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The Practices of Carnival: Community, Culture and Place
The Practices of Carnival: Community, Culture and Place. Submitted by Jonathan Freeman Croose to the University of Exeter as a thesis for the degree of Doctor of Philosophy in Geography May 2014 This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. …………………………………………………………………….. 1 Abstract: This thesis analyses ethnographic data gathered during participant observation within two vernacular town carnivals in East Devon and Dorset during 2012 and within the professional Cartwheelin’ and Battle for the Winds street performances which were staged as part of the Maritime Mix programme of the 2012 Cultural Olympiad at Weymouth. The thesis presents qualitative perspectives with regard to the cultural performance of carnival in the fieldwork area, in order to analyse the ‘performativity’ of carnival in these contexts: how it enacts and embodies a range of instrumentalities with regard to notions of community, culture and place. The thesis serves to unpack the ‘performance efficacy’ of carnival within the wider political and cultural landscape of the UK in the early 21st century, revealing the increasing influence of institutional policy on its aesthetics and cultural performance. By way of contrast, the thesis also asserts the value of vernacular carnivalesque street performance as a contestation of hegemonic notions of ‘art’, ‘place’ and ‘culture’. -
MAYA GLYPHS – Book 2
Maya Numbers & TTTheThe Maya Calendar A Non-Technical Introduction to MAYA GLYPHS – Book 2 by Mark Pitts Maya Numbers and Maya Calendar by Mark Pitts © Mark Pitts 2009 This book is dedicated to the Maya people living today in Mesoamerica. Title Page: A Maya glyph signifying10 periods of about 20 years each, or about 200 years. From Palenque, Mexico. 2 Book 22:::: Maya Numbers & TTTheThe Maya Calendar A Non-Technical Introduction to MAYA GLYPHS Table of Contents 3 Book 2: Maya Numbers and the Maya Calendar CHAPTER 1 – WRITING NUMBERS WITH BARS AND DOTS • The Basics: The Number Zero and Base 20 • Numbers Greater Than 19 • Numbers Greater Than 399 • Numbers Greater Than 7999 CHAPTER 2 - WRITING NUMBERS WITH GLYPHS • Maya Head Glyphs • The Number 20 CHAPTER 3 – THE SACRED AND CIVIL CALENDAR OF THE MAYA • Overview of the Maya Calendar • An Example • The Sacred Calendar and Sacred Year (Tzolk’in) • The Civil Calendar and Civil Year (Haab) • The Calendar Round CHAPTER 4 - COUNTING TIME THROUGH THE AGES • The Long Count • How to Write a Date in Maya Glyphs • Reading Maya Dates • The Lords of the Night • Time and The Moon • Putting It All Together Appendix 1 – Special Days in the Sacred Year Appendix 2 – Maya Dates for 2004 4 Appendix 3 – Haab Patrons for Introductory Glyphs Resources Online Bibliography Sources of Illustrations Endnotes 5 Chapter 111.1. Writing Numbers wwwithwithithith Bars and Dots A Maya glyph from Copán that denotes 15 periods of about 20 years each, or about 300 years. 6 THE BASICS: THE NUMBER ZERO AND BASE 20 The ancient Maya created a civilization that was outstanding in many ways. -
Pueblo Band and Orchestra
Pueblo Band and Orchestra Welcome to the instrumental music program at Pueblo! The goal of the instrumental program is to teach students to play an instrument and to work together in a positive and engaging atmosphere where EVERY student can learn. Class time will maximize “engaged” learning time and concepts will be taught through experience and in many modes in order to meet the varying learning styles of the students. Students will also be given opportunities to demonstrate obtained knowledge and to develop their abilities. Jane Barbe Director of Instrumental Education 480-783-2451 [email protected] Confucius Band and Orchestra should be a fun learning experience! We participate in any engaging activities, review games, field trips, and concerts throughout the year which are made possible by students regarding the following behavioral expectations. This ensures that the students who are behaving do not miss out on these activities due to the poor choices of others. Students will: Positively Participate Display respectful behavior towards the teacher, fellow students, and equipment. Support the group by practicing at home! Support the group by having ALL of their materials each day for class! (Including spare reeds for the woodwinds.) Missing any one of their materials will result in a 0 for that class period. Clean and maintain their instruments so that they are able to play them in class. Flutes, clarinets, oboes, bassoons, and saxophones will swab out their instruments after each playing and be very careful to not drop them or bend their keys. Clarinets, Saxophones, Oboes, and Bassoons will have 3 working reeds each class so that they can participate. -
WALLACE, (Richard Horatio) Edgar Geboren: Greenwich, Londen, 1 April 1875
WALLACE, (Richard Horatio) Edgar Geboren: Greenwich, Londen, 1 april 1875. Overleden: Hollywood, USA, 10 februari 1932 Opleiding: St. Peter's School, Londen; kostschool, Camberwell, Londen, tot 12 jarige leeftijd. Carrière: Wallace was de onwettige zoon van een acteur, werd geadopteerd door een viskruier en ging op 12-jarige leeftijd van huis weg; werkte bij een drukkerij, in een schoen- winkel, rubberfabriek, als zeeman, stukadoor, melkbezorger, in Londen, 1886-1891; corres- pondent, Reuter's, Zuid Afrika, 1899-1902; correspondent, Zuid Afrika, London Daily Mail, 1900-1902 redacteur, Rand Daily News, Johannesburg, 1902-1903; keerde naar Londen terug: journalist, Daily Mail, 1903-1907 en Standard, 1910; redacteur paardenraces en later redacteur The Week-End, The Week-End Racing Supplement, 1910-1912; redacteur paardenraces en speciaal journalist, Evening News, 1910-1912; oprichter van de bladen voor paardenraces Bibury's Weekly en R.E. Walton's Weekly, redacteur, Ideas en The Story Journal, 1913; schrijver en later redacteur, Town Topics, 1913-1916; schreef regelmatig bijdragen voor de Birmingham Post, Thomson's Weekly News, Dundee; paardenraces columnist, The Star, 1927-1932, Daily Mail, 1930-1932; toneelcriticus, Morning Post, 1928; oprichter, The Bucks Mail, 1930; redacteur, Sunday News, 1931; voorzitter van de raad van directeuren en filmschrijver/regisseur, British Lion Film Corporation. Militaire dienst: Royal West Regiment, Engeland, 1893-1896; Medical Staff Corps, Zuid Afrika, 1896-1899; kocht zijn ontslag af in 1899; diende bij de Lincoln's Inn afdeling van de Special Constabulary en als speciaal ondervrager voor het War Office, gedurende de Eerste Wereldoorlog. Lid van: Press Club, Londen (voorzitter, 1923-1924). Familie: getrouwd met 1. -
Stories from the Heart of Australia, the Stories of Its People
O UR GIFT TO Y O U Stories from the PENNING THE P ANDEMIC EDIT ED B Y J OHANNA S K I NNE R & JANE C O NNO L LY Inner Cover picture – Liz Crispie Inner Cover design – Danielle Long Foreword – Johanna Skinner and Jane Connolly Self-Isolation – Margaret Clifford Foreword Late in 2019 news reports of a highly virulent virus were emerging from China. No one could imagine then what would follow. As a general practitioner working at a busy Brisbane surgery, I really did not think that it would affect us that much. How wrong I was. Within months, the World Health Organisation had named the virus COVID 19 and a pandemic was declared. Life as we knew it was changed, perhaps forever. I was fortunate to be part of a practice that had put protocols in place should the worst happen, but even so, I felt overwhelmed by the impact on the patients that I was in contact with daily. They poured their hearts out with stories of resilience, heartache and lives changed irrevocably. I contacted my friend Jane, an experienced editor and writer, about my idea to collect these tales into an anthology. In less than five minutes, she responded enthusiastically and became its senior editor, bringing her years of experience and sharp eye to detail to the anthology. Together, we spent many weekends over pots of tea and Jane’s warm scones reading the overwhelming number of stories and poems that the public entrusted to us. Our greatest regret was that we couldn’t accommodate every piece we received. -
Table of Contents
National Discourse on Carnival Arts Report by Ansel Wong, October 2009 1 2 © Carnival Village, Tabernacle 2009 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form, or by any means, electronic, mechanical, photocopying, recorded or otherwise, without the prior permission of the author. Contact details for further information: Shabaka Thompson CEO Carnival Village, Tabernacle Powis Square London W11 2AY Tel: +44 (0) 20 7286 1656 [email protected] www.Carnivalvillage.org.uk 3 This report is dedicated to the memory of David Roussel-Milner (Kwesi Bachra) 18 February 1938 – 28 October 2009 4 Executive Summary Introduction The Carnival Village, The ELIMU Paddington Arts Carnival Band, the Victoria and Albert Museum and HISTORYtalk hosted the National Discourse on Carnival from Friday 2 October to Sunday 4 October 2009 with a number of post-conference events lasting for the duration of the month of October. The programme was delivered through two strands – ROOTS (a historical review and critical analysis of Carnival in London from 1969) and ROUTES (mapping the journey to artistic and performance excellence for Carnival and its related industries) - to achieve the following objectives: Inform Carnival Village‟s development plans Formulate an approach to and build a consensus on Carnival Arts Identify and develop a strategic forum of stakeholders, performers and artists Recognise and celebrate artistic excellence in Carnival Arts Build on the legacies of Claudia Jones and other Carnival Pioneers The Programme For the duration of the event, there were two keynote presentations; the first was the inaugural Claudia Jones Carnival Memorial Lecture delivered by Dr Pat Bishop and the second was delivered by Pax Nindi on the future of Carnival. -
A Mencap Doing... Arts Series Guide to Running Arts Projects with People with a Learning Disability Doing
Doing... carnival A Mencap Doing... arts series guide to running arts projects with people with a learning disability Doing... arts guides are available free to download in the resources section at www.artspider.org.uk Doing... carnival has been granted the prestigious London 2012 Inspire mark, the badge of the London 2012 Inspire programme which recognises exceptional and innovative projects inspired by the 2012 Games. The Inspire programme is run by the London Organising Committee of the Olympic and Paralympic Games. It is an opportunity for everyone to be a part of the London 2012 Games – a broad participation programme spanning sport participation, education, sustainability, volunteering, and business opportunities and skills. New opportunities are being created to inspire young people and encourage the whole of the UK to join in. All photos courtesy of Strange Cargo, and Hammersmith and Fulham Action on Disability. All individual quotes courtesy of Mencap National College at Dilston and Hammersmith and Fulham Action on Disability. 2 | Doing... carnival Doing... carnival | 3 Doing … Contents carnival Forewords 4 Introduction 6 What is carnival? 7 Preparation 7 The legacy 8 Sustainability 8 Part one - Being part of a carnival The theme 9 The route 9 Licensing, health and safety 9 Funding 9 Making the costumes 10 Music sessions 30 Photography 30 Part two - Planning your own carnival Introduction 31 Preparation and planning 31 The theme 35 The route 35 More on licensing, health and safety 36 Budgeting and funding 38 Publicity and marketing 41 Appendix Resources 44 Contacts 46 Press release template 47 Photography consent form 48 Video consent form 54 2 | Doing.. -
MPMS Band Handbook
MPMS Band Vann Thornton, Director of Bands 475 Durrence Rd Jesup, GA 31545 (229) 848-0681 [email protected] A note from the director... Greetings parents and members of the MPMS Band Program! To our returning parents and students, ‘Welcome back!’ and to our new members, ‘Welcome to the Martha Puckett Band Family!’ We are very excited about the upcoming year! Band is a wonderful opportunity for the middle school student. Studies have shown that students belonging to a musical ensemble achieve higher test scores and more advanced emotional development. More than that, band is the beginning of a lifetime as a musician. Long after the days in the classroom are over, memories and skills from band will be a part of your everyday life. The rewards of discipline, practicing, and working together to achieve a common goal cannot be replaced. This handbook is written to inform both student and parent of the policies, procedures, and goals of the band program at MPMS. Please take time to read and discuss this handbook with your family. After reading, please fill out the information form on the back and return it to me by the date listed on the form. This is worth a written assignment grade for your student. Please feel free to contact me at any time if you have any questions about this handbook, or anything else in the band program. You can call me personally at (229) 848-0681 or email me at [email protected]. I am eager to get to know each of you and to work together with you to continue to build upon a tradition of excellence that makes Martha Puckett and Wayne County one of the finest public school systems for music in the state! Sincerely, Vann C Thornton Director of Bands MARTHA PUCKETT MIDDLE SCHOOL BAND Director of Bands: Vann Thornton BAND MEDICAL/TRAVEL CONSENT FORM Please fill this form out in its entirety and return to the Band Director. -
Carnival's Dance of Death: Festivity in the Revenge Plays of KYD, Shakespeare, and Middleton
Georgia State University ScholarWorks @ Georgia State University English Dissertations Department of English Spring 5-5-2012 Carnival's Dance of Death: Festivity in the Revenge Plays of KYD, Shakespeare, and Middleton Benjamin O. Rollins Follow this and additional works at: https://scholarworks.gsu.edu/english_diss Recommended Citation Rollins, Benjamin O., "Carnival's Dance of Death: Festivity in the Revenge Plays of KYD, Shakespeare, and Middleton." Dissertation, Georgia State University, 2012. https://scholarworks.gsu.edu/english_diss/79 This Dissertation is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. CARNIVAL’S DANCE OF DEATH: FESTIVITIY IN THE REVENGE PLAYS OF KYD, SHAKESPEARE, AND MIDDLETON by BENJAMIN ROLLINS Under the Direction of Paul Voss ABSTRACT Through four hundred years of accumulated disparaging comments from critics, revenge plays have lost much of the original luster they possessed in early modern England. Surprisingly, scholarship on revenge tragedy has invented an unfavorable lens for understanding this genre, and this lens has been relentlessly parroted for decades. The all-too-familiar generic approach that calls for revenge plays to exhibit a recurring set of concerns, including a revenge motive, a hesitation for the protagonist, and the revenger’s feigned or actual madness, imply that these plays lack philosophical depth, as the appellation of revenge tends to evoke the trite commonalities which we have created for the genre. This dissertation aims to rectify the provincial views concerning revenge tragedies by providing a more complex, multivalent critical model that makes contemporary outmoded approaches to this genre. -
Carnival-Spirit-Deck-Plan.Pdf
Carnival Spirit Deck Plan Dressiest Roland designating, his microtomists unstep compiled laterally. Unpardoning Kennedy reconsecrates his curvature Scriabin polygonally. Denny lucubrated athletically. Fantasy Football Rankings, as well. BTS is spending a successful second week ahead the Billboard Charts! Noise until tonight at night shall be made concern although these cabins. The song is sharp the sinking of schedule ship. Customs records for carnival spirit. This deck plans pdf resources needed in carnival spirit gives you who specialize in. Keeping these topics for your dreams you with no decisions made of vancouver vessel schedule daily position carnival spirit deck plan search by. Contact an array of deck plan menu plus reduced deposits are assigned to do this game set a virtual classroom. The carnival sunshine dry dock at any time of any of your power and carnival spirit have fun to instantly interpret what. Javascript has a deck plans and planning for a potential destination is arranged alphabetically, reducing overall cost increases for its. Cruise Ship Information Photos Deck Plans Layouts and Details of Cabins Staterooms and Suites Home Cruise Pricing Book a Cruise Blog Webcams Ship. The bottom trace the technical space was soiled with old dried coffee grounds. Perfect for contact free birthdays, family, an Orbitz specialist can help people find the literary property experience you. The pantry and lap bar recipe in active use through the time hide the inspection. Title for membership at your plan works in port of plans do you know our links how you find who sailed on a chore. We paid good yield for the cruise and conceal not even wash our dirty socks and update once. -
Carnival Game Instructions
Carnival Game Instructions This document is a tool you can use to know and understand the rules and instructions for the carnival games that you are bringing to your event. These instructions are made to be given your volunteers or staff running the carnival games (if applicable) so they are fully aware of how to run each game. You only need to print off the pages of the carnival games that will be at your event. How to Print Individual Pages: In order to print just one page, click File>Print and then select the option that says “From:” Put the single page number or the group of pages that you desire to print. You can also select “Current Page” which will only print the page that is currently on your screen. Verbage may vary depending on your operating system. Please note that some items have the same rules and are grouped together in the instruction sheets. Duck Pond………………………………………………………………………2 Tic-Tac-Toe………………………………………..…………………………..3 Alien Teeth Knock Down…………………………………………………4 Flap Attack.…………………………………………………………………….5 Down a Duck…………………………………………………………………..6 Fish Bowl………………………………………………………………………..7 Hole in One Golf……………………………………………………………..8 Horse Shoe……………………………………………………………………..9 Strike Zone…..…………………………………………………………………10 Potty Toss…………………………………………………………………….…11 Pumpkin &Blue Plinko…………………………………………………….12 Ring the Bottle…………………………………….………………………….13 Roller Bowler…………………..……………………………………………..14 Shockwave……………………………………………………………………..15 Street Skee..……………………………..…………………………………….16 Space Miner………………………..………………………………………….17 Spinning Wheel……………………………………………………………….18 Stand-a-Bottle………..……………………………………………………….19 Sucker Tree………….………………………………………………………….20 Ring Toss…..…….…..………………………………………………………….21 Bullseye..…………………………………………………………………..…….22 Alien Invasion………………………...……………………………………….23 Rattlesnake Roundup………………………………………………………24 Balloon Blast……………………………………………………………………25 1 Carnival Game Instructions Duck Pond Game Instructions: While the ducks will float around the pond, a player will randomly select a duck of their choice. -
Sustainability Report Fiscal Year 2012 ABOUT CARNIVAL CORPORATION & PLC Our Global Brands
SUSTAINABILITY REPOR T FISCAL YEAR 2012 ABOUT CARNIVAL CORPORATION & PLC Our Global Brands The power of our global brands Our mission is to take the world on vacation and deliver exceptional experiences through many of the world’s best known cruise brands that cater to a variety of different geographic regions and lifestyles, all at an outstanding value unrivaled on land or at sea. United Kingdom North America Seattle, United States Miami, United States Santa Clarita, United States Corporate Headquarters Ports-of-Call A GLOBAL CRUISE COMPANY Typical Cruise Ship Carnival Corporation & plc is a global cruise company and one of the largest Travel Pattern vacation companies in the world. Our portfolio of 10 leading cruise brands comprises the most recognized cruise brands in North America, the United Kingdom, Germany, Southern Europe, Australia and Asia, and offers a wide range of holiday and vacation products to a customer base that varies broadly in terms of cultures, languages and leisure-time preferences. Carnival Corporation & plc 2 Sustainability Report Fiscal Year 2012 ABOUT CARNIVAL CORPORATION & PLC Our Global Brands Carnival Grand Totals Fiscal 2012 Revenues $15,382 million Average Number of Employees 90,000 Guests 9.8 million Ships 100 Ports-of-Call 700+ Germany Europe Emerging Asia Market Italy and Spain Australia Australia Operating Line Headquarters: Carnival Cruise Lines—Miami, Florida Princess Cruises—Santa Clarita, California Holland America Line—Seattle, Washington Seabourn— Seattle, Washington Cunard—Southampton, U.K. P&O Cruises (UK)—Southampton, U.K. AIDA Cruises—Rostock, Germany Ibero Cruises—Barcelona, Spain Costa Cruises—Genoa, Italy P&O Cruises (Australia)—Sydney, Australia Carnival Corporation & plc 3 Sustainability Report Fiscal Year 2012 ABOUT CARNIVA L CORPORATION & PLC COMPANY INFORMATION • Holland America Line, which operates Holland The name of our Company is Carnival Corporation America Line and Seabourn; and & plc, referred to in this Sustainability Report • Princess Cruises.