Antiques & Collectables Wednesday 6th December at 10.30am
TO BE HELD AT FARLEIGH COURT, SURREY CR6 9PE
Antiques & Collectables Wednesday 6th December at 10.30am
VIEWING Tuesday 5th December 9.30am - 5.00pm Wednesday 6th December 9.00am - 10.30am
AUCTION AND VIEWING TO BE HELD AT FARLEIGH COURT GOLF CLUB, OLD FARLEIGH ROAD, NR SELSDON, SURREY CR6 9PE
Ripley Arts Centre, 24 Sundridge Avenue, Bromley, BR1 2PX Valuation days held here every Tuesday, Wednesday and Thursday between 10am and 2pm
Welcome to Catherine Southon Auctioneers & Valuers
Specialist: Catherine Southon MA Consultants: B arbara Dixon Neassa Quinn Mark Stacey Sale Administrator: Nicola Minney Auction Enquiries and Information: 07596 332978 07808 737694 Email: [email protected] Auction Venue: Farleigh Court Golf Club, Old Farleigh Road, Nr Selsdon, Surrey CR6 9PE Office: Ripley Arts Centre, 24 Sundridge Avenue, Bromley, BR1 2PX Tel: 0208 313 3655 (not week of auction)
IMPORTANT NOTICES Please note that purchased items of furniture must be collected from the auction venue before 4pm on Friday 8th December otherwise buyers will incur storage charges. All other purchases can also be collected during this time. Please note that the condition of items are not noted in the catalogue. Condition reports can be viewed on www.the-saleroom.com COLLECTIONS All lots should be collected on the day of the auction, or on Thursday 7th or Friday 8th December until 4pm. After this time all items of furniture will be shipped to the warehouse where an appointment has to be made for collection. All other items will be available for collection at our office address at Ripley Arts Centre 9.30 - 3pm, Monday - Friday for two weeks after the sale. SHIPPING We are happy to ship non-breakable Mail Boxes Etc. items, please call 07808 737694 for Tel: +44(0)208 649 9777 a quote Email: [email protected]
Overseas Shipping: AMS Pack & Send Tel: +44(0)203 818 1980 Tel: +44 (0) 1689 800 688 Email: [email protected] email: [email protected]
AUCTIONS We hold regular Antiques and Collectables Auctions, with colour catalogues, on-line catalogues and Live bidding. These auctions take place regularly at Farleigh Court Golf Club, Old Farleigh Road, Nr Selsdon, Surrey CR6 9PE. This venue has plently of free parking and is a short taxi ride from East Croydon Station with directly links to London. The Company trades as Catherine Southon Auctioneers & Valuers Ltd. The Company’s registered office is: Lygon House, 50 London Road, Bromley, BR1 3RA. Company Registration Number 08020183. Registered in England and Wales.
www.the-saleroom.com
LIVE INTERNET BIDDING - Bid Here Without Being Here All you need is your computer and an internet connection and you can make real-time bids in real-world auctions at the-saleroom.com. You don’t have to be a computer whizz. All you have to do is visit www.the-saleroom.com and register to bid - it’s just like being in the auction room. A live audio feed means you hear the auctioneer at exactly the same time as other bidders. You see the lots on your computer screen as they appear in the auction room, and the auctioneer is aware of your bids the moment you make them. Just register and click to bid! ANTIQUES & COLLECTABLES
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1. A late 19th century mahogany Lazy Susan with raised edge to rim diameter 47cm £50-£80
2. A contemporary pub sign ‘Gold Medal Ales’ of rectangular form with gilt and green lettering on a claret ground 24 x 140cm £60-£80
5. A sailors woolwork picture third quarter 19th century, worked in coloured threads depicting five ships under full sail on simulated seas the ships titled ‘Black Prince, Warrior, Hector, Trinculo’, framed and glazed 32 x 60cm £150-£200
6. A 1920s carved oak framed velvet picture of three owls 3. A German Black Forrest bear with fish the velvet incised and heightened with white and in an ornate carved the bear realistically carved in walking pose oak ‘acorn’ frame total frame: 47 x 59cm with fish in his mouth length 29cm, height £150-£250 20cm £180-£220 7. A Victorian coromandel and silver ladies’ travelling vanity case the simple rectangular case opening to reveal a purple crushed velvet lined case with compartmental interior storing a number of silver topped glass jars hallmarked 1877 and chased with scroll and foliage decoration each with and central cartouche (not engraved), with tray lifting out to reveal storage below and 4. A large bronze figure of a grisly bear further secret realistically modelled, in standing stance drawer below length 38cm, height 20cm width of case £300-£400 31cm £300-£500
BP* - Buyer’s Premium of 21.6% inclusive of VAT @ 20%. 4 Lots marked ‡ will be subject to an additional fee - please see page 88. ANTIQUES & COLLECTABLES
8. A large Islamic circular copper tray with bead and fluted border surrounding chased central borders of palm leaves, beads and chevrons diameter: 69.5cm £50-£80
12. A painted portrait of a young girl on ceramic circa 1900, the girl wearing a blue dress with blue ribbon to hair, mounted within a late oval wooden frame overall height 32cm £80-£120 9. A cold painted bronze figure of a horse, in the style of Bergman modelled standing unbridled looking forward, no makers marks, height: 17.5cm, length: 19.5cm £80-£120
10. An Art Deco style mantelpiece a pair of spelter dogs one seated and the other lying upon a stepped red marble base 16 x 39 x 10.3cm £30-£40
11. An Art Deco clock central clock in an alabaster and marble surround, flanked by two playful cats upon an alabaster marble base 25.6 x 41 x 13.5cm £150-£250
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13. ‡ A.E Batchelor (British fl. 1920s) illustrator original artwork for the dust cover of ‘Aloysius let loose’ by Klaxon (John Graham, Barbara Bower), published by Collins circa 1950, framed, together with original artwork by Leslie Wood (British 1920-1994) for the dust cover of ‘Unbroken Thread’ by Viscount Templewood, published by Collins circa 1949, signed lower right, framed, label verso, (2) the former 29 x 24cm, 29 x 19.5cm £50-£80
14. ‡ Leslie Illingworth, (Welsh 1902-1979) illustrator ‘Gretchen and the Beast’ drawing published by Punch on 18th of August 1948, signed lower left, framed, notes verso; ‘Album Caran D’Ache’ Album Troisieme, written dedication to ‘Leslie Illingworth from Jon Manchip White 1950’ on inside page; a sketch book with rough pencil sketches, the inside front cover written ‘L.G Illingworth 6 Rue Gevert Paris Animals in the Jardin Des Plantes’ in pencil, together with ‘Illingworth’s War in Cartoons’ by Mark Bryant, autographed by the author, dated 2009 and ‘Illingworth On Target’ by Draper Hill, autographed by the author, dated 1972, (5) total frame: 51.5 x 45.5cm £60-£80
(part) 15. ‡ Leslie Wood (British 1920-1994) illustrator original artwork for the dust wrapper of ‘Storm of Time’, published by Collins circa 1948, signed lower right, framed; together with another Leslie Wood original artwork for a book dust wrapper, framed, (2) total frame: 46.3 x 42.6cm £50-£80
BP* - Buyer’s Premium of 21.6% inclusive of VAT @ 20%. 6 Lots marked ‡ will be subject to an additional fee - please see page 88. ANTIQUES & COLLECTABLES
16. ‡ Gilbert Wilkinson (British 1891-1965) illustrator original artwork for the cover of ‘Passing Show’ magazine 2nd of Feb. 1924, framed; together with Charles Tunnicliffe OBE, RA (British 1901-1979) original artwork for the dust cover of ‘The Complete Gardener’ by W.E Shewell-Cooper, published by Collins 1950s, framed, (2) total frame: 40.3 x 41.8cm, 37.7 x 36.5cm £50-£70
17. ‡ Harry Toothill (British 1917-2001) illustrator original artwork for the dust cover of ‘A Sunset Touch’ by Howard Spring, published by Collins 1953, framed; and the original artwork signed Gorham for the dust wrapper of ‘The Companion Guide to the Greek Islands’ by Ernle Bradford, published by Collins 1963, framed, (2) total frame: 41.1 x 35.6cm, 34.6 x 32.2cm £60-£80
18. ‡ Two original artworks for book dust covers and an advertising watercolour, Maurice Wilson (British 1914-1987) illustrator original artwork for the dust cover of ‘How Little We Know’, by Doreen Wallace, published by Collins 1950, framed; Stephen Russ (British 1919-1983) original artwork for the dust cover of ‘The Dianthus’ by Will Ingwersen, published by Collins 1949 and a ‘Boston Rubbers’ advertising showcard, watercolour in frame, (3) total frame: 37.4 x 33.2cm, 31.7 x 34.6cm, 33.2 x 17.9cm £100-£200
BP* - Buyer’s Premium of 21.6% inclusive of VAT @ 20%. Lots marked ‡ will be subject to an additional fee - please see page 88. 7 ANTIQUES & COLLECTABLES
20. A pair of C. W. Dixey & Sons tortoiseshell 19. ‡ British School, mid 20th century spectacles made for Sir Winston Churchill a charcoal on paper study of Winston Churchill wearing the full rimmed round glasses with white dot to tip of each his artists hat, indistinct signature lower right, framed total arm to distinguish them as reading spectacles rather than frame: 52.6 x 43.7cm for distance, contained with in a leather spectacle case £100-£200 embossed C.W.Dixey & Son London 1777, together with a typed statement from Director of C. W. Dixey Mr P. Varnes verifying that the spectacles were made for Winston Churchchill and claiming ‘usually three pairs of spectacles were made to Churchill’s prescription and kept at the Cavendish Square showroom later the Wigmore Street practice’ The spectacles were given to the present owner by Mr P. Varnes Director of Dixey and Sons. Usually three pairs of spectacles were made to Churchill’s prescription and kept at the Cavendish Square Showroom later the Wigmore Street practice. After Churchill’s death C.W.Dixey had three pairs of Churchill’s spectacles still in their possession . It is believed one pair were given to Chartwell, one pair auctioned in 2011 and this is the final pair. £1,000-£2,000
21. 19th century Dutch school, Gamblers at the Inn, oil on board, together with a watercolour of figures by a cathedral, unsigned (2) oil: 19 x 25.7cm - board, 25 x 32cm; watercolour frame: 29.8 x 23.6cm £80-£120
22. Early Victorian oil on canvas in the round well painted with a girl revealing her left shoulder the other with low cut gown in early 19th century fashion and ribbon tied bonnet, square gilt frame, diameter 34cm £200-£250
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23. Cox David (British 1783-1859) ‘Going to the hayfield’, watercolour, signed lower left, in a giltwood frame, total frame: 68.5 x 78.5cm £300-£500
24. British School, 19th Century ‘Marine scene at sunset’ oil on board, signed indistinctly lower left, mounted in a gilt frame, total frame: 38.2 x 51cm £200-£300
25. Henry Charles Fox R.B.A. (British 1855-1929) ‘A Berkshire lane with sheep’, signed lower right HC Fox dated 1913, in a gilt mount titled, in a gilt frame total frame: 74.5 x 56.7cm £120-£180
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26. William Henry Williamson (British 1820-1883) 27. William Henry Williamson (British 1820-1883) ‘Stormy scenes with rocky coastline’, oil on canvas, ‘Stormy seas’ signed W H Williamson 1870 lower left, oil in a gilt frame, bears paper label verso total frame: on canvas, gilt frame, bear paper label verso total frame: 62.7 x 37.2cm, canvas: 35 x 56cm 62.3 x 37cm, canvas: 35 x 55.5cm £100-£200 £100-£200
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28. ‡ Sir William MacTaggart PPRSA RA FRSE HonRSW LLD (British, 1903-1981) ‘The Bass Rock’, signed bottom right, oil on board, with label verso reading ‘On her Majesty’s service The Bass Rock Wm MacTaggart PRSA’ 55 x 75cm £3,000-£5,000
29. British School, 19th century, a miniature portrait of Don Andres del Peral, after Goya 30. British School, 18th century oil on copper, unsigned in a gilt frame, inscription verso ‘Portrait of a young girl’, oil on canvas, indistinctly ‘miniature oil on copper of Dr Peral after Goya by Irene signed, in a gilt frame total frame: 33.2 x 27.8cm, canvas: Begbie Ellissen’ total frame: 23 x 20.9cm, miniature: 29 x 23.9cm approx 12 x 10m approx £200-£300 £60-£100
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31. British School, 18th century 32 ‘Three pigs foraging in woodland’, oil on canvas, indistinctly signed, in a gilt frame total frame: 42.5 x 51.2cm, canvas: 29.7 x 35.5cm approx £200-£400
32. British school, 18th century ‘Hunter and hound’, oil on canvas, unsigned, in a gilt frame total frame: 56.5 x 66.7cm, canvas: 62.5 x 53cm approx £200-£400
33. H. Whittaker Reville (British fl.1881-1903) ‘Chestnut hunter in stable’, oil on canvas, signed lower right, in gilt wooden frame total frame: 63.4 x 78cm, canvas: 46.5 x 61.4cm £300-£400
34. Edward Armfield (British 1817-1896) ‘Terriers chasing a pheasant’ oil on canvas, signed 35. Edward Armfield (British 1817-1896) lower left, gilt frame total frame: 44.3 X 54.5cm, canvas: ‘Terriers facing a fox’ oil on canvas, signed lower left, gilt 30.7 x 40.9cm frame total frame: 44.4 x 54.4cm, canvas: 40.7 x 30.8cm £200-£300 £100-£200
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36. James Hardy Junior (British 1832-1889) ‘Blackcock and grouse’, watercolour, signed lower right and dated J. Hardy Jur ‘64, framed and mounted 31 x 46cm £300-£500
37. Charles Thomas Bale (British active 1866-1875) ‘Still life of game, fruit, cider flagon and powder horn’, oil on canvas, signed lower right C. T. Bale, mounted and framed with label to verso 78 x 50cm £1,000-£1,500
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38. ‡ Helen Dryden (American 1882-1972) artwork for Vogue 1918 original pen, ink and watercolour artwork for the cover of Vogue USA 15th August 1918 edition, signed lower right, framed, together with a Vogue printed poster ‘Opera’ by Georges Lepape, printed 1970 and an ‘Illustrateurs au temps de Poiret, Paris’ printed poster and three Vogue Les Editions Conde Nast magazines dated 1st Feb 1922, 1st Apr 1922, 1st Nov 1925, (6) the former total frame: 70.4 x 59.2cm £200-£300
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39. ‡ Rolf Armstrong (American 1889-1960) ‘Girl on the beach’, pastel and ‘Girl relaxing’, pastel, both framed, unsigned, both with certificate of authenticity verso, (2) total frame: 33.7 x 27.4cm, 32.7 x 25.9cm £60-£80
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42. ‡ Andre Edouard Marty (French 1882-1974) study of a courting couple, ink with watercolour, signed lower right A.E. Marty, framed, label verso ‘Dessin original de Marty Marriage princier, le jour de la St Valentin, (Elizabeth, fille de Jacques II d’Angleterre) total frame: 32.8 x 32.5cm £40-£60
(part) 43. ‡ Jean Cooke R.A. (British 1927-2008) 40. ‡ A collection of six framed watercolours signed ‘Beachy Head, Sussex’, oil on canvas mounted in a pine RJM frame, signed lower right canvas: 50.7 x 61cm; total frame: three of sheep, two of floral sprays and another of grapes, 52.4 x 62.5cm each initialled lower margin in pencil RJM, each framed, £200-£300 (6) total frame: 36.5 x 46.2cm - largest £50-£80
41. ‡ British School, 20th century ‘1930s study of a couple dancing’, watercolour for 44. A 19th century Chinese watercolour Britannia and Eve magazine December Issue, unsigned, unsigned, robed figures seated amongst trees with distant framed total frame: 35.7 x 28cm pagoda, 31 x 20cm £40-£60 £40-£60
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47. Brodtmann’s Naturhistorische Bilder-Gallerie aus dem Thierreiche ‘Der Bengalische Tieger Felis Tigris No. 24’ and ‘Der Panther Felis Pardus No.26’, prints, each in black and gilt frames, (2) total frame: 51.5 x 64cm £80-£120
48. ‘George The Third His Most Excellent Majesty’ after Charles Rosenberg coloured print, mounted in a black frame total frame: 41 x 32.5cm £30-£40
45. ‡ Richard Evett Bishop (American 1887-1975) ‘Whizzing’ Canadian geese coming to land in lake, etching, signed lower right and titled lower left, mounted and framed, details written verso total frame: (part) 49.3 x 41.4cm 49. Three various hand coloured prints £60-£80 comprising ‘Knight of St George’ winner of the Doncaster Great St Ledger 1854, framed; ‘Ships of 46. Seven 1920s ‘Pompeian Beauty Company’ the General Steam Navigation Company’, framed and advertising prints ‘cows in landscape’, framed, (3) 80 x 96.5cm - Knight, six double sided advertising beauty products, in gilt 73.5 x 96.5cm - Ships, 51.5 x 65.2cm wooden frames, (7) total frame: 69 x 20cm - largest £100-£200 £40-£60
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50. Two Pierre-Joseph Redoute botanical prints and 54. A collection of 19th and 20th century etchings four others and prints including ‘Coelogyne Cristata’, ‘Lycastle Skinneri’, a Victorian Pantin Colombine by Pellerin, framed; ‘Odontoglossum Oerstedii’, ‘Cerasus Cerisier, framed, (6) ‘Old Q-uiz the old Goat of Piccadilly - a shining star in total frame: 50.5 x 43cm - largest the British peerage’ hand coloured etching, framed; a £50-£80 ‘the music band’ print, framed; a ‘Cadillac V 8 12 16’ advertising print, framed; ‘La civilte puerile et honnete’ 51. A collection of eleven prints of landscapes and print, framed; ‘Morning light Grasmere’ and ‘Windermere castles in Yorkshire, Sussex and France Lake’ prints by W Heaton Cooper; ‘a Japanese figure with framed, (11) total frame: 35.4 x 53cm swords’, framed; (8) largest frame: 44 x 54cm £50-£70 £60-£100
52. Advertising memorabilia for Sunlight Soap, 55. ‡ Johann Erbler (b.1963 Vienna) United States Lines, Lifeboy Soap, Avalon cigarettes ‘Girl in a web’, Limited Edition 25 of 70, artists monogram an advertising print for United States Lines; 1812 Old lower right, in mount board, label verso total mount: Iron Sides The Old Way - 1928 Leviathan The New Way, 50 x 40cm framed; seven Sunlight soap advertising prints, framed; £50-£80 two Lifeboy soap advertising prints, framed and further advertising prints, framed and three Avalon cigarette 56. ‡ Maurice Milliene (French 1871-1946) posters, (22) total framed: 75.7 x 50.5cm ‘Seated lady’ coloured etching, signed in pencil and dated £40-£60 1914, in gilt frame total frame: 58 x 44.5cm £80-£120 53. A vintage advertising print for cigarettes, together with a print, framed; ‘Brown & Bigelow’ 1939 greetings calendar, framed; an Eggleston print seasons greetings, framed, (3) cigarette: 38.5 x 23.4cm; b & b: 33.9 x 22.3cm; eggleston: 43.3 x 23cm £40-£60
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BP* - Buyer’s Premium of 21.6% inclusive of VAT @ 20%. 16 Lots marked ‡ will be subject to an additional fee - please see page 88. ANTIQUES & COLLECTABLES
57. ‡ Smilby, Francis Wilford-Smith (British 1927 – 2009) cartoon for Playboy “Now, now, Mr Wilkins – we mustn’t try to run before we can walk” cartoon artwork for Playboy cartoon paperback ‘Sex and Other Late Night Laughs’ 1990 backcover, drawn: Feb 1988, pen and ink with watercolour, on Daler board, signed lower right, caption below, Copyright Playboy Publications All Rights Reserved & Not For Reproduction stamps upper margin, Smilby yellow dot verso, with dust sheet, together with artists rough workup for this artwork with artists notes in margins, signed lower right, (2) total board: 420 x 320mm, paper rough: 380 x 279mm £100-£200
58. ‡ Smilby, Francis Wilford-Smith (British 1927 – 2009) cartoon for Playboy “Not yet, Fiona – when I said ‘cast off’ I was speaking nautically” Unpublished cartoon artwork for Playboy, drawn: Dec 1989, pen and ink with watercolour, on Daler board, signed lower left, caption below, Copyright Playboy Publications All Rights Reserved & Not For Reproduction stamps on lower margin, Smilby yellow dot verso, with dust sheet total board: 420 x 322mm £80-£120
BP* - Buyer’s Premium of 21.6% inclusive of VAT @ 20%. Lots marked ‡ will be subject to an additional fee - please see page 88. 17 ANTIQUES & COLLECTABLES
59. ‡ Smilby, Francis Wilford-Smith 62. ‡ Smilby, Francis Wilford-Smith (British 1927 – 2009) cartoon for Playboy (British 1927 – 2009) cartoon for Playboy “Jeepers, I must be dreaming – it’s a white Christmas.” “And remember the time I faked three orgasms for (Jeepers, I must be dreaming – it’s crossed out in pencil, Masters and Johnson” “Santa must have known I was dreaming of” written Unpublished cartoon artwork for Playboy, drawn: in pencil), cartoon artwork for Playboy publ. Dec 1994 Sept 1993, pen and ink with watercolour, on Daler board, p.165, drawn: July 1989, pen and ink with watercolour, signed lower right, caption below, Copyright Playboy on Daler board, signed lower right, caption below, artists Publications All Rights Reserved & Not For Reproduction notes in margin, Copyright Playboy Publications All Rights stamps on lower margin, ‘Kill H’ in lower margin possibly Reserved & Not For Reproduction stamps upper margin, by Hugh Hefner, Smilby yellow dot verso, with dust Smilby yellow dot verso, with dust sheet, together with sheet, together with artists rough workup for this artwork artists rough workup for this artwork with artists notes in with artists notes in margins, unsigned, (2) total board: margins, signed lower right and another rough drawing, (3) 420 x 320mm, paper rough: 380 x 280mm total board: 420 x 320mm, paper rough: 378 x 278mm £100-£200 £100-£200 63. ‡ Smilby, Francis Wilford-Smith 60. ‡ Smilby, Francis Wilford-Smith (British 1927 – 2009) cartoon for Playboy (British 1927 – 2009) cartoon for Playboy “It’s a kind of amusing story – I was once in bed with an “Of course, if I ever get back home and write it all up, Englishman, an Irishman and a Scotsman, and ……….” I’ll have to change things about a bit, Friday” Unpublished cartoon artwork for Playboy, drawn: cartoon artwork for Playboy Feb 1972 pg.221, drawn: Oct 1975, pen and ink with watercolour, on Crescent Mar 1971, pen and ink with watercolour, on Daler board, illustration board, double board, signed lower right, signed lower right, caption below, artists notes lower caption below, artist’s notes lower margin, Copyright margin, Copyright Playboy All Rights Reserved stamp & Playboy Publications All Rights Reserved & Not For Playboy Publications Inc Reproduction Prohibited Without Reproduction stamps on upper margin, Smilby yellow dot Permission left margin & verso, Smilby yellow dot verso, verso, with dust sheet total board: 425 x 322mm with dust sheet total board: 410 x 311mm £80-£120 £80-£120 64. ‡ Smilby, Francis Wilford-Smith 61. ‡ Smilby, Francis Wilford-Smith (British 1927 – 2009) cartoon for Playboy (British 1927 – 2009) cartoon for Playboy “Steady Mr Birdsell – it’s my present you’re supposed to “I used to have a valet, and Beatrice had a ladies-maid, be unwrapping” then we suddenly thought what the hell and swapped” Unpublished cartoon artwork for Playboy Germany, cartoon artwork for Playboy pub. Nov 1974 p.241, drawn: Aug 1985, pen and ink with watercolour, on Daler drawn: Apr 1974, pen and ink with watercolour, on Daler board, signed lower right, caption below, Copyright board, signed lower right, caption below, artist’s notes Playboy Publications All Rights Reserved & Not For lower margin, Copyright Playboy Publications All Rights Reproduction stamps on lower margin, Smilby yellow dot Reserved & Not For Reproduction stamps upper margin, verso, with dust sheet total board: 427 x 322mm Playboy stamp upper margin, Smilby yellow dot verso, £80-£120 with dust sheet total board: 413 x 310mm £80-£120 65. ‡ Smilby, Francis Wilford-Smith (British 1927 – 2009) cartoon for Playboy “Henry dearest, do you think we could, just for once, try a twentieth century book on sexual arousal?” Unpublished cartoon artwork for Playboy, drawn: 1997, pen and ink with watercolour, on Daler board, signed lower right, caption below, Copyright Playboy Publications All Rights Reserved & Not For Reproduction stamps on lower margin, Smilby yellow dot verso, with dust sheet total board: 420 x 321mm £80-£120
BP* - Buyer’s Premium of 21.6% inclusive of VAT @ 20%. 18 Lots marked ‡ will be subject to an additional fee - please see page 88. ANTIQUES & COLLECTABLES
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BP* - Buyer’s Premium of 21.6% inclusive of VAT @ 20%. Lots marked ‡ will be subject to an additional fee - please see page 88. 19 ANTIQUES & COLLECTABLES
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66. ‡ Smilby, Francis Wilford-Smith 70. ‡ Smilby, Francis Wilford-Smith (British 1927 – 2009) cartoon for Playboy (British 1927 – 2009) cartoon for Playboy “Hey-y-y, this is good – it makes me feel horny ……what’s “No” ‘horny’?” cartoon artwork for Playboy publ. Dec 1993 p.155 drawn: Unpublished cartoon artwork for Playboy, drawn: Aug 1993, pen and ink with watercolour, on Daler board, Nov 1993, pen and ink with watercolour, on Daler signed lower right, caption below, No Playboy Copyright board, signed lower, caption below, Copyright Playboy stamps, Smilby yellow dot verso, with dust sheet total Publications All Rights Reserved & Not For Reproduction board: 421 x 320mm stamps on lower margin, ‘Kill H’ in lower margin possibly £80-£120 by Hugh Hefner, Smilby yellow dot verso, with dust sheet, together with artists rough workup for this artwork with 71. ‡ Smilby, Francis Wilford-Smith artists notes in margins, signed lower right, (2) total board: (British 1927 – 2009) cartoon for Playboy 420 x 320mm, paper rough: 382 x 280mm “You despicable son-of-a-bitch, Henderson – and with my £100-£200 own secretary !” Unpublished cartoon artwork for Playboy, drawn: Dec 67. ‡ Smilby, Francis Wilford-Smith 1990, open and ink with watercolour, on Daler board, (British 1927 – 2009) cartoon for Playboy signed lower left, caption below, Copyright Playboy “Tell me, Andy – what made you want to be a masseur?” Publications All Rights Reserved & Not For Reproduction cartoon artwork for Playboy & Playboy Germany, drawn: stamps on lower margin, ‘Ok H’ in lower margin possibly Jul 1991, pen and ink with watercolour, on Daler board, by Hugh Hefner, Smilby yellow dot verso, with dust sheet, signed lower right, caption below, Copyright Playboy together with artists rough workup for this artwork with Publications All Rights Reserved & Not For Reproduction artists notes in margins, signed lower right, (2) total board: stamps on lower margin, Smilby yellow dot verso, with 420 x 320mm, paper rough: 279 x 280mm dust sheet total board: 422 x 322mm £100-£200 £80-£120 72. ‡ Smilby, Francis Wilford-Smith 68. ‡ Smilby, Francis Wilford-Smith (British 1927 – 2009) cartoon for Playboy (British 1927 – 2009) cartoon for Playboy “Stanley – how could you – and on the Fourth of July …!” “I’d like you to update this – I’ve had implants” cartoon artwork for Playboy, publ. July 1975 p.169, drawn: Unpublished cartoon artwork for Playboy, drawn: June Mar 1975, pen and ink with watercolour, on Arne water 1995, pen and ink with watercolour, on Daler board, colour board, signed lower right, caption below, Copyright signed lower right, caption below, Copyright Playboy Playboy Publications All Rights Reserved stamps on Publications All Rights Reserved & Not For Reproduction upper margin & verso, Playboy stamp upper margin, stamps on lower margin, Smilby yellow dot verso, with artist’s notes lower margin, Smilby yellow dot verso, with dust sheet, together with artists rough workup for this dust sheet total board: 425 x 325mm artwork with artists notes in margins, signed lower right £80-£120 and ‘Ok Color HmH’ on lower margin in red crayon possibly by Hugh Hefner, (2) total board: 420 x 321mm, 73. ‡ Smilby, Francis Wilford-Smith paper rough: 381 x 279mm (British 1927 – 2009) cartoon for Playboy £100-£200 “It’s Melanie, for you – what shall I say?” Unpublished cartoon artwork for Playboy, drawn: Feb 69. ‡ Smilby, Francis Wilford-Smith 1990, pen and ink with watercolour, on Daler board, (British 1927 – 2009) cartoon for Playboy signed lower right, caption below, Copyright Playboy “You look sensational, baby – but I think you’ve got it on Publications All Rights Reserved & Not For Reproduction upside down” stamps on lower margin, Smilby yellow dot verso, with cartoon artwork for Playboy pub. Jan 1993 p.135, drawn: dust sheet total board: 410 x 322mm July 1992, pen and ink with watercolour, on Daler board, £80-£120 signed lower right, caption below, Copyright Playboy Publications All Rights Reserved & Not For Reproduction 74. ‡ Smilby, Francis Wilford-Smith stamps upper margin, Smilby yellow dot verso, with dust (British 1927 – 2009) cartoon for Playboy sheet, together with artists rough workup for this artwork “Nice cast, sir.” with artists notes in margins, signed lower right, (2) total cartoon artwork for Playboy pub. June 1992 p.167, drawn: board: 424 x 322mm, paper rough: 380 x 280mm Nov 1989, pen and ink with watercolour, on Daler board, £100-£200 signed lower left, caption below, artist’s notes in pencil lower margin, Copyright Playboy Publications All Rights Reserved & Not For Reproduction stamps upper margin, together with an Art Copy negative, Smilby yellow dot verso, with dust sheet total board: 420 x 322mm £80-£120
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78 79
75. ‡ Smilby, Francis Wilford-Smith 77. ‡ Smilby, Francis Wilford-Smith (British 1927 – 2009) cartoon for Playboy (British 1927 – 2009) cartoon for Playboy “Will the real Robert A. Henderson please stand up” “Aw gee, it’s just experience I guess, honey – you can’t Unpublished cartoon artwork for Playboy, drawn: spend twenty years with the Vice Squad without picking Jul 1973, pen and ink with watercolour, on Arne water up a thing or two” colour board, signed lower left, caption below in pencil, ‘honey’ crossed out in ink, Unpublished cartoon artwork No Playboy copyright stamps, Smilby yellow dot verso, for Playboy, drawn: Dec 1990, open and ink with with dust sheet total board: 415 x 312mm watercolour, on Daler board, signed lower right, caption £80-£120 below, artists notes lower margin, Copyright Playboy Publications All Rights Reserved & Not For Reproduction 76. ‡ Smilby, Francis Wilford-Smith stamps on lower margin, ‘Kill H’ in lower margin possibly (British 1927 – 2009) cartoon for Playboy by Hugh Hefner, Smilby yellow dot verso, with dust sheet “Well that’s solved your problem – now can we get back total board: 420 x 321mm to mine” £80-£120 Unpublished cartoon artwork for Playboy, drawn: Feb 1979, pen and ink with watercolour, on Arne water 78. ‡ Smilby, Francis Wilford-Smith colour board, signed lower right, caption below, No (British 1927 – 2009) cartoon for Playboy Playboy copyright stamps, Smilby yellow dot verso, with “And another thing – you never brought me that red dust sheet total board: 423 x 323mm bicycle when I was twelve” Unpublished cartoon £80-£120 artwork for Playboy, drawn: Sept 1995, pen and ink with watercolour, on Daler board, signed lower right, caption below, Copyright Playboy Publications All Rights Reserved & Not For Reproduction stamps on lower margin, Smilby yellow dot verso, with dust sheet, together with artists rough workup for this artwork with artists notes in margins, signed lower right, ‘Ok color H’ in red crayon possibly by Hugh Hefner, (2) total board: 420 x 323mm, paper rough: 380 x 280mm £100-£200
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79. ‡ Smilby, Francis Wilford-Smith 81. ‡ Smilby, Francis Wilford-Smith (British 1927 – 2009) cartoon for Playboy (British 1927 – 2009) cartoon for Playboy “Hey-y-y, I like it – it makes you look sexy” “…. And ’57 – that was the year your husband was in cartoon artwork for Playboy pub. Oct 1990 p.115, drawn: Pittsburgh, and I brought you the diamond clip………” June 1989, pen and ink with watercolour, on Daler board, cartoon artwork for Playboy pub. Dec 1992 p.234, drawn: signed lower right, caption below, Copyright Playboy Aug 1989, pen and ink with watercolour, on Daler board, Publications All Rights Reserved & Not For Reproduction signed lower right, caption below, Copyright Playboy stamps upper & lower margins, Smilby yellow dot verso, Publications All Rights Reserved & Not For Reproduction with dust sheet, together with artists rough workup for this stamps upper margin, Smilby yellow dot verso, with dust artwork with artists notes in margins, signed lower right, sheet, together with artists rough workup for this artwork (2) total board: 420 x 320mm, rough: 382 x 280mm with artists notes in margins, signed lower right, (2) total £100-£200 board: 418 x 317mm, paper rough: 380 x 280mm £100-£200 80. ‡ Smilby, Francis Wilford-Smith (British 1927 – 2009) cartoon for Playboy 82. ‡ Smilby, Francis Wilford-Smith “I had it done for you, Manfred dear – er – ‘Ed’ – short for (British 1927 – 2009) cartoon for Playboy Manfred” “Actually the dragon wasn’t too bad, but the mosquitoes unpublished cartoon artwork for Playboy Germany, were hell” drawn: Sep 1982, pen and ink with watercolour, on Daler Unpublished artwork for Playboy, drawn: June 1988, board, signed lower right, caption below, artists hand pen and ink with watercolour, on Daler board, signed written notes in pencil Manfred crossed out with a line lower right, caption below, No Playboy copyright stamps, down to Freddy/Fred, Copyright Playboy Publications All Smilby yellow dot verso, with dust sheet, together with Rights Reserved & Not For Reproduction stamps on lower artists rough workup for this artwork with artists notes in margin, Smilby yellow dot verso, with dust sheet total margins, signed lower right, (2) total board: 422 x 321mm, board: 423 x 322mm paper rough: 380 x 280mm £80-£120 £100-£200
80 82
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83 84
85 87
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83. ‡ Smilby, Francis Wilford-Smith 87. ‡ Smilby, Francis Wilford- Smith (British 1927 – 2009) cartoon for Playboy (British 1927 – 2009) cartoon for Playboy “Hugh Hefner?…married?…” “You’re new here aren’t you, Miss-er-er…?” cartoon artwork for Playboy pub. Feb 1990 p.95, drawn: cartoon artwork for Playboy Dec 1977 pg.277, drawn: Aug 1989, pen and ink with watercolour, on Daler board, Jul 1977, pen and ink with watercolour, on Arne board, signed lower right, caption below, artist’s notes in pencil signed left, caption below, artists notes in margins, lower margin, Copyright Playboy Publications All Rights Copyright Playboy All Rights Reserved stamp & Playboy Reserved & Not For Reproduction stamps upper margin Publications Inc Reproduction Prohibited Without & verso, Smilby yellow dot verso, with dust sheet total Permission lower margin & verso, Smilby yellow dot verso, board: 419 x 316mm with dust sheet total board: 425 x 323mm £80-£120 £80-£120
84. ‡ Smilby, Francis Wilford-Smith 88. ‡ Smilby, Francis Wilford- Smith (British 1927 – 2009) cartton for Playboy (British 1927 – 2009) cartoon for Playboy “Hey, Jacko – gimme a good rhyme for tits” “Dammit, Suzette, the ice has melted” cartoon artwork for Playboy, pub. Feb 1989 p.125, drawn: cartoon artwork for Playboy Mar 1980 pg.239, drawn: Sept 1988, pen and ink with watercolour, on Daler board, Apr 1978, pen and ink with watercolour, on Arne board, signed lower right, caption below, Copyright Playboy signed right, caption below, artists notes in margins, Publications All Rights Reserved & Not For Reproduction Copyright Playboy All Rights Reserved stamp & Playboy stamps lower margin, Smilby yellow dot verso, with dust Publications Inc Reproduction Prohibited Without sheet, together with artists rough workup for this artwork Permission lower margin & verso, Smilby yellow dot verso, with artists notes in margins, unsigned, (2) total board: with cellophane sheet total board: 425 x 325mm 421 x 320mm, paper rough: 380 x 279mm £80-£120 £100-£200 89. ‡ Smilby, Francis Wilford- Smith 85. ‡ Smilby, Francis Wilford-Smith (British 1927 – 2009) cartoon for Playboy (British 1927 – 2009) cartoon for Playboy “With you in a minute, my dear – just giving Suzette her “You’d think someone would have helped us between Christmas present” here and Arizona” cartoon artwork for Playboy Dec 1979 pg.288, drawn: cartoon artwork for Playboy, pub. Nov. 1990 p.172, drawn: Jul 1979, pen and ink with watercolour, on Arne board, Oct 1988, pen and ink with watercolour, on Daler board, signed right, caption below, artists notes in margins, signed lower right, caption below, Copyright Playboy Copyright Playboy All Rights Reserved stamp & Playboy Publications All Rights Reserved & Not For Reproduction Publications Inc Reproduction Prohibited Without stamps upper margin, Smilby yellow dot verso, with Permission lower margin & verso, Smilby yellow dot verso, cellophane dust sheet total board: 421 x 323mm together with artists rough workup for this artwork with £80-£120 artists notes in margins, signed lower right, ‘Ok color H’ in red crayon possibly by Hugh Hefner, (2) total board: 86. ‡ Smilby, Francis Wilford- Smith 424 x 322mm, paper rough: 382 x 277mm (British 1927 – 2009) cartoon for Playboy £100-£200 “As soon as you’ve got enough evidence down on canvas, give me a nudge and we’ll burst in” 90. ‡ Smilby, Francis Wilford- Smith cartoon artwork for Playboy Nov 1978 pg.259, drawn: (British 1927 – 2009) cartoon for Playboy May 1976, pen and ink with watercolour, on Arne “Twenty-eighth floor….and a very Merry Christmas, board, signed right, caption below, artists notes in Madame” margins, Copyright Playboy All Rights Reserved stamp cartoon artwork for Playboy Dec 1980 pg.335, drawn: & Playboy Publications Inc Reproduction Prohibited Jul 1980, pen and ink with watercolour, on Arne board, Without Permission verso, Smilby yellow dot verso, with signed right, caption below, artists notes in margins, cellophane wrapper total board: 422 x 325mm Copyright Playboy All Rights Reserved stamp & Playboy £80-£120 Publications Inc Reproduction Prohibited Without Permission lower margin & verso, Smilby yellow dot verso, with dust sheet, together with artists rough workup for this artwork with artists notes in margins, signed lower right,’Ok color – H’ in red pen possibly by Hugh Hefner, (2) total board: 423 x 320mm, paper rough: 378 x 279mm £100-£200
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91. ‡ Smilby, Francis Wilford- Smith 94. ‡ Smilby, Francis Wilford- Smith (British 1927 – 2009) cartoon for Playboy (British 1927 – 2009) cartoon for Playboy “I guess I really want something with good opportunities “Relax lady, I’m not just any Peeping Tom – you’re on for travel and screwing” closed-circuit TV” cartoon artwork for Playboy Jun 1982 pg.265, drawn: cartoon artwork for Playboy Nov 1981 pg.268, drawn: May 1981, pen and ink with watercolour, on Arne board, Jul 1981, pen and ink with watercolour, on Daler board, signed right, caption below, artists notes in margins, signed left, caption below, Copyright Playboy All Rights Copyright Playboy All Rights Reserved stamp & Playboy Reserved stamp & Playboy Publications Inc Reproduction Publications Inc Reproduction Prohibited Without Prohibited Without Permission upper margin & verso, Permission lower margin & verso, Smilby yellow dot verso, Smilby yellow dot verso, with dust sheet, together with with dust sheet, together with artists rough workup for this artists rough workup for this artwork with artists notes in artwork with artists notes in margins, signed lower right, margins, unsigned, ‘Ok B + W H’ in blue crayon possibly ‘Ok color – H’ in red crayon possibly by Hugh Hefner, (2) by Hugh Hefner, (2) total board: 439 x 320mm, paper total board: 422 x 322mm, paper rough: 384 x 278mm rough: 375 x 278mm £100-£200 £100-£200
92. ‡ Smilby, Francis Wilford- Smith 95. ‡ Smilby, Francis Wilford- Smith (British 1927 – 2009) cartoon for Playboy (British 1927 – 2009) cartoon for Playboy “Why, Suzette, I believe you knew it was me all the time” “And then there was the iceman, the milkman, the boy cartoon artwork for Playboy Jan 1982 pg.281, drawn: with the groceries, the vacuum cleaner salesman – aah, Jul 1981, pen and ink with watercolour, on Arne board, those were the days.” signed right, caption below, artists notes in margins, cartoon artwork for Playboy Sep 1982 pg.201, drawn: Copyright Playboy All Rights Reserved stamp & Playboy Jul 1981, pen and ink with watercolour, on Daler board, Publications Inc Reproduction Prohibited Without signed right, artists notes in margins, caption below, Permission upper margin & verso, Smilby yellow dot verso, sticker on board, Copyright Playboy All Rights Reserved with dust sheet, together with artists rough workup for this stamp & Playboy Publications Inc Reproduction Prohibited artwork with artists notes in margins, signed lower right, Without Permission upper margin & verso, Smilby yellow ‘Ok color – H’ in red crayon possibly by Hugh Hefner, (2) dot verso, with dust sheet total board: 426 x 318mm total board: 425 x 322mm, paper rough: 383 x 275mm £80-£120 £100-£200 96. ‡ Smilby, Francis Wilford- Smith 93. ‡ Smilby, Francis Wilford- Smith (British 1927 – 2009) cartoon for Playboy (British 1927 – 2009) cartoon for Playboy “Ho-ho-ho” “Just giving Suzette a hand with the Christmas baubles, cartoon artwork for Playboy Germany Dec 1982 pg.77, my dear” drawn: Aug 1982, pen and ink with watercolour, on Daler cartoon artwork for Playboy Dec 1981 pg.319, drawn: board, signed lower right, caption below, Smilby yellow Jul 1981, pen and ink with watercolour, on Arne board, dot verso, with dust sheet, together with two artists rough signed right, caption below, artists notes in margins, workup for this artwork with artists notes in margins, Copyright Playboy All Rights Reserved stamp & Playboy signed lower right, (3) total board: 424 x 318mm, paper Publications Inc Reproduction Prohibited Without rough: 382 x 275mm Permission upper margin & verso, Smilby yellow dot verso, £100-£200 with dust sheet, together with artists rough workup for this artwork with artists notes in margins, signed lower right, 97. ‡ Smilby, Francis Wilford- Smith ‘Ok color – H’ in red crayon possibly by Hugh Hefner, (2) (British 1927 – 2009) cartoon for Playboy total board: 422 x 322mm, paper rough: 378 x 280mm “Santa caught in fireplace man trap” £100-£200 cartoon artwork for Playboy Germany Dec 1984 pg.93, drawn: Aug 1982, pen and ink with watercolour, on Daler board, signed lower right, uncaptioned, Smilby yellow dot verso, with dust sheet total board: 435 x 317mm £80-£120
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91 95 98. ‡ Smilby, Francis Wilford- Smith (British 1927 – 2009) cartoon for Playboy “Ah, Wellard – did you remember to give Suzette her Christmas bonus?” cartoon artwork for Playboy Dec 1982 pg.287, drawn: Jul 1982, pen and ink with watercolour, on Arne board, signed lower right, artists notes in margins, caption below, Copyright Playboy All Rights Reserved stamp & Playboy Publications Inc Reproduction Prohibited Without Permission lower margin & verso, Smilby yellow dot verso, with cellophane sheet, together with artists rough workup for this artwork with artists notes in margins, unsigned, ‘Ok Color – H’ in red crayon possibly by Hugh Hefner, (2) total board: 422 x 318mm, paper rough: 382 x 280mm £100-£200
99. ‡ Smilby, Francis Wilford- Smith (British 1927 – 2009) cartoon for Playboy “Me Adam – you Jane?” cartoon artwork for Playboy Germany 1980s, drawn: Oct 1983, pen and ink with watercolour, on Daler board, signed right, caption below, Smilby yellow dot verso, with dust sheet, together with artists rough workup for this artwork with artists notes in margins, signed lower right, (2) total board: 424 x 323mm, paper rough: 377 x 277mm £100-£200
96
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100 101
102 104
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100. ‡ Smilby, Francis Wilford- Smith 103. ‡ Smilby, Francis Wilford- Smith (British 1927 – 2009) cartoon for Playboy (British 1927 – 2009) cartoon for Playboy “You’ll find this will help to check your body-swing when “What I like most about skiing is what it does for the putting, Mrs. Cavendish” flexibility and mobility of the hips” cartoon artwork for Playboy Germany Jan 1986 pg.139, cartoon artwork for Playboy Germany Jan 1987 pg.51, drawn: Nov 1984, pen and ink with watercolour, on Daler drawn: Aug 1986, pen and ink with watercolour, on Daler board, signed lower right, caption below, Smilby yellow dot board, signed lower right, artists notes in margins, caption verso, with dust sheet, together with artists rough workup below, Smilby yellow dot verso, with dust sheet, together for this artwork with artists notes in margins, signed, (2) with artists rough workup for this artwork with artists total board: 425 x 320mm, paper rough: 382 x 280mm notes in margins, signed, (2) total board: 422 x 320mm, £100-£200 paper rough: 385 x 273mm £100-£200 101. ‡ Smilby, Francis Wilford- Smith (British 1927 – 2009) cartoon for Playboy 104. ‡ Smilby, Francis Wilford- Smith “Good grief – it’s started to snow” (British 1927 – 2009) cartoon for Playboy cartoon artwork for Playboy Germany Jan 1986 pg.65, “Was it good for you too?” drawn: Aug 1985, pen and ink with watercolour, on Daler cartoon artwork for Playboy Germany Jan 1988 pg.55, board, signed lower right, caption below, Smilby yellow drawn: Jul 1987, pen and ink with watercolour, on Daler dot verso, with dust sheet total board: 420 x 325mm board, signed lower right, caption below, Smilby yellow £80-£120 dot verso, with dust sheet, together with two artists rough workups for this artwork with artists notes in margins, 102. ‡ Smilby, Francis Wilford- Smith unsigned, (3) total board: 420 x 320mm, paper rough: (British 1927 – 2009) cartoon for Playboy 380 x 280mm “And then the Equal Opportunities Commission stepped £100-£200 in and …” cartoon artwork for Playboy Germany Dec 1991 pg.81, drawn: Jul 1985, pen and ink with watercolour, on Daler board, signed lower left, caption below, with dust sheet, together with artists rough workup for this artwork with artists notes in margins, signed, (2) total board: 420 x 320mm, paper rough: 381 x 278mm £100-£200
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105 106
107 108
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105. ‡ Smilby, Francis Wilford-Smith (British 1927 – 2009) cartoon for Playboy “…a-doowop adoowoppa, shanga-langa shana- langa, hey hey hey…” cartoon artwork for Playboy Germany Dec 1990 pg.75, drawn: Oct 1987, pen and ink with watercolour, on Daler board, signed lower right, caption below, Smilby yellow dot verso, with dust sheet, together with artists rough workup for this artwork with artists notes in margins, signed lower right, (2) total board: 420 x 320mm, paper rough: 380 x 279mm £100-£200
106. ‡ Smilby, Francis Wilford-Smith (British 1927 – 2009) cartoon for Playboy “Prancer, godammit, get the hell down off Vixen” cartoon artwork for Playboy Germany Dec 1988 drawn: Jun 1988, pen and ink with watercolour, on Daler board, signed lower right, caption below, Smilby yellow dot verso, with dust sheet, together with artists rough workup for this artwork with artists notes in margins, signed lower right, (2) total board: 422 x 320mm, paper rough: 379 x 280mm £100-£200
107. ‡ Smilby, Francis Wilford- Smith (British 1927 – 2009) cartoon for Playboy “Gesund heit” cartoon artwork for Playboy Germany Jul 1990 pg.97, drawn: Apr 1990, pen and ink with watercolour, on Daler board, signed lower right, caption below, Smilby yellow dot verso, with dust 109 sheet, together with artists rough workup for this artwork with artists notes in margins, signed lower right, (2) total board: 420 x 320mm, paper rough: 109. ‡ Smilby, Francis Wilford-Smith (British 1927 – 2009) 380 x 278mm cartoon for Playboy £100-£200 “Gee baby, thanks, they’re terrific….terrific” cartoon artwork for Playboy Germany Dec 1991, drawn: 108. ‡ Smilby, Francis Wilford-Smith Aug 1991 pen and ink with watercolour, on Daler board, signed (British 1927 – 2009) lower right, caption below, Smilby yellow dot verso, with dust “Do Not Feed The Bears / bitte die baren nicht sheet, together with artists rough workup for this artwork with futtern” artists notes in margins, signed lower right, (2) total board: cartoon artwork for Playboy Germany, drawn: Mar 420 x 322mm, paper rough: 376 x 276mm 1991 pen and ink with watercolour, on Daler board, £100-£200 signed lower right, Smilby yellow dot verso, with dust sheet, together with artists rough workup for 110. ‡ Smilby, Francis Wilford-Smith (British 1927 – 2009) this artwork with artists notes in margins, signed cartoon for Playboy lower right, (2) total board: 422 x 322mm, paper “Great heavens, Suzette – you sure know the way to fill a rough: 382 x 281mm Christmas stocking” £100-£200 unpublished cartoon artwork for Playboy Germany, drawn: Aug 1985, pen and ink with watercolour, on Daler board, signed lower right, caption below, with dust sheet, together with artists rough workup for this artwork with artists notes in margins, signed lower right, (2) total board: 423 x 323mm, paper rough: 371 x 279mm £100-£200
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111. A large 19th century Victorian cranberry glass pipe with triple gourd section approx. 46cm in length £60-£80
114. A Czechoslovakian Art Deco pottery wall mask of a girl, wearing a blue stripped scarf, bears marks and impressed stamp 13053? height: 20.7cm £40-£60 112. A pair of Wedgwood tri-colour jasperware lidded urns, late 19th/early 20th century of pedestal form with twin handles, the bodies in a green ground with a central band of dancing maidens in white and trailing ribbons with applied acanthus leaves and blue petals, with knopped lids, bears Wedgwood impressed mark to base and no.2, one a/f, (2) height: 21cm £100-£200
115. Three Troika pottery marmalade pots, 20th century of square forms with incised abstract decoration, one signed by Honor Curtis, each bears Troika marks, (3) height: 2 x 9.3cm, 1 x 9cm £80-£120 113 113. A pair of porcelain portrait plates, of scallop form with central painted portraits surrounded by gilt hatched decoration, unmarked (2) diameter: 24cm £40-£60
115
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116. A Troika pottery wheel vase by Alison Brigden of circular form with abstract decoration, bears painted factory and artist marks to base height: 20cm, diameter: 20.2cm £150-£200
118. A Troika pottery vase by Alison Brigden of rectangular form with green ground and abstract decoration, bears painted factory and artists marks to base height: 17.5cm £100-£150
117. A Troika pottery vase by Alison Brigden of rectangular form with brown ground and abstract decoration, bears painted factory and artists marks to base height: 17.2cm £150-£200 119. A Troika pottery chimney vase by Alison Brigden of rectangular form with abstract decoration of both sides, bears painted factory and artist marks to base height: 20cm £150-£200
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121. A modern Royal Crown Derby Old Imari pattern comport No 1128, of typical colourways heavily embellished with gilt decoration, with fluted rim, the base with broken section a/f diameter 30cm £60-£80
120. A Royal Crown Derby set of six silver mounted coffee cups and saucers typically painted and red and blue and embellished with 122. A Royal Crown Derby Old Imari pattern gilt decoration, the cup handles with pierced flower comport and scroll decoration and hallmarked London 1912 a/f, No 1128, of square form, of typical colourways, heavily contained within a presentation case with satin lining, embellished with gilt decoration diameter 30cm width of case 34.5cm £300-£500 £50-£80
123. A Sevres biscuit ‘Group Cymbales’, circa 1912 the group depicting Bacchante playing cymbals and Satyr seated playing a trumpet on a grassy bank, marks verso Serves 1912, raised upon a blue porcelain and gilt highlighted oval base, with gilt metal plaque engraved ‘Group Cymbales’ biscit de la manufacture Nationale de Sevres’, bearing black stamp to underside S,96 Dore a Sevres 96, in a fitted chamois leather cushioned and leather stitched carrying case, with a metal plaque engraved ‘M Ralph George Dinwiddy Lieutenant de Vaisseau remerciements de la Marine Francaise Portsmouth June 1913’, (3) total height: 38cm; biscuit height: 29cm; base height: 9cm; width: 27.8cm; case: 43 x 28 x 34cm £800-£1200
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124. A pair of Royal Dux figurines of a young boy and girl gathering fruit and wheat 126. A 19th Century Palissy Majolica ewer painted in royal blue and beige colourways heightened decorated with insects with gilt detail, the boy carrying a bowl of fruit with a with applied frog, tortoise, lizard and other insects, on bucket to his side, and the girl holding sheaths of corn, mossy ground, with handle in the form of a lizard, the lid both with impressed numbers to base and on naturalistic mounted with shell with insect crawling out, a/f height 32cm bases, (2) height of the former 31cm £100-£200 £100-£200 127. A Maw & Co majolica painted tile picture of the ‘Chorus Girl’ two tiles mounted in a frame total frame: 43.7 x 23.5cm £40-£50
128. Antiquities; a small Cypriot two handled pottery bowl and a similar round bottomed bottle, each bearing hand written label ‘Nicosia, Cyprus 1878’ (2) diameter of bowl 8.5cm, height of jug 8cm £50-£70
125. A Stevenson & Hancock, Derby porcleain 129. A contemporary Moorcroft pottery triangular figurine of a potter, early 20th century shaped promotional stand by Sian Leeper, design realistically modelled, the painted figure of a potter at his date 2001 wheel, raised upon a acanthus scroll base, puce factory with tube lined pattern on one side and either end, and marks to base height 19cm Moorcroft Pottery on the other side, bears painted and £150-£200 impressed marks to base, with original box height: 5.5cm, length: 18.5cm, depth: 6.2cm £50-£80
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130 133 134
131. A contemporary Moorcroft ‘Derent’ vase by Philip Gibson, circa 2004 the flared vase decorated tubelined carp, Limited Edition 69 of 200, impressed, painted stamps and signature to base, with original box height: 20.7cm £150-£200
132. A contemporary Moorcroft ‘Favrile’ vase by Nicola Slaney, circa 2000 the squat baluster tubelined vase, with painted and impressed stamps to base, with original box height: 9cm £80-£120
133. A contemporary Moorcroft ‘Kali Zoe’ vase by Emma Bossons, circa 2004 the baluster tubelined vase, Limited Edition 34 of 300, impressed, painted stamped and signature to base, with original box height: 36.5cm £150-£200
134. A contemporary Moorcroft ‘Kotare’ vase by Philip Gibson, circa 2005 132 the baluster tubelined vase, Limited Edition 30 of 100, impressd, painted stamps and signature to base, with 130. A contemporary Moorcroft «Christmas Kiss’ original box height: 19.5cm vase by Rachel Bishop, circa 2003 £150-£200 a tall tapering tubelined vase, Limited Edition 214 of 250, impressed, painted marks and signature to base, with original box height: 31cm £150-£200
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135. A small collection of Chinese famille rose comprising three dishes of graduating size, a miniature tureen (possibly from a child’s tea set), miniature jar and lid (broken), and a miniature blue and white Chinese teapot with rattan handle the largest dish diameter 13cm £40-£60
136. A Chinese late 19th century famille verte 137. A pair of Chinese 19th century famille verte crackle wear vase baluster vases converted to lamps the baluster form with twin rams head ring handles, and painted with a continuous market scene with figures with painted with yellow and green dragons both chasing the baskets, musicians, hawkers etc., and with floral detail to flaming pearl, double circle painted mark to base height neck, converted to lamps overall height 24.5cm 21cm £100-£200 £80-£120
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140. A pair of Chinese Kangxi blue and white porcelain dishes, circa 1700 each decorated with figures in a walled courtyard with prunus trees beyond, each with fluted rim, the reverse painted with mountainous landscape with Chenghua six character mark to base diameter 15.5cm £500-£700
138. A pair of late 19th century large Chinese blue and white porcelain floor standing vases, the baluster form vases with lioness and cub handles and the crackle ground painted with Taoist precious objects approx. 59cm £100-£200
141. A Chinese late 18th/early 19th century blanc de Chine ding shaped censer 139. A large 18ct century Chinese export ware blue the rounded body having twin handles raised on three and white dish lion mask feet with lightly impressed detail to body, with the oval lobed porcelain platter painted with a ‘shrine’ with carved hardwood fitted cover and stand, unmarked total Taoist offerings placed high in a forest garden, stylised height 20cm floral detail to shaped rim approx. 40 x 29.5cm £300-£500 £100-£200
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142. A 19th century Chinese blue and white and iron red double porcelain snuff bottle painted with scrolling chrysanthemums, together with a blue and white porcelain snuff bottle of square section (2) the former 6cm £100-£200
144. A 19th century Chinese blue and white porcelain dragon handled ewer having fitted Chinese silver base supported on three lion dog feet and silver dragon head stopper, the body painted with geese upon rocks amid reeds, with impressed mark to silver height 27cm £200-£400
143. A large Chinese Longquan celadon charger, Ming Dynasty having heavily potted fluted sides and central floral peony and chrysanthemum decoration, overall celadon glaze save for an unglazed ‘burnt orange’ ring under the base, the base centre with red dot symbols approx. 32.5cm diameter £2,000-£3,000 145. A large Chinese 19th century blue and white charger well painted with scrolling anemones and scroll detail to edge diameter, diameter 39cm £200-£400
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150. A Meji period Japanese lacquer kodansu (cabinet) with doors to the front decorated with birds and mountainous scenes, opening to reveal six drawers and large below with large brass hinges and carrying handles either side 40cm high 44cm wide £60-£80
146. A 19th century Japanese turquoise glazed monochrome vase of slender necked bottle form height 23cm £40-£60
147. A Japanese satsuma figure of a Buddha converted to a lamp the seated buddha on rocky base, painted in typical colourways and embellished with gilt decoration height 26cm £60-£100
148. A late 19th century Satsuma charger together with a Satsuma cabinet plate and a cylindrical cup the larger plate decorated in relief of flying cranes and 151. A Japanese inro and three other snuff boxes other birds with impressed mark to the reverse, the the inro of five sections decorated in relief with smaller plate decorated with Japanese figures and cranes mountainous scene with deer and birds, together with amongst foliage with painted marks together with a a rectangular papier mache snuff box with mother of cylindrical cup decorated in a similar style (3) diameter of pearl inlay, another lacquer box painted with daisies and the larger 35cm butterflies and one other (modern), (4) the inro 8cm £50-£80 £80-£120
149. A mixed collection of early 20th century Japanese saki bowls with various painted scenes including geisha girls, floral scenes etc… (qty) average diameter 6cm £40-£60
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154. A Chinese late 19th century carved jade scholars mountain mounted on a fitted carved hardwood display stand length 16.5cm, length 18cm with stand £200-£300
152. A large early 20th century Burmese bronze figure of a warrior seated upon a rock wearing sword to his side and his 155. An early 20th century carved jade figure of a helmet placed to the other height approx 29cm boar £250-£350 the crouched mammal on a carved hardwood fitted stand length 6cm, with stand 6.5cm £100-£200
153. A large 19th Century Japanese gilt bronze censer having twin elephant mask handles and front panel decorated in high relief with a robed figure seated with a stag in a forest clearing, scroll engraved detail to base, 156. A late 19th century Chinese lacquer gaming box archaic seal mark to base approx. 26 x 39cm of rectangular form, with gilt decoration to the sides, lid £100-£200 and interior, the lid opening to reveal a fitted interior with several compartments and gaming trays, with four claw feet width 30cm £100-£150
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157. A Meji period Japanese bronze model of a house realistically modelled with thatched roof and figures peering from windows, one figure holding a fan, with no marking or character mark to base, together with a small bronze figure of a turtle unmarked width 9cm £60-£100
160. A collection of Chinese export mother-of-pearl gaming counters 158. A late 19th century Japanese Hakone wear finely carved with floral scenes, figures and temples, of parquetry miniature desk or cabinet rectangular and circular form (qty) length of rectangular one side with cupboard door with mountain scene 5.7cm opening to reveal two drawers above a smaller one, the £100-£200 other side with four further drawers, the top removing in order for the furniture to be used as a desk or cabinet width as a desk 65cm, height 25cm £80-£120
161. Two Japanese lacquer Kushi combs circa 1900, the first of smaller size with intricate geometric lacquer work, the other with polished lacquer and coral inlay a.f, together with a carved nut with Japanese scene the largest length 11cm £60-£80
159. A small early 20th century Japanese gilt lacquer box and cover the lid decorated with a house and garden and distant mountain range, width 11cm £40-£60
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162. A pair of early 20th century Chinese bamboo brush pots 165. A pair of Chinese carved stone figures of the cylindrical pots carved in relief with continuous temple guardians mountainous lake scenes with figures in boats, having possibly early 19th Century and having carved fitted hard shaded detail and raised on three shaped feet with carved wood stands (2), height 18cm patterned borders height 15cm £100-£200 £60-£80
163. Tatsumura Institute of Textile Arts woven replica of a Japanese Tempyo Era brocade, woven in the traditional manner in coloured silks of the same colour as the original brocade woven in the Tempyo Eras (645-781), in large presentation frame with original information incorporated in the frame Approx. 61 x 154cm £200-£300
166. A pair of Chinese silk embroidered rank badges Buzi, late Qing of a bird in flight, finely worked in gold and cream threads flying amongst scroll clouds and flowers heightened in gilt thread, with sea creature below, both framed and glazed 28 x 30cm £150-£250
164. A pair of Chinese circular cloisonne dishes, late Ming both with foliate scroll decoration heightened with gilt decoration on traditional turquoise ground (2) approx. 14cm diameter £200-£300
167. A pair of 19th century Chinese sleeve panels together with a small collection of unframed Chinese gown edgings including sleeve bands, collar front and Pekin stitched and gold couched motifs (Q) length of panels 65cm £100-£200
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168. A pair of late 19th century Chinese bronze vases of archaistic form having applied elephant masks to neck and engraved detail to body a.f, approx. 15cm in height £60-£80
169. A Chinese export small silver box and cover 171. A Polish silver twin cruet suite, late 20th early 20th century, of circular form, initialled on the century underside KW, with gilded interior and embossed with each of joined circular bowl form with joined handle image of dragon chasing the pearl around the perimeter of raised upon four ball supports, each lid with amber the box and the lid width 4.5cm flowerhead finial and two inset cabochons, hallmarked £80-£120 G 925 for Gdansk, with two silver spoons with oval amber cabochons, (4) weight: 4ozt approx, height: 9cm, width: 12cm £80-£120
172. A set of four Victorian silver salts, hallmarked London 1895 the twin handled navette shaped pedestal salts with part gadrooned body upon an oval base and silver gilt interior, makers mark rubbed, (4) height: 6.8cm; width: 13.1cm; weight: 9ozt approx £200-£300
173. A set of Victorian four silver salts, hallmarked London 1868/1878 each of circular form with fluted rim raised upon three pad supports and silver gilt interior, three by Charles Stuart Harris and the other by Martin Goldstein, each engraved with family crest, (4) height: 3.5cm (Goldstein) & 3.8cm (Harris), rim diameter: 5.8cm (Goldstein) & 6cm (Harris); 170. A pair of Chinese export silver spill vases by weight: 9ozt approx Wang Hing £200-£300 late 19th century, of slender form with pierced decoration of dragons, raised on tripod legs, the underside stamped WH, (2) height 18cm £300-£500
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174. A small collection of silver comprising a half leather covered hip flask with viewing window and a silver cup and silver top both hallmarked Sheffield 1890, one side engraved ‘Edith’, together with an assorted small collection of silver topped jars, (5) £100-£150
175. A Contemporary silver tankard, hallmarked Sheffield 1951 of typical form with rounded handled upon circular foot ring, with front engraved ‘Tony from the staff of C.B & Co. Dar-es-Salaam May 1956’ by Viner’s Ltd, together with an oak and silver plated banded tankard, with registration mark for 1872, a silver ashtray hallmarked Birmingham 1951 by and a silver ashtray hallmarked Birmingham 1969, (4) height: silver - 13.2cm; oak - 13.2cm, diameter: ashtray - 9.8cm and 12.1cm; silver weight: 17ozt approx £100-£150
176. A 20th century white metal casket possibly Persian 179. A George III silver vinaigrette, hallmarked of sarcophagus shape decorated with flowers, together Birmingham 1804 with a 19th century silver pill box of rectangular form of oval form with hinged concave lid initialled ‘ER’, with with gilt interior, Churchill crown dated 1965, silver pierced silver gilt filigree grille, by Samuel Pemberton St Christopher on chain and two Mother Theresa coins weight: 1ozt approx length of casket 10.5cm £60-£100 £100-£200
177. A Tiffany silver cigarette case hallmarked Sterling 925, of rectangular ribbed form with hinged lid, marked Sterling 925 Italy Tiffany & Co, weight: 4ozt approx, length: 9.1cm, width: 5.9cm, depth: 1.1cm £80-£120
180. A collection of five Contemporary silver snuff boxes, 20th century two small oval examples one with inset amethyst and the other moonstone, an oval example with engraved lid, a rectangular example with enamelled hinged lid and another, each bearing 925 hallmark and some with import hallmarks, (5) total weight: 4ozt approx £80-£120
178. A John Jones George IV silver-gilt hunting snuff box the engine turned case hallmarked London 1824, the hinged lid with panel embossed with hunting scene depicting elephant, dogs and men on horseback hunting a leopard/ cheetah curled up in a tree 7.2 x 3.7cm £400-£600
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181. Three Contemporary silver pill boxes, 20th century two embossed with flower heads and the other with winged angels, each hallmarked with 925 and a circular pill box with an Egyptian head decorated cover, (4) total weight: 2ozt approx £80-£120
182. Four Contemporary novelty silver boxes, 20th century a rectangular compartmentalised pill box; a cylindrical box with blue enamel hinged lid; a small powder compact with mirror and finger loop and a small handbag with chain, all bearing 925 and some with import hallmarks (4) total 186. A Victorian silver cigarette case, hallmarked weight: 3ozt approx Chester 1899 £80-£120 the exterior engraved with initials «BHC’, by John Deakin & Sons; an Edwardian silver vesta case, hallmarked 183. A collection of Victorian silver novelty items Birmingham 1906, with engraved exterior ‘RHC’, possibly a silver vesta case, hallmarked Birmingham 1857 with by Henry Charles Freeman; an agate and brass vesta case, engraved body; a hinged photograph pendant, hallmarked with ribbed pull up striker and sides; a silver plated and Birmingham 1886; a silver cross pendant, hallmarked leather bound hip flask and a shagreen style brass cigarette Birmingham 1887 and a silver figural embossed matchbox case with loose coins, (5) silver weight: 3ozt approx cover, hallmarked 90, (4) weight: 2ozt approx £100-£200 £80-£120 187. A George V silver tea caddy, hallmarked London 1925 of cylindrical form with circular push on cover, each with ribbed border, by Charles & Richard Comyns, with number on base 10420 height: 9.8cm; weight: 4ozt approx £40-£60
188. A Victorian silver tea caddy, hallmarked Sheffield 1860 184. An Art Deco style silver cigarette box, of rectanuglar form hallmarked Birmingham 1970 with hinged domed of canted rectangular form with engine turned hinged lid top lid with guilloche with ribbed border, raised upon squat stepped supports, border, the sides by Harman Brothers, 3.6 x 17.5 x 12.4cm with foliate chased £70-£100 borders, the front with locking mechanism 185. A silver cigarette case, hallmarked London and engraved initials, 1940 by Martin Hall & Co with engine turned exterior, engraved internally 19 x 11.7 x 9.8cm, ‘M.P.H. 6.9.41’, by S J Rose & Son; a silver matchbox weight: 15ozt approx case, hallmarked Birmingham 1931, with engine turned £150-£200 decoration, by William Base & Sons and a silver plated leather cover hip flask, (3) silver weight: 5.6ozt approx £50-£70 189. A continental white metal and blue guilloche pill box the screw top circular box stamped on the inside 935 with initials TF, with gilt interior diameter 3.5cm £40-£60
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190. A pair of Continental silver plated candlesticks the foliate embossed drip trays above baluster knopped stem with circular base with Greek key decoration, raised upon four leaf and berry scrolled supports, each stamped 12, (2) height: 29cm £60-£80
192. A William IV silver salver, hallmarked London 1830 the pie crust edge with applied foliate border, the centre engraved with crest surrounded by scrolling acanthus leaf 191. A pair of Continental silver cast candlesticks, band, raised upon three flowerhead scrolled supports, in the form of a pair of centurion sea Gods the underside engraved ‘To John Winstone Esq in grateful (ichthyocentaurs) remembrance of his kindness to I.H. Barnett during his each with candle sconce above octagonal acanthus minority. This trifling testimonial is presented by his Father decorated drip trays, raised upon serpent figures with John Barnett 1831 - Acta exteriora Indicant Interiora shell and seaweed gadrooned circular base, each Sacreta’ diameter: 26.9cm; height: 3cm; weight: 23ozt stamped 800 standard, (2) height: 15.5cm, weight: 30ozt approx approx £280-£350 £300-£500
193. A Victorian five piece silver tea set hallmarked Sheffield 1871/1872/1873 with makers initials for William and Henry Straftord, each piece heavily engraved with swags, floral sprays and embellished with a border of circular design, each piece with crest of fox and Latin motto reading Virtus Sola Nobilitat (virtue alone is noble), and owners initials to the reverse, (5) height of water jug 22.5cm, overall weight approximately 82ozt £800-£1,200
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195. An Edwardian three piece tea service, hallmarked Sheffield 1918 the teapot with ribbed body and ebonised handle, the twin 194. A German five piece silver tea service by handled sugar basin and cream jug with gadrooned edge, by H Meyen & Co. Berlin Jay, Richard Attenborough Co Ltd, (3) weight: 30ozt approx of hexagonal pedestal form with beaded rim and shaped £300-£500 handles, comprising of a teapot, coffee pot, cream jug and lidded sugar basin and a rectangular canted 196. A Victorian silver cream jug, hallmarked tray, each bearing 800 hallmarks and a silver pedestal London 1843 dish, bears no marks, (6) height: teapot - 22cm, coffee the scalloped rim with scroll handle on a foliated chased pot - 28cm, sugar basin - 14cm, cream jug - 14cm; tray baluster body with central cartouche upon three shell measures: 43.8 x 32.2cm; total weight: 140 ozt approx supports, possibly by Walter Morrisse weight: 4ozt £800-£1,000 approx, height: 11.5cm £50-£80
197. An extensive suite of German silver and silver-gilt flatware by H Meyen & Co., Berlin, late 19th century each handle decorated with a border of wheat and initialled ‘C’, the suite comprises of twelve table forks and twelve table knives; thirteen serving spoons; eight fish forks and ten fish knives; twelve dessert forks and twelve dessert knives; nine silver-gilt h’orderve forks and nine silver-gilt h’orderve knives; twelve teaspoons; nine silver-gilt coffee spoons; nine silver-gilt spoons; a cake slice; two silver-gilt serving spoons; a serving fork; a smaller serving fork; a sugar nips; four butter knives, each bearing 800 standard hallmark and the majority with the H Meyen & Co. factory mark, the majority of the knife blades bearing J.A. Henckles Zwilling-werk factory mark, (137 piece) silver weight: 130ozt approx; weight of loaded handled items: 70ozt approx £1,500-£2,000
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200. A selection of Victorian silver fiddle pattern flatware six table forks hallmarked London 1840 possibly by John James Whiting; six serving spoons, six dessert forks, six dessert spoons hallmarked London 1892 by Josiah Williams & Co and two A1 sauce ladles, (26) silver weight: 48ozt approx £400-£600
198. A suite of German silver flatware, early 20th century nine table forks and nine table knives; nine dessert forks and nine dessert knives; two fish forks and two fish knives; three sizes of serving forks; a serving spoon and a sauce ladle, each handle with ribbed ribbon decoration and engraved initials ‘ ‘FL’, each hallmarked 800 standard and hallmark GK possibly for Koberlin Gebruder, (45) weight: 49ozt approx £400-£500
201. A collection of silver teaspoons three George IV teaspoons, hallmarked Edinburgh, makers mark IL, together with two Victorian teaspoons, hallmarked London 1839 and two Victorian silver teaspoons, hallmarked Glasgow 1862 and two cast bronze elephant figures each carrying a howdah, a/f, (9) silver weight: 4ozt approx, height of elephants: 5.5cm £60-£80
202. A collection of George III and Victorian silver dessert, serving and tea spoons six Victorian fiddle pattern dessert spoons hallmarked London 1862 with makers mark SW; six William IV fiddle pattern dessert spoons hallmarked London 1835 by Charles Boyton; four George III teaspoons hallmarked London 1806, makers mark rubbed; five George III teaspoons hallmarked London 1804 possibly by Stephen 199. A selection of miscellaneous German silver Adams; two Victorian serving spoons hallmarked London flatware 1860 possibly by William Smily; four George III teaspoons six silver coffee spoons, stamped Prata 935; a German hallmarked London 1802 by Peter, Ann & William silver tea strainer, stamped 800 standard; a German silver Bateman; two Victorian dessert spoons hallmarked napkin ring, stamped 800 standard; a German silver salt London 1838 by David Phillips; two George III teaspoons with spoon and glass liner, stamped 800 standard; seven hallmarked London 1801 by Peter, Ann & William servings spoons; a dessert fork; five teaspoons; a small Bateman; a George III serving spoon hallmarked London serving fork; a pickle fork, each with 800 standard stamp, 1801 by Peter, Ann & William Bateman and two teaspoons with further silverplated items, (38) silver weight: 20ozt hallmarked London 1805 by Peter & William Bateman, approx (34 spoons) weight: 30ozt approx £200-£300 £300-£400
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205. A collection of Victorian silver dessert and table forks six fiddle pattern forks hallmarked London 1860 possibly by William Smily and six table forks hallmarked London 1860 possibly by William Smily, (12) weight: 25ozt approx £150-£250
206. Three cased sets of Victorian and later silver flatware a silver fish knife and fork set, hallmarked 1893, in fitted case with ivorine handles, by Edward Hutton/William Hutton & Sons; a cased set of six silver grapefruit spoons, hallmarked Sheffield 1932 by Lee & Wigfull; a cased set of twelve coffee spoons and sugar nips, hallmarked London 1929, by Mappin & Webb; a silver napkin ring; a silver mustard spoon; a silver handled grapefruit knife and a silver plated sugar nips, (3 cases & 4 loose) silver weight: 8ozt approx £80-£120
203. A Victorian silver sifter spoon hallmarked London 1858, with pierced bowl by H J Lias & Sons, togther with another silver sifter spoon hallmarked London 1880, with pierced bowl by Walter & John Barnard and a silver sugar nips, hallmarked London, with pierced scrolled sides possibly by James Stamp & John Baker, (3) weight: 4ozt approx 207. A silver cigarette box hallmarked London 1921 £60-£100 of rectangular form with hinged cover with sectioned interior, the hinged lid has rubbed engraving, together with a three applied silver photograph frames, a/f, (4) box: 4.6 x 14.5 x 8.8cm; larger frame: 12.7 x 9cm; small frame: 9.3 x 6.3cm; smaller frame: 4.3 x 4.3cm £80-£120
208. An early Victorian church warden ceremonial mace, hallmarked London 1840 of tapering cylindrical form with a coin inset pommel, the shaft with two applied engraved bands with a knopped 204. A selection of Victorian and later silver and base, possibly by Elizabeth Dyer or Emma Dear, the top Epns flatware with partial engraving ‘W Brackstone - Church Warden’ three mustard spoons hallmarked London 1831/1860/1862; length: 97cm, total weight: 27ozt approx three salt spoons hallmarked London 1865 Birmingham £300-£500 1897; a butter knife hallmarked London 1894; a small fork hallmarked London 1894, together with miscellaneous Epns silverplated cutlery, (14) silver weight: 4ozt approx £30-£50
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209. A William Hutton & Sons silver coffee pot hallmarked Sheffield 1915, of tapering form with reeded body and lid and ebonised handle, together with a boxed christening suite of a silver napkin ring, egg cup and spoon hallmarked Birmingham 1929 by AJ Bailey and a boxed silver fork and spoon hallmarked Sheffield 1900 by Maxfield & Sons, (6) weight: 24ozt approx, height of coffee 211. A Victorian silver gilt christening pedestal cup pot: 21.5cm hallmarked Birmingham 1869, with acanthus scroll handle £80-£120 and the body with two applied bands upon a circular foot ring by Elkington & Co., together with a Victorian Walker & Hall christening fork and spoon hallmarked Sheffield 1885, a silver mounted penknife, bears no hallmarks and two silver cased pocket watches, a/f, (6) total weight: 10ozt approx £100-£150
210. A Polish Baltic amber silver spoon and a Victorian silver cream jug the spoon with trailing leaves surrounding the Baltic amber cabochon with bark effect stem and rounded bowl hallmarked CZ and 925; the cream jug part gadrooned 212. A suite of Mappin & Webb enamelled dressing hallmarked Birmingham 1900, (2) total weight: 2ozt approx table brushes and mirrors £50-£70 a clothes and hair brush with hand mirror with blue enamel backs, hallmarked London 1940, by Mappin & Webb; two hair and clothes brushes with a hand mirror with pink enamel back, hallmarked London 1938, by Mappin & Webb, together with two combs and a comb back, (11) £80-£120
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214. A cased set of fifty 1000 years of British Monarchy silver ingots by John Pinches each rectangular ingot hallmarked London 1973/1974/1975/1976/1977, inset in a fitted case, together with a historical commentary by Sir Arthur Bryant each weighing over 2ozt approx per ingot, ingot measurement: 2.3 x 4.6 x 0.7cm 213. A novelty white metal decanter £1,500-£1,800 in the form of a Johnnie Walker Black Label Whisky bottle stamped on the underside silver, tests for silver, weight approximately 24 ozt £100-£200
216. An Arts and Crafts Warric pewter three piece tea service the teapot, twin handled sugar basin and cream jug each with hammered design and applied decoration, each bearing marks to bases, (3) teapot: 9cm high; sugar basin: 6.5cm high; cream jug: 6.5cm high £60-£100
215. A mahogany cased suite of twelve ivorine handled fruit knives and forks, with retail label for Rowell Silversmith Oxford and a cased silverplated pierced fish knife and fork, (2 cases) £80-£120
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220. A pressed vulcanite daguerreotype case of octagonal form the hinged frame with relief scroll decoration opening up to reveal a daguerreotype of a young lady seated, together with a black and white photo of a gentleman in a miniature Regency frame, (2) height of the former 9.5cm £60-£80
217. A pair of Elkington & Co silver plated candlesticks each with canted drip trays, with corinthian columns upon a square sectioned base with applied acanthus leaf border, decorated with garlands and rams heads, bearing hallmarks, (2) height: 30.5cm £60-£100
218. Two mahogany cased mother of pearl handled 221. A George VI Asprey alabaster table cigarette fruit knives and forks, box, hallmarked London 1937 a suite of twelve and a blue leather cased ivorine handled of rectangular form with applied green clasp and a cold set of six fruit knives and forks, (18) painted bronze horse mounted on an alabaster horseshoe £40-£60 shaped ashtray, no marks, a/f, (2) box: 5.4 x 9.2 x 8.5cm; horse: 10 x 11.8 x 13.4cm £80-£120
222. A late 19th/early 20th century tortoiseshell 219. A pair of 18ct gold lorgnettes card case the handle and frames stamped 18, the handle with with unusual decoration of impressed pattern of gothic pierced floral decoration, a/f length 7.6cm arches to either side 9 x 6cm £300-£400 £80-£120
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226. Four assorted fans and a Victorian parasol including a wooden fan decorated with winged cherubs and small children playing; two black feather fans (one black lace); a cream lace fan hand painted and decorated with a mother of pearl; a black Victorian parasol with knotted handle, together with a mother of pearl card case (6) length of the former 24cm £80-£120
227. An early 20th century Ethiopian granulated silver gilt hair comb together with a later fine thread work circular pendant, both tests as silver (2) length of comb 94mm, approx weight 23.8g £50-£70
223. An enamelled hinged cigarette case of Leda and the swan of rectangular rounded form, no hallmarks, a/f 9 x 6.4 x 1.8cm £50-£60
228. An interesting small collection of sewing accessories first half 19th century, comprising a combined bone tape measure and double ended pin cushion hand painted with floral decoration, together with a Georgian bone pin cushion in the form of bellows pierced decoration, and 224. Two paper mache snuff boxes a needle case in the form of a book of similar design; a the first a Russian box of elongated oval form decorated miniature bone fan and a vegetable ivory tape measure (5) with polar bear, together with a rectangular snuff box with height of the former 9.5cm applied mother of pearl, (2) length of the form 7.5cm £60-£80 £40-£60
225. A red velvet and gilt metal border Common Prayer Book, the front with applied pierced initials, with gilt metal clasp engraved M.E.B from A.L. and E.E.K in a fitted case with gilt metal clasp fitted case: 4.5 x 10.5 x 7.6cm £60-£80
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229. An Italian contemporary brass nutmeg grater contained within a leather pouch and contained within an Asprey card outer case, together with a glass and silver plate perfume/smelling salts holder of ovoid form (2) height of the former 5.4cm £60-£100
230. A collection of military and civil badges and insignias and others including a silver London Rifle Brigade South African campaign badge, Royal Warwickshire sweetheart pin (tests for gold), a silver stag brooch, two miniature penknives and other related items (qty) £100-£200
231. A small collection of miscellaneous treen and novelty silver comprising a treen puzzle ball egg cup, barrel, ink well, carved bear, glass ink fountain pen in case a/f, miniature/dolls house silver knife, fork, spoon and plate hallmarked Birmingham 1924, two silver thimbles, bucket and compass fob (qty) length of miniature silver form 3.5cm £60-£100
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234. An 18ct gold open faced gentlemans pocket watch by J.J Durrant the white enamel dial with Roman numerals with spade hands, subsidiary seconds dial, J.J. Durrant 40 Cheapside London 3325 on dial, in a 18ct gold case, mechanism number 3325, case hallmarked 18ct 3325 dial diameter: 37.5mm, case diameter: 43mm £300-£500
232. A fine French early 19th century fancy ladies gold watch chain with integral ‘chatelaine’ the watch chain with fine engraved detail and graduating to either end, having matching delicate chatelaine with original screw action connector with two miniature hard stone set seals and the matching watch key suspended below, tests for gold, contained within a stamped associated box approx. weight 28gm £400-£600
235. A 15ct gold gentlemans full hunter pocket watch with ribbon fob the white dial with arabic hours, pierced hands, subsidiary seconds dial, case back hallmarked 15ct, outer case engraved with initials LM, with mounted link ribbon fob, link stamped 585 with import stamp, in box total weight: 115gms, dial diameter: 41mm, case diameter: 53mm, ribbon length: 12.5cm £300-£400
233. A 9ct rose gold curb link watch Albert chain with gold half sovereign fob and a 15ct gold hard stone seal fob, sold together with a fancy full case American Elgin plated pocket watch with central architectural engraved decoration and outer scrolls, the sovereign in removable 9ct gold pendant mount approx. weight of watch chain and half sovereign fob 43.8gms £400-£600
236. An 18ct gold ladies pocket watch, the gilt dial with roman hours, black spade hands, the case back engraved with foliate sprays total weight: 47gms; case diameter: 38mm; dial diameter: 36mm £100-£150
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239. A 9ct gold Cyma gentlemans pocket watch the white enamel dial with arabic hours, subsidiary seconds dial, spade hands, case back hallmarked 9ct, in a matched box, together with a silver ladies pocket watch, the white enamel dial with floral enamel detail, Roman numerals and spade hands, case back hallmarked silver, in associated wood case (2) 9ct watch: dial diameter - 42mm, case diameter - 48mm, total weight - 75gms; silver watch: dial diameter - 32mm, case diameter - 38mm, total weight - 1ozt approx £60-£80
237. A J.W. Benson 18ct gold ladies half hunter pocket watch the white enamel dial with roman hours, spade hands and subsidiary seconds dial with J.W. Benson London, the case back engraved with foliate sprays, the front cover with blue enamel ring with white enamel roman numerals, in a fitted red leather case, (2) dial diameter: 29mm; case diameter: 36mm £300-£500
240. A collection of assorted wristwatches including Omega, Ingersoll and Jaeger-Le-Coultre the Jaeger-Le-Coultre gentlemans wristwatch with circular dial, the arabic and baton hours with spade hands and subsidiary seconds dial, in polished steel case, case back number: 49690; an Ingersoll gentlemans wristwatch, the circular black dial with red arabic hours, spade hand and subsidiary seconds dial in a polished steel square case with leather strap, case back engraved ‘To Edward from Mummy 7th Feb. 1932’; a silver cased ladies wristwatch, the dial with arabic hours and spade hands, in a canted case with material strap, case back stamped 375; an 238. An 18th century pair cased pocket watch on an Omega gentlemans wristwatch, the black silvered dial 18th century gilded chatelaine with arabic hours, spade hands and subsidiary seconds the gold cased watch having fusee movement by dial, in a polished steel case with leather strap, movement Wm Hinstock of London, the gilt outer case decorated in number: 9167286, case back number: 10102310, (4) relief with figural court scene and suspended from a gilt Jaeger: dial diameter - 13mm, case diameter - 27mm; chatelaine with central screw action locking mechanism, Ingersoll: dial diameter - 26mm, case diameter - 32mm; the chatelaine having integral watch key, two suspension silver: dial diameter - 20mm, case diameter - 25mm; black hooks and a Georgian gold swivel hardstone seal Omega: dial diameter - 26mm, case diameter - 29mm £500-£700 £300-£500
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241. A 9ct gold Garrard automatic gentlemans wristwatch the champagne dial with baton hours and hands, date 244. An Omega 14K gold gentleman’s wristwatch aperture, case back hallmarked 9ct and numbered the circular champagne coloured dial with baton hours 802868, with mesh stretch bracelet, in fitted box total with dauphine hands and sweep subsidiary seconds, weight: 52gms; dial diameter: 29mm; case diameter: 34mm manual wind, interior of case back marked 14K 0.585, £400-£600 330379, 2911, movement marked 15751649 Omega Swiss 17 Jewels, with a later brown croc grain strap 24.5cm total length; 33mm dial diameter; 18mm lug width £200-£300
242. A Rolex Oyster Royal gentlemans wristwatch the white dial with chevron hours and Arabic quarters, gilt feuille hands in a polished steel case with screw in crown 245. An Omega bi-metal gentlemans wristwatch and screw down back, movement stamped Montres Rolex, supplied to the Air Ministry movement number: 72526, case back numbered: 6444 dial the circular white dial with Arabic hours and spade hands, diameter: 24mm approx; case diameter: 30mm approx case back engraved with arrow and 6B/159 A 29622 £500-£600 Omega: dial diameter - 30mm, case diameter - 33mm £400-£500 243. An Ingersoll silver cased gentlemans wristwatch, 246. A 18ct gold ladies wristwatch the circular white dial with Arabic hours, pierced hands the circular black dial with gilt Arabic hours and facetted and subsidiary seconds dial in a canted square case, hands in a 18ct gold case, the 9ct gold mesh bracelet case back stamped 925, with a Darlena black strap dial with three graduated circular links, case back stamped diameter: 25mm approx; case diameter: 30mm approx; 750, clasp on bracelet stamped 9ct dial diameter: 12mm; total length: 23cm case diameter: 14mm approximately; gold weight: 10gms £50-£60 £80-£100
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247. An attractive Art Deco sapphire and diamond set cocktail watch in the form of a bow the dial set to centre of a stylised ‘tied bow’ having two rows of diamonds around the dial with stylised baguette sapphire and diamond set tied ribbon to either side, the edges with scroll detail, the watch on 18ct white gold mesh bracelet strap approx. 40 x 20mm, total weight 23.2gm £1,000-£1,500
248. A 9ct Bravingtons gold ladies wristwatch, the engine turned gilt dial with arabic hours, spade hands, in a circular case with 9ct gold expandable link bracelet, case 247 hallmarks 9ct, mechanism numbered 569249, with original receipt dated 19th Sept 1929, in 251. An 18K Omega ladies manual wind wristwatch fitted box total weight: 18gms, the circular champagne dial with baton and numerical hours, facetted hands, case diameter: 24mm, dial Omega logo on dial face, in a circular bezel with mesh bracelet and clasp, Omega diameter: 26mm logo number: 2929 1 on the inner case back, movement number: 16733636, with £80-£120 Omega box total length: 17cm; weight without movement: 32gms; dial diameter: 24mm; dial diameter: 18mm 249. An 18k gold Movado £700-£1,000 ladies wristwatch the champagne dial with jewelled 252. An 18k gold ladies half hunter wristwatch, and baton hours and shaped the circular white enamel dial with roman hours and baton seconds, with gilt hands, in a square case with spade hands, the front cover with roman black numerals, with a brown leather leather lop strap and gilt clasp, strap, the case back engraved with initials total weight: 36gms; case diameter: in Movado box total weight: 33mm; dial diameter: 28mm 16gms, dial diameter: 11mm, case £80-£120 diameter: 17mm £300-£500 253. A Rolex 9ct gold ladies wristwatch, the circular dial with arabic hours and tapered hands in a octagonal case and 250. An Accurist 9ct gold rolled gold link bracelet, mechanism stamped Rolex, case stamped 9 .375 total ladies wristwatch weight: 19gms approx the circular dial with baton hours £100-£150 and facetted hands, in a 9ct gold square case with link bracelet and 254. An 18k gold F Bart ladies wristwatch, clasp with safety chain, the case the dial with baton hours and shaped hands, in a square case with bracelet, case back and clasp stamped 375 dial back marked 18k total weight: 19gms, dial diameter: 12mm, case diameter: 15mm diameter: 11mm; case diameter: £200-£300 14mm; total length: 17.5cm approximately £80-£120
251
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255. An attractive graduated facetted amber bead necklace the amber beads of varied honey tones, the beads both translucent and opaque and graduating to either end and having 9ct gold push clasp approx. 77cm in length, largest bead approx. 25mm, approx. weight 40.8gm £80-£120
258. A six stone Edwardian opal set part bracelet the central section original and composed of six graduated circular opals, later attached to a yellow gilt metal watch bracelet a.f, opal section approx. 52mm £100-£150
256. An unusual and attractive Arts & Crafts style enamel drop necklace the green and blue foliate enamel centre pendant of scroll foliate form having centre nacre oval and small pearl drop 259. A heavy rose gold curb link charm bracelet below, suspended from a river pearl set chain below a the 9ct gold bracelet hung with an interesting variety central collet set blue gem stone attached to integral of contrasting yellow gold charms, including a large snake link neck chain chain length of pendant, length of elephant, lion and a galloping horse charm, a doe, pair pendant 8.5cm of binoculars a miners lamp and other charms, charms £400-£600 either marked for 9ct gold or test for gold elephant charm measures approx. 25 x 35mm, bracelet approx. 28cm in length, approx. total weight 81.2gms £600-£800
260. A 9ct gold articulated ‘strap’ bracelet, circa 1960 the centre of pierced ladder link construction, marked for 9ct on push clasp fastening approx. weight 16.3gms, approx. 9mm in width £120-£180
261. A Continental 18ct gold fancy link bracelet, circa 1950 257. A delicate continental guilloche hinged enamel the foliate and diamond shaped links fully articulated, the picture locket invisible push clasp fastening marked for 18ct gold and having central rose within foliate forget me nots on an stamped ‘MOD.DEP.’ for registered design approx. weight oyster enamel ground, sold together with gold and half 17.3gm, approx. 1cm in width pearl, .585 gold, probably Russian pendant on gold chain £300-£400 with fancy scroll overlaid barrel push clasp (2) pendant and chain approx. 4.3gm, locket approx £100-£150
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262. A rose gold curb link bracelet with heart padlock fastening each link stamped 9ct approx. weight 10.2gms £80-£120
266. A heavy silver curb link charm bracelet 263. An attractive Continental 18ct rose gold the bracelet hung with a variety of charms including an bracelet elephant, squirrel and a piggie, also Tower Bridge, a fully articulated and formed of alternate smooth and cuckoo clock and The Eiffel Tower, the bracelet having textured cylindrical links with gold sphere detail to either heart padlock fastening, in associated box approx. weight end and further set between two outer rows of gold 81.8gms spheres, marked for 18ct gold to reverse of push clasp £80-£120 fastening approx. 190 x 22mm, approx. weight 46gms £800-£1,000
264. A very heavy 18ct gold articulated panel bracelet each panel fitting invisibly to the next, the whole with textured rippled fabric effect, invisible push clasp fastening, fully hallmarked for 18ct gold and with makers stamp E. J. Ltd, approx. width 3.00cm approx. length approx. 18.5cm, approx. weight 143.5gms £2,800-£3,200
265. An elegant Continental twin row ruby and diamond articulated strap bracelet 267. An Edwardian 9ct gold slave bangle the pairs of rubies gently graduating to either end and with with Greek key design in associated D & J. Wellby Ltd diamond set link detail, yellow metal mount tests for gold case, together with a ladies Vertex 9ct gold wristwatch on approx. 18.5cm in length, approx. weight 28gm integral bracelet overall total weight approximately 33g £1,000-£2,000 £200-£300
264
265
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268. A Chinese export ware silver repousse bangle, 274. A wide Continental yellow metal engraved cuff late 19th century bangle the bangle finely detailed in relief with a continuous figural decorated with flower posies on a plannished ground and village frieze of seated scholars, attendants and other with engraved rope twist detail to edge, stamped to inside related figures and buildings approx. weight 44.1gm with initials R.S., tests for gold approx. weight 33.4gms, £60-£100 width approx. 22mm in width £300-£400 269. A Continental contemporary 18ct gold and diamond set fancy bracelet 275. An early 20th century rose metal bangle of the alternating yellow and white gold fancy links spaced unusual raised floret design with three fancy collet mounted diamonds, stamped 750, each floret with bead work detail in between, the rose contained within an associated box length approx 19cm coloured metal, tests for gold and with yellow gold bloom £300-£400 detail approx. weight 38.7gms £300-£400 270. A fancy gold four bar gate bracelet with heart padlock fastening 276. An early 20th century scroll engraved open the bracelet of substantial construction with fancy twisted bangle bar links and heart padlock fastening, marked for 9ct gold the rose coloured metal with floral and scroll engraved approx. 38.6gms decoration and having fancy shaped end detail, tests for £300-£400 gold approx. weight 17gms £100-£200 271. A 9ct gold curb link charm bracelet hung with a variety of mainly 9ct gold charms 277. A Georg Jensen silver torque bangle and a the charms following a mainly ‘animal’ theme including a similar Jensen ring, post 1945 giant rat, elephant, horse, zebra and sliding snail, also a each piece fully marked, post 1945 (2) bangle measures working miniature corkscrew, an 18ct gold St Christopher approx. 6.00cm inside widthways, ring size R/S and a gilt articulated fish charm weight approx. 55gms £120-£180 £500-£600 278. A collection of five Japanese bronze menuke 272. A 9ct gold double curb link charm bracelet one of a prancing horse with gold detail and with silver hung with a variety of charms including a swan, a teapot, brooch mount, two similar menuke of a bow also with gold a vintage car and an acorn approx. weight 23.8gm detail and with silver brooch mounts, together with two £200-£250 un-mounted menuke (5) horse measures approx. 4cm £100-£200 273. An early 20th century 9ct gold gold ‘slave’ bangle and a rose gold bangle the arm bangle with key pattern engine turned decoration and marked for Chester 1911, maker A. Bros., the other also of hollow construction and of 9ct rose gold, marked for Birmingham 1921 (2) inside diam. respectively 92mm and 75mm, approx. weight respectively 15.2gms and approx. 10.3gms, total weight 25.5gms approx £200-£300
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282. A good quality Continental diamond and pearl cocktail spray brooch, circa 1950 formed as ribbon tied mistletoe branches, having pearl 279. A delightful early Victorian diamond and gem white berries, and diamond set stems and set with a wasp clip white berries, the largest stem set with a rectangular cut having pink topaz set thorax and peridot to centre and with diamond to end, the whole tied with a white gold diamond rose diamond set wings and cabochon ruby eyes, the pin set ribbon twist, pearls untested, marked for .585 white having spring action wings when pulled together release a gold approx. 55 x 50mm, approx. weight 9.1gm, largest pair of fastening pins and when released secure them to a diamond set to stem approx. 0.21ct fabric approx. 35 x 30mm, approx. weight 4.5gm £500-£700 £300-£400
283. A small Victorian silver and paste set crown brooch the stones set in a central line and with bead work arches 280. A delicate antique single row pearl necklace to either side, marked for Chester 1901 26mm approx. with Russian diamond clasp across, approx. 2.4gms the pearls (untested) and graduated to either end, £80-£120 terminating in a good quality Russian gold, four stone diamond set fancy clasp approx. length 38.6cm £300-£500
281. A Victorian style diamond, sapphire, ruby and pearl bangle and the matching brooch both pieces marked .585 for 14t gold, the textured three row bangle with central woven half pearl set scroll having central small diamond, sapphire and ruby s (2)et on the diagonal, sold together with the matching brooch, both pieces marked with J.H.F.? makers monogram (2) approx. weight 19.6gm £500-£700
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284 285
284. A Victorian 15ct gold ruby and pearl brooch 286. An attractive Eastern silver gilt and enamel and other Victorian jewellery circular filigree brooch the oval 15ct gold brooch with central pearl and ruby the brooch enamelled with pale blue and lilac flowers and cluster in star setting, having shaped border and overlaid set with polished rose quartz, the filigree work with rope decoration, together with a Victorian silver Scottish agate twist thread detail stamped silver to the reverse approx. and cabochon citrine ‘plaid’ brooch with both raised and dia. 4.5cm, approx. weight 13gm flush inlay, Victorian Registry mark to reverse, tests silver, £50-£80 two 9ct gold stick pins, one with central diamond point, a ‘garnet’ paste set heart pendant brooch a.f., and a 287. An eastern diamond and gem set hinged Turban horseshoe pin, this lot has two associated fitted boxes (Q) pin 15ct brooch approx. 4.7gms, approx. 33 x 28mm the pierced and shaped stylised foliate pin set with central £150-£250 diamond surrounded by small cabochon gems including sapphire, emerald and ruby, yellow meal mount tests for 285. A large attractive early Victorian diamond and high carat, approx. weight 7.6gm turquoise set floral cluster pin £100-£150 converted to and from a clasp?, the old cut central diamond approximately 1.00ct and set within an 288. A gold mounted garnet and pearl set cluster alternating twin diamond and oval turquoise cluster, brooch white and yellow metal mount tests for gold and silver the circular brooch having central garnet within a half cultured The centre stone spreads approx. 1.00ct, approx. weight pear border and a further row of garnets, brooch marked for 5.3gms. measures approx. 19mm diameter 9ct approx. 3cm diameter, approx. weight 6.4gms £500-£700 £70-£100
289. A delicate Edwardian sapphire and half pearl set bar brooch and another the bar brooch marked 15ct and in associated Collingwood Ltd. box, together with a fancy silver gilt (tests), elongated triangular ‘coil work’ brooch with wired coral bead border in associated Collingwood Ltd. box (2) bar brooch approx. weight 3.00gms, gilt brooch measures approx. 73 x 20mm £80-£120
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292. A large Victorian sherry citrine set Etruscan style brooch the large oval facetted stone set in a substantial yellow metal mount, tests for gold, and with scroll engraved 290. An attractive Victorian early Edwardian fire panels facing inward creating the brooch setting opal and diamond cluster pendant brooch measures approx 42 x 34mm, weight approx. 20gm the cushion cut fire opal approximate weight 4.20ct £200-£300 (has substantial crack to underside), set within a single row border of small diamonds, suspended below a later diamond set 18ct gold bar brooch, in associated fitted box total weight approx. 7.2gm £400-£600
293. A pair of Victorian Etruscan style banded agate and enamel drop earrings the marquis shaped banded agates set in rose coloured mounts with rope twist and engraved detail, test for gold and having four outer black enamel shield shaped motifs, one integral with wire fitting total weight for both approx. 6gm, approx. 30mm drop from top of top shield £200-£300
291. A Victorian diamond set aigrette brooch of stylised foliate design having three central diamond set floral stems rising from a foliate central motif and with fancy diamond set foliate scrolls to either side, having provision for pendant the large stone approximate weight 0.30ct, graduating in size from approximately 0.20ct, then 0.10ct and further smaller diamonds, mount tests for precious metal 294. A large pair of antique carved coral drop measures approx. 70 x 55mm, approx. weight 21.4gm earrings and another pair £600-£1,000 the natural red coral drops with deeply carved symmetrical design and with textured yellow metal fittings, test for gold, together with a pair of paler coral large round bead drop earrings with yellow metal chain, detail and fittings, test for gold (2) tear drop earrings approx. 5.5cm drop, approx. weight 9.7gm, bead drops approx. 5.7cm drop, approx. weight 10.00gm £200-£300
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300. A Victorian Etruscan style diamond set oval pendant locket the yellow metal pendant with thread and bead work decoration, tests for gold, and set with single central diamond, the reverse with picture glass locket back size including hanging loop approx. 5 x 3cm, diamond approx. 0.15ct, approx. weight 10.1gms £80-£120 295. A pair of contemporary diamond set cluster earrings having central diamond surrounded by two rows of diamonds and in a raised white metal setting, test for gold approx. weight 5.4gms, diameter approx. 12mm £450-£550 301. A charming Edwardian peridot and pearl drop pendant on chain the circular pendant set with five peridot and pearl florets and with central pearl and peridot drop above a pair of pearl ad tear shaped peridot drops, the pendant suspended from a fancy 15ct gold chain, pendant tests for gold chain approx. 296. A pair of delicate Edwardian diamond set 45cm, pendant approx. cluster drop earrings 50 x 25mm the cluster drops suspended from the matching single £150-£200 stone diamond set fittings, yellow and white metal mounts, tests for gold circular cluster measures approx. 1cm diameter, approx. weight 3.7gm £400-£600
297. A pair of small Victorian almandine garnet shell scroll earrings the yellow metal drops of scroll leaf and shell form set with three central graduating garnets and having bead drop below, tests for gold weight approx. 1.8gm, 3cm drop approx £100-£150 302. A Continental 298. A small Continental 18ct gold ‘In Tempestate Chinese oval jade Securitas Georgius Equitim Patronus’ medallion and gold overlay one side depicting St. George slaying the dragon, the ‘lovebirds’ pendant, reverse with a galleon in full sail approx. 18mm diameter, the polished pale approx. weight 4.00gm celadon jade oval £60-£80 overlaid with a pierced 299. An unusual large pictoral mount depicting gold mounted blue a pair of lovebirds john pendant perched amid prunus the circular pendant with blossoms, yellow metal ‘giant’ hallmarks to the mount stamped 10K edge for 9ct gold and approx. 50 x 32 x 6mm maker’s mark O.S.W., £200-£300 the centre set both sides with polished bluejohn approx. 50 x 33mm, weight approx. 25.1gms £80-£100
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303. An attractive fine Victorian diamond and pearl pendant drop brooch having central pearl (untested), set within a single row circular diamond cluster having a further larger diamond outer cluster set with four old cut diamonds each approximately 0.50 ct and each spaced with two smaller diamonds, the brooch having large tear shaped pearl (untested) drop below and with diamond set detachable pendant mount, the fitted box from Carrington & Co Ltd. also containing a diamond set hanging loop, enabling the pendant to be worn with or without the centre section, tests for gold the pearl drop 2cm approx, the central section 3cm approx, hanging loop approx 1cm £2,000-£3,000
305. An attractive Edwardian “jelly” opal and diamond cluster pendant, the oval opal, approximate weight 1.90 ct set within a single row border of diamonds, with removable diamond set pendant loop, tests for gold approx. 30 x 7.9mm, the diamonds approx. 0.15 ct each, stones well matched, bright, white and lively, no visible chipping or scuffing £300-£400
304. A charming Edwardian 18ct gold miniature mesh evening bag pendant, charm having shaped hinged frame and chain handle and with fine bead detail to the lower edge, sold together with a similar smaller ‘working’ miniature mesh evening purse, 306. A Victorian style garnet and seed pearl oval tests for gold, a delightful lot (2) gross weight approx. cluster pendant brooch 8.3gm, approx size larger 50 x 21mm, smaller but the hanging loop hinged and set with a circular garnet measured without chain approx. 25 x 19mm cluster, yellow metal mount approx. 40 x 26mm, approx. £100-£200 weight 10.2gms £60-£80
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311. A delicate Edwardian pearl and diamond ‘daisy’ cluster ring, having central set pearl within a circular diamond set border, mount marked 18ct size P Overall good £100-£200
312. An attractive deep yellow gem set ring and another The yellow gem of semi square form and set in 18ct gold and platinum mount, together with a Continental 10K gold mounted amethyst single stone ring (2) size respectively N and I/J £100-£200
313. A delicate early 20th century blue zircon and diamond set ring, the single blue zircon in white metal mount and having diamond set shoulders, together with a single 9ct gold mounted blue gem set ring and an 18ct gold diamond set ring mount, centre stone absent (3) respectively size N, M and O/P £200-£300
307. A contemporary 18ct gold Celtic cross pendant 314. A large Victorian precious opal and diamond with raised decoration, three stone ring suspended from a 9ct gold flat curb link chain approx. the central circular opal set between two claw mounted, weight for 18ct cross 12.2gm, approx. weight for 9ct chain old cut diamonds, yellow metal mount tests for gold 9.3gm Size R, diamonds spread approx. 0.50 ct, opal measures £250-£350 approx. 7mm diameter £400-£600 308. An oval amethyst and diamond set cluster ring the oval light coloured amethyst set within a small single 315. A blue cabochon sapphire and diamond set row diamond set border, mount marked for 18ct white ring gold size N the oval sapphire of good colour and with small diamond £200-£300 set to either side, yellow metal mount tests for gold, associated red leather ring box size L, 309. An attractive contemporary sapphire and £100-£200 diamond set cluster ring the oval sapphire set within a border of ten circular brilliant 316. An Art Deco style three stone diamond marquis cut diamonds, white metal mount sapphire spreads shaped ring approx. 2.00ct, total approx. diamond weight 1.20ct, the mount marked for platinum and having fancy marquis size N shaped panel set with three diamonds and with bright cut £1,500-£2,000 detail to either side size L, approx. weight 3.3gms £300-£500 310. A Victorian single stone diamond ring, the old cut diamond approximately 0.20ct and of slightly ovoid form, the 18ct gold mount marked for Sheffield 1896, associated Davidson Bros. of Cheapside box Size M, approx. weight 4.0gm £180-£220
312 316 309
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322 326 323
317. A Victorian three stone diamond set gypsy ring 322. A delicate Edwardian gem and pearl set twist the 18ct gold mount, ‘star’ set with three small diamonds, ring together with a 22ct gold wedding band (2) size N, Q, the central red stone between a pearl to either side, yellow approx. weight 3.4, wedding band approx. weight 2.3gm metal mount tests for gold size Q £80-£120 £200-£300
318. A delicate three stone precious opal and 323. An attractive Victorian style five stone ruby and diamond set ring, diamond half hoop ring having central oval opal of good colour between two the slightly graduated rubies well matched in colour and smaller matching opals and with diamond point detail, set with diamond point detail, the scroll mount marked for mount marked for 18ct gold 18ct size M, approx weight 3.6gms £180-£220 £200-£300
319. A large and heavy Edwardian 18ct gold 324. An Edwardian garnet set five stone ring and gentleman’s wedding band and another four other rings the former wedding band marked for London 1907, the the five stone garnet ring having 9ct gold mount, latter of yellow metal, tests for gold (2) larger band approx. Birmingham 1909, together with an early 19th century 10mm in width, size Q, approx. weight 18.7gms, smaller half pear cluster ring in scroll mount, tests for gold, a.f., a band size O, approx. weight 7.2gms Bohemian garnet set daisy cluster ring, mount tests for £400-£500 gold, a Victorian 18ct gold mounted five stone opal ring, a.f. and a small illusion set single stone diamond ring, a.f. 320. A late Victorian rose diamond set 18ct gold (5) Respectively size P/Q, O, Q, N/O, K gypsy ring, £300-£500 the fancy mount marked for Chester 1893, together with a later six stone rose diamond, claw set gypsy ring, 9ct gold 325. A single stone diamond set ring together with mount marked for B’ham 1914, both rings with associated another diamond ring boxes (2) size respectively Q and P/Q, approx. weight the single stone approximately 0.25ct and in yellow metal respectively 2.8gms, and 2.8gms mount, tests for gold, the other channel set with small £200-£300 diamonds and of fancy twist form, mount marked for 18ct gold (2) single stone size U, chanel set U/V, approx. weight 321. An Edwardian 18ct gold three stone opal set for both 7.5gm ring £300-£500 the opals in scroll mount and with diamond point detail, marked for Birmingham 1903 size Q, approx. weight 326. A striking Art Deco enamel, diamond and gem 4.7gms set ring £200-£300 having deep blue enamel centre set with a single collet mounted diamond with an emerald baguette and fancy shaped small sapphires to either side and having further diamond detail to the shoulders, size I, £300-£500
324
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328 331 332
331. An attractive Georgian pearl and emerald set memorial cluster ring having small central emerald within four half pearls and small emerald and with emerald scroll set shoulders, the reverse with glass hair set locket back, mount tests for gold Size L £200-£300
332. An attractive Georgian enamel and carved hard 327. An Art Deco pierced octagonal jade silver stone memorial ring mounted ring having central carved hard stone oval ‘forget me not’, having marcasite set border, together with a continental within a finely enamelled yellow metal and black foliate red natural coral set hinged ‘poison’ ring of foliate design mount, the reverse with glass locket with plaited hair, the and a silver and marcasite turquoise set Art deco style inside inscribed ‘high Watson, died 5th Nov. 1834, aged ring (3) Size respectively L, approx. 13mm across, 61 size H/I, approx. weight 2.4gm size M/N 18 x 22mm approx, size L £150-£250 £60-£100
328. An attractive Continental diamond and gem set floral ring having central diamond and ruby flower cluster with scroll and emerald set leaves to either side, mount marked for 9ct gold Size M/N £80-£120 333. A charming Georgian amethyst and pearl set 329. A gold mounted carved shell cameo ring and cluster scroll ring and another Georgian cluster ring three other gold rings the former having central rectangular half pearl and the oval cameo carved as ‘The Three Graces’ and in a amethyst cluster with amethyst trefoils to either side, 9ct rope twist mount, together with a small illusion set having scroll pierced shoulder detail, closed central diamond ring, 18ct and platinum mount, together with setting, together with a red gem and half pearl cluster ring, a 9ct gold mounted opal and garnet cluster ring and a the cluster mounted on a 22ct gold wedding band, dated circular gold mounted butterfly wing ring a.f. (4) size J/K, for London 1812 (2) L, J/K, K/L £200-£400 £100-£200
330. A single stone precious black opal set ring the oval opal mounted in a yellow metal mount, tests for gold size J, opal approx. 8 x 6mm £80-£120
329
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334. A single stone diamond set ring the diamond approximately 1.00ct and set in plain platinum mount size J £800-£1,200
335. A large fancy diamond set bombe cluster ring having central diamond of approx. 0.25ct, surrounded by a slightly smaller diamond set cluster, the whole within a foliate diamond set outer border, mount marked for 18ct white gold cluster diam. 334 335 18mm, ring size K/L,. approx. weight 7.00gms £1,800-£2,200
336. A large diamond set fancy cluster ring, circa 1970 having central diamond of approx. 0.50ct, surrounded by a cluster of smaller diamonds, each approx. 0.20ct and then a further fancy shaped small diamond set border, yellow and white metal mount, tests for gold cluster diam. approx. 2.00cm, ring size M/N, approx. weight 336 337 6.4gms £1,400-£1,600
337. A three stone diamond set twist ring each diamond approximately 0.25 ct. and set in an 18ct gold and platinum mount size N £500-£600
338 339
338. A single stone 1.25ct diamond 339. A large Continental ruby and set ring, diamond set fancy floral cluster ring, the stone approximately 1.25ct in circa 1960, size and set in a plain yellow metal having central diamond surrounded mount, tests for gold size O by navette cut rubies and further outer £1,200-£1,800 diamond point detail, white metal mount marked 18ct cluster diam. approx 2.00cm, size L/M, approx. weight 7.4gms £400-£600
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340. A 1940s diamond set fancy floral cluster cocktail ring the central diamond approximately 0.50ct and within a detailed outward foliate and floral diamond setting, yellow and white mount marked for 18ct and platinum size N £1,000-£1,500
341. An antique style five stone diamond set ring the central stone approximately 0.20 ct and with two graduated stones to either side, mount 340 341 marked for 18ct white gold, in associated Goldsmiths & Silversmiths Company fitted ring box size P, approx. weight 346. A blue zircon and seed pearl half hoop dress 4.2gms ring and two other rings £250-£350 the zircon ring set with three stones and spaced with twin seed pearl detail, a 9ct gold signet ring bearing monogram and a yellow metal mounted five stone garnet 342. A five stone diamond set delicate half hoop half hoop ring, tests for gold (3) approx. total weight 10gm ring £100-£200 the mount marked for 18ct gold and platinum size Q/R, £200-£300 347. A delicate opal and diamond set daisy cluster ring 343. An emerald and diamond set daisy cluster ring the central circular opal with good colour display and set the central circular emerald of good colour and set within within a cluster of small diamonds, 18ct white gold mount a cluster of small diamonds emerald spreads approx. size M/N, approx. weight 3.1gms 0.75ct, size M, approx. weight 3.7gm £200-£300 £500-£600 348. A delicate early 19th century turquoise and 344. A large gold mounted smokey quartz set dress ruby ‘forget me not’ cluster ring, having central small ring ruby, within a turquoise set cluster and with floral scroll the facetted oval stone in 9ct gold mount, circa 1980, detail to mount, tests for gold, together with a small in associated ring box size L, approx. size of stone Victorian gold and plaited hair memorial band, tests gold 25 x 13mm, approx. weight 6.2gm (2) size G/H the former, the band K £50-£80 £150-£250 345. A late Victorian single stone diamond set ring 349. A collection of six various 18ct and 9ct gold the old cut diamond approximately 0.20ct and in high rings. claw 18ct gold setting marked for Birmingham 1902 including an 18ct white gold textured band, a 9ct gold size N, approx. weight 4.4gm amethyst set ring, a 9ct gold bloodstone set ring, a small £200-£300 9ct gold signet ring, a 9ct gold band and a yellow metal band, test for gold (6) 18ct approx. 3.5gm, remainder approx. 14.8gm £150-£200
346 343
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350. An unusual Continental emerald and diamond set ring of twin leaf form one leaf diamond set the other emerald, yellow metal mount stamped 18ct size P, approx. weight 8.0gms £300-£400
351. An attractive Art Deco style diamond set ring having three central line set diamonds, within two stepped oval rows of small 351 diamonds, mount marked for 18ct gold size N/O, measures approx. 18 x 12.2mm £500-£600
352. An attractive Art Deco emerald and diamond set cluster ring the central octagonal emerald, set within two step mounted rows of small diamonds, white metal mount size P/Q, Emerald approx. measurements 6.25 x 5.55 x 3.07mm £600-£800
353. An attractive diamond and baguette diamond set ring the central stone approximately 0.65ct. and set between a pair of graduating 352 baguette cut diamonds to either side, mount marked for platinum size R £500-£700
354. A sapphire and diamond ring and three gold mounted dress rings comprising: a sapphire and diamond three stone set ring, mount marked 9ct and Plat, a 9ct gold mounted emerald and illusion set diamond cluster ring, a 9ct gold mounted oval opal set dress ring and a 9ct gold mounted amethyst set fancy ring 353 (4) Size respectively O, O, P, O,. gross weight of items approx. 10.9gms £120-£180
355. A three stone diamond set ring the centre stone approximately 0.21ct and flanked by a slightly smaller diamond to either side, mount tests for gold size N, approx. weight 2.3gms £200-£300
356. An unusual contemporary ruby and diamond two section ring 356 the main ring set with an emerald cut ruby with baguette diamonds to either side and having separate stepped, three stone baguette diamond ring fitting together to be worn as one, white and yellow metal mount stamped 14K, in associated box, (2) size N, approx. total weight 6.00gms £500-£600
357. A large striking contemporary citrine and diamond set fancy ring the central cushion cut citrine approximately 18.03ct set within a single row 357 diamond cluster and raised on a high pierced scroll setting, white metal mount marked .750 for 18ct white gold, in associated ring box size P, approx. citrine dimensions approx. 14.09 x 11.97 x 18.89mm £300-£400
358. An unusual Continental sapphire and enamel ring having central small claw set sapphire within red and blue champleve set gold square with rope twist detail, the square set on a fancy champleve enamelled open ring mount, stamped .750, possibly Russian approx. weight 9.7gms, size P 358 £400-£500
359. A large and striking modern Swiss blue topaz and diamond set fancy ring the large emerald cut topaz set within a small diamond cluster and having double row diamond set shouldered mount, yellow and white metal mount tests for gold, in associated box size P, approx. weight 14.6gms. topaz approx. 18.7 x 14.3mm £400-£500 359
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360. An Edwardian large single pearl set ring the pearl untested and set in 18ct white gold mount with diamond point detail to shoulders, makers mark J.M.D., in associated Victorian ring box Size N, pearl approx. 8.84mm, diameter, approx. weight 2.5gm 364. A silver mounted carved nacre cameo brooch £180-£220 and matching earrings each piece carved with a classical portrait of a maiden (2) 361. A gentleman’s Victorian style 18ct gold, single brooch measures approx. 32 x 25mm stone diamond set ring, £40-£60 the star set diamond approximately 0.25ct, marked for London 1960, maker W. W. Ltd., together with a 22ct gold wedding band (2) diamond ring approx. 13.6gms, size Z1, size band M, approx. 3.00gms £200-£300
362. An Eastern multi gem set tower ring the yellow metal mount, tests for gold having central small sapphire cluster within mixed tear shaped gems and further small sapphire outer detail size N/O, approx. weight 4.2gms 365. Art Deco onyx and diamond studs and dress £80-£120 buttons, Hunt & Roskell the Hunt & Roskell fitted box containing four circular onyx and diamond buttons white metal mounted and stamped Plat and also 18ct. together with a pair of matching studs, associated Hunt & Roskell cloth covered fitted box £200-£300
366. A pair of 9ct gold oval cufflinks bearing monogram E.J.H marked Birmingham 1950, chain linked and with engine turned detailed edges approx. 19 x 15mm, approx. weight 14.2gm £100-£150 363. A 19th century carved shell cameo portrait brooch the cameo of a classical male a.f. set in an ornate yellow metal foliate brooch mount, tests for gold, together with a hair picture locket mourning brooch, part tests gold and an early Victorian turquoise and half pearl set ring a.f. (3) cameo frame 50 x 42mm, approx. weight cameo 14.2gm £100-£200
367. A pair of 9ct gold oval chain linked cufflinks having one textured and one plain oval, marked for 9ct gold, marks rubbed, makers mark S & P approx. weight 6.5gm, approx. size apptox. 20 x 15mm £60-£80
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371. A pair of oval 9ct gold cufflinks and various gold studs, circa 1910 the chain linked cufflinks bearing engraved monogram NJH to both ovals, together with ‘The OP Wallet’, containing a pair of 9ct gold rectangular chain linked cufflinks with engine turned striped decoration and six 18ct dress studs, each marked for use and in in the fitted wallet stamped 18ct and with OP within a diamond cartouche mark (Q) 18ct gold studs approx. weight 7.1gm, 9ct oval cufflinks approx. 8.9gm, rectangular cufflinks 368. An interesting horseshoe seal fob with Islamic approx. 5.8gm carved hard stone intaglio seal, £60-£80 the large oval carnelian seal set in yellow/rose metal mount, tests for gold and having two curved horseshoe 372. A small collection of gold jewellery including supports, the intaglio carved with flowers and script wedding rings approx. weight 19gm, approx. size base 30 x 27mm, comprising 9ct gold chain, engraved cross pendant, intaglio only approx. 25 x 22mm gentleman’s diamond set ring and six other 9ct gold £200-£300 rings including three wedding rings a.f. (Q) approx. weight 21.6gm £150-£200
373. A Continental gold mesh style bracelet together with a locket on chain the yellow metal bracelet tests for gold, together with a circular yellow metal hinged picture locket engraved with a flower basket to one side and swallows amongst flowers on the other, suspended from a 9ct gold chain (2) locket and chain approx. total weight 9.3gm, bracelet approx. 12.6gms £200-£300
374. An interesting collection of Victorian and later 369. Two pairs of 9ct rose gold cufflinks silver jewellery, the first stamped .375 and with engraved scroll to include an Edwardian silver hair comb, Birmingham decoration, the second pair engraved with initial C and 1907 by Pearce and Thompson, various Victorian similarly stamped with initials JG in shield approximate brooches, an enamel and silver ‘Caribbean islands’ charm weight 21g bracelet, large Siamese niello silver bracelet and other £180-£240 similar items, various silver and marcasite items and a ladies engraved silver cased fob watch (Q) £200-£300
375. A mixed collection of mainly Victorian and Edwardian gold and other jewellery, including a Victorian cuff bracelet with large enamelled porcelain scroll mounted gilt metal clasp, a selection of stick pins including 15ct and 9ct gold, an Edwardian 9ct gold bar brooch, another brooch, tests for gold, 9ct gold studs, two picture lockets (Q) 370. A pair of Scandinavian Lapponia Bjorn £300-£400 Weckstrom, modernist 14K gold cufflinks “Devil’s Wheel” design, textured, circular and of hollow 376. A Chinese character pendant on chain and construction, fully marked for Lapponia and for Bjorn other jewellery Weckstrom, engraved initials to back plate, original the yellow metal pendant testing for gold, together with a Lapponia box approx. weight 15.2gm hard stone gold signet ring, two gold wedding bands, a £200-£400 cultured pearl set brooch and other items. £200-£300
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382. A pair of Ethiopian antique white metal slave bangles and another pair the former hinged and with geometric engraved 377. Two gold mounted amethyst dress rings and decoration and with internal rattles, fastening on a ‘bolt other items pin’, the latter perhaps anklets and of closed form with the dress rings both in yellow metal mounts, both test continuous floret motif and diamond shaped permanent for gold, together with a simulated pearl necklace having fastening (2) gold cultured pearl and garnet cluster clasp and a loose £200-£300 facetted amethyst and a facetted yellow gem stone (5) £100-£200
378. An amusing Victorian silver and paste ‘monkey seated on a bar’ brooch makers mark K.P., together with a 9ct gold four row plaited ring, and a 9ct gold small circular garnet set hinged picture locket (3) Ring and locket approx. 6.6gms, £100-£150
379. A Tiffany & Co silver heart bracelet the heart stamped Tiffany & Co 925 on cable link bracelet, together with a silver pill box/cufflink box of circular form stamped 925, both contained within a card case with felt Tiffany pouch total weight 81.6g £60-£80 383. A large and impressive Ethiopian tribal 380. A garnet set tower ring and various related items necklace including a hard stone silver mounted ring, a diamond the beads inter-spaced with a mixed collection of white point ring, three other rings together with a pair of and other metal Coptic cross and grooming pendants, earstuds (Q) Garnet ring Q many with thread work decoration, some test low grade £100-£200 silver, sold together with another similar bead necklace with pendant cross and a single grooming pendant (2) £200-£300
384. A collection of Ethiopian antique and later Coptic crosses some of hinged construction and pierced in traditional manner, some white metal with primitive engraved decoration, some thread work, a varied and interesting collection (Q) £200-£300
381. A Victorian oval carnellian set snuff box 385. A 9ct gold military sweetheart pin with gilt metal engine turned mount, set with polished and together with a silver gilt Order of the Odd Fellows jewell, bevelled hard stone 1.5 x 5.5 x 4.7cm both cased pin approx weight 5.5g £40-£60 £100-£200
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386. A gentleman’s 18ct gold diamond set ring and two seals the ring marked for 18ct and having small star set single diamond, a 9ct gold hollow seal fob charm and a gilt and hard stone set watch key fob ring approx. 5.7gm, fob charm approx. 2.1gm £80-£120
387. A collection of mainly gold jewellery and a novelty Austrian pistol charm 390. An interesting mixed collection of silver the jewellery comprising mainly 9ct gold pairs of earrings, jewellery and others three gold mounted dress rings one amethyst set, a yellow including a Scottish celtic silver pendant with a central metal ‘toggle and a heart and cherrub pendant on chain, millefiori glass cabochon, a silver stiff bangle with filigree the miniature ‘working’ pistol approxomately 4.5cm long and central amethyst, three dress rings, silver fob chain, and with firing action, the lot contained in a vintage «Brand silver heart pendant and three small modern eastern white Box» circular box in the form of a hat box (Q) gross weight metal dishes (qty) excluding pistol on chain approx. 29.5gms £60-£100 £200-£300 391. Three pieces of modernist silver and tigers eye jewellery comprising an oval pendant on chain, a silver bangle with stylised floret detail and a similar ring (3) £50-£80
392. A Victorian 15ct gold Etruscan style diamond set brooch and matching earrings together with a similar Etruscan style diamond set stud with attachable stick pin fitting, both with original fitted boxes (2) £80-£150
388. A late Victorian two piece silver scroll buckle, 393. A Victorian fine gold sovereign in gold pendant Birmingham 1900 mount on chain of stylised pierced heart design, makers mark A & L Lt, the sovereign dated 1901 and in removable 9ct gold ‘star approx. 83 x 60mm burst’ pendant mount and suspended from a 9ct gold flat £40-£50 weave chain sovereign including mount approx. 13.2gm, chain approx. 4.5gm 389. A small collection contemporary gem and £250-£350 diamond jewellery to include an 18ct white gold ruby and diamond cluster 394. An 18ct gold mounted pearl dress ring, another pendant on chain, a pair of 18ct white gold mounted pearl ring a row of cultured pearls square cut ruby stud earrings, a pair of 9ct gold fancy two the 18ct gold ring of modernist textured design set with colour cultured pearl drop earrings and a pair of small 9ct two cultured pearls of differing size, single row the other white gold mounted small diamond set trefoil earrings, of 14ct gold and set with central cultured pearl trefoil, sold together with three associated boxes (4) together with a single row cultured pearl necklace, having £100-£200 a 9ct gold pearl set push fancy clasp (3) size P/Q, 14ct L, gross weight of items approx. 58.6gm £300-£400
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395. An interesting collection of Victorian and later 397. A Tiffany & Co Legacy platinum and diamond jewellery eternity wedding ring including a 9ct gold amonite set pin brooch, a gold with channel set diamonds, complete in original case, with mounted scarab pin, a pair of diamond stud earrings, original card case size N a Victorian snake pin a.f., a 9ct gold heart locket with £700-£1,000 hinged picture, Edwardian gold and pearl studs cased, a mourning ring a.f., and chain a.f., (8) 398. Tiffany & Co white gold clover key pendant £100-£200 stamped .750, inset with three Tiffany diamonds, without chain weight approximately 8g £400-£500
396. A Tiffany & Co gentleman’s steel travelling watch of 1920s style in mock crocodile case with easel back, together with a ladies Tiffany & Co 18ct gold necklace with diamond single stone in swing pendant, both contained within original cases, pouches and card cases weight of necklace 0.9g £200-£400
399. Tiffany ‘Diamonds by the yard’ silver necklace stamped 925, designed by Elsa Peretti, with seven round diamonds, contained within original box and original outer card case full length 77cm £400-£500
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400. A small collection of gold jewellery including a rose gold fancy bracelet, 402. An attractive 9ct gold Egyptian style fringe hasving scroll engraved links and heart padlock fastening, necklace with foliate detail sold together with a 9ct gold ‘Avia» Incabloc quartz marked for 9ct gold, graduating to either side to the push bracelet watch, having square dial and herringbone woven clasp fastening, sold together with a 9ct gold fancy five mesh bracelet/strap, ladies Accurist 9ct gold circular bar gate bracelet with heart padlock fastening (2) approx. dial bracelet watch, mechanical wind movement, a short weight 30.1gm 9ct gold betcher chain and a 9ct gold bar brooch, all in £250-£350 associated box (5) Respectively, approx. weight 12.2gm, Avia approx. 27.3gm, Accurist approx. 16.2gm, chain approx. 9.9gm, £300-£500
401. An Arts & Crafts pierced enamelled scroll 403. An impressive vintage 1950s iridescent collar brooch and two Art Nouveau pendants necklace, original Harrods box the former set with a small heart shaped opal and with the necklace comprised of a beadwork inner lattice and small pendant drop, together with two 9ct gold art then with turquoise irridescent ‘leaves’ attached overall, Nouveau peridot set floral scroll pendants and a sterling creating a wide Egyptian style collar around the neck, silver thistle bar brooch (4) gross weight of lot approx. Harrods card box 13.3gm £100-£200 £80-£120
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408. A John Pinches silver gilt ‘Mothers Day 1975’ pendant decorated with horse and foal to one side and trailing flower on another, in an associated Cartier London leather box diameter 31cm, weight 0.45 ozt approx £40-£60
404. A collection of late 19th early 20th century native Zulu beadwork woven in traditional colours and including a necklace, waist adornment and other items (6) £60-£100
405. A Victorian fine gold sovereign, dated 1892 approx. weight 8.2gms £200-£300
406. An Edward VII, 1910, fine gold half sovereign having soldered pendant fitting and suspended from later, 409. A coin wallet containing three full fine gold fine box link 9ct gold chain approx. total weight 8.00gms sovereigns and six half sovereigns £150-£200 comprising three Victorian full sovereigns, 1889, 1898 407. Two fine gold sovereign and a fine gold half & 1899, and six gold half sovereigns, Edward VII, 1905, sovereign George V, 1912, 1913, 1914 & 1915 (9) approx. total weight Edward VII, 1903 full sovereign, George V 1925 full 48.00gms sovereign in yellow metal removable pendant mount, tests £1,200-£1,600 for gold and a George V, 1914 half sovereign (3) approx. 410. A Victorian 1895 fine gold sovereign total weight 21.4gma the coin set in 9ct gold removable pendant mount and £500-£600 suspended on a long fine link rose metal chain approx. total weight 12.00gms £280-£320
411. A collection of UK and Foreign Coinage, ten 1971 The Decimal Coinage of GB & Northern Ireland, six proof coins with Royal Mail Stamp in a black cardboard envelope with Royal Mail certificate; six 1970 Queen Elizabeth II Coinage of GB & Northern Ireland, eight proof coins with Royal Mail Stamp in a dark mauve cardboard envelope; two 1974 The First Coinage of The Kingdom of Swaziland, seven proof coins in a dark pink envelope; two 1974 Coinage of The Falkland Islands, five proof coins in a blue cardboard envelope; one 1971 Ceylon Coinage Central Bank of Ceylon, seven proof coins in a yellow cardboard envelope and a 1964-1974 Bank of Sierra Leone crown in commemoration of the 10th anniversary of the Bank of Sierra Leone, in a red leather case with certificate (22 cases) £100-£200
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415. A cased set of ten The Queen’s Beasts silver ingot commemorating the Queen’s Silver Jubilee 412. A George IV two-pound coin 1823 each of navette shape with a crest on one side, each hallmarked Georgius IIII D.G.Britanniar.Rex.F.D. on one Birmingham 1976 or 1977 by Yorkshire Mint, with ten information side, initials below head rubbed, reverse cards,(10) total weight: 15ozt approx side with St George and dragon and date £200-£300 underneath, initials below lance and dragon rubbed, edge with raised letters ‘decus et trutamen.anno regni, with loop link to top coin diameter: 28mm £1,000-£1,200
416. An interesting brass 413. A Commonwealth of the Bahama 12-inch sextant by Jesse Islands 1971 gold coin proof set Ramsden bearing name in a fitted brown leather case with 100 dollar, plate Duke of Clarence, 50 dollar, 20 dollar and 10 dollar coins, each third quarter 18th century bearing 917 hallmark, (4 coins) weight: 72gms of ‘T’ bar frame, with arc £200-£300 divided to 135o signed Ramsden London, with brass 414. A cased set of four Maundy Money index arm and vernier, two coins dated 1933 sets of interchangeable filters, in fitted case, (4) sighting tube, mirror, and £50-£80 wooden handle, contained within a fitted case with additional sighting tubes shades etc, the case with brass name plate screwed to lid inscribed His Royal Majesty’s The Duke of Clarence £1,000-£2,000
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419. A late 18th century brass equinoctial ring dial engraved with initials I.G.V (?) the outer meridian ring divided 0-90 and engraved with numerous European 417. An 8-inch radius Heath & Co. bell frame sextant cities and latitudes, the inner ring also engraved with circa 1900, the oxidised frame with single set of cities, and engraved hour scale, with central bridge with interchangeable filters, mirrors, magnifier, and scale pin hole sight sliding over the zodiacal scale, with brass engraved Heath and Co. Ltd Crayford, London, and with suspension ring diameter 7.2cm owners name R. G. Dinwiddy R.N. with wooden handle £100-£200 (detached), contained within an original case complete with brass eyepieces £150-£200
420. A mid 19th century brass drum microscope in fitted case with two objectives, lenses and five specimen slides, with J. H. Steward retailers mark to case, contained within a fitted wooden case height of microscope 18cm £80-£120 418. A good 19th century cased stereoscope by Cary 421. A leather bound Broadhurst, Clarkson & Co. the burr walnut veneered stereoscope inset with trade ‘Hawk’ four draw brass hand held telescope label for Cary 181 Strand London, with leather covered total length: 44.9cm; closed length: 17cm eyepieces, contained within a fitted burr walnut veneered £50-£70 case with brass recessed carrying handle with an extensive collection of glass slides, with interior of lid to case with compartment containing a quality of card slides, together with a burr walnut veneered case containing further card stereoscopic slides width of viewer 18cm, width of case 38cm £300-£500
BP* - Buyer’s Premium of 21.6% inclusive of VAT @ 20%. 82 Lots marked ‡ will be subject to an additional fee - please see page 88. ANTIQUES & COLLECTABLES
422. A late 19th/early 20th century 2¾inch refracting telescope by Newton & Co 424. A Dunhill 9ct gold lighter, the leather bound body tube signed around the eyepiece the engine turned rectangular body with applied coronet, Newton & Co Opticians 3 Fleet Street, Temple Bar, hallmarked 375 to base height: 5.6cm, total weight: London, on a blacked brass adjustable tripod stand 63gms with two eyepieces, in wooden case length of body tube £500-£700 102cm £100-£150 425. A Dunhill ‘Unique’ lighter of typical form with ribbed body, no.396046 height: 6.4cm £150-£250
426. An Ernst Leitz Wetzlar Leica III camera serial number 534343, Emlar f = 5cm 1:3.5 lens, with booklet height: 6.9cm, width: 14.5cm, depth: 4.5cm £100-£150 423. A cylinder key wind musical box Swiss, third quarter 19th century, no 12581, the 20cm cylinder playing airs on a steel comb, with key winding holder to the side, and start/stop and repeat levers, contained within a mahogany case width of case 34cm £500-£800
BP* - Buyer’s Premium of 21.6% inclusive of VAT @ 20%. Lots marked ‡ will be subject to an additional fee - please see page 88. 83 ANTIQUES & COLLECTABLES
429. Two vintage fur capes, hat and muff the former brown short cape with marcasite fastener, the second a short evening cape of ermine, a ‘Russian» the rabbit fur hat with ear flaps, together with a muff in original 427. A late 19th/early 20th century coromandel and cylindrical box with makers label to lid (4) height of box ivory chess set and later board 22cm the turned ivory and coromandel pieces unmarked with £60-£100 screws to the bases of the knights, sold together with a 20th century bone and ebonised inlaid folding board 430. A 9ct gold Eversharp pencil, height of king 7.5cm, length of board closed 40cm with clip holder and fitted case and lead refills, the pencil £200-£300 body engraved ‘N. C. B. H. Dec 6th 1931’, together with another gold retracting pencil, with ribbed upper body and loop link, unmarked, not tested, (2) total weight: 36gms; length: 10cm - Eversharp; total length of other: 13.3cm £80-£120
431. David Friedman ‘The Legends of Motorsport’ signed edition JS1/350 in black slipcase, the interior signed by 22 motorsport legends including Mario Andretti, Jackie Stewart, Stirling Moss etc…, featuring a collection of extensive motorsport photography by David Friedman 29 x 23xm, previously belonged to Jodie Scheckter £800-£1,200
432. A pair of Indian hardwood elephants, 20th century each standing with bone tusks and eyes, a/f, (2) height: 15.5cm £80-£120
428. A Wheatstone 56 key treble concertina 433. A vintage Rupert late 19th century, No 22287, with six fold bellows, teddy bear ebonised ends with 56 keys, with metal trade label, dressed in a red top, contained within a square leather carrying case with with yellow and black leather fastening strap closed 13.5cm, height of case checkered trousers and 20cm scarf, with moveable £600-£800 arms and legs with brown pads, no labels length 53cm approx £60-£80
BP* - Buyer’s Premium of 21.6% inclusive of VAT @ 20%. 84 Lots marked ‡ will be subject to an additional fee - please see page 88. TERMS & CONDI T I ONS
IMPORTANT INFORMATION FOR BIDDERS AND BUYERS
Each auction is prepared in advance and is on public view at the saleroom for one day before the sale, and the morning of the sale. No passes or appointments are required CONDITIONS OF BUSINESS All lots are offered subject to Catherine Southon Auctioneers & Valuers Ltd’s Conditions of Business
ESTIMATES AND RESERVES PAYMENT Estimates are published as a guide only and are subject to review. The actual Payment is due in sterling immediately after the sale and before purchases hammer price of a lot may be higher or lower than the range of figures given can be released. Payment in person can be made in the saleroom on the day and there are no predetermined starting prices. Estimates may be subject to of the auction. After this, payments must be made by post, card transactions revision. Published estimates are exclusive of buyer’s premium and VAT by telephone or electronic transfer to our bank. Catherine Southon All lots are subject to reserves. The reserve price is never higher than the low Auctioneers & Valuers Ltd welcomes the following methods of payment: pre-sale estimate CREDIT/DEBIT CARD BUYER’S PREMIUM AND VAT We are pleased to accept major Credit Cards, for which a surcharge will be A buyer’s premium of 21.6% is applicable to all the lots in this sale. made of 3% of the transaction total. This is to cover the charge made to us by the bank. (Unfortunately we are unable to accept American Express). There The buyer’s premium is inclusive of VAT at the current standard rate (20%). is no charge for payments by Debit Card Lots are normally offered for sale under the auctioneers margin scheme and VAT is payable on the buyer’s premium by all buyers Lots marked with a dagger † will be offered under normal UK VAT rules and STERLING BANKER’S DRAFT RO BUILDING SOCIETY CHEQUE VAT will be charged on both the hammer price and the buyer’s premium We are pleased to accept a Sterling Banker’s Draft or a Building Society cheque drawn on a recognised UK bank or building society
PRE-SALE EXHIBITION All auctions are on public view the day before the sale and on the morning STERLING CHEQUE OR CASH of the sale Cheques are not acceptable tender unless agreed in advance by Catherine Southon Auctioneers & Valuers Ltd.
CONDITION REPORTS Cash payments will not be accepted above the amount of £6,000 All prospective bidders are encouraged to attend the pre-sale exhibition and view the lots in person. If this is not possible, we will be pleased to ELECTRONIC AND WIRE TRANSFERS provide a brief condition report where practical. All condition reports are Wire transfers can be made directly to our bank: provided in good faith. Buyers are reminded that it is their responsibility to satisfy themselves of the condition of lots. All weights and measurements National Westminster Bank plc are approximate only. Please refer to Conditions of Business for further 33 High Street information West Wickham Kent BIDDING IN PERSON BR4 0WH To bid with us you must register to obtain a bidding number. You will be asked to provide proof of identity. All lots sold will be invoiced in the name and address in which the paddle has been registered and will not and cannot be Sort Code: 60-23-22 transferred to other names or addresses. If you instruct an agent to bid on Account Number: 79995810 your behalf, you will need to provide a letter of authority to this effect. Account Name: Catherine Southon Auctioneers & Valuers Ltd
ABSENTEE & TELEPHONE BIDDING IBAN: GB47 NWBK 6023 2279 9958 10 Catherine Southon Auctioneers & Valuers Ltd is pleased to execute bids Swift Code: NWBKGB2L on behalf of clients unable to attend the sale in person. All bids should be BIC: NWBK GB 2L submitted in writing and in good time, no later than 4.00pm on the day prior to the sale. No absentee or telephone bidding requests will be accepted PLEASE NOTE THAT THE FULL AMOUNT OWED MUST BE TRANS- without a landline telephone number. Lots will be purchased as cheaply as FERRED. CATHERINE SOUTON AUCTIONEERS & VALUERS LTD WILL NOT possible (subject to other bids received, reserves and competition in the ACCEPT TRANSFER CHARGES. ALL BANK TRANSFER/COMMISSION saleroom). It will be possible to arrange auction room telephone bidding, but CHARGES MUST BE PAID BY THE BUYER subject always to the availability of lines and staffing. These services are offered free of charge and are subject to our Conditions of Business TERMS & CONDI T I ONS
CONDITIONS OF BUSINESS FOR SELLERS
The Conditions of Business for Sellers govern all aspects of the consignment, report, holding and sale of Property by Catherine Southon Auctioneers & Valuers Ltd and the Conditions of Business for Buyers, as printed in sale catalogues and available from Catherine Southon Auctioneers & Valuers Ltd upon request. Catherine Southon Auctioneers & Valuers Ltd act as agent for Sellers. Conditions of Business for Buyers and/or Sellers may be amended by additional terms printed in the sale catalogue and/or by notices posted up in the saleroom or announced by the auctioneer.
DEFINITIONS Company’s standard rates. The Company reserves the right to pay out of its commissions a fee to any third party introducing Sellers or Property to it “Seller” is the owner of the Property, their agent, executors or the person in possession of the Property (as appropriate) (f) Sellers are prohibited from bidding on their own Property. “The Company” means Catherine Southon Auctioneers & Valuers Ltd, Lygon House, 50 London Road, Bromley, BR1 3RA, Company registration number 3. WITHDRAWAL OF PROPERTY “Seller’s Commission” is the commission The Company charges Sellers of Property. (a) If the Seller withdraws any Property from sale after their written agreement to sell “Expenses” are The Company’s expenses, fees and charges relating to the Property, it, The Company may charge the Seller 50% of the Seller’s Commission and Buyer’s including legal expenses, insurance charges, illustration fees, administration fees, customs Premium that The Company would have received had the Property sold at its mid estimate, duties, shipping and packing costs and any other expenses and VAT on these amounts plus all Expenses (the “Withdrawal Fee”). “Buyer’s Premium” is the commission The Company charges Buyers of Property (b) The Company may withdraw any Property from sale without liability for any of the “Hammer Price” is the highest bid for the Property accepted by the auctioneer following reasons:- if (i) it reasonably believes that the authenticity or attribution is questionable; (ii) it reasonably believes that the Seller’s Warranties or other Conditions of “Reserve Price” is the minimum Hammer Price at which the Property may be sold, as Business have been breached; (iii) there is a competing ownership claim or lien over the agreed between the Seller and The Company Property; (iv) the Property does not have all licences and permits required by law, including “Net Sale Proceeds” are the proceeds of sale actually received by The Company, less those required under the Convention on the International Trade in Endangered Species Seller’s Commission, Buyer’s Premium and Expenses. (CITES); (v) the condition of the Property has deteriorated since consignment; (vi) the auction has been postponed for any reason. “Property” means any item or items of any kind accepted by The Company with a view to its or their sale at auction (c) If the Property is withdrawn for any of reasons 3(b)(ii), or (iii) the Seller shall pay the Withdrawal Fee, as per Condition 3(a). If withdrawn for any other reason, the Property shall “Buyer” means the bidder (including a commission bidder) whom The Company has be returned to the Seller at the Seller’s expense. accepted by the fall of the auctioneer’s hammer “Deliberate Forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described 4. EXCLUSION OF LIABILITY in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with (a) The Company shall not be liable for any errors or omissions in any written or oral the description. information provided to Sellers or for acts or omissions relating to the conduct of the auction or any other matter relating to the sale of Property, whether negligent or otherwise, The Seller’s Commission, Hammer Price, Buyer’s Premium and all Expenses are subject subject always to Condition 4(c). to VAT, where applicable (b) Without prejudice to Condition 4(a), any claim against The Company shall be limited to the Net Sale Proceeds for the relevant Property. The Company shall not in any 1. SELLER’S WARRANTIES circumstances be liable for any indirect or consequential losses (c) The Company’s liability to the Seller in respect of death or personal injury caused by (a) The Seller warrants to The Company and the Buyer that:- The Company’s negligent acts or omissions shall not be excluded or limited (i) the Seller is the owner of the Property or is properly authorised to sell it; (ii) the Seller shall transfer possession and good title in the Property to the Buyer, free from any third party claims; 5. LOSS OR DAMAGE TO PROPERTY (iii) the Seller has provided all relevant information about the ownership, condition, (a) Unless otherwise agreed in writing, The Company will assume the risk of loss or authenticity, attribution, provenance and import/export history of the Property; damage to Property received from the Seller until:- (iv) there are no copyright or other restrictions on The Company’s rights to produce and (i) risk passes to the Buyer; or publish images of the Property. (ii) if unsold, 30 days after the sale or when released to the Seller (whichever is earlier); or (b) The Seller will indemnify The Company, its directors, employees, officers and Buyers (iii) 6 months after receipt of the Property by The Company, if not consigned for sale of the Property against all losses and damages resulting from a breach of any of these warranties or other Conditions of Business. The Company may cancel, rescind or postpone (b) If damage or loss occurs whilst the Property is at the risk of The Company, the sales of Property where it reasonably believes that there has been or may be a breach of maximum amount of The Company’s liability shall be: these warranties or any other Conditions of Business by the Seller (i) the Hammer Price of the Property, if sold; (ii) the Reserve Price of the Property or as otherwise stated on the Property Receipt, if unsold; or 2. SALE PREPARATION (iii) the mid estimate, if not offered for sale (or The Company’s reasonable estimate of (a) The Company shall have sole discretion as to how Property is described, illustrated and auction value where there are no pre-sale estimates); marketed, and the date, venue and conduct of the sale. less Seller’s Commission and Expenses (b) All oral or written estimates, appraisals and reports are statements of opinion only, and may not be relied upon as a prediction of the sale price and may be revised from time (c) The Company will not be liable for any loss or damage caused by:- (i) normal wear and to time by The Company. The Company is not responsible for error of description (made tear, gradual deterioration or inherent vice or defect; (ii) errors in processing; (iii) war or either orally or in any catalogue) or for the genuineness or authenticity of any lot radioactive contamination (c) The Company may, without obligation, consult with third party experts and carry out such other research for the Property as it deems necessary. The Company may transfer 6. VAT possession of the Property to such third parties and shall not be responsible for the acts and omissions of such third parties If any Property is an asset of the Seller’s business, the Seller must notify The Company on delivery of the Property to The Company, whether or not he is registered for VAT purposes (d) The Company shall have the absolute right to produce and publish images of any and if so, his registered number and whether or not he intends to operate the VAT Used Property consigned for sale and will retain copyright in any such images it produces Goods Scheme covering amongst other goods, works of art and antiques (e) The Company will charge a Buyer’s Premium on the sale of the Property at The TERMS & CONDI T I ONS
7. POST AUCTION SALES re-sale plus all relevant Expenses If any Property fails to sell at auction, The Company shall be entitled for a period of (c) If the Seller deposits the Property with The Company for more than 1 year and neither 35 days after the auction to sell the Property privately for no less than the Reserve collects or consigns it for sale, The Company shall be entitled to sell such Property at a Price (unless otherwise agreed with the Seller) and on the terms of these Conditions of future sale conducted by The Company or elsewhere, with estimates and reserves at The Business. Company’s discretion, after giving the Seller 60 days written notice sent to the Seller’s last known address
8. PAYMENT OF NET SALE PROCEEDS 10. RESCISSION OF SALES (a) Subject in all cases to prior receipt of cleared funds by The Company and subject to rescission of the sale under Condition 10, 35 days after the sale date or 5 working days The Company may rescind the sale where it reasonably believes that the Property is a after receipt of cleared funds from the Buyer (whichever is later), The Company shall send Deliberate Forgery, in which case The Company shall send the Seller a notice of such the Seller the Net Sale Proceeds in pounds sterling, less any other amounts owed by the rescission. The Seller agrees to return to The Company the Net Sale Proceeds received Seller to The Company. from the sale of such Property together with any additional Expenses incurred by The Company. The Company will return the Property to the Seller upon receipt of the Net (b) The Company shall not be obliged to check the ability of Buyers to pay for Property Sale Proceeds and Expenses, unless prevented from doing so for reasons beyond The and shall have absolute discretion whether to use any of the rights and remedies against Company’s control defaulting Buyers contained in the Conditions of Business for Buyers.
11. DATA PROTECTION 9. UNSOLD/ UNCOLLECTED PROPERTY (a) The Company will use information supplied by Sellers or otherwise obtained lawfully by (a) The Company will advise Sellers whether or not their Property has sold. Unsold Property The Company for the provision of auction related services, client administration, marketing may either:- and as otherwise required by law. (i) be reconsigned for sale; or (b) By agreeing to these Conditions of Business, the Seller agrees to the processing of (ii) be collected by the Seller, in which case a Reduced Commission of 50% of the Seller’s their personal information and to the disclosure of such information to third parties world- Commission may be payable calculated as if the Property sold for its Reserve Price (where wide for the purposes outlined in Condition 11(a). applicable), plus relevant Expenses. (b) If the Seller does not reconsign or collect the Property within 60 days of the auction as per Condition 8(a) (i) or (ii) above, The Company shall be released from any duty of 12. MISCELLANEOUS bailment and may in its sole discretion be entitled to:- (a) If any part of these Conditions of Business be held unenforceable, the remaining parts (i) transfer the Property to independent storage at the Seller’s expense; or shall remain in full force and effect (ii) re-offer the Property at auction for no less than 50% of the original Reserve Price b) These Conditions of Business shall be interpreted in accordance with English Law agreed with the Seller (where applicable), and subject to the Seller’s Commission on the under the exclusive jurisdiction of the English Courts, in favour of The Company.
CONDITIONS OF BUSINESS FOR BUYERS
1. INTRODUCTION 3. EXAMINATION OF LOTS (a) The contractual relationship of Catherine Southon Auctioneers & Valuers Ltd and Sellers (a) THE COMPANYs knowledge of lots is partly dependent on information provided by with prospective Buyers is governed by: the Seller and THE COMPANY is unable to exercise exhaustive due diligence on each lot. (i) these Conditions of Business for Buyers; Each lot is available for examination before sale. Bidders are responsible for carrying out examinations and research before sale to satisfy themselves over the condition of lots and (ii) the Conditions of Business for Sellers displayed in the saleroom and available from accuracy of descriptions Catherine Southon Auctioneers & Valuers Ltd; (b) All oral and/or written information provided to Bidders relating to lots, including (iii) any additional notices and terms printed in the sale catalogue, in each case as descriptions in the catalogue, condition reports or elsewhere are statements of THE amended by any saleroom notice or auctioneer’s announcement COMPANY’s opinion and not representations of fact. Each lot is sold by the Seller with any (b) As auctioneer, Catherine Southon Auctioneers & Valuers Ltd acts as agent for the Seller. and all errors of description, faults and imperfections. All weights and measurements are Occasionally, Catherine Southon Auctioneers & Valuers Ltd may own or have a financial approximate and should not be relied upon as fact. Estimates may not be relied on as a interest in a lot prediction of the selling price or value of the lot and may be revised from time to time at THE COMPANY’s absolute discretion
2. DEFINITIONS 4. EXCLUSIONS AND LIMITATIONS OF LIABILITY TO BUYERS “Bidder” is any person making, attempting or considering making a bid, including Buyers; (a) THE COMPANY shall refund the Purchase Price to the Buyer in circumstances where it “Buyer” is the person who makes the highest bid or offer accepted by the auctioneer, deems that the lot is a Counterfeit including a Buyer’s principal when bidding as agent; (b) Subject to Condition 4(a), neither THE COMPANY nor the Seller: (i) is liable for “Seller” is the person offering a lot for sale, including their agent, or executors; any errors or omissions in any oral or written information provided to Bidders by THE “THE COMPANY” means Catherine Southon Auctioneers & Valuers Ltd, registered COMPANY, whether negligent or otherwise; (ii) gives any guarantee or warranty to Bidders office: Lygon House, 50 London Road, Bromley BR1 3RA. Company Registration and any implied warranties and conditions are excluded (save in so far as such obligations number: 08020183; cannot be excluded by English law), other than the express warranties given by the Seller “Buyer’s Expenses” are any costs or expenses due to Catherine Southon Auctioneers & to the Buyer (for which the Seller is solely responsible) under the Conditions of Business Valuers Ltd from the Buyer; for Sellers; (iii) accepts responsibility to Bidders for acts or omissions (whether negligent or otherwise) by THE COMPANY in connection with the conduct of auctions or for any matter “Buyer’s Premium” is the commission payable by the Buyer on the Hammer Price at the relating to the sale of any lot current rate of 21.6% (inc VAT); (c) Without prejudice to Condition 4(b), any claim against THE COMPANY and/ or the Seller “Hammer Price” is the highest bid for the Property accepted by the auctioneer at the by a Bidder is limited to the Purchase Price for the relevant lot. Neither THE COMPANY nor auction or the post auction sale price; the Seller shall be liable for any indirect or consequential losses “Purchase Price” is the Hammer Price plus applicable Buyer’s Premium and Buyer’s (d) Nothing in Condition 4 shall exclude or limit the liability of THE COMPANY or the Seller Expenses; for death or personal injury caused by the negligent acts or omissions of THE COMPANY “Reserve Price” (where applicable) is the minimum Hammer Price at which the Seller has or the Seller agreed to sell a lot The Buyer’s Premium, Buyer’s Expenses and Hammer Price are subject to VAT, where applicable continued over page TERMS & CONDI T I ONS
5. BIDDING AT AUCTION re-sale; (a) THE COMPANY has absolute discretion to refuse admission to the auction. Before sale, (g) Exercise a lien over any Buyer’s Property in THE COMPANY’s possession, applying the Bidders must complete a Registration Form and supply such information and references sale proceeds to any amounts owed by the Buyer to THE COMPANY. THE COMPANY shall as THE COMPANY requires. Bidders are personally liable for their bid and are jointly and give the Buyer 14 days written notice before exercising such lien; severally liable with their principal, if bidding as agent (in which case THE COMPANY’s (h) commence legal proceedings to recover the Purchase Price for the lot, plus interest prior and express consent must be obtained) and legal costs; (b) THE COMPANY advises Bidders to attend the auction, but THE COMPANY will (i) disclose the Buyer’s details to the Seller to enable the Seller to commence legal endeavour to execute absentee written bids provided that they are, in THE COMPANY’s proceedings opinion, received in sufficient time and in legible form (c) When available, written and telephone bidding is offered as a free service at the Bidder’s risk and subject to THE COMPANY’s other commitments; THE COMPANY is therefore not liable for failure to execute such bids. Telephone bidding may be recorded 10. FAILURE TO COLLECT PURCHASES (a) If the Buyer pays the Purchase Price but does not collect the lot within 10 working days of the auction, the lot will be stored at the Buyer’s expense and risk at THE COMPANY’s premises or in independent storage 6. IMPORT, EXPORT AND COPYRIGHT RESTRICTIONS (b) If a lot is paid for but uncollected within 1 month of the auction, following 60 days THE COMPANY and the Seller make no representations or warranties as to whether any lot written notice to the Buyer, THE COMPANY will re-sell the lot by auction or privately, with is subject to import, export or copyright restrictions. It is the Buyer’s sole responsibility to estimates and reserves at THE COMPANY’s discretion. The sale proceeds, less all THE obtain any copyright clearance or any necessary import, export or other licence required COMPANY’s costs, will be forfeited unless collected by the Buyer within 2 years of the by law, including licenses required by law under the International Trade in Endangered original auction Species (CITES)
11. DATA PROTECTION 7. CONDUCT OF THE AUCTION (a) THE COMPANY will use information supplied by Bidders or otherwise obtained lawfully (a) The auctioneer has discretion to refuse bids, withdraw or re-offer lots for sale (including by THE COMPANY for the provision of auction related services, client administration, after the fall of the hammer) if (s)he believes that there may be an error or dispute, and marketing and as otherwise required by law may also take such other action as (s)he reasonably deems necessary.(b) The auctioneer will commence and advance the bidding in such increments as (s)he considers appropriate (b) By agreeing to these Conditions of Business, the Bidder agrees to the processing of and is entitled to place bids on the Seller’s behalf up to the Reserve Price for the lot, their personal information and to the disclosure of such information to third parties world- where applicable wide for the purposes outlined in Condition 11(a) and to Sellers as per Condition 9(i) (c) Subject to Condition 7(a), the contract between the Buyer and the Seller is concluded on the striking of the auctioneer’s hammer (d) Any post-auction sale of lots shall incorporate these Conditions of Business 12. MISCELLANEOUS (a) All images of lots, catalogue descriptions and all other materials produced by THE COMPANY are the copyright of THE COMPANY 8. PAYMENT AND COLLECTION (b) These Conditions of Business are not assignable by any Buyer without THE COMPANY’s prior written consent, but are binding on Bidders’ successors, assigns and representatives (a) Unless otherwise agreed in advance, payment of the Purchase Price is due in pounds sterling immediately after the auction (the “Payment Date”) (c) The materials listed in Condition 1(a) set out the entire agreement between the parties (b) Title in a lot will not pass to the Buyer until THE COMPANY has received the Purchase (d) If any part of these Conditions of Business be held unenforceable, the remaining parts Price in cleared funds. THE COMPANY will generally not release a lot to a Buyer before shall remain in full force and effect payment. Earlier release shall not affect passing of title or the Buyer’s obligation to pay the (e) These Conditions of Business shall be interpreted in accordance with English Law, Purchase Price, as above under the exclusive jurisdiction of the English Courts, in favour of THE COMPANY. (c) The refusal of any licence or permit required by law, as outlined in Condition 6, shall not affect the Buyer’s obligation to pay for the lot, as per Condition 8(a) (d) The Buyer must arrange collection of lots immediately after the sale on the day of the 13. ARTISTS’ RESALE RIGHTS auction, or until 12noon on the day after the auction; failing this, only on prior agreement, From 14th February 2006 all UK art market professionals (which includes, but is not a mutually convenient day agreed by The Company and the Buyer. Purchased lots are limited to; auctioneers, dealers, galleries, agents and other intermediaries) are required at the Buyer’s risk from the earlier of (i) collection or release to a nominated carrier (ii) to collect a royalty payment for all works of art that have been produced by living artists. 5 working days after the auction. Until risk passes, THE COMPANY will compensate the This payment is only calculated on qualifying works of art which are sold for a hammer Buyer for any loss or damage to the lot up to a maximum of the Purchase Price actually price more than the UK sterling equivalent of EURO 1,000 – the UK sterling equivalent will paid by the Buyer. THE COMPANY’s assumption of risk is subject to the exclusions detailed fluctuate in line with prevailing exchange rates, for an estimate of the current UK sterling in Condition 5(d) of the Conditions of Business for Sellers. equivalent, please refer to the front of this catalogue. (e) All packing and handling of lots is at the Buyer’s risk. THE COMPANY will not be liable It is entirely the responsibility of the buyer to acquaint himself with the actual EURO to UK for any acts or omissions of third party packers or shippers Sterling exchange rate on the day of the sale in this regard. The actual qualifying threshold will be calculated by the Artist’s Resale Right Service Hub based on the European Central Bank reference rate published at 2.15pm on the day of the sale, and can be found on www.dacs.org.uk. 9. REMEDIES FOR NON-PAYMENT All items in this catalogue that are marked with ‡ are potentially qualifying items, and the Without prejudice to any rights that the Seller may have, if the Buyer without prior royalty charge will be applied if the hammer price achieved is more than the UK sterling agreement fails to make payment for the lot within 5 working days of the auction, THE equivalent of EURO 1,000. The royalty charge will be added to all relevant invoices, and COMPANY may in its sole discretion exercise 1 or more of the following remedies:- must be paid before items can be cleared. All royalty charges are paid to the Design and (a) store the lot at its premises or elsewhere at the Buyer’s sole risk and expense; Artists Copyright Society (‘DACS’), no handling costs or additional fees with respect to these charges will be retained by the auctioneer. (b) cancel the sale of the lot; The royalty charge that will be applied to qualifying items which achieve a hammer price (c) set off any amounts owed to the Buyer by THE COMPANY against any amounts owed to of more than the UK sterling equivalent of EURO 1,000, but less than the UK sterling THE COMPANY by the Buyer for the lot; equivalent of EURO 50,000 is 4% payable by the buyer. For qualifying items that sell for (d) reject future bids from the Buyer; more than the UK sterling equivalent of EURO 50,000 a sliding scale of royalty charges (e) charge interest at 4% per annum above NatWest Bank Base Rate from the Payment will apply – for a complete list of the royalty charges and threshold levels, please see Date to the date that the Purchase Price is received in cleared funds; www.dacs.org.uk. There is no VAT payable on this royalty charge. (f) re-sell the lot by auction or privately, with estimates and reserves at THE COMPANY’s For all questions relating the regulations regarding Droit de Suite royalty charges, please discretion, in which case the Buyer will be liable for any shortfall between the original see www.dacs.org.uk, telephone +44 (0) 845 410 3410, or email [email protected]. Purchase Price and the amount achieved on re-sale, including all costs incurred in such
Ripley Arts Centre, 24 Sundridge Avenue, Bromley BR1 2PX Tel: 0208 313 3655 07596 332 978 www.catherinesouthon.co.uk