DOCSLIB.ORG

Playbill VSMS PHX R3.Indd

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Printer’s Ad Printer’s Ad LEARNING & EDUCATION USING THEATRE AS A CATALYST TO INSPIRE CREATIVITY “ATC’S EDUCATION DEPARTMENT HAS BEEN NOTHING SHORT OF A MIRACLE.” -Cheryl Falvo, Crossroads English Chaira / Service Learning Coordinator Theatre skills help support critical thinking, decision-making, teamwork and improvisation. It can bridge the gap from imagination to reality. We inspire students to feel that anything is possible. LAST SEASON WE REACHED OVER 11,000 STUDENTS IN 80 SCHOOLS ACROSS 8 AZ COUNTIES For more information about our Learning & Education programs, visit EDUCATION.ARIZONATHEATRE.ORG IN THIS ISSUE October 2014 Title Page ........................................................................... 6 Cast List ............................................................................. 8 About the Play .......................................................................12 ATC Leadership .....................................................................20 The Cast ............................................................................ 28 The Creative Team ...................................................................34 Board of Trustees ...................................................................40 About Arizona Theatre Company ......................................................41 Theatre Information ................................................................. 47 Corporate and Foundation Donors ....................................................49 Individual Donors ...................................................................50 Staff ...............................................................................59 Below: Suzanne Warmanen, Isabell Monk O’Connor and Charles Janasz in Arizona Theatre Company’s production of Vanya and Sonia and Masha and Spike. Photo by Joan Marcus. FROM THE ARTISTIC DIRECTOR DEAR FRIENDS, COMMUNITY is at the heart of the theatre experience. The plays we bring to vibrant life onstage are completed by you, our friends. That is when the gasps, the cheers and the laughs complete the connection and theatre comes alive. In our 48th season of professional theatre in our community, I invite you to settle into the comfortable world of our state-of-the-art theatre and connect with us to make the circle complete. Join with us for a world premiere of a new play from an Emmy Award-winning writer; the regional premiere of an off-Broadway hit musical; the gorgeous vitality of one of Shakespeare’s most loved stories. You’ll always find the work we do world class… but none of it is finished without our connection to you. See you at the theatre, David Ira Goldstein TOP – The cast and crew of The Importance of Being Earnest. Photo by Tim Fuller. RIGHT PAGE – Top Left: Paige Lindsey White in Other Desert Cities. Photo by Tim Fuller. Top Right: Anneliese van der Pol and Loren Dunn in The Importance of Being Earnest. Photo by Tim Fuller. Middle Right: Kyle Sorrell, Mark Anders, Jon Gentry and Bob Sorenson in Around the World in 80 Days. Photo by Tim Fuller. Bottom Left: James T. Alfred in The Mountaintop. Photo by Tim Fuller. Bottom Right: Jessica Skerritt and Company in Xanadu. Photo by Mark Kitaoka. 4 48YEARS OF AWARD-WINNING T H EATRE ARIZONA’S NATIONALLY-RENOWNED PROFESSIONAL THEATRE Special Thanks to I. Michael and Beth Kasser Season Sponsors David Ira Goldstein Matt Lehrman Jessica L. Andrews Artistic Director Interim Managing Director Managing Director Emeritus VANYA and SONIA and MASHA and SPIKE by Christopher Durang Joel Sass ......................................................................Director Todd Rosenthal ........................................................Scenic Designer Ilona Somogyi ........................................................Costume Designer Barry Browning ......................................................Lighting Designer Sean Healey ............................................................Sound Designer Carla Steen .................................................................Dramaturg Lucinda Holshue ...............................................Voice and Speech Coach Marcela Lorca ........................................................ Movement Coach McCorkle Casting, Ltd. ........................................................Casting T. Greg Squires ...............................................Resident Lighting Designer Brian Jerome Peterson . Resident Sound Designer Glenn Bruner* ................................................Production Stage Manager Timothy Toothman* ............................................Assistant Stage Manager *Member of Actors’ Equity Association. On this original Arizona Theatre Company and Guthrie Theater production, the ATC and Guthrie Production staffs are responsible for scenic construction, costume construction, lighting, sound, props, furniture, wigs and scene painting. Vanya and Sonia and Masha and Spike is presented by special arrangement with Dramatists Play Service, Inc., New York. Originally produced on Broadway by: Joey Parnes, Larry Hirschhorn, Joan Raffe/Jhett Tolentino, Martin Platt & David Elliott, Pat Flicker Addiss, Catherine Adler, John O’Boyle, Joshua Goodman, Jamie deRoy/Richard Winkler, Cricket Hooper Jiranek/ Michael Palitz, Mark S. Golub & David S. Golub, Radio Mouse Entertainment, Shadowcatcher Entertainment, Mary Cossette/ Barbara Manocherian, Megan Savage/Meredith Lynsey Schade, Hugh Hysell/Richard Jordan, Cheryl Wiesenfeld/Ron Simons, S.D. Wagner, John Johnson in association with McCarter Theatre Center and Lincoln Center Theater. Originally commissioned and produced by McCarter Theatre Center, Princeton, N.J., Emily Mann, Artistic Director; Timothy J. Shields, Managing Director; Mara Isaacs, Producing Director; and produced by Lincoln Center Theater, New York City, under the direction of André Bishop and Bernard Gersten in 2012. “Here Comes the Sun” written by George Harrison, published by Harrisongs, Ltd. (ASCAP). Used with permission. All rights reserved. This production premiered at Guthrie Theater on July 19, 2014. Joe Dowling, Director. COVER ART BY: Esser Design 2014-2015 SEASON SPONSORS: I. MICHAEL AND BETH KASSER 6 Printer’s Ad CAST (listed in order of appearance) Charles Janasz* ............................................................... VANYA Suzanne Warmanen* ...........................................................SONIA Isabell Monk O’Connor* ..................................................CASSANDRA Suzanne Bouchard* ...........................................................MASHA Joshua James Campbell* .......................................................SPIKE Ali Rose Dachis* .................................................................NINA *Member of Actors’ Equity Association. Time: The present. Place: A farmhouse in Bucks County, PA THERE WILL BE ONE 15-MINUTE INTERMISSION. ADDITIONAL STAFF Emma DeVore ............................................Assistant to the Stage Manager Adin Walker ..........................................................Assistant Director Additional casting by ATC Artistic Staff. Arizona Theatre Company operates under agreements between the League of Resident Theatres (LORT) and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States; Stage Directors and Choreographers, an independent national labor union; and United Scenic Artists Local USA-829, IATSE. To learn more about Vanya and Sonia and Masha and Spike, please visit the Learning & Education page on our website at arizonatheatre.org for a comprehensive free Play Guide. The Play Guide contains information on Christopher Durang, Anton Chekhov and more. Play Guides are also available in The Temple Lounge for a nominal charge to cover printing. Cell phones and other devices that make a noise can greatly disturb your fellow audience members and the performers. PLEASE TURN THEM OFF before the performance and again at intermission. 8 Printer’s Ad Printer’s Ad Printer’s Ad ABOUT THE PLAY CHRISTOPHER DURANG: AN ORIGINAL WITH AN ANARCHIC SPIRIT PLAYWRIGHT CHRISTOPHER DURANG grew up in New Jersey, the only child of charismatic but troubled parents. His interest in theatre was encouraged by his parents, and he attended many performances as a child. He wrote his first play as a second-grader, an adaptation of an I Love Lucy episode. When his mother told his teacher about it, his class at Lady of Peace Catholic School performed the two-page play. Durang attended the Delbarton School from seventh to twelfth grade and, much to his surprise, was accepted at Harvard, which he attended Playwright Christopher hoping to become a well-rounded writer. His college years were Durang. marked by a deep depression that lasted from the end of his freshman year to the summer after his junior year. He was dealing with the divorce of his parents, his father’s alcoholism, the guilt of having to testify against his father in court, his disillusionment with the Catholic Church, and his realization that he was gay. By his senior year, Durang’s depression lifted in part because he was selected to be one of 15 people to attend William Alfred’s playwriting class. Following college, Durang attended Yale School of Drama, where he continued to write and perform. Among his classmates were Sigourney Weaver, Wendy Wasserstein, Meryl Streep and Albert Innaurato. Yale provided an environment in which he thrived, experimenting and taking risks in his writing. Shortly after he graduated, he scored a great coup in having his play The
Recommended publications
  • Program Design: Tim Osborne

    Program Design: Tim Osborne

    MATC Offi cers President: Beth Osborne, Florida State University 1st Vice President: Chris Woodworth, Hobart and William Smith Colleges 40th 2nd Vice President/Conference Coordinator: Shawna Mefferd Kelty, ANNUAL College at Plattsburgh, Mid-America Theatre Conference State University of New York Associate Conference Coordinator: March 7-10, 2019 La Donna Forsgren, Cleveland Marriott Downtown University of Notre Dame at Key Tower Cleveland, Ohio Secretary: Jennifer Goff, Virginia Tech University Treasurer: Brian Cook, Invention University of Alaska, Anchorage Theatre History Studies, the Journal of the Mid-America Theatre Conference Editor: Sara Freeman, Conference Keynote Speakers: University of Puget Sound Tami Dixon and Jeffrey Book Review Editor: Robert B. Shimko, Carpenter, University of Houston Co-founders Bricolage Production Company Theatre/Practice: The Online Journal of the Practice/Production Symposium of MATC Theatre History Symposium Editor: Jennifer Schlueter, Respondent: The Ohio State University Amy E. Hughes, www.theatrepractice.us Brooklyn College, City University of New York Website/Listserv: Travis Stern, Bradley University Playwriting Symposium Respondent: matc.us/[email protected] Lisa Langford Graduate Student Coordinators: Sean Bartley, Florida State University Shelby Lunderman, University of Washington Program Design: Tim Osborne 3 40th Mid-America Theatre Conference Symposia Co-Chairs MATC Fellows Theatre History Symposium Arthur Ballet, 1988 Shannon Walsh, Louisiana State University Jed Davis, 1988 Heidi Nees, Bowling Green State University Patricia McIlrath, 1988 Charles Shattuck, 1990 Practice/Production Symposium Ron Engle, 1993 Karin Waidley, Kenyatta University Burnet Hobgood, 1994 Wes Pearce, University of Regina Glen Q. Pierce, 1997 Julia Curtis, 1999 Playwriting Symposium Tice Miller, 2001 Eric Thibodeaux-Thompson, University of Felicia Hardison Londré, 2002 Illinois, Springfi eld Robert A.
  • Indecent by PAULA VOGEL Directed by WENDY C

    Indecent by PAULA VOGEL Directed by WENDY C

    McGuire Proscenium Stage / Feb 17 – Mar 24, 2018 Indecent by PAULA VOGEL directed by WENDY C. GOLDBERG PLAY GUIDE Inside THE PLAY Synopsis • 3 Characters and Setting • 4 Inspiration for Indecent • 5 Responses to Indecent • 6 Responses to The God of Vengeance • 7 THE PLAYWRIGHT On Paula Vogel • 8 Paula Vogel on Indecent • 9 Paula Vogel on Sholem Asch • 10-11 Glossary: Concepts, Words, Ideas • 12-15 ADDITIONAL INFORMATION For Further Reading and Understanding • 16 Play guides are made possible by Guthrie Theater Play Guide Copyright 2018 DRAMATURG Jo Holcomb GRAPHIC DESIGNER Akemi Graves CONTRIBUTORS Jo Holcomb Guthrie Theater, 818 South 2nd Street, Minneapolis, MN 55415 All rights reserved. With the exception of classroom use by teachers and individual personal use, no part of this Play Guide ADMINISTRATION 612.225.6000 may be reproduced in any form or by any means, electronic BOX OFFICE 612.377.2224 or 1.877.44.STAGE TOLL-FREE or mechanical, including photocopying or recording, or by an information storage and retrieval system, without permission in guthrietheater.org • Joseph Haj, artistic director writing from the publishers. Some materials published herein are written especially for our Guide. Others are reprinted by permission of their publishers. The Guthrie Theater receives support from the National The Guthrie creates transformative theater experiences that ignite the imagination, stir Endowment for the Arts. This activity is made possible in part by the Minnesota State Arts Board, through an appropriation the heart, open the mind, and build community through the illumination of our common by the Minnesota State Legislature. The Minnesota State Arts Board received additional funds to support this activity from humanity.
  • TACT 2013-14 Brochure

    TACT 2013-14 Brochure

    Photo by Stephen Kunken Stephen by Photo Cynthia Harris in in Harris Cynthia Lost in Yonkers in Lost - WALL STREET JOURNAL STREET WALL - “COMPANY OF THE YEAR!” THE OF “COMPANY 2013/2014 SEASON 2013/2014 New York, NY 10003 NY York, New 900 Broadway, Suite 905 905 Suite Broadway, 900 2013/2014 SEASON PLAYS AS TIMELYAS THEY ARE TIMELESS “COMPANY OF THE YEAR!” - WALL STREET JOURNAL Lovers Cameron Scoggins & Justine Salata in Photo by Hunter Canning In its 20th anniversary season, TACT is named the Wall Street Journal’s “COMPANY OF THE YEAR!” HOW ou top that by picking an astounding roster of provocative Yand entertaining plays, you pack them with brilliant talent, DO and invite New York City’s smartest and most discerning theatre-goers to attend (that’s you, by the way). Our Mainstage season opens in September with a rare look at a YOU lost classic; William Inge’s intense and startlingly contemporary Natural Affection. Rarely seen anywhere since its brief Broad- way run in 1963, this urban domestic drama created controversy with its underlying incestuous and homosexual insinuations and TOP its dark implications of a dawning sexual revolution. We can’t think of a better way to kick-off our season than by celebrating the centennial of an iconic American playwright with the redis- THAT? covery of this overlooked and undervalued gem. We’re pairing this daring drama with an early masterpiece from the hilarious and outlandish Christopher Durang, whose most re- cent work, Vanya and Sonia and Masha and Spike, won the 2013 Tony Award for Best Play.
  • Stanley Chase Papers LSC.1090

    Stanley Chase Papers LSC.1090

    http://oac.cdlib.org/findaid/ark:/13030/kt6h4nc876 No online items Finding Aid for the Stanley Chase Papers LSC.1090 Processed by Timothy Holland and Joshua Amberg in the Center For Primary Research and Training (CFPRT), with assistance from Laurel McPhee, Fall 2005; machine-readable finding aid created by Caroline Cubé and edited by Josh Fiala, Caroline Cubé, Laurel McPhee and Amy Shung-Gee Wong. UCLA Library Special Collections Online finding aid last updated on 2020 December 11. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Finding Aid for the Stanley Chase LSC.1090 1 Papers LSC.1090 Contributing Institution: UCLA Library Special Collections Title: Stanley Chase papers Creator: Chase, Stanley Identifier/Call Number: LSC.1090 Physical Description: 157.2 Linear Feet(105 boxes, 12 oversize boxes, 27 map folders) Date (inclusive): circa 1925-2001 Date (bulk): 1955-1989 Abstract: Stanley Chase (1928-) was a theater, film, and television producer. The collection consists of production and business files, original production drawings, posters, press clippings, sound recordings, and scripts from his major projects. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: Materials are in English. Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Physical Characteristics and Technical Requirements CONTAINS AUDIOVISUAL MATERIALS: This collection contains both processed and unprocessed audiovisual materials.
  • Brooklyn Boy

    Brooklyn Boy

    41st Season • 392nd Production SEGERSTROM STAGE / SEPTEMBER 3 - OCTOBER 10, 2004 David Emmes Martin Benson PRODUCING ARTISTIC DIRECTOR ARTISTIC DIRECTOR IN ASSOCIATION WITH Manhattan Theatre Club presents the world premiere of BROOKLYN BOY BY Donald Margulies SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN ORIGINAL MUSIC AND SOUND DESIGN Ralph Funicello Jess Goldstein Chris Parry Michael Roth DRAMATURG PRODUCTION MANAGER STAGE MANAGER Jerry Patch Tom Aberger *Scott Harrison DIRECTED BY Daniel Sullivan HONORARY PRODUCERS CORPORATE PRODUCER Elaine and Martin Weinberg The Citigroup Private Bank Brooklyn Boy was commissioned and developed by South Coast Repertory Brooklyn Boy • SOUTH COAST REPERTORY P1 CAST OF CHARACTERS (In order of appearance) Eric Weiss .................................................................................... Adam Arkin* Manny Weiss ................................................................................ Allan Miller* Ira Zimmer ...................................................................................... Arye Gross* Nina .............................................................................................. Dana Reeve* Alison .......................................................................................... Ari Graynor* Melanie Fine ................................................................................ Mimi Lieber* Tyler Shaw .................................................................................... Kevin Isola* SETTING All scenes are set in the present in Brooklyn,
  • J Ohn F. a Ndrews

    J Ohn F. a Ndrews

    J OHN F . A NDREWS OBE JOHN F. ANDREWS is an editor, educator, and cultural leader with wide experience as a writer, lecturer, consultant, and event producer. From 1974 to 1984 he enjoyed a decade as Director of Academic Programs at the FOLGER SHAKESPEARE LIBRARY. In that capacity he redesigned and augmented the scope and appeal of SHAKESPEARE QUARTERLY, supervised the Library’s book-publishing operation, and orchestrated a period of dynamic growth in the FOLGER INSTITUTE, a center for advanced studies in the Renaissance whose outreach he extended and whose consortium grew under his guidance from five co-sponsoring universities to twenty-two, with Duke, Georgetown, Johns Hopkins, North Carolina, North Carolina State, Penn, Penn State, Princeton, Rutgers, Virginia, and Yale among the additions. During his time at the Folger, Mr. Andrews also raised more than four million dollars in grant funds and helped organize and promote the library’s multifaceted eight- city touring exhibition, SHAKESPEARE: THE GLOBE AND THE WORLD, which opened in San Francisco in October 1979 and proceeded to popular engagements in Kansas City, Pittsburgh, Dallas, Atlanta, New York, Los Angeles, and Washington. Between 1979 and 1985 Mr. Andrews chaired America’s National Advisory Panel for THE SHAKESPEARE PLAYS, the BBC/TIME-LIFE TELEVISION canon. He then became one of the creative principals for THE SHAKESPEARE HOUR, a fifteen-week, five-play PBS recasting of the original series, with brief documentary segments in each installment to illuminate key themes; these one-hour programs aired in the spring of 1986 with Walter Matthau as host and Morgan Bank and NEH as primary sponsors.
  • At Play Fall-Winter 03.Qxd

    At Play Fall-Winter 03.Qxd

    representing the american theatre by publishing and licensing the works of new and established playwrights JacquesBrelisAliveandWell Polly Pen on Writing Musicals Cowgirls’ Mary Murfitt Issue 9, Fall/Winter 2003 MUSICALS INTERVIEW WITH A BAT BOY Director of Professional Rights Robert Vaughan and Director of Publications Michael Fellmeth met with Bat Boy in the Palm Court of the Plaza Hotel in Manhattan to talk about growing up in a cave in Hope Falls, West Virginia, Bat Boy: The Musical, and his rise to global celebrity as the lead in a hit show about his own life. The pointy- eared, fanged star arrived with an entourage of bodyguards, personal assistants, agent, lawyer and publi- cist. Bat Boy, immaculately clad in Savile Row, seemed only vaguely aware of their presence. He greeted us warmly, sat down, lit a miniature cigar and ordered a bloody mary. continued on next page FELLMETH. Let me begin by saying how taken I EDGAR. Ahhh, Jenna. Jenna the Menace, that lips” motion.) Perhaps we’d best not discuss Dr. am with your voice, Bat Boy. Did you have any was my pet name for her. She was such a terror. Parker. That is a difficult subject for me. formal training? The media had it all wrong, though. It was she FELLMETH. Understandably so. A father who BAT BOY. Please don’t call me Bat Boy. My name who took to following me. After I finally got a abandoned you in infancy to be raised by bats is Edgar. restraining order she went on that binge in Texas and then — as if that weren’t enough — tried to FELLMETH.
  • Vanya and Sonia and Masha and Spike

    Vanya and Sonia and Masha and Spike

    VANYA AND SONIA AND MASHA AND SPIKE BY CHRISTOPHER DURANG DRAMATISTS PLAY SERVICE INC. VANYA AND SONIA AND MASHA AND SPIKE Copyright © 2014, Christopher Durang All Rights Reserved CAUTION: Professionals and amateurs are hereby warned that performance of VANYA AND SONIA AND MASHA AND SPIKE is subject to payment of a royalty. It is fully protected under the copyright laws of the United States of America, and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), and of all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention, the Berne Convention, and of all countries with which the United States has reciprocal copyright relations. All rights, including without limitation professional/amateur stage rights, motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all other forms of mechanical, electronic and digital reproduction, transmission and distribution, such as CD, DVD, the Internet, private and file-sharing networks, information storage and retrieval systems, photocopying, and the rights of translation into foreign languages are strictly reserved. Particular emphasis is placed upon the matter of readings, permission for which must be secured from the Author’s agent in writing. The English language stock and amateur stage performance rights in the United States, its territories, possessions and Canada for VANYA AND SONIA AND MASHA AND SPIKE are controlled exclusively by DRAMATISTS PLAY SERVICE, INC., 440 Park Avenue South, New York, NY 10016. No professional or nonprofessional performance of the Play may be given without obtaining in advance the written permission of DRAMATISTS PLAY SERVICE, INC., and paying the requisite fee.
  • Board of Trustees the City University of New York

    Board of Trustees the City University of New York

    BOARD OF TRUSTEES THE CITY UNIVERSITY OF NEW YORK BOARD COMMITTEE ON FACULTY, AGENDA STAFF AND ADMINISTRATION JUNE 7, 2017 I. ACTION ITEMS A. Approval of the Minutes of April 3, 2017 B. POLICY CALENDAR 1. Amendments to the Guidelines for Presidential Searches (I-B-1) 2. Amendments to the Charter for the Governance of Hunter College (I-B-2) 3. Amendment to the Governance Plan of Lehman College (I-B-3) 4. Naming of the Hannelore S. and Robert M. Bloch Commons at Hunter College (I-B-4) 5. Naming of the Elizabeth Hemmerdinger Screening Center at Hunter College (I-B-5) 6. Naming of the Dina Axelrad Perry Pool at Queens College (I-B-6) C. CHANCELLOR’S UNIVERSITY REPORT 1. Appointment of Anne Lopes as Interim Provost and Senior Vice President of Academic Affairs at John Jay College of Criminal Justice (I-C-1) 2. Appointment of Reza Fakhari as Vice President for Workforce Development and Strategic Community Partnerships at Kingsborough Community College (I-C-2) 3. Appointment of Nireata Seals as Interim Vice President for Student Affairs at LaGuardia Community College (I-C-3) 4. Appointment of Gregory Mosher as Professor of Theatre at Hunter College with Waiver of §6.2.b. of the Bylaws (I-C-4) 5. Appointment of Carla Shedd as Associate Professor of Urban Education at the CUNY Graduate School and University Center with Waiver of §6.2.b. of the Bylaws (I-C-5) 6. Appointment of Jacqueline Clark as Vice President for Finance and Administration at Medgar Evers College (I-C-6) II.
  • The Record of the Class

    The Record of the Class

    The 1943 EAX C O R D P6)**t\ "OHJ0WNNY,H0WY0U "ALL ^THINGS YOU ARE" can LovrU "TONlQHT,MY "AMAPOLA,MY PRETTY LITTLE POP PY" "BLUFS IN THFNIQHT" "I KNOW WHY AMD SO 00 YOU REMEMBER, "THEYC/UL ITTHf JFR5EY BOUNCE OMEBODY EISF STAKING MY PLACE ilNQLF Digitized by the Internet Archive in 2009 with funding from Lyrasis Members and Sloan Foundation http://www.archive.org/details/recordofclass1943have THE 1943 RECORD / voatch the waves and quiet walls Of willows in the setting sun And know as night in silence falls My day is done. I see the scarlet fading where The shadows sink to stir the breeze And greet the dark which waits me there With memories. Two ^~* FOREWORD The Class o! 1943 stands ai the doors <>l life, unique in the history of Haver- ford College. It is a sadly depleted group. Ol the 87 original members, almost one-quarter now serve their nation all over the world. Because ol the acceleration and the war. the RECORD has frozen llie (lass as it stood last April 25. Some of the men who appear in these pages are now in Libya, China, or even India. Others are in Tennessee and New Hampshire. Perhaps/more are with the A. E. F. in Britain and Iceland. Many members of '43 will never receive their diplomas. Some may never see their classmates again. The Class of '43 is disintegrated and disintegrating. We are a (lass united through memories alone. As far back as the fall ol 1911. the war began to pull us apart.
  • Late Sophocles: the Hero's Evolution in Electra, Philoctetes, and Oedipus

    Late Sophocles: the Hero's Evolution in Electra, Philoctetes, and Oedipus

    0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE Late Sophocles Late Sophocles The Hero’s Evolution in Electra, Philoctetes, and Oedipus at Colonus Thomas Van Nortwick University of Michigan Press Ann Arbor Copyright © Thomas Van Nortwick 2015 All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and ex- cept by reviewers for the public press), without written permission from the publisher. Published in the United States of America by the University of Michigan Press Manufactured in the United States of America c Printed on acid- free paper 2018 2017 2016 2015 4 3 2 1 A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging- in- Publication Data Van Nortwick, Thomas, 1946– . Late Sophocles : the hero’s evolution in Electra, Philoctetes, and Oedipus at Colonus / Thomas Van Nortwick. pages cm Includes bibliographical references and index. ISBN 978- 0- 472- 11956- 1 (hardcover : alk. paper) — ISBN 978- 0- 472- 12108- 3 (ebook) 1. Sophocles— Criticism and interpretation. 2. Sophocles. Electra. 3. Sophocles. Oedipus at Colonus. 4. Sophocles. Philoctetes. I. Title. PA4417.V36 2015 882'.01— dc23 2014049364 For Nathan Greenberg colleague, mentor, and friend Preface Oh children, follow me. I am your new leader, as once you were for me. (Sophocles, Oedipus at Colonus 1542– 431) Sophocles’s Oedipus at Colonus ends with his most famous character walking serenely through the central doors of the stage building (skēnē) in the Theater of Dionysus and into the grove of the Eumenides.
  • Hould Ward Final Document 2013 Resume

    Hould Ward Final Document 2013 Resume

    ANNANN HOULDHOULD--WARDWARD designer Broadway PUMPBOYS AND DINETTES (postponed spring 2012) John Doyle, dir. PEOPLE IN THE PICTURE Leonard Foglia, dir. FREEMAN OF COLOR George C. Wolfe, dir. 2011 Drama Desk Nomination A CATERED AFFAIR John Doyle, dir. 2008 Drama Desk Nomination COMPANY John Doyle, dir. DANCE OF THE VAMPIRES John Rando, dir. MORE TO LOVE Jack O'Brien, dir. LITTLE ME Rob Marshall, dir. DREAM Wayne Cilento, dir. ON THE WATERFRONT Adrian Hall, dir. THE MOLIERE COMEDIES Michael Langham, dir. BEAUTY AND THE BEAST Rob Roth, dir. 1994 Tony Award 1994 American Theater Wing Design Award 1994 Outer Critics Circle Award Nomination TIMON OF ATHENS Michael Langham, dir. IN THE SUMMER HOUSE Joanne Akalaitis, dir. 1994 American Theater Wing Design Nomination 3 MEN ON A HORSE John Tillinger, dir. ST. JOAN Michael Langham, dir. FALSETTOS James Lapine, dir. INTO THE WOODS James Lapine, dir. 1989 Los Angeles Drama Critics Circle Award 1988 Tony Nomination 1988 Outer Critics Circle Nomination 1988 Drama Desk Nomination HARRIGAN N’ HART Joe Layton, dir. 1985 Maharam Award Nomination SUNDAY IN THE PARK WITH GEORGE James Lapine, dir. 1984 Tony Nomination 1984 Drama Desk Nomination 1984 Maharam Award Winner Coutier Design EARTHA KITT Concert Gowns BRIAN BOITANO Skating Competition Costume, Skate America Hould-Ward Design, Film Center Building, 630 9th Ave., Ste. 1205, New York, NY 10036 e-mail: [email protected] phone: (212) 262-7480 Delacourte – Public Theater – Central Park MERRY WIVES OF WINDSOR Dan Sullivan, dir MIDSUMMER NIGHTS DREAM Dan Sullivan, dir. HAMLET Oskar Eustus, dir. OPERA KING ROGER (Mariusz Kwiecien) Santa Fe Opera 2012 Stephen Wadsworth,dir PETER GRIMES (Anthony Dean Griffey) Metropolitian Opera 2008 John Doyle, dir.