Golden Coral Australian Sapphires Fossils in Amber
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Near Vermilion Sands: the Context and Date of Composition of an Abandoned Literary Draft by J. G. Ballard
Near Vermilion Sands: The Context and Date of Composition of an Abandoned Literary Draft by J. G. Ballard Chris Beckett ‘We had entered an inflamed landscape’1 When Raine Channing – ‘sometime international model and epitome of eternal youthfulness’2 – wanders into ‘Topless in Gaza’, a bio-fabric boutique in Vermilion Sands, and remarks that ‘Nothing in Vermilion Sands ever changes’, she is uttering a general truth about the fantastic dystopian world that J. G. Ballard draws and re-draws in his collection of stories set in and around the tired, flamboyant desert resort, a resort where traumas flower and sonic sculptures run to seed.3 ‘It’s a good place to come back to,’4 she casually continues. But, like many of the female protagonists in these stories – each a femme fatale – she is a captive of her past: ‘She had come back to Lagoon West to make a beginning, and instead found that events repeated themselves.’5 Raine has murdered her ‘confidant and impresario, the brilliant couturier and designer of the first bio-fabric fashions, Gavin Kaiser’.6 Kaiser has been killed – with grim, pantomime karma – by a constricting gold lamé shirt of his own design: ‘Justice in a way, the tailor killed by his own cloth.’7 But Kaiser’s death has not resolved her trauma. Raine is a victim herself, a victim of serial plastic surgery, caught as a teenager in Kaiser’s doomed search for perpetual gamin youth: ‘he kept me at fifteen,’ she says, ‘but not because of the fashion-modelling. He wanted me for ever when I first loved him.’8 She hopes to find in Vermilion Sands, in its localized curvature of time and space, the parts of herself she has lost on a succession of operating tables. -
COMPLETE WARDROBE of SHADES. for BEST RESULTS, Dr.’S REMEDY SHADE COLLECTION SHOULD BE USED TOGETHER with BASIC BASE COAT and CALMING CLEAR SEALING TOP COAT
COMPLETE WARDROBE OF SHADES. FOR BEST RESULTS, Dr.’s REMEDY SHADE COLLECTION SHOULD BE USED TOGETHER WITH BASIC BASE COAT AND CALMING CLEAR SEALING TOP COAT. ALTRUISTIC AMITY BALANCE NEW BOUNTIFUL BRAVE CHEERFUL CLARITY COZY Auburn Amethyst Brick Red BELOVED Blue Berry Cherry Coral Cafe A playful burnt A moderately A deep Blush A tranquil, Bright, fresh and A bold, juicy and Bright pinky A cafe au lait orange with bright, smokey modern Cool cotton candy cornflower blue undeniably feminine; upbeat shimmer- orangey and with hints of earthy, autumn purple. maroon. crème with a flecked with a the perfect blend of flecked candy red. matte. pinkish grey undertones. high-gloss finish. hint of shimmer. romance and fun. and a splash of lilac. DEFENSE FOCUS GLEE HOPEFUL KINETIC LOVEABLE LOYAL MELLOW MINDFUL Deep Red Fuchsia Gold Hot Pink Khaki Lavender Linen Mauve Mulberry A rich A hot pink Rich, The perfect Versatile warm A lilac An ultimate A delicate This renewed bordeaux with classic with shimmery and ultra bright taupe—enhanced that lends everyday shade of juicy berry shade a luxurious rich, romantic luxurious. pink, almost with cool tinges of sophistication sheer nude. eggplant, with is stylishly tart matte finish. allure. neon and green and gray. to springs a subtle pink yet playful sweet perfectly matte. flirty frocks. undertone. & classic. MOTIVATING NOBLE NURTURE PASSION PEACEFUL PLAYFUL PLEASING POISED POSITIVE Mink Navy Nude Pink Purple Pink Coral Pink Peach Pink Champagne Pastel Pink A muted mink, A sea-at-dusk Barely there A subtle, A poppy, A cheerful A pale, peachy- A high-shine, Baby girl pink spiked with subtle shade that beautiful with sparkly fresh bubble- candy pink with coral creme shimmering soft with swirls of purple and cocoa reflects light a hint of boysenberry. -
UV-LED-OPTIONS-COLOUR-CHART-WEB.Pdf
COLOUR CHART NAILS PERFECTED – Only from Akzentz www.akzentz.com NAILS PERFECTED – Only from Akzentz UV/LED COLOURS P = pearl C = cream F = frost UV/LED ICE I = ice SATIN PEARL (P) BUTTERCUP (C) FIESTA YELLOW (C) SEAFOAM GREEN (C) GREEN SPLASH (C) GLACIER BLUE (C) BLUEBELLE (C) LAVENDER CREAM (C) APRICOT (I) BLUE (I) CHARCOAL (I) PINK (I) GOLD (I) CORAL (I) WHITE (I) VIOLET (I) VIOLET HUE (C) PURPLE LOTUS (C) MAJESTIC VIOLET (C) PINK PEARL (P) PINK INNOCENCE (C) BLISSFUL PINK (C) TENDER PINK (C) LAVENDER PINK (C) TURQUOISE (I) SILK (I) PEWTER (I) MARINE BLUE (I) LIME (I) LATTE (I) UV/LED BRIGHTS B = bright FLAMINGO (C) VIVID PINK (C) SIMPLY PINK (C) TICKLED PINK (C) BRONZE MIST (F) PINK POPPY (C) HIBISCUS PINK (C) MAUVELLA (F) LIME TWIST (B) BLUE ORBIT (B) HYPNOTIC CORAL (B) ORANGE FIX (B) SIZZLING PINK (B) PINK FLIRT (B) YELLOW FLARE (B) CLASSIC RED (C) PINK CHINTZ (C) CHARMING PINK (C) SALMON PINK (C) SOFT CORAL (F) CORAL PINK (C) GLAMOUR PINK (C) CHIFFON (P) UV/LED SPARKLES S = sparkle POWDER PINK (C) PEACH WHISPER (C) SWEET MANDARIN(C) ELECTRIC ORANGE(C) ROSE BISQUE (C) DUSTY ROSE (C) ROSY TAN (C) DREAM PINK (P) STAR DUST (S) CLEAR (S) SUNLIT SNOW (S) SILVER TWINKLE (S) GOLDEN TWILIGHT (S) GOLD (S) BRONZE (S) LILAC (S) CHOCOLAT (C) PRETTY IN PINK (C) CORAL ROSE (C) CHAI (P) TROPICAL SAND (P) PEACHY KEEN (C) MYSTIC MAUVE (F) DESERT ROSE (F) RASPBERRY (S) RAVISHING RED (S) PINK (S) TANGELO (S) CARIBBEAN TEAL (S) BLUE (S) MIDNIGHT DUST (S) UV/LED GEL ART C = cream CHAMPAGNE (P) SIENNA SUNRISE (F) TUSCAN SUNSET (F) BARE (C) VINTAGE BUFF (C) ROSETTE (C) CORAL ESSENCE (C) SHEER MIKAN (C) WHITE (C) CLEAR YELLOW (C) YELLOW (C) GREEN (C) CREAMY GREEN (C) CLEAR BLUE (C) BLUE (C) NAVY BLUE (C) LATTE (C) WILD ROSE (C) WINDSWEPT TAN (C) SMOKEY TAUPE (C) SHADOW GREY (C) PURPLE (C) CREAMY PURPLE (C) RED (C) CHARCOAL (C) BLACK (C) COPYRIGHT © HAIGH INDUSTRIES INC. -
Winter 2006 Gems & Gemology Gem News
EDITOR Brendan M. Laurs ([email protected]) CONTRIBUTING EDITORS Emmanuel Fritsch, IMN, University of Nantes, France ([email protected]) Henry A. Hänni, SSEF, Basel, Switzerland ([email protected]) Franck Notari, Geneva, Switzerland ([email protected]) Kenneth V. G. Scarratt, GIA Research, Bangkok, Thailand ([email protected]) DIAMONDS Angola and the Democratic Republic of Congo. This situ- Update on Diamond Trading in Sierra Leone. During the ation led to the Kimberley Process for certifying dia- decade-long civil war in Sierra Leone, the Revolutionary monds from mine to market, which was implemented in United Front (RUF) rebel army committed widespread 2002. With the signing of the Lomé Peace Agreement atrocities against innocent civilians, drawing global con- between the Sierra Leone government and the RUF earlier demnation by governments, human rights groups, and that year, peace has returned to the country. concerned citizens. The RUF was partially funded by the In August 2006, GIA Education instructor Ric Taylor country’s diamond resources, bringing the issue of con- traveled through the Sierra Leone diamond mining areas of flict diamonds in Sierra Leone to world attention in the Koidu, Tongo, Kenema, and Bo, some of which were once late 1990s. Meanwhile, similar diamond-funded conflicts controlled by the rebels. He saw no evidence of continuing were being waged in other African nations, such as conflict, and residents and journalists in these areas con- firmed that there is no desire to return to war. In the town of Koidu (figure 1), in the diamond mining district of Kono Figure 1. The town of Koidu, in the Kono district of in eastern Sierra Leone, one can still see the bare walls of eastern Sierra Leone, was at the center of the county’s buildings that were looted and burned, but many others protracted conflict because of the area’s diamond have been rebuilt and have roofs of corrugated metal or resources. -
Pink-To-Red Coral: a Guide to Determining Origin of Color
PINK-TO-RED CORAL: AGUIDE TO DETERMINING ORIGIN OF COLOR Christopher P. Smith, Shane F. McClure, Sally Eaton-Magaña, and David M. Kondo Pink-to-red coral has a long history as an ornamental gem material in jewelry, carvings, and sculptures. However, due to a variety of environmental and legal factors, the supply of high- quality, natural-color coral in this color range has dramatically decreased in recent years— and the quantity of dyed coral on the market has increased. From a study of more than 1,000 natural- and treated-color samples, this article summarizes the procedures that are useful to identify the color origin of pink-to-red coral. A variety of techniques—including magnifica- tion, exposure to acetone, and Raman analysis—can determine if the color of a piece of such coral is dyed. Although there are limitations to the use of magnification and acetone, Raman analysis can establish conclusively that the color is natural. oral is an organic gem material that has been This limitation has led to the practice of dyeing used for ornamental purposes (figure 1) for pale-colored and white coral into the more highly C several thousand years (see, e.g., Walton, valued shades of pink to red. Commonly, the coral 1959). Amulets of red coral dating back to 8000 BC is bleached prior to the dyeing process so that better were uncovered in Neolithic graves in Switzerland, penetration and more homogeneous coloration may coral jewelry was made in Sumeria and Egypt around be achieved (figure 3). Additionally, polymer 3000 BC, and Chinese cultures have valued coral high- impregnation—with or without a coloring agent— ly since about 1000 BC (Liverino, 1989). -
JEWELS of the EDWARDIANS by Elise B
JEWELS OF THE EDWARDIANS By Elise B. Misiorowski and Nancy K. Hays Although the reign of King Edward VII of ver the last decade, interest in antique and period jew- Great Britain was relatively short (1902- elry has grown dramatically. Not only have auction 1910), the age that bears his name produced 0 houses seen a tremendous surge in both volume of goods distinctive jewelry and ushered in several sold and prices paid, but antique dealers and jewelry retail- new designs and manufacturing techniques. ers alikereportthat sales inthis area of the industry are During this period, women from the upper- excellent and should continue to be strong (Harlaess et al., most echelons of society wore a profusion of 1992). As a result, it has become even more important for extravagant jewelry as a way of demon- strating their wealth and rank. The almost- jewelers and independent appraisers to understand-and exclusive use of platinum, the greater use of know how to differentiate between-the many styles of pearls, and the sleady supply of South period jewelry on the market. African diamonds created a combination Although a number of excellent books have been writ- that will forever characterize Edwardian ten recently on various aspects of period jewelry, there are jewels. The Edwardian age, truly the last so many that the search for information is daunting. The era of the ruling classes, ended dramatically purpose of this article is to provide an overview of one type with the onset of World War I. of period jewelry, that of the Edwardian era, an age of pros- perity for the power elite at the turn of the 19th century. -
Autumn 07 Cover
Winter Antiques & Fine Art Auction Wednesday 28, Thursday 29 £5 & Friday 30 November 2018 ewbank’s auction sale dates 2018/19 Viewing days/times vary, please contact the auctioneer for details December 2018 August Thursday 13th Toys & Models Wednesday 7th Antique & Collectors inc. Silver Thursday 13th Entertainment & Memorabilia Wednesday 21st Antique & Collectors inc. Silver Friday 14th Vintage Posters Wednesday 21st Garden Furniture & Statuary Wednesday 19th Antique & Collectors’ Thursday 22nd Militaria, Stamps, Books & Maps Wednesday 19th Fine Wines & Spirits September January Wednesday 11th Jewellery, Watches & Coins Wednesday 16th Antique & Collectors inc. Silver Thursday 12th Silver & Fine Art Thursday 17th Decorative Arts Friday 13th Antique Furniture & Clocks Thursday 17th Contemporary Art & Modern British Paintings October February Wednesday 2nd Antique & Collectors inc. Jewellery & Silver Thursday 007th Bond & Beyond Wednesday 2nd Toys & Models Wednesday 13th Antique & Collectors inc. Silver Thursday 3rd Entertainment & Memorabilia Thursday 14th Militaria, Stamps, Books & Maps Thursday 3rd Movie Props Wednesday 27th Toys & Models Friday 4th Vintage Posters Thursday 28th Entertainment & Memorabilia Thursday 24th Decorative Arts Thursday 28th Movie Props Thursday 24th Contemporary Art & Modern British Paintings March November Friday 1st Vintage Posters Wednesday 6th Antique & Collectors inc. Silver Wednesday 6th Antique & Collectors inc. Silver Thursday 7th Asian Art Wednesday 20th Jewellery, Watches & Coins Thursday 7th Vintage -
Mineral Collecting Sites in North Carolina by W
.'.' .., Mineral Collecting Sites in North Carolina By W. F. Wilson and B. J. McKenzie RUTILE GUMMITE IN GARNET RUBY CORUNDUM GOLD TORBERNITE GARNET IN MICA ANATASE RUTILE AJTUNITE AND TORBERNITE THULITE AND PYRITE MONAZITE EMERALD CUPRITE SMOKY QUARTZ ZIRCON TORBERNITE ~/ UBRAR'l USE ONLV ,~O NOT REMOVE. fROM LIBRARY N. C. GEOLOGICAL SUHVEY Information Circular 24 Mineral Collecting Sites in North Carolina By W. F. Wilson and B. J. McKenzie Raleigh 1978 Second Printing 1980. Additional copies of this publication may be obtained from: North CarOlina Department of Natural Resources and Community Development Geological Survey Section P. O. Box 27687 ~ Raleigh. N. C. 27611 1823 --~- GEOLOGICAL SURVEY SECTION The Geological Survey Section shall, by law"...make such exami nation, survey, and mapping of the geology, mineralogy, and topo graphy of the state, including their industrial and economic utilization as it may consider necessary." In carrying out its duties under this law, the section promotes the wise conservation and use of mineral resources by industry, commerce, agriculture, and other governmental agencies for the general welfare of the citizens of North Carolina. The Section conducts a number of basic and applied research projects in environmental resource planning, mineral resource explora tion, mineral statistics, and systematic geologic mapping. Services constitute a major portion ofthe Sections's activities and include identi fying rock and mineral samples submitted by the citizens of the state and providing consulting services and specially prepared reports to other agencies that require geological information. The Geological Survey Section publishes results of research in a series of Bulletins, Economic Papers, Information Circulars, Educa tional Series, Geologic Maps, and Special Publications. -
Coral Pink Sand Dunes Data Summary Tables
OFO-BE-07-01 February 2007 A BIOLOGICAL EVALUATION OF FOREST HEALTH ON MOQUITH MOUNTAIN BUREAU OF LAND MANAGEMENT KANAB AREA FIELD OFFICE By Elizabeth G. Hebertson, Forest Health Protection Specialist S&PF Forest Health Protection, Ogden Field Office Biological Evaluation of Forest Health on Moquith Mountain Abstract In July and October of 2006, the USDA Forest Service, Forest Health Protection, Ogden Field Office (FHP-OFO) surveyed approximately 5,000 acres in the Moquith Mountain Wilderness Study Area and Coral Pink Sand Dunes to document current insect and disease activity and to assess stand and landscape level risk. This area was primarily comprised of pinyon-juniper woodlands and stands of ponderosa pine. Individual trees in the Ponderosa Grove Campground and popular dispersed recreation sites were also examined for evidence of insects and diseases and human damage. The results of the survey indicated that endemic levels of insect and disease agents generally occurred within the project area. Juniper gall rust and juniper mistletoe were the most damaging agents detected, although infections caused only minor impacts. No current bark beetle activity was observed. Small patches of ponderosa pine and ponderosa pine stands in the Sand Dune area however, had moderate to high susceptibility to bark beetle infestation. Aspen in the project area exhibited symptoms of decline. A number of insect and disease agents contributed to this damage, but the underlying cause appeared to be stress associated with grazing and plant competition. The trees in recreation sites had injuries typical of those caused by human activity, but this damage had not resulted in tree decline. -
Formation of Chrysocolla and Secondary Copper Phosphates in the Highly Weathered Supergene Zones of Some Australian Deposits
Records of the Australian Museum (2001) Vol. 53: 49–56. ISSN 0067-1975 Formation of Chrysocolla and Secondary Copper Phosphates in the Highly Weathered Supergene Zones of Some Australian Deposits MARTIN J. CRANE, JAMES L. SHARPE AND PETER A. WILLIAMS School of Science, University of Western Sydney, Locked Bag 1797, Penrith South DC NSW 1797, Australia [email protected] (corresponding author) ABSTRACT. Intense weathering of copper orebodies in New South Wales and Queensland, Australia has produced an unusual suite of secondary copper minerals comprising chrysocolla, azurite, malachite and the phosphates libethenite and pseudomalachite. The phosphates persist in outcrop and show a marked zoning with libethenite confined to near-surface areas. Abundant chrysocolla is also found in these environments, but never replaces the two secondary phosphates or azurite. This leads to unusual assemblages of secondary copper minerals, that can, however, be explained by equilibrium models. Data from the literature are used to develop a comprehensive geochemical model that describes for the first time the origin and geochemical setting of this style of economically important mineralization. CRANE, MARTIN J., JAMES L. SHARPE & PETER A. WILLIAMS, 2001. Formation of chrysocolla and secondary copper phosphates in the highly weathered supergene zones of some Australian deposits. Records of the Australian Museum 53(1): 49–56. Recent exploitation of oxide copper resources in Australia these deposits are characterized by an abundance of the has enabled us to examine supergene mineral distributions secondary copper phosphates libethenite and pseudo- in several orebodies that have been subjected to intense malachite associated with smaller amounts of cornetite and weathering. -
Winter 2010 Gems & Gemology
G EMS & G VOLUME XLVI WINTER 2010 EMOLOGY W INTER 2010 P AGES 259–336 V OLUME Synthetics Retrospective . Scapolite from Madagascar . Pietersite from China and Namibia . New Mexifire Synthetic Opal . Identifying Historic Gems 46 N O. 4 THE QUARTERLY JOURNAL OF THE GEMOLOGICAL INSTITUTE OF AMERICA 19922 GIA G&G Winter ‘10 Journal P BC 19922 GIA G&G Winter ‘10 Journal P FC Because Public Education Happens At The Counter. GIA’s Retailer Support Kit and website A $97.00 value, shipping symposium 2011 and handling extra. ADVANCING THE SCIENCE GIA’s Retailer Support Kit has been developed to help AND BUSINESS OF GEMS sales associates educate the public about diamonds, the 4Cs, and thoroughly explain a GIA grading report. Take full advantage of all that GIA has to off er by visiting MAY 29 – 30, 2011 www.retailer.gia.edu GIA World Headquarters Robert Mouawad Campus | Carlsbad, California To order your FREE kit, log on to www.retailer.gia.edu www.symposium2011.gia.edu GGWI10 Winter 2010 Volume 46, No. 4 ® EDITORIAL __________________ 259 A Fond Farewell Alice S. Keller FEATURE ARTICLE __________________ 260 Synthetic Gem Materials in the 2000s: A Decade in Review Nathan Renfro, John I. Koivula, Wuyi Wang, and Gary Roskin Looks back on an eventful decade in the synthetic gem industry, highlighted by the commercial introduction of faceted gem-quality CVD synthetic diamonds. NOTES & N EW TECHNIQUES ______________ pg. 262 274 Yellow Scapolite from Ihosy, Madagascar Margherita Superchi, Federico Pezzotta, Elena Gambini, and Emanuela Castaman Characterizes scapolite from this locality and examines established methods of calculating the gem’s chemical composition. -
Gemstones by Donald W
GEMSTONES By Donald W. olson Domestic survey data and tables were prepared by Nicholas A. Muniz, statistical assistant, and the world production table was prepared by Glenn J. Wallace, international data coordinator. In this report, the terms “gem” and “gemstone” mean any gemstones and on the cutting and polishing of large diamond mineral or organic material (such as amber, pearl, petrified wood, stones. Industry employment is estimated to range from 1,000 to and shell) used for personal adornment, display, or object of art ,500 workers (U.S. International Trade Commission, 1997, p. 1). because it possesses beauty, durability, and rarity. Of more than Most natural gemstone producers in the United states 4,000 mineral species, only about 100 possess all these attributes and are small businesses that are widely dispersed and operate are considered to be gemstones. Silicates other than quartz are the independently. the small producers probably have an average largest group of gemstones; oxides and quartz are the second largest of less than three employees, including those who only work (table 1). Gemstones are subdivided into diamond and colored part time. the number of gemstone mines operating from gemstones, which in this report designates all natural nondiamond year to year fluctuates because the uncertainty associated with gems. In addition, laboratory-created gemstones, cultured pearls, the discovery and marketing of gem-quality minerals makes and gemstone simulants are discussed but are treated separately it difficult to obtain financing for developing and sustaining from natural gemstones (table 2). Trade data in this report are economically viable deposits (U.S.