The Fierce Amazons Were More Than Just a Myth—They Were Real
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Naming the Extrasolar Planets
Naming the extrasolar planets W. Lyra Max Planck Institute for Astronomy, K¨onigstuhl 17, 69177, Heidelberg, Germany [email protected] Abstract and OGLE-TR-182 b, which does not help educators convey the message that these planets are quite similar to Jupiter. Extrasolar planets are not named and are referred to only In stark contrast, the sentence“planet Apollo is a gas giant by their assigned scientific designation. The reason given like Jupiter” is heavily - yet invisibly - coated with Coper- by the IAU to not name the planets is that it is consid- nicanism. ered impractical as planets are expected to be common. I One reason given by the IAU for not considering naming advance some reasons as to why this logic is flawed, and sug- the extrasolar planets is that it is a task deemed impractical. gest names for the 403 extrasolar planet candidates known One source is quoted as having said “if planets are found to as of Oct 2009. The names follow a scheme of association occur very frequently in the Universe, a system of individual with the constellation that the host star pertains to, and names for planets might well rapidly be found equally im- therefore are mostly drawn from Roman-Greek mythology. practicable as it is for stars, as planet discoveries progress.” Other mythologies may also be used given that a suitable 1. This leads to a second argument. It is indeed impractical association is established. to name all stars. But some stars are named nonetheless. In fact, all other classes of astronomical bodies are named. -
Herodotus in the North? Reflections on a Colossal Cauldron (4.81)
Herodotus in the North? Reflections on a Colossal Cauldron (4.81) Stephanie West Nearly 150 years ago J.W. Blakesley, in the introduction to his commentary, protested against anachronistic assumptions about the manner in which Herodotus gathered his material: ‘Every one accustomed to the facilities which the present time offers involuntarily attributes to any individual of the same social position with himself similar methods of effecting any given purpose — unconsciously forgetting the entirely different conditions of so cial existence which an interval of more than 2000 years implies’. In par ticular, the modem reader tends to underestimate the problems of travel. ‘The mere difficulties and dangers of locomotion were enormous. Until the time of Alexander the seas swarmed with pirates, and the land with banditti (Polybius, iii 58, 59). The only countries to which there is any satisfactory evidence of Greek visitors having resorted for the mere purpose of gratifying an intelligent curiosity are Lydia (under the reign of Croesus) and Egypt, with both of which places there existed direct commercial relations of con siderable importance. Where this was the case, the interest of the states whose revenue was increased by levying duties upon the merchants would induce them to render the access of foreigners something safer. But on the other hand, the very same interest would tend to confine traffic to certain definite channels, and to fetter it by arbitrary rules enforced in the most summary manner ... Admitting our author to have been as naturally inclined to travel as an Englishman of the present day, his means of gratifying this passion must have been very limited’.1 We might suppose that travel is substantially easier nowadays than it was in the mid-nineteenth century, and the difference from mid-fifth-century Herodotus, with a commentary by the Rev. -
Marathon 2,500 Years Edited by Christopher Carey & Michael Edwards
MARATHON 2,500 YEARS EDITED BY CHRISTOPHER CAREY & MICHAEL EDWARDS INSTITUTE OF CLASSICAL STUDIES SCHOOL OF ADVANCED STUDY UNIVERSITY OF LONDON MARATHON – 2,500 YEARS BULLETIN OF THE INSTITUTE OF CLASSICAL STUDIES SUPPLEMENT 124 DIRECTOR & GENERAL EDITOR: JOHN NORTH DIRECTOR OF PUBLICATIONS: RICHARD SIMPSON MARATHON – 2,500 YEARS PROCEEDINGS OF THE MARATHON CONFERENCE 2010 EDITED BY CHRISTOPHER CAREY & MICHAEL EDWARDS INSTITUTE OF CLASSICAL STUDIES SCHOOL OF ADVANCED STUDY UNIVERSITY OF LONDON 2013 The cover image shows Persian warriors at Ishtar Gate, from before the fourth century BC. Pergamon Museum/Vorderasiatisches Museum, Berlin. Photo Mohammed Shamma (2003). Used under CC‐BY terms. All rights reserved. This PDF edition published in 2019 First published in print in 2013 This book is published under a Creative Commons Attribution-NonCommercial- NoDerivatives (CC-BY-NC-ND 4.0) license. More information regarding CC licenses is available at http://creativecommons.org/licenses/ Available to download free at http://www.humanities-digital-library.org ISBN: 978-1-905670-81-9 (2019 PDF edition) DOI: 10.14296/1019.9781905670819 ISBN: 978-1-905670-52-9 (2013 paperback edition) ©2013 Institute of Classical Studies, University of London The right of contributors to be identified as the authors of the work published here has been asserted by them in accordance with the Copyright, Designs and Patents Act 1988. Designed and typeset at the Institute of Classical Studies TABLE OF CONTENTS Introductory note 1 P. J. Rhodes The battle of Marathon and modern scholarship 3 Christopher Pelling Herodotus’ Marathon 23 Peter Krentz Marathon and the development of the exclusive hoplite phalanx 35 Andrej Petrovic The battle of Marathon in pre-Herodotean sources: on Marathon verse-inscriptions (IG I3 503/504; Seg Lvi 430) 45 V. -
UC Berkeley Berkeley Undergraduate Journal of Classics
UC Berkeley Berkeley Undergraduate Journal of Classics Title Bow Designs on Ancient Greek Vases Permalink https://escholarship.org/uc/item/3rh4f9jd Journal Berkeley Undergraduate Journal of Classics, 5(2) ISSN 2373-7115 Author Bowyer, Emily S Publication Date 2017 Peer reviewed|Undergraduate eScholarship.org Powered by the California Digital Library University of California Bow Designs on Ancient Greek Vases Emily Bowyer University of California, Los Angeles Classical Civilizations Class of 2017 Abstract: This research looks to investigate the designs of ancient bows depicted on ancient Greek pottery. The goal is to show that the bows most commonly shown are not native to the Greek mainland but rather are from Scythia and Egypt. This has been done by examining a number of vases, pyramid friezes, and modern bow reconstructions. The common use of the Scythian design for archer characters in scenes of myth implies a familiarity with archery primarily through the Scythian mercenaries. The Egyptian acacia deflex bow design, while rare in vase depictions, directly corresponds to images on pyramids. The Egyptian angular composite bow appears in a rare case on a Greek vase, but its depiction is consistent with modern historical reconstructions. Through showing these non-native bow origins, this paper hopes to further demonstrate the worldly influences on archaic Greece. The practice of archery is ancient, as is its depiction in art. Analysis of the bow’s form provides a unique insight into the ancient world. This is because a culture’s bow design is a direct reflection of its environment. From the single-piece English Yew longbow to the massive Japanese Yumi to the compact Mongolian horse bow, the available materials dictate the form of the tool. -
A Story of Five Amazons Brunilde S
Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College Classical and Near Eastern Archaeology Faculty Classical and Near Eastern Archaeology Research and Scholarship 1974 A Story of Five Amazons Brunilde S. Ridgway Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: http://repository.brynmawr.edu/arch_pubs Part of the Classical Archaeology and Art History Commons, and the History of Art, Architecture, and Archaeology Commons Custom Citation Ridgway, Brunilde S. 1974. A Story of Five Amazons. American Journal of Archaeology 78:1-17. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. http://repository.brynmawr.edu/arch_pubs/79 For more information, please contact [email protected]. A Story of Five Amazons* BRUNILDE SISMONDO RIDGWAY PLATES 1-4 THEANCIENT SOURCE dam a sua quisqueiudicassent. Haec est Polycliti, In a well-knownpassage of his book on bronze proximaab ea Phidiae, tertia Cresilae,quarta Cy- sculpturePliny tells us the story of a competition donis, quinta Phradmonis." among five artists for the statue of an Amazon This texthas been variously interpreted, emended, (Pliny NH 34.53): "Venereautem et in certamen and supplementedby trying to identifyeach statue laudatissimi,quamquam diversis aetatibusgeniti, mentionedby Pliny among the typesextant in our quoniamfecerunt Amazonas, quae cum in templo museums. It may thereforebe useful to review Dianae Ephesiaedicarentur, placuit eligi probatis- brieflythe basicpoints made by the passage,before simam ipsorum artificum, qui praesenteserant examining the sculpturalcandidates. iudicio,cum apparuitearn esse quam omnes secun- i) The Competition.The mention of a contest * The following works will be quoted in abbreviated form: von Bothmer D. -
Antigone by Sophocles Scene 4, Ode 4, Scene 5, Paean and Exodos
Antigone by Sophocles Scene 4, Ode 4, Scene 5, Paean and Exodos By: Anmol Singh, Kesia Santos, and Yuri Seo Biographical, Cultural, and Historical Background The Greek Theater - Sophocles was one of the prominent figures in Greek theater. - Plays were performed in outdoor areas. - There were a limited number of actors and a chorus.6 - Antigone was mostly likely performed in the same fashion. AS Family Tree YS What do Scene 4, Ode 4, Scene 5, Paean and Exodos of Antigone focus on? - Family Conflict (internal and external) - Death (tragedy) - Poor judgment - Feeling and thinking - Fate - Loyalty - Love YS Genres & Subgenres Tragedy - Not completely like modern tragedies (ex. sad & gloomy). - Tragedies heavily used pathos (Greek for suffering). - Used masks and other props. - Were a form of worship to Dionysus.7 AS Tragic Hero - Antigone and Creon are both like tragic heros. - Each have their own hamartia which leads to their downfalls.8,9 AS Family Conflict & Tragedy in Antigone - Antigone hangs herself - Haimon stabs himself - Eurydice curses Creon and blames him for everything - Eurydice kills herself YS Dominant Themes Family: The story of Niobe - Antigone relates her story to the story of Niobe. - Antigone says “How often have I hear the story of Niobe, Tantalus’s wretched daughter…” (18) - Chorus tells Antigone that Niobe “was born of heaven,” but Antigone is a woman. YS Womanhood - Antigone defies the place a woman is supposed to have during this time period - Antigone and Ismene contrast each other - Creon is the prime example of the beliefs that males hold during this period KS Power and Corruption: Dryas and Lycurgus - A character the chorus compares to Antigone is Lycurgus. -
Amazons, Thracians, and Scythians , Greek, Roman and Byzantine Studies, 24:2 (1983:Summer) P.105
SHAPIRO, H. A., Amazons, Thracians, and Scythians , Greek, Roman and Byzantine Studies, 24:2 (1983:Summer) p.105 Amazons, Thracians, and Scythians H A. Shapiro HE AMAZONS offer a remarkable example of the lacunose and T fragmented state of ancient evidence for many Greek myths. For while we hear virtually nothing about them in extant litera ture before the mid-fifth century, they are depicted in art starting in the late eighth! and are extremely popular, especially in Attica, from the first half of the sixth. Thus all we know about the Greeks' con ception of the Amazons in the archaic period comes from visual rep resentations, not from written sources, and it would be hazardous to assume that various 'facts' and details supplied by later writers were familiar to the sixth-century Greek. The problem of locating the Amazons is a good case in point. Most scholars assume that Herakles' battle with the Amazons, so popular on Attic vases, took place at the Amazon city Themiskyra in Asia Minor, on the river Thermodon near the Black Sea, where most ancient writers place it.2 But the earliest of these is Apollodoros (2.5.9), and, as I shall argue, alternate traditions locating the Ama zons elsewhere may have been known to the archaic vase-painter and viewer. An encounter with Amazons figures among the exploits of three important Greek heroes, and each story entered the Attic vase painters' repertoire at a different time in the course of the sixth century. First came Herakles' battle to obtain the girdle of Hippolyte (although the prize itself is never shown), his ninth labor. -
The Amazons: Development and Functions1
THE AMAZONS: 1 DEVELOPMENT AND FUNCTIONS ) The Un-society 0/ Amazons Amazons are a familiar sight in the Greek mythologicalland scape. Physiologically, they are female, but they have encroached on the social role of men: 'They were considered men because of their spirit (elJ'1j,.uxea) rather than women because of their physiolo gy (qJlJOL<;)' (Lysias 2.4). According to the popular story - rarely reflected in art - they 'pinched out' or cut off the right breast so as not to impede their javelin-throwing. But as Tzetzes observed, that would have killed them: the more rational- or rationalised alternative, going back to Hippokrates and his sources, is that they cauterised it before it grew, with a special iron tooF). This then explains their name: the Breastless - unless it is because they do not eat barley-bread ÜUl1;a), but tortoises, lizards and snakes3), in which case they have wasted their time tampering with their breasts. In fact these are all popular etymologies and their name, of unknown origin, has determined their anatomy. 'Al!a1;6ve<; invoke a story just as 'AcpQOÖLL'Ij demands to be 'born from foam' (Hes. Theog. 195-8). Defying the normal roles assigned to females by Greeks, Amazons go so far as to exclude males from their society. They are 'man-hating' (crtuyavoQe<; 'Aesch.' Prom. 724) and 'man-Iess' (a.vavöQoL Aesch. Supp!. 287). Yet without men at all, they are an un-society, an impossible society, which it is the job of ethno- 1) Earlier versions of this paper ("Uses of a Dead Amazon") were given to the Annual General Meeting of the Classical Association in Oxford (April 1992) and to the Institut für Alte Geschichte at the University of Munich Oune 1993). -
The Amazon Myth in Western Literature. Bruce Robert Magee Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1996 The Amazon Myth in Western Literature. Bruce Robert Magee Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Magee, Bruce Robert, "The Amazon Myth in Western Literature." (1996). LSU Historical Dissertations and Theses. 6262. https://digitalcommons.lsu.edu/gradschool_disstheses/6262 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the tmct directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter 6ce, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
SPECIAL TOURS MYTHOLOGY Gallery of Greek and Roman Casts
SPECIAL TOURS MYTHOLOGY Gallery of Greek and Roman Casts Battle of the Greeks and Amazons Temple of Apollo at Phigaleia (Bassai) Greek, late 5th c. B.C. The Mausoleion at Halikarnassos Greek, ca. 360-340 B.C. Myth: The Amazons lived in the northern limits of the known world. They were warrior women who fought from horseback usually with bow and arrows, but also with axe and spear. Their shields were crescent shaped. They destroyed the right breast of young Amazons, to facilitate use of the bow. The Attic hero Theseus had joined Herakles on his expedition against them and received the Amazon Antiope (or Hippolyta) as his share of the spoils of war. In revenge, the Amazons invaded Attica. In the subsequent battle Antiope was killed. This battle was represented in a number of works, notably the metopes of the Parthenon and the shield of the Athena Parthenos, the great cult statue by Pheidias that stood in the Parthenon. Symbolically, the battle represents the triumph of civilization over barbarism. Battle of the Gods and Giants Altar of Zeus and Athena, Pergamon (Zeus battling Giants) Greek, ca. 180 B.C. Myth: The giants, born of Earth, threatened Zeus and the other gods, and a fierce struggle ensued, the so-called Gigantomachy, or battle of the gods and giants. The giants were defeated and imprisoned below the earth. This section of the frieze from the altar shows Zeus battling three giants. The myth may reflect an event of prehistory, the arrival ca. 2000 B.C. of Greek- speaking invaders, who brought with them their own gods, whose chief god was Zeus. -
How Archaeologists Found the Lost City of Troy
How archaeologists found the lost city of Troy This doomed city at the heart of the Trojan War was lost for thousands of years until a team of German archaeologists uncovered the ancient site. HEINRICH SCHLIEMANN, THE German archaeologist, was in Turkey in the late 19th century on an eccentric quest. He was excavating a tell—an artificial mound that covers long abandoned settlements. The site, known as Hisarlik, was familiar to only a few specialists. But as Schliemann dug, he was pinning his hopes on finding the ruins of the most famous city in classical literature: Troy. PHOTOGRAPH BY EOSGIS . C O M The trouble was that Troy might not even have existed. The acclaimed Greek poet Homer popularized the Trojans and their city in The Iliad and The Odyssey, the 8th-century B.C. epic poems. These works told the story of a 10-year war between Greece and Troy, fought by such timeless characters as the kings Priam and Agamemnon, the warriors brave Hector and mighty Achilles, and the survivors crafty Odysseus and loyal Aeneas. The poems tell of bloody battles, fantastic adventures, heroic deeds, and tragic consequences. But was Troy a real place? Schliemann set out to prove it was. (Homer's Iliad contains timeless lessons of war.) And he did. Hisarlik is now widely accepted as the setting for Homer’s epic tales. Studies have revealed that the 100-foot-high mound contains not just one, but nine Troys, each built over the ruins of the one before. Today archaeologists consider Troy VI—the sixth counting from the bottom up—to be the likeliest candidate for Homer’s Troy. -
Amazons, Myth & Magic
Issue 3 October 2008 MINOTAUR The Official, Irregular Webzine of the Mazes & Minotaurs Revival DOUBLE-SIZED, TRIPLE-THEMED SPECIAL ! AMAZONS , MYTH & MAGIC Two Scenarios, New Creatures & Mythic Items, Official Background Material, Rule Variants, Inspiration for Maze Masters and more ! A Word from the Editor MINOTAUR MIRTH Three Times the Fun ! Greetings, fellow Minotaurians… and welcome to the third issue of the Minotaur, the one-and-only official webzine of the Mazes & Minotaurs roleplaying revival ! To celebrate our first anniversary (yup, the first issue of Minotaur Quarterly was released roughly one year ago – which, incidentally, explains why it is no longer Quarterly) and since we couldn’t agree on a single theme for this third installment, we decided to offer you a 48 page triple-themed issue. The first of these three themes is Amazons . This issue’s Mythika Gazetteer tells you everything you ever wanted to know (and possibly a little bit more) about the warrior-women of M&M, while The Alternate Amazon presents a variant, liberated version of the character class. Lastly, this issue’s Maze Master’s Lore includes the description and stats of Mythika’s mightiest living Amazon heroine, Princess Titania. - An Amazon special ? Well, that was about time ! The second theme is (wait for it)… Magic ! This Well, at least we didn’t get a chainmail bikini cover… issue’s Pandora’s Box offers you various arcane accessories, the impenitent Luke G. Reynard tells us what he thinks about Mystic Fortitude in his ever- popular Twist in the Maze column and this issue’s Griffin Archives resurrect a long-lost M&M class Game Session Credits from the glorious 80s : Erik Sieurin’s Beastmaster - presented for the Original and Revised rules… all Merciless Maze Master : Olivier Legrand.