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Textart a Hypertext Notebook by Michael P
Concrete Poetry TeXTArt A Hypertext Notebook by Michael P. Garofalo January 2, 2020 Concrete Poems, Text Graphics, Calligrams, Graffiti, Lettrisme, Calligraphy, Info-graphics, Posters, Shape/Pattern Poems, Ads, TextArt Interactive and Hypertext Poetry, Ambigrams, Comics, Typographic Arts, Signs, Visual Poetry, Web Text Effects, Digital Graphics Communicating with Text and Images Directory, Guide, Index, Bibliography Websites, Books, Journals, Pamphlets, Articles, History, Exhibits, How To, Artists, Related, and TextArt A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Quotations Preface Exhibits Home Calligraphy Colors Comics Typography Vector Graphics ASCII A AAaaaAAaaaaAA Adobe Industry standard graphic arts software. Adobe Illustrator Books Industry standard vector graphics software. Adobe Photoshop Books The Aesthetics of Visual Poetry, 1914-1928. By Willard Bohn. Cambridge University Press, 1986, 240 pages. 2 Alphabet Books for Children Alphabetic Labyrinth: The Letters in History and Imagination. By Johanna Drucker. Thames and Hudson, 1995, 320 pages. Alphabets to Order By Alastair Johnston. Oak Knoll Press, The British Library, 2000. Review Altar Poem Alt-X Online Network Ambigrams - Wikipedia Ambigrams Revealed: A Graphic Designer's Guide To Creating Typographic Art Using Optical Illusions, Symmetry, and Visual Perception. By Nikita Prokhorov. New Riders, 2013, 168 pages. Anagrams - Wikipedia Animisms Jim Andrews An Anthology of Concrete Poetry. Edited by Emmett Williams. New York, Something Else Press, 1967, 342 pages. Info Anthology of Concretism. Edited by Eugene Wildman. 2nd. edition. Chicago : Swallow Press, Inc., 1969. April Poems Archae Editions. By Richard Kostelanetz. 3 Art and Human Consciousness. By Gottfried Richter and Burley Channer. -
Biographical Notes
DAVID DANIELS Page 1 of 6 [email protected] http://en.wikipedia.org/wiki/David_Daniels_%28poet%29 Born: Beth Israel Hospital: Newark: New Jersey: USA: October 11: 1933: He has been making words out of pictures and pictures out of words for over 60 years: His Visual Poem of 350+ Visual Poems in .PDF format: THE GATES OF PARADISE: As well as his Autobiographical Visual Poem of 250+ Visual Poems: YEARS (Fall 2003) Are available in their entirety at: z z UBUWEB VISUAL CONCRETE SOUND http://www.ubu.com/ Editor: Kenneth Goldsmith And at: http://www.thegatesofparadise.com Editor: David Daniels Visual Poems by David Daniels are also at: Deluxe Rubber Chicken http://wings.buffalo.edu/epc/ezines/deluxe/six/contents.html Editor: Mark Peters David Daniels Poems, Paintings, Manuscripts And Supportive Memorabilia Are Archived At: The Poetry/Rare Books Collection of The University Libraries: State University of New York at Buffalo at: httb://ublib.buffalo.edu/libraries/units/pl/collections/manuscripts/index.html http://ublib.buffalo.edu/libraries/units/pl/ Attention: Curator: Dr. Michael Basinski [email protected] David Daniels Poems, Prints and Manuscripts are archived at: The Sackner Archive Of Concrete And Visual Poetry at: http://www.rediscov.com/sackner.htm Creator: Dr. Marvin Sackner [email protected] David Daniels Poems, Prints and Manuscripts are archived at: The Ohio State University Libraries Rare Books & Manuscripts Library Avant Writing Collection at: http://www.acs.ohio-state.edu/index.php Attention: Curator, Dr. John M. Bennett Columbus, OH 43210 USA [email protected] David Daniels Poems, Prints and Manuscripts are archived at: The British Library Modern English Collections Overseas English Section at: http://www.bl.uk/collections/oes/oesusa.html Attention: Curator: American Collections: Dr. -
A Coklversatlon with KLAUS GROH Poetic Innovation and New Technologies, Edited by Eduardo Kac
Visible Language 30.2 features New Media Poetry, A COklVERSATlON WITH KLAUS GROH Poetic Innovation and New Technologies, edited by Eduardo Kac. This is the first international anthology to tbe Eyeihymes In&mationd Confenenre in document a radically new poetery, challenging even the Edmonton, Canada7 I had tbe great pleasun? to innovations of recent and contemorary experimental 111laus Gnr,h7 ~cpnownedin the Maif M, Visual poetics, including revolutonary work by artits from Poeby and Book Art world It was tbe &wt tihe I had Argentina and Brazil. the US., the Netherlands, France, seen Btim since 1975, when he was 2h San Fmdsco Portugal and the UK. The only thing missing with this for tfie Banana Fed issue is the CD-Rom that is the necessary partner in seeing what is being done in this fascinating medium Kurt spoke about how he performed the Ursonate of which bridges man5 movements. many art issues, many Kurt Schwitters (only six or seven minutes of it) in the media. Square at the Embarcadero. He was in the U.S. at that Small Press Review for August-September has news time (1 975) because he had written his thesis on the New from Bob Grurnman who reviews the websites for Visual Dada on the West Coast - the new Dadaism on the and Concrete Poetrq including the Grist On-line Home American West Coast--which he prepared for his Ph.D. Page, the Light & Dust Home Page, Hyperotics, the in Art Education, at the University of Oldenburg. Electornic Poetics Center Home Page and ubuweb. He had also written a book on Concept Art, If1 had a There is also a review of Score $14, 1015 W. -
Mendes Wood DM at Villa Era Matthew Lutz Kinoy: Grand Entrance | Rebel Archives – Curated by Sofia Gotti 31 May – 17 July 2021
Mendes Wood DM at Villa Era Matthew Lutz Kinoy: Grand Entrance | Rebel Archives – curated by Sofia Gotti 31 May – 17 July 2021 Villa Era Vigliano Biellese, Biell Mendes Wood DM is proud to announce its second cycle of exhibitions at Villa Era, a historic 19th-century house and estate in the Italian countryside, located near Biella, between Milan and Turin. Matthew Lutz-Kinoy: Grand Entrance The American-born, Paris-based artist Matthew Lutz-Kinoy is occupying the ground floor of Villa Era with a site-specific project titled Grand Entrance. The starting point for the artist’s project is the concept of the Theatrum Mundi and his research into the lavish festivities that the Medici rulers were famous for staging throughout the city of Florence during the Renaissance, particularly the wedding of Arch Duke Ferdinando I de' Medici and Christine of Lorraine in 1589. Many architectural elements designed by Bernardo Buontalenti for this event still exist along with designs and etchings, as well as the accounts of these lavish festivities, including a reenactment of a naval battle that was staged in the flooded courtyard of Palazzo Pitti, and were elaborately reconstructed by the historian Aby Warburg. The complex framework of these popular performative weddings saw public spaces, streets and cities decorated and framed as stages and theatrical platforms that merged existing architecture with artifice, stage props and imagined perspectives – architecture as theatre and vice versa. While events such as these would mix the registers of the aristocratic and the Mendes Wood DM Mendes Wood DM at Villa Era Matthew Lutz Kinoy: Grand Entrance | Rebel Archives – curated by Sofia Gotti 31 May – 17 July 2021 Villa Era Vigliano Biellese, Biell popular, these staged spaces, produced by the larger, socially organized bodies and governments of their day, were used to manifest their own power, their own mythologies and vision of themselves, in a way that used the population as players and violence as ornament. -
Diffusion, Analysis and Discussion of Electronic Literature in Italy (DADELI) GRUPPO GIADA Independent Scholars
Diffusion, Analysis and Discussion of Electronic Literature in Italy (DADELI) GRUPPO GIADA Independent Scholars Abstract The present paper introduces a new project whose aim is to disseminate, analyse and discuss electronic literature in Italy. In the first section a general overview of the state of art of Italian electronic literature is given. We show that efforts both within aca- demic research institutions and the publishing industry are hindered by a lack of interest and a misconception about what electronic literature is, particularly in Italy. The second section discusses two twin projects designed by Gruppo Giada, an inde- pendent research group founded in 2014: the first one is an Anthology of the History of Electronic Literature (1945-2015) (section 2.1), and the second one is an online platform (section 2.2). Finally, the conclusion underlines the goals of Gruppo Giada’s projects, given the current global landscape of the field of electronic literature. Keywords: Italian literary anthology; electronic literature; history of new media writing. Resumo Este artigo apresenta um novo projeto, cujo objetivo é divulgar e analisar a literatura eletrónica em Itália. A primeira secção contém uma visão geral do estado da arte da literatura eletrónica italiana. Mostramos que os esforços, quer das instituições de investigação académica, quer da indústria editorial têm sido prejudicados pela falta de interesse e por um equívoco sobre o que é a literatura eletrónica, particularmente em Itália. A segunda secção aborda dois projetos gémeos concebidos pelo Gruppo Giada, um grupo de pesquisa independente fundado em 2014: o primeiro é uma Antologia da História da Literatura Eletrónica (1945-2015) (secção 2.1), e o segundo é uma plataforma em linha (secção 2.2). -
PA GE S Mirella
Pohl PAGES Bentivoglio Mirella 1966—2012 Selected Works PA GE Mirella Bentivoglio Selected Works S 1966—2012 www.pomona.edu/museum Pohl PAGES Bentivoglio Mirella PA 1966—2012 Selected Works G E S INTerVieW WITH MireLLA FIGURE 16—— Eclissi (da simbolo a segno) (Eclipse BENTIVOGLIO [from Symbol to Sign]), 1981. Photo g raph, 8⅝ � 8⅝ in. (21.91 � 21.91 cm). Benjamin Kersten 58 INTerVieW WITH MireLLA BENTIVOGLIO Benjamin Kersten The following interview took place in Rome at the home of Mirella Bentivoglio on June 3 and June 8, 2013. — —— BEN KERSTEN— —— — ——BK— —— You are an artist who works in many genres—as a Have you found any one particular medium (e.g. poet, sculptor, performance artist, concrete poet stone, metal, paper) more suitable for conveying and visual poet. Do people who write about your the relationship between image and word? Is work tend to emphasize one part of your artistic there a medium you have yet to experiment with practice over another? How would you describe that you would like to try? the relationship between your various bodies — ——MB— —— of work? Yes, I have found a particular medium that I — ——MIRELLA BENTIVOGLIO— —— consider very suitable to my poetic world. It is Art critics who write about my work generally stone, the crust of our planet. The veins of the consider it Visual Poetry, in spite of its having stone are the writings of earth. And there are no resemblance to sculpture. There is a continuous media with which I did not try to work if I was back and forth in my work from meaning to form. -
La Parola Intermediale: Un Itinerario Pugliese (Cavallino 25, 26 Maggio 2017)
La parola intermediale: un itinerario pugliese (Cavallino 25, 26 Maggio 2017) a cura di Francesco Aprile e Cristiano Caggiula 2017 CITTÀ DI CAVALLINO BIBLIOTECA COMUNALE “G. RIZZO” -3- © testi 2017: Vincenzo Ampolo, Francesco Aprile, Michele Brescia, Rossana Bucci, Cristiano Caggiula, Marilena Cataldini, Oronzo Liuzzi, Egidio Marullo, Antonio Negro, Francesco Pasca, Alberto Piccinni LA PAROLA INTERMEDIALE: UN ITINERARIO PUGLIESE La rivista di critica e linguaggi di ricerca www.utsanga.it, nata nel settembre 2014 con intenti a carattere storico-critico in quegli ambiti che vedono l’ibridazione, dal secondo Novecento ad oggi, della parola letteraria con i mass-media e le aree extra- letterarie in genere, propone, in collaborazione con la Biblioteca Gino Rizzo di Cavallino, attraverso una due giorni di incontri, la tavola rotonda dal titolo “La parola intermediale: un itinerario pugliese”. Scopo dell’iniziativa è tracciare un resoconto delle esperienze pugliesi che hanno avuto modo di muoversi, dagli anni ’60 ad oggi, negli ambiti di quei linguaggi liminali, ibridi, di derivazione poetica. Dalla poesia concreta alla poesia visiva, dalla mail art alla parola performativa, dalle scritture manuali all’asemic writing, dalla net.poetry al glitch: il contributo pugliese alle ricerche intermediali. Nei giorni 25 e 26 maggio, dalle ore 18:00 presso la Biblioteca Gino Rizzo, a Cavallino (Le) in via Amendola, le ricerche promosse dalla rivista www.utsanga.it incontrano l’impegno, la cura e la promozione che la Biblioteca Gino Rizzo dimostra da tempo in ambito culturale. Nasce un incontro che intreccia l’azione volitiva dell’impegno sul territorio alle ricerche a carattere storico-critico su quei linguaggi che del territorio pugliese sono traccia nel mondo. -
Visualizza L'elenco (Pdf)
FONDO LIBRARIO MIRELLA BENTIVOGLIO 1962 Levi Montalcini, Paola Paola Levi Montalcini / [a cura di] Gillo Dorfles. - Torino : Edizioni d'arte Fratelli Pozzo, c1962. - 1 v. : XLIII p. di tav. (8 rimont.) ; 28x30 cm. - (Edizioni d'arte Fratelli Pozzo / collana diretta da Ezio Gribaudo). Testo anche in inglese. Collocazione: Bent 9 1965 Garnier, Ilse Esquisses palatines / Ilse et Pierre Garnier. - [Paris] : Silvaire, [1965]. - 1 cartella ([13] c. sciolte) ; 31 cm. - (Spatialisme). Collocazione: Bent LdA Garnier 1 1966 Annalisa Alloatti / [testi di Albino Galvano]. - Torino : Galleria d'arte Botero, [1966?]. - [5] p. : ill. ; 17x24 cm. - Invito alla mostra tenuta a Torino. Collocazione: Bent op. 4 Bentivoglio, Mirella O quadrado do dizer = The square of saying / Mirella Bentivoglio. - [2] p. : ill. ;. Collocazione: Bent op. 89 Gargiulo, Manuela L'abito delle nostre percezioni / a cura di Manuela Gargiulo. Collocazione: Bent op. 77 Janina Kraupe : Kraków : wystawa grafiki i malarstwa. - Warzawa : Zacheta, 1966. - [24] p. : ill. ; 24 cm. - Catalogo della mostra tenuta a Varsavia. Collocazione: Bent op. 43 1967 Dias de Sá, Neide Neide Dias de Sá. - [13] c. : ill. ;. Collocazione: Bent op. 54 O territorio : prática artística e projetaçƒao : Toni Bellucci, Mirella Bentivoglio, Francesca Cataldi ... / [testo di Stelio Rescio]. - [S.l. : s.n.], 1983 ([S.l.] : Gutenberg). - 1 pieghevole : ill. ; 12x25 cm. - Pubbl. in occasione della mostra tenuta a San Paolo, Rio de Janeiro e Belo Horizonte nel 1983. Collocazione: Bent op. 90 Patrizia Vicinelli Giorgio Celli. - [S.l. : s.n.], [1967]. - 1 manifesto ; 63x45 cm. - Pubbl. in occasione della presentazione del libro di Patrizia Vicinelli "à, a. A" tenuta a Roma presso la Libreria Feltrinelli nel 1967. -
Greta SCHÖDL B. 1929, Hollabrunn, Austria Lives and Works in Bologna, Italy
Greta SCHÖDL b. 1929, Hollabrunn, Austria Lives and works in Bologna, Italy SELECTED SOLO EXHIBITIONS 2018 VOCALIZING, Curated by Paola Ugolini, Richard Saltoun Gallery, London, UK 2016 Artissima, Richard Saltoun Gallery, Turin, Italy Torri dell’Acqua, Budrio, Italy 2014 Palazzo Corbelli, Fano, Italy 2001 Galleria Paolo Nanni, Bologna, Italy 2000 Centro di Cultura La Medusa, Este, Italy 1988 Galleria Selearte 1, Padova, Italy 1987 Centro di Documentazione sulle Arti Visive, Pisa, Italy 1986 Il Brandale, Savona, Italy 1984 Bottega del Quadro, Bergamo, Italy Galerie Carinthia, Klagenfurt, Austria 1983 Neue Galerie Wien, Vienna, Austria 1982 Galleria Il Luogo dell’Immagine, Rome, Italy 1980 Galleria Incontro, Imola, Italy 1979 Galleria Fabibasaglia, Bologna, Italy 1977 A.C.S., Basel, Switzerland Künstlerhaus, Vienna, Austria 1975 Galleria Fabibasaglia, Bologna, Italy Galleria Basilik, Vienna, Austria L.Y.C. Museum, Brampton, UK 1974 Atelier, Bologna, Italy 1971 Prometeo Gallery, Bologna, Italy SELECTED GROUP EXHIBITIONS 2017 WopArt Fair, Richard Saltoun Gallery, Lugano, Switzerland Sessanta/Ottanta, Pinacoteca Nazionale, Bologna, Italy 2015 5th International Artists’ Book Exhibition, Szekesfehervar, Hungary 2012 Di-segni Poetici, Museo Arte Contemporanea Matino, Lecce, Italy 2011 Poesia Visiva, Museum of Modern and Contemporary Art of Trento and Rovereto, Rovereto, Italy 2008 Un Libro in Maschera, Biblioteca Via Senato, Milan, Italy 2006 International Artist’s Book Exhibition, King St Stephen Museum, Szekesfehervar, Hungary 2000 Scrittura -
Funkhouser, C, Baldwin.S, Prehistoric Digital Poetry. Anarchaeologyof
Prehistoric Digital Poetry MODERN AND CONTEMPORARY POETICS Series Editors Charles Bernstein Hank Lazer Series Advisory Board Maria Damon Rachel Blau DuPlessis Alan Golding Susan Howe Nathaniel Mackey Jerome McGann Harryette Mullen Aldon Nielsen Marjorie Perloff Joan Retallack Ron Silliman Lorenzo Thomas Jerry Ward Prehistoric Digital Poetry An Archaeology of Forms, 1959–1995 C. T. FUNKHOUSER THE UNIVERSITY OF ALABAMA PRESS Tuscaloosa Copyright © 2007 The University of Alabama Press Tuscaloosa, Alabama 35487-0380 All rights reserved Manufactured in the United States of America Typeface: Minion ∞ The paper on which this book is printed meets the minimum requirements of American National Standard for Information Sciences-Permanence of Paper for Printed Library Materials, ANSI Z39.48-1984. Library of Congress Cataloging-in-Publication Data Funkhouser, Chris. Prehistoric digital poetry : an archaeology of forms, 1959–1995 / C. T. Funkhouser. p. cm. — (Modern and contemporary poetics) Includes bibliographical references and index. ISBN-13: 978-0-8173-1562-7 (cloth : alk. paper) ISBN-10: 0-8173-1562-4 (cloth : alk. paper) ISBN-13: 978-0-8173-5422-0 (pbk. : alk. paper) ISBN-10: 0-8173-5422-0 (pbk. : alk. paper) 1. Computer poetry—History and criticism. 2. Computer poetry—Technique. 3. Interactive multimedia. 4. Hypertext systems. I. Title. PN1059.C6F86 2007 808.10285—dc22 2006037512 Portions of I-VI by John Cage have been reprinted by permission of Harvard University Press, Cambridge, Mass, pp. 1, 2, 5, 103, 435. Copyright © 1990 by the President and Fellows of Harvard College. To my comrades in the present and to cybernetic literary paleontologists of the mythic future “The poem is a machine,” said that famous man, and so I’m building one. -
Del Linguaggio Poesia Visiva Ricerche Verbo - Visuali
LE PRATICHE VISUALI DEL LINGUAGGIO POESIA VISIVA RICERCHE VERBO - VISUALI DISPENSE EDITORIA D’ARTE PROF. MASSIMO ARDUINI LA POESIA VISIVA LA PRATICA VISUALE DEL LINGUAGGIO a poesia visiva, nasce da tutte quelle 1. la crisi del Neorealismo evidenziata dalla rivista sperimentazioni artistiche e letterarie “Officina”; Lcompiute nel clima della Neoavanguardia, a 2. le riflessioni sui rapporti tra la politica, la partire dagli anni Sessanta del XX secolo. cultura e la letteratura tipiche di riviste come “Il La Neoavanguardia - all’interno della quale si Politecnico”, “Società”, “Il Contemporaneo” e sviluppano le ricerche verbo-visuali - si qualifica “Rinascita” nate a partire dal secondo dopoguerra; come uno strumento di analisi, come azione 3. il rinnovamento dei dibattiti su temi come sul piano della cultura, come interpretazione ‘letteratura e vita’, ‘letteratura e industria’, e su della realtà e, di conseguenza, come analisi una nuova questione della lingua; dell’intreccio fra Arte e Cultura, caratteristico 4. la presa di coscienza dello sperimentalismo di dei dibattiti intellettuali degli anni Sessanta. Le Pasolini, dei futuristi e dei dadaisti; ricerche linguistiche ed estetiche della Poesia 5. il principio dell’engagement ipotizzato da Sartre Visiva nascono in questi contesti - facili definire - di e ripreso da Vittorini negli anni Cinquanta nella “eclettismo” culturale. Solo analizzando la cultura rivista e le ideologie dell’epoca si può avere una chiara “Il Verri”; percezione della complessità dei dibattiti e del 6. la democratizzazione e la morte dell’Arte perché la Poesia Visiva abbia avuto uno sviluppo analizzata dalla Scuola di Francoforte; simultaneo a livello mondiale, collocandosi a metà 7. l’allargamento lessicale dei mass media; fra i generi artistici e i generi letterari, essendo 8.l’idea di opera aperta teorizzata da Umberto essa un fenomeno ibrido di Arte e Letteratura. -
In-Transition-Russia-2008.Pdf
IN TRANSITION RUSSIA 2008 Catalogue Concept The underground railway networks of Принципиальный элемент дизайна both Ekaterinburg and Moscow provide каталога — схемы метро Москвы и one of the essential design elements for Екатеринбурга, обозначающие места the catalogue by denoting the physical проведения проекта IN TRANSITION locations of In Transition.RU 2008. Россия 2008. These indicators of mass mobility are Это индикаторы всеобщей superimposed upon the faded world мобильности на исчезающей карте map representing the contemporary мира, отражающей современную disintegration and ephemerality of дезинтеграцию и эфемерность geographical boundaries as stable государственных границ как indicators of national security and стабильных маркеров национальной identity. безопасности и идентичности. The deliberate avoidance of separating Намеренно избегая разделения invited artists and call participants into участников на специально national representations, genres or приглашенных и выбранных specific curated events aims to embody по результатам конкурса, the reality of sharing, closeness and по национальной, гендерной co-operation beyond borders. принадлежности, а также обособления специальных выставочных проектов, курируемых отдельно, мы стремились к сотрудничеству, взаимопониманию и сопереживанию. Natalie Demetriou ndline design / www.ndline.eu Cyprus, 2008 4 5 IN TRANSITION RUSSIA 2008, is presented by NeMe, through the Independent Museum of Contemporary Art (IMCA) Cyprus and in collaboration with the National Centre for Contemporary Art (NCCA)