TACT 2013-14 Brochure

Total Page:16

File Type:pdf, Size:1020Kb

TACT 2013-14 Brochure Photo by Stephen Kunken Stephen by Photo Cynthia Harris in in Harris Cynthia Lost in Yonkers in Lost - WALL STREET JOURNAL STREET WALL - “COMPANY OF THE YEAR!” THE OF “COMPANY 2013/2014 SEASON 2013/2014 New York, NY 10003 NY York, New 900 Broadway, Suite 905 905 Suite Broadway, 900 2013/2014 SEASON PLAYS AS TIMELYAS THEY ARE TIMELESS “COMPANY OF THE YEAR!” - WALL STREET JOURNAL Lovers Cameron Scoggins & Justine Salata in Photo by Hunter Canning In its 20th anniversary season, TACT is named the Wall Street Journal’s “COMPANY OF THE YEAR!” HOW ou top that by picking an astounding roster of provocative Yand entertaining plays, you pack them with brilliant talent, DO and invite New York City’s smartest and most discerning theatre-goers to attend (that’s you, by the way). Our Mainstage season opens in September with a rare look at a YOU lost classic; William Inge’s intense and startlingly contemporary Natural Affection. Rarely seen anywhere since its brief Broad- way run in 1963, this urban domestic drama created controversy with its underlying incestuous and homosexual insinuations and TOP its dark implications of a dawning sexual revolution. We can’t think of a better way to kick-off our season than by celebrating the centennial of an iconic American playwright with the redis- THAT? covery of this overlooked and undervalued gem. We’re pairing this daring drama with an early masterpiece from the hilarious and outlandish Christopher Durang, whose most re- cent work, Vanya and Sonia and Masha and Spike, won the 2013 Tony Award for Best Play. In March, we’re proud to present the first New York revival of Beyond Therapy, a razor sharp comedy about the search for a meaningful relationship in an insane world. We’re certain this delightful 1982 offering from the modern mas- ter of the outrageous and absurd will provide the best therapy of all: guaranteed laughter. Our celebrated Salon Series, is yet another reason to join us this season. We’re focusing this year’s series on the female play- wright and will be featuring four remarkable plays by four fabu- lous women: Lillian Hellman, Agatha Christie, Alice Childress and Ruth Gordon. With our intimate setting at the TACT Studio and our accomplished company of actors, the Salon Series is what makes TACT, TACT. So, consider yourself invited, and we’ll look forward to seeing you at the theatre. SCOTT ALAN EVANS, CYNTHIA HARRIS & JENN THOMPSON Mary Bacon, Todd Gearhart & James Prendergast Co-Artistic Directors in Happy Birthday. Photo by Hunter Canning “Who knew that William Inge, the writer best known By A troubled young man who, for chronicling sexual abandoned early in life by repression in dusty prairie William Inge his single mother, returns from reform school to find towns (‘Picnic,’ ‘Bus Stop’) Directed By her now living with a lover. had the kind of dark and Jenn Thompson* As the tension between bizarre sensibility that we them mounts, their fight for forgiveness and connection most commonly associate gives way to desperation, with David Lynch?” FEATURING setting this insecure family on - Chicago Tribune Tobi Aremu a collision course of reckless, Alec Beard* heartbreaking, and almost Chris Bert inevitable violence. Eve Bianco* Kathryn Erbe A century after his birth in Indepen- Victoria Mack* dence, Kansas, the works of John Pankow William Inge, the “Playwright of the *TACT company member Previews Midwest,” have been enjoyed by SEPTEMBER 17 to 25, 2013 millions of theater and moviegoers FIRST FRIDAY, Sept 20 and will continue to be celebrated Opens through the William Inge Centen- SEPTEMBER 26 nial in 2013. He is perhaps most Performances through renowned for his four successful OctoBER 26 Broadway plays, Come Back, Little Sheba (1950), Picnic (1953), Bus ON THE MAINSTAGE AT THE BECKETT THEATRE Stop (1955), The Dark at the Top of 410 West 42nd Street NYC A violent love the Stairs (1957), and the Hollywood Tuesday - Thursday 7:30 PM films based upon them. Many of his ON THE MAINSTAGE triangle that Friday, Saturday 8:00 PM dramas, set in the American heart- tests the ties Saturday, Sunday 2:00 PM land of his native Kansas, portray that bind. TALK-BACKS with the cast the repressed sexuality, domestic following every Sunday Matinee. tensions and conservative societal norms that Inge associated with life See our Season MEMBERSHIP in small Midwestern towns. He is the information on page 9. winner of both a Pulitzer-Prize and For single tickets go to TELECHARGE.com an Academy Award. call (212) 239-6200 or visit The first revival of a long-lost classic. the Theatre Row Box Office. After a disastrous first date, two Manhattanites seek solace from their therapists - both of whom are stark raving mad themselves. With the lines between doctor and Previews patient hilariously blurred, this MARCH 11 to 19, 2014 FIRST FRIDAY, March 14 wickedly funny Christopher Durang comedy offers up a merry mélange Opens of romantic neuroses, carnal MARCH 20 confusion, and a serious lack of ON THE MAINSTAGE Performances through impulse control. APRIL 19 Christopher Durang has had plays on and off-Broadway including A History of the American Film (Tony Award nomination), Sister Mary Ignatius Explains It All for You (Obie Award), Baby with the Bathwater, The Marriage of Bette and Boo (Obie Award, Dramatists Guild Hull Warriner Award), Laughing Wild, Betty’s Summer Vacation (Obie Award), Mrs. Bob Cratchit’s Wild Christmas Binge, Miss Witherspoon (2005 Pulitzer Prize finalist) and Adrift in Macao (book/lyrics Durang, music by Peter Melnick). His latest play, Vanya and Sonia and Masha and Spike won the 2013 Tony Award for Best Play and is currently running on Broadway. Other awards By include the Harvard Arts Medal, the Sidney Kingsley Playwriting Award as Christopher well as being the 2008 honoree at the William Inge Festival. Durang Directed By ON THE MAINSTAGE AT THE BECKETT THEATRE Scott Alan Evans 410 West 42nd Street NYC Tuesday - Thursday 7:30 PM “Christopher Durang has the Friday, Saturday 8:00 PM Saturday, Sunday 2:00 PM wit, the high, rebellious spirits, BEYOND TALK-BACKS with the cast and the rage of the born satirist. following every Sunday Matinee. He is also one of the funniest See our Season MEMBERSHIP and most original playwrights information on page 9. at work. His “Beyond Therapy” For single tickets go to THERAPY TELECHARGE.com could be considered his “Alice in Call (212) 239-6200 or visit Life can be crazy. Therapy can help. the Theatre Row Box Office. Wonderland.” – The New Yorker AT TACT STUDIO A VERY RICH WOMAN TROUBLE IN MIND by Ruth Gordan, 1965 by Alice Childress, 1955 November 8 - 11 December 13 - 16 Based on a play by A ground breaking Phillipe Hérlat satire. A rich Boston widow fights Broadway 1957. A talented her daughters’ efforts to African-American actress declare her incompetent in finally has the chance to order to gain access to her play a lead role on the Great money. White Way, but only if she’s willing to compromise her principles. TOYS IN THE ATTIC THE HOLLOW Cameron Scoggins, Justine Salata, Margot White, by Lillian Hellman, 1959 by Agatha Christie, 1951 Jeremy Beck & Richard Ferrone (standing) January 24 - 27 May 16 - 19 2013-2014 SEASON in The Matchmaker. A single day in the life A country home. of one family. A family gathering. A murder. SALON On a steamy New Orleans evening a prodigal brother Agatha Christie’s tangled web returns home to his middle- of crime and passion as only aged sisters with an over- the master can conceive. SERIES night fortune in his pocket. Our celebrated and exclusive Salon Series, is yet another *Titles and dates subject to availabiltiy and change without notice. reason to join us this year. The sole domain of Members and the heart and soul of TACT, this season we’ll feature the work of four of the theatre’s most fabulous female playwrights. The plays of Lillian Hellman, Agatha Christie, Alice Childress and Ruth Gordon, performed at the TACT Studio Space in our intimate signature-style, makes this a season any theatre-lover won’t want to miss. Become a Member now! Delphi Harrington in Hay Fever Tracy Middendorf and Gene Gillette in Separate Tables Victoria Mack in Hay Fever Photos by Scott Alan Evans TACT MEMBERSHIP PRIVILEGES MEMBERSHIP › Exclusive Access to Salon Series for you AND your guests › Post performance discussions and receptions Online: www.tactnyc.org By Phone: 212/560-2184 By Mail: Send completed form to: Weekdays 8:00am - 12 midnight Invitation to the TACT Gala › TACT 900 Broadway, Weekends 8:00am - 11:30pm › Priority seating/booking - early access to the best seats Suite 905 › Best prices - up to 35% discount New York, NY 10003 › Unlimited Ticket Exchange - with 24 hours notice › Guest ticket discounts (save up to 25%) › Email Updates, reminders, and Special Discounts $159 x = $ FULL MEMBERSHIP $159 1 Ticket to each Mainstage production Contact the TACT Membership Hotline 212/560-2184 for all services. (Over 35% discount!) All 4 Salon productions (members only) All Member Privileges Join TACT’s exclusive PRODUCERS CIRCLE. (+$9 Service Fee on all Membership Packages) This special giving initiative will allow a unique group of donors the opportunity to have an enormous impact on our Mainstage productions. Receive title page credit and an $104 x = $ MAINSTAGE PLUS MEMBERSHIP $104 intimate view of what goes into the making of an Off-Broadway production by TACT. 1 Ticket to each Mainstage production Tax Deductible Contribution (Over 35% discount!) Your choice of 1 Salon production TACT INSIDER and FIRST FRIDAY (optional) = $ Interested in the creative process? TACT has two new programs just for you.
Recommended publications
  • 2013-14Season Therapy Beyond
    Scott Alan Evans, Cynthia Harris & Jenn Thompson Co-Artistic Directors VOLUME 21 No. 1 SUMMER 2013 the actors company theatre By COMPANY NEWS William Inge Directed By NEW SEASON ∙NEW LOOK ∙NEW SITE Jenn Thompson A violent love triangle that tests ACT’s 20th Anniversary season was the ties that bind. Ta benchmark in every way. The com- pany said “Happy Birthday” to itself with a special production of Happy Birthday by Anita Loos; it said “Goodbye” to Cathy By Bencivenga, its long-time and much be- Christopher loved General Manager; “Hello” to Christy Durang Ming-Trent its new General Manager; and Directed By Scott Alan Evans many many “Thank Yous” to the support- ers and contributors who helped make its Anniversary Spring Gala at the University BEYOND Club such an unmitigated success. It’s natural to use such a milestone year THERAPY as a pivot point to launch into the future. Life can be crazy. Therapy can help. The first revival of a long-lost classic. That is just what TACT is doing. We have a new logo and a new look – and will soon have a brand new website (coming late in the fall of 2014). And, of course, most important of all is the new season. Read all about it here, renew or become a new member, and check out what our compa- 2013-14 SEASON ny of actors has been up to. TACT welcomes Hilary Rainey to the staff Natural Affection, Beyond Therapy as our new Development Manager and Kathleen DeSilva, Danelle Feder, Andre Gonzalez, Caroline Kettig, Katherine Mc- Lennan, and Emma Thomasch, as mem- pposites attract, so they say.
    [Show full text]
  • Miss Witherspoon
    Otterbein University Digital Commons @ Otterbein 2007-2008 Season Productions 2001-2010 5-1-2008 Miss Witherspoon Otterbein University Theatre and Dance Department Follow this and additional works at: https://digitalcommons.otterbein.edu/production_2007-2008 Part of the Acting Commons, Dance Commons, and the Theatre History Commons Recommended Citation Otterbein University Theatre and Dance Department, "Miss Witherspoon" (2008). 2007-2008 Season. 4. https://digitalcommons.otterbein.edu/production_2007-2008/4 This Book is brought to you for free and open access by the Productions 2001-2010 at Digital Commons @ Otterbein. It has been accepted for inclusion in 2007-2008 Season by an authorized administrator of Digital Commons @ Otterbein. For more information, please contact [email protected]. OTTERBEIN COLLEGE DEPARTMENT OF THEATRE AND DANCE Presents Christopher Durang’s Miss Wither spoon Directed by Ed Vaughan Scenic and Lighting Design Rob Johnson Costume Design Sound Design Wes Jenkins Peter Sichko May 1-3, 9&10, 2008 Campus Center Theatre cast Veronica.......................................................................................Caitlin Morris Maryamma............................................................................. Selina Verastigui Mother 1& Mother 2................................................................ Clare Schmidt Father 1& Father 2, Sleazy Man, Dog Owner, Wise Man.....Lucas Dixon Teacher, Woman in Hat............................................................Ayaunna Bibb production team
    [Show full text]
  • FINDING HUMOUR in the PAIN Directing Christopher Durang and Albert Innaurato’S the Idiots Karamazov
    FINDING HUMOUR IN THE PAIN Directing Christopher Durang and Albert Innaurato’s The Idiots Karamazov by Chris McGregor B.A. Drama, Bishop’s University, Lennoxville, Quebec 1987 A THESIS SUBMITTED N PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF FiNE ARTS in The Faculty of Graduate Studies (Theatre) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) August, 2009 © Chris McGregor, 2009 Abstract Finding Humour in the Pain-Directing Christopher Durang and Albert limaurato’s Play, The Idiots Karamazov examines the preparation, research, pre-production and rehearsal processes that went into staging The Idiots Karamazov at the University of British Columbia’s Frederic Wood Theatre from March l9to 28, 2009. This paper is broken down into 4 chapters detailing my goals to achieve a successful and relevant production for today’s audience. My rehearsal process was to inspire and guide all artists involved to act upon their creative impulses and to make this production a collaborative effort. Chapter 1 includes a biography of both playwrights, outlining their influences and a brief historical account ofhow The Idiots Karamazov evolved from an 8mm student film to a full-length professional production at Yale Repertory Theater. Chapter 2 provides a directorial analysis of the text and detailed methods and philosophies in directing from several well-known academics and theatre artists. Chapter 3 is a detailed journal chronicling the pre-production process including several e-mail correspondences with playwright, Christopher Durang. Also included in this chapter are several entries detailing early meetings with designers, daily accounts of the rehearsal process, production meetings, and fmally a description of three performances I attended during the run.
    [Show full text]
  • American Playwrights on Beckett
    AMERICAN PLAYWRIGHTS ON BECKETT Jonathan Kalb he following remarks by American playwrights on the subject of Samuel Beckett were gathered during January and February, 2006, in the course of researching a New York Times article on Beckett’s influence, published on TMarch 26, 2006, in anticipation of Beckett’s centenary on April 13. Most of the writers quoted here are prominent enough not to need lengthy introductions, but I have appended lists of their major works at the end. For me, the chief surprise of these exchanges was that nearly every playwright I contacted—even those whose work suggested little obvious affinity with Beckett—had thought about him a great deal and had much of value to say. Their comments deserved preservation beyond the brief excerpts that could be quoted in the Times. The playwrights were initially contacted via e-mail and asked to respond to the fol- lowing questions. Some chose to answer in recorded interviews, others by e-mail or fax. (1) What is Beckett’s importance to you? (What do you feel you learned from him?); (2) What can an aspiring young playwright learn from Beckett today? (What part should he play in a playwriting curriculum?); (3) Is Beckett’s value as a model for playwrights possibly limited by time or place? (Does the disparity matter, for instance, between Beckett’s stripped-down aesthetic, born of postwar desolation—his “art of impoverishment”—and expectations of plenty in the media age?) CHRISTOPHER DURANG My play The Actor’s Nightmare has semi-nightmare, semi-parody versions of Noel Coward, then Shakespeare, then Beckett.
    [Show full text]
  • Synopsis Tone
    THE MARRIAGE OF BETTE AND BOO | SYNOPSIS AND TONE SYNOPSIS Bette and Boo is the work of Christopher Durang (Beyond Therapy, Sister Mary Ignatius Explains it All for You, Laughing Wild, Baby with the Bathwater...), a master of comedy with a mordant, absurd and often heartbreaking edge. This is a memory play—a child’s coming to terms with his parents’ life story. It’s effectively Durang’sGlass Menagerie. And it deals with many of his pet issues: the seeming impossibility of relationships, the contradictions of the Catholic Church, the search for order and meaning in a chaotic and often cruel existence. Matt, a young graduate student, narrates and participates in the story of the marital life of his parents, Bette and Boo, who begin as two young people with a bright and picture-perfect future in front of them. Over 33 quick scenes, we go through three decades in the lives of the Brennan family (Bette, her parents, Paul and Margaret, and her two sisters, Joanie and Emily) and the Hudlocke family (Boo and his parents, Karl and Soot)—ever guided by the family priest, Father Donnally—as they experience marriage, divorce, alcoholism, nervous breakdowns and death. The Marriage of Bette and Boo is a hilarious tragedy to be played by an ensemble cast with expert comic timing and complete dramatic honesty. TONE Christopher Durang’s writing can be hard to pin down in terms of tone. His comic dialogue may read as outrageous and over-the-top, but he is in fact writing about very human, often tragic events.
    [Show full text]
  • Durang, Christopher (B. 1949) by Brandon Hayes
    Durang, Christopher (b. 1949) by Brandon Hayes Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2005, glbtq, inc. Reprinted from http://www.glbtq.com Christopher Durang is an openly gay playwright, screenwriter, and actor whose works have been produced on and off-Broadway and regionally since the late 1970s. A fiercely satirical comic dramatist, Durang often incorporates gay themes and gay characters in his plays. Durang was born on January 2, 1949 in Montclair, New Jersey. He attended Harvard, where he earned a B.A. in English in 1971, and the Yale School of Drama, from which he received an M.F.A in Playwriting in 1974. At Yale he collaborated on several projects with fellow students Albert Innaurato, Wendy Wasserstein, Meryl Streep, and Sigourney Weaver. In 1976, Durang's musical revue A History of the American Film, for which he wrote both lyrics and music, won a spot at the national Eugene O'Neill Playwriting Conference and was presented in Hartford, Los Angeles, and Washington. The next year it was produced on Broadway, earning Durang a nomination for a Tony Award for Best Book of a Musical. In 1979, Durang and Sigourney Weaver presented Das Lusitania Songspiel, a parody of contemporary Broadway musicals performed in the style of a Brecht-Weill cabaret. Durang and Weaver both received Drama Desk nominations for their performances. Durang's breakthrough in achieving critical and financial success came in 1981 with the Off-Broadway production of his scathing one-act play, Sister Mary Ignatius Explains It All For You (written in 1979), which has over the years become a popular vehicle for actresses as diverse as Nancy Marchand, Cloris Leachman, Lynn Redgrave, and many others.
    [Show full text]
  • Performing Arts Collection Coll2007.016
    http://oac.cdlib.org/findaid/ark:/13030/kt609nd56d No online items Inventory of the Performing Arts Collection Coll2007.016 Finding aid prepared by ONE National Gay and Lesbian Archives staff Processing this collection has been funded by a generous grant from the National Historical Publications and Records Commission. ONE National Gay & Lesbian Archives, USC Libraries, University of Southern California 909 West Adams Boulevard Los Angeles, California, 90007 (213) 741-0094 [email protected] © 2007 Inventory of the Performing Arts Coll2007.016 1 Collection Coll2007.016 Title: Performing Arts collection Identifier/Call Number: Coll2007.016 Contributing Institution: ONE National Gay & Lesbian Archives, USC Libraries, University of Southern California Language of Material: English Physical Description: 63.75 linear feet Date (bulk): Bulk, 1980-2000 Date (inclusive): 1937-2012 Abstract: Programs, flyers, press kits, photographs, correspondence, newspaper clippings including reviews, and periodicals primarily documenting gay and lesbian actors and theater 1980-2000. The core of this artificial collection was formed from performing arts materials from the collection of Ken Dickmann, supplemented with materials from the Purple Circuit collection, an information clearinghouse for gay and lesbian theater, founded by Bill Kaiser. General Physical Description note: 51 records storage boxes creator: ONE National Gay and Lesbian Archives Access The collection is open to researchers. There are no access restrictions. Publication Rights Researchers wishing to publish materials must obtain permission in writing from ONE National Gay and Lesbian Archives as the physical owner. Researchers must also obtain clearance from the holder(s) of any copyrights in the materials. Note that ONE National Gay and Lesbian Archives can grant copyright clearance only for those materials for which we hold the copyright.
    [Show full text]
  • VANYA and SONIA and MASHA and SPIKE Will Be Performed with One 15-Minute Intermission
    FLORIDA REPERTORY THEATRE 2 0 1 4 - 2 0 1 5 S E A S O N HISTORIC ARCADE THEATRE • FORT MYERS RIVER DISTRICT ROBERT CACIOPPO, PRODUCING ARTISTIC DIRECTOR PRESENTS BY CHRISTOPHER DURANG SPONSORED BY DR. ALEXANDER M. EATON & DR. HUSSEIN WAFAPOOR OF THE RETINA HEALTH CENTER STARRING VIKI BOYLE*† • MICHELLE DAMATO*† • COURTNEY FEIMAN RYAN GEORGE* • KIM OSTRENKO* • GRAHAM SMITH* DIRECTED BY ROBERT CACIOPPO**† SET DESIGNER LIGHTING DESIGNER COSTUME DESIGNER RICHARD CROWELL† ROBERT ROBINS ALEXANDRIA HOFFMAN SOUND DESIGNER ASST. TO THE DIRECTOR ASST. STAGE MANAGER JOHN KISELICA RACHEL BURTTRAM† JOSHUA BROWN PRODUCTION STAGE MANAGER AMY L. MASSARI*† Originally produced on Broadway by: Joey Parnes, Larry Hirschhorn, Joan Raffe/Jhett Tolentino, Martin Platt & David Elliot, Pat Flicker Addiss, Catherine Adler, John O’Boyle, Joshua Goodman, Jamie deRoy/Richard Winkler, Cricket Hooper, Jiranek/Michael Palitz, Mark S. Golub & David S. Golub, Radio Mouse Entertainment, Shawdowcatcher Entertainment, Mary Cossette/Barbara Manocherian, Megan Savage/Meredith Lynsey Schade, Hugh Hysell/Richard Jordan, Cheryl Wiesenfeld/Ron Simons, S.D. Wagner, John Johnson in association with McCarter Theater Center and Lincoln Center Theater. Originally commissioned and produced by McCarter Center Theater, Princeton, N.J. Emily Mann, Artistic Director; Timothy J. Shields, Managing Director; Mara Isaacs, Producing Director; and produced by Lincoln Center Theater, New York City under the direction of Andre Bishop and Bernard Gersten in 2012. 2014-15 GRAND SEASON SPONSORS GE Foundation The Fred & Jean Allegretti Foundation • Bruce & Janet Bunch • Cheryl & David Copham Gholi & Georgia Darehshori • Ed & Ellie Fox • John & Marjorie Madden • Sue & Jack Rogers • Arthur Zupko This entire season sponsored in part by the State of Florida, Department of State, Division of Cultural Affairs, and the Florida Council on Arts and Culture.
    [Show full text]
  • Christopher Durang
    The Deadly Seriousness of America’s Funniest Playwright: Christopher Durang by Dr. Susan C. W. Abbotson Presented at the William Inge Theatre Festival. 26 April 2008 Abbotson 1 The Deadly Seriousness of America’s Funniest Playwright: Christopher Durang By Dr. Susan C.W. Abbotson, Rhode Island College, 26 April 2008 While describing Christopher Durang as a “social satirist, a malicious caricaturist, who carries everyday scenes—a family around a breakfast table—to the most cataclysmic, even perverse, conclusion,” Mel Gussow also acknowledges Durang’s “heightened social consciousness” and “sense of moral dismay” (“Daring Visions” D9), a combination that evokes a playwright not afraid to offend, but only out of a need to communicate something important. It is this aspect of his work that makes Durang deadly serious, despite the comic veneer that has had audiences splitting their sides across America. There is a dark side to Durang that many critics have found upsetting, but that is partly the point. Durang acknowledges that his sense of humor “asks for a complicated response. I ask people to laugh at things, “ he explains,” that I know are also serious and tragic. And some people hate that” (“Suspending” 38). Ben Brantley’s response to 1994s Durang Durang suggests something of this: “Durang Durang is both endearing and exasperating,” he declared, with wise-cracks that suddenly blossom “into moments of coruscating comic insight” (“Plays that Cast” C11). Brantley recognizes that Durang is no “conventional storyteller,” and with even greater insight, also realizes that it is maybe better that way (“Plays that Cast” C11). Durang may have written his first play at the tender age of eight, but the wit and erudition behind much of his drama evidences his solid educational background.
    [Show full text]
  • Miss Witherspoon by Christopher Durang
    Miss Witherspoon by Christopher Durang Director Karen M. Jam bon Stage Manager Jonathan Urso Scenic Design Laura Sandberg Light Design Bill Peeler Sound Design Jeff Miller Costume Design MarannFaget and Paula Gilbert CAST Veronica (Miss Witherspoon) Jennifer Underwood Maryamma Suzanne Balling Mother 1 & 2, Chicken Camille Latour Father 1 & 2, Sleazy Man, Gandalf, Dog Owner Derek Jones Teacher, Woman in a Hat Patricia Robinson Time: Recent Past, Forseeable Future (1998, 2005, and beyond) Place: Earth, and not Earth PRODUCTION STAFF Running Crew Martina Olhauser, Tiffany James, ..................................................... Amy Lewis and Carol Ginn Web MasterjEmail Administration Martina Olhauser Graphic Design Sarah Seaton Photographer Bret Brookshire Program Design Emily Erington ACKNOWLEDGEMENTS AND SPECIAL THANKS Binita Lamsa! Bonnie Cullum & The Vortex Cedar Stevens NOTE: There will be brief use of a strobe light and cigarette smoking during the performance. ABOUT THE PLAYWRIGHT he co-authored with Wendy Wasserstein), and The Adventures of Christopher Durang Lola. Bio provided by Wikipedia, the free encyclopedia. He received Obie Awards for Sister Mary Ignatius Explains It All For You, The Marriage of Bette and Boo and Betty's Summer Vacation. He Durang was born in Montclair, NewJersey, the son of Patricia Eliza- received a nomination for a Tony Award for Best Book of a Musical beth, a secretary, and architect Francis Ferdinand Durang, Jr. He for A History of the American Film. grew up in Berkeley Heights. He attended Catholic schools as a child, Durang has been awarded numerous fellowships and high profile including the Our Lady of Peace School in New Providence, New Jer- grants including a Guggenheim, a Rockefeller, the CBS Playwriting sey.
    [Show full text]
  • A Study of the Life and Work of Christopher Durang: Laughing Wild Amidst Severest Woe
    Rowan University Rowan Digital Works Theses and Dissertations 5-15-2008 A study of the life and work of Christopher Durang: laughing wild amidst severest woe Jeannine M. James Rowan University Follow this and additional works at: https://rdw.rowan.edu/etd Part of the Theatre and Performance Studies Commons Recommended Citation James, Jeannine M., "A study of the life and work of Christopher Durang: laughing wild amidst severest woe" (2008). Theses and Dissertations. 768. https://rdw.rowan.edu/etd/768 This Thesis is brought to you for free and open access by Rowan Digital Works. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Rowan Digital Works. For more information, please contact [email protected]. A STUDY OF THE LIFE AND WORK OF CHRISTOPHER DURANG; LAUGHING WILD AMIDST SEVEREST WOE By Jeannine M. James A Thesis Submitted in partial fulfillment of the requirements of the Master of Arts Degree Of The Graduate School At Rowan University May 15, 2008 Approved by. Professor Date Approved Y' ~ ) c. 2007 Jeanni. M. James ABSTRACT Jeannine M. James A STUDY OF THE LIFE AND WORK OF CHRISTOPHER DURANG; LAUGHING WILD AMIDST SEVEREST WOE 2007/08 Dr. Elisabeth Hostetter Master of Arts in Theatre This thesis maps Durang's struggle with faith and demonstrates how his personal journey to discover and document his pain acts as a catalyst for his creative work. It will explore his style of masking and unmasking himself in his characters revealing his innermost pain and suffering. I also surmise that his work serves as a kind of therapy by allowing him to constantly unravel and unveil his investigation of self.
    [Show full text]
  • A Performance Study and Analysis of the Role of Soot in the Marriage of Bette and Boo
    University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2008 A Performance Study And Analysis Of The Role Of Soot In The Marriage Of Bette And Boo Jodi Coleman University of Central Florida Part of the Theatre and Performance Studies Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Coleman, Jodi, "A Performance Study And Analysis Of The Role Of Soot In The Marriage Of Bette And Boo" (2008). Electronic Theses and Dissertations, 2004-2019. 3817. https://stars.library.ucf.edu/etd/3817 A PERFORMANCE STUDY AND ANALYSIS OF THE ROLE OF SOOT IN THE MARRIAGE OF BETTE AND BOO by JODI RENEE COLEMAN B.A. Rollins College, 1999 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Theatre in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Fall Term 2008 © 2008 Jodi Renee Coleman ii ABSTRACT In 1985, Christopher Durang created a master work titled The Marriage of Bette and Boo which was described by The New Yorker as a “brimming cornucopia of brilliant lines.”1 Frank Rich of the New York Times called it “so speedy and chipper that it could almost be mistaken for a Bob Fosse musical.”2 Douglas Watt of the New York Daily News referred to it as a “farcical study of a disastrous marriage, marked by still births, insanity in the family and divorce.”3 These critical responses indicate the necessity to maintain the complexity of the character of Soot without allowing her to fall into the easy stereotypes that trap many artists.
    [Show full text]