Age of Consent on Tatooine
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Star Wars the Law Awakens
STAR WARS THE LAW AWAKENS MEGAN HITCHCOCK, ESQ. JOSHUA GILLILAND, ESQ. THE LAW AWAKENS Jedi Lawyers Finn or Rey’s Lightsaber? Defense of Others Rebel Law Medical Malpractice Droid Ownership Employee Safety Torture Self-Defense LAWYERS LOVE STAR WARS The Law is Strong with This One… STAR WARS JUDICIAL QUOTES Age of Judges: 40s to 60s A 46 year-old Judge was 9 years-old when Star Wars came out. “In fact, on August 1, 2012 your tweets will be sent across the universe to a galaxy far, far away.” People of the State of New York v. Malcolm Harris, Docket No. 2011NY080152 (N.Y. Crim. Ct. June 30, 2012). JEDI JUDGES This attempted diversion—the legal equivalent of Obi-Wan Kenobi’s “These aren’t the droids you’re looking for,” see Star Wars Episode IV: A New Hope (Lucasfilm 1977)—is unavailing.“ United States v. Stapleton, 2013 U.S. Dist. LEXIS 108189, 23-24 (E.D. Ky. July 31, 2013). In addressing an accounting issue and net proceeds, the Seventh Circuit explained, “Size matters not, Yoda tells us. Nor does time.” U.S. v. Hodge, 558 F.3d 630, 632 (7th Cir. 2009). IS FINN OR REY THE LEGAL OWNER OF LUKE’S ORIGINAL LIGHTSABER? TRACING THE LIGHTSABER OWNERSHIP HISTORY Anakin: New lightsaber during Battle of Geonosis Obi-Wan: Took lightsaber on Mustafar Obi-Wan: Gave Luke lightsaber on Tatooine Darth Vader cut off Luke’s hand on Cloud City OBI-WAN WAS RIGHT TO TAKE ANAKIN’S LIGHTSABER ON MUSTAFAR Anakin Had Killed Younglings Jedi Law Enforcement Obi-Wan right to take dangerous weapon (Cal Pen Code §§ 245, 833, 18000 and 18005) Alternate theory: Spoils -
Trouble on Tatooine How the Grinth Stole Lifeday
Trouble on Tatooine How the Grinth Stole Lifeday Anchorhead: The players have accepted a contract that had them picking up a bunch of cargo that had been floating in space for a few hundred years. This was next to a wrecked ship that had been salvaged of everything usable. The contact says you are to deliver this cargo to Docking Bay 94 in Mos Eisley. Then, this Watto fella gives you an astromech and some credits. The “Enter Player ship name” emerges from hyperspace over the desert planet of Tatooine. This barren wasteland is the furthest thing from the ideal planet to celebrate Life Day at. At least there are some good cantinas down there. Allow the PCs to make last minute preparations before landing. Are they preparing weapons they want to carry off the ship? Are they hiding contraband? You land in Mos Eisley at Docking Bay 94, excited to conclude this transaction. Of course, as you disembark, you realize this deal is no better than any other. There is no cargo skiff, no transport and most annoying of all… no astromech. Instead, there’s a buck-toothed Twi’lek in fine robes. He steps toward you as your feet touch down on Tatooine sand. The Twi’lek bows courteously and says, “Greetings. I am Bibfort, Mr. Watto’s personal assistant. I trust you had no problem acquiring the cargo? Mr. Watto would like for me to inspect it if I may?” PCs can stay and watch Bibfort spend three hours going overthe cargo in excruciating detail, or they can head to the cantina. -
Luke Skywalker™ a SMALL-SCALE TALE from the GALAXY’S GREATEST SPACE SAGA!
Luke Skywalker™ A SMALL-SCALE TALE FROM THE GALAXY’S GREATEST SPACE SAGA! © & ™ Lucasfilm Ltd. *Use smart device to ®* and/or TM* & © 2018 Hasbro, Pawtucket, RI 02861-1059 USA. activate code and to learn All Rights Reserved. TM & ® denote U.S. Trademarks. more about Luke Skywalker! E5650/E5648 ASST. PN00030418 Your fleet has OM lost. BOO M And your friends on the Endor moon will BOOO not survive. There is no escape, my young apprentice. Good. i can feel your anger. i am defenseless. Take your weapon! Strike me down with all your hatred and your journey towards the Dark Side will be complete! HAHAHAH! KZ ZZCH 54 55 You are unwise to lower your defenses. KZCH KZCH SHZZ Ghaa! Your thoughts betray you, Father. i feel the good in you… the conflict. Good. Use your aggressive feelings, boy. Let the hate flow through you. BAM i will not KZACCH fight you, Father. M Obi-Wan M has taught you well. Z There is no conflict. 5858 5959 Give yourself to You cannot the dark side. it is hide forever, the only way you Luke. KZCH can save your friends. Yes, your thoughts betray you. Your feelings for them are strong. Especially for… sister! KZCH So… you i will have a twin sister. not fight Your feelings have you. now betrayed her, too. if you will not turn to KZCH the dark side, then perhaps she will. neverrrr! ZM AAAARGH! Good! MMM Your hate has made you V powerful. Z A K KZCH 6060 6161 AAAARGH! Now, fulfill your destiny and take your father’s place at my side. -
Star Wars Video Game Planets
Terrestrial Planets Appearing in Star Wars Video Games In order of release. By LCM Mirei Seppen 1. Star Wars: The Empire Strikes Back (1982) Outer Rim Hoth 2. Star Wars (1983) No Terrestrial Planets 3. Star Wars: Jedi Arena (1983) No Terrestrial Planets 4. Star Wars: Return of the Jedi: Death Star Battle (1983) No Terrestrial Planets 5. Star Wars: Return of the Jedi (1984) Outer Rim Forest Moon of Endor 6. Death Star Interceptor (1985) No Terrestrial Planets 7. Star Wars: The Empire Strikes Back (1985) Outer Rim Hoth 8. Star Wars (1987) Mid Rim Iskalon Outer Rim Hoth (Called 'Tina') Kessel Tatooine Yavin 4 9. Ewoks and the Dandelion Warriors (1987) Outer Rim Forest Moon of Endor 10. Star Wars Droids (1988) Outer Rim Aaron 11. Star Wars (1991) Outer Rim Tatooine Yavin 4 12. Star Wars: Attack on the Death Star (1991) No Terrestrial Planets 13. Star Wars: The Empire Strikes Back (1992) Outer Rim Bespin Dagobah Hoth 14. Super Star Wars 1 (1992) Outer Rim Tatooine Yavin 4 15. Star Wars: X-Wing (1993) No Terrestrial Planets 16. Star Wars Chess (1993) No Terrestrial Planets 17. Star Wars Arcade (1993) No Terrestrial Planets 18. Star Wars: Rebel Assault 1 (1993) Outer Rim Hoth Kolaador Tatooine Yavin 4 19. Super Star Wars 2: The Empire Strikes Back (1993) Outer Rim Bespin Dagobah Hoth 20. Super Star Wars 3: Return of the Jedi (1994) Outer Rim Forest Moon of Endor Tatooine 21. Star Wars: TIE Fighter (1994) No Terrestrial Planets 22. Star Wars: Dark Forces 1 (1995) Core Cal-Seti Coruscant Hutt Space Nar Shaddaa Mid Rim Anteevy Danuta Gromas 16 Talay Outer Rim Anoat Fest Wildspace Orinackra 23. -
May the Fourth Awards Mercs Council
Mandalorian Mercs ISSUE 2 MERCS COUNCIL RESHUFFLE We introduce you to your new Council members. BUILDING A CLAN Dana Black’s mission to form a Dutch Clan. REGIONAL LOGOS Why Euro RC, Niabi, re-introduced an old tradition. MAY THE FOURTH AWARDS Mercs CAO discusses what’s up for grabs! PLANNING FOR The Mandalorian Mercs is a worldwide Star Wars costuming organization comprised of and operated by Star Wars fans and volunteers. It is the elite Mandalorian cos- tuming organization. Star Wars, its characters, costumes, and all associated items are the intellectual property of Lucasfilm. ©2013 Lucasfilm Ltd. & ™ All rights reserved. Used under authorization. welcome Greetings Mando Mercs members, friends, and fans, It seems like yesterday we were putting the finishing touches to issue #1, and now we’re releasing issue #2. We’ve had many developments in the Mercs and Star Wars since last issue; Episode VII director announce- ment, ‘3D Episodes on hold’ announcement, Membership Tiers, Verd’ika Corps kids club, Celebration Europe...the list could go on. 6 years ago this March, a small website and forum was launched to bring existing Mandalorian costumers into an organized and represent- ed group among the Star Wars community. From that small handful of people, Mandalorian Mercs has become home to thousands of mem- bers and fans around the world. My goal is to ensure that your Mercs family is here for your benefit, and that our home is a fixture in the Star Wars Universe. With your help, and the tireless help of others...we’ve been able to accomplish that goal thus far. -
Monday 11Th May 2020 L.O. I Can Read and Give an Assessment of a Story
Monday 11th May 2020 L.O. I can read and give an assessment of a story THE HERO’S JOURNEY is a template (a bit like a story mountain) that has been used for some of the greatest stories ever told, all the way back from ancient myths to modern classics like Narnia and Star wars. Over the next three weeks, we are going to use it to write our own story One of the reasons STAR WARS is such a great movie is it because it follows the HERO’S JOURNEY model. Today, you are going to read / watch this version of the Hero’s journey and see how it fits into the format for our first act! The subtitles just refer to the stages of the story - don’t worry about them yet! Just read the story and if you have internet access look up / click on the clips on youtube. ORDINARY WORLD Luke Skywalker was a poor and humble boy who lived with his aunt and uncle in a scorching and desolate planet world called Tatooine. His job was to fix robots on the family farm and and he spent his free time flying planes through the rocky canyons. He loved his aunt and uncle but dreamed of a more exciting and adventurous life https://www.youtube.com/watch?v=8wJa1L1ZCqU Search for ‘Luke Skywalker binary sunset’ CALL TO ADVENTURE One day, Luke found a broken old R2 astromech droid. It was called R2-D2 and it was a mischievous, cheeky robot who made lots of bleeps and flashes. -
AERODYNAMICS(Or Lack Thereof)
in the Rocket city inside the science of episode I II III IV V VI Holograms AERODYNAMICS (Or lack thereof) Clearly, spacecraft like X-Wings and TIE Fit to be TIE’d fighters don’t exist yet and probably never “it seemed like the little TIE fighters had to will. Yet, at least one expert doesn’t mind fire from the front all the time, and i thought, ePiSoDe iV: talking smack about them. hatch ‘that’s silly,’” says Johnson. “you’re disad- vantaging yourself. cockpit Holograms have been around for decades, but only in “If I wanted to win a space battle in the “if i wanted to attack somebody who was to A New Hope framed formats that only look like they go on forever. Star Wars universe,” says Dr. Les Johnson, my left and i was flying in one direction, what Nineteen years after the formation of the Empire, The trick is to project a holographic image into thin air. you do is have an inner part of your space- Luke Skywalker is thrust into the struggle of the deputy manager of the Advanced Concepts craft that is able to rotate separate from your Rebel Alliance when he meets Obi-Wan Kenobi, who An English company called Musion Systems built what Office at the Marshall Space Flight Center, direction of motion, and you just turn around has lived for years in seclusion on the desert planet of it calls a 3D holographic projector, but it projects its and shoot at them,” says Johnson. “you don’t Tatooine. -
2018 Star Wars Archives Signatures Checklist
2018 Star Wars Archives Signatures Checklist 103 Unique Actors - 108 Unique Characters Actor Set - Story Chapter Character Chris Parsons Classic Saga 4-LOM Amy Allen Prequel Aayla Secura Tim Rose Classic Saga Admiral Ackbar Tim Rose New Trilogy Admiral Ackbar Tom Kane New Trilogy Admiral Ackbar Kenneth Colley Classic Saga Admiral Piett Stephen Stanton Rogue One Admiral Raddus Ken Leung New Trilogy Admiral Statura Ashley Eckstein Star Wars Rebels Ahsoka Tano Ashley Eckstein Dual Subject Ahsoka Tano Ashley Eckstein The Clone Wars Ahsoka Tano Hayden Christensen Prequel Anakin Skywalker Matt Lanter The Clone Wars Anakin Skywalker Nika Futterman The Clone Wars Asajj Ventress Dickey Beer Classic Saga Barada Brian Herring New Trilogy BB-8 Dave Chapman New Trilogy BB-8 Garrick Hagon Classic Saga Biggs Darklighter Nick Kellington Dual Subject Bistan Nick Kellington Rogue One Bistan Daniel Logan Prequel Boba Fett Daniel Logan Dual Subject Boba Fett Daniel Logan The Clone Wars Boba Fett Dickey Beer Classic Saga Boba Fett Jeremy Bulloch Classic Saga Boba Fett Jeremy Bulloch Dual Subject Boba Fett John Morton Classic Saga Boba Fett John Morton Dual Subject Boba Fett Aidan Cook New Trilogy Bobbajo Riz Ahmed Rogue One Bodhi Rook Alan Harris Classic Saga Bossk Alan Harris Dual Subject Bossk Dee Bradley Baker Dual Subject Bossk Dee Bradley Baker The Clone Wars Bossk Paul Kasey New Trilogy C'ai Threnalli Aidan Cook Dual Subject Caitken Adrian Edmondson New Trilogy Captain Peevey Stephen Stanton The Clone Wars Captain Tarkin Derek Arnold New Trilogy Chancellor -
Join the Club ...2 the Windsors
SelectBuckingham Join the Club ..................... 2 May 2017 BUCK07 The Windsors .......................3 More Buckingham Series 4 ..........4 Royalty Doctor Who ......................10 covers on page 3 James Bond ......................12 Cricket ...............................14 Airbus .................................16 BC448S £45 2012 Diamond Jubilee cover issued on 31/05/12, featuring a Buckingham Palace postmark. Carried RAF .....................................17 in the flotilla cachet, signed by The Rt. Hon Lady Rayne. Military ...............................18 More covers from Order Form ........................19 Buckingham Series 4 Space ................................20 on pages 4 - 9 BC415 £17.50 2010 Children’s Books cover featuring 6 stamps cancelled with Hartfield E.Sussex, location of 100 acre wood, postmark, issued 12/10/10. See pages 10-11 for the full range of fantastic Doctor Who covers BC461ES £50 signed by Derek Jacobi who played The Master. BCSP29(2) £12.50 70th Anniversary of the Battle See page 17 of Britain cover with a stamp for more BC001XA £350 2001 Space +label from our sheet & RAF covers another appropriate stamp More Space covers tourism cover postmarked 16/01/01. & 1/3d stamp & cachet. on page 20 Signed by Cosmonaut Alexi Leonov, Our choice of cover & Apollo 15 Astronaut Dave Scott and postmark. Space Shuttle Pilot Rick Seafoss. Warren House, Shearway Road, Folkestone, Kent CT19 4BF Tel 01303 278137 Fax 01303 279429 Email [email protected] LOVE COVERS? JOIN THE CLUB! guarantee the covers you want with no obligation to buy BC552 Buckingham Covers have been creating Limited 17th Jan 2017 Edition Collectables for many years and are Ancient experts in the field. We aim to create the best Britain first day covers in the world with the best long-term value for collectors. -
A STAR WARS TALE: Representation in the Galaxy's Outer
Andrew Steffen Wright | 6079393 A STAR WARS TALE: Representation in the Galaxy’s Outer Rim A Game Analysis of Tatooine’s Nature in the game Star Wars: The Old Republic Image 1: SWTOR loading screen for Tatooine. 0 Andrew Steffen Wright | 6079393 Practical Information. Name: Andrew Steffen Wright. Student number: 6079393. Address: Hendrick de Keyserlaan 18-B, 1222 NE, Hilversum, The Netherlands. E-mail: [email protected]. Original due date: April 16th, 2021. Final due date: June 30th, 2021. Graduation year: 2021. Course: Master's Thesis in New Media & Digital Culture 15EC (MCMV16048). Daily Supervisor: Elize de Mul. 1st Reader: Ingrid Hoofd. 2nd Reader: René Glas. Thesis course coordinator: Dr. Ingrid Hoofd & Dr. René Glas. Word count: 11021, excluding footnotes, bibliography, practical information, content list, abstract, keywords, and acknowledgements. 1 Andrew Steffen Wright | 6079393 Content A STAR WARS TALE: Representation in the Galaxy’s Outer Rim Feil! Bokmerke er ikke definert. A Game Analysis of Tatooine’s Nature in the game Star Wars: The Old Republic ............................ 0 Practical Information. ......................................................................................................................... 1 Acknowledgements ............................................................................................................................. 4 Abstract .............................................................................................................................................. -
Reconstructing the Death Star: Myth and Memory in the Star Wars Franchise
Abilene Christian University Digital Commons @ ACU Electronic Theses and Dissertations Electronic Theses and Dissertations Spring 5-2018 Reconstructing the Death Star: Myth and Memory in the Star Wars Franchise Taylor Hamilton Arthur Katz [email protected] Follow this and additional works at: https://digitalcommons.acu.edu/etd Recommended Citation Katz, Taylor Hamilton Arthur, "Reconstructing the Death Star: Myth and Memory in the Star Wars Franchise" (2018). Digital Commons @ ACU, Electronic Theses and Dissertations. Paper 91. This Thesis is brought to you for free and open access by the Electronic Theses and Dissertations at Digital Commons @ ACU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ ACU. ABSTRACT Mythic narratives exert a powerful influence over societies, and few mythic narratives carry as much weight in modern culture as the Star Wars franchise. Disney’s 2012 purchase of Lucasfilm opened the door for new films in the franchise. 2016’s Rogue One: A Star Wars Story, the second of these films, takes place in the fictional hours and minutes leading up to the events portrayed in 1977’s Star Wars: Episode IV – A New Hope. Changes to the fundamental myths underpinning the Star Wars narrative and the unique connection between these film have created important implications for the public memory of the original film. I examine these changes using Campbell’s hero’s journey and Lawrence and Jewett’s American monomyth. In this thesis I argue that Rogue One: A Star Wars Story was likely conceived as a means of updating the public memory of the original 1977 film. -
Fan Remake Films: Active Engagement with Popular Texts
FAN REMAKE FILMS: ACTIVE ENGAGEMENT WITH POPULAR TEXTS Emma Lynn A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2021 Committee: Jeffery Brown, Advisor Becca Cragin Radhika Gajjala © 2021 Emma Lynn All Rights Reserved iii ABSTRACT Jeffery Brown, Advisor In a small town in Mississippi in 1982, eleven-year-old Chris Strompolos commissioned his friends Eric Zala and Jayson Lamb to remake his favorite film, Raiders of the Lost Ark (1981). This remake would dominate their summer vacations for the next seven years. Over thirty years later in January 2020, brothers Mason and Morgan McGrew completed their shot- for-shot live action remake of Toy Story 3 (2010). This project took them eight years. Fan remake films such as Raiders of the Lost Ark: The Adaptation (1989) and Toy Story 3 in Real Life (2020) represent something unique in fan studies. Fan studies scholars, such as Henry Jenkins, have considered the many ways fans are an example of an active audience, appropriating texts for their own creative use. While these considerations have proven useful at identifying the participatory culture fans engage in, they neglect to consider fans that do not alter and change the original text in any purposeful way. Sitting at the intersection of fan and adaptation studies, I argue that these fan remake films provide useful insights into the original films, the fans’ personal lives, and fan culture at large. Through the consideration of fan remake films as a textual object, a process of creation, and a consumable media product, I look at how Raiders of the Lost Ark: The Adaptation and Toy Story 3 in Real Life reinforce the fans’ interpretations of the original films in a concrete way in their own lives and in the lives of those who watch.