Hermann Hesse and India
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Buddhist” Reading of Shakespeare
UNIWERSYTET ZIELONOGÓRSKI IN GREMIUM 14/2020 Studia nad Historią, Kulturą i Polityką DOI 10.34768/ig.vi14.301 ISSN 1899-2722 s. 193-205 Antonio Salvati Universitá degli Studi della Campania „Luigi Vanvitelli” ORCID: 0000-0002-4982-3409 GIUSEPPE DE LORENZO AND HIS “BUDDHIST” READING OF SHAKESPEARE The road to overcoming pain lies in pain itself The following assumption is one of the pivotal points of Giuseppe De Lorenzo’s reflection on pain: “Solamente l’umanità può attingere dalla visione del dolore la forza per redimersi dal circolo dalla vita”,1 as he wrote in the first edition (1904) of India e Buddhismo antico in affinity with Hölderlin’s verses: “Nah ist/Und schwer zu fassen der Gott./Wo aber Gefahr ist, wächst/Das Rettende auch”,2 and anticipating Giuseppe Rensi who wrote in 1937 in his Frammenti: “La natura dell’universo la conosce non l’uomo sano, ricco, fortunato, felice, ma l’uomo percorso dalle malattie, dalle sventure, dalla povertà, dalle persecuzioni. Solo costui sa veramente che cos’è il mondo. Solo egli lo vede. Solo a lui i dolori che subisce danno la vista”.3 If pain really is this anexperience in which man questions himself and acquires the wisdom to free himself from the state of suffering it is clear why suffering “seems to be particularly essential to the nature of man […] Suffering seems to belong to man’s 1 “Only humanity can draw the strength to redeem itself from the circle of life through the vision of pain”. Giuseppe De Lorenzo (Lagonegro 1871-Naples 1957) was a geologist, a translator of Buddhist texts and Schopenhauer, and a great reader of Shakespeare, Byron and Leopardi. -
Mind-Crafting: Anticipatory Critique of Transhumanist Mind-Uploading in German High Modernist Novels Nathan Jensen Bates a Disse
Mind-Crafting: Anticipatory Critique of Transhumanist Mind-Uploading in German High Modernist Novels Nathan Jensen Bates A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2018 Reading Committee: Richard Block, Chair Sabine Wilke Ellwood Wiggins Program Authorized to Offer Degree: Germanics ©Copyright 2018 Nathan Jensen Bates University of Washington Abstract Mind-Crafting: Anticipatory Critique of Transhumanist Mind-Uploading in German High Modernist Novels Nathan Jensen Bates Chair of the Supervisory Committee: Professor Richard Block Germanics This dissertation explores the question of how German modernist novels anticipate and critique the transhumanist theory of mind-uploading in an attempt to avert binary thinking. German modernist novels simulate the mind and expose the indistinct limits of that simulation. Simulation is understood in this study as defined by Jean Baudrillard in Simulacra and Simulation. The novels discussed in this work include Thomas Mann’s Der Zauberberg; Hermann Broch’s Die Schlafwandler; Alfred Döblin’s Berlin Alexanderplatz: Die Geschichte von Franz Biberkopf; and, in the conclusion, Irmgard Keun’s Das Kunstseidene Mädchen is offered as a field of future inquiry. These primary sources disclose at least three aspects of the mind that are resistant to discrete articulation; that is, the uploading or extraction of the mind into a foreign context. A fourth is proposed, but only provisionally, in the conclusion of this work. The aspects resistant to uploading are defined and discussed as situatedness, plurality, and adaptability to ambiguity. Each of these aspects relates to one of the three steps of mind- uploading summarized in Nick Bostrom’s treatment of the subject. -
Education, Society and the Individual
CHAPTER 4 EDUCATION, SOCIETY AND THE INDIVIDUAL INTRODUCTION Hesse placed supreme importance on the value of the individual. From his youth he had rebelled against the imposition of social authority on the individual, and he continued this resistance throughout his adult life. The First World War had a profound impact on his thinking and writing. He described this as a ‘cruel awakening’ (Hesse, 1974c, p. 10) and in the years following the War he found himself utterly at odds with the spirit of his times in his native Germany. He spent much of his life in Switzerland. Hesse saw himself as an ‘unpolitical man’ and even when writing about the War, he wanted to guide the reader ‘not into the world theatre with its political problems but into his innermost being, before the judgement seat of his very personal conscience’ (p. 11). In Hesse’s novels and short stories, many of which have an educational focus, the theme of individual spiritual striving is paramount. His early novel, Peter Camenzind (Hesse, 1969), provides a fictionalised biographical account of the title character’s life, from his early years in the mountains, through his time as a student and his development as a writer, to his later life of devotion to a disabled friend and his elderly father. Beneath the Wheel (Hesse, 1968b) details the traumatic school experiences and tragic post-school life of a talented student. Siddhartha (Hesse, 2000a) takes the title character on a journey of self-discovery, with an exploration of dramatically different modes of life: asceticism, the world of business, sexual liberation, and oneness with nature, among others. -
Hermann Hesse‟S Novel Siddhartha Is Set in Ancient India at the Time of Buddha (563 B.C
Chapter IV Siddhartha 4. 1 Introduction: Hermann Hesse‟s novel Siddhartha is set in ancient India at the time of Buddha (563 B.C. – 483 B.C.). We find the roots of Siddhartha’s conception in his childhood. Hesse‟s parents had been in India as missionaries. His mother was born in India. However, the health of Hesse‟s father declined and the whole family had to shift to Calw. They joined the maternal grandfather of Hesse Dr. Gundert, a well- known linguist and a scholar in eastern philosophy. At this place, Hesse was brought up under the influence of Indian songs, books, and discussions about Indian and Chinese writings. The beautiful objects and pieces of art left a profound impression on Hesse‟s mind. Hence, in the novel Siddhartha, we find an influence of eastern philosophy. Likewise, Hesse‟s life had been influenced by the psychoanalytical theory of Carl Jung. During the period of the World War I, Hermann Hesse experienced a writer‟s block due to the political and familial difficulties in his creative career. During the writer‟s block, he underwent psychoanalytical treatment under Dr. Lang and Dr. Jung in 1921. In the state of depression, he stored away the first part and the second part of Siddhartha in June 1920 to the end of 1921. He could finish the novel only in May 1922. In his essay, “The Structure of the Conscious” Jung formulates his theory of individuation which has an influence on the structure of Siddhartha. Jung names this process as „Self-realization‟, „individuation‟, and “differentiation”. -
The Story of the Buddha and the Roots of Buddhism
The Story of The Buddha and the Roots of Buddhism Born in Nepal in the 6th (500’s) century B.C., Buddha was a spiritual leader and teacher whose life serves as the foundation of the Buddhist religion. A man named Siddhartha Gautama and he had achieved full awareness -- would one day become known as Buddha. thereby becoming Buddha. Buddha means "enlightened one" or "the awakened.” Siddhartha lived in Nepal during Early Years of His Life the 6th to 4th century B.C. While scholars The Buddha, or "enlightened one," was agree that he did in fact live, the events of his born Siddhartha (which means "he who life are still debated. According to the most achieves his aim") Gautama to a large clan widely known story of his life, after called the Shakyas in Lumbini in modern day experimenting with different teachings for Nepal in the 500’s B.C. His father was king years, and finding none of them acceptable, who ruled the tribe, known to be economically Gautama spent a fateful night in deep poor and on the outskirts geographically. His meditation. During his meditation, all of the mother died seven days after giving birth to answers he had been seeking became clear him, but a holy man prophesized great things explained that the ascetic had renounced the for the young Siddhartha: He would either be world to seek release from the human fear of a great king or military leader or he would be death and suffering. Siddhartha was a great spiritual leader. overcome by these sights, and the next day, To keep his son from witnessing the at age 29, he left his kingdom, wife and son miseries and suffering of the world, to lead an ascetic life, and determine a way Siddhartha's father raised him in extreme to relieve the universal suffering that he now luxury in a palace built just for the boy and understood to be one of the defining traits of sheltered him from knowledge of religion and humanity. -
Ut Pictora Poesis Hermann Hesse As a Poet and Painter
© HHP & C.I.Schneider, 1998 Posted 5/22/98 GG Ut Pictora Poesis Hermann Hesse as a Poet and Painter by Christian Immo Schneider Central Washington University Ellensburg, WA, U.S.A. Hermann Hesse stands in the international tradition of writers who are capable of expressing themselves in several arts. To be sure, he became famous first of all for his lyrical poetry and prose. How- ever, his thought and language is thoroughly permeated from his ear- liest to his last works with a profound sense of music. Great art- ists possess the specific gift of shifting their creative power from one to another medium. Therefore, it seems to be quite natural that Hesse, when he had reached a stage in his self-development which ne- cessitated both revitalization and enrichment of the art in which he had thus excelled, turned to painting as a means of the self expres- sion he had not yet experienced. "… one day I discovered an entirely new joy. Suddenly, at the age of forty, I began to paint. Not that I considered myself a painter or intended to become one. But painting is marvelous; it makes you happier and more patient. Af- terwards you do not have black fingers as with writing, but red and blue ones." (I,56) When Hesse began painting around 1917, he stood on the threshold of his most prolific period of creativity. This commenced with Demian and continued for more than a decade with such literary masterpieces as Klein und Wagner, Siddhartha, Kurgast up to Der Steppenwolf and beyond. -
P. Vasundhara Rao.Cdr
ORIGINAL ARTICLE ISSN:-2231-5063 Golden Research Thoughts P. Vasundhara Rao Abstract:- Literature reflects the thinking and beliefs of the concerned folk. Some German writers came in contact with Ancient Indian Literature. They were influenced by the Indian Philosophy, especially, Buddhism. German Philosopher Arther Schopenhauer, was very much influenced by the Philosophy of Buddhism. He made the ancient Indian Literature accessible to the German people. Many other authors and philosophers were influenced by Schopenhauer. The famous German Indologist, Friedrich Max Muller has also done a great work, as far as the contact between India and Germany is concerned. He has translated “Sacred Books of the East”. INDIAN PHILOSOPHY IN GERMAN WRITINGS Some other German authors were also influenced by Indian Philosophy, the traces of which can be found in their writings. Paul Deussen was a great scholar of Sanskrit. He wrote “Allgemeine Geschichte der Philosophie (General History of the Philosophy). Friedrich Nieztsche studied works of Schopenhauer in detail. He is one of the first existentialist Philosophers. Karl Eugen Neuman was the first who translated texts from Pali into German. Hermann Hesse was also influenced by Buddhism. His famous novel Siddhartha is set in India. It is about the spiritual journey of a man (Siddhartha) during the time of Gautam Buddha. Indology is today a subject in 13 Universities in Germany. Keywords: Indian Philosophy, Germany, Indology, translation, Buddhism, Upanishads.specialization. www.aygrt.isrj.org INDIAN PHILOSOPHY IN GERMAN WRITINGS INTRODUCTION Learning a new language opens the doors of a different culture, of the philosophy and thinking of that particular society. How true it is in case of Indian philosophy having traveled to Germany years ago. -
Scattered Thoughts on Trauma and Memory*
Scattered thoughts on trauma and memory* ** Paolo Giuganino Abstract. This paper examines, from a personal and clinician's perspective, the interrelation between trauma and memory. The author recalls his autobiographical memories and experiences on this two concepts by linking them to other authors thoughts. On the theme of trauma, the author underlines how the Holocaust- Shoah has been the trauma par excellence of the twentieth century by quoting several writing starting from Rudolf Höss’s memoirs, Nazi lieutenant colonel of Auschwitz, to the same book’s foreword written by Primo Levi, as well as many other authors such as Vasilij Grossman and Amos Oz. The author stresses the distortion of German language operated by Nazism and highlights the role played by the occult, mythological and mystical traditions in structuring the Third Reich,particularly in the SS organization system and pursuit for a pure “Aryan race”. Moreover, the author highlights how Ferenczi's contributions added to the developments of the concept of trauma through Luis Martin-Cabré exploration and detailed study of the author’s psychoanalytic thought. Keywords: Trauma, memory, testimony, Holocaust, Shoah, survivors, state violence, forgiveness, Höss, Primo Levi, Karl Jaspers, Martin Heidegger, Vasilij Grossman, Amos Oz, Ferenczi, Freud, Luis-Martin Cabré. In memory of Gino Giuganino (1913-1949). A mountaineer and partisan from Turin. A righteous of the Italian Jewish community and honoured with a gold medal for having helped many victims of persecution to cross over into Switzerland saving them from certain death. To the Stuck N. 174517, i.e. Primo Levi To: «Paola Pakitz / Cantante de Operetta / Fja de Arone / De el ghetto de Cracovia /Fatta savon / Per ordine del Fuhrer / Morta a Mauthausen» (Carolus L. -
Siddhartha's Smile: Schopenhauer, Hesse, Nietzsche
Bard College Bard Digital Commons Senior Projects Fall 2015 Bard Undergraduate Senior Projects Fall 2015 Siddhartha's Smile: Schopenhauer, Hesse, Nietzsche Benjamin Dillon Schluter Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_f2015 Part of the Continental Philosophy Commons, and the German Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Schluter, Benjamin Dillon, "Siddhartha's Smile: Schopenhauer, Hesse, Nietzsche" (2015). Senior Projects Fall 2015. 42. https://digitalcommons.bard.edu/senproj_f2015/42 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Siddhartha’s Smile: Schopenhauer, Hesse, Nietzsche Senior Project Submitted to The Division of Social Studies and The Division of Languages and Literature of Bard College by Benjamin Dillon Schluter Annandale-on-Hudson, New York December 2015 Acknowledgments Mom: This work grew out of our conversations and is dedicated to you. Thank you for being the Nietzsche, or at least the Eckhart Tolle, to my ‘Schopenschluter.’ Dad: You footed the bill and never batted an eyelash about it. May this work show you my appreciation, or maybe just that I took it all seriously. -
Japanese Buddhism in Austria
Journal of Religion in Japan 10 (2021) 222–242 brill.com/jrj Japanese Buddhism in Austria Lukas Pokorny | orcid: 0000-0002-3498-0612 University of Vienna, Vienna, Austria [email protected] Abstract Drawing on archival research and interview data, this paper discusses the historical development as well as the present configuration of the Japanese Buddhist panorama in Austria, which includes Zen, Pure Land, and Nichiren Buddhism. It traces the early beginnings, highlights the key stages and activities in the expansion process, and sheds light on both denominational complexity and international entanglement. Fifteen years before any other European country (Portugal in 1998; Italy in 2000), Austria for- mally acknowledged Buddhism as a legally recognised religious society in 1983. Hence, the paper also explores the larger organisational context of the Österreichische Bud- dhistische Religionsgesellschaft (Austrian Buddhist Religious Society) with a focus on its Japanese Buddhist actors. Additionally, it briefly outlines the non-Buddhist Japanese religious landscape in Austria. Keywords Japanese Buddhism – Austria – Zen – Nichirenism – Pure Land Buddhism 1 A Brief Historical Panorama The humble beginnings of Buddhism in Austria go back to Vienna-based Karl Eugen Neumann (1865–1915), who, inspired by his readings of Arthur Schopen- hauer (1788–1860), like many others after him, turned to Buddhism in 1884. A trained Indologist with a doctoral degree from the University of Leipzig (1891), his translations from the Pāli Canon posthumously gained seminal sta- tus within the nascent Austrian Buddhist community over the next decades. His knowledge of (Indian) Mahāyāna thought was sparse and his assessment thereof was polemically negative (Hecker 1986: 109–111). -
Kinderseele. Unterdrückung Und Rebellion Herkunftswelt Und Sehnsuchtsort 23 - Die Großväter
Inhalt Einleitung. Doppelgänger mit Strohhut 11 Kinderseele. Unterdrückung und Rebellion Herkunftswelt und Sehnsuchtsort 23 - Die Großväter. 25 — Der Pietismus als evangelische Erweckungsbewegung und vita experimen- talis 33 - Der Sohn frommer Eltern. Johannes und Marie Hesse 35 - Der Dichter als Kind, das nicht Kind sein durfte 46 - Calw. Flößer als Sinnbild 48 - Basel und das Missionswerk. 51 - Rückkehr nach Calw 56 - Bei Rektor Bauer in Göppingen 60 - Abgründe der Kinderseele: Brandstifterund Amokläufer? 62 - Kloster Maul bronn 67 - Blumhardt in Bad Boll 76 - Irrenanstalt Stetten 79 Selbstausrufung als Dichter »Wären nurAnarchisten da!« 89 - »Primäre Verrücktheit«? Warum er nicht werden will wie seine Halbbrüder Karl und Theodor Isenberg 93 - Bellamys »Rückblick aus dem Jahr 2000« als eine Urszene des »Glasper lenspiels« 96 - Schatten über der »lustigen, fidelen Cannstätter.Zeit«: Eros und Tod 98 - »Nervenschwäche« oder »moral insanity«? Buch händlerlehrling in Eßlingen für drei Tage 102 - Unter Turmuhren. Die Exotik blauer Schlosseranzüge 107 Aufbruch ins Eigene Im Bücherturm zu Tübingen 113 - Der Autodidakt. Dichten jenseits des Pietismus 119 - Urszene eines Kurgastes: »Palmenwald« 123 - Eine erste Bewunderin: Helene Voigt. Eine konsequente Nichtbewunde- rin: Marie Hesse 128 - Das erste Buch: »Romantische Lieder« 133 - Petit cenacle. Boheme und Bürger 135 - Livingstone 139 - Ende einer Briefromanze. Eugen Diederichs' Frau als nützliche Freundin 142 - Lulu aus Kirchheim. Die Gastwirtsnichte als Prinzessin http://d-nb.info/1023867826 8 Inhalt Lilia 144 - »Eine Stunde hinter Mitternacht«. Bericht vom Rande der Kunst 145 Die Heimat im Grenzüberschreiten Alemannisches Bekenntnis 151 - Nach Basel. Buchhandlung Reich 153 - Als Rezensent der »Allgemeinen Schweizer Zeitung« 156 - Romantik und Neuromantik. Frühe Wege zum »Glasperlenspiel« 158 - Elisabeth, die ferne Muse. -
Hermann Hesse's Siddhartha: a Spiritual and Psychic Coming of Age?
Hermann Hesse’s Siddhartha: A Spiritual and Psychic Coming of Age? Hermann Hesse’s (“Hesse”) creation of the novel Siddhartha shortly after World War I with its final publication in 1922, constitutes a Bildungsroman that still transports readers now ninety-seven years later into a place of spiritual introspection. Hesse’s search for psychic and spiritual unity in a post-world war apocalyptic Germany, soon to be on the brink of another world war and Nazi occupation is an astonishing masterpiece that circumvented the estrangement and alienation of war and persecution. Hesse’s Siddhartha, his alter ego or rather alter spiritual guide finds through trial and error in various spiritual incarnations; his true nature. Is Siddhartha a spiritual journeyman who comes of age within the realm of peace, serenity and unity that Hermann Hesse searched for as well? Or is this sweet parable just another questionable open-ended story of maturation? If this novel is truly a spiritual coming of age; what spiritual path led Hesse to create Siddhartha? It is submitted that a journey down many paths led Hesse and Siddhartha to enlightenment and true love. Hesse’s “way within” (Freedman, viii) as Ralph Freedman explains in the novel’s introduction was a life-long artistic and psychological process. M.K. Praseeda writes in “The Need of Spiritual Endeavors for an Intellectual Existence: a Re-reading of Hermann Hesse’s Siddhartha” that “Siddhartha fits well both in the genres of the novel of education, and the Bildungsroman” (3). The inner struggle of Siddhartha to become enlightened through various manifestations of “ancient wisdom, Upanishad wisdom and the very essence of the experience of the Buddha” (3) are the partial influences upon Hesse.