Curriculum Vitae Brian Horowitz
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Poetry Sampler
POETRY SAMPLER 2020 www.academicstudiespress.com CONTENTS Voices of Jewish-Russian Literature: An Anthology Edited by Maxim D. Shrayer New York Elegies: Ukrainian Poems on the City Edited by Ostap Kin Words for War: New Poems from Ukraine Edited by Oksana Maksymchuk & Max Rosochinsky The White Chalk of Days: The Contemporary Ukrainian Literature Series Anthology Compiled and edited by Mark Andryczyk www.academicstudiespress.com Voices of Jewish-Russian Literature An Anthology Edited, with Introductory Essays by Maxim D. Shrayer Table of Contents Acknowledgments xiv Note on Transliteration, Spelling of Names, and Dates xvi Note on How to Use This Anthology xviii General Introduction: The Legacy of Jewish-Russian Literature Maxim D. Shrayer xxi Early Voices: 1800s–1850s 1 Editor’s Introduction 1 Leyba Nevakhovich (1776–1831) 3 From Lament of the Daughter of Judah (1803) 5 Leon Mandelstam (1819–1889) 11 “The People” (1840) 13 Ruvim Kulisher (1828–1896) 16 From An Answer to the Slav (1849; pub. 1911) 18 Osip Rabinovich (1817–1869) 24 From The Penal Recruit (1859) 26 Seething Times: 1860s–1880s 37 Editor’s Introduction 37 Lev Levanda (1835–1888) 39 From Seething Times (1860s; pub. 1871–73) 42 Grigory Bogrov (1825–1885) 57 “Childhood Sufferings” from Notes of a Jew (1863; pub. 1871–73) 59 vi Table of Contents Rashel Khin (1861–1928) 70 From The Misfit (1881) 72 Semyon Nadson (1862–1887) 77 From “The Woman” (1883) 79 “I grew up shunning you, O most degraded nation . .” (1885) 80 On the Eve: 1890s–1910s 81 Editor’s Introduction 81 Ben-Ami (1854–1932) 84 Preface to Collected Stories and Sketches (1898) 86 David Aizman (1869–1922) 90 “The Countrymen” (1902) 92 Semyon Yushkevich (1868–1927) 113 From The Jews (1903) 115 Vladimir Jabotinsky (1880–1940) 124 “In Memory of Herzl” (1904) 126 Sasha Cherny (1880–1932) 130 “The Jewish Question” (1909) 132 “Judeophobes” (1909) 133 S. -
Safran CV for Profile November 2019
GABRIELLA SAFRAN Department of Slavic Languages and Literatures update 11/19 Stanford University Stanford, CA 94305-2006 650-723-4414 [email protected] EMPLOYMENT Assistant Professor, Stanford University, 1998-2003 Associate Professor, Stanford University, 2003-2010 Full Professor, Stanford University, 2010-present Appointed to Eva Chernov Lokey Chair in Jewish Studies, 2011 EDUCATION Princeton University, Ph.D., Slavic Languages and Literatures, 1998. Dissertation: "Narratives of Jewish acculturation in the Russian Empire: Bogrov, Orzeszkowa, Leskov, Chekhov." Adviser: Caryl Emerson Yale University, B.A., magna cum laude, with honors in Soviet and East European Studies, 1990. Senior Essay: "The descent of the raznochinets literator: Osip Mandelstam's 'Shum vremeni' and evolutionary theory." Adviser: Tomas Venclova FELLOWSHIPS AND AWARDS Stanford Humanities Center, Ellen Andrews Wright Fellowship, 2015-2016 Wayne S. Vucinich Book Prize for the most important contribution to Russian, Eurasian, and East European studies in any discipline of the humanities or social sciences (short-listed), 2011 Jordan Schnitzer Book Award in Jewish Literature and Linguistics (Honorable Mention), 2011 Fenia and Yaakov Leviant Memorial Prize in Yiddish Studies (MLA), 2008 Stanford Dean’s Award for Excellence in Teaching, 2007 Center for Advanced Judaic Studies, University of Pennsylvania, yearlong research fellowship, 2002-2003 Best Book in Literary or Cultural Studies, American Association of Teachers of Slavic and East European Languages (shared), 2002 -
2000.03.07. Ceu 1
2000.03.07. CEU 1 SPLIT IN TWO OR DOUBLED? Zsuzsa Hetényi The title is taken from an article by Iosif Bikerman published in 1910.1 There it is presented as a statement (‘not split in two but doubled’), but I shall consider it as a question because the history of Russian Jewish literature is not only a thing of the past: Russian Jewish authors began to ask questions that we continue to ask even today and that we cannot yet answer. My purpose in this paper is threefold: to discuss some theoretical questions, to give a short survey of the 80 years of Russian Jewish literature, and finally to analyse a short story by Lev Lunz. First, I would like to say something about how I arrived at this topic. In 1991 I published a book on Isaac Babel’s Red Cavalry,2 a collection of 35 stories based on the writer’s experiences with Budenny’s Cavalry in 1920. The main issue for me was what problems led Babel to this unusual form of self-expression. The most important layer of this cycle of stories is Babel’s duality, which is expressed in various ways. ‘I am an outsider, in long trousers, I don’t belong, I’m all alone’, he writes in his diary of 1920.3 Babel is ambivalent about his Jewishness – he belongs organically to his people and at the same time he finds them repellent. Sometimes he lies to his fellow Jews, hiding his Jewishness. When going to the synagogue, he is moved by the service but unable to follow it in his prayer book. -
Confronting Muted Memories Reading Silences, Entangling Histories
BALTIC WORLDSBALTIC A scholarly journal and news magazine. December 2020. Vol. XIII:4. From the Centre for Baltic and East European Studies (CBEES), Södertörn University. Special Issue: 92 pages of memory studies December 2020. Vol. XIII:4 XIII:4 Vol. 2020. December Breaking BALTIC the silence through art Visualizing WORLDSbalticworlds.com traumatic events Sites and places for remembrance Bringing generations together Special issue: issue: Special Confronting Reading Silences, Entangling Histries Entangling Silences, Reading muted memories Reading Silences, Entangling Histories also in this issue Sunvisson Karin Illustration: ARCHIVES IN TALLINN / HOLOCAUST IN BELARUS / HOLODOMOR IN UKRAINE/ OBLIVION IN POLAND Sponsored by the Foundation BALTIC for Baltic and East European Studies WORLDSbalticworlds.com editorial in this issue Dealing with the demons of the past here are many aspects of the past even after generations. An in- that we talk little about, if at all. The dividual take is often the case, dark past casts shadows and when and the own family history is silenced for a long time, it will not drawn into this exploring artistic Tleave the bearer at peace. Nations, minorities, process. By facing the demons of families, and individuals suffer the trauma of the past through art, we may be the past over generations. The untold doesn’t able to create new conversations go away and can even tear us apart if not dealt and learn about our history with Visual with. Those are the topics explored in this Spe- less fear and prejudice, runs the representation cial Issue of Baltic Worlds “Reading Silences, argument. Film-makers, artists Entangling Histories”, guest edited by Margaret and researchers share their un- of the Holodomor Tali and Ieva Astahovska. -
Fulfillmenttheep008764mbp.Pdf
FULFILLMENT ^^^Mi^^if" 41" THhODOR HERZL FULFILLMENT: THE EPIC STORY OF ZIONISM BY RUFUS LEARSI The World Publishing Company CLEVELAND AND NEW YORK Published by The World Publishing Company FIRST EDITION HC 1051 Copyright 1951 by Rufus Learsi All rights reserved. No part of this book may be reproduced in any form without written permission from the publisher, except for brief passages included in a review appearing in a newspaper or magazine. Manufactured in the United States of America. Design and Typography by Jos. Trautwein. TO ALBENA my wife, who had no small part in the making of this book be'a-havah rabbah FOREWORD MODERN or political Zionism began in 1897 when Theodor Herzl con- vened the First Zionist Congress and reached its culmination in 1948 when the State of Israel was born. In the half century of its career it rose from a parochial enterprise to a conspicuous place on the inter- national arena. History will be explored in vain for a national effort with roots imbedded in a remoter past or charged with more drama and world significance. Something of its uniqueness and grandeur will, the author hopes, flow out to the reader from the pages of this narrative. As a repository of events this book is not as inclusive as the author would have wished, nor does it make mention of all those who labored gallantly for the Zionist cause across the world and in Pal- estine. Within the compass allotted for this work, only the more significant events could be included, and the author can only crave forgiveness from the actors living and dead whose names have been omitted or whose roles have perhaps been understated. -
Safran CV October 2013(1)
GABRIELLA SAFRAN Department of Slavic Languages and Literatures update 10/13 Stanford University Stanford, CA 94305-2006 650-723-4414 [email protected] EMPLOYMENT Assistant Professor, Stanford University, 1998-2003 Associate Professor, Stanford University, 2003-2010 Full Professor, Stanford University, 2010-present Appointed to Eva Chernov Lokey Chair in Jewish Studies, 2011 EDUCATION Princeton University, Ph.D., Slavic Languages and Literatures, 1998. Dissertation: "Narratives of Jewish acculturation in the Russian Empire: Bogrov, Orzeszkowa, Leskov, Chekhov." Adviser: Caryl Emerson Yale University, B.A., magna cum laude, with honors in Soviet and East European Studies, 1990. Senior Essay: "The descent of the raznochinets literator: Osip Mandelstam's 'Shum vremeni' and evolutionary theory." Adviser: Tomas Venclova FELLOWSHIPS AND AWARDS Wayne S. Vucinich Book Prize for the most important contribution to Russian, Eurasian, and East European studies in any discipline of the humanities or social sciences (short-listed), 2011 Jordan Schnitzer Book Award in Jewish Literature and Linguistics (Honorable Mention), 2011 Fenia and Yaakov Leviant Memorial Prize in Yiddish Studies (MLA), 2008 Stanford Dean’s Award for Excellence in Teaching, 2007 Center for Advanced Judaic Studies, University of Pennsylvania, yearlong research fellowship, 2002-2003 Best Book in Literary or Cultural Studies, American Association of Teachers of Slavic and East European Languages (shared), 2002 Aldo and Jeanne Scaglione Prize for Studies in Slavic Languages and Literatures (MLA), 2001 National Jewish Book Award, Eastern European Studies Division, 2001 Social Science Research Council Dissertation Fellowship, 1997-1998 Andrew W. Mellon Graduate Fellowship in the Humanities, 1992-1997 (honorary) Scott Prize for Excellence in Slavic (Best Senior Essay in Russian Literature at Yale), 1990 PUBLICATIONS (items with an asterisk were peer-reviewed) “The Troubled Frame Narrative: Bad Listening in Late Imperial Russia,” Russian Review, October 2013 (pp. -
Handbook on Judaica Provenance Research: Ceremonial Objects
Looted Art and Jewish Cultural Property Initiative Salo Baron and members of the Synagogue Council of America depositing Torah scrolls in a grave at Beth El Cemetery, Paramus, New Jersey, 13 January 1952. Photograph by Fred Stein, collection of the American Jewish Historical Society, New York, USA. HANDBOOK ON JUDAICA PROVENANCE RESEARCH: CEREMONIAL OBJECTS By Julie-Marthe Cohen, Felicitas Heimann-Jelinek, and Ruth Jolanda Weinberger ©Conference on Jewish Material Claims Against Germany, 2018 Table of Contents Foreword, Wesley A. Fisher page 4 Disclaimer page 7 Preface page 8 PART 1 – Historical Overview 1.1 Pre-War Judaica and Jewish Museum Collections: An Overview page 12 1.2 Nazi Agencies Engaged in the Looting of Material Culture page 16 1.3 The Looting of Judaica: Museum Collections, Community Collections, page 28 and Private Collections - An Overview 1.4 The Dispersion of Jewish Ceremonial Objects in the West: Jewish Cultural Reconstruction page 43 1.5 The Dispersion of Jewish Ceremonial Objects in the East: The Soviet Trophy Brigades and Nationalizations in the East after World War II page 61 PART 2 – Judaica Objects 2.1 On the Definition of Judaica Objects page 77 2.2 Identification of Judaica Objects page 78 2.2.1 Inscriptions page 78 2.2.1.1 Names of Individuals page 78 2.2.1.2 Names of Communities and Towns page 79 2.2.1.3 Dates page 80 2.2.1.4 Crests page 80 2.2.2 Sizes page 81 2.2.3 Materials page 81 2.2.3.1 Textiles page 81 2.2.3.2 Metal page 82 2.2.3.3 Wood page 83 2.2.3.4 Paper page 83 2.2.3.5 Other page 83 2.2.4 Styles -
High Treason: Essays on the History of the Red Army 1918-1938, Volume II
FINAL REPORT T O NATIONAL COUNCIL FOR SOVIET AND EAST EUROPEAN RESEARCH TITLE : HIG H TREASON: ESSAYS ON THE HISTORY OF TH E RED ARMY 1918-193 8 VOLUME I I AUTHOR . VITALY RAPOPOR T YURI ALEXEE V CONTRACTOR : CENTER FOR PLANNING AND RESEARCH, .INC . R . K . LAURINO, PROJECT DIRECTO R PRINCIPAL INVESTIGATOR : VLADIMIR TREML, CHIEF EDITO R BRUCE ADAMS, TRANSLATOR - EDITO R COUNCIL CONTRACT NUMBER : 626- 3 The work leading to this report was supported in whole or i n part from funds provided by the National Council for Sovie t and East European Research . HIGH TREASO N Essays in the History of the Red Army 1918-1938 Volume I I Authors : Vitaly N . Rapopor t an d Yuri Alexeev (pseudonym ) Chief Editor : Vladimir Trem l Translator and Co-Editor : Bruce Adam s June 11, 198 4 Integrative Analysis Project o f The Center for Planning and Research, Inc . Work on this Project supported by : Tte Defense Intelligence Agency (Contract DNA001-80-C-0333 ) an d The National Council for Soviet and East European Studies (Contract 626-3) PART FOU R CONSPIRACY AGAINST THE RKK A Up to now we have spoken of Caligula as a princeps . It remains to discuss him as a monster . Suetoniu s There is a commandment to forgive our enemies , but there is no commandment to forgive our friends . L . Medic i Some comrades think that repression is the main thing in th e advance of socialism, and if repression does not Increase , there is no advance . Is that so? Of course it is not so . -
Saul Tchernichowsky and Vladislav Khodasevich
1 2 3 jÖrg schulte 5 saul tchernichowsky and Vladislav Khodasevich A chapter in Philological cooperation 10 When saul tchernichowsky arrived in berlin in december 1922, he was forty seven years old and at the hight of his creative strength.1 Within two years he pub- lished the Book of Idylls (sefer ha-idilyot), the Book of Sonnets (Ma½beret son- 15 etot) and the volume New Songs (shirim ½adashim). the irst to announce tch- ernichowsky’s arrival in berlin was his fellow poet iakov Kagan who wrote a long article for the russian journal Razsvet on january 14, 1923. Kagan revealed to his readers what tchernichowsky had told him about his yet unpublished works. he also reported that tchernichowsky had studied medieval hebrew medical manu- 20 scripts in the state library of st Petersburg (then Petrograd) and had been forced to leave a considerable part of his work behind when he led to odessa.2 We still do not have any trace of these materials. We know that in the company of ã. n. bialik, tchernichowsky attended the farewell concert of the russian songwriter Alexander Vertinsky at the scala theatre (in berlin) on november 7, 1923, and 3 25 was deeply impressed by the poet who sang his own verses. We also know that in the same year, he lived next door to the actress Miriam bernstein-cohen who, like himself, held a degree in medicine and translated from russian into he- brew.4 in her memoirs, Miriam bernstein-cohen notes that she introduced tch- ernichowsky to Aharon (Armand), Kaminka who had been the irst to translate 5 6 30 a part of the Iliad into hebrew in 1882. -
The Art of Printing and the Culture of the Art Periodical in Late Imperial Russia (1898-1917)
University of Alberta The Art of Printing and the Culture of the Art Periodical in Late Imperial Russia (1898-1917) by Hanna Chuchvaha A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy Modern Languages and Cultural Studies Art and Design ©Hanna Chuchvaha Fall 2012 Edmonton, Alberta Permission is hereby granted to the University of Alberta Libraries to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only. Where the thesis is converted to, or otherwise made available in digital form, the University of Alberta will advise potential users of the thesis of these terms. The author reserves all other publication and other rights in association with the copyright in the thesis and, except as herein before provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without the author's prior written permission. To my father, Anatolii Sviridenok, a devoted Academician for 50 years ABSTRACT This interdisciplinary dissertation explores the World of Art (Mir Iskusstva, 1899- 1904), The Golden Fleece (Zolotoe runo, 1906-1909) and Apollo (Apollon, 1909- 1917), three art periodicals that became symbols of the print revival and Europeanization in late Imperial Russia. Preoccupied with high quality art reproduction and graphic design, these journals were conceived and executed as art objects and examples of fine book craftsmanship, concerned with the physical form and appearance of the periodical as such. Their publication advanced Russian book art and stimulated the development of graphic design, giving it a status comparable to that of painting or sculpture. -
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EDITOR DOROTHY JANTZEN POETRY EDITOR SHARO THESE STUDENT ASSOCIATE DAVE GILLIS FICTION EDITOR CRYSTAL HURDLE STUDENT ASSOCIATE SUE LAVER DRAMA EDITOR REID GILBERT VIS AL MEDIA EDITOR BARRY COGSWELL STUDENT ASSOCIATE MICHAEL SMART SECRETARY (ACTING) EILLEEN STEELE The Capilano Review is published four times a year from Capilano College, 2055 Purcell Way, North Vancouver, British Columbia, Canada V7] 3H5. We gratefidly acknowledge the assistance of The Canada Council, the Capilano College Humanities Division, the Capilano College Student Society, the Government of British Columbia through the B.C. Cultural Fund and Lottery revenues. The Capilano Review is a member of the Canadian Periodical Publishers' Association and COSMEP. Microfilm editions and reprints are available from University Microfilms International, Ann Arbor, Michigan. We are always pleased lo receive good material, especially from artists we haven't published before, but we cannot take responsibility for unsolicited manuscripts. Manuscripts should be submitted to the Editor, and must be accompanied by a self-addressed envelope and Canadian postage to ensure return. Printed in Victoria, British Columbia, by Morriss Printing Company ltd. Second Class Registration Number 4593 ISSN 0315-3754 Number 41 1986 CONTENTS An Interview with Daphne Marlatt 4 Eleanor Wachtel from Ana Historic 14 Daphne Marlatt Notes from Cuba 22 George Webber Two Stories 35 Eugene Dubnov Eight Poems 44 Lary Timewell Telling Hours: A Convent Journal 60 Sheila Delany Recent Drawings 82 Leslie Poole 89 Contributors Aerojlot Window COVER George Webber Eleanor Wachtel/ AN INTERVIEW WITH DAPHNE MARLATT "The birds don't sing here": finding a sense of place in the west coast Vancouver writer, Daphne Marlatt, spent her early childhood in Penang, a northern Malaysian island in the Indian Ocean. -
Soviet Jews in World War II Fighting, Witnessing, Remembering Borderlines: Russian and East-European Studies
SOVIET JEWS IN WORLD WAR II Fighting, Witnessing, RemembeRing Borderlines: Russian and East-European Studies Series Editor – Maxim Shrayer (Boston College) SOVIET JEWS IN WORLD WAR II Fighting, Witnessing, RemembeRing Edited by haRRiet muRav and gennady estRaikh Boston 2014 Library of Congress Cataloging-in-Publication Data: A catalog record for this book is available from the Library of Congress. Copyright © 2014 Academic Studies Press All rights reserved ISBN 978-1-61811-313-9 (hardback) ISBN 978-1-61811-314-6 (electronic) ISBN 978-1-61811-391-7 (paperback) Cover design by Ivan Grave Published by Academic Studies Press in 2014 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www. academicstudiespress.com Effective December 12th, 2017, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. The open access publication of this volume is made possible by: This open access publication is part of a project supported by The Andrew W. Mellon Foundation Humanities Open Book initiative, which includes the open access release of several Academic Studies Press volumes. To view more titles available as free ebooks and to learn more about this project, please visit borderlinesfoundation.org/open. Published by Academic Studies Press 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com Table of Contents Acknowledgments .......................................................