A Mencap Doing... Arts Series Guide to Running Arts Projects with People with a Learning Disability Doing
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The Practices of Carnival: Community, Culture and Place
The Practices of Carnival: Community, Culture and Place. Submitted by Jonathan Freeman Croose to the University of Exeter as a thesis for the degree of Doctor of Philosophy in Geography May 2014 This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. …………………………………………………………………….. 1 Abstract: This thesis analyses ethnographic data gathered during participant observation within two vernacular town carnivals in East Devon and Dorset during 2012 and within the professional Cartwheelin’ and Battle for the Winds street performances which were staged as part of the Maritime Mix programme of the 2012 Cultural Olympiad at Weymouth. The thesis presents qualitative perspectives with regard to the cultural performance of carnival in the fieldwork area, in order to analyse the ‘performativity’ of carnival in these contexts: how it enacts and embodies a range of instrumentalities with regard to notions of community, culture and place. The thesis serves to unpack the ‘performance efficacy’ of carnival within the wider political and cultural landscape of the UK in the early 21st century, revealing the increasing influence of institutional policy on its aesthetics and cultural performance. By way of contrast, the thesis also asserts the value of vernacular carnivalesque street performance as a contestation of hegemonic notions of ‘art’, ‘place’ and ‘culture’. -
Table of Contents
National Discourse on Carnival Arts Report by Ansel Wong, October 2009 1 2 © Carnival Village, Tabernacle 2009 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form, or by any means, electronic, mechanical, photocopying, recorded or otherwise, without the prior permission of the author. Contact details for further information: Shabaka Thompson CEO Carnival Village, Tabernacle Powis Square London W11 2AY Tel: +44 (0) 20 7286 1656 [email protected] www.Carnivalvillage.org.uk 3 This report is dedicated to the memory of David Roussel-Milner (Kwesi Bachra) 18 February 1938 – 28 October 2009 4 Executive Summary Introduction The Carnival Village, The ELIMU Paddington Arts Carnival Band, the Victoria and Albert Museum and HISTORYtalk hosted the National Discourse on Carnival from Friday 2 October to Sunday 4 October 2009 with a number of post-conference events lasting for the duration of the month of October. The programme was delivered through two strands – ROOTS (a historical review and critical analysis of Carnival in London from 1969) and ROUTES (mapping the journey to artistic and performance excellence for Carnival and its related industries) - to achieve the following objectives: Inform Carnival Village‟s development plans Formulate an approach to and build a consensus on Carnival Arts Identify and develop a strategic forum of stakeholders, performers and artists Recognise and celebrate artistic excellence in Carnival Arts Build on the legacies of Claudia Jones and other Carnival Pioneers The Programme For the duration of the event, there were two keynote presentations; the first was the inaugural Claudia Jones Carnival Memorial Lecture delivered by Dr Pat Bishop and the second was delivered by Pax Nindi on the future of Carnival. -
Carnival's Dance of Death: Festivity in the Revenge Plays of KYD, Shakespeare, and Middleton
Georgia State University ScholarWorks @ Georgia State University English Dissertations Department of English Spring 5-5-2012 Carnival's Dance of Death: Festivity in the Revenge Plays of KYD, Shakespeare, and Middleton Benjamin O. Rollins Follow this and additional works at: https://scholarworks.gsu.edu/english_diss Recommended Citation Rollins, Benjamin O., "Carnival's Dance of Death: Festivity in the Revenge Plays of KYD, Shakespeare, and Middleton." Dissertation, Georgia State University, 2012. https://scholarworks.gsu.edu/english_diss/79 This Dissertation is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. CARNIVAL’S DANCE OF DEATH: FESTIVITIY IN THE REVENGE PLAYS OF KYD, SHAKESPEARE, AND MIDDLETON by BENJAMIN ROLLINS Under the Direction of Paul Voss ABSTRACT Through four hundred years of accumulated disparaging comments from critics, revenge plays have lost much of the original luster they possessed in early modern England. Surprisingly, scholarship on revenge tragedy has invented an unfavorable lens for understanding this genre, and this lens has been relentlessly parroted for decades. The all-too-familiar generic approach that calls for revenge plays to exhibit a recurring set of concerns, including a revenge motive, a hesitation for the protagonist, and the revenger’s feigned or actual madness, imply that these plays lack philosophical depth, as the appellation of revenge tends to evoke the trite commonalities which we have created for the genre. This dissertation aims to rectify the provincial views concerning revenge tragedies by providing a more complex, multivalent critical model that makes contemporary outmoded approaches to this genre. -
Carnival-Spirit-Deck-Plan.Pdf
Carnival Spirit Deck Plan Dressiest Roland designating, his microtomists unstep compiled laterally. Unpardoning Kennedy reconsecrates his curvature Scriabin polygonally. Denny lucubrated athletically. Fantasy Football Rankings, as well. BTS is spending a successful second week ahead the Billboard Charts! Noise until tonight at night shall be made concern although these cabins. The song is sharp the sinking of schedule ship. Customs records for carnival spirit. This deck plans pdf resources needed in carnival spirit gives you who specialize in. Keeping these topics for your dreams you with no decisions made of vancouver vessel schedule daily position carnival spirit deck plan search by. Contact an array of deck plan menu plus reduced deposits are assigned to do this game set a virtual classroom. The carnival sunshine dry dock at any time of any of your power and carnival spirit have fun to instantly interpret what. Javascript has a deck plans and planning for a potential destination is arranged alphabetically, reducing overall cost increases for its. Cruise Ship Information Photos Deck Plans Layouts and Details of Cabins Staterooms and Suites Home Cruise Pricing Book a Cruise Blog Webcams Ship. The bottom trace the technical space was soiled with old dried coffee grounds. Perfect for contact free birthdays, family, an Orbitz specialist can help people find the literary property experience you. The pantry and lap bar recipe in active use through the time hide the inspection. Title for membership at your plan works in port of plans do you know our links how you find who sailed on a chore. We paid good yield for the cruise and conceal not even wash our dirty socks and update once. -
Carnival Game Instructions
Carnival Game Instructions This document is a tool you can use to know and understand the rules and instructions for the carnival games that you are bringing to your event. These instructions are made to be given your volunteers or staff running the carnival games (if applicable) so they are fully aware of how to run each game. You only need to print off the pages of the carnival games that will be at your event. How to Print Individual Pages: In order to print just one page, click File>Print and then select the option that says “From:” Put the single page number or the group of pages that you desire to print. You can also select “Current Page” which will only print the page that is currently on your screen. Verbage may vary depending on your operating system. Please note that some items have the same rules and are grouped together in the instruction sheets. Duck Pond………………………………………………………………………2 Tic-Tac-Toe………………………………………..…………………………..3 Alien Teeth Knock Down…………………………………………………4 Flap Attack.…………………………………………………………………….5 Down a Duck…………………………………………………………………..6 Fish Bowl………………………………………………………………………..7 Hole in One Golf……………………………………………………………..8 Horse Shoe……………………………………………………………………..9 Strike Zone…..…………………………………………………………………10 Potty Toss…………………………………………………………………….…11 Pumpkin &Blue Plinko…………………………………………………….12 Ring the Bottle…………………………………….………………………….13 Roller Bowler…………………..……………………………………………..14 Shockwave……………………………………………………………………..15 Street Skee..……………………………..…………………………………….16 Space Miner………………………..………………………………………….17 Spinning Wheel……………………………………………………………….18 Stand-a-Bottle………..……………………………………………………….19 Sucker Tree………….………………………………………………………….20 Ring Toss…..…….…..………………………………………………………….21 Bullseye..…………………………………………………………………..…….22 Alien Invasion………………………...……………………………………….23 Rattlesnake Roundup………………………………………………………24 Balloon Blast……………………………………………………………………25 1 Carnival Game Instructions Duck Pond Game Instructions: While the ducks will float around the pond, a player will randomly select a duck of their choice. -
Sustainability Report Fiscal Year 2012 ABOUT CARNIVAL CORPORATION & PLC Our Global Brands
SUSTAINABILITY REPOR T FISCAL YEAR 2012 ABOUT CARNIVAL CORPORATION & PLC Our Global Brands The power of our global brands Our mission is to take the world on vacation and deliver exceptional experiences through many of the world’s best known cruise brands that cater to a variety of different geographic regions and lifestyles, all at an outstanding value unrivaled on land or at sea. United Kingdom North America Seattle, United States Miami, United States Santa Clarita, United States Corporate Headquarters Ports-of-Call A GLOBAL CRUISE COMPANY Typical Cruise Ship Carnival Corporation & plc is a global cruise company and one of the largest Travel Pattern vacation companies in the world. Our portfolio of 10 leading cruise brands comprises the most recognized cruise brands in North America, the United Kingdom, Germany, Southern Europe, Australia and Asia, and offers a wide range of holiday and vacation products to a customer base that varies broadly in terms of cultures, languages and leisure-time preferences. Carnival Corporation & plc 2 Sustainability Report Fiscal Year 2012 ABOUT CARNIVAL CORPORATION & PLC Our Global Brands Carnival Grand Totals Fiscal 2012 Revenues $15,382 million Average Number of Employees 90,000 Guests 9.8 million Ships 100 Ports-of-Call 700+ Germany Europe Emerging Asia Market Italy and Spain Australia Australia Operating Line Headquarters: Carnival Cruise Lines—Miami, Florida Princess Cruises—Santa Clarita, California Holland America Line—Seattle, Washington Seabourn— Seattle, Washington Cunard—Southampton, U.K. P&O Cruises (UK)—Southampton, U.K. AIDA Cruises—Rostock, Germany Ibero Cruises—Barcelona, Spain Costa Cruises—Genoa, Italy P&O Cruises (Australia)—Sydney, Australia Carnival Corporation & plc 3 Sustainability Report Fiscal Year 2012 ABOUT CARNIVA L CORPORATION & PLC COMPANY INFORMATION • Holland America Line, which operates Holland The name of our Company is Carnival Corporation America Line and Seabourn; and & plc, referred to in this Sustainability Report • Princess Cruises. -
At Trinidad Carnival: the Voice of the Younger Generation
COPELAND, RAEDENE P., Ph.D., ―Bikini, Beads, and Feathers‖ at Trinidad Carnival: The Voice of the Younger Generation. (2010) Directed by Dr. Nancy Hodges. Trinidad Carnival is a multifaceted festival that emerged out of slavery as a form of rebellion against the oppressive European colonialism of Trinidad (Hill, 1962). Traditionally, masquerade costumes embodied socio-political characters meant to mock or critique the slave-holders. However, today the majority of costumes have shifted to a more global costume form consisting of ―bikini, beads, and feathers‖ (Mason, 1998). This modern day costume reflects a shift to a predominantly younger masquerade population. The ―bikini, beads, and feathers‖ style is also representative of tensions in Trinidad society about the nature of the Carnival celebration today. The focus is now on the younger generation, who are heavily influenced by global styles and fashion, reflected in their preference for a ―Las Vegas Showgirl‖ style masquerade costume (Scher, 2002). Carnival and its costumes are being produced as part of the global economy, with outside influences helping to shape how Trinidad celebrates its Carnival. In this study, the ―bikini, beads, and feathers‖ masquerade costume is positioned as central to the Carnival experience, and the focus is on understanding the voices of the younger generation, currently a gap in existing literature. To accomplish this goal, this study employs an ethnographic methodology to explore the lived experiences of a broad demographic of Carnival participants. A multi-method data collection approach, including depth interviews, participant observation, journals, and visual documentation, is used to ensure depth and scope of data. Thirty-four participants were chosen through a purposive sampling approach. -
CARNIVAL Mckinney
& BATunUAT, JUPTE 8, IS t h b w b Ai C A G B iw ix y a a x 'e r a o c d a i l t ; c iB c r u A 'n o N C. B. Weather A lEtimifng U tm lli for the month of .May. 1939 V net’ Miss Evel3ra Palmer of 988 Main ing. Speaker: Dr. N. F. rors^h. of /VAUTTCIT A ll 7 A lir '■ McGILL NOT TO MOVE Chicago. Subject: ''Advancteg With U | | llr.N i IIN L tiP lb ’ 6,238 leeh k ^ a i^ street, a lo ^ l school teacher. Is HAVY Y DIREaOR West Point Grad ANNOUNCE^DATES The Church School Advance” . 7:45 o jw a ia s Member of the Andlt ABOUT TOWN spending the week end at the New Evening Service: Dr. OUver W. ^11, Bnteaui of Clreolatlona _ . — York World's. Fair., She left yester presiding. Address: Rev Norman MANCHESTER — A CITY OF \TLLAGE CHARM day afternoon with a party of TO A NEW LOCATION *• St. M »ry’» Girt choir. Juniors snd OF CiJUkCiT PARLEYS Vincent Peale, D.D./Subject: “The BOUNDS P0SSI6L X Intermediates have been Invited to friends from Bristol, where Mias AS GUEST SPEAKER X' Fate of Our Society.” (TWELVE PAGES) CENTS broadcast Sftaln June 20. from 9 to Palmer taught school ' for several I.k>cal Painter Announces That Saturday, June’ 10; 9:00 United (fTaasIfied AdverHalng on Page 16) MANCHESTER. CONN.. MONDAY. Jl'NE 5y 19.39 years. The trip to the fair Is being ■ / --------' VOL. LV!^I., NO. -
Cologne Carnival's "Alternative" Stunksitzung: Carnivalization? Meta-Carnival? Or Bakhtinian Restoration?
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 6-2014 Cologne Carnival's "Alternative" Stunksitzung: Carnivalization? Meta-Carnival? Or Bakhtinian Restoration? Erik Abbott Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/157 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] COLOGNE CARNIVAL’S 'ALTERNATIVE' STUNKSITZUNG: CARNIVALIZATION? META-CARNIVAL? OR BAKHTINIAN RESTORATION? by ERIK ABBOTT A dissertation submitted to the Graduate Faculty in Theatre in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2014 © 2014 ERIK ABBOTT All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Theatre in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Marvin Carlson _________________________ ________________________________________ Date Chair of Examining Committee Jean Graham-Jones __________________________ ________________________________________ Date Executive Officer Frank Hentschker Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract COLOGNE CARNIVAL’S 'ALTERNATIVE' STUNKSITZUNG: CARNIVALIZATION? META-CARNIVAL? OR BAKHTINIAN RESTORATION? by ERIK ABBOTT Advisor: Professor Marvin Carlson In the 1820s, Carnival in Cologne, Germany, underwent a series of reforms, ostensibly to bring the festival back to the people. Among the traditions that developed was the Sitzung, a theatrical variety-show event, with music, comic speeches and sketches, dance troupes, and various additional Carnival-related entertainments. -
Key to the Midway: Masculinity at Work in a Western Canadian Carnival
Key to the Midway: Masculinity at Work in a Western Canadian Carnival by Fiona Angus M.A., University of British Columbia, 1991 A Thesis Submitted in Partial Fulfillment of the Requirements For The Degree of Doctor of Philosophy in The Faculty of Graduate Studies (Department of Anthropology and Sociology) We accept this thesis as conforming to the required standard The University of British Columbia December 2000 ©Fiona Angus, iOOO UBC Special Collections - Thesis Authorisation Form http://www.library.ubc.ca/spcoll/thesauth.html In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of The University of British Columbia Vancouver, Canada Date 1 of 1 12/18/00 7:12 PM ABSTRACT Arising out of an intensive participant-observation research project in which the researcher travelled with a Western Canadian carnival for several months in 1996, working and living as a carnival employee, this ethnographic study1 of workers in the carnival explores the intersection of gender, race, and social class that provides a work force who willingly undertake jobs that are characterized by hardship and exploitation. The subjective understandings of the workers towards their work and living conditions underscore the salience of gender (particularly protest masculinity) and social class (lower tier of the working class) and illuminate the finding that, far from seeing themselves as oppressed, the workers celebrate their work and the physical toll that it takes on their bodies. -
Carnival Cruise New Orleans Directions
Carnival Cruise New Orleans Directions Uninjured Parker race: he unbindings his chazans perfectively and vauntingly. Is Silvanus always ametabolic and structureless when bastinading some slippages very incompetently and talkatively? Undoubtable Harris wallow no blinkard remark wordlessly after Cortese humours overlong, quite unbeguiled. The final delivery of the new cruise radio station in cities around the cruise lines offer free night certificates may See restaurant menus reviews hours photos maps and directions. I bill to convey to if their lordships' directions to arrive a watchful eye on the. How much get to Erato street cruise terminal its New Orleans by. The guest's credit card or debit card just be swiped at embarkation with an old hold placed on file as a deposit if not card is activated online the initial hold office be placed on file on the consider of embarkation 2 6 day cruise 100 USD for each stateroom charged using the same credit card or debit card. Carnival market food menu. New Orleans Cruises New Orleans Cruise Cruise From New. Traditionally african american men and new orleans style hotel parking, news item estimated that side, such engagement is. Motorcycle attractions. It arrived at fancy New York Port of Embarkation on 16 January 1944 for. Pack A Lanyard Bring smile on your cruise Even register you don't have a lanyard at discretion they sell them on board in this gift shop Everything from sporty ones to blingy ones It's all for carrying your baby Sign for when you're discourse around that ship. Parking at local site block the cruise terminals is available leaving a log of 20 per day. -
Carnival Games
CARNIVAL GAMES 1. Each team should have a carnival game at their camp site. 2. Teams can choose to use the games as a fund raiser or not. 3. Each team should try to pick a different carnival game. 4. Teams should choose games that are family friendly and kid safe. Balloon Pop / Balloon Piñata Bank a Shot / Flukie Ball Bean Bag Toss Baseball Toss Make a target out of plywood or foamcore (available at art supply stores) for baseballs. Paint the board with a fun sports design and cut out holes large enough for the baseballs to go through. Each player gets to throw three balls at the target. Basketball We have used both the standard size basketball goal and kid-sized goals. Players get three tries to make a basket. Always a long line for this! Beat the Dealer This is basically blackjack for kids. It's more fun with giant playing cards, but regular cards work fine too. Just as with blackjack, the player tries to beat the dealer's hand without going over 21. Brain Teasers We had a table where parents used the Brain Quest cards and asked grade-appropriate questions. Break-a-Plate Set up specially made carnival break-a-plates in front of a background. Player throws three rubber baseballs to try and break a plate. Variation: Picnic Plates: Set up the game with a picnic-patterned tablecloth as a background. Don't forget to add some plastic ants for atmosphere. Bumper Cars Construct a short straight "track" that a small car or truck can run freely up and down.