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Treatise on Combined Metalworking Techniques: Forged Elements and Chased Raised Shapes Bonnie Gallagher
Rochester Institute of Technology RIT Scholar Works Theses Thesis/Dissertation Collections 1972 Treatise on combined metalworking techniques: forged elements and chased raised shapes Bonnie Gallagher Follow this and additional works at: http://scholarworks.rit.edu/theses Recommended Citation Gallagher, Bonnie, "Treatise on combined metalworking techniques: forged elements and chased raised shapes" (1972). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by the Thesis/Dissertation Collections at RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. TREATISE ON COMBINED METALWORKING TECHNIQUES i FORGED ELEMENTS AND CHASED RAISED SHAPES TREATISE ON. COMBINED METALWORKING TECHNIQUES t FORGED ELEMENTS AND CHASED RAISED SHAPES BONNIE JEANNE GALLAGHER CANDIDATE FOR THE MASTER OF FINE ARTS IN THE COLLEGE OF FINE AND APPLIED ARTS OF THE ROCHESTER INSTITUTE OF TECHNOLOGY AUGUST ( 1972 ADVISOR: HANS CHRISTENSEN t " ^ <bV DEDICATION FORM MUST GIVE FORTH THE SPIRIT FORM IS THE MANNER IN WHICH THE SPIRIT IS EXPRESSED ELIEL SAARINAN IN MEMORY OF MY FATHER, WHO LONGED FOR HIS CHILDREN TO HAVE THE OPPORTUNITY TO HAVE THE EDUCATION HE NEVER HAD THE FORTUNE TO OBTAIN. vi PREFACE Although the processes of raising, forging, and chasing of metal have been covered in most technical books, to date there is no major source which deals with the functional and aesthetic requirements -
Castingmetal
CASTING METAL Sophistication from the surprisingly simple with a room casting. Hmmmm. I I asked Beth where in the world she BROOM pored through every new and learned how to cast metal using the Bvintage metals technique book Brad Smith offers a Broom business end of a broom. “It’s an old BY HELEN I. DRIGGS on my shelf and I couldn’t find a men- Casting Primer, page 32, hobbyist trick. I learned about it from a tion of the process anywhere. This and a project for using very talented guy named Stu Chalfant the elements you cast. transformed my curiosity into an who gave a demo for my rock group TRYBROOM-CAST IT YOURSELFE urgent and obsessive quest. I am an G — the Culver City [California] Rock & A TURQUOISE PENDANT P information junkie — especially Mineral Club. This was six or seven when it comes to studio jewelry — years ago, and I instantly fell in love and I love finding out new, old fash- with the organic, yet orderly shapes.” ioned ways of doing things. But, I am also efficient. So I A few years passed before Beth tried the technique her- knew the best way to proceed was to seek out Beth self. “The first of our club members to experiment with it Rosengard, who has transformed this delightfully low-tech was Brad 34Smith, who now includes the technique in the approach to molten metal into a sophisticated level of artis- classes he teaches at the Venice Adult School.” After admir- tic expression. I had made a mental note to investigate ing some early silver castings Brad had made, she begged broom casting when I saw her winning earrings in the 2006 him for a sample and later incorporated his work into her Jewelry Arts Awards. -
Lapidary Journal Jewelry Artist March 2012
INDEX TO VOLUME 65 Lapidary Journal Jewelry Artist April 2011-March 2012 INDEX BY FEATURE/ Signature Techniques Part 1 Resin Earrings and Pendant, PROJECT/DEPARTMENT of 2, 20, 09/10-11 30, 08-11 Signature Techniques Part 2 Sagenite Intarsia Pendant, 50, With title, page number, of 2, 18, 11-11 04-11 month, and year published Special Event Sales, 22, 08-11 Silver Clay and Wire Ring, 58, When to Saw Your Rough, 74, 03-12 FEATURE ARTICLES Smokin’*, 43, 09/10-11 01/02-12 Argentium® Tips, 50, 03-12 Spinwheel, 20, 08-11 Arizona Opal, 22, 01/02-12 PROJECTS/DEMOS/FACET Stacking Ring Trio, 74, Basic Files, 36, 11-11 05/06-11 DESIGNS Brachiopod Agate, 26, 04-11 Sterling Safety Pin, 22, 12-11 Alabaster Bowls, 54, 07-11 Create Your Best Workspace, Swirl Step Cut Revisited, 72, Amethyst Crystal Cross, 34, 28, 11-11 01/02-12 Cut Together, 66, 01/02-12 12-11 Tabbed Fossil Coral Pendant, Deciphering Chinese Writing Copper and Silver Clay 50, 01/02-12 Linked Bracelet, 48, 07-11 12, 07-11 Stone, 78, 01/02-12 Torch Fired Enamel Medallion Site of Your Own, A, 12, 03-12 Easier Torchwork, 43, 11-11 Copper Wire Cuff with Silver Necklace, 33, 09/10-11 Elizabeth Taylor’s Legendary Wire “Inlay,” 28, 07-11 Trillion Diamonds Barion, 44, SMOKIN’ STONES Jewels, 58, 12-11 Coquina Pendant, 44, 05/06-11 Alabaster, 52, 07-11 Ethiopian Opal, 28, 01/02-12 01/02-12 Turquoise and Pierced Silver Ametrine, 44, 09/10-11 Find the Right Findings, 46, Corrugated Copper Pendant, Bead Bracelet – Plus!, 44, Coquina, 42, 01/02-12 09/10-11 24, 05/06-11 04-11 Fossilized Ivory, 24, 04-11 -
Rockhounds Herald
The official bulletin of the Dothan Gem & Mineral Club, Inc. Rockhounds Herald 920 Yorktown Road, Dothan, AL 36301-4372 www.wiregrassrockhounds.com April 2012 Words from… The President No meeting this month since our gem and mineral show is scheduled for Saturday and Sunday, April 21 – 22. A lot of online calendars and other media sources have picked up the show announcement so we are expecting a really big turnout this year. Try to come at least one day, if you can…and bring your family and friends! If you are supplying door prizes for the show and have not yet given them to John Webber, please bring them directly to the show. Thanks. JoAn Announcements Jewelry Workshop – JoAn Lambert will be hosting a Frangipani Caterpillar Bracelet workshop at 1:00 PM on Saturday, April 28 at the fellowship hall. She will be bringing the printed patterns, but you’ll need to bring your own supplies. The following list of supplies will make one 7 ½ bracelet: 60 4mm faceted beads Size 12 beading needle Size 11 seed beads Size D beading thread or silamide Size 14 seed beads or charlottes Scissors ½” clasp bead or button Beeswax or Thread Heaven Note: If you’d like a longer bracelet, you’ll need to buy extra 4mm beads. The seed beads can be the same color as the 4mm beads or you can use gold or silver. Upcoming Shows April 21 – 22 Dothan Gem & Mineral Show Dothan, AL April 28 – 29 Memphis Mineral, Fossil, Jewelry Show Memphis, TN May 11 – 13 Georgia Mineral Society Show Marietta, GA Source: www.amfed.org/sfms/ Meeting3380688 Minutes – March 2012 – by Secretary The meeting was called to order by club President, JoAn Lambert, at 2:03 PM. -
Vintage Jewellery & Accessories
Vintage Jewellery & Accessories Jewellery Vintage 2015 September Monday 14th Vintage Jewellery & Accessories 10th January 2015 Vintage Jewellery & Accessories Monday 14th September 2015 at 9.00am This month’s Vintage Jewellery & Accessories auction has our usual array There is one of our best ever selections of designer Scandinavian of interesting and varied pieces, from historical and designer jewellery, to jewellery in this auction, lots 859 to 888. Including pieces by Georg bags and clothes. This really is the sale with something for everyone. Jensen, Hans Hansen, David Andersen and Lapponia by Bjorn Weckstrom. The pieces by Wiwen Nilsson are also very exciting, this Within this auction we have two beautiful Child & Child enamel butterfl y is a Scandinavian designer that we haven’t had through this auction brooches with maker’s cases, lots 137 and 138. Child & Child pieces before, but whose pieces are very popular among specialist collectors of are often a favourite with collectors of early 20th century jewellery. The Scandinavian designer jewellery. fi rm was founded in London in 1880 by brothers Walter and Harold Child and their jewellery had royal patronage, listing, amongst others, Queen We have our usual wide selection of designer handbags, clothes and Victoria as one of their customers. accessories and some beautiful mink fur coats and jackets. There are some really interesting pieces of Burmese amber in this Please visit our website for additional images and condition reports. If auction too, my favourite being lot 424, a natural Burmese amber you have any further enquiries, then please do not hesitate to contact us. -
Luxury Designer CLOTHING PRICE RANGE 02/01/2015
Luxury Designer CLOTHING PRICE RANGE 02/01/2015 Please Note: Pieces with fur trims, etc. will be priced slightly higher. Pants Sweaters Basic $50-125 Basic $75-145 On trend, current, embellished, with Tags $95-225 On trend, current, embellished, with Tags $145-325 Chanel, Louis Vuitton, Hermès, etc. $145-225 Chanel, Louis Vuitton, Hermès, etc. $225-495 Skirts Coats Basic $50-125 Basic $145-275 On trend, current, embellished, with Tags $95-325 On trend, current, embellished, with Tags $245-795 Chanel, Louis Vuitton, Hermès, etc. $175-425 Chanel, Louis Vuitton, Hermès, etc. $395+ Suits Jackets Basic $125-175 Basic $95-145 Chanel, Louis Vuitton, Hermès, etc. $245+ On trend, current, embellished, with Tags $175-395 Rick Owens current leather jacket $695-995 Dresses Moncler puffer jacket (+100 for fur trim) $495 short Basic $75-195 $695 long On trend, current, embellished, with Tags $145-395 Blazers Chanel, Louis Vuitton, Hermès, etc. $295-895 Basic $95-145 Alaïa fit & flare dresses $895-1395 On trend, current, embellished, with Tags $125-275 Gowns Leather Apparel Basic $195-295 Leather Jackets $245-595 Current, on trend, embellished, with Tags $295-695+ Leather Biker Jackets $295-595 Leather Blazers $175-345 Tank Tops, Button Ups, Silk Shells, etc. Leather Pants $145-295 Basic $75-145 Suede Jackets $175-275 On trend, current, embellished, with Tags $125-295 Leather Skirts $145-295 Chanel, Louis Vuitton, Hermès, etc. $175-395 Leather Shorts $145-295 Tops Marquis , Chrome Hearts, Rick Owens, The Row, Basic $75-145 Balenciaga, Givenchy: On trend, current, embellished, with Tags $125-295 Leather Jackets $595-995 Chanel, Louis Vuitton, Hermès, etc. -
Ethical Fashion Catalogue Content Brand 2 Collection 4 Index 12 Clothing 14 Essentials 72 Artist 76 Overview 158
ACCESSORIES | Spring Summer 2019 ETHICAL FASHION CATALOGUE CONTENT BRAND 2 COLLECTION 4 INDEX 12 CLOTHING 14 ESSENTIALS 72 ARTIST 76 OVERVIEW 158 DELIVERY DROPS DROP 1 Delivery from 10th to 31st of JANUARY. DROP 2 Delivery from 1st to 28th of FEBRUARY. DROP 3 Delivery from 1st to 31st of MARCH. THE SKFK WAY Dress how you are, how you feel, how you live. Strengthen your identity, express your essence and take care of your environment. Connect with nature and accessorize with its shapes and colors. A casual and minimal collection, functional and 100% cruelty free. 4 5 6 7 86% OF THIS ACCESSORIES GLOBAL APPROACH COLLECTION WAS CREATED USING COTTON PAPER The cotton left in the soil is the perfect ENVIRONMENTALLY PREFERRED non polluting alternative we love! Our hangtags and stationary are made from it. FIBERS AND IS 100% CRUELTY FREE. ECO PACKAGING We use bioplastic bags, recycled paper MATERIALS: and forest respectful paper. CARBON FOOTPRINT We use sea freight to transport our goods and our headquarters and our shops are 100% powered by renewable energy, certified by Goiener. Download our app and find how much CO2 our garments emit: RECYCLED POLYESTER ORGANIC COTTON impact.skunkfunk.com. Plastic bottles turned into No pesticides, fertilizers or fabric. Fabric transformed genetically modified seeds. into awesome clothes. Purest fiber ever, no kidding. CERTIFIED COMMITMENT Fairtrade means better “Organic” and “made with conditions and opportunities for organic” certified by Ecocert cotton producers in developing Greenlife F32600, license countries to invest in their number: 127906 SKUNKFUNK. RECYCLED COTTON RECYCLED NYLON businesses and communities for A fiber made from cut-offs Ocean waste with a new life. -
Malachite Cu2(CO3)(OH)2 C 2001-2005 Mineral Data Publishing, Version 1
Malachite Cu2(CO3)(OH)2 c 2001-2005 Mineral Data Publishing, version 1 Crystal Data: Monoclinic. Point Group: 2/m. Crystals are acicular to prismatic, thick tabular, equant, with {100}, {010}, {001}, {110}, {201}, several other forms, rounded, in sprays and crude composite aggregates, to 9 cm; typically stalactitic, mammillary, botryoidal, as such, radially fibrous internally. Twinning: On {100}, {201}, very common as contact or penetration twins, also polysynthetic. Physical Properties: Cleavage: Perfect on {201}; fair on {010}. Fracture: Subconchoidal to uneven. Hardness = 3.5–4 D(meas.) = 4.05(2) D(calc.) = 3.983 Optical Properties: Translucent to opaque. Color: Bright green, dark green, blackish green, commonly banded in masses; green to yellowish green in transmitted light. Streak: Pale green. Luster: Adamantine to vitreous; silky if fibrous; dull to earthy if massive. Optical Class: Biaxial (–). Pleochroism: X = nearly colorless; Y = yellowish green; Z = deep green. Orientation: Y = b; X ∧ c = 23.5◦. Dispersion: r<v,moderately strong. α = 1.655(3) β = 1.875(3) γ = 1.909(3) 2V(meas.) = 43(2)◦ ◦ 0 Cell Data: Space Group: P 21/a. a = 9.502 b = 11.974 c = 3.240 β =98 45 Z=4 X-ray Powder Pattern: Synthetic. 2.857 (100), 3.693 (85), 5.055 (75), 5.993 (55), 2.520 (55), 2.778 (45), 2.464 (35) Chemistry: (1) (2) CO2 20.04 19.90 CuO 72.03 71.95 H2O 8.09 8.15 Total 100.16 100.00 (1) Rio Marina, Elba, Italy. (2) Cu2(CO3)(OH)2. Occurrence: A common secondary mineral formed in the oxidation zone of copper deposits; locally may be an ore of copper. -
Piece Mold, Lost Wax & Composite Casting Techniques of The
Piece Mold, Lost Wax & Composite Casting Techniques of the Chinese Bronze Age Behzad Bavarian and Lisa Reiner Dept. of MSEM College of Engineering and Computer Science September 2006 Table of Contents Abstract Approximate timeline 1 Introduction 2 Bronze Transition from Clay 4 Elemental Analysis of Bronze Alloys 4 Melting Temperature 7 Casting Methods 8 Casting Molds 14 Casting Flaws 21 Lost Wax Method 25 Sanxingdui 28 Environmental Effects on Surface Appearance 32 Conclusion 35 References 36 China can claim a history rich in over 5,000 years of artistic, philosophical and political advancement. As well, it is birthplace to one of the world's oldest and most complex civilizations. By 1100 BC, a high level of artistic and technical skill in bronze casting had been achieved by the Chinese. Bronze artifacts initially were copies of clay objects, but soon evolved into shapes invoking bronze material characteristics. Essentially, the bronze alloys represented in the copper-tin-lead ternary diagram are not easily hot or cold worked and are difficult to shape by hammering, the most common techniques used by the ancient Europeans and Middle Easterners. This did not deter the Chinese, however, for they had demonstrated technical proficiency with hard, thin walled ceramics by the end of the Neolithic period and were able to use these skills to develop a most unusual casting method called the piece mold process. Advances in ceramic technology played an influential role in the progress of Chinese bronze casting where the piece mold process was more of a technological extension than a distinct innovation. Certainly, the long and specialized experience in handling clay was required to form the delicate inscriptions, to properly fit the molds together and to prevent them from cracking during the pour. -
Chats on Old Jewellery & Trinkets, Maciver Percival
SANTA SARSARA \ THE UBRAKY OF / \ il als. I? CHATS ON OLD JEWELLERY AND TRINKETS BOOKS FOR COLLECTORS With Coloured Frontispieces and many Illustrations. Large Crown 8vo, cloth. CHATS ON ENGLISH CHINA. By ARTHUR HAYDKN. CHATS ON OLD FURNITURE. By ARTHUR HAYDBN. CHATS ON OLD PRINTS. By ARTHUR HAYDBN. CHATS ON COSTUME. By G. WOOLLISCROFT RHEAD. CHATS ON OLD LACE AND NEEDLEWORK. By E. L. LOWES. CHATS ON ORIENTAL CHINA. By J. F. BLACKER. CHATS ON MINIATURES. By J. J. FOSTER. CHATS ON ENGLISH EARTHENWARE By ARTHUR HAYDBN. (Companion Volume to "Chats on English China.' CHATS ON AUTOGRAPHS. By A. M. BROADLBY. CHATS ON OLD PEWTER. By H. J. L. J. MASSE, M.A. CHATS ON POSTAGE STAMPS. By FRED J. MELVILLE. CHATS ON OLD JEWELLERY AND TRINKETS. By MACIVER PERCIVAL. LONDON : T. FISHER UNWIN. NEW YORK : F. A. STOKES COMPANY. CHATS ON OLD JEWELLERY AND TRINKETS BY MACIVER /PERCIVAL NEW YORK FREDERICK A. STOKES COMPANY PUBLISHERS (All rights reserved.) PREFACE THIS little book has been written mainly for minor collectors those who love old things, but cannot afford to pay large prices for them. A piece, the possession of which involves the writing of a cheque three is out of their reach for figures, definitely ; even two figures is not a light matter to them, and they prefer to pursue their hobby in those less exalted regions where ten pounds goes a long way, and quite desirable things can be had for a sovereign or two. Of course they will not, at their price meet with things of the kind that it has been the aim of generations of collectors to add to their treasures. -
Jackson's Auction
Jackson's Auction Collector's Choice: Antiques & Collectibles Wednesday - September 19, 2012 Collector's Choice: Antiques & Collectibles 675: REED & BARTON STERLING SILVER FLATWARE, 148 PIECES USD 4,000 - 6,000 A LARGE 148 PIECE SET OF REED AND BARTON FRANCIS 1ST STERLING SILVER FLATWARE, MID 20TH CENTURY. Comprising 24 table knives, 24 table forks, 24 salad forks, 35 teaspoons, 13 cream soup spoons, 5 tablespoons, 12 individual butter knives and 11 various serving pieces. Contained in two fitted chests, not matching. Total weight approximately 194 troy oz. 676: DUTCH SILVER EPERGNE, 1853 USD 1,000 - 1,500 A VERY FINE DUTCH SILVER AND CUT CRYSTAL CENTERPIECE EPERGNE, 1853. Stamp hallmarks including "Z&B" probably for Pieter Zollner and William Beijoer (1849-1871) comprising a silver entwining stem with extending foliage supporting two scallop cut crystal trays below a tulip blossom finial raised on a scalloped floral repousse and chased bell form base. Additionally stamped "Pde Meyer te'Hage." Silver weight approximately 34.76 troy oz. Height 22.5 inches (57cm). 677: WALLACE ROSE POINT STERLING SILVER FLATWARE, 63 PIECES USD 1,200 - 1,800 A VERY FINE SET OF WALLACE ROSE POINT STERLING SILVER FLATWARE, MID 20TH CENTURY. 63 pieces comprising 10 each place knives, place forks and salad forks, 20 teaspoons, 10 individual butters, a gravy ladle, sugar shell and pastry server. All contained in a fitted mahogany chest with drawer. Weight approximately 60 troy oz. 678: A FINE CONTINENTAL SILVER BACCHANALIAN FOOTED BOWL USD 200 - 400 A FINE CONTINENTAL SILVER BACCHANALIAN FOOTED BOWL, 20TH CENTURY. With embossed and chased facial mask within hammered scalloped lobes and grape vine rim in deep relief. -
JEWELS of the EDWARDIANS by Elise B
JEWELS OF THE EDWARDIANS By Elise B. Misiorowski and Nancy K. Hays Although the reign of King Edward VII of ver the last decade, interest in antique and period jew- Great Britain was relatively short (1902- elry has grown dramatically. Not only have auction 1910), the age that bears his name produced 0 houses seen a tremendous surge in both volume of goods distinctive jewelry and ushered in several sold and prices paid, but antique dealers and jewelry retail- new designs and manufacturing techniques. ers alikereportthat sales inthis area of the industry are During this period, women from the upper- excellent and should continue to be strong (Harlaess et al., most echelons of society wore a profusion of 1992). As a result, it has become even more important for extravagant jewelry as a way of demon- strating their wealth and rank. The almost- jewelers and independent appraisers to understand-and exclusive use of platinum, the greater use of know how to differentiate between-the many styles of pearls, and the sleady supply of South period jewelry on the market. African diamonds created a combination Although a number of excellent books have been writ- that will forever characterize Edwardian ten recently on various aspects of period jewelry, there are jewels. The Edwardian age, truly the last so many that the search for information is daunting. The era of the ruling classes, ended dramatically purpose of this article is to provide an overview of one type with the onset of World War I. of period jewelry, that of the Edwardian era, an age of pros- perity for the power elite at the turn of the 19th century.