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Home , Albert Innaurato, Anneliese van der Pol, Bernard Gersten, Christopher Durang, Dinner with Friends, Electra (horse)

Printer’s Ad Printer’s Ad LEARNING & EDUCATION USING AS A CATALYST TO INSPIRE CREATIVITY

“ATC’S EDUCATION DEPARTMENT HAS BEEN NOTHING SHORT OF A MIRACLE.” -Cheryl Falvo, Crossroads English Chaira / Service Learning Coordinator

Theatre skills help support critical thinking, decision-making, teamwork and improvisation. It can bridge the gap from imagination to reality. We inspire students to feel that anything is possible. LAST SEASON WE REACHED

OVER 11,000 STUDENTS

IN 80 SCHOOLS

ACROSS 8 AZ COUNTIES

For more information about our Learning & Education programs, visit EDUCATION.ARIZONATHEATRE.ORG IN THIS ISSUE

October 2014

Title Page ...... 6 Cast List...... 8 About the ...... 12 ATC Leadership...... 20 The Cast...... 28 The Creative Team...... 34 Board of Trustees ...... 40 About Arizona Theatre Company ...... 41 Theatre Information...... 47 Corporate and Foundation Donors...... 49 Individual Donors ...... 50 Staff...... 59

Below: Suzanne Warmanen, Isabell Monk O’Connor and Charles Janasz in Arizona Theatre Company’s production of Vanya and Sonia and Masha and Spike. Photo by Joan Marcus. FROM THE ARTISTIC DIRECTOR

DEAR FRIENDS,

COMMUNITY is at the heart of the theatre experience. The plays we bring to vibrant life onstage are completed by you, our friends. That is when the gasps, the cheers and the laughs complete the connection and theatre comes alive. In our 48th season of professional theatre in our community, I invite you to settle into the comfortable world of our state-of-the- theatre and connect with us to make the circle complete. Join with us for a world premiere of a new play from an Emmy Award-winning writer; the regional premiere of an off-Broadway hit musical; the gorgeous vitality of one of Shakespeare’s most loved stories.

You’ll always find the work we do world class… but none of it is finished without our connection to you.

See you at the theatre,

David Ira Goldstein

TOP – The cast and crew of The Importance of Being Earnest. Photo by Tim Fuller. RIGHT PAGE – Top Left: Paige Lindsey White in Other Desert Cities. Photo by Tim Fuller. Top Right: Anneliese van der Pol and Loren Dunn in The Importance of Being Earnest. Photo by Tim Fuller. Middle Right: Kyle Sorrell, Mark Anders, Jon Gentry and Bob Sorenson in Around the World in 80 Days. Photo by Tim Fuller. Bottom Left: James T. Alfred in The Mountaintop. Photo by Tim Fuller. Bottom Right: Jessica Skerritt and Company in Xanadu. Photo by Mark Kitaoka.

4 48YEARS OF AWARD-WINNING T H EATRE

ARIZONA’S NATIONALLY-RENOWNED PROFESSIONAL THEATRE

Special Thanks to I. Michael and Beth Kasser Season Sponsors David Ira Goldstein Matt Lehrman Jessica L. Andrews Artistic Director Interim Managing Director Managing Director Emeritus

VANYA and SONIA and MASHA and SPIKE

by

Joel Sass ...... Director Todd Rosenthal ...... Scenic Designer Ilona Somogyi...... Costume Designer Barry Browning...... Lighting Designer Sean Healey...... Sound Designer Carla Steen...... Dramaturg Lucinda Holshue ...... Voice and Speech Coach Marcela Lorca...... Movement Coach McCorkle Casting, Ltd...... Casting T. Greg Squires...... Resident Lighting Designer Brian Jerome Peterson ...... Resident Sound Designer Glenn Bruner*...... Production Manager Timothy Toothman*...... Assistant Stage Manager *Member of Actors’ Equity Association.

On this original Arizona Theatre Company and Guthrie production, the ATC and Guthrie Production staffs are responsible for scenic construction, costume construction, lighting, sound, props, furniture, wigs and scene painting.

Vanya and Sonia and Masha and Spike is presented by special arrangement with Dramatists Play Service, Inc., .

Originally produced on Broadway by: Joey Parnes, Larry Hirschhorn, Joan Raffe/, Martin Platt & David Elliott, Pat Flicker Addiss, , John O’Boyle, Joshua Goodman, Jamie deRoy/Richard Winkler, Cricket Hooper Jiranek/ Michael Palitz, Mark S. Golub & David S. Golub, Radio Mouse , Shadowcatcher Entertainment, Mary Cossette/ Barbara Manocherian, Megan Savage/Meredith Lynsey Schade, Hugh Hysell/Richard Jordan, Cheryl Wiesenfeld/Ron Simons, S.D. Wagner, John Johnson in association with McCarter Theatre Center and Theater.

Originally commissioned and produced by McCarter Theatre Center, Princeton, N.J., , Artistic Director; Timothy J. Shields, Managing Director; Mara Isaacs, Producing Director; and produced by Lincoln Center Theater, , under the direction of André Bishop and in 2012.

“Here Comes the Sun” written by George Harrison, published by Harrisongs, Ltd. (ASCAP). Used with permission. All rights reserved.

This production premiered at on July 19, 2014. , Director.

COVER ART BY: Esser Design 2014-2015 SEASON SPONSORS: I. MICHAEL AND BETH KASSER

6 Printer’s Ad CAST (listed in order of appearance)

Charles Janasz*...... VANYA Suzanne Warmanen*...... SONIA Isabell Monk O’Connor*...... CASSANDRA Suzanne Bouchard*...... MASHA Joshua James Campbell*...... SPIKE Ali Rose Dachis*...... NINA

*Member of Actors’ Equity Association.

Time: The present. Place: A farmhouse in Bucks County, PA

THERE WILL BE ONE 15-MINUTE INTERMISSION.

ADDITIONAL STAFF

Emma DeVore...... Assistant to the Stage Manager Adin Walker...... Assistant Director Additional casting by ATC Artistic Staff.

Arizona Theatre Company operates under agreements between the League of Resident (LORT) and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the ; Stage Directors and Choreographers, an independent national labor union; and United Scenic Artists Local USA-829, IATSE.

To learn more about Vanya and Sonia and Masha and Spike, please visit the Learning & Education page on our website at arizonatheatre.org for a comprehensive free Play Guide. The Play Guide contains information on Christopher Durang, Anton Chekhov and more. Play Guides are also available in The Temple Lounge for a nominal charge to cover printing.

Cell phones and other devices that make a noise can greatly disturb your fellow members and the performers. PLEASE TURN THEM OFF before the performance and again at intermission.

8 Printer’s Ad Printer’s Ad Printer’s Ad ABOUT THE PLAY

CHRISTOPHER DURANG: AN ORIGINAL WITH AN ANARCHIC SPIRIT

PLAYWRIGHT CHRISTOPHER DURANG grew up in New Jersey, the only child of charismatic but troubled parents. His interest in theatre was encouraged by his parents, and he attended many performances as a child. He wrote his first play as a second-grader, an adaptation of an I Lucy episode. When his mother told his teacher about it, his class at Lady of Peace Catholic School performed the two-page play.

Durang attended the Delbarton School from seventh to twelfth grade and, much to his surprise, was accepted at Harvard, which he attended Playwright Christopher hoping to become a well-rounded writer. His college years were Durang. marked by a deep depression that lasted from the end of his freshman year to the summer after his junior year. He was dealing with the divorce of his parents, his father’s alcoholism, the guilt of having to testify against his father in court, his disillusionment with the Catholic Church, and his realization that he was gay. By his senior year, Durang’s depression lifted in part because he was selected to be one of 15 people to attend William Alfred’s playwriting class.

Following college, Durang attended Yale School of Drama, where he continued to write and perform. Among his classmates were , , and . Yale provided an environment in which he thrived, experimenting and taking risks in his writing. Shortly after he graduated, he scored a great coup in having his play The Idiots Karamazov, written with Innaurato, performed at Yale .

Among Durang’s best-known plays are A History of the American Film, The Actor’s Nightmare, Sister Mary Ignatius Explains It All for You, , , The Marriage of Bette and Boo, , and Durang Durang (an evening of six plays, including the parody For Whom the Southern Belle Tolls).

In the early 1980s, Durang and Sigourney Weaver co-wrote and performed their acclaimed Brecht-Weill parody Das Lusitania Songspiel and were both nominated for Drama Desk Awards for Best Performer in a Musical. In 1993, he performed alongside in the five-person off-Broadway Sondheim revuePutting It Together. He also played a singing congressman in the Encores presentation of with Tyne Daly.

In 1996, he was commissioned by the Foundation to write a book for Babes in Arms and the same year Sex and Longing opened on Broadway, starring Weaver. Additional recent plays include Betty’s Summer Vacation, the musical Adrift in Macao, with music by Peter Melnick, Mrs. Bob Cratchit’s Wild Christmas Binge and Why Torture is Wrong, and the People Who Love Them. Vanya and Sonia and Masha and Spike was commissioned and originally produced by McCarter Theatre Center in Princeton, N.J., before the production moved to Broadway, where it won the 2013 .

For the past two decades, Durang has co-chaired, with , the Playwriting Program at The Juilliard School in Manhattan. He has lived for 23 years in a farmhouse on a hill in Bucks County, PA, with his partner, John Augustine.

12 ABOUT THE PLAY

Christopher Durang is relentlessly entertaining. Whether his play is a burlesque of other playwrights or an annihilation of the happy American family, or a vitriolic challenge to organized religion, homophobia, psychoanalysis, or parenthood, the plays are constantly arousing their with hilarity and mirth. He succeeds because of the extraordinary fertility of his imagination, inventiveness, courage, and audacity. Blessed with twin gifts – originality and an anarchic spirit – he provides an audience with unruly laughter and outlandish amusement.

Howard Stein – “Introduction” to Christopher Durang: 27 Short Plays, Smith and Kraus, 1995

I love the plays of Chekhov, which I read mostly in college and in my 20s. At a certain point I realized that I was now old, and the age of Vanya. Indeed I’m older than Vanya in the script, and so I thought of writing a play wondering what if my life had been more like Vanya’s.

The other reason I thought of this is I don’t live in New York City anymore, I live in a pretty place in Bucks County, PA. And, you know, I chose to move here, but it made me remember that in Chekhov, the people who lived in the country seemed the most unhappy. They were very envious of their relatives who were in the city or are traveling around like Madame Arkadina from , who is a famous actress wandering the Continent.

So I decided to write a play: what if I had lived in this house in Bucks County all my life and I was feeling bitter and things hadn’t worked out and then I had an adopted sister with me named Sonia and she was bitter and we were both envious of our sibling Masha who’s a movie star – because I set it in the present time. So it’s about these two bitter people and this actress and she shows up with her boy toy Spike, who is in his 20s and she’s had five unhappy marriages and now she’s with Spike.

Christopher Durang, in conversation with Joe Dowling, spring 2013

BRUSH UP ON YOUR CHEKHOV

The play is not based on Chekhov, nor is it a parody of Chekhov. Chekhov is more of a personal jumping- off point for me. It’s as if I took characters and themes from Chekhov and put them in a blender.

Christopher Durang – “Author’s Note” to Vanya and Sonia and Masha and Spike, New York: Dramatists Play Service, 2014

VANYA takes his name from the title character of Uncle Vanya, who has spent years managing the estate of his brother-in-law and in middle age realizes he’s wasted his life. Durang’s Vanya, however, is milder of manner and considerably less violent than his namesake. He’s also inspired by the character of Konstantin in The Seagull, the son of the famous actress Madame Arkadina. Konstantin writes a play, which the neighbor girl (and his love interest) Nina performs toward the beginning of The Seagull.

SONIA’s namesake is also found in Uncle Vanya, the niece of the title character. She’s hardworking but plain and carries an unrequited love for the local doctor. Her life with Vanya is disrupted when her father and his new, much younger wife come to visit. Durang’s Sonia often directly quotes lines from Chekhov’s plays (consciously and not). Nina in The Seagull has an affinity for seagulls, whereas Sonia has discovered that she is like a wild turkey.

13 ABOUT THE PLAY

Chekhov named two characters MASHA, one in The Seagull who pines for Konstantin and one in who pines for Moscow. And while Durang’s Masha says that the Three Sisters Masha is her name- sake (and a role she was born to play), she also shares DNA with the actress Madame Arkadina from The Seagull, who fudges about her age, ignores family needs in favor of her younger paramour, travels frequently to take acting roles and whose visit to the family home upsets the lives of the residents.

NINA most closely identifies with Nina inThe Seagull, who aspires to be an actress and who is star-struck to meet the famous actress next door. Both Ninas gamely take part in an experimental play-within-a-play. Durang’s Nina, however, has an optimism and sunny disposition that is rarely found among the people that populate Chekhov’s work.

CASSANDRA’s namesake is found in Greek mythology. She was a Trojan princess who was given the gift of prophecy by Apollo to seduce her. When she refused him, he altered the gift: though she spoke truth, no one would believe her prophecies. Cassandra’s prophetic skills in Durang’s play may be dubious, but then we wouldn’t believe her anyway, so how do we know?

SPIKE is firmly rooted in the 21st century. Durang has said he chose the name because it’s modern and “is meant to be jarring.”

ANTON CHEKHOV (1860–1904) was a Russian doctor and writer. He established his voice as a writer of short stories, eventually turning his attention to the stage, for which he wrote four major plays: The Seagull (1896), Uncle Vanya (1897), Three Sisters (1901) and The Cherry Orchard (1904), in addition to an earlier work, Ivanov (1887).

Chekhov referred to his plays as comedies, except Three Sisters, which he considered a drama. In his plays he explored themes such as marriage, unrequited love, regret and possession of property. He wanted Playwright Anton Chekhov. his characters to be recognizable and relatable, and for the audience to feel a connection to them and how they expressed themselves (or failed to). Chekhov best described his own work: “What happens onstage should be just as complicated and just as simple as things are in real life. People are sitting at a table having dinner, that’s all, but at the same time their happiness is being created, or their lives are being torn apart.”

VANYA’S SHARED MEMORIES Vanya and Sonia and Masha and Spike includes a number of regional and pop culture (and high culture) references throughout the play. Included here are some of the highlights:

THE RELUCTANT DEBUTANTE 1955 light comedy by British playwright William Douglas-Home, in which a mother mistakenly sets up her debutante daughter on a date with a reported philanderer.

THE ORESTEIA Trilogy of tragedies by Aeschylus about the return home from Troy of the Greek king Agamemnon, his murder by his wife Clytemnestra and her lover, Clytemnestra’s murder by her children Electra and Orestes, and Orestes’ trial before Athenian citizens.

THE IMAGINARY INVALID 1673 comedy by French playwright Molière, who wrote the play as he was ill, and collapsed and died playing the lead role, that of a hypochondriac.

14 ABOUT THE PLAY

VANYA’S SHARED MEMORIES (CONTINUED) DOROTHY PARKER Witty American writer and poet (1893–1967), who became known as one of the best and most intelligent conversa- tionalists in New York. In 1936, she and her husband bought a farmhouse and 120 acres in Bucks County, renovated it and lived there part-time for the better part of 20 years.

CALIFORNIA SUITE 1978 film written by that follows five couples who are staying at the same hotel at the same time. and Michael Caine’s characters are visiting from Britain for the , for which Smith’s character has been Writer and poet Dorothy Parker. nominated. The film also stars , Alan Alda, Walter Matthau, Elaine May, Bill Cosby and Richard Pryor.

THE WAWA A chain of convenience store/fuel stations that traces its history back to a small dairy processing plant in Wawa, PA, in the early 20th century.

SMILES OF A SUMMER NIGHT 1955 Swedish romantic comedy-drama directed by Ingmar Bergman. Lawyer Fredrik Egerman, his young second wife and his grown son spend a weekend in the country with Fredrik’s old flame Desiree, her lover and his wife.

BERKS AND MONTGOMERY COUNTIES Counties to the west and southwest of Bucks County in southeastern Pennsylvania.

UPPER BLACK EDDY Unincorporated village in north Bucks County, on the Delaware River across from New Jersey. The name’s origins are from the Black family who operated a hotel there.

THE BISHOP SHEEN SHOW Life is Worth Living was a television program led by Catholic Archbishop Fulton J. Sheen, airing for six years starting in 1952, first on the DuMont Television Network and later on ABC.

SEÑOR WENCES Spanish ventriloquist Wenceslao Moreno (1896–1999). With makeup and a wig, he transformed his thumb and forefinger into the impertinent boy character Johnny. He also created Pedro, a talking head in a box who, when asked “You all right?” would respond “S’all right.”

DAVY CROCKETT AND HIS COONSKIN CAP Legendary figure of the American frontier, Davy Crockett (1786–1836) died at the Alamo. His tall tales dating from the 1830s inspired the Hollywood versions in the mid-20th century, including the 1955 movie Davy Crockett: King of the Wild Frontier, starring Fess Parker as Davy. Coonskin caps became a huge fad among boys in the U.S. in the mid-1950s.

THE MICKEY MOUSE CLUB Television show produced by Disney from 1955–58. It starred child Mouseketeers and featured serials within the show, such as , which starred and Tim Considine as Joe and Frank Hardy.

VOODOO Religion derived from African polytheism and ancestor worship practiced chiefly in Haiti, but a Louisiana strain introduced voodoo dolls, gris-gris, voodoo queens and other practices to American culture.

About the Play content originally created for Guthrie Theater’s production of Vanya and Sonia and Masha and Spike by dramaturg Carla Steen with assistance from Karli Kolbert.

15 Printer’s Ad Printer’s Ad Printer’s Ad Printer’s Ad ATC LEADERSHIP

David Ira Goldstein celebrates his 23rd season as Artistic Director of Arizona Theatre Company. In over two decades, he has produced over 190 mainstage plays, workshops and presentations including acclaimed appearances by the Royal National Theatre of Great Britain and the Theatre Royal Bath. He received the 2010 Leader of the Year Award in Arts and Humanities from the Capitol Times and the 2003 Governor’s Arts Award as Individual Artist for his contributions to the arts in Arizona.

This season he will direct Wait Until Dark for ATC. He has directed over 40 mainstage productions for ATC ranging from classics to new plays to musicals, including Xanadu, , , , Much Ado about Nothing, , Valley Song, The Illusion, The Pajama Game, , [], , The Mystery of Irma Vep, Scapin, The Two Gentlemen of Verona, The Boys Next Door, Shadowlands, Fully Committed, The Pirates of Penzance, H.M.S. Pinafore, Willi, Dreams from a Summer House, Other People’s Money, , and a Midsummer Night’s Dream, as well as many world premieres including The Kite Runner by Khaled Hosseini, Sherlock Holmes: The Final Adventure (winner of the Edgar Award from the Mystery Writers of America), Inventing van Gogh, Rocket Man, Private Eyes, Over the Moon and Dracula by Steven Dietz, and Ten Chimneys, Dr. Jekyll and Mr. Hyde (Edgar Award nominee) and Sherlock Holmes and the Adventure of The Suicide Club (Edgar Award nominee) by Jeffrey Hatcher.

Mr. Goldstein has been a guest director at theatres all across the country including Arizona Opera, The , Berkeley Repertory Theatre, Seattle Repertory Theatre, Florida Stage, Center Repertory Theatre, Kansas City Repertory Theatre, Northlight Theatre, San Jose Repertory Theatre, Village Theatre, Geva Theatre Center, Laguna Playhouse, Repertory Theatre of St. Louis, Mixed Blood Theatre, The Children’s Theatre Company in , Alaska Repertory Theatre, and Illusion Theatre. His musical A Marvelous Party: The Noël Coward Celebration, which originated at ATC, has played extensively across the U.S., winning many awards including four Jeff Awards in Chicago (including Best Director), the Award in , several Bay Area Critics Awards and the Drama Critics Award for Best Production.

Before coming to Arizona, Mr. Goldstein was Associate Artistic Director of ACT Theatre in Seattle. His many productions there included , Hapgood, Breaking the Silence, Lloyd’s Prayer, the world premieres of God’s Country by Steven Dietz and Willi by John Pielmeier, as well as a joint Soviet-American production of The Falcon. He was Associate Artistic Director at Actors Theatre of St. Paul from 1983-86. Mr. Goldstein holds an M.F.A. from the University of . He has been a visiting instructor and director at ASU, , and University of Northern Iowa. He has served as a panelist for the National Endowment for the Arts, Theatre Communications Group, Arts Midwest, and the Arizona, Minnesota, Oregon and Washington State Arts Commissions. Mr. Goldstein is a proud member of Stage Directors and Choreographers Society, and Actors’ Equity Association. He is married to KJZZ radio announcer Michele Robins. They share their home with their dog and : Rio, Rocky, Cary, Reggie, and Dexter.

20 ATC LEADERSHIP

Matt Lehrman experienced his first Arizona Theatre Company produc- tion, A Walk in the Woods, as an audience member in 1989, shortly after moving to Arizona. He’s delighted to join ATC as Interim Managing Director as of September 2014.

Mr. Lehrman is best known in Arizona as the founder (in 2003) and CEO of Alliance for Audience and ShowUp.com, a pioneering initiative within Arizona’s arts and cultural community to stimulate public engagement with theatre, music, dance, art and cultural attractions statewide.

He was recognized by the Arizona Republic as “Best Cheerleader for the Arts,” and has received accolades from the ariZoni Theatre Awards, the Arizona Office of and the Arts and Business Council of Greater Phoenix. He has served as Faculty Associate at Arizona State University, teaching upper level seminars on Arts Entrepreneurship and Arts and Public Policy.

As the Principal of Audience Avenue, LLC, Mr. Lehrman is a popular speaker and consultant to arts and cultural organizations nationally, excited to explore the options and opportunities of non- profits when viewed from the audience-side of their mission statement.

Beginning in 1995, Mr. Lehrman served as the Scottsdale Cultural Council’s Vice President of Marketing & Communications, the non-profit agency that manages the Scottsdale Center for the Performing Arts and the Scottsdale Museum of Contemporary Art. Mr. Lehrman began his career as a lobbyist on banking and mortgage finance issues in Washington, D.C., in the mid 1980s.

He is a graduate of Oberlin College.

21 ATC LEADERSHIP

Jessica L. Andrews was named Managing Director Emeritus in September 2014. She returned last year as Managing Director, having retired from ATC in July 2009 after eleven seasons as Managing Director and three as Executive Director. From September 2010 – September 2011, she returned to ATC as Interim Managing Director. Following her tenure at ATC, she founded jandrews consulting and is currently consulting with Invisible Theatre and The Mini-Time Machine Museum. Previous consultancies include Borderlands Theater, The Loft Cinema, Pan Left Productions, University of Arizona Poetry Center through the Tucson Pima Arts Council, Metro Theater Company, The Vineyard Playhouse, Emerge! Center Against Domestic Abuse, and Break-Away Tours.

Ms. Andrews is the recipient of the 2008 Governor’s Arts Award for an Individual, the 2013 Lumie for Lifetime from the Tucson Pima Arts Council, the 2007 Distinguished Achievement in Theatre Management Award from the United States Institute of Theatre Technology, and a 2002 Woman on the Move Award from the Tucson YWCA.

During her career, she served on the Executive Committee of the League of Resident Theatres, and on the Board of Directors of Theatre Communications Group. Since her arrival in Arizona, she has served on the Theatre Panel of the Arizona Commission on the Arts, was the president of Arizona Theatre Alliance, on the Board of the Maricopa Partnership for Arts and Culture, and Arizona Citizens for the Arts, and is a member of Women at the Top, Nonprofit Executives Together; Nature, Arts, Culture and Heritage Organizations, and the Advisory Board of Arizona Woman Magazine. She also chaired a task force for the Pima Cultural Plan and served on the Livable Communities Mobilization Council of the Tucson Regional Economic Organization Blueprint.

From 1990-94, Ms. Andrews served as Managing Director of The Shakespeare Theatre (Washington, D.C.), and was the Director of the Theater Program for the National Endowment for the Arts from 1987-1990. From 1985-87, she was Managing Director of Indiana Repertory Theatre and from 1980-85 was Director of the Theatre Division of the national service organization, FEDAPT. Previously, Ms. Andrews was Managing Director of Geva Theatre Center in Rochester, NY, and Hartford Stage Company.

In 2010, Ms. Andrews taught a class on Theatre Management and Organization at Arizona State University. She has guest lectured at University of Arizona, Arizona State University and Yale School of Drama, and has been a reader for the Fund for New American Plays at the Kennedy Center. She served as co-chair of the Arts Committee for the 1997 UK/AZ Festival, and during the summer of 1995, taught a class in theatre management at the Centro Nacional de los Artes in Mexico City. She has served on grants panels for nine state arts agencies and on the Theatre Grants Panel for the U.S./Mexico Fund for Culture. She has served on the NEA Theater Program’s Professional Companies, Challenge Review, Creation and Presentation, and Education and Access panels, and was an NEA site reporter for the Theater and Musical Theater Program.

22 Printer’s Ad Printer’s Ad Printer’s Ad Printer’s Ad Printer’s Ad THE CAST

Suzanne Bouchard (Masha) has previously appeared at ATC as in Ten Chimneys, Beatrice in Much Ado about Nothing, Kate in Other People’s Money and Costanze in . She recently played Brutus in Julius at Wooden O and Patricia in Bethany at ACT Theatre in Seattle. Her other roles in regional theatre include Amanda Wingfield in , Queen Elizabeth I in Mary Stuart, Amanda in Private Lives, B in , and Petra in , Jelkes in Night of the Iguana, Lena in Misalliance and in Shakespeare’s canon: Lady , Rosalind, Ariel, Titania, Regan, and Margaret.

Joshua James Campbell (Spike) has previously appeared in Legally Blonde: The Musical (First National Tour) and Mamma Mia (Las Vegas); Curtains (/TUTS-Houston); Baby (Pennsylvania Center Stage); Such Good Friends (New York Festival); The Good War (Northlight Theatre); Dr. Sex (Bailiwick Chicago); Into the Woods (Peninsula Players); The Glass Menagerie (Jungle Theater); Grey Gardens and Songbook Series (Ordway Center); The Full Monty (Theater Latté ); Mulan (Children’s Theatre Company); Johnny Baseball (Park Square Theatre); Rancho Mirage (Old Log Theater); and Urinetown (The Gallery Players). Television credits include The Playbook (Spike TV), Guiding Light and One Life to Live. Directing credits include Ritz Theater, DalekoArts, and Ashland Productions. Mr. Campbell’s awards include Lavendar Magazine’s Best Actor in a Musical and a Jeff Award nomination for Supporting Actor in a Musical. He is a graduate of Loyola University-Chicago.

Ali Rose Dachis (Nina) has previously appeared off-Broadway inThe Awesome 80’s Prom and off-off-Broadway inExit 27 (Sanguine Theatre Company). Regional theatre credits include The Edge of Our Bodies, A Christmas Carol, Circle Mirror Transformation and (Guthrie Theater); Leveling Up (Cincinnati Playhouse in the Park); (Southwest Shakespeare Company); The Last Seder and The Miracle Worker (Park Square Theatre); Amber Waves, The Magic Mrs. Piggle-Wiggle, , Very Old Man with Enormous Wings and The Wizard of Oz (Children’s Theatre Company); (Ordway Center); Junior Claus (The Directors Studio); A Midsummer Night’s Dream and (Strange Capers); Perfect Match and Helen (20% Theatre Company). Ms. Dachis was named best solo performance of 2011 by Lavendar Magazine for her work in The Edge of Our Bodies. She holds a B.F.A. from the University of Minnesota/Guthrie Theater Actor Training Program.

28 THE CAST

Charles Janasz (Vanya) has appeared on Broadway in the 1999 revival of Amadeus, and off-Broadway at the New York Shakespeare Festival and . He has been a company member of in Washington, D.C. where he performed in Uncle Vanya (title role), Animal Crackers and The Cocoanuts (Harpo) and Ghosts (Oswald); Guthrie Theater in Minneapolis where he has appeared in over 45 productions, including title roles in Richard II, Pericles and Fantasio, Private Lives (Elyot), Amadeus (Salieri) and The Importance of Being Earnest (Jack/Ernest Worthing); and ’s The Old Globe, where he is an Associate Artist and has appeared in 32 productions including (Polonius), (Gloucester), Titus Andronicus (Marcus Andronicus) and Inherit the Wind (Rev. Jeremiah Brown). He has also worked at Seattle Repertory Theatre, Williamstown Theatre Festival, Center Stage, Huntington Theatre Company, , Geffen Playhouse, Ahmanson Theatre, , and The Empty Space. He holds a B.F.A. from The Julliard School.

Isabell Monk O’Connor (Cassandra) has appeared on Broadway in Execution of Justice and The Gospel at Colonus. Regional theatre credits include Oregon Shakespeare Festival (2011-2013), New York Shakespeare Festival, Arena Stage, American Repertory Theatre, The Kennedy Center, Actors Theatre of Louisville, Mixed Blood Theatre, Children’s Theatre Company, Theatre de la Jeune Lune, and 27 seasons at Guthrie Theater. Ms. O’Connor’s film credits includeIntolerable Cruelty, Into Temptation, Black Knight, Equinox, Grumpy Old Men and others. She is also the author of Hope, Family and Blackberry Stew, picture books for children published by Carolrhoda Books. Ms. O’Connor is a McKnight Fellow, a Fox Fellow, and the recipient of an , a , a Award nomination, and a Parents’ Choice honoree for her work as an author. She received her theatre training at University of St. Thomas, Towson State University, and Yale School of Drama.

Suzanne Warmanen (Sonia) has previously appeared in A Christmas Carol, Pride and Prejudice, The ’s Tale, Macbeth, The Importance of Being Earnest, A View from the Bridge, , The Pirates of Penzance, Top Girls, Amadeus, Hedda Gabler, Lysistrata, Summer and Smoke, Much Ado about Nothing, The Playboy of the World, A Doll’s House, The Rover and As You Like It (Guthrie Theater); Tartuffe (); Measure for Measure (Ten Thousand Things); A Lovely Sunday for Creve Coeur (Gremlin Theatre); The War Within/ All’s Fair (The Moving Company); and Amerika (Theatre de la Jeune Lune). Her recordings include the vocal CD, All Around Woman, and film credits include Herman U.S.A. Ms. Warmanen holds an M.F.A from the University of Minnesota.

29 The hilarious winner of the The classic thriller about a young Two performers play all the roles– 2013 Tony Award for Best Play woman in a dangerous game that not to mention the piano–in a on Broadway! threatens all she holds dear. witty old-fashioned murder mystery. “The theater erupts in booming “…a roller-coaster ride “Ingenious! A snazzy double-act that gusts of laughter that that leaves the audience spins out a comic mystery animated practically shake the seats.” giddy from terror.” by funny, deftly-turned songs.” – – TheaterMania – The New York Times

VANYA AND SONIA AND WAIT UNTIL DARK MURDER FOR TWO MASHA AND SPIKE written by Frederick Knott book & music by Joe Kinosian by Christopher Durang adapted by Je‡ rey Hatcher book & lyrics by Kellen Blair 10/09/14 – 10/26/14 11/13/14 – 11/30/14 12/31/14 – 01/18/15

SEASON SPONSORS: I. MICHAEL AND BETH KASSER ★ ★ FIVE PRESIDENTS

An eagerly-anticipated world A tour-de-force that explodes with premiere by the Emmy ATC’s fi rst-ever production of the the passion, complexity and youthful Award-winning writer of The West beloved and poetic masterpiece brings vigor of a genius responsible for some Wing, Six Feet Under, Mad Men new life to the warring world of history’s most original paintings. and House of Cards about of the Capulets and Montagues. April 27, 1994, the day that “An utterly engaging portrait of an Ford, Carter, Reagan, Bush and artist at work. Don’t miss it!” Clinton met alone. – San Diego Gay and News

A WEEKEND WITH FIVE PRESIDENTS ROMEO AND JULIET PABLO PICASSO by Rick Cleveland by by Herbert Siguenza based on the writings of Pablo Picasso 02/05/15 – 02/22/15 03/26/15 – 04/12/15 04/30/15 – 05/17/15 Printer’s Ad Printer’s Ad THE CREATIVE TEAM

Joel Sass (Director) previously directed at Arizona Theatre Company. Other credits include 23 productions as director and/or designer at Jungle Theater, over 15 productions as Artistic Director at Mary Worth Theatre Company, Guthrie Theater, Oregon Shakespeare Festival, California Shakespeare Theater, Theatre de la Jeune Lune, Park Square Theatre, Mixed Blood Theatre, History Theatre, Theatre in the Round, Eye Theater and the Playwrights’ Center. His awards include the Alan Schneider Director Award (TCG), McKnight Theater Artist Fellowship, Ivey Awards for Scenic Design and Overall Excellence and numerous “Best of” awards from Twin Cities papers and the Bay Area Theatre Critics Circle. Mr. Sass received his training from University of Wisconsin-Green Bay, and spent three seasons as an assistant director, designer and performer at Theatre de la Jeune Lune. Todd Rosenthal (Scenic Designer) has designed for theatres across the country and abroad. Broadway credits include August: Osage County (Tony Award), The Motherfu**er with the Hat (Tony Award nomination), Who’s Afraid of Virginia Woolf, Of Mice and Men, This is Our Youth and Domesticated at Lincoln Center Theater. Regional and international credits include Guthrie Theater; ; Steppenwolf Theatre Company; Company; Arena Stage; Berkeley Repertory Theatre; ; ; Center Stage; Oregon Shakespeare Festival; ; Theatre Royal, Ireland; National Theatre, ; Sydney Theatre, Australia; and Big Apple Circus. Mr. Rosenthal is the recipient of Tony, Olivier, Ovation, Helen Hayes, Joseph Jefferson, and Michael Merritt Awards. He has also designed museum exhibitions including the International Exhibition of Sherlock Holmes and Mythbusters: The Explosive Exhibition. He received his training from Yale School of Drama, and is an associate professor at Northwestern University. Ilona Somogyi (Costume Designer) has designed costumes for Broadway’s and more than 40 off-Broadway productions includingSatchmo at the Waldorf, Dinner with Friends, My Name is Asher Lev, A Small Fire, Jerry Springer and the Opera, and . Regional theatre credits include more than 50 productions at: Guthrie Theater, Oregon Shakespeare Festival, Mark Taper Forum, Arena Stage, Chicago Shakespeare Theater, Center Theatre Company, Hartford Stage, , Berkeley Repertory Theatre, Yale Repertory Theatre, South Coast Repertory, Williamstown Theatre Festival and Westport Country Playhouse, among others. International credits include Saturday Night Fever in Europe, Norwegian National Ballet, and tours of Disney on Ice and Princess Wishes. Ms. Somogyi is the recipient of the Connecticut Critics Circle Award for Passion Play at Yale Repertory Theatre. She is a graduate of the Yale School of Drama. Barry Browning (Lighting Designer) previously designed The 39 Steps at ATC. He has also designed lighting for The 500 Hats of Bartholomew Cubbins, Alice in Wonderland, Rembrandt Takes a Walk, and Cinderella (Children’s Theatre Company); The Glass Menagerie, Who’s Afraid of Virginia Woolf?, The Mystery of Irma Vep, The Seafarer, The Syringa Tree, Hedwig and the Angry Inch, Sylvia, , , The Blue Room, Macbeth, Fool for Love and Dial ‘M’ for Murder (Jungle Theater); My Way, Grand Night for Singing and Love, Janis (Ordway Center); The 39 Steps (Guthrie Theater); and Passing Strange (Mixed Blood Theatre). He is the recipient of the 2012 Ivey Award for Outstanding Lighting Design. Sean Healey (Sound Designer) is making his ATC debut. Previous credits include The Heiress, Driving Miss Daisy, Fool for Love, The Mystery of Irma Vep and Urinetown (Jungle Theater); In the Next Room (ZACH Theatre); The Cat in the Hat, Cinderella, The Wizard of Oz, Seedfolks and The 500 Hats of Bartholomew Cubbins (Children’s Theatre Company); Strumply Peter, The Clumsy Man, Milly and Tillie and To the Moon (Open Eye Figure Theatre); (Frank Theatre); Steerage Song and (Theatre Latté Da). Mr. Healey is the recipient of an Ivey Award for his work on Shipwrecked! and holds a B.F.A. from California Institute of the Arts. Carla Steen (Dramaturg) has served as dramaturg for Othello, Pride and Prejudice, Clybourne Park, An Iliad, Embers, The Sunshine Boys, Hay Fever, , The Winter’s Tale, The 39 Steps,

34 THE CREATIVE TEAM

Macbeth, 9 Parts of Desire, , Major Barbara, , Pericles, Oedipus, Top Girls, Mrs. Warren’s Profession, , , Sweeney Todd, Mystery of the Rose Bouquet and others (Guthrie Theater); What May Fall, When I Was a Ghost, Lizards…, and Split (University of Minnesota/ Guthrie Theater B.F.A. Actor Training Program); Hammerstein Center for Theatre Studies; and Tisch School of the Arts. Ms. Steen holds an M.F.A. from and a B.A. from Augsburg College. Lucinda Holshue (Voice and Speech Coach) has previously served as Voice and Speech Coach for Guthrie Theater, Oregon Shakespeare Festival, Jungle Theater, Children’s Theatre, Park Square Theatre, Walking Shadow Theatre Company, Torch Theater, Penumbra Theatre Company, Asolo RepertoryTheatre and Conservatory and Centennial Showboat. Ms. Holshue has taught Voice/ Speech/Text for University of Minnesota/Guthrie Theater, Florida State University/Asolo Conservatory for Actor Training, Conservatory for Actor Training at the University of Cincinnati, Kent State University and San Diego State University. She holds an M.F.A. from University of California, San Diego. Marcela Lorca (Movement Coach) has provided choreography for more than 30 plays, and served as Movement Coach for more than 100 plays since 1991. Theatre credits include Syracuse Stage, Oregon Shakespeare Festival, Shakespeare Theatre Company, Mixed Blood Theatre, Goodman Theatre, Guthrie Theater, Academy of Music, Missouri Repertory Theatre, Long Wharf Theatre, New York University, National Opera of the Dominican Republic and Grupo del Centro. McCorckle Casting, Ltd. (Casting) has provided casting for Broadway’s End of the Rainbow, The Lieutenant of Inishmore, The Glass Menagerie, Cat on a Hot Tin Roof, One Flew Over the Cuckoo’s Nest, The Ride Down Mt. Morgan, Amadeus, , Blood Brothers and A Few Good Men. Off-Broadway credits includeTribes; ; Almost, Maine; Ears on a Beatle; Down the Garden Paths; Killer Joe; Mrs. Klein; and Driving Miss Daisy. Film credits include Premium Rush, Ghost Town, Secret Window, Tony ’n’ Tina’s Wedding, Basic, The Thomas Crown Affair, The 13th Warrior, Madeline, Die Hard with a Vengeance and School Ties. Television credits include , Californication (Emmy nomination), Max Bickford, Strangers with Candy, Barbershop and Chapelle’s Show. T.Greg Squires (Resident Lighting Designer) began working for ATC in 1988 as a lighting and sound technician. Since becoming the Resident LD, he is responsible for remounting all of the designs in Phoenix and was the designer for Permanent Collection and Tuesdays with Morrie. Mr. Squires has been the Associate Lighting Designer for Michael Gilliam, Dennis Parichy, Ann Wrightson, Don Darnutzer, Allen Lee Hughes, York Kennedy, David Lee Cuthbert and Peter Maradudin. In addition to ATC, Mr. Squires has designed lights and/or sound for Laguna Playhouse, Pasadena Playhouse, Creede Repertory Theatre, Borderlands Theater and Childsplay. Recently, Mr. Squires was Sound Designer for Actors Theatre of Phoenix productions of This, Circle Mirror Transformation and Dead Man’s Cell Phone, all of which received ariZoni Award nominations. Brian Jerome Peterson (Resident Sound Designer) celebrates his 29th season at ATC, where he has designed 76 productions, including Around the World in 80 Days, The Importance of Being Earnest, The Sunshine Boys, ’s Emma, The Great Gatsby, , Ma Rainey’s Black Bottom, Lost in Yonkers, Ain’t Misbehavin’, George is Dead, Somebody/Nobody, Enchanted April, Touch the Names, I Am My Own Wife, , Tuesdays with Morrie, Crowns, Macbeth, The Pirates of Penzance, The Immigrant, , Oh Coward!, , Fully Committed and The Mystery of Irma Vep (for which he won an ariZoni Award) and the world premieres of Sherlock Holmes and the Adventure of The Suicide Club, Dr. Jekyll and Mr. Hyde, Sherlock Holmes: The Final Adventure, Inventing van Gogh, Rocket Man, Minor Demons and The Holy Terror. His designs have been heard in many theatres including GEVA, Berkeley Repertory Theatre, Seattle Repertory Theatre, , Northlight Theatre, Portland Center Stage, Actors Theatre of Louisville and San Jose Repertory Theatre.

35 THE CREATIVE TEAM

Glenn Bruner (Production Stage Manager) is in his 18th season as Production Stage Manager at ATC where he has stage managed over 60 productions, including Venus in Fur, Other Desert Cities, The Mountaintop, The Importance of Being Earnest, Clybourne Park, The Sunshine Boys, Next to Normal, The Great Gatsby, The Mystery of Irma Vep, [title of show], The Kite Runner, Hair, Enchanted April, and the world premieres of Jeffrey Hatcher’sSherlock Holmes and the Adventure of The Suicide Club and Ten Chimneys, and Steven Dietz’s Sherlock Holmes: The Final Adventure, Rocket Man, Inventing van Gogh, and Over the Moon. Mr.Bruner has worked at Kansas City Repertory Theatre, , Theater Center, Pasadena Playhouse, Center Stage, Studio Arena Theatre, and Maine’s Portland Stage Company. He was Assistant Stage Manager for the world premiere of at Cleveland Play House and stage managed the off-Broadway premiere of ’sSeason’s Greetings. He has also been the voice for many radio and television commercials and worked for Public Radio in his hometown of San Antonio. Mr. Bruner was the 2012 recipient of the Lucy Jordan Recognition Award, presented annually by the Western Region of Actors’ Equity Association. He has been a member of AEA since 1981. Timothy Toothman (Assistant Stage Manager) is the Artistic Associate at ATC. He most recently stage managed ATC’s productions of Around the World in 80 Days, The Importance of Being Earnest, Freud’s Last Session, , Daddy Long Legs and God of Carnage, among others. Mr. Toothman spent five seasons as the Production Stage Manager for the Geva Theatre Center in Rochester, NY and was then Company Manager for five years for Sunshine Too, a national touring ensemble of deaf and hearing actors. He has also managed producing and presenting theatres in Indiana and . Prior to moving to Arizona, Mr. Toothman spent eleven years as a program and grants director for the Maryland State Arts Council and the Connecticut Commission on the Arts. Mr. Toothman stage managed the National Heritage Awards Program for the National Endowment for the Arts for ten years and was the Production Stage Manager for six seasons at the Vineyard Playhouse on Martha’s Vineyard. Emma DeVore (Assistant to the Stage Manager) served as Assistant to the Stage Manager for ATC’s productions of Around the World in 80 Days, Xanadu, The Importance of Being Earnest, Clybourne Park, Freud’s Last Session, Lombardi, God of Carnage and The Great Gatsby. Regionally, she has worked at Utah Shakespearean Festival, Phoenix Theatre, Phoenix Theatre’s Cookie Company, Gulfshore Playhouse, and Southwest Shakespeare Company. She was Production Stage Manager for E&M Theatrical’s Las Vegas production of The D*Word: A Musical, and has toured with the vaudeville troupe Handsome Little Devils, and with The Magic of David Copperfield. Adin Walker (Assistant Director) has served as assistant director for Lady Windermere’s Fan and the upcoming production of A Midsummer Night’s Dream at California Shakespeare Theater. Directing credits include at . Guthrie Theater (Co-Producer) is an institution of international distinction founded in 1963 by Sir . Under Artistic Director Joe Dowling, the Guthrie remains committed to Guthrie’s orignal vision to provide the Twin Cities with quality theatre and set a national standard for excellence. World- renowned artists challenge and delight audiences year-round. Recent productions range from Shakespeare to modern classics, including celebrations of playwrights and , collaborations with actor Mark Rylance, international presentations in the WorldStage Series and the world premieres of Appomattox and Nice Fish. Under Mr. Dowling’s leadership, the Guthrie has enjoyed tremendous growth, including the 2006 opening of a new Guthrie on the banks of the . This architectural gem, designed by Jean Nouvel, houses three stages, increased production facilities and classrooms, improved audience amenities and opportunities for collaborations with other theatres.

The Actors and Stage Managers employed The Director is a member The Scenic, Costume, Lighting and in these productions are members of of the Stage Directors Sound Designers in LORT Theatres Actors’ Equity Association, the Union of and Choreographers are represented by Union Scenic Professional Actors and Stage Managers Society, an independent Artists Local USA-829, IATSE. in the United States. national labor union.

36 Printer’s Ad Printer’s Ad Printer’s Ad 2014-2015 BOARD OF TRUSTEES

Cameron Artigue Jessica L. Andrews Chair Managing Director Emeritus Attorney, Gammage & Burnham Arizona Theatre Company Robert Glaser Robert Begam Immediate Past Chair Attorney, Begam & Marks Principal, PICOR Commercial Real Estate Services Joanie Flatt President, Flatt & Associates Lynne Wood Dusenberry President (Tucson) Kevin Gebert Community Volunteer Investment Analyst, Holualoa Companies Susan Segal Jay Glaser Vice President (Phoenix) Retired Computer Professional and Attorney, Gust Rosenfeld PLC Community Volunteer Dina Scalone-Romero David Ira Goldstein Vice President (Tucson) Artistic Director, Arizona Theatre Company Executive Director, Therapeutic Riding of Tucson I. Michael Kasser Peter Akmajian President, Holualoa Companies Treasurer Attorney, Udall Law Firm LLP Matt Lehrman Interim Managing Director Marc Erpenbeck Arizona Theatre Company Assistant Treasurer President and Chief Legal Officer, George Brazil Jennifer Lohse Program Director, Tucson Foundations Robert Taylor Secretary Senior Director of Regulator Policy and Public Involvement, Salt River Project Jeff Gold Assistant Secretary Retired Entrepreneur and Community Volunteer

EMERITI TRUSTEES HONORARY TRUSTEES Shirley Estes, Donald Nickerson, George Betsy Bolding, Joan Kaye Cauthorn, Norma Rosenberg, F. William Sheppard Feldman, Catherine “Rusty” Foley, Joe Gootter, Sandy Hatfield, Jessica Lazarus, Sandra C. Maxfield, Emily Rosenberg Pollock, Nina Trasoff, Arlene Webster, Ruth A. Zales

A special note of thanks to the partners and staff at Lewis Roca Rothgerber for hosting ATC’s Board of Trustees’ meetings.

40 ABOUT ARIZONA THEATRE COMPANY

Charles Janasz and Ali Rose Dachis in Arizona Theatre Company’s production of Vanya and Sonia and Masha and Spike. Photo by Joan Marcus.

Now celebrating 48 years, Arizona Theatre Company (ATC) boasts the largest subscriber base of any performing arts organization in Arizona with more than 130,000 people each year attending performances at the historic Temple of Music and Art in Tucson, and the elegant Herberger Theater Center in downtown Phoenix. Each season of carefully selected productions reflects the rich variety of world drama – from classic to contemporary plays, from musicals to new works, as audiences enjoy a rich emotional experience that can only be captured through live theatre.

Touching lives through the power of theatre, ATC is the preeminent professional theatre in the state of Arizona. Under the direction of Artistic Director David Ira Goldstein, Interim Managing Director Matt Lehrman and Managing Director Emeritus Jessica L. Andrews, ATC operates in two cities – unlike any other League of Resident Theatres (LORT) company in the country.

ATC shares the passion of the theatre through a wide array of outreach programs, educational opportunities, access initiatives and community events. Through the schools and summer programs, ATC focuses on teaching Arizona’s youth about literacy, cultural development, performing arts, specialty techniques used on stage, and opens their minds to the creative power of dramatic literature. With approximately 450 Learning & Education activities annually, ATC reaches far beyond the metropolitan areas of Tucson and Phoenix, enriching the theatre learning experience for current and future audiences.

OUR VISION Touching lives through the power of theatre.

OUR MISSION To create professional theatre that continually provides new levels of artistic excellence that resonates locally, in the state of Arizona and throughout the nation. Arizona Theatre Company strives to: • Produce a broad repertoire ranging from classics to new works; • Engage artists to produce theatrical work of the highest caliber; • Provide an educational bridge between our communities and our work; • Assure access to the broadest spectrum of citizens; • Achieve cultural diversity in all endeavors; • Operate from a position of financial strength and fiscal responsibility. Printer’s Ad Printer’s Ad Printer’s Ad Printer’s Ad Printer’s Ad THEATRE INFORMATION

HERBERGER THEATER SERVICES FOR PATRONS ADDITIONAL SERVICES CENTER WITH DISABILITIES The Herberger Theater Center VOLUNTEER USHERS BOX OFFICE INFORMATION strives to be accessible to all AND TICKET TAKERS Monday - Friday: 10am to 5pm patrons. Request special services The Herberger Theater seeks Saturday & Sunday: 12pm to 5pm when purchasing tickets or volunteers to serve as ushers Evenings: one hour prior arriving at the theater. Infrared and ticket takers. New to performance assistive listening headsets are volunteers will attend a tour available in the lobby. Many and orientation. Volunteer LOCATION performing companies provide orientation is held monthly. The Box Office is located on the audio-described performances For more information, please call southeast side of the building, for the visually impaired and ASL 602-254-7399 x176. near the corner of 3rd and interpretation for the hearing Monroe Streets. impaired. Call the Box Office for LOST AND FOUND dates and performance times. PURCHASING TICKETS Please call 602-254-7399 x0 regarding items left at the Tickets can be purchased LATECOMER SEATING POLICY Herberger Theater Center. in person at the Box Office, Depending on the performing by calling 602-252-8497 or company’s policy, patrons EMERGENCY TELEPHONE CALLS through our website at arriving after a performance has Please leave your name and seat www.HerbergerTheater.org. begun may be asked to wait in location with our Patron Services All tickets are subject to a the lobby. At the appropriate Manager if you are expecting facility fee. time, latecomers will be escorted emergency calls during the to available seating near the back PAYMENT METHODS ACCEPTED performance, and leave the of the orchestra or to the balcony, phone number 602-254-7399 x0 The Herberger Theater Center and may proceed to their ticketed with your telephone service. accepts cash, personal checks, seats at intermission. American Express, Discover, TOURS MasterCard and Visa. CELL PHONES AND PAGERS The Herberger Theater Center Please turn off all cell phones, REFUND POLICY provides free tours of the facility pagers and watch alarms before by appointment. Call 602-254- Refunds are offered for cancelled entering the theater. 7399 x197. performances only. LOBBY REFRESHMENTS PARKING PASSES GROUP & DISCOUNT INFO Put A Fork In It Catering sells Purchase your parking pass from Please the performing beverages as well as light and the Herberger Theater’s Box company for group discounts. delicious food items 90 minutes Office or online prior to the prior to performances and during performance and park at the FACILITY INFORMATION intermission. Bottled water is Arizona Center Parking Garage the only refreshment permitted for only $3.00. CHILDREN in the theater. During certain Located at 5th Street & Fillmore. Children under 3 years of age are performances, additional Valid Monday - Friday from 5pm not permitted in the theaters, beverages may also be permitted. to 4am and all day on Saturday unless otherwise specified by the Please inquire when purchasing and Sunday. performing company. beverages to determine if they will be permitted in the theater EMERGENCY EXIT NOTICE for your performance. HTC CONTACT INFORMATION Emergency exits are indicated by To avoid intermission lines, you the red Exit signs located above can pre-purchase your food certain doors. Please check the 222 E. Monroe Street and drinks and have it ready Phoenix, AZ 85004 location of the nearest exit after when intermission begins. you have taken your seat. It may ADMINISTRATIVE OFFICES not be the same way you entered. SMOKING 602-254-7399 Smoking is prohibited in the RESTROOMS Herberger Theater Center. In the BOX OFFICE Restrooms are located in the first event of smoking onstage, 602-252-8497 and second floor lobbies between non-nicotine electronic cigarettes Fax 602-258-9521 Center Stage and Stage West. or non-nicotine herbal substitutes will be used, and a sign will be www.HerbergerTheater.org posted in the lobby.

47 GET CONNECTED TO ATC

BECOME AN ATC CIRCLES MEMBER AND EXPERIENCE THE POWER OF THEATRE

WHEN YOU’RE A CIRCLES MEMBER: You go behind the scenes. You enjoy the highest level of customer service. You interact with theatre patrons such as yourself. Through your generous support, you’ll help ATC produce thrilling and engaging work and continue our Learning & Education programs.

ANGELS $25,000 AND ABOVE

PLAYWRIGHT’S GUILD $10,000 – $24,999

PRODUCER’S CIRCLE $5,500 – $9,999

DESIGNER’S CIRCLE $3,500 – $5,499

DIRECTOR’S CIRCLE $1,750 – $3,499

FOR MORE INFORMATION, VISIT DONATE.ARIZONATHEATRE.ORG CORPORATE AND FOUNDATION DONORS

ATC is proud to acknowledge the following donors who made contributions from July 1, 2013 through June 30, 2014.

$25,000 AND UP $5,500 – $9,999 $1,000 – $1,749 APS Cox Communications Actors’ Equity Foundation, Inc. Community Finance Frances Chapin Foundation Flagstaff Community Corporation Gammage & Burnham Foundation Jewish Community Lewis Roca Rothgerber, LLP. Margaret Mellon Hitchcock Foundation of Southern The David C. and Lura M. Foundation Arizona Lovell Foundation Nextrio, LLC Jim Click Automotive Team Zuckerman Family Foundation PICOR Charitable Foundation Phoenix Office of Arts and Samloff Family Fund Culture $3,500 – $5,499 The Molly and Joseph Herman Salt River Project Foundation The Diamond Foundation Anonymous The Phoebe R. and John D. The Margaret E. Mooney Break-Away Tours Lewis Foundation Foundation George Brazil Tim Fuller Studio The Shubert Foundation Joseph and May Winston The Stonewall Foundation Foundation $500 – $999 Zazu Pannee Park Regent Kinder Morgan Foundation Kohl Family Foundation The Harold and Jean Grossman Family $10,000 – $24,999 Providence Service Foundation Corporation American Express Kathy Haun,The Haun Shapiro Family Philanthropic Family Trust Arizona Commission Foundation on the Arts The Learning Curve/ The Maurice and Meta Gross Susan and Barclay Dick Arizona Community Foundation Foundation Russ and Carolyn Russo University of Arizona Foundation BMO Harris Bank Foundation Community Foundation $250 – $499 for Southern Arizona $1,750 – $3,499 Diamond Family Kaizen Education Foundation Desert Diamond Casino Philanthropies Gordon and Betty Moore Holsclaw Advisory Enterprise Holdings Foundation Foundation Endowment Fund Roth Family Foundation PICOR Commercial Real Evo-Ora Foundation Estate Services GeoFund The Stocker Foundation Raytheon Systems Company The Virginia G. Piper Scottsdale Cultural Council Charitable Trust Scottsdale League for the Arts Tucson Pima Arts Council The Donald Pitt Family Foundation The Torosian Foundation University Medical Center

49 INDIVIDUAL DONORS

ATC is proud to acknowledge the following donors who made contributions from July 1, 2013 through June 30, 2014.

ANGELS Drs. Helen and John Schaefer Betsy Bolding held at the Bill Lewis and Rick Underwood Community Foundation $25,000 AND UP Michael Willoughby of Southern Arizona Paul and Alice Baker Linda Wurzelbacher Dr. Jose M. and Jim and Vicki Click Mrs. Frances A. Burruel Robert and Nancy Clark Donald and Joan Diamond DESIGNER’S CIRCLE Shirley Estes Ginny Clements $3,500 – $5,499 Mr. and Mrs. I. Michael Kasser Len and Doris Coris/ Watermill Financial Jim and Dolly Moran Mary and Cameron Artigue Bob and Vanne Cowie Marilyn Papp Frank and Barbara Bennett Mark and Julie Deatherage Bruce and Jane Cole Dino and Elizabeth Bruce L. and Lynne PLAYWRIGHT’S Murfee DeConcini Wood Dusenberry GUILD Michael and Geri DeMuro Ms. Deanna Evenchik Marc and Margaret Erpenbeck $10,000 – $24,999 Norma and G. Feldman Fractured Earth Tile & Stone/ Catherine “Rusty” Foley Anonymous Elizabeth Miller Kate Garner Darryl and Mary Ann Dobras Leslie Freed Dr. Mary Jo Ghory Downtown Kitchen + Cocktails Ellis F. Friedman and Bruce and Katie Dusenberry/ Rob and Laurie Glaser Irene Stern Friedman Horizon Moving Systems Paulette and Joe Gootter Gail and Patric Giclas Joanie Flatt Michael and Lauren Gordon Davina Glaser Rodger G. Ford Donald Henke Ellyn and Jeff Gold Bruce and Edythe Gissing Bob and JoAnne Hungate Laurie and Chuck Goldstein Scott Kendall Haun Rebecca and Sid Johnson Dr. Robert W. Gore Mr. and Mrs. Richard Lehmann Drs. Steven and Marta Ketchel Jeff Guldner Dr. and Mrs. Robert G. Maxfield Kevin and Jill Madden Leslie Hall and Ted Jarvi Enid and Michael Seiden Allan and Alfie Norville Hazel Hare Janos and Rebecca Wilder Matthew and Mary Palenica William and Theresa Hawgood Richard P. Stahl Elliott and Sandra Heiman PRODUCER’S CIRCLE Mrs. Robert K. Swanson Dan Hennessee $5,500 – $9,999 Robert Taylor Jeanne and Gary Herberger Allan and Diana Winston Joseph Huang and Karen Rigby Jessica L. Andrews and Gary Wolff and Sandy Gibson Timothy W. Toothman Kay Juhan Enid and Mel Zuckerman Alan and Char Augenstein Don Klomp Bill and Donna Dehn George and Maria Knecht Babs and Jay Glaser DIRECTOR’S CIRCLE Ruth and Ronald Kolker David Ira Goldstein and $1,750 – $3,499 Drs. Paul and Mary Koss Michele Robins Goldstein Stacy and Susan Litvak Anonymous Judith Hardes Nora and Phil Mazur Roberta Aidem Humberto and Czarina Lopez Richard and Yvonne Morris Affinity Eye Care/ David Mackstaller and Dr. Robert Mulgrew Ms. Deborah Moss Lyn Papanikolas Mary and Todd Anderson Helen and John Murphey Elyce and Mark Metzner Christine and John R. Augustine Don and Peg Nickerson Jack and Becky Moseley Mr. A. Frederick Banfield and Dr. and Mrs. Charles W. Otto Susan and Jeffrey Rein Ms. Eileen M. Fitzmaurice Mr. Sydney Pearl and Herschel and Jill Rosenzweig Dr. Judy Balan Pearl

50 Printer’s Ad Printer’s Ad Printer’s Ad INDIVIDUAL DONORS

DIRECTOR’S CIRCLE Sarajean Harwood Kate and Dabney Altaffer CONTINUED Stephen and Amanda Heitz Arlene and Morton Scult Peggy M. Hitchcock Philanthropic Fund $1,750 – $3,499 Ed and Sandra Holland Susan and Gregory Ash Ben and Sally Perks Nathan Joseph Bob and Judy Atwell Linda “Mac” and Russ Perlich Robyn Kessler and Jeff Timan Mary Ellen and Emery Bartle Toby and Michael Rozen Carol and Foster Kivel Richard and Ann Bates Ken and Judy Ryan Janice and Al Kivel Mr. and Mrs. Edwin L. Biggers Dina Scalone-Romero Carole and Rich Kraemer Denice Blake and Lewis and Suzanne Schorr Eileen and John Lamse John Blackwell Susan P. Segal Rob and Jenni Leinbach Kay Bouma Steve and Shelly Silverman Helaine Levy and Steve Alley Shirley and Roland Calhoun Daniel J. and Evelyn G. Simon Sam and Judy Linhart Mrs. Susan Call Dawnelle and Ronald Spaulding Edith E. Luty Tyna Callahan and Dimitri Voulgaropoulos Rica and Spivack Anne and Ed Lyman Neal and Sally Cash Phyllis and Richard Stern Phil and Carol Lyons Paul and Vicki Chandler Robert and Shoshana Tancer/ Courtney Mc Eniry Shirley J. Chann Tancer Law Firm, P.L.C. Ms. Elsa McTavish Paul and Susan Charlton Mr. and Mrs. Don Underwood Dorothy and Roy Mayeske Kris and Earl Cohen Dr. Richard and Jeffrey and Barbara Minker Madeleine Wachter Steven Cohen and Rosanna Miller Russell and Kay Weed Michael Godnick Dr. James E. Nation Richard and Nancy Weiss David and Susan Cone Shelley Jo Pozez and Mr. and Mrs. Duane Cote Nancy and Jeff Werner Bill Holmes Harlan and Gayla Crossman Mark and Taryn Westergaard Mr. Bruce Raskin and Ms. Carol Fink Alicia and Jon Crumpton BACKERS Drs. Adib and Vivi Sabbagh Mr. and Mrs. William Cullen Marc and Deborah Sandroff Marjorie and George $1,000 – $1,749 Cunningham John Usher Sands Dr. and Mrs. William H. Dantzler Anonymous (4) Claire and Henry Sargent Gail E. Dunlap Judy and Rory Albert Cathy Shell Dennis Emond Ms. Kathy Alexander and Mary P. Sullivan Mr. Paul Lindsey Annette Everlove and Mollie Trivers and Shelley Cohn Becky and Doug Pruitt Michael Johnson Family Fund D. Rae Turley Ronna Fickbohm and Jeff Willis Bill and Barbara Bickel David and Dawn Veldhuizen Dr. and Mrs. John H. Finley Allan & Barbara Bowermaster Mr. Richard K. Walker Helen V. Fisher Ed and Arlene Cohen Ronald and Diane Weintraub John and Louise Francesconi Jan Copeland Mary and Robert Wolk Wendy Gamble and Carl Kuehn Judie Cosentino Ruth Zales and Ann and Arthur Goldberg Kenneth Greenfield Pamela Frame Jerome and Anita Gutkin Todd Franks and Nancy Bodinet Andy and Sara Gyorke Drs. Margot W. and J.D. Garcia PATRONS Rita C. Hagel Becky and Dave Gaspar $500 – $999 Ms. Athia Hardt Mr. and Mrs. James J. Glasser Anonymous (5) Drs. John M. and Robin B. Harris Jon and Erika Grasse Sandra L. Abbey Michael and Phyllis Hawkins Ms. Pamela Grissom Dwight and Amy Adams John L. Hay and Ruth M. Jennifer H. Gross and Peter Akmajian and Murphy Jerry LeFevre Colleen Cacy Les and Suzanne Hayt Jeff Guldner Corbett and Pat Alley

54 INDIVIDUAL DONORS

PATRONS Mr. and Mrs. Marc Schwimmer Ms. Joyce Cohen CONTINUED Dr. and Mrs. J. F. Seeger Ms. Cheryl Convery Dr. William and Joanne Sibley Mr. and Mrs. James Coyle $500 – $999 Drs. David Siegel and Ronald & Vic Crowe Tom and Sandy Hicks Linda Riordan William and Saucy Cutlip Sharon and Jesse Hise Raj Sivananthan Susan Dale David and Lori Iaconis Richard Snodgrass and Mr. Philip G. Derkum Abe J. Jacob Merrie Brucks Peter DeLuca Karen and Chuck Jonaitis Lin and Bob Spangler Stephen and Ruth Dickstein Valerian and Mira Kaplan Darryl and Helen Stern Mr. Tom Dinwiddie Gary and Lee Ana Kains Dan and Jill Stevenson William DiVito and Mary Jo Mr. and Mrs. Joseph Doug and Jean Stuart Sheldon-DiVito Kendhammer Mrs. Susan and Jan and Leo Dressel Raymond Kemp and Mr. Glyn Thickett James Eichman Rick Douglas Hugh and Allyn Thompson Michael R. Elert and Mr. Robert Knopf Stephen and Susan Thompson Dr. Honora A. Norton Bill and Linda Knox Bruce and Catherine Uhl Lee and Spencer Elliott Jami Kozemczak David and Nancy Ulmer Ms. Susie Ernst Bob and Sherrie Lane Steve and Linda Wegener Mario and Elaine Espericueta Anne Leary and Bill Hemelt Maggie White Nancy and Richard Fintzy Marianne and Bill Leedy Ms. Mary Jo Fitzgerald Dr. Alan Levenson FRIENDS Ms. Tay Fitzgerald Dr. and Mrs. Marc Levison $250 – $499 Sarilyn and Sherman Fogel Tracy and Michael Levy Cindy Foley Herb and Nancy Lienenbrugger Anonymous (7) Denise Andre Ford Elaine Litvack Daniel and Audrey Abrams Drs. David William and Roy Loewenstein Vicki and Jerry Alpert Virginia Ramos Foster Peter and Suzan Makaus Lee and Gay Ashton M. Fowler Gregory and Emma Melikian Eva and Martin Bacal David and Cathy Freedman Richard and Kathryn Merkel Emery and Jackie Barker Carol and Paul Gerlach Mr. Thomas Merryweather Mr. and Mrs. Robert Barnes Gary and Gini Gethmann Darrel and Ann Merwin Bret and Mary Batchelor Mrs. Linda G. Golburgh Mr. Gary Molenda Char and Gerry Bates Muriel and Marc Goldfeder Essie and George Nadler Trip Batten and Bill Henry Dr. Gerald Golner Pat and Wayne Needham Mathis and Barbara Becker Steven Gottlieb Jordan and Jean Nerenberg Dr. Cash and Susanne Beechler Robert and Judi Gottschalk Mr. and Mrs. Michael Ore Tony Beram Nancy and Thomas Green Bill and Kathie Peterson Bill and Kathleen Bethel Alan and Ann Grove Marilyn M. Prince Ms. Elizabeth Beyrer Donita Gross Will Rapp and Kathy Kolbe Phylis and Gary Bolno Diane Haller and Steve Betts Mr. Paul Rathjen David and Bonnie Bickford Michael Hamant, M.D., and Lynda and Ed Rogoff Chuck and Sandy Bonstelle Lynnell Gardner, M.D. David and Sonja Saar Carla and Chuck Borkan Kenneth and Marian Handy Vance, Louise, and John Bowers Monica and Jim Hart Camille Sanders Diane and Donald Bristow Mr. and Mrs. Jerrold Hatcher Dr. J.M. Santiago and Ms. Martha Brumfield Susan B. Hazan and Ms. Janice Catt Vivian Bruns Michael T. Burns Jerusha and Marc Schmalzel Gene and Jeanne Bryan Frederick C. Henning Dr. Frances Schulter-Ellis Herb and Sylvia Burton Dr. and Mrs. Arthur L. Herbst Paul and Jacqueline Schulz Ralph H. Byerly Susan E. Hetherington Dr. and Mrs. Fred Schwartz Mr. and Mrs. John Carhart Sherry Heyman

55 INDIVIDUAL DONORS

FRIENDS Mr. and Mrs. Matthew Madonna Herbert and Laura Roskind CONTINUED Martin Mannlein and Kent and Barbara Rossman Barbara Stern Mannlein Arnold and Carol Rudoff $250 – $499 Mr. and Mrs. Thom Mansur Mr. and Mrs. Richard Rundle Greg and Marcia Hilliard Mike Martin Jennifer and Charles Sands Ms. Michele Himovitz Alice Mason Bart and Marcella Schannep Harriet and Robert Hirsch Rudy and Maria Mathews Dr. and Mrs. Harry Schlosser Ms. Marsha Hirsch Mr. and Mrs. Stanley Matlick Mr. and Mrs. S.L. Schorr Marjorie Hoffman Alan S. and Judi E. Max Trisa and Andy Schorr Dr. Arnold and Carol Hollander Andy McKnight Lyle and Gail Schultz Honeywell International Delos D. McKnight Susan and Ford Schumann Ms. Pamela Horner Lynda Menis Edward and Robyn Schwager Ms. Nancy Howell Jean and Walt Merkel John and Maria Schwarz David Hoyt Johnson Debra and Jeffrey Messing Jim and Hazel Shuttleworth Mr. Robert Huber Mr. and Mrs. George Mink Marvin Siegel and Eileen Bloom J. Hufford-Jensen and Joe and Michelle Millstone Steve and Anita Slaughter G. Kroening Jacque L. Montrose John and Phyllis Smiley John Irby and Norizan Osman Ms. Frances Moore Lois and Lowell Sorenson Gary Israel Phyllis and Harold Morgan Mark and Gloria Spies Helen and Robert Jennette Melvin E. Mounts Linda Staubitz Kim Johnson Shirley G. Muney Claire Steigerwald Mr. Bill Jones Mr. and Mrs. Chuck Munson Mr. and Mrs. David J. Sterle Ms. Leianne Jones Mrs. Connie Myren Richard and Marie Stewart Marcia Jones Dana and Rick Naimark Ms. Dana Stout Hy Kaplan and Sue Vardon Carl and Carolyn Nau Teri and Don Sullivan Mr. and Mrs. Gerald Karches Susan and James Navran Morton and Nina Susman Ms. Julianna Kasper Caren and Thomas Newman Mr. Matthew Sweger Sandra B. Katz, MD, JD and Dr. Janko Nikolich-Zugich Jay Sykes D. Stephenson Ms. Leslie O’Hara Philip and Mary Taylor Pam and Charles Katzenberg Marilyn V. Olander, Ph.D. Robert and Beth Taylor David and Lisa Keene Paula and Carl Olson Anne and Steve Thomas Darrell and Susan Kidd Betty Olwin Neil and Marge Thornton Ms. Susan Kidd Mr. Jones Osborn, II Mr. and Mrs. Richard Tofel Jay and Barbara Kittle Roger and Lori Peck Tony and Rita Vickers Donald and Marsha Klein Martha and Terry Allen Perl Bob and Emily Vincent Susan Knowlton and Jeanne Pickering and Barbara and John Walker Don Bourque Mike Andrew Linn and Karen Wallace Karen and Sherwin Koopmans Ms. Linda Piele John and Connie Jessica and Steve Kozloff Mr. Herbert C. Ploch Nygaard Wareing Bobbie and Ted Kraver Robert and Sheila Press Bernie and Libby Weiner Mr. and Mrs. Donald Laidlaw Robert Davis & Mrs. Virginia A. Weise Sally Lanyon Lourdes Ramonet Richard and Stephanie Weiss Drs. Arlyn and Joyce Larson Sandra L. Rausch Jan Wezelman Lynne C. Larson John and Jennifer Reid Mr. and Mrs. Preston Whitt Leslie Latham and Lou Kahn Mr. and Mrs. Eugene R. Rice Ms. Karin Williams Philip and Ellen Leavitt Mrs. Joan C. Roberts Mr. and Mrs. Peter Woods Mr. and Mrs. Robert Lebby Roger and Janet Robinson Pennie DeHoff and Larry Wurst Toby and Matt Lehrman Bill and Eileen Roeske Mr. John Leonardo Jeanne and Tom Rogers Bertie Levkowitz and Mr. and Mrs. James Ronstadt Thomas Herz

56 INDIVIDUAL DONORS

GIFTS IN Chris and Joel Hatfield sons of Anne Raymond by MEMORY OF Don and Sandy Hatfield by Ms. Ann Baldwin Norma and Stanley G. Feldman Karen Scates by Betsy Bolding Gertrude “Trudy” Shapiro by Dr. Arnold I. Hollander by Tucson Gala – Fund the Future Jessica L. Andrews and Mrs. Carol Hollander Timothy W. Toothman, in honor of Ann Lovell by Slobodan Popovic and Elayne Miller by Jan Wezelman Ms. Judith Braun Janie Shapiro Karl Haytcher by Jessica L. Ruthie Zales by Ms. Marsha Allan Glaser by Jessica L. Andrews and Timothy W. Cohen, Judy and Jay Feldstein Andrews and Timothy W. Toothman, Claudia Vazquez Asha and Jason Ricci’s Toothman, Alice and Larry Smith by Frank Davis wedding by Len and Doris Paul Baker, Holualoa Mollie Hughes by Diane Tweedy Coris/Watermill Financial Arizona, Inc., Robyn Ms. Beryl Beville by Mr. and David Ira Goldstein by Karen Kessler and Jeff Timan, Mrs. Matthew Madonna and Lionel Faitelson PICOR Commercial Real Rick Call by Ms. Susan Call John and Helen Schaefer’s Estate Services, Lynn and Shelley Award by Norma Mark Thomas Richard Segal by Jessica L. Andrews and Timothy W. and Stanley G. Feldman Anna Jolivet by Jessica L. Toothman, Betsey Bayless, Lowell and Anne Rothschild’s Andrews and Timothy Laura and Terry Bercovitz, 60th anniversary by Norma W. Toothman Michael Parrish and Susan and Stanley G. Feldman Bob Cauthorn by The Alice Davis, Mr. and Mrs. Rick In Honor of her son, Seth and Paul Baker Philanthropic DeGraw, Norma and Stanley Kromholz and Gilat Ben-Dor’s Fund, Laura and John G. Feldman, Jay Glaser, David engagement by Davina Glaser Almquist, Jessica L. Ira Goldstein and Michele Jay Glaser’s election to the Andrews and Timothy W. Robins Goldstein, Mr. and Board of Trustees by Toothman, Ms. Barbara Mrs. Mark I. Harrison, Mrs. Linda G. Goldburgh Atwood, Alice and Paul Henderson Engineers, Inc., Beth and Michael Kasser by The Baker, Patricia Ballard, Luana and Dough Manning, Robert and Deanna Bates, Dr. Herschel & Jill Rosenzweig Patricia Martin, Mr. Charles J. Donor Advised Fund Jill Bishop, Betsy Bolding Muchmore, Nancy and Bruce held by the Community Oyen, Mr. and Mrs. Scott Ann Lovell and the Lovell Foundation of Southern Ruby, Michelle and Stand Foundation by Clyde W. Arizona, Neal and Sally Sparrow, Sheryl and Dale Kunz and Brian L. Arthur Cash, Shirley J. Chann, Len Wanek Jean and Jordan Nerenberg and Doris Corris/Watermill Rose Gottlieb by Joanne M. 50th Wedding Anniversary Financial, The Dr. Herschel & Adams, James P. Erikson, Mr. by Elyce and Mark Metzner Jill Rosenzweig Donor and Mrs. Marvin Glassberg, Linda “Mac” Perlich by Mr. Advised Fund, Dr. and Mrs. Mr. and Mrs. Ke Chiang Hsieh, and Mrs. Chuck Munson Edward Gentile, Rob and Mr. and Mrs. John Humenik, Stanley Feldman by Laurie Glaser, David Ira Mr. and Mrs. Scott Hurd, Mr. Lyn Papanikolas and Goldstein and Michele James R. Kastella and Mrs. David Mackstaller Robins Goldstein, Pamela Linda L. Kastella, Mr. and Mrs. Robyn Kessler – Happy Grissom, Gene and Naomi Theodore Katz, Robert and Birthday by Lyn Papanikolas Karp, Jim and Shirley Kiser, John LaCose, Hani and Nora and David Mackstaller Trudy Kohl, Clyde W. Kunz Murad, Kenneth and Phyllis and Brian L. Arthur, George Geri Silvi by Slobodan Popovic Myslik, Nannette and Steve and Janie Shapiro Loesch and Friends at Pageau, Wanda and Angelo Ralph and Ingeborg Silberschlag Interstate General Media, Petropolis, Sonja M. by Marilyn M. Prince Jennifer Lohse, Robert H. Reinhardt, Lu Rodolph, Marshall, Robert and Sandy Robert and Susan Shrager, Randy Kincaid’s 60th Birthday Maxfield, Lyn Papanikolas Deb and Dave Solomon by F. William Sheppard and and David Mackstaller, Brent Range P. Shaw Pichler, Judith Rich, Mr. and Rudy Cosentino by Judie Cosentino Bill Lewis and Rick Mrs. Robert A. Strauss, Lisa Underwood recent marriage Ungar, Patricia H. Waterfall, by F. William Sheppard and Jan Wezelman, Ruth Zales GIFTS IN Range P. Shaw and Kenneth Greenfield, HONOR OF Sarah J. Wich by Barbara Wich Zuckerman Family Foundation Clyde Kunz and Brian Arthur’s marriage by Bob Hegyi by Raymond Kemp Jessica L. Andrews and and Rick Douglas Timothy W. Toothman 57 Printer’s Ad STAFF

David Ira Goldstein Artistic Director ARTISTIC LEARNING & EDUCATION ASSOCIATE ARTISTIC ARTISTIC & PLAYWRITING DIRECTOR OF LEARNING & TEACHING ARTISTS DIRECTOR INTERN EDUCATION Heidi Barker, Kevin Black, Stephen Wrentmore Natasha Smith Stephen Wrentmore Emma DeVore, Mathew ARTISTIC ASSOCIATE PLAYWRIGHT-IN-RESIDENCE LEARNING & EDUCATION DeVore, Christopher Gerling, Timothy Toothman Elaine Romero MANAGER Athena Hagen-Krause, Rus- April Jackson sell Long, Katherine Monberg, COMPANY MANAGER RESIDENT COSTUME DESIGNER Brian Jerome Peterson, Robyn Lambert Kish Finnegan LEARNING & EDUCATION ASSOCIATES Andrea Pratt, Sarah Ross, Kat ASST. COMPANY MANAGER RESIDENT LIGHTING DESIGNER Bryanna Patrick, Luke Young Seaton, Amy Shuttleworth, Nicole Smith T. Greg Squires Ashley Simon, Natasha Smith, LITERARY ASSOCIATE RESIDENT SOUND DESIGNER Jared Strickland, Barbara Katherine Monberg Brian Jerome Peterson Tanzillo, Amber Tibbitts

PRODUCTION

PRODUCTION MANAGER ASST. TECHNICAL DIRECTOR ASST. PROPERTIES MASTER MASTER ELECTRICIAN Jennifer Smith Philip Blackwood James Cox Timothy Smith ASST. PRODUCTION MANAGER STAFF CARPENTERS COSTUMES & WARDROBE STAFF ELECTRICIAN & LIGHT Christopher Gerling Scott Greenleaf BOARD OPERATOR – TUC Jason LaFleur COSTUME SHOP MANAGER Kat Seaton STAGE MANAGEMENT Barbara Tanzillo OVERHIRE CARPENTERS LIGHT BOARD OPERATOR – PHX PRODUCTION STAGE MANAGER Butch Foley, Arthur Potts COSTUME DESIGN MANAGER Alexis Raetz Glenn Bruner Kish Finnegan SCENIC CHARGE ARTIST OVERHIRE ELECTRICIANS STAGE MANAGERS Brigitte Bechtel DRAPER Katelin Ashcraft, Arthur Potts David A. Cap, Phyllis Davies Timothy Toothman STAGE CARPENTER – TUC SOUND Russell Long WARDROBE SUPERVISOR ASSTS. TO THE Lisa A. Leonhardt SOUND SUPERVISOR STAGE MANAGER STAGE CARPENTER – PHX Brian Peterson Robert Douglass WIG MASTER & DRESSER Emma DeVore, Amanda Gran PRODUCTION SOUND Ashley Simon PROPERTIES ENGINEER & LIGHT BOARD LIGHTING OPERATOR – TUC SCENERY PROPERTIES MASTER LIGHTING SUPERVISOR Mathew DeVore TECHNICAL DIRECTOR Paul Lucas Matthew Saxton T. Greg Squires SOUND BOARD OPERATOR – PHX Billy Lopez

Matt Lehrman Interim Managing Director, Jessica L. Andrews Managing Director Emeritus ADMINISTRATION

ASST. TO THE MANAGING SENIOR ACCOUNTING MARKETING & COMMUNICATIONS TICKET SALES & DIRECTOR/BOARD LIAISON ASSOCIATE COORDINATOR – TUC HOUSE MANAGEMENT Mary Bertlshofer Yvette Miranda Erin Treat TICKETS SERVICES MANAGER FRONT OFFICE MANAGER ACCOUNTING ASSOCIATE MARKETING ASST. Geri Silvi Sara Kavitch Jon Campbell, Jr. Gary Edwards BOX OFFICE MANAGER – TUC ACCESSIBILITY THE TEMPLE LOUNGE CONSULTANTS Becca Moore ACCESSIBILITY COORDINATOR MANAGER AUDITORS CUSTOMER SERVICE Eileen Bagnall Emily Lucas Beach, Fleischman & Co. REPRESENTATIVES – PHX GRAPHIC DESIGN Pam Beitman, DEVELOPMENT ASST. MANAGER Linda Scwartz Sara Kavitch Esser Design DIRECTOR OF DEVELOPMENT CUSTOMER SERVICE CONCESSIONAIRES IT SUPPORT Leslie Freed Team Logic IT REPRESENTATIVES – TUC Angela Aldrin, Caitlin Cardenas, Carrie Luker, Michi Yamasaki DEVELOPMENT Izetta Chambers, Kirsten Corral, PUBLIC RELATIONS COORDINATOR – TUC Alison Doran, Dani Gifford, The Kur Carr Group, Inc. TICKET SERVICES Carley Elizabeth Preston Kim Grygutis, Cynthia Hough, ASSOCIATE – PHX WEBSITE SUPPORT Debra Field FINANCE Mariah McCammond, John Susana Diaz McNiece, Miray Rhoads, TICKET SERVICES DIRECTOR OF FINANCE Rebecca Smiley, Liz Weibler FACILITIES – TUCSON ASSOCIATE – TUC & ADMINISTRATION Debbie Archuleta Carrie Toth MARKETING MAINTENANCE SUPERVISOR Horace Ashley FRONT OF HOUSE AND RENTALS DIRECTOR OF MARKETING COORDINATOR – TUC & COMMUNICATIONS MAINTENANCE TECHNICIANS Don Gest Matthew Graber David Fitch, Dean Morgan HOUSE MANAGERS – TUC MARKETING & Bill Bethel, Sonja Reinhardt COMMUNICATIONS MANAGER Gregg Bach AUDIENCE ENGAGEMENT STAFF Freda Ganem

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