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FILE NO. _---..::O:.=.1.!!.07!...::.4~4~__ RESOLUTION NO. 1 [Mural Awareness] 2 Resolution commending the sponsors and honorees of the 11th 3 Annual San Francisco Bay Area Mural Awareness Month. 4 5 WHEREAS, The City of San Francisco has a great tradition of 6 supporting muralists who beautify the city with art that 7 represents local culture and history; and, 8 WHEREAS, Local muralists tell the many stories of San 9 Franciscans from a variety of cultural and individual 10 perspectives for all to enjoYi and, 11 WHEREAS, The Precita Eyes Mural Arts and Visitors Center lS 12 holding the eleventh annual San Francisco Bay Area Mural 13 Awareness Month; and, 14 WHEREAS, This year's award recipients include Keith 15 Hollander, Paul Lanier, Eric Norberg, Meera Desai, Ellen 16 Blakely, Betsy Miller-Kusz, the SFO International Terminal Ivlural 17 Project, Judy Baca, Mujeres Muralistas, J. Garcia, Josh Bea, 18 i Jason Gilmore, Torani Employees, Susan Cervantes, Precita Eyes 19 Kids Art, Youth Mural, Urban Youth Arts Programs, Gordon Lau 20 Mural Project, Anna Duarte, Corinna Press, Flame Acutt, and 21 Precita Eyes Urban Youth Arts Program; and, 22 WHEREAS, The honorees have created an artistic vision of 23 II San Francisco and the Bay Area representing life, nature and 24 Ii culture, while adding to the beauty of our urban landscapes; 25 and, II II II Mark Leno :1 I! BOARD OF SUPERVISORS WHEREAS, The City of San Francisco is greatly indebted to the artists and sponsors of the San Francisco Bay area Mural Awareness Month for their many contributions to the beauty of the region; now, therefore, be it RESOLVED, That the Board of Supervisors of the City and County of San Francisco commends the sponsors and honorees of the 11th Annual San Francisco Bay Area Mural Awareness Month. Mark Leno BOARD OF SUPERVISORS City Hall City and County of San Francisco 1 Dr. Carlton B. Goodlett Place San Francisco, CA 94102-4689 Tails Resolution File Number: 010744 Date Passed: Resolution commending the sponsors and honorees of the 11th Annual San Francisco Bay Area Mural Awareness Month. April 30, 2001 Board of Supervisors - ADOPTED Ayes: 10 - Ammiano, Daly, Gonzalez, Hall, Lena, Maxwell, McGoldrick, Newsom, Peskin, Sandoval Absent: 1 - Yee File No. 010744 I hereby certify that the foregoing Resolution was ADOPTED on April 30, 2001 by the Board of Supervisors of the City and County of San Francisco. II Date Approved Mayor Willie L. Bro-wn Jr. t City and County of San Francisco 1 Printed at 9:47 AM on 5II/OJ.

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Copyright by Cary Cordova 2005
Copyright by Cary Cordova 2005 The Dissertation Committee for Cary Cordova Certifies that this is the approved version of the following dissertation: THE HEART OF THE MISSION: LATINO ART AND IDENTITY IN SAN FRANCISCO Committee: Steven D. Hoelscher, Co-Supervisor Shelley Fisher Fishkin, Co-Supervisor Janet Davis David Montejano Deborah Paredez Shirley Thompson THE HEART OF THE MISSION: LATINO ART AND IDENTITY IN SAN FRANCISCO by Cary Cordova, B.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December, 2005 Dedication To my parents, Jennifer Feeley and Solomon Cordova, and to our beloved San Francisco family of “beatnik” and “avant-garde” friends, Nancy Eichler, Ed and Anna Everett, Ellen Kernigan, and José Ramón Lerma. Acknowledgements For as long as I can remember, my most meaningful encounters with history emerged from first-hand accounts – autobiographies, diaries, articles, oral histories, scratchy recordings, and scraps of paper. This dissertation is a product of my encounters with many people, who made history a constant presence in my life. I am grateful to an expansive community of people who have assisted me with this project. This dissertation would not have been possible without the many people who sat down with me for countless hours to record their oral histories: Cesar Ascarrunz, Francisco Camplis, Luis Cervantes, Susan Cervantes, Maruja Cid, Carlos Cordova, Daniel del Solar, Martha Estrella, Juan Fuentes, Rupert Garcia, Yolanda Garfias Woo, Amelia “Mia” Galaviz de Gonzalez, Juan Gonzales, José Ramón Lerma, Andres Lopez, Yolanda Lopez, Carlos Loarca, Alejandro Murguía, Michael Nolan, Patricia Rodriguez, Peter Rodriguez, Nina Serrano, and René Yañez.
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Arte Queer Chicano
bitácora arquitectura + número 34 EN Arte queer chicano Uriel Vides Bautista A mediados de 2015, la Galería de la Raza exhibió un mural que provocó triarcales de la sociedad dominante y los valores hegemónicos de la mascu- una acalorada discusión en redes sociales y actos de iconoclastia contem- linidad chicana, reafirmando a la vez el hecho de ser bilingües y biculturales poránea. El mural, que representa a sujetos queer, fue violentado tres veces dentro de Estados Unidos. consecutivas debido a cierta homofobia cultural que prevalece dentro de un sector de la comunidad chicana asentada en Mission District, San Fran- cisco. El contenido de esta obra y la significación dentro de su contexto son II algunos aspectos que analizaré a lo largo de este breve ensayo. El mural digital de Maricón Collective se inserta dentro de la tradición mu- ralista chicana, que tiene su origen en los murales que “los tres grandes”8 pintaron en distintos lugares de Estados Unidos, pero principalmente en I California. Mientras que en México el muralismo agotaba sus temáticas y La Galería de la Raza se encuentra ubicada en la 24th Street de Mission agonizaba junto con la vida de Siqueiros, en Estados Unidos resurgía de for- District, el barrio más antiguo de San Francisco.1 Este barrio fue en la década ma asombrosa gracias al Movimiento Chicano. Durante este periodo, según de 1970, en palabras del historiador Manuel G. Gonzales, “el corazón del George Vargas, los barrios chicanos de las principales ciudades del país se movimiento muralista de la ciudad”. La proliferación de murales fue impul- cubrieron de coloridos murales que, realizados de manera comunitaria, ex- sada, en este periodo, por los aires renovadores del llamado Movimiento presaban temas fundamentales para la comunidad como la raza, la clase, el Chicano.2 Ante la falta de espacios adecuados para la recreación y el espar- orgullo étnico y la denuncia social.9 cimiento, artistas y activistas chicanos pugnaron por la creación de centros En un ensayo, Edward J.
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Hombres Y Mujeres Muralistas on a Mission: Painting Latino Identities in 1970S San Francisco
HOMBRES Y MUJERES MURALISTAS ON A MISSION: PAINTING LATINO IDENTITIES IN 1970S SAN FRANCISCO Cary Cordova American Studies, Dickinson College, Carlisle, PA Abstract This article argues for the importance of murals as cultural texts, consciously formed to entertain, influence, and solidify local and transnational communities. In 1974, two teams of artists painted two legendary murals in San Francisco’s Mission District: In ‘‘Homage to Siqueı´ros,’’ the trio of male muralists presented themselves as heirs to famed Mexican muralists in order to solidify their indictment of conditions in the Americas and counter the participatory role of their patron, the Bank of America. In ‘‘Latino America,’’ the female muralists rejected the Chicano Movement’s emphasis on Mexican masters and declared a new feminist, collaborative iconography. Although the murals were dissimilar in terms of gender, approach, and aesthetics, the muralists were joined in their desire to unite the local Latino community through their depictions of a shared homeland, or an imagined Latin America. This article highlights the aesthetic, cultural, political, gendered, and regional dimensions of Latino identities through the lens of mural creation. Keywords community murals; pan-Latino identity; iconography; Mission District ‘‘An explosion of human colors’’: Murals in ascendance Since the late 1960s, cultural workers in San Francisco’s predominantly Latino Mission District have produced an impressive body of literary and artistic work. Their creative milieu was important in helping to mobilize the Chicano movement and spurring a Latino cultural renaissance of local and Latino Studies 2006, 4, (356–380) c 2006 Palgrave Macmillan Ltd 1476-3435/06 $30.00 www.palgrave-journals.com/lst Hombres y Mujeres Muralistas on a Mission ------------------------------------------------------------------------------------------------------ Cary Cordova 357 national significance.
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CALIFAS El Arte De La Zona Fronteriza México-Estados Unidos
CALIFAS El Arte de la Zona Fronteriza México-Estados Unidos Art of the US-Mexico Borderlands CALIFAS El Arte de la Zona Fronteriza México-Estados Unidos Art of the US-Mexico Borderlands AGENCY (Ersela Kripa & Stephen Mueller) Chester Arnold Jesus Barraza Enrique Chagoya CRO studio (Adriana Cuellar & Marcel Sánchez) Ana Teresa Fernández Nathan Friedman Guillermo Galindo Curated by Michael Dear and Ronald Rael Rebeca García-González Assisted by Denise Klarquist Andrea Carrillo Iglesias Amalia Mesa-Bains September 11 - November 16, 2018 Richard Misrach Richmond Art Center Alejandro Luperca Morales Julio César Morales Postcommodity Rael San Fratello (Ronald Rael & Virginia San Fratello) Fernando Reyes Favianna Rodriguez Stephanie Syjuco David Taylor Judi Werthein Rio Yañez © 2018 Richmond Art Center All rights reserved. No part of this book may be reproduced in any form without permission from the Richmond Art Center. This exhibition and catalogue were organized by the Richmond Art Center and supported, in part, by the Zellerbach Family Foundation; Susan Chamberlin, Matt and Margaret Jacobson; and anonymous donors. Image Credits front cover: Julio César Morales, Day Dreaming Series (detail), 2018. Courtesy of the Artist and Gallery Wendi Norris, San Francisco pp. 6-7: Photograph by Michael Dear. Collage by Michelle Shofet pp. 12-13: LINEA DIVISORIA ENTRE MEXICO Y LOS ESTADOS UNIDOS, Colección Límites México-EEUU, Carpeta No. 4, Lámina No. 54; Autor: Salazar Ilárregui, José, Año 1853. Mapoteca ‘Manuel Orozco y Berra’, Servicio de Información Estadistica Agroalimentaria y Pesquera, SARGAPA. Reproduced with permission. Digital restoration by Tyson Gaskill pp. 23, 28, 36-37, 46-47: Photographs by Michael Dear back cover: Andrea Carrillo Iglesias, La Reina Califia / Queen Califia, 2018.
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Latino San Francisco Put Together for You by the Latino Public Radio Consortium
Guide to San Francisco LatinoJune 2011 Guillermo Gómez Peña, performance artist Latino Public Radio Consortium P.O. Box 8862 Denver, CO 80201-8862 303-877-4251 [email protected] www.lationopublicradioconsortium.org Latino Public Radio programming public radio OAKLAND/www.radiobilingue.org National News BERKELEY La Raza Chronicles, Con Sabor, Ritmo de las Américas, Rock en Rebelión, La Onda Bajita, Musical Colors, Radio 20 50 SAN FRANCISCO Pájaro Latino Americano, La Verdad Musical, Andanzas Welcome to the Guide to Latino San Francisco put together for you by the Latino Public Radio Consortium. Just like Latino public broadcasting, the Latino culture of a city is often ignored by traditional tourist magazines and guides. In a city known by the Spanish name for Saint Francis, you know there’s definitely a Latino influence at work. We’re here to assure you that there is more to San Francisco than Fisherman’s Wharf, cable cars and sourdough bread. There are pupusas, tortillas, Día de los Muertos kitsch, traditional Mexican folk art and edgy, contemporary expressions of what it’s like to be Latino in one of America’s major cities. Maybe it’s the salt air that produces such creativity, talent, skill and can-do attitude among Latinos in this city by the bay. Just scratching the surface, we found an abundance of Latino food, art, music, dancing, literature and activities that you’rewelcome sure to enjoy while in San Francisco. Special thanks to the contributors Adriana Abarca, Ginny Z. Berson, Linda González, Chelis López, Luis Medina, Samuel Orozco, Manuel Ramos, Nina Serrano.
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20181017 Consent Calendar 1-3
Mural Design Information Form LEAD ARTIST ADDRESS CITY STATE ZIP CODE EMAIL PHONE PROJECT COORDINATOR ADDRESS CITY STATE ZIP CODE EMAIL PHONE SPONSORING ORGANIZATION ADDRESS CITY STATE ZIP CODE EMAIL PHONE FUNDING SOURCES PROPOSED SITE (address, cross street ) DISTRICT District numbers can be found at http://sfgov.org/elections/district-citywide-maps MURAL TITLE DIMENSIONS ESTIMATED SCHEDULE (start and completion dates) 1. Proposal (describe proposed design, site and theme. Attach a separate document if needed). 2. Materials and processes to be used for wall preparation, mural creation and anti-graffiti treatment. 3. List individuals and groups involved in the mural design, preparation and implementation. Attach the following documents to this form: 1. Lead artist's resume/qualifications and examples of previous work 2. Three (3) letters of community support 3. Letter or resolution approving proposal from city department or; 4. Letter of approval from private property owner along with Property Owner Authorization Form 5. Signed Artist Waiver of Property Rights for artwork placed upon city property or; 6. Signed Artist Waiver of Proprietary Rights financed in whole or in part by city funds for artwork placed upon private property 7. Maintenance Plan (including parties responsible for maintenance) 8. Color image of design 9. One image of the proposed site and indicate mural dimensions YUKA EZOE www.YukakoEzoe.com SAN FRANCISCO, CA EDUCATION 2005 Garret Rietveld Academy of Arts, Amsterdam, Netherlands (spring session) 2006 BFA in Interdisciplinary Art, San Francisco Art Institute, San Francisco, CA 2008 Women’s Initiative, San Francisco, CA, a small business development NPO PROFESSIONAL EXPERIENCE Precita Eyes Muralists Association, Inc.
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Brava with Calle 24 & Precita Eyes Muralists Present
Brava with Calle 24 & Precita Eyes Muralists present the 6th Annual Baile en la Calle: The Mural Dances Sunday, May 6, 2018 FREE Tours begin at 11am, 12pm, 1pm, 2pm Brava @ 2781 24th Street Brava! for Women in the Arts’ annual event takes over the streets and alleys of San Francisco’s Mission District to celebrate and preserve its living cultural heritage! Now in its sixth year, Baile en la Calle: The Mural Dances invites the Bay Area’s most dynamic dance companies and performing artists to interpret the murals through music and dance, alongside detailed narration by docents from Precita Eyes Muralists. Baile en la Calle: The Mural Dances provides audiences an intricate look at each mural and its relationship to the culture and the life of the Mission. This year’s tour includes a new mural by the artist Agana commissioned by Brava to celebrate the opening of our long-awaited storefront spaces, along with “Take it From the Top: Latin Rock” which covers an entire house, Juana Alicia's 2004 "La Llorona’s Sacred Waters," Swoon's untitled 2016 wheat-paste mural, and a few surprises! PEFORMERS Duniya Dance & Drum Company Vanessa Sanchez and La Mezcla Mariachi Juvenil La Misión Cuicacalli Dance Company Leticia Hernandez Loco Bloco Duniya Dance & Drum Company Formed in April 2007, Duniya Dance & Drum Company creates dance and music from Punjab, India, and Guinea, West Africa, as well as unique blends of these forms and beyond. The word duniya means “world” in a wide array of languages, including Punjabi, Arabic, Susu and Wolof.
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Hispanic Access a TOP TEN LIST of PLACES IMPORTANT to THE
ACCESS WHITEPAPER SERIES PLACE, STORY & CULTURE A TOP TEN LIST OF PLACES IMPORTANT TO THE LATINO COMMUNITY AND IN NEED OF PRESERVATION PREPARED BY LATINO HERITAGE SCHOLARS: MANUEL G. GALAVIZ , NORMA HARTELL, ASHLEYANN PEREZ-RIVERA ADVISED BY: JENNIFER BRANDT, JESSICA LOYA, AND JOSEPHINE TALAMANTEZ Hispanic Access Foundation Hispanic Access Foundation TABLE OF CONTENTS EXECUTIVE SUMMARY 3 INTRODUCTION 5 TYPES OF PROTECTIONS 7 #1: PUEBLO OF TORTUGAS 8 #2: THE TRUJILLO ADOBE 10 #3: CORPUS AQUINO GALLEGOS RANCH 12 #4: CASTNER RANGE 14 #5: RIO VISTA FARM 16 #6: MCDONNELL HALL 18 #7: FORTY ACRES 20 #8: SANTA RITA HALL 22 #9: LINCOLN HIGH SCHOOL 24 #10: BALMY ALLEY 26 ENDNOTES 28 BIBLIOGRAPHY 30 2 Hispanic Access Foundation EXECUTIVE SUMMARY Numerous sites dot our American landscapes and cities that tell a different story about our past. Places that embody the architectural, cultural and deep historical roots of the Latino community within the shared national identity. In an effort to provide insight into the vast amount of sites that deserve protection and merit official recognition, the Latino Heritage Scholars have developed a top ten list of historic sites associated with Latino heritage worthy of consideration. These sites are organized chronologically: #1: Pueblo of Tortugas Located in southern New Mexico, Tortugas Pueblo is representative of mestizo identity. It is full of history and culture with traditions that represent the blending of indigenous Native American and Hispanic cultures unique to the area. #2: The Trujillo Adobe Built in 1863, the Trujillo Adobe is one of the last remnants of the original settlements of Riverside, California.
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Andrew Kong Knight [email protected] Andrewkongknight.Com 925-413-1975
Andrew Kong Knight [email protected] andrewkongknight.com 925-413-1975 Objective: College drawing and painting instructor position in a positive, collaborative environment that utilizes my experience as a highly effective, award-winning artist, educator, and community arts leader Summary ● Master of Fine Arts – John F. Kennedy University (JFKU), Berkeley, CA ● Bachelor of Fine Arts – San Francisco Art Institute (SFAI), San Francisco, CA ● Single-subject Teacher Credential in Art with Cross-cultural Language and Academic Development Language (CLAD) emphasis ● Over thirty years of fine art and commercial art experience ● Over twenty years art teaching and lecturing experience ● Winner of twenty local and national art and education awards ● Students have won dozens of regional and national art awards and scholarships ● Proven success promoting and exhibiting students’ work locally, nationally, and in various newspapers, online media, radio, and television stations Art Teaching ● Teaching and lecturing experience in university, college, and high school art classes for over twenty years ● Presented dozens of lectures to universities, colleges, high schools, and art groups throughout the San Francisco Bay Area ● Supervised several university, college, and K-12 mural art projects ● Successfully facilitated the exhibition of students’ work locally and nationally ● Promoted dozens of student art projects to San Francisco Bay Area media, resulting in more than twenty news articles in major metropolitan newspapers, as well as local television coverage Art Career Highlights ● Fine art featured in numerous local, national, and world-wide publications ● Exhibit fine art in museums, galleries, and art spaces throughout the country ● Artwork commissioned by companies and publishers nationally and internationally ● Completed forty monumental public art mural commissions while mentoring college and university students in the process 1 Education & Certification John F.
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17Th National Mural Symposium and Thanked the Mural Routes Team for Their Behind-The-Scenes Work to Make the Event Possible
(CANADA) 2015 REPORT Friday, October 23 - Sunday, October 25, 2015 Harbourfront Community Centre & The Strathcona Hotel, Toronto TABLE OF CONTENTS WELCOME _________________________________________________________________ 3 DAY 1: FRIDAY, OCTOBER 23 at HARBOURFRONT COMMUNITY CENTRE SESSION 1: Municipalities – Mural Funding, Programs and Policies _________________________ 4 TORONTO – StreetARToronto with Lilie Zendel, Manager _______________________ 4 MONTREAL – MU with Elizabeth-Ann Doyle, Directrice ________________________ 7 SAN FRANCISCO – Precita Eyes with Susan Cervantes, Director _________________ 10 SESSION 2: Graffiti Art/Graffiti Vandalism: Changing the Dynamic ________________________ 12 DAY 2: SATURDAY, OCTOBER 24 at HARBOURFRONT COMMUNITY CENTRE SESSION 3: Guest Speaker, Susan Cervantes _________________________________________ 16 SESSION 4: Toronto in Perspective, Bill Wrigley _______________________________________ 22 SESSION 5: A Word about Site Management and Materials, Allan Bender __________________ 24 SESSION 6: Preserving Your Legacy/ Protecting Your Assets______________________________ 26 Copywrite Updates – Paul Sanderson, Entertainment and Arts Lawyer ___________ 26 Insurance for Murals – Mark Locke, IFP Group ______________________________ 28 Documentation and Cataloguing Your Work – Ryan Mayberry, Art Moi ___________ 28 DAY 3: SUNDAY, OCTOBER 25 at THE STRATHCONA HOTEL SESSION 7: A Word from the Global Mural Conference, Gene Bavis _______________________ 30 SESSION 8: Symposium Art Mural Sherbrooke, Serge Malenfant
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Mm September
Fine Arts Museums of San Francisco de Young Legion of Honor Media contact: Robin Wander [email protected] 415-750-2604 MEDIA ALERT WHO: Cultural Encounters: Friday Nights at the de Young presents Mission Muralismo in partnership with Precita Eyes Muralists and Intuitive Impressions in partnership with the San Francisco Bay Guardian. WHAT: Mission Muralismo Film Series Part 2 A spectacular evening of rare and cutting edge, old school and new school, Mission film making that shadows and illuminates Mission art and life. The films mirror the themes and history chronicled in the book Street Art San Francisco: Mission Muralismo. The evening’s highlight is the world premiere of Why I Ride: Low and Slow. Filmmakers and artists represented in the film will participate in a Q & A following the screening. Intuitive Impressions includes palm and tarot card readings, henna by Holistic Henna, live music by the gypsy jazz sextet Gaucho, and DJ Schmeejay. WHEN: September 3, 2010 Details: 6:00–8:30 pm Wilsey Court Enjoy French music classics with DJ Schmeejay and live gypsy jazz with Gaucho. 6:00–8:30 pm Wilsey Court Tarot card readings and henna by Holistic Henna in the Piazzoni Murals Room and art-making with Mademoiselle Kim. 7 pm Koret Auditorium Mission Muralismo Film Series Part 2 Street Art San Francisco: Mission Muralismo film series presents Film Series Part 2––Cutting edge independent local films including the world premier of Why I Ride: Low and Slow and rare archival footage of early Mission District murals. Filmmaker discussion follows. WHERE: de Young Museum, Golden Gate Park COST: Programs are free of charge INFO: www.deyoungmuseum.org and www.MISSIONMURALISMO.com ________________________________________________________________________ San Francisco, August 2010––On Friday, September 3, the de Young Museum presents another dynamic program in the ongoing series Mission Muralismo in conjunction with the recently published book Street Art San Francisco: Mission Muralismo, edited by Annice Jacoby for Precita Eyes Muralists, foreword by Carlos Santana (Abrams, 2009).
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A Finding Aid to the Tomás Ybarra- Frausto Research Material on Chicano Art, 1965-2004, in the Archives of American Art
A Finding Aid to the Tomás Ybarra- Frausto Research Material on Chicano Art, 1965-2004, in the Archives of American Art Gabriela H. Lambert, Rosa Fernández and Lucile Smith 1998, 2006 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Autobiographical Note...................................................................................................... 2 Scope and Content Note................................................................................................. 2 Arrangement..................................................................................................................... 4 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Subject Files, 1965-2004.......................................................................... 5 Tomás Ybarra-Frausto research material AAA.ybartoma Collection Overview Repository: Archives of American Art Title: Tomás Ybarra-Frausto research material Identifier: AAA.ybartoma Date: 1965-2004 Creator:
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