO publisher printed image (irregular) active Australia 1852–57 12.8 x 16.3 cm TERRY, FC Prince’s Bridge 1853 sheet (folded in half) 25.5 x 20.2 cm England 1825–Australia 1869 lithograph, printed in colour, from sheet 25.5 x 40.4 cm Australia from 1852 two stones; black ink and light cream 2005.728 DEGOTARDI, John printer tint stone; on thin Yugoslavia 1823–Australia 1888 white paper Double Bay, from South Head England 1848–53, Australia from printed image 21.6 x 34.2 cm Roads [letter-paper] 1853 1853 sheet 30.5 x 48.0 cm from group of 13 engravings Mossman’s Falls, North Shore. 2006.379 engraving, printed in black ink, from c. 1855 one plate; on smooth cream paper photo-lithograph, printed in colour, Post office Melbourne 1853 printed image (irregular) from multiple stones; on paper lithograph, printed in colour, from 11.8 x 17.0 cm printed image 10.3 x 13.4 cm two stones; black ink and light cream sheet (folded in half) 25.2 x 20.2 cm sheet 18.9 x 28.0 cm tint stone; on thin sheet 25.2 x 40.4 cm 2005.732 white paper 2005.729 printed image 21.6 x 34.2 cm THOMAS, Edmund sheet 30.8 x 48.2 cm Point Piper. Sydney. NSW England 1827–Australia 1867 2006.378 [letter-paper] 1853 Australia from 25 November 1852 from group of 13 engravings (Blorenge) THOMAS, Edmund engraving, printed in black ink, from William’s town lighthouse R QUARRILL publisher one plate; on smooth cream paper lithograph, printed in colour, from active Australia 1853 printed image (irregular) two stones (black image, light cream Collins St. 1853 10.2 x 14.6 cm tint stone]; on thin white lithograph, printed in colour, from sheet (folded in half) 25.4 x 20.1 cm paper two stones (black image and light sheet 25.4 x 40.2 cm printed image 21.5 x 34.2 cm cream tint stone); on thin 2005.730 sheet 29.9 x 48.1 cm white paper 2006.377 printed image 20.8 x 34.0 cm The Customs House, Circular Quay sheet 30.5 x 47.8 cm [letter-paper] 1853 THOMAS, Edmund 2006.381 from group of 13 engravings HUXTABLE, QUARRILL & CO engraving, printed in black ink, from publisher THOMAS, Edmund one plate; on smooth cream paper active Australia 1860s STRINGER, MASON & Co printed image (irregular) River Yarra printer 11.2 x 16.0 cm lithograph, printed in colour, from active Australia 1854 sheet (folded in half) 25.4 x 20.2 cm two stones (black image, light cream Junction of Elizabeth and sheet 25.4 x 40.4 cm tint stone]; on thin white Lonsdale Sts. 2005.731 paper lithograph, printed in colour, from printed image 21.8 x 34.2 cm two stones; black ink and light DEGOTARDI, John printer sheet 29.2 x 45.5 cm creamy grey tint stone; on thin Yugoslavia 1823–Australia 1888 2006.380 white paper England 1848–53, Australia from printed image 21.6 x 34.0 cm sheet 30.6 x 47.6 cm 1853 2006.382 Landing place of Captain

188 National gallery of Australia Annual Report 2005–06 THOMAS, Edmund print after TILLERS, Imants on thick white wove paper TURNER, Charles lithographer VIRIDIAN PRESS printer printed image 76.0 x 56.0 cm Active Australia 1869 – 1880s 1988 sheet 76.0 x 56.0 cm VARLEY, F publisher Diaspora (Diptych format) 1997 2006.46 Williamstown Lighthouse 1853 etching and aquatint, printed in lithograph, printed in black ink, from colour, from multiple plates; on thick TULLY, Peter one stone; cream tint-stone; on white cream wove Hahnemuhle Australia 1947–France 1992 wove paper and CMF Fabriano paper Twelve colour xerox postcards of printed image 15.8 x 26.8 cm 2006.41.1–24 Australia 1984 sheet 27.4 x 37.6 cm xerox or photocopy, printed in 2006.495 TRAILL, Jessie colour; on paper Australia 1881–Australia 1967 printed image (each) 10.3 x 14.6 cm Collins Street, Looking West England, Europe frequently sheet (overall) 57.5 x 77.6 cm lithograph, printed in black ink, from after 1906 Gift of Dr K David G Edwards, M one stone; cream tint-stone; on white The hole in the trees 1914 D, B S (U Syd), F.R A C P, F A A C B wove paper etching and aquatint, printed in (retired), through printed image 14.5 x 26.9 cm brown ink, from one zinc plate; on the American Friends of the sheet (sight) 19.1 x 29.3 cm wove paper Australian National Gallery (AFANG), 2006.494 plate-mark 30.1 x 49.2 cm to the National Gallery of sight 31.8 x 50.3 cm Australia, August 2005 THOMSON, George 2005.416 active Australia 1855 2005.763 JAMES J BLUNDELL & CO Ploughing the Hill, Berwick 1921 TUPOU, Samuel publisher etching, printed in brown ink, from born Aotaeroa New Zealand 1976 Australia 1854 – 1867 one plate; on paper Shake it Bro / Shake it Sis c. 2005 Sketch in Bourke Street, arrival of sight 12.5 x 36.5 cm screenprint, printed in colour, from the mails from the diggings c. 1855 2005.1074 From Sketches in Victoria, multiples stencils; on two sheets of Melbourne: James J. Blundell & Co, TROEDEL, Charles printer clear perspex c. 1855 Germany 1835–Australia 1906 printed image (1) 121.8 x 60.0 cm etching, printed in black ink, from Australia from 1860 sheet 121.8 x 60.0 cm one plate; on stiff white wove paper Australasian scenery printed image (2) 121.8 x 60.0 cm printed image (irregular) lithograph, printed in black ink, from sheet 121.8 x 60.0 cm 13.0 x 17.8 cm one stone; hand-coloured; on paper 2005.939.A-B plate-mark 13.9 x 20.8 cm image 15.0 x 22.0 cm Colour drool c. 2005 sheet 27.8 x 38.8 cm sheet 20.8 x 28.4 cm screenprint, printed in colour, from 2005.734 2005.735 multiple stencils; on four sheets TILLERS, Imants of foamcore TUFFERY, Michel born Australia 1950 printed image (1) 120.0 x 120.0 cm born Aotearoa New Zealand 1966 Europe 1976; France 1978 printed image (2) 120.0 x 120.0 cm Mala Mata Bomber 2005 Kunst = Kapital printed image (3) 120.0 x 120.0 cm woodcut collage, printed in black screenprint, printed in colour, from printed image (4) 120.0 x 120.0 cm multiple screens; on paper ink, from multiple blocks; graphite; sheet (overall) 240.0 x 240.0 cm printed image 19.0 x 19.6 cm on thick white wove paper 2005.940.A-D sheet 38.1 x 57.2 cm printed image 62.5 x 56.0 cm Gift of Dr K David G Edwards, sheet 76.0 x 56.0 cm UNKNOWN Artist (ret.) from the David and Margery 2006.45 Reclaim the night: women’s march Edwards New York Art Collection, against rape 2005 Mala Mata Va’a 2005 off-set lithograph, in black ink, from 2005.415 woodcut collage, printed in black one plate; on smooth white paper ink, from multiple blocks; graphite; printed image (irregular)

National gallery of Australia Annual Report 2005–06 189 59.0 x 39.5 cm UNKNOWN Artist printed image (irregular) sheet 64.0 x 45.6 cm Not titled [Sydney streets, 7.8 x 8.4 cm 2005.978 The Rocks, III] sheet 18.3 x 10.8 cm etching, printed in black ink, from 2005.671 UNKNOWN Artist one plate; on cream wove paper Boot and shoe maker, Sydney. 1838 plate-mark 9.9 x 13.7 cm VAILLANT, Auguste Nicolas engraving, printed in blue ink, from sheet (irregular) 13.0 x 17.2 cm print after one plate; on paper 2005.677 France 1793–1858 printed image (irregular) 1–3. Buccin fusiforme. Nobis. 4–6 6.6 x 10.0 cm UNKNOWN Artist Pyrule trompette. Lamk. 7–9. Pyrule sheet 18.5 x 11.8 cm Not titled [Sydney streets, chauve-souris. Lamk. 10– 2005.736 The Rocks, IV] 12. La même (Variéte) c. 1840 from Voyage autour du monde UNKNOWN Artist etching, printed in sepia ink, from one plate; on grey wove paper execute pendant les annees 1836 et Lizards c. 1940 1837 sur la corvette La Bon plate-mark 9.8 x 14.7 cm woodcut, printed in colour, from etching; hand coloured; on white sheet (irregular) 12.4 x 18.4 cm multiple blocks; on paper wove paper 2005.678 printed image 38.0 x 28.0 cm image 28.5 x 23.0 cm Gordon Darling Australasian Print plate 39.8 x 28.0 cm UNKNOWN Artist Fund 2005 sheet 51.6 x 33.6 cm Not titled [Sydney streets, 2005.1073 2005.1119 The Rocks, I] UNKNOWN Artist etching, printed in sepia ink, from VAN RIEMSDYK, Fran (Sydney Heads) c. 1855 one plate; on grey wove paper born Australia 1952 lithograph, printed in black ink, from plate-mark 9.8 x 13.2 cm Shirt 1978 one stone; on paper sheet 12.8 x 18.8 cm etching and aquatint, printed in printed image 14.4 x 24.0 cm 2005.680 black ink, from one shaped plate; on paper 17.2 x 25.3 cm off-white wove Velin 2005.676 UNKNOWN Artist Arches Blanc 300gsm paper not titled [Sam’l Onions, Black & plate-mark 27.0 x 35.0 cm UNKNOWN Artist White Smith] 1830s sheet not titled [In memory of Allastair engraving; Gift of Dr Thea M. Exley 2005 Grant McLean, Surgeyor General] plate-mark 9.3 x 17.4 cm 2005.963 1862 sheet 13.1 x 20.6 cm lithograph, printed in colour, from 2005.809 WALKER, Annie Australia 1831–Australia 1913 multiple stones; on paper Flowers of New South Wales 1887 image (irregular) 19.4 x 14.4 cm UNKNOWN ENGRAVER from Walker, Annie. Flowers of New sheet 38.3 x 30.2 cm J. G. Hughes, Tea dealer, grocer and South Wales. Sydney: Turner & 2005.679 tabacconist. engraving, printed in black ink, from Hudson, 1887 lithographs, printed in black ink, UNKNOWN Artist one plate; on paper each from one stone; hand-coloured; Not titled [Sydney streets, printed image (irregular) 16.5 x 10.2 cm on thick off-white wove The Rocks, II] paper etching, printed in black ink, from sheet 21.4 x 12.0 cm 2005.670 book (closed) 37.8 x 29.2 x 1.0 cm one plate; on grey wove paper book (open) 37.8 x 57.8 cm plate-mark 9.8 x 13.6 cm UNKNOWN ENGRAVER 2006.36.1–10 sheet 12.4 x 19.6 cm General post office, Sydney.1838 2005.673 WALLIS, James engraving, printed in black ink, from Ireland 1785–England 1858 one plate; on paper Australia 1814–19

190 National gallery of Australia Annual Report 2005–06 An historical account of the Gift of Daphne Morgan 2005 Koala, Brun 1830s Colony of New South Wales and its 2005.493 etching, printed in black ink, from dependent settlements. one copper plate; hand-coloured; on London: J. Moyes, 1821. 1821 Angels in the dust 1991 on white wove paper engravings, printed in black ink, each lithograph, printed in black ink, from plate-mark 41.2 x 27.8 cm from one copper plate; letter-press one stone; on chin colle of cream sheet 54.8 x 35.6 cm text; on paper Japanese paper on offwhite 2005.1099 book (closed) 48.8 x 34.7 cm BFK Rives wove paper book (open) 48.8 x 68.4 cm printed image (irregular) 28.0 x 54.0 WESTALL, William 2005.515.1–13 cm England 1781–1850 sheet 56.6 x 76.4 cm Australian waters 1801–05 WALLIS, James print after Gift of Dr Thea M. Exley 2005 ACKERMANN & CO. PRESTON, Walter engraver 2005.958 England 1830 England 1777–possibly Port Lincoln, taken from the south Australia 1819 The well 1997 1835 Australia from 1812 lithograph; on paper etching and aquatint, printed in Corrobborree or dance of the Gift of Daphne Morgan 2005 black ink, from one plate; on off- natives of New South Wales, New 2005.460 white wove paper Holland. 1819 printed image 16.0 x 24.2 cm engraving, printed in black ink, from Our bones in your collections 1997 plate-mark 22.7 x 30.5 cm one plate; on paper lithograph, printed in black ink from sheet 30.4 x 43.2 cm printed image 38.0 x 56.4 cm one stone; on chine-colle of fine 2006.40 plate-mark 44.8 x 60.2 cm cream paper on off-white WESTMACOTT, Captain sheet 53.0 x 68.2 cm wove paper Robert Marsh 2005.746 printed image 30.4 x 21.2 cm Great Britain 1801–England 1870 sheet 39.8 x 35.7 cm Australia 1831–46, Australia 1851 WATSON, Judy Gift of Daphne Morgan 2005 GAUCI, W lithographer born Australia 1959 2005.491 active England 1841–48 Bone coffin and relics 1989 HULLMANDEL, Charles Joseph lithograph, printed in black ink, from WEBBER, John printer one stone; on cream wove paper England 1751–93 Great Britain 1789–1850 printed image 35.6 x 22.8 cm View of Ulietea 1788 Road near Portland Head. New sheet 40.0 x 25.2 cm etching and aquatint, printed in South Wales c. 1860 Gift of Daphne Morgan 2005 black ink, from one plate, hand- lithograph, printed in black ink, from 2005.463 coloured; on white wove paper one stone; hand coloured; on cream printed image 25.4 x 40.2 cm wove paper Our hair in your collections 1997 plate-mark 29.6 x 43.0 cm printed image 18.8 x 27.8 cm lithograph, printed in black ink from sheet 38.6 x 52.6 cm sheet 33.6 x 41.8 cm one stone; cream chine colle; on off 2006.480 2005.1067 white wove paper printed image 30.4 x 21.0 cm WERNER, Jacques Christophe WHITE, Robin sheet 39.6 x 35.5 cm print after born Aotearoa New Zealand 1946 Gift of Daphne Morgan 2005 France 1798–1856 Kiribati 1982–99 2005.489 Phalanger de Cook The fisherman is taken from the etching, printed in black ink, from well 1995 Our skin in your collections 1997 one copper plate; hand-coloured; on woodcut, printed in sepia ink, from lithograph, printed in black ink from white wove paper two blocks; on thin cream rice paper one stone; cream chine colle; on off plate-mark 41.4 x 27.8 cm printed image 28.0 x 14.0 cm white wove paper sheet 54.6 x 35.4 cm sheet 35.4 x 19.8 cm printed image 30.4 x 21.0 cm 2005.1098 Gift of Daphne Morgan 2005 sheet 39.6 x 34.4 cm 2005.500

National gallery of Australia Annual Report 2005–06 191 The fisherman considers his options Tera al Kam Karaoia? 1995 sheet 79.0 x 57.2 cm 1995 woodcut, printed in sepia ink, from Gift of Dr Thea M. Exley 2005 woodcut, printed in sepia ink, from two blocks; on thin cream rice paper 2005.966 two blocks; on thin cream rice paper printed image 28.0 x 14.0 cm printed image 28.0 x 14.0 cm sheet 35.4 x 19.8 cm WILSON, William engraver sheet 35.4 x 19.8 cm Gift of Daphne Morgan 2005 Great Britain 1795–Australia 1861 Gift of Daphne Morgan 2005 2005.501 Australia from 1828 2005.499 Female School of Industry 1832 WICKHAM, Stephen From Australian almanac and Ti bon rabakau n akawa 1995 born Australia 1950 Sydney directory. Sydney, 1834 woodcut, printed in sepia ink, from not titled 1986 engraving, printed in black ink, from two blocks; on thin cream rice paper etching, printed in colour, from four one plate; on paper printed image 28.0 x 14.0 cm plates; on white wove BFK Rives 2005.739 sheet 35.5 x 19.8 cm paper WILSON, William Gift of Daphne Morgan 2005 plate-mark 29.4 x 44.6 cm Great Britain 1795–Australia 1861 2005.484 sheet 56.0 x 76.0 cm Australia from 1828 Gift of Dr Thea M. Exley 2005 MACLEHOSE, James publisher Antai ae e mate? 1995 2005.969 woodcut, printed in sepia ink, from Scotland active Australia c. 1833–44 two blocks; on thin cream rice paper WILLIS, James AC Regentville, the seat of John printed image 28.0 x 14.0 cm active Australia, Aotearoa New sheet 35.4 x 19.9 cm Jamison 1838 Zealand 1846–96 Gift of Daphne Morgan 2005 From Maclehose, James. Picture of Sydney NSW 1857 2005.466 Sydney; and strangers’ guide in New lithograph, printed in black ink; on South Wales in 1839 thin cream wove paper subsequently The fisherman is brought down engraving, printed in black ink, from attached to thin pink from the tree 1995 one plate; on thin cream wove paper, wove paper woodcut, printed in sepia ink, from subsequently printed image and sheet two blocks; on thin cream rice paper attached upper edge to thin cream 13.0 x 10.4 cm printed image 27.9 x 14.1 cm rice paper backing sheet 14.7 x 19.1 cm sheet 35.4 x 19.8 cm printed image 9.2 x 16.3 cm Gift of Daphne Morgan 2005 2005.737 sheet 1 10.8 x 18.4 cm 2005.497 sheet (both) 12.4 x 18.4 cm WILLIS, James AC attributed to 2005.740 Kam ake ise 1995 North Shore, Sydney Harbour 1857 woodcut, printed in sepia ink, from lithograph, printed in black ink WINSTANLEY, Edward two blocks; on thin cream rice paper from one stone; on thin cream wove Australia 1820–1849 printed image 28.0 x 14.1 cm paper subsequently CLINT, Raphael printer attached to thin pink wove paper sheet 35.4 x 19.9 cm England 1797–Australia 13/09/1849 printed image 7.8 x 15.9 cm Gift of Daphne Morgan 2005 Australia from 5 August 1829 sheet 10.4 x 16.4 cm 2005.465 (Calista) backing sheet 13.5 x 19.2 cm Ways and means for 1845, or 2005.738 The fisherman shows us his wound taking it out of the squatters. 1995 c. 1860 WILSON, Patricia woodcut, printed in sepia ink, from lithograph, printed in black ink, from born Australia 1944 one stone; hand-coloured; on thin two blocks; on thin cream rice paper France 1969–72 cream wove paper printed image 27.9 x 14.0 cm Unit and step grid 1977 printed image 29.3 x 41.8 cm sheet 35.4 x 19.8 cm lithograph, printed in blue ink, from sheet 33.0 x 50.6 cm Gift of Daphne Morgan 2005 one stone; on thick off-white wove J. 2005.686 2005.498 Green 90lb. No. 1 paper printed image 54.5 x 45.0 cm

192 National gallery of Australia Annual Report 2005–06 WOODHOUSE, Frederick on cardboard GASCOIGNE, Rosalie print after 45.0 x 33.4 x 21.6 cm Aotearoa New Zealand 1917– Great Britain 1820 Gift of Peter Fay 2005 Australia 1999 Australia 2005.941 Australia from 1943 DE GRUCHY & LEIGH The white sun 1979 lithographers Statue 2002 painted wooden construction, two Australia 1858 – AustraIia 1866 synthetic polymer paint on glass bottles with inserted labels Flying buck c. 1859 cardboard printed on clear plastic lithograph, printed in colour, from 46.0 x 28.0 x 16.0 cm 37.6 x 50.0 x 25.0 cm multiple stones; on paper Gift of Peter Fay 2005 Gift of Peter Fay 2005 printed image (irregular) 2005.831 2005.842 31.5 x 48.4 cm printed image and text CARDOSO, Maria Fernanda Chatting up 1994 37.0 x 48.4 cm born Colombia 1963 collage of found wooden crates, Australia from 1997 sheet (sight) 40.2 x 51.3 cm Arnotts parrots and fibre-tipped pen Woven water: submarine landscape 2006.368 35.0 x 29.0 x 7.0 cm 2003 Gift of Peter Fay 2005 starfish, metal wire ZIKA, Paul 2005.843 dimensions variable born Australia 1949 2005.774.1–4 England 1973 – 1974 Wheat belt 1989 LOANE, John printer CLARKE, Glen sawn, split soft-drink crates on four born Australia 1950 born Australia 1954 plywood panels 1–82 1988 American crater near Hanoi overall (approx.) 94.0 x 276.6 cm screenprint, printed in colour, from #2 2005 panel a 94.0 x 91.5 five stencils; on thick off-white wove Vietnamese and US currency, cotton panel b 94.0 x 67.1 Dessin Arches paper thread, wood panel c 94.0 x 66.0 printed image 36.8 x 24.0 cm 180.0 x 300.0 x 300.0 cm panel d 94.0 x 52.0 sheet 52.0 x 37.4 cm 2005.775 Gift of Pauline Hunter 2005 Gift of Dr Thea M. Exley 2005 2005.951.A-D 2005.956 DWYER, Mikala born Australia 1959 MARRINON, Linda AUSTRALASIAN ART Wall necklace 2000 born Australia 1959 – SCULPTURE coloured das clay with wire Corner of the Art Gallery of New dimensions variable 90.0 x South Wales 1989 BARRIE, Slim 130.0 x 9.0 cm white earthenware born Australia 1942 Gift of Peter Fay 2005 34.2 x 21.5 x 15.5 cm Masterpiece 2003 2005.841 synthetic polymer paint on Gift of Peter Fay 2005 cardboard Sculpture 2002 2005.845 66.0 x 67.0 x 9.0 cm polystyrene and heat shrunk plastic Gift of Peter Fay 2005 155.0 x 110.0 x 80.0 cm MCKENNA, Noel 2005.832 Gift of Peter Fay 2005 born Australia 1956 2005.840 Girls on edge of forest 1991 Lady driver 2000 galvanised tin with enamel paint, synthetic polymer paint, and found FISHER, Fred battery operated light, in painted objects on cardboard born Australia 1945 wooden box 38.5 x 88.0 x 30.0 cm Tilt 2005 22.9 x 33.7 x 18.5 cm Gift of Peter Fay 2005 MDF, synthetic polymer paint Gift of Peter Fay 2005 2005.833 110.0 x 150.0 x 180.0 cm 2005.846 2005.776 Statue 2002 Horse falling down slope 1991 synthetic polymer paint enamel on wood, tin, electric light

National gallery of Australia Annual Report 2005–06 193 61.1 x 16.4 x 6.1 cm SUTHERLAND, Val ASIAN ART – PAINTING Gift of Peter Fay 2005 born Aotearoa New Zealand 1958 YAN Pei Ming 2005.847 Shell doll 2000 born China 1960 synthetic polymer paint and shells France from 1980 on papier-mache NELSON, Simeon Autoportrait (Mai 2000) 2000 born England 1964 18.0 x 12.0 x 5.0 cm oil on canvas Australia from 1967 Gift of Peter Fay 2005 200.0 x 100.0 cm England from 2001 2005.855 Gift of Michael and Rose Chaney Wall zip (for Brancusi and Barnett 2006 Newman) 2005 Horse man 2000 2006.301 plywood, wood dye, beeswax synthetic polymer paint on 480.0 x 360.0 x 20.0 cm papier-mache India 2005.1051 18.0 x 7.0 x 9.5 cm Rajasthan Gift of Peter Fay 2005 Krishnalila Pichhavai c. 1830 2005.856 opaque watercolour, gold and silver NIKOU, Michelle 279.5 x 255.5 cm born Australia 1967 WEAVER, Louise 2005.354 The kiss (after Munch) 1998 born Australia 1966 painted Paperclay with sewn and Snowy Owl 2001 Gujarat or Rajasthan stuffed cotton fabric hand-crocheted lambs wool Jain pilgrimage picture of 28.0 x 6.6 x 5.4 cm over plastic Satrunjaya 1897–98 Gift of Peter Fay 2005 41.5 x 24.0 x 18.0 cm opaque watercolour 2005.850 Gift of Peter Fay 2005 363.2 x 251.4 cm 2005.858 2005.945 Untitled (her sweat eats meat) 1995 porcelain figure with underglaze Sunflower2000 Orissa painting, embroidered cotton body hand-crocheted lambs wool Ramayana 20th century with teeth over wood pigments 16.5 x 10.0 x 4.0 cm 48.0 x 20.0 x 24.0 cm 99.0 x 327.0 cm 2006.304 Gift of Peter Fay 2005 Gift of Peter Fay 2005 2005.849 2005.859 Indonesia Invisible bird 1997 OLIVER, Bronwyn Bali born Australia 1959 hand-crocheted cotton thread over hoopoe bird (Upupa epops) sequins, Ceremonial valance [ider-ider] Comet 1991 glass beads, painted wooden base 19th century copper wire 25.0 x 16.0 x 15.0 cm pigments, ink 25.0 x 99.0 x 25.0 cm 17.0 x 193.4 cm Gift of Peter Fay 2005 Gift of Cecilia Ng in memory of Gift of Peter Fay 2005 2005.857 2005.954 Anthony Forge 2006 ASIAN ART – DRAWING 2006.654.19 ROBERTS, Neil Indonesia Malay people Australia 1954–Australia 2002 Balinese people Descent (globe/float)1993/94 Bali Illuminated Qur’an in four Ceremonial valance [ider-ider] 19th metal object, metal and wood volumes late 18th-early 19th century century object, metal leather, paper, gold leaf, ink; painting, pigments, ink dimensions variable 62.0 x 58.0 x calligraphy 28.0 x 1742.0 cm 33.0 cm 23.0 x 22.5 x 10.3 cm Gift of Cecilia Ng in memory of Gift of Peter Fay 2005 2005.665.1–4V Anthony Forge 2006 2005.851 2006.654.20

194 National gallery of Australia Annual Report 2005–06 Japan early 20th century stone Muromachi period (1339– incised bone 39.4 cm, 18.4 cm (diam) 1574) various dimensions 2005.668 Pine trees by the shore c. 1550 Gift of Jonathan Hope 2006 ink, colour, gold 2006.472–74 West Sumba each 175.3 x 365.7 cm Pectoral [marangga] late 19th–early Gift of Andrew and Hiroko Gwinnett India 20th century and the National Gallery of Australia north India gold Foundation, 2006 Nagaraja 6th–8th century 16.4 x 24.0 cm 2005.666 2006.246.A-B red sandstone 82.5 x 40.5 x 19.9 cm Sumba ASIAN ART – PRINT 2006.299 Comb [hai kara jangga] Japan late 19th–early 20th century HIROSHIGE Utagawa Rajasthan turtle shell Japan 1797–1858 Lakshmi Narayana 10th–11th 16.5 x 16.0 cm Okitsu, Sumo wrestlers, having century 2005.1161 rounded Satta Mountain, ford the sandstone Okitsu River 1832–34 96.5 x 66.0 x 31.6 cm Nias from the series Fifty three stations 2006.298 Ancestor figure19th century of the Tokaido [Tokaido gojusan- Chola dynasty (9th–13th wood tsugi no chi] century) 25.4 x 7.0 x 5.0 cm colour woodblock print Tamil Nadu 2005.669 25.4 x 38.4 cm Trident with Bhadrakali 11th Gift of Carolyn Cameron 2006 century Balinese people 2006.303 bronze Bali 46.0 x 29.0 x 16.6 cm Offering dish [lelancang] early 20th century Asian Art – Sculpture 2006.300 Afghanistan or Pakistan silver 5.3 cm x diameter 18.2 cm Gandhara region Early Mughal Period Gift of Cecilia Ng in memory of Standing Bodhisattva 3rd–4th northern Deccan Anthony Forge 2006 century Architectural brackets and lintels 2006.654.17 stone (grey schist) 1450–1600 153.0 x 51.0 x 17.0 cm teak Balinese people 2006.295 various dimensions Bali 2006.247.A-O Vessel for holy water [tirta] with Cambodia signs of the zodiac [sangku suddha- Khmer people Vijayanagara period (mid mala] early 20th century Battambang 14th–17th century) silver Seal 12th century, Angkor Wat period Tamil Nadu 17.0 cm x diameter 15.8 cm (1100–75) Pair of door guardians [dvarapala] Gift of Cecilia Ng in memory of bronze 15th century Anthony Forge 2006 20.4 x 5.4 x 5.0 cm stone 2006.654.18 Gift of an anonymous donor 2006 left 137.2 x 55.9 x 38.1 cm 2006.302 right 142.2 x 55.9 x 38.1 cm Balinese people 2005.356.1–2 Bali China Betel nut cutter [cakat pinang] Li people Indonesia 19th century Hainan iron, silver Border marker 17th–19th century Group of three hairpins late 19th– 23.3 x 6.3 x 0.8 cm

National gallery of Australia Annual Report 2005–06 195 Gift of Cecilia Ng in memory of Gift of Alathea Vavasour 2006 Anthony Forge 2006 Sumatra 2006.470 2006.654.21 Pair of architectural panels in the form of mythical lions [singa] 19th Bhutanese people century Tashigang wood, pigments Woman’s skirt-wrap [kira] Modesty plaque [caping] early each 107.0 x 54.0 cm late 20th century 20th century 2005.439.1–2 cotton, silk, natural and commercial silver dyes; supplementary weft weaving 7.3 x 7.0 cm Island Southeast Asia 140.0 x 239.0 cm Gift of Robyn, John and Simeran Collected Flores, Indonesia Gift of Alathea Vavasour 2006 Maxwell 2005 The Bronze Weaver 6th century 2006.471 2005.308 bronze 25.8 x 22.8 x 15.2 cm China Buginese people 2006.412 Li people south Sulawesi Hainan Container for a talisman Madagascar Group of 6 tunics [kelongsong azimat] 19th century Funeral guardian figureearly late 19th-early 20th century gold, silver, cinnabar 20th century cotton, silk; embroidery 8.6 x 3.7 x 3.7 cm wood various dimensions Gift of Robyn, John and Simeran 71.2 x 14.4 x 13.0 cm 2006.435–7, 441–3 Maxwell 2005 2005.1160 2005.306 Li people Philippines Hainan Buginese people Ifugao people Funerary cloth 19th century south Sulawesi Luzon cotton, silk; supplementary weaving Talismanic disc 19th century Guardian figure [bulol] 223.5 x 101.5 cm 2006.438 gold, cinnabar 19th century 5.6 cm (diam) wood Gift of Robyn, John and Simeran Li people 66.0 x 26.0 x 25.0 cm Hainan Maxwell 2005 2005.659 2005.307 Group of 12 skirts late 19th–early 20th century Vietnam hemp, cotton, silk; supplementary Kenyah or Jarai people weft weaving, ikat, embroidery Kalimantan Funerary spirit figurelate 19th– various dimensions Architectural finial in the form of early 20th century 2006.439, 444–54 a mythical creature [aso] teak 19th century 84.0 x 22.0 x 20.0 cm Li people wood 2005.355 Hainan 161.0 cm Cover or hanging [long bei] late 2006.245.A-B 19th–early 20th century Asian Art – TextileS cotton, silk Lamboya people Bhutan 212.0 x 42.0 cm; 222.0 x 44.0 cm; West Sumba Bhutanese people 218.0 x 44.0 cm Stringed instrument in Tashigang 2006.440 anthropomorphic shape [jungga Woman’s skirt-wrap [kira] roro] 19th century 20th century Li people wood, gourd, pigments cotton, silk, natural and commercial Hainan 66.6 x 18.6 x 22.0 cm dyes Group of 15 head cloths late 19th– 2005.667 148.0 x 245.0 cm early 20th century

196 National gallery of Australia Annual Report 2005–06 cotton, silk, indigo; supplementary Traded to Sumatra, Indonesia various dimensions weaving, embroidery Ceremonial textile [kain sembagi] 2006.248–58 various dimensions 18th century 2006.455–8, 459–69 cotton, natural mordants and dyes; Group of 24 pillow ends [muka mordant painting and printing, batik bantal] early 20th century India 260.0 x 110.0 cm silk, metal-wrapped thread, velvet, Coromandel coast 2005.777 sequins, cotton, newspaper; Traded to Indonesia embroidery: couching, appliqué Heirloom textile [palampore] various dimensions Indonesia c. 1825 2006.259–82 cotton, natural dyes and mordants; north-east mordant painting, batik Toba Batak people collected Bali 315.0 x 160.0 cm Sumatra Ceremonial textile [batik lokcan] 2006.475 Ceremonial cloth [ulos ragi hotang] early 20th century 19th century Chinese silk; hand-drawn batik, gold Andhra Pradesh cotton, natural dyes; supplementary paint or glue work Traded to Indonesia weft weaving, twining Ceremonial textile [palampore] 46.5 x 184.0 cm 223.5 x 81.2 cm 19th century Gift of Dr Milton Osborne 2005 2005.664 cotton, natural dyes and mordants; 2005.661 mordant painting and printing, batik Village priest’s head cloth or 395.5 x 234.5 cm Malay people waistcloth c. 1900 2006.476 cotton, natural dyes; supplementary Ceremonial shoulder cloth weft weaving Coromandel coast [selendang ] 275.0 x 30.0 cm Traded to Sumatra, Indonesia early 20th century 2005.662 Ceremonial textile [kain sembagi] silk, gold thread; supplementary 18th century weft weaving Ceremonial cloth [ulos pinunsaan] cotton, natural mordants and dyes; 158.0 x 39.6 cm 19th century mordant painting and printing, batik Gift of HE Mr Imron Cotan, former 260.0 x 107.0 cm Indonesian Ambassador to Australia, cotton, natural dyes; warp ikat, 2005.778 2005 supplementary weft weaving, 2005.357 twining Coromandel coast 156.0 x 133.0 cm Traded to Sumatra, Indonesia Ceremonial skirt cloth [kain 2005.663 Ceremonial textile [kain sembagi] songket] early 20th century 18th century silk, gold thread; supplementary Malaysia cotton, natural mordants and dyes; weft weaving GADING AK MAYAU mordant painting and printing, batik 116.0 cm, 166.5 cm (diam) 308.0 x 108.0 cm Gift of HE Mr Imron Cotan, former Textile [pua kumbu] 1998–99 2005.779 Indonesian Ambassador to Australia, silk, natural dyes; warp ikat, twining 2005 221.0 x 103.6 cm Coromandel coast 2005.358 Gift of Y Bhg Datuk Amar (Dr) Traded to Sumatra, Indonesia Leonard Linggi Jugah and Datin Amar Ceremonial textile [kain sembagi] Malay people Margaret Linggi 2005 18th century Sumatra 2005.660 cotton, natural mordants and dyes; Group of 11 pairs of pillow ends mordant painting and printing, batik [muka bantal] early 20th century 265.0 x 111.0 cm silk, metal-wrapped thread, velvet, 2005.780 sequins, cotton, paper; embroidery: Coromandel coast couching, appliqué

National gallery of Australia Annual Report 2005–06 197 INTERNATIONAL Rock, paper, scissors teapot 2003 HOBIN, Agneta DECORATIVE ARTS sterling silver, stainless steel, enamel born Finland 1945 paint Ghiacciaio 2005 AND DESIGN 15.0 x 20.0 x 13.0 cm woven stainless steel, mica and BABETTO, Giampaolo 2005.1186 nickel born Italy 1947 DOBLER, Georg 183.0 x 182.0 x 18.0 cm Ring 2001 born Germany 1952 2005.1180 18 carat white gold, pigment, niello Brooch 2000 4.2 x 3.0 x 2.8 cm oxidised silver, amethyst ISUPOV, Sergei 2006.15 6.00 x 7.00 x 1.5 cm born Ukraine 1963 2005.592 to United States of America 1992 Necklace 1994 To be object of attentions 2004 18 carat white gold, pigment FORTESCUE, Donald porcelain with underglaze painting 25.0 x 25.0 x 2.0 cm born Australia 1957 56.0 x 38.0 x 38.0 cm 2006.16 to United States of America 1997 2005.1189 BRENNAND-WOOD, Michael Lean 2004 born Great Britain 1953 rosewood JACOBI, Ritzi Died pretty- Flag of convenience 180.0 x 180.0 x 30.0 cm born Romania 1941 2005 2005.1185 embroidered flowers, acrylic, plastic to West Germany 1970 Trinity 2005 toy soldiers, wire, paint tubes, fabric, FREDA, David coconut fibre, cotton, painted cloth resin on wood panel born United States of America 1953 195.0 x 215.0 x 20.0 cm 114.0 x 165.0 x 10.0 cm Stag beetles, grubs and raspberries 2005.1191 2006.20 2001 fine silver, sterling silver, 24 carat JÜNGER, Hermann CASANOVAS, Claudi yellow gold, 18 carat yellow gold, Germany 1928–Germany 2005 born Spain 1956 glass enamels Necklace c. 2000 Llosa de Leku 2003 pendant 11.5 x 5.0 x 4.0 cm porcelain with felspar and volcanic 2006.13 gold, silver, lapis lazuli, painted grit medium density fibreboard case 34.0 x 86.0 x 65.0 cm FUJIMOTO, Tetsuo case 1.0 x 15.0 x 15.0 cm Gift of Raphy Star born Japan 1952 Gift of Helen Drutt English through 2005.591 Work ‘03 2003 The American Friends of the hemp cloth, poyester thread, silver, Australian National Gallery CHURCH, Sharon sheer Pellon backing, reactive dyes 2005.1031 born United States of America 1948 180.0 x 310.0 x 20.0 cm Shimmer 2003 2005.1187 KANEKO, Jun carved boxwood, lemonwood, born Japan 1942 diamonds, silver, buttermilk paint FUKAMI, Sueharu to United States of America 1963 and lacquer born Japan 1947 untitled triangle Dango 2004 approx. 14.5 x 5.0 x 3.7 cm Scene II 2004 glazed stoneware 2006.14 porcelain with celadon glaze; 147.0 x 114.0 x 48.0 cm mikiage stone stand; copper-plated COOK, Lia Acquired with funds donated by stainless steel stand and mounts born United States of America 1942 Raphy Star 180.0 x 43.0 x 41.0 cm Big beach boy 2003 2005.588 stand 7.5 x 43.0 x 41.0 cm woven cotton Acquired with funds donated by 426.00 x 137.00 x 0.5 cm untitled Oval 1994 Raphy Star 2005.947 glazed stoneware 2005.590.A-B 7.0 x 72.5 x 56.0 cm DA SILVA, Marilyn Acquired with funds donated by born United States of America 1952 Raphy Star

198 National gallery of Australia Annual Report 2005–06 2005.589 30.0 x 145.0 x 30.0 cm Bello’s presence V 2003 LINSSEN, Nel 2006.3 gold, silver, zinc, paint born The Netherlands 1935 14.8 x 14.5 x 0.7 cm Necklace wave 2005 MORRIS, William 2005.353 reinforced paper, elastic thread born USA 1957 4.0 x 18.0 x 18.0 cm Pair of vessels 1980 SPECKNER, Bettina born Germany 1962 2006.10 blown glass A 40.0 x 28.0 x 12.0 cm Box 2004 silver, photo etching on zinc, Necklace round 2005 B 28.0 x 27.0 x 10.0 cm moonstones reinforced paper, elastic thread Gift of Klaus Moje 2006.660.A-B 1.7 x 7.8 x 5.7 cm 3.5 x 18.0 x 18.0 cm 2006.8 2006.11 REGAN, David Bowl 2000 born United States of America 1964 silver, photo etching on zinc, coral Necklace wave 2005 Eagle 2004 cameo reinforced paper, elastic thread glazed porcelain 2.5 x 6.0 x 6.0 cm 4.0 x 18.0 x 18.0 cm 51.0 x 56.0 x 28.0 cm 2006.9 2006.12 2005.1190 SRÁMKOVÁ, Ivana MANZ, Bodil RODRIGUEZ, Pedro designer born Czechoslovakia 1960 born Denmark 1943 Spain 1895–1990 Figure – Robot 2004 Cylinder no 2 with black and blue PEDRO RODRIGUEZ fashion cast glass and Japanese orange and yellow house 188.5 x 37.0 x 31.0 cm 2005 Spain 1917–1978 2006.18 glazed porcelain with transfers Evening gown with stole c. 1967 10.5 x 12.0 x 12.0 cm silk with gold thread, sequin and SVENSSON, Tore 2005.1181 artificial gemstone embroidery born Sweden 1948 143.0 x 67.0 cm The dresses of Queen Margareta Cylinder no 3 with lilac and black Gift of Carmen Scott 2000 and Japanese yellow 2005 2006.658.A–B iron and gilt glazed porcelain with transfers 6.0 x 59.0 x 1.0 cm Gift of Helen Drutt English through 12.0 x 14.0 x 14.0 cm SAXE, Adrian the American Friends of the 2005.1182 born USA 1943 Nirvanarrhea 2002 Australian National Gallery 2005.1033 Cylinder no 4 with black and blue glazed stoneware, earthenware and Japanese red 2005 and porcelain; artificial gemstones, TURNER, Robert glazed porcelain with transfers lacquered wood United States of America 1913– 16.0 x 19.0 x 19.0 cm overall 160.0 x 87.0 x 76.0 cm United States of America 2005 2005.1183 stand 35.5 x 61.0 x 61.0 cm 2005.946.A-P Form: Pre-circle/square 1970 glazed stoneware Cylinder no 5 with black and SHIRK, Helen 36.0 x 30.0 x 30.0 cm Japanese red and yellow 2005 born United States of America 1942 Gift of John F. Turner, Robert H. glazed porcelain with transfers Violet hood: Commemorative cup Turner and Rosalind Turner Zuses in 19.0 x 23.0 x 23.0 cm XVIII 2005 honour of their father Robert Turner; 2005.1184 copper, patina, coloured pencil courtesy Helen Drutt: Philadelphia. 47.0 x 51.0 x 28.0 cm 2005.1032 MAREŠ, Ivan 2005.1188 born Czech Republic 1956 unknown maker Spool 2005 SMIT, Robert India cast glass born The Netherlands 1941 Dance dress c. 1925

National gallery of Australia Annual Report 2005–06 199 silk/cotton voile with bugle bead 2006.413 Tama II 1980 embroidery synthetic polymer paint, pencil, on 93.0 x 220.0 cm INTERNATIONAL ART board Gift of Darani Lewers – PAINTING (overall) 91.2 x 91.0 x 5.6 cm 2006.659 BEUYS, Joseph Gift of Dr K David G Edwards Germany 1921–1986 (ret.), from the David and Margery VIGELAND, Tone Painting version 1–90 1976 Edwards New York Art Collection, born Norway 1938 oil paint and butter on paper 2005 Necklace 2001 75.5 x 55.9 cm 2005.387 silver Gift of Dr K David G Edwards length 105.0 cm (ret.), from the David and Margery POONS, Larry 2006.17 Edwards New York Art Collection, born Japan 1937 2005 United States from 1940 WATKINS, David 2005.427 Mover 1972 born United Kingdom 1940 synthetic polymer paint on canvas Torus 300: Mist over water 2003 GIMBLETT, Max canvas 173.0 x 271.0 cm anodised aluminium born New Zealand 1935 frame 176.0 x 274.0 x 4.0 cm 30.0 x 30.0 x 0.3 cm United States of America from 1974 Gift of Jon Plapp and Richard 2006.4 The Master said tears 1990 McMillan 2005 oil and synthetic polymer paint on 2005.364 In the gardens of Arqua Petrarca, canvas brooch 2003 irregular 114.5 x 115.0 x 6.5 cm International Art – stainless steel Gift of Dr K David G Edwards Sculpture approx. 11.0 x 11.0 x 0.3 cm (ret.), from the David and Margery BEUYS, Joseph 2006.5 Edwards New York Art Collection, Germany 1921–1986 2005 Ja, ja, ja, ja, ja, nee, nee, nee, nee, In the gardens of Arqua Petrarca, 2005.419 nee [Yes, yes, yes, yes, yes, no, no, no, bangle 2003 no, no] 1969 stainless steel For David and Margery Edwards felt squares, 32 minute audiotape, 14.5 x 14.5 x 0.3 cm 1988–90 comp 15.0 x 25.0 x 25.0 cm 2006.6 synthetic polymer paint, metallic Gift of Dr K David G Edwards pigment (ret.), from the David and Margery In the palaces of the night, bangle approx. 76.2 x 58.4 cm Edwards New York Art Collection, 2004 Gift of Dr K David G Edwards 2005 stainless steel, plasma-coated (ret.), from the David and Margery 2005.428.A–T 15.0 x 15.0 x 0.3 cm Edwards New York Art Collection, 2006.7 2005 ERNST, Max 2005.418 Germany 1891–France 1976 ZYNSKY, Toots United States born United States of America 1951 KURAHARA, Ted Habakuk 1934/1970/1995–98 Pennellata 2004 born United States of America 1925 bronze, patina glass ‘Filet de Verre’ Double Mars black over Pyrrole red 27.0 x 59.5 x 31.0 cm 449.9 x 162.9 x 162.9 cm (For M.E) mid-1980s 2006.19 2006.509 oil on canvas PACIFIC ART comp 182.8 x 182.8 cm GLASS, Ingo Gift of Dr K David G Edwards born Romania 1941 2005.426.A-B (ret.), from the David and Margery Germany from 1979 Solomon Islands Edwards New York Art Collection, Halber Spitzbogen II (Half an arc, Ceremonial house post 19th century 2005 point of the bow) 1987 wood 2005.392.A-B steel 128 cm (height) 75.0 x 40.0 x 1.8 cm

200 National gallery of Australia Annual Report 2005–06 Gift of Dr K David G Edwards Type C colour photograph (ret.), from the David and Margery image 38.2 x 57.2 cm BRUEHL, Anton Edwards New York Art Collection, Gift of Peter Fay 2005 Australia 1900–United States 1982 2005 2005.819 United States from 1919 2005.417 Seated blonde woman in bathing Deep shadows 1983 costume with nets 1950s JUDD, Donald Type C colour photograph dye-transfer colour photograph United States of America 1928–1994 image 38.2 x 57.2 cm image 47.8 x 36.8 cm Untitled 1967 Gift of Peter Fay 2005 sheet 50.3 x 40.8 cm stainless steel 2005.818 Gift of Anton Bruehl Jr through the 51.2 x 60.9 x 6.4 cm American Friends of the National Gift of Dr K David G Edwards ACKERMAN LITHOGRAPH Gallery 2006 (ret.), from the David and Margery Established New York 2006.152 Edwards New York Art Collection, BROWN, Eliphalet 2005 Temple at Tumai, Lew Chew Dolores 1933 2005.429 (Ryukyu) 1856 gelatin silver photograph from the series Volume 1 of Hawks, image 49.4 x 39.6 cm LIM, Choong-Sup Francis L., compiler: Narrative of sheet 50.2 x 40.3 cm born Korea 1941 the Expedition of an American support 54.4 x 44.4 cm United States of America from 1973 chromolithograph after a Gift of Anton Bruehl Jr through the American Friends of the National Blebs 1992 daguerreotype image 23.2 x 16.0 cm Gallery 2006 wood, metal, Perspex, film sheet 29.1 x 21.6 cm 2006.141 A 28.6 x 28.6 x 23.2 cm 2006.319 B 28.0 x 28.9 x 23.6 cm Top hats 1929 Gift of Dr K David G Edwards Regent of Lew Chew 1856 gelatin silver photograph (ret.), from the David and Margery from the series Vol one of Hawks, image 35.2 x 27.3 cm Edwards New York Art Collection, Francis L., compiler: Narrative of Gift of Anton Bruehl Jr through the 2005 the Expedition of an American American Friends of the National 2005.426.A–B chromolithograph after a Gallery 2006 daguerreotype 2006.52 TWOMBLY, Cy oval 16.2 x 12.2 cm Porch with hanging corncobs, born United States of America 1929 sheet 28.6 x 22.1 cm Mexico 1933 2006.320 Untitled 2005 gelatin silver photograph bronze image 42.4 x 33.0 cm BROWN, Eliphalet 368.3 x 88.9 x 34.3 cm sheet 50.8 x 40.6 cm 2006.384 DUVAL, PS Gift of Anton Bruehl Jr through the Established Philadelphia American Friends of the National INTERNATIONAL ART – Buddhist priest at Simoda c. 1856 Gallery 2006 PHOTOGRAPHY chromolithograph after a 2006.129 daguerreotype AUBRY, Charles image 22.0 x 29.2 cm France 1811–1877 Mexican woman with baby in sheet 15.0 x 22.4 cm 1933 Study of a flowering potted plant shawl 2006.321 gelatin silver photograph 1865 image 43.2 x 35.2 cm albumen silver photograph Woman of Simoda c. 1856 sheet 45.8 x 37.2 cm image 35.2 x 25.7 cm chromolithograph after a Gift of Anton Bruehl Jr through the 2005.1195 daguerreotype American Friends of the National image 22.0 x 15.0 cm Gallery 2006 BOTTO, Ken sheet 22.0 x 22.4 cm 2006.147 born United States of America 1937 2006.322 Dorothy’s house 1986

National gallery of Australia Annual Report 2005–06 201 Chemical tanks 1927 Building with verandas and trees image 26.8 x 24.2 cm gelatin silver photograph in foreground 1927 sheet 27.9 x 35.2 cm image 42.5 x 35.0 cm gelatin silver photograph Gift of Anton Bruehl Jr through the sheet 50.6 x 40.5 cm image 47.9 x 38.0 cm American Friends of the National Gift of Anton Bruehl Jr through the sheet 50.4 x 40.4 cm Gallery 2006 American Friends of the National Gift of Anton Bruehl Jr through the 2006.62 Gallery 2006 American Friends of the National 2006.154 Gallery 2006 Mexican woman with child on 2006.148 back in sling 1933 Mexican woman with baby, flowers gelatin silver photograph in foreground 1933 Mexican man wearing hat, hands image 27.2 x 35.2 cm dye-transfer colour photograph up to face, resting on bowl 1933 sheet 27.8 x 35.4 cm image 34.4 x 27.4 cm gelatin silver photograph Gift of Anton Bruehl Jr through the sheet 35.5 x 27.9 cm image 41.6 x 34.0 cm American Friends of the National support 40.4 x 33.0 cm sheet 42.7 x 35.6 cm Gallery 2006 Gift of Anton Bruehl Jr through the support 57.2 x 48.1 cm 2006.66 American Friends of the National Gift of Anton Bruehl Jr through the Gallery 2006 American Friends of the National Portrait of a Mexican man, close- 2006.138 Gallery 2006 up 1933 2006.163 gelatin silver photograph Ballet in the studio 1952 image 34.9 x 27.4 cm dye transfer colour photograph Portrait of a Mexican woman 1933 sheet 35.3 x 27.8 cm image 35.4 x 27.7 cm gelatin silver photograph Gift of Anton Bruehl Jr through the support 40.6 x 33.2 cm image 35.1 x 27.4 cm American Friends of the National Gift of Anton Bruehl Jr through the sheet 35.4 x 27.8 cm Gallery 2006 American Friends of the National Gift of Anton Bruehl Jr through the 2006.68 Gallery 2006 American Friends of the National 2006.134 Gallery 2006 Man at fruit and nut stall in 2006.56 market 1933 Mexican woman 1933 gelatin silver photograph Portrait of a Mexican boy looking gelatin silver photograph image 34.4 x 26.9 cm through branches 1933 image 43.2 x 36.0 cm sheet 35.4 x 27.6 cm gelatin silver photograph sheet 50.2 x 40.3 cm Gift of Anton Bruehl Jr through the image 35.2 x 27.2 cm support 59.5 x 50.6 cm American Friends of the National sheet 35.6 x 27.8 cm Gift of Anton Bruehl Jr through the Gift of Anton Bruehl Jr through the Gallery 2006 American Friends of the National American Friends of the National 2006.69 Gallery 2006 Gallery 2006 2006.132 2006.57 Mexican woman with shawl over head 1933 Aerial view of Mexican woman in Portrait of Marlene Dietrich, hand gelatin silver photograph 1933 market up near head 1935 image 35.1 x 27.3 cm gelatin silver photograph gelatin silver photograph sheet 35.4 x 27.6 cm image 49.1 x 39.6 cm image 35.5 x 27.7 cm Gift of Anton Bruehl Jr through the sheet 50.1 x 40.5 cm Gift of Anton Bruehl Jr through the American Friends of the National support 52.6 x 44.6 cm American Friends of the National Gallery 2006 Gift of Anton Bruehl Jr through the Gallery 2006 2006.71 American Friends of the National 2006.61 Gallery 2006 Portrait of a Mexican man 1933 2006.162 Cactus 1932 gelatin silver photograph gelatin silver photograph image 34.0 x 26.4 cm sheet 35.4 x 27.6 cm

202 National gallery of Australia Annual Report 2005–06 Gift of Anton Bruehl Jr through the Design study (Pennsylvania station American Friends of the National American Friends of the National glass roof) 1924–26 Gallery 2006 Gallery 2006 gelatin silver photograph 2006.111 2006.64 image 12.2 x 9.4 cm sheet 20.4 x 15.2 cm Portrait of Mexican man with Design study 1924–26 Gift of Anton Bruehl Jr through the sombrero, head bowed 1933 gelatin silver photograph American Friends of the National gelatin silver photograph image 12.6 x 10.0 cm Gallery 2006 image 24.6 x 19.7 cm sheet 18.8 x 15.3 cm 2006.83 sheet 25.4 x 20.5 cm Gift of Anton Bruehl Jr through the Gift of Anton Bruehl Jr through the American Friends of the National Dolores 1933 American Friends of the National Gallery 2006 Gallery 2006 gelatin silver photograph 2006.82 2006.84 image 35.4 x 28.1 cm Gift of Anton Bruehl Jr through the Sombreros 1933 Carol Edmonson, painter 1935 American Friends of the National gelatin silver photograph gelatin silver photograph Gallery 2006 image 34.6 x 27.0 cm image 35.2 x 27.2 cm 2006.136 sheet 35.5 x 27.7 cm sheet 48.3 x 38.0 cm Gift of Anton Bruehl Jr through the Gift of Anton Bruehl Jr through the Hands of the potter 1933 American Friends of the National American Friends of the National gelatin silver photograph Gallery 2006 Gallery 2006 image 34.3 x 26.6 cm 2006.139 2006.86 sheet 35.5 x 35.3 cm Gift of Anton Bruehl Jr through the Mexican boy riding donkey 1933 Aerial view of two sailboats 1930s American Friends of the National gelatin silver photograph gelatin silver photograph Gallery 2006 image 34.5 x 41.6 cm image 24.2 x 19.4 cm 2006.55 sheet 35.6 x 42.8 cm Gift of Anton Bruehl Jr through the Gift of Anton Bruehl Jr through the American Friends of the National Mexican girl with wooden cages American Friends of the National Gallery 2006 above 1933 Gallery 2006 2006.95 gelatin silver photograph 2006.130 image 24.5 x 19.4 cm Dolores seated on chair, another Gift of Anton Bruehl Jr through the Two girls sitting on sofa looking at girl seated to the left on the floor American Friends of the National a book [n.d.] 1933 Gallery 2006 gelatin silver photograph gelatin silver photograph 2006.81 image 35.8 x 43.4 cm image 33.4 x 26.5 cm support (irreg) 38.5 x 46.0 cm support Portrait of Marlene Dietrich 1935 Gift of Anton Bruehl Jr through the Gift of Anton Bruehl Jr through the gelatin silver photograph American Friends of the National American Friends of the National image 24.1 x 19.5 cm Gallery 2006 Gallery 2006 sheet 35.2 x 28.0 cm 2006.143 2006.140 Gift of Anton Bruehl Jr through the American Friends of the National Female nude on rock [n.d.] Pears, all but one in metal dish Gallery 2006 gelatin silver photograph 1926 2006.58 image 26.5 x 34.2 cm gelatin silver photograph sheet 27.6 x 35.6 cm image 42.2 x 34.8 cm Portrait of Marlene Dietrich, support 32.4 x 40.6 cm reflected1935 support 50.8 x 41.0 cm Gift of Anton Bruehl Jr through the Direct positive colour photograph Gift of Anton Bruehl Jr through the American Friends of the National image 35.6 x 27.6 cm American Friends of the National Gallery 2006 sheet 40.4 x 32.6 cm Gallery 2006 2006.144 2006.159 Gift of Anton Bruehl Jr through the

National gallery of Australia Annual Report 2005–06 203 Boy offering bunch of red roses Gift of Anton Bruehl Jr through the Woman in bathing costume against [n.d.] American Friends of the National rocks [n.d.] dye transfer colour photograph Gallery 2006 gelatin silver photograph image 33.6 x 40.3 cm 2006.103 image 34.6 x 27.2 cm sheet (irregular) 34.9 x 42.0 cm support 48.2 x 38.2 cm Gift of Anton Bruehl Jr through the Woman on stage wearing tulle Gift of Anton Bruehl Jr through the American Friends of the National crinoline dress [n.d.] American Friends of the National Gallery 2006 gelatin silver photograph Gallery 2006 2006.145 image 34.7 x 27.2 cm 2006.123 support 48.2 x 38.0 cm Ballet dressing room [n.d.] Gift of Anton Bruehl Jr through the Seamstress with mannequins [n.d.] gelatin silver photograph American Friends of the National gelatin silver photograph Gallery 2006 image 28.4 x 43.2 cm image 43.3 x 36.1 cm 2006.126 sheet 33.2 x 46.6 cm sheet 50.3 x 40.6 cm Gift of Anton Bruehl Jr through the support 59.8 x 50.7 cm Bowl and jug on table [n.d.] American Friends of the National gelatin silver photograph Gift of Anton Bruehl Jr through the Gallery 2006 image 12.1 x 9.6 cm American Friends of the National 2006.150 sheet 18.7 x 14.6 cm Gallery 2006 Gift of Anton Bruehl Jr through the 2006.156 Steel pillar, pulley and rope [n.d.] American Friends of the National gelatin silver photograph Gallery 2006 Young woman in shorts lying on image 35.1 x 27.4 cm 2006.100 rock holding a cigarette [n.d.] sheet 35.5 x 27.7 cm gelatin silver photograph Gift of Anton Bruehl Jr through the Actress in leather coat sitting on image 35.9 x 43.2 cm American Friends of the National trolley [n.d.] sheet 40.8 x 50.4 cm Gallery 2006 gelatin silver photograph Gift of Anton Bruehl Jr through the 2006.133 image 34.6 x 27.2 cm American Friends of the National support 48.2 x 38.1 cm Gallery 2006 Little girl with sea shell to ear [n.d.] Gift of Anton Bruehl Jr through the 2006.149 dye transfer colour photograph American Friends of the National image 32.9 x 24.6 cm Gallery 2006 Man’s hands fixing piano hammers support 35.4 x 27.7 cm 2006.122 [n.d.] Gift of Anton Bruehl Jr through the gelatin silver photograph American Friends of the National Portrait of James Cagney [n.d.] image 43.3 x 36.0 cm Gallery 2006 gelatin silver photograph sheet 50.2 x 40.3 cm 2006.142 image 34.6 x 27.2 cm support 48.2 x 38.1 cm Gift of Anton Bruehl Jr through the American Friends of the National Pollarded trees [n.d.] Gift of Anton Bruehl Jr through the Gallery 2006 gelatin silver photograph American Friends of the National image 43.5 x 35.9 cm Gallery 2006 2006.153 sheet 50.2 x 40.6 cm 2006.125 support 59.4 x 50.7 cm Seated woman in black dress with Gift of Anton Bruehl Jr through the Woman wearing pearl necklace, dancer standing behind [n.d.] American Friends of the National hand holding sword in dye transfer colour photograph Gallery 2006 foreground [n.d.] image 35.5 x 27.8 cm 2006.158 gelatin silver photograph support 40.6 x 33.1 cm image 34.6 x 27.2 cm Gift of Anton Bruehl Jr through the Reclining man [n.d.] support 48.2 x 38.0 cm American Friends of the National Gift of Anton Bruehl Jr through the gelatin silver photograph Gallery 2006 American Friends of the National image 20.8 x 15.6 cm 2006.118 Gallery 2006 sheet 21.7 x 16.7 cm 2006.127

204 National gallery of Australia Annual Report 2005–06 Little girl in front of blackboard Gift of Anton Bruehl Jr through the gelatin silver photograph [n.d.] American Friends of the National image 16.5 x 21.9 cm dye transfer colour photograph Gallery 2006 Gift of Anton Bruehl Jr through the image 31.2 x 39.3 cm 2006.99 American Friends of the National Gift of Anton Bruehl Jr through the Gallery 2006 American Friends of the National Farmhouses with tree in 2006.80 Gallery 2006 foreground [n.d.] 2006.160 gelatin silver photograph Elderly man and woman reading image 22.2 x 18.0 cm [n.d.] Actress seated on stage [n.d.] Gift of Anton Bruehl Jr through the gelatin silver photograph gelatin silver photograph American Friends of the National image 12.6 x 15.9 cm image 43.2 x 36.0 cm Gallery 2006 Gift of Anton Bruehl Jr through the sheet 50.6 x 40.8 cm 2006.102 American Friends of the National Gift of Anton Bruehl Jr through the Gallery 2006 American Friends of the National Vase on window ledge [n.d.] 2006.110 Gallery 2006 gelatin silver photograph 2006.151 image 20.2 x 15.5 cm Portrait of a man with ship’s wheel Gift of Anton Bruehl Jr through the in foreground [n.d.] Gear parts [n.d.] American Friends of the National gelatin silver photograph dye-transfer colour photograph Gallery 2006 image 34.4 x 26.6 cm image 29.8 x 25.0 cm 2006.104 sheet 34.9 x 27.5 sheet 31.4 x 27.1 cm Gift of Anton Bruehl Jr through the Gift of Anton Bruehl Jr through the Elderly woman sitting next to American Friends of the National American Friends of the National window [n.d.] Gallery 2006 Gallery 2006 gelatin silver photograph 2006.112 2006.73 image 20.6 x 15.8 cm Gift of Anton Bruehl Jr through the View across boats to buildings Young woman with driftwood, American Friends of the National [n.d.] side-lit [n.d.] Gallery 2006 gelatin silver photograph gelatin silver photograph 2006.105 image 34.6 x 27.5 cm image 24.5 x 19.4 cm sheet 35.3 x 27.9 cm sheet 25.2 x 20.2 cm Still life of pitcher and apples [n.d.] Gift of Anton Bruehl Jr through the Gift of Anton Bruehl Jr through the gelatin silver photograph American Friends of the National American Friends of the National image 10.4 x 9.3 cm Gallery 2006 Gallery 2006 sheet (irregular) 20.6 x 15.9 cm 2006.114 2006.97 Gift of Anton Bruehl Jr through the American Friends of the National Little girl with pink cheeks wearing SS. George Washington [n.d.] Gallery 2006 bonnet and coat [n.d.] gelatin silver photograph 2006.108 dye transfer colour photograph image 19.6 x 24.6 cm image 29.0 x 25.6 cm sheet 20.4 x 25.2 cm Pulleys and rope [n.d.] support (irreg) 33.6 x 27.6 cm Gift of Anton Bruehl Jr through the gelatin silver photograph Gift of Anton Bruehl Jr through the American Friends of the National image 12.0 x 9.4 cm American Friends of the National Gallery 2006 sheet 21.5 x 16.5 cm Gallery 2006 2006.98 Gift of Anton Bruehl Jr through the 2006.117 American Friends of the National Self-portrait with camera and lights Gallery 2006 Portrait of Marlene Dietrich [n.d.] 2006.109 wearing fur coat 1935 gelatin silver photograph gelatin silver photograph image 24.8 x 19.6 cm Portrait of a young woman leaning image 34.6 x 27.2 cm sheet 25.2 x 20.6 cm against wall [n.d.] support 48.2 x 38.0 cm

National gallery of Australia Annual Report 2005–06 205 Gift of Anton Bruehl Jr through the Woman in bathing costume Design study – wooden American Friends of the National against rocks [n.d.] construction [n.d.] Gallery 2006 gelatin silver photograph gelatin silver photograph 2006.121 image 32.0 x 25.2 cm image 12.0 x 9.4 cm sheet 32.4 x 25.7 cm sheet 20.2 x 15.3 cm Rope and barrels [n.d.] Gift of Anton Bruehl Jr through the Gift of Anton Bruehl Jr through the gelatin silver photograph American Friends of the National American Friends of the National image 27.3 x 34.8 cm Gallery 2006 Gallery 2006 sheet 27.8 x 35.3 cm 2006.74 2006.79 Gift of Anton Bruehl Jr through the American Friends of the National Portrait of a man with pipe [n.d.] Woman wearing hat sitting on Gallery 2006 gelatin silver photograph step [n.d.] 2006.54 image 21.5 x 17.2 cm gelatin silver photograph support 34.0 x 26.6 cm image 12.1 x 9.3 cm New York fire escape [n.d.] Gift of Anton Bruehl Jr through the sheet 20.4 x 14.8 cm gelatin silver photograph American Friends of the National Gift of Anton Bruehl Jr through the image 35.8 x 24.9 cm Gallery 2006 American Friends of the National Gift of Anton Bruehl Jr through the 2006.53 Gallery 2006 American Friends of the National 2006.85 Gallery 2006 Two children looking at Abraham 2006.59 Lincoln statue [n.d.] Coiled rope with shadow of gelatin silver photograph mast [n.d.] Lamp [n.d.] image 26.5 x 32.9 cm gelatin silver photograph sheet 26.8 x 33.5 cm gelatin silver photograph image 24.8 x 19.8 cm Gift of Anton Bruehl Jr through the image 35.0 x 27.5 cm sheet 25.7 x 20.3 cm American Friends of the National sheet 35.3 x 28.0 cm Gift of Anton Bruehl Jr through the Gallery 2006 Gift of Anton Bruehl Jr through the American Friends of the National 2006.75 American Friends of the National Gallery 2006 Gallery 2006 2006.77 Washing on line outside tenement 2006.63 [n.d.] gelatin silver photograph Wooden house with tree and fence Mary – of New York [n.d.] image 20.5 x 15.8 cm in foreground [n.d.] gelatin silver photograph sheet 21.5 x 16.4 cm gelatin silver photograph image 27.4 x 34.8 cm Gift of Anton Bruehl Jr through the image 35.0 x 27.4 cm sheet 28.0 x 35.3 cm American Friends of the National sheet 35.3 x 27.9 cm Gift of Anton Bruehl Jr through the Gallery 2006 Gift of Anton Bruehl Jr through the American Friends of the National 2006.76 American Friends of the National Gallery 2006 Gallery 2006 2006.65 Two lines of washing outside 2006.87 tenement [n.d.] Fishing boat with nets [n.d.] gelatin silver photograph Jetty with barrels [n.d.] gelatin silver photograph image 9.3 x 12.2 cm gelatin silver photograph image 31.9 x 26.9 cm sheet 15.6 x 19.1 cm image 34.6 x 27.5 cm sheet 35.4 x 28.2 cm Gift of Anton Bruehl Jr through the sheet 35.3 x 27.9 cm Gift of Anton Bruehl Jr through the American Friends of the National Gift of Anton Bruehl Jr through the American Friends of the National Gallery 2006 American Friends of the National Gallery 2006 2006.78 Gallery 2006 2006.70 2006.88

206 National gallery of Australia Annual Report 2005–06 Young woman in doorway, arm sheet 26.2 x 33.0 cm Gallery 2006 raised [n.d.] Gift of Anton Bruehl Jr through the 2006.107 gelatin silver photograph American Friends of the National image 34.6 x 25.0 cm Gallery 2006 GE lightbulbs [n.d.] sheet 37.4 x 27.8 cm 2006.67 gelatin silver photograph Gift of Anton Bruehl Jr through the image 34.5 x 26.9 cm Man wearing hat smoking pipe American Friends of the National sheet 35.4 x 28.0 cm [n.d.] Gallery 2006 Gift of Anton Bruehl Jr through the gelatin silver photograph American Friends of the National 2006.90 image 20.0 x 15.1 cm Gallery 2006 Gift of Anton Bruehl Jr through the 2006.146 Flamenco dancer with musicians American Friends of the National Pipes and light [n.d.] c. 1935 Gallery 2006 gelatin silver photograph Gasparcolor colour photograph 2006.106 image 24.4 x 19.5 cm image 35.6 x 27.7 cm Gift of Anton Bruehl Jr through the sheet 40.6 x 33.0 cm Boxer leaning against ropes seen American Friends of the National Gift of Anton Bruehl Jr through the from below [n.d.] Gallery 2006 American Friends of the National gelatin silver photograph 2006.96 Gallery 2006 image 34.8 x 27.4 cm 2006.91 support 48.2 x 38.1 cm Cotton reels [n.d.] Gift of Anton Bruehl Jr through the gelatin silver photograph Female nude on rock [n.d.] American Friends of the National image 24.8 x 19.8 cm gelatin silver photograph Gallery 2006 sheet 35.2 x 27.8 cm image 27.3 x 34.6 cm 2006.120 Gift of Anton Bruehl Jr through the sheet 38.0 x 48.2 cm American Friends of the National Gift of Anton Bruehl Jr through the Boxer leaning against ropes seen Gallery 2006 American Friends of the National from below [n.d.] 2006.72 Gallery 2006 gelatin silver photograph 2006.92 image 42.6 x 35.2 cm Four roses c. 1950 Pulleys and bell [n.d.] support 55.4 x 45.4 cm direct positive colour photograph gelatin silver photograph Gift of Anton Bruehl Jr through the image 26.6 x 34.2 cm image 24.6 x 19.6 cm American Friends of the National sheet 27.8 x 35.4 cm sheet 25.0 x 20.2 cm Gallery 2006 Gift of Anton Bruehl Jr through the Gift of Anton Bruehl Jr through the 2006.157 American Friends of the National American Friends of the National Gallery 2006 Gallery 2006 Tribal man, drumming [n.d.] 2006.128 2006.93 gelatin silver photograph image 42.9 x 35.6 cm Marlene Dietrich, Hollywood 1935 On board a boat – grappling iron sheet 50.2 x 40.4 cm direct positive colour photograph [n.d.] support 59.0 x 50.6 cm printed 1998 gelatin silver photograph Gift of Anton Bruehl Jr through the image 34.6 x 26.8 cm image 24.9 x 19.4 cm American Friends of the National sheet 35.3 x 27.8 cm sheet 25.7 x 20.3 cm Gallery 2006 Gift of Anton Bruehl Jr through the Gift of Anton Bruehl Jr through the 2006.155 American Friends of the National American Friends of the National Camera and lights set up to Gallery 2006 Gallery 2006 photograph model reindeers in 2006.113 2006.94 pretend snow [n.d.] gelatin silver photograph Naked woman with yarn wound Tableau of Mary and Joseph with image 18.2 x 12.2 cm around her [n.d.] shepherds [n.d.] Gift of Anton Bruehl Jr through the gelatin silver photograph Gasparcolor colour photograph American Friends of the National image 44.0 x 33.5 cm image 26.0 x 33.0 cm

National gallery of Australia Annual Report 2005–06 207 sheet 46.2 x 37.0 cm Gallery 2006 albumen silver photograph support 57.4 x 50.7 cm 2006.124 image 30.0 x 23.0 cm Gift of Anton Bruehl Jr through the 2006.429 American Friends of the National Woman picking apples [n.d.] Gallery 2006 Direct positive colour photograph His Majesty King Chulalongkorn, 2006.135 image 34.0 x 26.7 cm Fifth Rama of the Chakri Dynasty sheet 35.4 x 27.8 cm 1890–91 Portrait of a young woman in Gift of Anton Bruehl Jr through the albumen silver photograph black dress, side-lit [n.d.] American Friends of the National image 30.0 x 23.0 cm gelatin silver photograph Gallery 2006 2006.428 image 35.2 x 27.9 cm 2006.137 Gift of Anton Bruehl Jr through the Woman wearing ornate necklace H. M. King Chulalongkorn, Rama V, American Friends of the National looking at man [n.d.] on his second coronation, October Gallery 2006 dye transfer colour photograph 1873 1873 2006.89 image 38.9 x 30.8 cm albumen silver photograph sheet 39.6 x 31.6 cm image 27.0 x 21.5 cm Portrait of Charles Laughton [n.d.] Gift of Anton Bruehl Jr through the 2006.427 gelatin silver photograph American Friends of the National image 43.6 x 35.8 cm Gallery 2006 King Chulalongkorn (Rama V) sheet 50.6 x 40.4 cm 2006.119 and his son, Crown Prince Maha support 60.0 x 50.4 cm Vajirunhis at a ceremony to mark the Prince’s 9th birthday, Bangkok Gift of Anton Bruehl Jr through the Ballerina tableau from 1887 American Friends of the National ‘Swan Lake’ [n.d.] albumen silver photograph Gallery 2006 dye transfer colour photograph image 27.5 x 21.5 cm 2006.161 image 35.6 x 27.8 cm support 40.6 x 33.2 cm 2006.662 ‘Golden Mountain’ inside the Tableau from the musical ‘Carousel’ Gift of Anton Bruehl Jr through the Palace on the occasion of the c. 1945 American Friends of the National ceremonial haircut of the heir to Gasparcolor colour photograph Gallery 2006 2006.115 the throne 1891 image 40.6 x 32.6 cm albumen silver photograph sheet 41.4 x 33.3 cm Boy getting his hair cut [n.d.] image 21.1 x 27.2 cm support 57.2 x 48.1 cm 2006.663 Gift of Anton Bruehl Jr through the dye transfer colour photograph American Friends of the National image 31.2 x 34.4 cm support 35.2 x 38.2 cm Prince Vajirunhis was escorted to Gallery 2006 the Grand Palace for his investiture 2006.131 Gift of Anton Bruehl Jr through the American Friends of the National as crown prince. Bangkok 14 January 1886 1886 Threading the needle [n.d.] Gallery 2006 2006.116 albumen silver photograph gelatin silver photograph image 21.1 x 27.2 cm image 35.5 x 27.8 cm 2006.664 Gift of Anton Bruehl Jr through the Backlit man [n.d.] gelatin silver photograph American Friends of the National Reception Bangkok, Grand Palace image 20.0 x 15.4 cm Gallery 2006 1891 Gift of Anton Bruehl Jr through the 2006.60 albumen silver photograph American Friends of the National image 21.1 x 27.2 cm Gallery 2006 Pollarded trees [n.d.] 2006.665 2006.101 gelatin silver photograph image 34.6 x 27.2 cm Royal Palace Garden statues, CHIT, Francis support 48.2 x 38.0 cm Bangkok 1891 Thailand 1830–Thailand 1891 Gift of Anton Bruehl Jr through the albumen silver photograph Her Majesty Queen SriSavarindira American Friends of the National image 27.2 x 21.1 cm 1890–91 2006.666

208 National gallery of Australia Annual Report 2005–06 DELTON, Louis Jean 992 Hatoba at Yokohama album page 30.3 x 36.5 cm France 1807–1891 1880s–1890s 2006.229 John 1861 albumen silver photograph, albumen silver carte-de-visite colour dyes Street with fish flags 1880s–1890s photograph image 19.5 x 25.3 cm albumen silver photograph, colour image 5.8 x 9.8 cm album page 30.3 x 36.5 cm dyes card 7.2 x 11.8 cm 2006.236 image 19.3 x 24.6 cm 2006.244 album page 30.3 x 36.5 cm Tour du Bois 1884 European style buildings with flag 2006.235 photogravure, letterpress pole 1880s–1890s Girl looking at hair in mirror album closed 21.5 x 32.0 cm albumen silver photograph, colour 1880s–1890s 2006.243.1–25 dyes albumen silver photograph, image 19.4 x 25.3 cm colour dyes DUBOSCQ-SOLEIL, Louis Jules album 30.3 x 36.5 cm image 24.1 x 19.2 cm album page 30.3 x 36.5 cm France 2006.238 2006.231 Seated female nude with mirror and newspaper c. 1852 No.1064 Fuji from Kashiwabara Kimbei studio advertisement stereo dagurreotype, colour dyes 1880s–1890s c. 1885 image each 6.6 x 5.6 cm albumen silver photograph, albumen silver photograph, colour overall 8.4 x 17.2 cm colour dyes dyes 2005.1192 image 19.6 x 24.6 cm image 26.0 x 20.0 cm album page 30.3 x 36.5 cm 2006.323 FUKUHARA, Shinzo 2006.237 Japan 1888–1948 Portait of a young woman, head No 418 Grand Hotel 1880s–1890s Beautiful west lake: the Light with and shoulders 1880s–1890s albumen silver photograph, colour its harmony 1931 albumen silver photograph, dyes rotogravures colour dyes image 19.4 x 25.3 cm images each 20.3 x 25.4 cm image 24.0 x 19.1 cm album page 30.3 x 36.5 cm 2005.657.1–24 album page 30.3 x 36.5 cm 2006.228 2006.234 HAMON, Neil Portrait of a young Japanese couple Three geishas in rickshaws born United Kingdom 1975 in western clothes 1885–95 1880s–1890s Albert Springer, Unteroffizier, 1941– albumen silver photograph, colour albumen silver photograph, 1944 2002 dyes colour dyes gelatin silver photograph, colour image 24.0 x 19.1 cm image 19.2 x 24.0 cm dyes album page 30.3 x 36.5 cm album page 30.3 x 36.5 cm image 39.6 x 32.0 cm 2006.233 2006.232 framed 58.0 x 49.0 cm Gift of Peter Fay 2005 Album of views of Japan 1885–95 Kioto town from Maruyama 2005.823 albumen silver photographs, 1880s–1890s colour dyes albumen silver photograph, album 28.0 x 38.0 cm KIMBEI colour dyes 2005.1193.1–62 Japan 1841–1934 image 19.4 x 25.4 cm Girl in kimono 1880s–1890s album 30.3 x 36.5 cm LEVITSKY, Lev albumen silver photograph, 2006.239 colour dyes Tsar Nicholas II of Russia and image 24.0 x 19.2 cm Sleeping girl 1880s–1890s Tsarina Alexandra with their album page 30.3 x 36.5 cm albumen silver photograph, colour children, Peterhof, 16th August 2006.230 dyes 1901 1901 image 15.1 x 22.0 cm albumen silver cabinet card sheet 19.2 x 24.1 cm image 16.5 x 10.8 cm 2006.430

National gallery of Australia Annual Report 2005–06 209 LIN, Shu-Min albumen silver carte-de-visite STONE, Clive born 1963 photograph born Aotearoa New Zealand 1950 United States of America from 1989 image 6.3 x 10.4 cm The Earnslaw in a light bulb Glass ceiling 1997–2001 card 6.5 x 10.6 cm – 5/6/95 1997 12 holograms, 132 granite tiles 2005.1196 gelatin silver photograph installed 1200.0 x 1200.0 cm image 32.8 x 44.0 cm 2005.556.1–144 Pushpamala, N Gift of Peter Fay 2005 MARVILLE, Charles born India 1956 2005.830 France 1816–1880 Sunhere Sapne (Golden Dreams): Ancien Restaurant de la Cascade A photoromance by Pushpamala N UNKNOWN PHOTOGRAPHER 1858 1998 working Japan 1880s albumen silver photograph hand coloured gelatin silver Studio portrait Japanese father image 22.3 x 36.0 cm photographs with small son 1883 2005.1198 image (each) 18.0 x 22.0 cm ambrotype in kiri wood case 2006.661.1–10 image 8.9 x 6.4 cm Le Bois de Boulogne tree study 2005.656 1858 SINGH, Dayanita UNKNOWN PHOTOGRAPHER albumen silver photograph born India 1961 working Japan 1880s image 22.3 x 36.0 cm Visitors at Anand Bhavan, Elderly Japanese couple 1890 2005.658 Allahabad 2000 gelatin silver photograph gelatin silver photograph image 27.2 x 21.2 cm MENNIE, Donald image 100.0 x 100.0 cm NGA Photography Fund: Farrell card 39.1 x 33.1 cm United States of America 1899 2006.242 The grandeur of the gorges. Family Foundation donation 2006.316 Fifty photographic studies, with UNKNOWN PHOTOGRAPHER descriptive notes, of China’s great Sumona Ghosh, Calcutta 1999 working Sri Lanka 1880s waterway, the Yangtze Kiang, gelatin silver photograph Ceylon 1880s–1890s including twelve hand-coloured image 60.0 x 60.0 cm albumen silver photograph prints NGA Photography Fund: Farrell comp 21.2 x 26.2 cm photogravures, colour pigments Family Foundation donation card 23.8 x 30.8 2005.1194.1–50 2006.317 2006.205 NAGASAKI ENLARGING CO Sybil and Sunanda, Calcutta 1997 UNKNOWN PHOTOGRAPHER established 1910 gelatin silver photograph working Sri Lanka 1880s Chinese girl with headress in profile image 40.0 x 40.0 cm Untitled [Village family] No 3369 1920 NGA Photography Fund: Farrell 1880s–1890s gelatin silver photograph, colour Family Foundation donation albumen silver photograph dyes 2006.318 image 21.5 x 26.3 cm image 14.5 x 10.2 cm 2006.209 frame 30.0 x 23.9 cm SMITH, Kiki 2006.241 born Germany 1954 UNKNOWN PHOTOGRAPHER United States of Ameriica from 1976 working Japan 1880s NEGRETTI & ZAMBRA Untitled 1997 Portrait of a Japanese man with established 1845 – 1899 ink jet print on beige chine colle on ‘kiseru’ pipe and tobacco pouch ROBINSON, William paper c. 1880 United Kingdom working 1880s– image 60.5 x 45.5 cm ambrotype in kiri wood case 1890s sheet 66.4 x 48.0 cm overall 12.0 x 10.0 cm Members of R. A. Cunningham’s Gift of Peter Fay 2005 2006.324.A–B Australian Aboriginal international 2005.829 touring company, Crystal Palace, UNKNOWN PHOTOGRAPHER London, April 1884 1884 working India c. 1885–95 Parsees c. 1885–95

210 National gallery of Australia Annual Report 2005–06 albumen silver photograph Edwards New York Art Collection, Lyle 2003 image 18.3 x 17.9 cm 2005 colour screenprint card 20.2 x 20.8 cm 2005.384 65.5 x 53.78 cm 2006.240 Gift of the American Friends of Fox II 1972 the Australian National Gallery in INTERNATIONAL ART – colour lithograph memory of William Lieberman, 2006 DRAWING image 33.5 x 37.2 cm 2006.434 FRANKENTHALER, Helen sheet 50.5 x 51.0 cm Gift of Dr K David G Edwards, COLIN, Jean United States of America born 1928 France 1912–1982 K.T’s mulberry juice plus! 1977 (ret.) from the David and Margery Edwards New York Art Collection, Omo 1960 drawing, painted sketch colour photolithograph sheet 15.6 x 24.8 cm 2005 2005.382 sheet 155.2 x 114.4 cm Gift of Kenneth Tyler and Marabeth The Poynton Bequest, 2005 Cohen-Tyler 2006 2005.368 2006.326 Do I 1973 screenprint DEGAS, Edgar image 43 x 43 cm KURAHARA, Ted France 1834–1917 sheet 64 x 64 cm United States of America born 1925 Mademoiselle Bécat aux Gift of Dr K David G Edwards, White square in black 1980 Ambassadeus [Mlle Bécat at the synthetic polymer paint, pencil, (ret.) from the David and Margery Ambassadeurs café] 1877–78 charcoal on paper Edwards New York Art Collection, lithograph overall (approx.) 76.6 x 77 cm 2005 image 33.5 x 26.5 cm sheet a 76.3 x 38.5 cm 2005.385 The Poynton Bequest, 2005 sheet b 76.6 x 38 cm 2005.949 Gift of Dr K David G Edwards, BUCAN, Boris Croatia born 1947 (ret.) from the David and Margery DELAUNAY, Sonia Firebird Petrushka [Zar Ptica] 1983 Edwards New York Art Collection, Ukraine 1885–France 1979 colour photolithograph 2005 Design for tapestry 1933–69 sheet 196.0 x 204.0 cm 2005.388.A–B lithograph The Poynton Bequest, 2005 image 43.2 x 46.0 cm 2005.371 White cross in black square 1980 Gift of Dr K David G Edwards, charcoal, pastel and pencil on paper CAPPIELLO, Leonetto (ret.) from the David and Margery 75.7 x 77 cm Italy 1878–France 1942 Edwards New York Art Collection, Gift of Dr K David G Edwards, Maurin Quina 1906 2005 (ret.) from the David and Margery colour photolithograph 2005.380 Edwards New York Art Collection, image 150.2 x 108.2 cm 2005 sheet 160 x 119.8 cm Noire [Night] 1933–69 2005.389 The Poynton Bequest, 2005 lithograph 2005.367 image 49.4 x 41.8 cm INTERNATIONAL Gift of Dr K David G Edwards, PRINTS AND Chapman Brothers (ret.) from the David and Margery ILLUSTRATED BOOKS Great Britain born 1962 and 1966 Edwards New York Art Collection, ALBERS, Anni Disasters of war 1999 2005 Germany 1899–United States of a portfolio of 83 etchings 2005.378 America 1994 etching, drypoint and aquatint E 1969 each sheet 27.0 x 35 cm Valet de Carreau 1959 The Poynton Bequest, 2005 colour screenprint colour lithograph 2005.605.1–83 image 44.5 x 40.6 cm image 41.8 x 36.4 cm sheet 62.2 x 58.4 cm Gift of Dr K David G Edwards, CLOSE, Chuck Gift of Dr K David G Edwards, (ret.) from the David and Margery United States of America born 1940 (ret.) from the David and Margery Edwards New York Art Collection,

National gallery of Australia Annual Report 2005–06 211 2005 2005.601 2005.375 PIERRE et GILLES France born 1949 and 1953 KANPO, Yoshikawa Composition #8 1973–74 Le Male 1992 Japan 1894–1979 etching with aquatint colour photolithograph The actor Kataoka Gado as Miyuki image 49.0 x 39.6 cm sheet 173.4 x 119.4 cm colour woodblock print Gift of Dr K David G Edwards, The Poynton Bequest, 2005 image 39.8 x 26.6 cm (ret.) from the David and Margery 2005.372 sheet 42.6 x 32.8 cm Edwards New York Art Collection, The Poynton Bequest, 2005 2005 GUSTON, Philip 2005.1162 2005.377 Canada 1913–United States of KAPOOR, Anish America 1980 India born 1954 Composition #0 1973–74 Room 1980 Wounds and absent objects 1998 etching with aquatint colour lithograph a portfolio of 9 hand printed image 49.3 x 39.8 cm 81.0 x 101.0 cm pigment transfer prints Gift of Dr K David G Edwards, Gift of Dr K David G Edwards, four colour pigment transfer (ret.) from the David and Margery (ret.) from the David and Margery each sheet 48.0 x 55.9 cm Edwards New York Art Collection, Edwards New York Art Collection, The Poynton Bequest, 2005 2005 2005 2005.606.1–9 2005.376 2005.381 KURAHARA, Ted Petit Carré Rouge [Little Red HIRST, Damien United States of America born 1925 Square] 1971 Great Britain born 1965 The Seasons 1989 colour lithograph Methamphetamine 2004 an illustrated book containing four image 57.2 x 44.2 cm colour etching, aquatint etchings sheet 76.3 x 57.0 cm image 177.8 x 86.4 cm colour etching Gift of Dr K David G Edwards, sheet 203.5 x 109.2 cm each page 46.0 x 11.6 cm (ret.) from the David and Margery The Poynton Bequest, 2005 overall sheet 46.0 x 174 cm Edwards New York Art Collection, 2005.604 case 46.1 x 12.2 x 4.4 cm 2005 Gift of Dr K David G Edwards, 2005.379 JONES, Allen (ret.) from the David and Margery Great Britain born 1937 Edwards New York Art Collection, ERNST, Max Shoebox 1968 2005 Germany 1891–France 1976 mixed media 2005.390 I like girls 1965 box 40.0 x 32.4 x 10.0 cm colour lithograph sheet 36.0 x 27.2 cm KURAHARA, Ted image 46.8 x 38.8 cm multiple overall size 25.0 x 15.0 x United States of America born 1925 Gift of Dr K David G Edwards, 7.0 cm By the blue wall 1993 (ret.) from the David and Margery Gift of Dr K David G Edwards, colour etching Edwards New York Art Collection, (ret.) from the David and Margery sheet 22.8 x 22.8 cm 2005 Edwards New York Art Collection, book 23.0 x 23.0 x 2.0 cm 2005 2005.383 case 25.0 x 24.4 x 3.8 cm 2005.386 Gift of Dr K David G Edwards, GAUGUIN, Paul (ret.) from the David and Margery JONES, Bill France 1848–French Polynesia 1903 Edwards New York Art Collection, Great Britain, working 1920s Miséres humaines [Human misery] 2005 Be Fair! Don’t be blinded by 1898–99 2005.391 prejudice... 1928 colour woodcut colour photolithograph image 19.2 x 29 cm LEWITT, Sol image 68.6 x 53.2 cm sheet 22.2 x 29.8 cm United States of America born 1928 sheet 71.0 x 55.8 cm The Poynton Bequest, 2005 Four colour drawing (Composite) The Poynton Bequest, 2005 2005.948 1970

212 National gallery of Australia Annual Report 2005–06 lithograph deluxe illustrated book containing image 50.8 x 40.6 cm sheet 41.4 x 184 cm five drypoints and one colour Gift of Dr K David G Edwards, Gift of Dr K David G Edwards, aquatint (ret.) from the David and Margery (ret.) from the David and Margery image sizes 98.0 x 80.0; 16.8 x 14.8; Edwards New York Art Collection, Edwards New York Art Collection, 16.8 x 14.8 cm; 16.8 x 14.8; 23.7 x 2005 2005 17.8; 21.7 x 14.5 cm 2005.396 2005.393 Gift of Robert McDougall, 2006 2006.433 Untitled 1992 LICHTENSTEIN, Roy colour screenprint United States of America 1923–1997 MOTHERWELL, Robert image 25.4 x 25.4 cm Red Lamp 1992 United States of America 1915–1991 Gift of Dr K David G Edwards, (ret.) four colour lithograph Madrid Suite 1955–56 from the David and Margery image 40.5 x 46.8 cm colour lithograph Edwards New York Art Collection, sheet 54.7 x 60.8 cm image 45.7 x 56.2 cm 2005 Gift of Dr K David G Edwards, Gift of Dr K David G Edwards, 2005.398 (ret.) from the David and Margery (ret.) from the David and Margery Edwards New York Art Collection, Edwards New York Art Collection, colour screenprint 2005 2005 image 58.4 x 63.5 cm 2005.394 2005.437 Gift of Dr K. David G. Edwards, (Ret.) from the David and Margery Still life with red jar 1994 Tricolor 1973 Edwards New York Art Collection, colour screenprint colour lithograph 2005 image 38.1 x 33.7 cm image 31.7 x 24.1 cm 2005.436 sheet 54.2 x 49.0 cm Gift of Dr K David G Edwards, Gift of Dr K David G Edwards, (ret.) from the David and Margery Ray 1973 (ret.) from the David and Margery Edwards New York Art Collection, colour screenprint Edwards New York Art Collection, 2005 image 134.6 x 99.1 cm 2005 2005.433 Gift of Dr K David G Edwards, 2005.395 (ret.) from the David and Margery RAUSCHENBERG, Robert Edwards New York Art Collection, MIRÓ, Joan United States of America born 1925 2005 Spain 1893–1983 General delivery 1971 2005.397 no. 7 from Serie Noire et Rouge colour sreenprint [Black and Red series], 1938 image 124.8 x 86.3 cm SERRA, Richard colour etching Gift of Dr K David G Edwards, United States of America born 1939 sheet 17.0 x 25.7 cm (ret.) from the David and Margery Untitled 1990 The Poynton Bequest, 2006 Edwards New York Art Collection, etching 2006.431 2005 image 16.5 x 21.1 cm 2005.430 Gift of Dr K David G Edwards, no. 3 from Serie Noire et Rouge (ret.) from the David and Margery [Black and Red series], 1938 Untitled 1976 Edwards New York Art Collection, colour etching colour screenprint 2005 sheet 25.7 x 17.0 cm 115.6 x 74.9 cm 2005.431 The Poynton Bequest, 2006 Gift of Dr K David G Edwards, 2006.432 (ret.) from the David and Margery TÀPIES, Antoni Edwards New York Art Collection, Spain born 1923 MIRÓ, Joan 2005 Untitled (Goat) c. 1974 Spain 1893–1983 2005.399 colour lithograph ULLAN, José-Miguel image 31.75 x 41.50 cm Spain born 1944 The Paris Review 1965 Gift of Dr K David G Edwards, Almario 1985 colour screenprint (ret.) from the David and Margery Edwards New York Art Collection,

National gallery of Australia Annual Report 2005–06 213 2005 cover 57.1 x 113.7 cm six ghosts [Shinkei sanjûrokkaisen] 2005.401 Gift of Dr K David G Edwards, colour woodblock print (ret.) from the David and Margery sheet 36.4 x 24.6 cm Lacet de Cercle 1969 Edwards New York Art Collection, The Poynton Bequest, 2005 colour embossed etching 2005 2005.1166 image 34.29 x 49.73 cm 2005.373 Gift of Dr K David G Edwards, Ranmaru and the mysterious sago (ret.) from the David and Margery YOSHITOSHI, Tsukioka palm 1891 Edwards New York Art Collection, Japan 1839–1892 from the series New forms of thirty- 2005 Sadanobu threatening a demon in six ghosts [Shinkei sanjûrokkaisen] 2005.400 the palace at night [Sadanobu-ko colour woodblock print yoru kyuchu ni kai o osoreshimu sheet 36.4 x 24.6 cm TOULOUSE-LAUTREC, no zu] 1889 The Poynton Bequest, 2005 Henri de from the series New forms of thirty- 2005.1171 France 1864–1901 six ghosts [Shinkei sanjûrokkaisen] Au Hanneton [At the Hanneton] colour woodblock print Kobayakawa Takakage debating 1898 sheet 36.6 x 25 cm with the Tengu of Mount Hiko 1891 lithograph The Poynton Bequest, 2005 from the series New forms of thirty- image 35.96 x 25.4 cm 2005.1163 six ghosts [Shinkei sanjûrokkaisen] sheet 47.19 x 33.42 cm A fox who visited a trapper in the colour woodblock print The Poynton Bequest, 2006 disguise of a priest is gradually sheet 36.4 x 24.6 cm 2006.325 transformed back into a fox on his The Poynton Bequest, 2005 way home c. 1886 2005.1172 VILLEMOT, Bernard from the series One hundred aspects France 1911–1989 of the moon [Tsuki hyakushi] Bally – La femme en noir [Bally colour woodblock print Fujiwara no Hidesato shooting the – The woman in black] 1982 sheet 34.8 x 23.6 cm centipede at the dragon 1890 colour photolithograph The Poynton Bequest, 2005 from the series New forms of thirty- sheet 160.0 x 115.6 cm 2005.1177 six ghosts [Shinkei sanjûrokkaisen] The Poynton Bequest, 2005 colour woodblock print 2005.369 Ii no Hayata killing a nue at the sheet 36.4 x 24.6 cm Imperial palace 1890 The Poynton Bequest, 2005 Orangina 1983 from the series New forms of thirty- 2005.1167 colour photolithograph six ghosts [shinkei sanjurokkaisen] sheet 160.0 x 234.0 cm colour woodblock print The heavy basket 1892 The Poynton Bequest, 2005 sheet 36.4 x 24.6 cm from the series New forms of thirty- 2005.370 The Poynton Bequest, 2005 six ghosts [Shinkei sanjûrokkaisen] 2005.1164 colour woodblock print WARHOL, Andy Gamo Sadahide’s servant, Toki sheet 36.4 x 24.6 cm United States of America 1928–1987 Motosada, hurling a demon king to The Poynton Bequest, 2005 Cow wallpaper (multiple images the ground at Mount Inohana 1890 2005.1176 of cows) from the series New forms of thirty- colour screenprint six ghosts [shinkei sanjurokkaisen] “The ever-reflecting water is frozen sheet 67.30 x 51.66 cm colour woodblock print and covered with ice, it does not Gift of Dr K David G Edwards, sheet 36.4 x 24.6 cm mirror the evening moon in the (ret.) from the David and Margery The Poynton Bequest, 2005 sky.” – Sogi 1892 Edwards New York Art Collection, 2005.1165 from the series New forms of thirty– 2005 six ghosts [Shinkei sanjûrokkaisen] 2005.374 Taira no Koremochi vanquishing colour woodblock print the demon of Mount Togakushi sheet 36.4 x 24.6 cm Flash – November 22, 1963 1968 1890 The Poynton Bequest, 2005 colour screenprint from the series New form of thirty- 2005.1173

214 National gallery of Australia Annual Report 2005–06 The good woman’s spirit praying in colour woodblock print the waterfall 1892 sheet 36.4 x 24.8 cm from the series New forms of thirty– The Poynton Bequest, 2005 six ghosts [Shinkei sanjûrokkaisen] 2005.1179 colour woodblock print sheet 36.4 x 24.6 cm Midnight [Gozen J niji] 1880 The Poynton Bequest, 2005 from the series Twenty-four hours 2005.1174 at Shinbashi & Yanagibashi (Shinryû nijûshi toki) Nitta Tadatsune seeing an colour woodblock print apparition in a cave 1890 sheet 37.5 x 24.1 cm from the series New forms of thirty- The Poynton Bequest, 2005 six ghosts [Shinkei sanjûrokkaisen] colour woodblock print sheet 36.4 x 24.6 cm The Poynton Bequest, 2005 2005.1168 The Yotsuya ghost story 1892 from the series New forms of thirty- six ghosts [Shinkei sanjûrokkaisen] colour woodblock print sheet 36.4 x 24.6 cm The Poynton Bequest, 2005 2005.1175

Kiyomori sees hundreds of skulls at Fukuhara 1890 from the series New forms of thirty- six ghosts [Shinkei sanjûrokkaisen] colour woodblock print sheet 36.4 x 24.6 cm The Poynton Bequest, 2005 2005.1169

Chikako, the filial daughter of Zeniya Gobei, jumping into the river, Asanogawa, after a snowfall c. 1885 from the series One hundred aspects of the moon [Tsuki hyakushi] colour woodblock print sheet 35.4 x 24 cm The Poynton Bequest, 2005 2005.1178

Hakuga no Sammi and the blind tenth-century noble Semimaru playing the flute by moonlight at the gate, Suzakumon, in Kyoto c. 1886 from the series One hundred aspects of the moon [Tsuki hyakushi]

National gallery of Australia Annual Report 2005–06 215 APPENDIX 5 TOTAL ACQUISITIONS INCLUDING PURCHASES AND GIFTS 2000–01/2005– 06 Margaret Michaelis: love, loss and photography 7 May – 14 August 2005

An artist abroad: the prints of James McNeill Whistler 25 March – 10 July 2005

Stage fright: the art of theatre 11 June – 26 September 2005

National Sculpture Prize and exhibition 15 July – 6 November 2005

Bill Viola: The Passions 29 July – 6 November 2005

Moist: Australian watercolours 27 August – 4 December 2005

Transformations: the language of craft 11 November 2005 – 29 January 2006

Imagining Papua New Guinea 8 October 2005 – 12 March 2006

War: the prints of Otto Dix 17 December 2005 – 30 April 2006

Crescent Moon: Islamic art and civilisation in Southeast Asia 24 February – 28 May 2006

Constable: impressions of land, sea and sky 3 March – 12 June 2006

216 National gallery of Australia Annual Report 2005–06 Come rain or shine 25 March – 16 July 2006

755 834 1,589 2005–06

858 1,157 2,015 2004–05 Total number of purchases

Total number of gifts ear Y

356 175 531 ial 2003–04 nc a n i F

376 219 595 2002–03

5,448 1,495 6,943 (b) 2001–02

796 216 1,012 (a) 2000–01

0 2,000 4,000 6,000 8,000 10,000 Acquisitions

(a) Includes Holmgren/Spertus (397 Southeast Asian Textiles) (b) Includes Tyler Graphics Collection (800 works purchased 1,300 works gifted), Australian Print Workshop Archive (estimated 3, 000 works)

National gallery of Australia Annual Report 2005–06 217 APPENDIX 6 EXHIBITIONS HELD AT THE NATIONAL GALLERY OF AUSTRALIA 2005–06

Home Sweet Home: Works Australian Art works on from the Peter Fay collection paper* Tour dates: 17 April 2004 – completed 17 September 2005 18 September 2005 (Australian tour) completed 14 April 2006 New Zealand tour: 9 July – Asian Art* 18 September 2005 completed 1 October 2005 Dunedin Public Art Gallery Australian Art* 9 July – 18 September 2005 completed 27 August 2005 completed 10 December 2005 After Image: screenprints of completed 29 April 2006 Andy Warhol Tour dates: 22 May – 10 July 2005 Aboriginal and Torres Strait Museum & Art Gallery of the Islander Art* Northern Territory, Darwin NT completed 17 September 2005 16 April – 10 July 2005 completed 18 March 2006 No ordinary place: The art of International Art* David Malangi completed 18 June 2005 Supported by Visions of Australia completed 26 November 2005 Tour dates: 23 April 2005 – completed 8 April 2006 4 June 2006

*Denotes permanent collection Queensland Art Gallery, Brisbane rehang QLD 23 April – 17 July 2005

Flinders University City Gallery, Adelaide SA 12 August – 2 October 2005

Museum & Art Gallery of the Northern Territory, Darwin NT 12 November 2005 – 8 January 2006 Lawrence Wilson Art Gallery, Perth WA 23 April – 6 June 2006

Place made: Australian Print Workshop Supported by Visions of Australia Tour dates: 20 May 2005 – 4 June 2006

Gladstone Regional Art Gallery and Museum, Gladstone QLD 15 July – 20 August 2005

Dell Gallery, Queensland College of Art, Brisbane QLD 2 September – 30 October 2005

218 National gallery of Australia Annual Report 2005–06 APPENDIX 7 ATTENDANCE 2000–06

419,896 382,290 29,785 831,971 2005–06

400,884 426,193 1,351 828,428 2004–05

371,554 1,060,680 95,591 1,527,825 2003–04*

367,547 1,291,880 4,281 1,663,708 2002–03*

505,122 390,387 35,188 930,697 2001–02

589,569 300,143 3,871 893,583 2000–01

0 500,000 1,000,000 1,500,000 2,000,000

* The Out and about: The National Gallery tours Australia touring program significantly increased attendances during 2002–03 and 2003–04.

National gallery of Australia Annual Report 2005–06 219 APPENDIX 8 TRAVELLING EXHIBITIONS 2005–06

Albury Regional Art Gallery, Albury Townsville QLD Binda Primary School, Binda NSW, NSW 26 May – 9 July 2006 3 February 2006 3 February – 26 March 2006 Collector Public, Collector NSW, The Elaine and Jim Wolfensohn 15 February 2006 Geelong Gallery, Geelong Vic. Gift Travelling Exhibitions Gunning Public, Gunning NSW, 7 April – 4 June 2006 15 February 2006 Suitcase Kits The Cresent School, The Cresent National Sculpture Prize & NSW, 21 February 2006 Exhibition 2005 Red case: myths and rituals Tirranna Public, Tirranna NSW, Partnership with Macquarie Bank and Yellow case: form, space 23 February 2006 Tour dates: 24 October 2005 – and design Windellamam Public, Windellamam 16 April 2006 Gab Titui Cultural Centre Tour, NSW, 23 February 2006 Thursday Island QLD 11 July – The Cresent School, The Cresent Macquarie Bank, 101 Collins Street, 30 September 2005 NSW, 24 February 2006 Melbourne Vic. Our Lady of the Sacred Heart Bungendore Public School, 24 October – 18 November 2005 Primary School, Thursday Island, Bungendore NSW, 27 February 2006 8 August 2005 Laggan Public, Laggan NSW, Macquarie Bank, 1 Martin Place, Thursday Island State School, 28 February 2006 Sydney NSW Thursday Island, 11–12 August 2005 St Bede’s Primary School, Braidwood 16 January – 10 February 2006 Horn Island State School, Horn NSW, 2 March 2006 Island, 29 August 2005 Crookwell Public, Crookwell NSW, 7 March 2006 DELL Gallery, Queensland College of Cairns Regional Gallery Tour, Breadalbane Public, Breadalbane Art, Brisbane QLD 10 October – 16 December 2005 NSW, 10 March 2006 18 February – 16 April 2006 Freshwater Primary School, Cairns Dalton Public School, Dalton NSW, (Yellow & Red), 10 March 2006 18–31 October 2005 Mittagong Public, Mittagong NSW, Grace Cossington Smith: A Woree Primary School, Cairns 14 March 2006 retrospective exhibition (Red), 1–22 Nov 2005 Colo Vale Public, Colo Vale NSW, Sponsored by MARSH Cairns Regional Gallery, Cairns 16 March 2006 Tour dates: 28 July 2005 – (Yellow), 1–22 Nov 2005 Marulan Public, Marulan NSW, 1 May 2006 Woree Primary School, Cairns 17 March 2006 (Yellow), 22 November – CLS, NSW, 20 March 2006 Art Gallery of South Australia, 9 December 2005 Essential Personnel, NSW, 20 March Adelaide SA Freshwater Primary School, Cairns 2006 28 July – 9 October 2005 (Red), 22 November–9 December Bowral Rudolf Steiner, Bowral NSW, 2005 21 March 2006 Art Gallery of NSW, Sydney NSW Cairns Regional Gallery, Cairns Penrose Public, Penrose NSW, 3 November 2005 – 15 January 2006 (Red, Yellow & Blue), 22 March 2006 9–16 December 2005 Wingello Public, Wingello NSW, Queensland Art Gallery, Brisbane Early Childhood Workshop, National 22 March 2006 QLD Gallery of Australia, Canberra ACT Tallong Public, Tallong NSW, 18 February – 1 May 2006 10–11 January 2006 22 March 2006 Goulburn Regional Art Gallery Tour, Bundanoon Primary, Bundanoon Moist: Australian watercolours 1 February – 26 March 2006 NSW, 22 March 2006 Goulburn Regional Art Gallery, Tour dates: 24 March 2006 – 18 Australian Embassy in Washington Goulburn NSW, 4–14 February 2006 Tour, Washington DC, 10 April – February 2007 Biga Primary School, Biga NSW, 3 25 June 2006 Araluen Galleries, Alice Springs February 2006 Teachers preview, Australian Embassy Cultural Precinct, Alice Springs NT Five Mile Creek, Five Mile Creek in Washington DC, USA, 5 April 2006 24 March – 7 May 2006 NSW, 3 February 2006 Temple Community Middle School, Perc Tucker Regional Art Gallery,

220 National gallery of Australia Annual Report 2005–06 Florida USA, 20 April 2006 2006 Clark Elementary School, Florida Yandaran School, Yandaran Qld, USA, 21 April 2006 10–17 March 2006 Chiles Elementary School, Florida Australian Embassy in Washington, USA, 24 April 2006 Washington DC,10 April – 25 June Tampa Palms Elementary School, 2006 Florida USA, 25 April 2006 Teachers preview, Australian Embassy Liberty Middle School, Florida USA, in Washington DC, USA, 5 April 2006 26 April 2006 Temple Community Middle School, Sanderlin Elementary, Florida USA, Florida USA, 20 April 2006 26 April 2006 Clark Elementary School, Florida Australian Embassy in Washington, USA, 21 April 2006 Washington DC, USA, 25 May – Chiles Elementary School, Florida 15 June 2006 USA, 24 April 2006 Tampa Palms Elementary School, Blue case: technology Florida USA, 25 April 2006 Coffs Harbour Regional Gallery, Coffs Liberty Middle School, Florida USA, Harbour NSW, 23 May – 3 July 2005 26 April 2006 Gab Titui Cultural Centre Tour, Sanderlin Elementary, Florida USA, Thursday Island QLD, 11 July – 26 April 2006 30 September 2005 Australian Embassy in Washington, Our Lady of the Sacred Heart Washington DC, USA, 25 May – Primary School, Thursday Island, 15 June 2006 8 August 2005 Thursday Island State School, The 1888 Melbourne Cup Thursday Island, 11–12 August 2005 Horn Island State School, Horn Wagga Wagga Art Gallery, Wagga Island, 29 August 2005 Wagga NSW 18 April – 3 July 2005 Cairns Regional Gallery Tour, Tweed River Regional Art Gallery, 10 October – 16 December 2005 Murwillumbah NSW, 5 October – Woree Primary School, Cairns, 18 December 2005 12 October – 1 November 2005 Australian Embassy in Washington, Freshwater Primary School, Cairns, Washington DC, USA, 10 April – 1–22 Nov 05 25 June 2006 Cairns Regional Gallery, Cairns, 22 Australian Embassy, Washington DC, November – 9 December 2005 USA, 10 April – 9 May 2006 Cairns Regional Gallery, Cairns The Ambassador’s Residence, (Red, Yellow & Blue) 9–16 Washington DC, 10 May – December 2005 23 May 2006 Early Childhood Workshop, National Australian Embassy, Washington DC, Gallery of Australia, Canberra ACT, USA 24 May – 30 June 2006 10 -11 January 2006 Bundaberg Arts Centre, 1 February – 26 March 2006 Shalom College, Bundaberg, 1–8 February 2006 Thabeban State School Bundaberg, 9–14 February 2006 St Luke’s Anglican School Bundaberg, 15–22 February 2006 Isis High School, Isis Qld, 3 March

National gallery of Australia Annual Report 2005–06 221 APPENDIX 9 OUTWARD LOANS TO EXHIBITIONS – AUSTRALIA AND INTERNATIONAL

LOANS TO EXHIBITIONS Art Gallery of New South Beyond Real: Making a Scene – AUSTRALIA: 379 Wales 30 works Asian Art contemporary Australian Centre for Photography AUSTRALIAN CAPITAL program 18 November – 24 December 2005 TERRITORY 8 works Canberra Museum and Art Gallery of New South Wales Australian National Maritime Gallery Michael Taylor 3 February – 19 March 2006 Museum, Sydney 9 works Bill Henson Commemorating Nelson Canberra Museum and Gallery 2 works 1805–2005 2 April – 30 July 2006 Art Gallery of New South Wales 1 work 7 January – 3 April 2005 Australian National Maritime Commonwealth of Australia, National Gallery of Victoria Museum represented by the National 23 April – 10 July 2005 21 September 2005 – 21 September Portrait Gallery, part Kevin Connor, sketchbook 2007 of the Department of drawings for paintings and Communications, Information sculpture Bundanon Trust Technology and the Arts 1 work Limited Editions – Arthur Clifton Pugh – Portraits Art Gallery of New South Wales Boyd in print 3 works 28 April – 25 June 2006 2 works National Portrait Gallery, Canberra Margaret Preston: Mornington Peninsula Regional 9 December 2005 – 26 March 2006 Art and Life Gallery 52 works 15 March – 8 May 2005 Benalla Art Gallery National Museum of Australia Art Gallery of New South Wales 22 May – 3 July 2005 Dari a Krar: Headdresses and 30 July – 23 October 2005 Nolan Gallery Masks of the Torres Strait The Ian Potter Centre: NGV 16 September – 6 November 2005 3 works Australia at Federation Square Grafton Regional Art Gallery National Museum of Australia 12 November 2005 – 29 January 16 November 2005 – 8 January 28 June 2006 – 1 June 2008 2006 2006 People of the Cedar: Queensland Art Gallery Queensland University of Northwest Coast Native Art 18 February – 7 May 2006 Technology Art Museum from Canada Art Gallery of South Australia 16 January – 12 March 2006 13 works 26 May – 13 August 2006 Newcastle Region Art Gallery National Museum of Australia Self-Portraits: Paintings 25 March – 21 May 2006 2 March – 28 May 2006 from the Renaissance to the New England Regional Art Museum Contemporary 7 July – 27 August 2006 NEW SOUTH WALES 2 works Art Exhibitions Australia Art Gallery of New South Wales Campbelltown Arts Centre Limited, Sydney 17 February – 4 May 2006 John Peart Survey Exhibition Picasso: Love and War Theo Scharf 1 work 1935–45 1 work Campbelltown Arts Centre 1 work Art Gallery of New South Wales 17 March – 7 May 2006 National Gallery of Victoria 5 April – 14 May 2006 30 June – 8 October 2006 Hazelhurst Regional Gallery The Golden Age: Highlights Australian Centre for and Arts Centre of the Rijksmuseum Photography, Sydney Country Life 1 work Beyond Real: Dressing Up 12 works National Gallery of Victoria 27 works Hazelhurst Regional Gallery and 24 June – 2 October 2005 Australian Centre for Photography Arts Centre 7 October – 13 November 2005 1 October – 27 November 2005

222 National gallery of Australia Annual Report 2005–06 Heaven on Earth: Visions of Museum of Contemporary NORTHERN TERRITORY Arcadia Art, Sydney Museum and Art Gallery of 2 works Mike Parr the Northern Territory Hazelhurst Regional Gallery and 1 work The Sound of the Sky Arts Centre Museum of Contemporary Art, 10 works 1 October – 27 November 2005 Sydney Museum and Art Gallery of the 3 March – 21 May 2006 Northern Territory National Trust of Historic Houses Trust of 18 March – 16 July 2006 New South Wales, Sydney Australia (NSW) Australian Convict Sites Jean Bellette Retrospective 1 work 8 works QUEENSLAND Hyde Park Barracks Museum Bathurst Regional Art Gallery Bacon, Mr Philip 4 June 2005 – 4 June 2006 10 December 2004 – Jeffrey Smart Joseph Lycett: Convict Artist 15 February 2005 1 work 4 works SH Ervin Gallery Bacon, Mr Philip Museum of Sydney 12 March – 24 April 2005 30 August – 11 September 2005 1 April – 18 June 2006 University of Queensland Newcastle Region Art Gallery 6 May – 12 June 2005 Cairns Regional Gallery 8 July – 27 August 2006 Mornington Peninsula Regional Encounters with country: the National Library of Australia Gallery landscapes of Ray Crooke 1 March – 11 June 2007 12 July – 28 August 2005 3 works Thoroughly modern Sydney: Drill Hall Gallery, Canberra Cairns Regional Gallery 1920s and 30s glamour 3 November – 18 December 2005 8 September – 23 October 2005 and style Mornington Peninsula Regional 2 works Powerhouse Museum, Sydney Gallery Museum of Sydney On the box: Great moments 24 January – 26 March 2006 1 July – 15 October 2006 in Australian television 1956– S H Ervin Gallery 2006 19 May – 25 June 2006 Macquarie University 1 work Orange Regional Gallery Art Gallery Powerhouse Museum 30 June – 6 August 2006 6 April – 15 October 2006 Berowra Visions: Margaret Queensland University of The art of Japanese fashion Preston and Beyond Technology Art Museum 6 works 6 works 12 August – 1 October 2006 Powerhouse Museum Macquarie University Art Gallery Broken Hill Regional Art Gallery 27 September 2005 – 29 January 5 September – 17 November 2005 13 October – 20 November 2006 2006 Manly Art Gallery Gold Coast City Art Gallery and Museum Wagga Wagga Art Gallery The Cutting Edge – cut and Diane Arbus Joshua Smith – Artist: 30 works retrospective exhibition engraved glass 4 works Gold Coast City Art Gallery 2 works Wagga Wagga Art Gallery 18 March – 17 April 2006 Manly Art Gallery and Museum 9 September 2005 – 1 January 2006 2 December 2005 – Newcastle Region Art Gallery 22 January 2006 28 January – 19 March 2006 Geelong Art Gallery Mosman Art Gallery and 31 March – 2 July 2006 Community Centre Gold Coast City Art Gallery Wit and Wonder 15 July – 27 August 2006 1 work Hazelhurst Regional Gallery and Mosman Art Gallery Arts Centre 10 June – 16 July 2006 2 September – 29 October 2006

National gallery of Australia Annual Report 2005–06 223 Institute of Modern Art, VICTORIA Sybil Craig 1901–89 Brisbane Modernist Painter Ballarat Fine Art Gallery New Tapa – Summer 5 works Eureka Revisited: the contest Collection Castlemaine Art Gallery and of memories Historical Museum 1 work 2 works 4 June – 30 July 2006 Institute of Modern Art, Brisbane Ballarat Fine Art Gallery Geelong Art Gallery 10 December 2005 – 28 January 29 November 2004 – 13 February 11 August – 17 September 2006 2006 2005 Mornington Peninsula Regional Old Parliament House Gallery Queensland Art Gallery 21 April – 17 July 2005 3 October – 19 November 2006 Fiona Hall: A Retrospective State Library of Victoria 4 works 5 August – 30 October 2005 Jewish Museum of Australia Queensland Art Gallery Diane Arbus 19 March – 5 June 2005 Bendigo Art Gallery 25 works Art Gallery of South Australia Designs for a Modern World: Jewish Museum of Australia Charles Rennie Mackintosh 8 July – 11 September 2005 10 July – 28 August 2005 Kiss of the Beast 2 works Bendigo Art Gallery 3 works McClelland Gallery and 4 February – 9 April 2006 Queensland Art Gallery Sculpture Park Town and Country: Portraits 16 November 2005 – 22 January Bronwyn Oliver: Botanic of Colonial Homes and 2006 1 work Gardens McClelland Gallery + Sculpture 8 works University of Queensland Park Bendigo Art Gallery Defending the North 13 November 2005 – 29 January 12 March – 17 April 2005 (Queensland at War) 2006 Newcastle Region Art Gallery 1 work Guy Grey-Smith 30 April – 13 June 2005 University of Queensland 2 works S H Ervin Gallery 12 August – 13 November 2005 McClelland Gallery + Sculpture 1 July – 14 August 2005 Park Latrobe Regional Gallery 30 April – 2 July 2006 SOUTH AUSTRALIA 10 September – 23 October 2005 Adelaide Festival Corporation Geelong Art Gallery Monash Gallery of Art Francis Bacon 26 November – 5 February 2006 Tracey Moffatt 1 work Queen Victoria Museum and Art 8 works Art Gallery of South Australia Gallery Monash Gallery of Art 17 February – 2 April 2006 24 February – 2 April 2006 3 June – 7 August 2005 Gladys Reynell Castlemaine Art Gallery and 11 works Mornington Peninsula Historical Museum Art Gallery of South Australia Regional Gallery Venezia Australis Australian 30 June – 24 September 2006 After Van Gogh: Australian Artists in Venice 1900–2000 artists in homage to Vincent 3 works South Australian Museum 11 works Castlemaine Art Gallery and 13 Canoes Mornington Peninsula Regional Historical Museum 3 works Gallery 2 April – 1 May 2005 South Australian Museum 5 September – 30 October 2005 Mornington Peninsula Regional 24 February – 26 March 2006 Gallery 17 May – 3 July 2005 Geelong Art Gallery 1 October – 20 November 2005

224 National gallery of Australia Annual Report 2005–06 WARNING: SMOKING has The Ian Potter Museum of Art SWITZERLAND been linked to some of the The drowned world: Jon Museum Tinguely most powerful images of the Cattapan, works and rarrk – John Mawurndjul: twentieth century collaborations A Journey Through Time in 7 works 1 work Northern Australia Mornington Peninsula Regional The Ian Potter Museum of Art 4 works Gallery 13 May – 17 September 2006 Museum Tinguely 4 April – 28 Mary 2006 Welcome to my mind: Gareth 20 September 2005 – 31 January Sansom 1964–2005 2006 National Gallery of Victoria 1 work Sprengel Museum Bruce Nauman: Mapping The Ian Potter Museum of Art the Studio 19 February – 5 June 2006 22 October 2005 – 5 February 2006 3 works National Gallery of Victoria THE NETHERLANDS LOANS TO EXHIBITIONS 11 June – 20 August 2005 Rijksmuseum voor Exiles and Emigrants: Epic – INTERNATIONAL: 14 Volkenkunde Journeys to Australia in the Australië, het land en de Victorian Era ENGLAND mensen 2 works Tate Britain 2 works National Gallery of Victoria Degas, Sickert and Toulouse- Rijksmuseum voor Volkenkunde 9 December 2005 – 26 March 2006 Lautrec: London and Paris 6 October 2005 – 27 August 2006 National Museum of Australia 1 work 21 April – 4 June 2006 Tate Britain UNITED STATES Gwyn Hanssen Pigott Retospective 6 October 2005 – 15 January 2006 1955–2005 OF AMERICA The Phillips Collection, Washington 2 works San Francisco Museum of D.C. National Gallery of Victoria Modern Art 18 February – 14 May 2006 4 November 2005 – 19 March 2006 Diane Arbus Revelations SINGAPORE 2 works Royal Melbourne Institute San Francisco Museum of Singapore Tyler of Technology Gallery, Modern Art Print Institute Melbourne 25 October 2003 – 8 February 2004 Robert Motherwell Threading the Los Angeles County Museum of Art 1 work Commonwealth: Textile 29 February – 31 May 2004 Singapore Tyler Print Institute Tradition, Culture, Trade The Museum of Fine Arts, Houston 19 August – 16 October 2005 and Politics 27 June – 6 September 2004 20 works Metropolitan Museum of Art RMIT Gallery SWEDEN 28 February – 30 May 2005 1 March – 30 April 2006 Museum of World Cultures Museum Folkwang Essen HIV/AIDS in the Age of 17 June – 17 September 2005 The Ian Potter Centre: Globalization Victoria and Albert Museum NGV Australia at 1 work 13 October 2005 – 15 January 2006 Federation Square Museum of World Cultures Fundació “la Caixa” Deborah Halpern Survey 29 December 2004 – 29 December 14 February – 14 May 2006 Exhibition 2005 1 work Walker Art Center The Ian Potter Centre: National 18 June – 10 September 2006 Gallery of Victoria at Federation Square 10 May – 23 July 2006

National gallery of Australia Annual Report 2005–06 225 The Museum of Contemporary Art, Los Angeles Robert Smithson 1 work The Museum of Contemporary Art, Los Angeles 12 September – 13 December 2004 Dallas Museum of Art 14 January – 3 April 2005 Whitney Museum of American Art 23 June – 23 October 2005

National Museum of Women in the Arts Dreaming their Way: Australian Aboriginal Women Painters 2 works National Museum of Women in the Arts 30 June – 24 September 2006 Hood Museum of Art 7 October – 10 December 2006

SUMMARY OF OUTWARD LOANS Loans to exhibitions – Australia: 379 Australian Capital Territory 28 New South Wales 177 Northern Territory 10 Queensland 43 South Australia 15 Victoria 106 Loans to exhibitions – International: 14 Other new and continuing loans: 383 National Gallery of Australia Travelling Exhibitions and Education Lending Programs: 317

226 National gallery of Australia Annual Report 2005–06 APPENDIX 10 INWARD LOANS

Continuing Conservation NGA NGA Travelling Total Loan /Restoration Exhibition Exhibition

ABC TV Sydney, Ultimo, NSW 0 0 6 0 6 Aboriginal and Torres Strait Islander Commission, 6 0 0 0 6 Woden, ACT ACT Legislative Assembly, Canberra, ACT 0 0 1 0 1 Annandale Galleries, Annandale, NSW 0 0 0 10 10 Art Gallery of New South Wales, Sydney, NSW 0 0 28 22 50 Art Gallery of South Australia, Adelaide, SA 0 0 21 5 26 Art Gallery of Western Australia, Perth, WA 0 0 6 10 16 Asian Civilisations Museum, Singapore, Singapore 0 0 9 0 9 Auckland Art Gallery, Auckland, NZ 0 0 2 0 2 Auckland Art Gallery/Toi O Tamaki, Auckland, NZ 0 0 1 0 1 Australian Academy of Science, Canberra City, ACT 1 0 0 0 1 Australian Council of National Trusts, Campbell, ACT 1 0 0 0 1 Australian Institute of Aboriginal and Torres Strait 0 0 1 0 1 Islander Studies, Canberra, ACT Australian Museum, Sydney, NSW 0 0 1 0 1 Australian National University, Canberra, ACT 0 0 1 0 1 Ballarat Fine Art Gallery, Ballarat, Vic. 0 0 1 1 2 Bathurst Regional Art Gallery, Bathurst, NSW 0 0 2 0 2 Bayt Al-Qur’an dan Museum Istiqlal, Timur, 0 0 1 0 1 Indonesia Bendigo Art Gallery, Bendigo, Vic. 0 0 1 1 2 Berndt Museum of Anthropology, Crawley, Perth, WA 0 0 1 0 1 Birmingham Museums and Art Gallery, Birmingham, 0 0 1 0 1 England Black Fella’s Dreaming Museum, Bangalow, NSW 0 0 1 0 1 Boomalli Aboriginal Artist Co-Operative Ltd, 0 0 10 0 10 Leichhardt, NSW Brunei Museums Department, Bandar Seri Begawan 0 0 1 0 1 BD 1510, Brunei Darrusalam Canberra Museum and Gallery, Canberra City, ACT 0 0 1 0 1 Commonwealth of Australia, represented by National 0 0 0 1 1 Portrait Gallery, Canberra, part of the Department of Information Technology and the Arts, ACT Department of Museums and Antiquities (National 0 0 21 0 21 Museum of Malaysia, ), Kuala Lumpur, Malaysia

National gallery of Australia Annual Report 2005–06 227 Continuing Conservation NGA NGA Travelling Total Loan /Restoration Exhibition Exhibition

Dewan Bahasa dan Pustaka, Kuala Lumpur, Kuala 0 0 1 0 1 Lumpur, Malaysia Dubbo Regional Art Gallery, Dubbo, NSW 0 0 18 0 18 Dunedin Public Art Gallery, Dunedin, NZ 0 0 1 0 1 Ferrin Gallery, Croton, USA 0 0 2 0 2 Film Australia, Lindfield, NSW 0 0 3 0 3 Fitzwilliam Museum, Cambridge, England 0 0 11 0 11 Flinders University Art Museum, Bedford Park, SA 0 0 0 1 1 Galerie Dusseldorf, Mosman Park, WA 0 0 3 0 3 Heller Gallery, New York, USA 0 0 2 0 2 Kerry Stokes Collection, West Perth, WA 1 0 0 0 1 Kraton Kasepuhan, Cirebon, Indonesia 0 0 4 0 4 Lawrence Wilson Art Gallery, Crawley, WA 0 0 2 0 2 Leeds Museums and Galleries, Leeds, England 0 0 1 0 1 Manchester City Art Galleries, Manchester, England 0 0 1 0 1 Manly Art Gallery and Museum, Manly, NSW 0 0 1 1 2 Monash Gallery of Art, Wheelers Hill, Vic. 0 0 1 0 1 Moree Plains Gallery, Moree, NSW 0 0 15 0 15 Mosman Art Gallery and Community Centre, Mosman, 0 0 1 0 1 NSW Musée du Louvre, Paris, France 0 0 2 0 2 Museum and Art Gallery of the Northern Territory, 0 0 3 11 14 Darwin, NT Museum of Asian Art, University of Malaya, Kuala 0 0 9 0 9 Lumpur, Kuala Lumpur, Malaysia Museum of Contemporary Art, Sydney, Sydney, NSW 0 0 1 4 5 Museum of New Zealand Te Papa Tongarewa, 0 0 2 0 2 Wellington, NZ Museum of Sydney, Sydney, NSW 0 0 40 0 40 Museum Prabu Geusan Ulun Yayasan Pangeran 0 0 1 0 1 Sumedang, Srimanganti - Sumedang, Indonesia Museum Tekstil (Jakarta Textile Museum), Jakarta, 0 0 2 0 2 Indonesia Museum Victoria, Melbourne, Vic. 0 0 0 1 1 National Gallery of Scotland, Edinburgh, Scotland 0 0 1 0 1 National Gallery of Victoria, Melbourne, Vic. 0 0 21 82 103 National Gallery of Victoria, North Melbourne, Vic. 0 0 7 0 7 National Library of Australia, Parkes, ACT 33 0 0 0 33 National Museum and Gallery of Wales, Cardiff, Wales 0 0 1 0 1

228 National gallery of Australia Annual Report 2005–06 Continuing Conservation NGA NGA Travelling Total Loan /Restoration Exhibition Exhibition

National Museum of Australia, Acton, ACT 0 0 0 2 2 National Portrait Gallery, Canberra, Parkes, ACT 0 0 1 0 1 National Portrait Gallery, London, London, England 0 0 1 0 1 Newcastle Region Art Gallery, Newcastle, NSW 0 0 6 4 10 Orange Regional Gallery, Orange, NSW 0 0 3 2 5 Parliament House Art Collection, Canberra, ACT 0 0 0 1 1 Perpetual Trustee Company Limited, Canberra, ACT 1 0 0 0 1 Perpustakaan Nasional RI (National Library of 0 0 7 0 7 Indonesia), Jakarta, Indonesia Perpustakaan Negara Malaysia (National Library of 0 0 5 0 5 Malaysia), Kuala Lumpur, Kuala Lumpur, Malaysia Philadelphia Museum of Art, Philadelphia, USA 0 0 4 0 4

Powerhouse Museum, Ultimo, NSW 0 0 2 0 2 Queen Victoria Museum and Art Gallery, Launceston, 0 0 1 0 1 Tasmania Queensland Art Gallery, Brisbane, Queensland 0 0 3 3 6 Queensland University of Technology Art Museum, 0 0 1 0 1 Brisbane, Queensland Roslyn Oxley 9 Gallery, Paddington, NSW 0 0 1 0 1 Royal Academy of Arts, Piccadilly, England 0 0 9 0 9 Sarawak Islamic Museum, , Malaysia 0 0 9 0 9 SBS TV, Crows Nest, NSW 0 0 2 0 2 Shepparton Art Gallery, Shepparton, Vic 0 0 1 1 2 State Library of New South Wales, Sydney, NSW 0 0 3 0 3 Tate Britain, London, England 0 0 6 0 6 The Detroit Institute of Arts, Detroit, USA 0 0 1 0 1 The Estate of Sir Edwin Manton, New York, USA 0 0 1 0 1 The Frick Collection, New York, USA 0 0 2 0 2

The Holmes à Court Collection, East Perth, WA 0 0 1 1 2

The J. Paul Getty Museum, Los Angeles, USA 0 0 0 14 14

The Wadsworth Atheneum, Hartford, USA 0 0 1 0 1

Uniting Church in Australia, Sydney, NSW 1 0 0 0 1

Victoria and Albert Museum, London, England 0 0 19 0 19

Yale Center for British Art, New Haven, USA 0 0 6 0 6

Total 44 0 371 87 593

PRIVATE LENDERS 174 1 289 186 650

TOTAL 218 1 660 273 1,243

National gallery of Australia Annual Report 2005–06 229 APPENDIX 11 outward loans including travelling exhibitions 2000–01/2005–06

317 1,093 29,785 Works of art on loan for travelling exhibitions

2005–06 Works of art on loan other than for travelling exhibitions

429 1,591 2,020 2004–05

632 1,585 2,217 632 2003–04 ial year nc a n 627 1,923 2,550 fi 2002–03

553 1,583 2,136 2001–02

691 941 1,632 2000–01

0 500 1000 1500 2000 2500 3000

230 National gallery of Australia Annual Report 2005–06 Appendix 12 NATIONAL GALLERY OF AUSTRALIA SPONSORS 2005–06

The National Gallery acknowledges Southeast Asia exhibition • Freight as sponsor of the following sponsors for their • Griffin Hotel for providing Bill Viola: the passions and generous financial and in kind accommodation for the Viola support of Transformations: support throughout the family the language of craft and 2005–06 year. • HINDMARSH as principal Constable: impressions of sponsor of Bill Viola: land, sea and sky • ActewAGL as a major sponsor of the passions • Santos as principal sponsor of Bill Viola: the passions • The Hyatt Hotel, Canberra for Crescent Moon: Islamic Art • Australian Air Express for its providing accommodation for and Civilisation in Southeast ongoing support of the special guests throughout Asia. Gallery’s Travelling the year • Saville Park Suites, Canberra Exhibitions program • International Art Services for for supporting the • The Australia Council for support of the National National Sculpture support of Michael Riley: Sculpture Prize and Prize and exhibition sights unseen exhibition 2005 and 2005,Transformations: • The Australia Indonesia Institute Transformations: the the language of craft and for supporting Crescent Moon: language of craft Constable: impressions of Islamic Art and Civilisation in • Macquarie Bank Foundation land, sea and sky Southeast Asia as principal sponsor of the • The Seven Network for assisting • Booz Allen Hamilton for support National Sculpture Prize and with the advertising of of Constable: impressions of exhibition 2005 Transformations: the land, sea and sky • Malaysia Airlines for supporting language of craft and • The Brassey of Canberra for the Crescent Moon: Islamic Art Constable: impressions of providing accommodation for and Civilisation of Southeast land, sea and sky the Summer Scholarship 2006 Asia exhibition • SMS Management & Technology students • MARSH Pty Ltd as principal for support of Moist: • Canberra Arts Teachers sponsor of travelling exhibition Australian watercolours Association for supporting the Grace Cossington Smith: a • Sony Foundation for major Summer Scholarship 2006 retrospective exhibition and sponsorship of the Summer • Casella Wines for providing a major sponsor of Bill Viola: Scholarship Program 2006 wines for various exhibition The Passions • The Thomas Foundation openings throughout the year • The Myer Foundation for their for their support of • Corrs Chambers Westgarth support of Bill Viola: the Transformations: the language Lawyers for their support passions and Crescent Moon: of craft of Moist: Australian Islamic Art and Civilisation in • Visions of Australia for Watercolours Southeast Asia supporting the Travelling • Faculty of Arts, Australian • NAIDOC Committee/ATSIC and Exhibitions tour of No National University for Torres Strait Regional Authority ordinary place: the art of supporting the Summer for supporting NAIDOC week. David Malangi, Place made: Scholarship Group 2006 • Newmont Australia Ltd as sponsor Australian Print Workshop and • Forrest Inn and Apartments for of No ordinary Place: the art Stage fright: The art of theatre providing accommodation for of David Malangi • WIN Television for assisting guests throughout the year • Nine Network for assisting with with advertising Vivienne • Gordon Darling Australasian advertising Westwood: 34 years in fashion Print Fund for its continuing • The Sidney Myer Fund for their and Grace Cossington Smith: a support of the development support of Crescent Moon: retrospective exhibition and promotion of the Islamic Art and Civilisation in Australasian Print Collection Southeast Asia • Gordon Darling Foundation for • QANTAS Airways Australia for supporting the Crescent Moon: their continuing support Islamic Art and Civilisation in

National gallery of Australia Annual Report 2005–06 231 APPENDIX 13 NATIONAL GALLERY OF AUSTRALIA VOLUNTEERS AT 30 JUNE 2006

MEMBERSHIP Australian Prints, Drawings and Elizabeth Davies VOLUNTEERS Illustrated Books Sumie Davies Keith Avent Mary de Mestre Dorothy Anderson Gregory Heath Ruth Dobson Janet Batho Sarina Noordhuis-Fairfax Bea Duncan Elizabeth Brooks Gyongi Smee Heather Duthie Judy Burns Doreen Butler Marina Wilson Lyn Edeson Betty Campbell Roma Elford Maureen Chan Australian Photography Gloria Ellis Audrey Harvey Robert Deane Margaret Enfield Barry Clarke Bernard Lilienthal Brian England Helen Deane Brooke Babbington Phyllis Evenett Sylvia Dicker Georgina Gavaghan Peter Field Helen Douglas Miriam Fischer Kay Dunne RESEARCH LIBRARY Judith Fleming Tony Eastaway VOLUNTEERS Patrick Fleming Mollie Fitzhardinge Marcia Fletcher Kay Smith Karin Fyfe Colleen Fox Pam Cossey Margaret Gerahty Monty Fox Bill Geering Isabelle Hayward Margaret Frey Meredith Hinchliffe Cordelia Gee Joan Johns VOLUNTARY GUIDES Robert Goodrick Beryle Legge-Wilkinson Win Abernethy Ross Gough Anne Luker Janet Aitken Pamela Guilfoyle Doris Mccauley Gail Allen Beverly Hackett Heather Mears Elizabeth Allison Barrie Hadlow Nigel Neilson Ingrid Anderson Jann Hallenan Estelle Neilson Patricia Back Fiona Hase Jean Nolan Anna Bannan Clem Hayes Alison Thomas Susan Bastian Brit Helgeby Gene Willsford Hilary Batten Rosanna Hindmarsh Rita Williams Elizabeth Bennett Margaret Hollis Elizabeth Woolston Lynne Booth Mie Ling Huisken Rose Swan Lena Britton Carol Hunt Gerda Zietek Jasmine Brodie Odette Ingram CONSERVATION Betty Browning Robin Irvine Laurel Brummell Rosslyn Jackson VOLUNTEERS Helen Campbell Phoebe Jacobi William Hamilton Shelley Clarke Tami Jacobsen Gudrun Genee Sally Collignon Marilyn Jessop Bruce Cook Clara Johns CURATORIAL Beverley Copeland Diane Johnson VOLUNTEERS Anne Coupland Kay Johnston Australian Decorative Arts and Kerin Cox Jillian Kennedy Design Shirley Crapp Setsuko Kennedy Meredith Hinchliffe Dodie Crichton Krysia Kitch Petronella Wensing Meridith Crowley Pei-fen Koh Diana Woollard Paloma Crowley Edith Kuhn Jane Herring Judith Dahl Taylor Meg Lambeck Penelope Roberts Eddie Davenport Paul Legge-Wilkinson Sarah Edge

232 National gallery of Australia Annual Report 2005–06 Bernard Lilienthal Bob Sutherland Jackie Linkson Catherine Sykes Cynthia Loveday Menna Thomas Jane Macissac Heather Thompson Alva Maguire Jo Thomson Virginia McAlister Arthur Tow Patricia McCullough Roberta Turner Lynn McEvoy Meryl Turner Margaret McIntosh Pamela Walker Michael McKeown Deirdre Ward Audrey McKibbin Pamela Weiss Phyllis McLean Sally Wells Jennifer Morris Frances Wild Geraldine Mountifield Marjorie Wilson Penny Moyes Robert Worley Patti Mulcare Maureen Muller Patsy Murray Donald Nairn Maria Helena Nicoll Rhonda Nobbs-Mohr Kate Nocklels Caroline Nott Susan O’Connor Denise Page Evelyn Paton Bettye Pearce Julia Pratt Norma Price Joan Purkis Beryl Quartel Kaye Rainey Georgia Renfree Fred Roberts Judy Roberts Hilary Rotsey Christine Saddington Sylvia Shanahan Rita Sheehan Mary Lou Sheppard Jude Sime Kimberley Simms Elizabeth Sloan Jan Smith Robin Smith Jane Smyth Els Sondaal Gabrielle Stewart Flora Strickland Carol Summerhayes

National gallery of Australia Annual Report 2005–06 233 APPENDIX 14 PUBLICATIONS OF THE NATIONAL GALLERY OF AUSTRALIA 2005–06

National Sculpture Prize and exhibition 2005 Elena Taylor, exhibition curator Paige Amor, editor David James Alcorn, designer

Transformations: the language of craft Robert Bell, exhibition curator Paige Amor, editor Sarah Robinson, designer

Constable: impressions of land, sea and sky Anne Gray, coordinating curator John Gage, co-curator Pauline Green, editor Kirsty Morrison, designer

Four issues of artonview No. 43 Spring 2005 No. 44 Summer 2005–06 No. 45 Autumn 2006 No. 46 Winter 2006 Commissioning editor: Eve Sullivan Designer: Sarah Robinson

234 National gallery of Australia Annual Report 2005–06 APPENDIX 15 CONSULTANTS 2005–06

Name Nature of services Amount Key

Anthony Asher Wright Visual Design Concept Plan 14,625 a Australian Government Solicitor Legal 56,783 a Australian National Audit Office External audit services 77,420 c Australian Valuation Office Valuation services 12,091 c Bill Viola Studios Exhibition design services 13,014 b Blake Dawson Waldron Legal 10,624 a Brizulis Associates Engineering services 75,872 a Caruana Fine Arts Valuation services 14,800 b Davidson Trahaire Corpsych Human Resource Management 12,630 b Enterprise Outsourcing Tender & contract services 18,917 a Environmetrics Customer survey analysis 14,591 b Ernst & Young Tender & contract services 19,307 a Evans & Peck Waste Management Plan 12,860 b George Sexton & Associates Lighting design plan 77,714 a Heritage Management Consultants Pty Ltd Conservation planning 13,122 b Infront Systems Development of storage & strategic 42,250 b directions plan Ken Begg and Associates Public affairs advice 85,300 b Mallesons Stephen Jaques Legal 47,464 a Manteena Pty Ltd Managing building enhancement project 60,867 a Market Analysis Customer survey analysis 16,054 b Mcgregor & Partners Landscaping design services 96,175 a Professor Norman Palmer Legal 82,809 a Page Kirkland Lorimer Pty Ltd Cost planning for building enhancement 385,460 a project PTW Architects Architectural services 759,973 a Steensen Varming (Australia) Pty Ltd Mechanical engineering advice 411,486 a Taylor Nelson Membership review 15,735 a Virginia Henderson Fundraising and operational advice for the 79,591 a National Gallery of Australia Foundation Walter Turnbull Internal audit 56,296 c Total 2,583,830

National gallery of Australia Annual Report 2005–06 235 Appendix 16 Performance Measures and Outcomes against 2005–06 Business Plan

GOAL 1 Key Performance Measure Performance Outcome The acquisition of premium works of art A significant number of premium works were acquired The degree to which premium works of art acquired 100% of premium works of art acquired strengthen the strengthen the national collection national collection GOAL 2 Key Performance Measure Performance Outcome Number of works acquired during the year 1,589 The degree to which works of art acquired strengthen 100% of works acquired strengthen the national the national collection collection Number of works of art deaccessioned 466 works of art deaccessioned The degree to which disposal of works refines the 100% of works deaccessioned refined the national national collection collection The extent to which the collection generates popular Significant popular and scholarly use of the collection and scholarly use was achieved GOAL 3 Key Performance Measure Performance Outcome The proportion of the national collection that is 99% – Adequate storage space for growing collection maintained at acceptable standards of storage, display, is being addressed in 2006 with the implementation documentation, safety and security of a major storage project Plan. A number of works of art are being held on trolleys/in crates, waiting to be located in museum standard storage facilities Works of art fully catalogued in the year 100% of works of art acquired were fully catalogued The percentage of the national collection reviewed 9%of the national collection reviewed Works of art conserved to appropriate standards 1,712 conservation treatments were undertaken GOAL 4

Key Performance Measure Performance Outcome The extent to which people’s experience of Gallery 93% of visitors believed their understanding and exhibitions and displays enhances their understanding knowledge of the visual arts was improved and enjoyment of the visual arts The satisfaction of visitors and the art community with 88% of visitors to Gallery exhibitions and displays Gallery exhibitions and displays enjoyed their experience of the visual arts The number of people attending Gallery exhibitions 3,473,930 people viewed works of art from the and displays and other exhibitions with loans from the national collection in Canberra, around Australia and national collection abroad GOAL 5

Key Performance Measure Performance Outcome The level of satisfaction of people who access Gallery 88% of visitors to Gallery programs and activities programs and activities enjoyed their experience of the visual arts

236 National gallery of Australia Annual Report 2005–06 The number of people accessing Gallery programs and 148,501 people accessed Gallery educational and activities public programs and activities The Number of users accessing information using 4,304,358 users accessed information using multimedia, collection study room and research library multimedia, collection study room and research library Increased awareness and association with the national 3,473,930 people viewed works of art from the collection and Gallery programs national collection in Canberra, around Australia and throughout the world Number of works of art from the collection loaned 1,093 works of art loaned Venues visited by travelling exhibitions 86 venues visited by Gallery travelling exhibitions, including 70 for the Wolfensohn Gift Education programs GOAL 6

Key Performance Measure Performance Outcome The level of staff satisfaction and feedback Feedback from Gallery staff indicated increasing level of satisfaction, with 99% of staff completing Individual Development Performance Agreements Staff achievement and professional recognition There has been a high level of professional recognition and staff achievement in the year GOAL 7

Key Performance Measure Performance Outcome The completion of stages of the building program on The development of the design of improved arrival and time and within budget entry facilities for the Gallery, and for the provision of additional facilities including increased display space for the collection, was advanced in the year The extent to which building program objectives The building refurbishment program is continuing are met satisfactorily. Funding secured for the building program beyond Funding for Stage 1 has not yet been secured. This was Stage 1 the focus in this year. GOAL 8

Key Performance Measure Performance Outcome An increase in operational funding from Government Operational funding from the Government increased by $1.405 million An increase in revenue from non-Government sources Revenue from non-government sources decreased by $0.247 million An increase in capital funding from Government Funding from Government to be applied to meet capital expenditure increased by $1.45 million

National gallery of Australia Annual Report 2005–06 237 APPENDIX 17 COMPLIANCE INDEX AND CONTACT OFFICERS

Compliance Index Contact Officers The National Gallery of Australia The National Gallery of Australia is Annual Report 2005–06 has been situated in Canberra at Parkes Place, prepared in accordance with the Parkes. General correspondence Commonwealth Authorities and should be addressed to: Companies (Report of Operations) Orders 2005 made under Section 48 The Director of the Commonwealth Authorities National Gallery of Australia and Companies Act 1997. Telephone: (02) 6240 6400 Facsimile: (02) 6270 6411 The following is a summary of this Website: nga.gov.au Annual Report according to these Email: [email protected] requirements: The National Gallery of Australia is Access and Equity open daily from 10 am to 5 pm Advertising and Market Research (closed Christmas Day). Audited Financial Statements Business Continuity Management Inquiries regarding this report may Chairman’s Foreward be directed to: Commonwealth Disability Strategy The Deputy Director Commonwealth Ombudsman Telephone: (02) 6240 6401 Consultants Facsimile: (02) 6270 6411 Contact Officers Email: [email protected] Corporate Overview Inquiries about procedures for Council Committees seeking information from the Director’s Report National Gallery of Australia under Enabling Legislation the Freedom of Information Act Environment Protection and 1982 may be made in writing, by Biodiversity telephone, facsimile or email to: Equal Employment Opportunity Freedom of Information Fraud Control Guidelines Coordinator Freedom of Information The Manager, Business Support Indemnities and Insurance National Gallery of Australia Industrial Democracy Parkes Place PARKES ACT 2600 Internal and External Scrutiny GPO Box 1150 Letter of Transmittal CANBERRA ACT 2601 Occupational Health and safety Telephone: (02) 6240 6677 Performance Based Pay Facsimile: (02) 6240 6529 Performance Measures and Email: [email protected] Outcomes Website: nga.gov.au Privacy Legislation Responsible Ministers Risk Management Service Charter Staffing Overview Staffing List Strategic Plan Table of Contents Training

238 National gallery of Australia Annual Report 2005–06 Index

National gallery of Australia Annual Report 2005–06 239 INDEX

A air conditioning and Australian National Audit Aboriginal and Torres Strait ventilation, 74 Office, 16, 82–83 Islander Art American Friends of the Australian Painting and acquisitions, 10, 29–30, National Gallery of Australia Sculpture 125–139 (AFANG), 11, 39, 80 acquisitions, 31–32 art and culture, 57 architects, 59, 63, 74 exhibitions, 51, 52–53 exhibitions, 30 Archives, 62, 63 Australian Photography access to the collections, 7, Art Indemnity Australia, 8, 53 acquisitions, 33–34 12, 23, 25, 46, 50–53, 56–64 artonline, 62 Australian Prints and acquisition policy, 7, 9 artonview, 64 Drawings acquisitions 2005–06, 9–11, Arts and Sport, Minister for, acquisitions, 34–35 28, 29–40, 63, 125–215 3, 7, 15 Australian sculpture art objects, 29, 30, 125– ARTstor Digital Library, 62 exhibitions, 51 127 Asia Pacific region see also National decorative art and design, acquisition of photographs Sculpture Prize and 30, 31, 36–37, 125, 139– of, 33, 38 exhibition 142, 198–200 Asian art Australian Theatre for Young digital media art, 125 acquisitions, 9–10, 35–36, People, 54 drawings, 34–35, 40, 125, 194–197 Australian Workplace 142–150, 194, 211 exhibitions, 51 Agreements, 66 illustrated books, 212, 213 assets, 78 Avian Flu Pandemic multimedia, 30, 150 attendance statistics, 12, 56, strategies, 18 paintings, 29, 30, 31–32, 58, 219 awards 37, 127–130, 150–152, Audit Committee see Risk Best Practice in a Public 194–195, 200 Management and Audit Institution award, 80 photography, 30, 33–34, Committee 38–39, 130–135, 152–163, audits B 201–211 internal audit reports, 17 Berg, Tony AM, 7, 79 prints, 30, 34–35, 39, 40, of financial statements, 16, Bill Viola: the passions 135–137, 163–193, 195, 82–83 (Exhibition), 51, 58, 59 211–215 Australasian art acquisitions, Bracher, Roslynne, 121 purchases and gifts, 217 31–35, 142–194 Bruehl, Anton photography sculptures, 11, 32, 35–36, Australasian decorative arts collection, 11, 39 37–38, 137–138, 193–194, and designs acquisitions, Building Committee, 17, 120, 195–196, 200–201 139–142 121 statistics, 217 Australian Art building refurbishment and textiles, 29, 138–139, acquisitions, 10, 31–35 enhancement, 7, 9, 74–75 196–197 Australian Art & Artists funding, 75 Acquisitions Committee, 17, Documentation Files, 63 Business Continuity Plan, 17 120, 121 Australian Decorative Arts advertising and market and Design C research, 18–19 acquisitions, 31 calendars of events, 60

240 National gallery of Australia Annual Report 2005–06 Certified Agreement, 66 Commonwealth Disability curatorial volunteers, 232 Chairman of Council, 3, 7, 16, Strategy, 71 Curran, Charles AC, 79, 121 82, 84, 121, 122 Communications, Champion de Crespigny AC, Information and the Arts, D 121 Minister for, 7, 15 Dawson–Damer, Ashley, 121 Chaney, Michael AO, 121 competitive tendering and deaccessioned works, 11, 29 Charter of Public Service in contracting, 79 Deacon, Destiny collection, a Culturally Diverse Society, complaints, 18 30 18, 57 handling, 71, 72 Designated Work Groups, 67 Chief Financial Officer, 82, 84 compliance index, 238 digitisation, 64 see also Children’s Festival, 57 conferences and symposia, imaging services Children’s Focus Exhibition, 59 Director, National Gallery of 54 conservation of the Australia Children’s Gallery, 50 collection, 11–12, 22, 24–25, Radford, Ron, AM, 9–13, Chunky Move dance 46–47 15, 82, 84, 122 company, 59 volunteers, 232 Disability Discrimination Code of Conduct, 66 Constable: impressions Act 1992 Code of Ethics, 66 of land, sea and sky disabled persons, access collection development, 11, programs, 57, 58 22, 24, 29–40 (Exhibition), 51–52, 53, 58, 59, 60 display of the collection, 50, collection management, 22, 56 24–25, 46–48 consultants, 78–79, 235 Consultative Committee, 70 disposal of works of art, 11, collection management 29 system (CMS), 48 contact officers, 238 FOI coordinator, 19 documentation of the Collection Study Room, 56, collection, 22, 48 61 Contemporary Australian donations, 11, 29–40, 57, 63, Comcare investigations, 17, Architects Speaker Series, 59 125–216, 217 68–69 Coonan, Senator the see also Deacon, Destiny Comcover, 48, 72 Hon. Helen, Minister collection; Peter Fay Gift, Comcover’s Benchmarking for Communications, Peter Johnson Architectural Risk Management Survey for Information and the Arts, 7, Archive 2005–06, 17 15 commercial operations, 64, corporate overview, 15–20 E 79 Council of the National ecologically sustainable committees Gallery, 16, 70, 120–121 development, 74 of Council of the National Crescent Moon: Islamic education programs, 57 Gallery, 16, 120–121 art and civilisation in 1888 Melbourne Cup senior management Southeast Asia (Exhibition), committees, 70–71 (Exhibition), 53 51, 56, 58, 59 Elaine and Jim Wolfensohn committees of inquiry, 19 Cultural Gifts Program, Commonwealth Authorities Gift (Exhibitions), 53 Australian Government, 31, Emergency Training Program, and Companies Act 1997, 34 3, 15 68

National gallery of Australia Annual Report 2005–06 241 enabling legislation, 15 the national collection, 29– Information Systems Working Environmental Protection 43, 236 Group; online projects; and Biodiversity Goal 3 Maintain and protect website Conservation Act 1999, 74, the national collection, 46– insurance, 17, 48, 72 75 48, 236 interaction with other equal employment Goal 4 Deliver outstanding authorities, 19 opportunity, 71 displays and exhibitions, internal and external scrutiny, equity see social justice and 50–54, 236 16–17 equity Goal 5 Provide and promote internal audit reports, 18 ethical standards, 66 access to the national International Art events 12, 59–60 collection, 56–64, 236–237 acquisitions, 10–11, 36–40, Executive, 19, 69 Goal 6 Sustain an 198–215 exhibitions, 12, 47, 50–54, encouraging and productive decorative arts and design, 218 environment for all staff, 36–37, 198–200 Exhibitions Committee, 71 66–72, 237 drawings, 211 expenditure, 67, 78 see also Goal 7 refurbish and enhance paintings, 35, 200 financial statements the National Gallery’s photography, 10–11, 38– building and precinct, 74–75, 39, 201–211 F 237 prints and illustrated Fay, Peter (donor), 31 Goal 8 Strengthen the books, 10, 39–40, 211–215 feedback, 18, 72 National Gallery’s resource sculpture, 37, 200–201 financial resources, 78–80 base, 78–80, 237 exhibitions, 51–52 financial statements, 82–116 government funding, 29, 54, International Museum fire detection systems, 9, 74 75, 78, 79 Theatre Alliance (IMTAL) fraud control, 19 Governor–General, 16 Conference, 59–60 freedom of information (FOI) Grace Cossington Smith: a investigations by Comcare, 19 retrospective exhibition, 52 18 fumigation techniques, 46 guides, 58, 232–233 functions of the National J Gallery, 16 H judicial decisions, 19 funding Heritage Strategy, 75 government funding, 29, K 54, 75, 78, 79 I Kemp, The Hon. Rod, Minister of building refurbishment imaging services, 64 for the Arts and Sport, 3, 7, 15 and enhancement, 75 indemnities, 7, 15, 53, 56, 72 key strategies, 28, 29, 46, 50, private funding, 79 Individual Development and 58, 66, 74, 78 Performance Agreements G (IDPAs), 67 L gifts, 217 see also donations industrial democracy, 72 lectures and talks, 56, 60 Goal 1 Acquire premium Information Systems Working letter of transmittal, 3 works of art, 28, 236 Group, 71 Liberman, Lee, 121 Goal 2 Strengthen and refine information technology see library see Research Library

242 National gallery of Australia Annual Report 2005–06 library consortia, 62 National Gallery of Australia Personal Information Digest, light monitoring and control, Foundation, 7, 31, 79–80, 122 19, 20 46 Chairman (Charles Curran Peter Fay Gift, 31 loans AC from April 2006), 7, 79, Peter Johnson Architectural inward, 56, 227–229 121, 122 Archive, 63 outward, 56, 222–226, 230 Chairman (Tony Berg AM Planning and Risk to April 2006), 7, 79 Management Reference M National Safety Council of Group, 17 maintenance of the Australia (NSCA), 67, 68 portfolio budget statements, collection, 46–48, 236 National Sculpture Prize 24–25 management structure, 69– and exhibition, 51, 52, 58, 59 powers and functions, 71, 122 National Treasures from National Gallery, 15 market research, 18–19 Australia’s Great Libraries privacy, 20 membership, 60–61 (Exhibition), 53, 56 private funding, 79 volunteers, 232 Nosworthy, Elizabeth AO, 121 product development, 64, 79 merchandising, 64, 79 Product Development Minister’s powers, 16 O Committee, 70 Ministers responsible for occupational health and Program Managers, 69, 70 National Gallery, 15 safety, 17, 67–69 promotion, 23, 25, 56–64, Mitchell, Harold AO Branding Project, 68 237–238 (Chairman of Council to Committee, 67, 70 property plant and 19/12/05), 7, 16, 121 Ombudsman, 20 equipment, 78 Moist: Australian online library resources, protection of the collection, watercolours (Exhibition), 62–63 47–48 52–53 online projects, 61–62 public programs, 58–60 Multicultural Film Festival, 59 Outcome and Outputs, 22– publications, 43, 64, 79, 234 multimedia, 61–62 25, 236–237 Publications Committee, 70 musical performances, 58 Output 1.1 Collection purpose of National Gallery, Myer, Rupert AM (Chairman Development, 22, 28–43 16, 22 of Council from 20/12/05), 3, Output 1.2 Collection 7, 16, 82, 84, 121–122 Management, 22, 46–48 R Output 1.3 Access to and Radford, Ron AM, Director of N promotion of works of NGA, 9–13, 82, 84, 121, 122 NAIDOC Week events, 59 art, 23, 50–64 Vision for the National National Capital Education Gallery of Australia, 7, 9 Tourism Project (NCETP), 57 P refurbishment of Gallery National Gallery Act 1975, Pacific arts acquisitions, building, 74, 75 3, 15–16, 22 37–38, 200 research by staff, 40–43, 47 National Gallery of Australia Packer, Roslyn, 121 Research Library, 62–63, 78 Council, 16, 70, 120–121 performance measures and volunteers, 232 Chairman, 3, 7, 82, 84, 122 outputs, 24–25, 236–237 revenue, 78, 79 see also Exhibitions Fund, 7 performance pay, 69 financial statements

National gallery of Australia Annual Report 2005–06 243 Right here right now: recent T Aboriginal and Torres teachers’ seminars, 57 Strait Islander acquisitions tours of the collection, 58, 59 (Exhibition), 30 training and development, risk management, 18 66–67, 68 Risk Management and Audit Transformations: the Committee, 16–17, 120, 121 language of craft Risk Registers, 17 (Exhibition), 11, 51, 58, 59 travelling exhibitions, 52–53, S 57, 220–221 security, 47–48, 68 Tyler, Kenneth collection, 39 Senate Environment, Communications, V Information Technology and valuation, 78 the Arts Legislation Vision Australia award, 58 Committee, 19 Vision for the National Senior Executive Service, 69 Gallery of Australia, 7, 9, 62 Senior Managers Group vision statement, 22 (SMG), 70 Visions of Australia, 54 Service Charter, 18, 71, 72 visitors, 18, 25, 50, 56, 58, 63, social justice and equity, 18, 219 57 online visitors, 12, 61 special events, 12, 58–60 voluntary guides, 58, 232–233 sponsors, 7, 231 volunteers, 7, 232 staff, 66–72, 123–124 indemnities and W insurance, 72 Walter Turnbull, 19 research and publishing, waste management strategy, 40–43 74 turnover, 66 website, 12,19, 57, 61 storage, 11–12, 46 workplace diversity, 71 Strategic Plan 2004–07, 16, 26 workshops, 60 Summer Scholarship, National Gallery of Australia and Sony Foundation, 57 surveys for conservation of the collection, 47 of membership, 60 of visitors, 18

244 National gallery of Australia Annual Report 2005–06