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Ambasada Królestwa Niderlandów \ the Royal Netherlands 25 Embassy 025-35 ARCH_Holan _02_a 31/3/08 11:50 Page 25 Ambasada Królestwa Niderlandów \ The Royal Netherlands 25 Embassy Ze zderzenia porzàdku i przypadku architektura budynku czyni wizualny, uwodzàcy spektakl, niezbyt dyplomatycznie sugerujàcy zwyci´stwo fantazji i nieprzewidywalnoÊci nad Êwiatem rozsàdku \ From the collision of the orderly and the haphazard, the architecture of the building has created an enticing visual spectacle, suggesting-far from diplomatic correctness-the victory of the fantastic and the unexpected over the reasonable world Erick van Egeraat nie jest typowym architektem ho- pozwala poczuç ciàg∏oÊç otwartego parkowego te- Ambasada Królestwa Niderlandów lenderskim. Problem pi´kna traktuje bardzo powa˝- renu, w przeciwieƒstwie do sàsiednich dzia∏ek, wy- – nowa kancelaria nie i czysto instrumentalnie, jako coÊ, co zawsze dzielonych pe∏nymi murami. Ca∏oÊç za∏o˝enia two- Warszawa, ul. Kawalerii 10 Autorzy: Erick van Egeraat associated rzà dwie ustawione naprzeciw siebie wille: wi´ksza mo˝na poprawiç profesjonalnà operacjà plastycznà. architects: architekci Projektowane przez niego budowle sà pe∏ne roz- – kancelaria, i mniejsza – rezydencja ambasadora. Erick van Egeraat, Monica Adams, machu i przepychu. Ch´tnie stosuje teatralne gesty Pomi´dzy nimi zaplanowano otoczony kamiennymi Massimo Bertolano, Michiel Raaphorst dla wywo∏ania estetycznego wra˝enia. Najwyraê- Êcianami dziedziniec wejÊciowy. Bry∏y budynków Zespó∏ projektowy: Bert van der niej mierzi go holenderska prowincjonalnoÊç, nie- stworzone sà z wielu pozornie przenikajàcych si´ Schaft, Paul Blonk, Luc Reyn, Erik Workel, Jan Bouchal, Aude de Broissia, Ilse prostopad∏oÊcianów. Dzi´ki skomplikowanej ch´ç do epatowania bogactwem, ograniczenia ma- Castermans, Peter Földi, Barbara Frei, teria∏owe i bud˝etowe. Karier´ zaczyna∏ jako jeden ˝elbetowej konstrukcji kancelarii mo˝na by∏o Katrin Grubert, Julia Hausmann, Stephan z licznych wspólników w biurze Mecanoo. Nast´p- podwiesiç do dachu ostatnià kondygnacj´. Jentsch, Michel van de Kar, Agnieszka nie rozwinà∏ samodzielnà mi´dzynarodowà dzia∏al- Pozwoli∏o to na ca∏kowite przeszklenie pi´tra Krawczyk, Ruben Kuipers noÊç, odchodzàc od poprawnego architektoniczne- poni˝ej i otwarcie go na ogrodowe tarasy. Trzykon- Wspó∏praca: Alejandra Guerra Navarro, Akos Ginder Alasdair Graham, Bronwen dygnacyjne budynki usytuowano tu˝ przy ulicy, po- go neomodernizmu ku architekturze bardzo osobi- Kerr Gerwen van der Linden, Nuno Pais, stej, fantazyjnej, skierowanej do bogatej klienteli zostawiajàc du˝à cz´Êç zadrzewionego ogrodu Henrike Patt, Anita Stallinger; renderingi: ˝àdnej ambitnych, niepowtarzalnych dzie∏ upi´ksza- od strony pó∏nocnej. Wijàce si´ mury z ∏amanego jàcych Êwiat. Egeraatowi obce jest jakiekolwiek teo- kamienia prowadzà zieleƒ w gór´, a˝ na poziom retyzowanie. Lubi po prostu projektowaç domy, pierwszego pi´tra, tworzàc niewidoczne od strony które uwodzà odbiorców nagromadzeniem efek- ulicy tarasy. G∏ówne pomieszczenia recepcyjne townych rozwiàzaƒ. Nieskr´powana wyobraênia, i konferencyjne otwierajà si´ wielkimi witrynami, profesjonalne lansowanie swojej marki i niezaprze- dzi´ki czemu wa˝ne wydarzenia odbywajà si´ nie- czalne zdolnoÊci biznesowe stawiajà go w gronie mal w ogrodzie, a codzienne funkcje biurowe zloka- gwiazdorskiej elity architektonicznej. W ciàgu ostat- lizowano wokó∏ ∏àczàcego pi´tra kancelarii, we- niego dziesi´ciolecia realizowa∏ projekty w rodzi- wn´trznego pod∏u˝nego holu z prostymi biegami mej Holandii, ponadto zaanga˝owa∏ si´ w prac´ schodów. W wielkoÊci poszczególnych pomiesz- na wschodzie Europy. Po za∏o˝eniu biur w Rotterda- czeƒ widoczna jest jednak holenderska oszcz´d- mie i Londynie, otworzy∏ pracownie w Budapeszcie noÊç. Wszystkie sà niedu˝e i doÊç ciasno rozstawio- i Pradze. Zaprojektowa∏ budynek ambasady Króle- ne. T´ kompaktowoÊç wynagradza wieloÊç zastoso- stwa Niderlandów w Warszawie, a ostatnio doÊç wanych materia∏ów: kamienia, drewna, szk∏a, stali agresywnie rozwija dzia∏alnoÊç w Rosji – w Mo- i wyk∏adzin dywanowych oraz ich skomplikowane skwie najprawdopodobniej powstanie najwy˝szy po∏àczenia. Kancelaria ob∏o˝ona jest na przemian budynek tego miasta wed∏ug jego pomys∏u. Miesz- kamieniem, tynkiem i zawieszonymi przed w∏aÊciwà 1 ka w Rotterdamie. Ceni go za kosmopolitycznoÊç Êcianà p∏ytami szk∏a z nadrukowanym deszczem symboli graficznych. Natomiast rezydencja robi i przedk∏ada nad prowincjonalny Amsterdam, Peter Heavens, Steven Simons w którym wszyscy si´ znajà, hamujàc nawzajem wra˝enie bry∏y niemal pozbawionej okien. Po- Konstrukcja: Ove Arup&Partners Polska zbyt wybuja∏e ambicje. za otwierajàcà si´ na ogród i dziedziniec wejÊciowy sp. z o.o. Zaprojektowana przez niego warszawska siedziba dwupoziomowà salà przyj´ç, wy˝sze jej pi´tra wy- Instalacje sanitarne i elektryczne: Ove przedstawicielstwa Holandii powsta∏a w kszta∏tujà- pe∏nia labirynt korytarzy i niewielkich pomieszczeƒ Arup&Partners Polska sp. z o.o. Lokalny konsultant ds. mieszkalnych. Okno sypialni ambasadora wychodzi cym si´ kwartale dyplomatycznym w pobli˝u parku budowlanych: Grupa 5 sp. z o.o. ¸azienkowskiego. Ten presti˝owy projekt konkuruje na gara˝. Pozosta∏e pokoje sà po∏àczone z obudo- Generalny wykonawca: Budimex z tak˝e nowà, berliƒskà ambasadà Królestwa Nider- wanymi na pe∏nà wysokoÊç kondygnacji niewielkimi Inwestor: Ministerstwo Spraw landów, autorstwa Rema Koolhaasa. Skoƒczone tarasami, skàd przez wàskie przeszklenia mo˝na pa- Zagranicznych, S∏u˝ba NieruchomoÊci niemal w tym samym czasie budynki sà nietypowe trzeç na ogród. To rozwiàzanie przypomina will´ za- Zagranicznych, Haga Inwestor zast´pczy: Hanscomb Polska projektowanà przez Rema Koolhaasa w okolicach i niepowtarzalne, momentami szokujàce. Obydwa Powierzchnia terenu: 5000 m2 starajà si´ prze∏amaç stereotyp ambasady – za- Bordeaux. W obu obiektach osadzony nad budyn- Powierzchnia zabudowy: 700 m2 mkni´tego, ugrzecznionego, reprezentacyjnego kiem niemal bezokienny prostopad∏oÊcian stwarza Powierzchnia ca∏kowita: 2750 m2 biurowca. W Berlinie przeszklone elewacje warunki do prywatnego ˝ycia. Gra pude∏kowatymi Projekt: 1999-2001 i miejscami widoczna klatka schodowa pokazujà ˝y- bry∏ami jest w warszawskiej ambasadzie dodatkowo Realizacja: 2004 Nie podano kosztu inwestycji cie budynku. W Warszawie a˝urowe ogrodzenie zestawiona z obfitoÊcià wspó∏czesnej ornamentyki, prezentacje 025-35 ARCH_Holan _02_a 31/3/08 11:50 Page 26 26 Ambasada Królestwa Niderlandów \ The Royal Netherlands Embassy 27 1. Detal ogrodzenia 1. Fence detail 2. Sytuacja. Oznaczenia: 2. Site plan. Key: I – embassy I – budynek ambasady; building; II – ambassador’s residence II – rezydencja ambasadora 3. Transverse section of the 3. Przekrój poprzeczny budynku embassy building ambasady 4. Transverse section of the 4. Przekrój poprzeczny budynku ambassador’s residence rezydencji ambasadora 5. Embassy elevation along 5. Elewacja ambasady od strony ul. Kawalerii ul. Kawalerii zamieniajàcej dyplomatyczne opanowanie w archi- tektoniczny spektakl godny willi lokalnych krezusów. Niecodzienne rozwiàzania promujà tu Holandi´ jako miejsce, gdzie na co dzieƒ realizowane sà niemieszczàce si´ w powszechnym rozumieniu projekty architektoniczne. Stalowe ogrodzenie przed obydwoma budynkami, oddzielajàce dziedzi- niec od ulicy, ma form´ przeskalowanej dziesi´cio- krotnie i uproszczonej ∏àki. WysokoÊç ∏odyg docho- dzi do szeÊciu metrów, liÊcie sà wi´ksze od ∏opat, gdzieniegdzie przewijajà si´ jeszcze pasy pogi´tej II blachy, udrapowanej na kszta∏t tkaniny. Autor – co I nie dziwi u Holendra – deklaruje ch´ç zapanowania nad naturà, przej´cia pe∏nej kontroli i narzucenia swej artystycznej wizji nawet trawie. Có˝ bardziej bezpoÊrednio mo˝e to wyraziç, ni˝ uwiecznienie mazowieckich ∏àk w nieruchomej stali. Architekci w niektórych rozwini´tych krajach europejskich zmagajà si´ z problemem nadporzàdku. Do takich 1:830 2 miejsc nale˝y równie˝ Holandia. Urbanistyka jest ul. Kawalerii tam za bardzo szczegó∏owa, Êrodowisko naturalne kompletnie opanowane przez cywilizacj´, a archi- tektura zbyt pragmatyczna, poddana niezwyk∏ej presji technologicznej i finansowej. Mo˝liwoÊç dzia- ∏ania na wschodzie Europy to dla architekta zderze- nie z kulturà improwizacji, wzgl´dnego chaosu, za- lewu b∏´dnych lub niewiele znaczàcych informacji. To potyczki z dzikimi chwastami w centrach du˝ych miast, zarastajàcymi b∏otniste alejki wÊród drzew o zniekszta∏conych pokrojach. Architektura nowej siedziby przedstawicielstwa Królestwa Niderlan- dów w Polsce z tego zderzenia porzàdku i przy- 5 padku czyni wizualny, uwodzàcy spektakl, niezbyt 1:400 3 dyplomatycznie sugerujàcy zwyci´stwo fantazji i nieprzewidywalnoÊci nad Êwiatem rozsàdku. otaczajàce sàsiednie ambasady zagra˝ajà otwarte- elewacje sà niezale˝nym elementem otoczenia. komponentów, ale wyra˝a tak˝e ich spójnoÊç, two- Grzegorz Stiasny mu, wypoczynkowemu charakterowi okolicy. Mi´dzy tymi dwoma budynkami powsta∏ publiczny rzàc zespó∏ wyraênie emanujàcy holenderskà przej- Zdj´cia: Juliusz Soko∏owski W pobli˝u znajduje si´ kilka zabytkowych obiektów, dziedziniec. Do fasady zespo∏u nale˝y równie˝ or- rzystoÊcià i otwartoÊcià. w tym budynek zaprojektowany przez Tylmanavan ganicznie zaprojektowana brama z organicznym (EEA) Erick van Egeraat associated architects Za∏o˝enia autorskie: Gameren, holenderskiego barokowego architekta, elementem, cz´Êciowo nale˝àca do budynków, który wywar∏ wielki wp∏yw na architektur´ polskà a cz´Êciowo niezale˝na. Od strony ulicy brama Erick van Egeraat is far from being a typical Dutch Ambasad´ holenderskà wzniesiono na dzia∏ce sà- w XVII wieku. Projekt
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