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The Rice Thresher Volume 59, Number 14 Thursday
4> s New coach Conover speaks out on academics, athletics by GARY RACHLIN things that I'd like to get done and how getting a "1" for the program . breakfast entirely. As far as lunch, I'm Last Saturday, President Hackerman will they affect Rice University. So I'm Thresher: Do you have any desire for going to leave it up to the football announced that Rice's new head coach going to be very cautious about what I an athletic dorm at Rice? team. During the season and spring- is A1 Conover and the new athletic di- do. Conover: An athletic dormitory? At practice we will have training table for rector is "Red" Bale. Monday I had an Thresher: What sort of things do you Rice? Not at Rice University. I wouldn't lunch, but for the rest oft the time, the interview with Conover. Excerpts follow: need for a successful football program even consider that. That's absurd. decision will be left to the team. at Rice? Thresher: Would you suggest any Thresher: The evening meal will be at Thresher: Coach Peterson had some di- Conover: One of the things that I have changes in the training table? the colleges for those periods other than fficulties concerning the relationship in, mind concerns people who are coming Conover: First thing I'm going to do the season or spring training. between academic and athletics at Rice. into Rice University, not only football away with is breakfast—all year long. Conover: Yes—just like it's been. How do you see football fitting into Thresher: How will you sell Rice Uni- the scheme of things at Rice Univer- versity to recruits? sity? Conover: Well there are a number of Conover: When I came to Rice Uni- things we are concentrating on when we versity last year with Coach Peterson I talk to recruits. -
XIX:12) Arthur Penn NIGHT MOVES (1975, 100 Min)
November 17, 2009 (XIX:12) Arthur Penn NIGHT MOVES (1975, 100 min) Directed by Arthur Penn Written by Alan Sharp Produced by Robert M. Sherman Original Music by Michael Small Cinematography by Bruce Surtees Film Editing by Dede Allen Gene Hackman...Harry Moseby Jennifer Warren...Paula Susan Clark...Ellen Moseby Ed Binns...Joey Ziegler Harris Yulin...Marty Heller Kenneth Mars...Nick Janet Ward...Arlene Iverson James Woods...Quentin Melanie Griffith...Delly Grastner Anthony Costello...Marv Ellman John Crawford...Tom Iverson Ben Archibek...Charles Max Gail...Stud Stunts: Dean Engelhardt, Ted Grossman, Richard Hackman, Chuck Hicks, Terry Leonard, Rick Lockwood, Ernie F. Orsatti, Enemy Lines (2001), The Royal Tenenbaums (2001), Heist Chuck Parkison Jr., Betty Raymond, Ronnie Rondell Jr., Walter (2001/I), Heartbreakers (2001), The Mexican (2001), Under Scott, Fred M. Waugh, Glenn R. Wilder, Suspicion (2000), Enemy of the State (1998), Twilight (1998), Absolute Power (1997), The Chamber (1996), The Birdcage ARTHUR PENN (27 September 1922, Philadelphia, Pennsylvania, (1996), Get Shorty (1995), Crimson Tide (1995), The Quick and USA—) directed 27 film and dozens of tv episodes, among them the Dead (1995), Wyatt Earp (1994), Geronimo: An American Inside (1996), Penn & Teller Get Killed (1989), Dead of Winter Legend (1993), The Firm (1993), Unforgiven (1992), Company (1987), Target (1985), Four Friends (1981), The Missouri Breaks Business (1991), Class Action (1991), Postcards from the Edge (1976), Night Moves (1975), Little Big Man (1970), Alice's -
Sunday Morning Grid 2/28/21 Latimes.Com/Tv Times
SUNDAY MORNING GRID 2/28/21 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Face the Nation (N) News College Basketball Villanova at Butler. (N) Å College Basketball Michigan State at Maryland. (N) 4 NBC Today in LA Weekend Meet the Press (N) Å Hockey Boston Bruins at New York Rangers. (N) Å PGA Golf 5 CW KTLA 5 Morning News at 7 (N) Å KTLA News at 9 KTLA 5 News at 10am In Touch Luminess MAXX Oven 7 ABC News This Week Eyewitness News 9AM News News News NBA Basketball 9 KCAL KCAL 9 News Sunday Joel Osteen Jeremiah Joel Osteen Jentzen Mike Webb Harvest Cancer? Danette Icons The World’s 1 1 FOX Paid Prog. Emeril Fox News Sunday The Issue News PBA Bowling Tournament of Champions. (N) RaceDay NASCAR 1 3 MyNet Bel Air Presbyterian Fred Jordan Freethought In Touch Paid Prog. Silver Coin Drug-Free Relief News The Issue 1 8 KSCI Smile Copper Chef Titan AAA New YOU! Smile Ideal Paid Prog. Bathroom? Money Ideal THE VIRUS 2 2 KWHY Programa Programa Revitaliza Programa Programa Programa Programa Programa Programa Revitaliza Programa Programa 2 4 KVCR Food as Medicine Yoga-Diabetes Easy Yoga for Arthritis Ancient Remedies With Dr. Josh Axe (TVG) Å Ken Burns: Here & There 2 8 KCET Darwin’s Cat in the SciGirls Odd Squad Cyberchase Biz Kid$ Joyful Pain Free Living With Lee Albert (TVG) Å Eat Your Medicine 3 0 ION Jeremiah Youseff In Touch Amazing Blue Bloods (TV14) Å Blue Bloods (TV14) Å Blue Bloods (TV14) Å Blue Bloods (TV14) Å 3 4 KMEX Conexión Programa Programa Programa Como dice el dicho (N) Happy Feet ››› (2006) Elijah Wood. -
American Auteur Cinema: the Last – Or First – Great Picture Show 37 Thomas Elsaesser
For many lovers of film, American cinema of the late 1960s and early 1970s – dubbed the New Hollywood – has remained a Golden Age. AND KING HORWATH PICTURE SHOW ELSAESSER, AMERICAN GREAT THE LAST As the old studio system gave way to a new gen- FILMFILM FFILMILM eration of American auteurs, directors such as Monte Hellman, Peter Bogdanovich, Bob Rafel- CULTURE CULTURE son, Martin Scorsese, but also Robert Altman, IN TRANSITION IN TRANSITION James Toback, Terrence Malick and Barbara Loden helped create an independent cinema that gave America a different voice in the world and a dif- ferent vision to itself. The protests against the Vietnam War, the Civil Rights movement and feminism saw the emergence of an entirely dif- ferent political culture, reflected in movies that may not always have been successful with the mass public, but were soon recognized as audacious, creative and off-beat by the critics. Many of the films TheThe have subsequently become classics. The Last Great Picture Show brings together essays by scholars and writers who chart the changing evaluations of this American cinema of the 1970s, some- LaLastst Great Great times referred to as the decade of the lost generation, but now more and more also recognised as the first of several ‘New Hollywoods’, without which the cin- American ema of Francis Coppola, Steven Spiel- American berg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into being. PPictureicture NEWNEW HOLLYWOODHOLLYWOOD ISBN 90-5356-631-7 CINEMACINEMA ININ ShowShow EDITEDEDITED BY BY THETHE -
~'Ourglass 3-26-72 4 7 at 0318 1.2 at 0911 5.3 at 1521 O 9 at 2134
HIGH TIDE WW TIDE 3-26-72 ~'OURGlASS 3-26-72 4 7 at 0318 1.2 at 0911 5.3 at 1521 o 9 at 2134 VOL. 13, 30190 KWAJALEIN, MARSHALL ISLANDS Saturday, March 25, lq72 President Denies favoritism for ITT, Inside Today IRA Dismisses Notion AROUND THE WORLD Page 2 Of Truce Following Expresses Confidence in Kleindienst F~re Guts Seoul Hotel WASHINGTON (UPI) - President N~xon gave a publ1c vote of confidence WEEKLY MOVIE GUIDE Page 3 British Rule Decision in Attorney General-designate Richard G. Kleindienst yesterday and AROUND TOWN Page 4 BELFAST (UPI) - Both wings of declared that his administration never would accept a campaign con Cap Cooke - Gou:rmet the IRA today dismissed any notion tribution with the "expressed or implied" understanding of a return FEATURES . of a truce following Britain's de favor SPORTS Page 6 cision to impose direct rule on Speaking out for the first time since the ITT controversy burst MountatnbalZ Stand:z,.ngs Northern Ireland One militant wide open more than 3 weeks ago, the President categorically denied ENTERTAINMENT SCENE IRA leader denounced such an idea the administration had g1ven any favors to Internat10nal Telephone .Pages 7 & 8 as "complete rot " and Telegraph Corp. COMICS Page 9 Leaders of the IRA's militant In fact, he told reporters during an impromptu news conference in CLASSIFIED .Page 10 provisional and politically ori his White House office, the Justice Department had moved more force- ented official wing made their fully again" the giant cong1omer- M' t II' L d t I k M It P t statements as William Whitelaw, ate during his administration than In 0 In 011 011 0 II a a ac appointed British secretary of under Democratic Presidents John LONDON (UPI) - Prem~er Dom Mintoff of Malta arrived today for state for Northern Ireland, flew F Kennedy or Lyndon B Johnson the signing of an Anglo-Maltese defense agreement which will enable in for his first round of confer "If we wanted to do a favor for British troops to stay on the Mediterranean island ences before taking up the post. -
Copyright and Use of This Thesis This Thesis Must Be Used in Accordance with the Provisions of the Copyright Act 1968
COPYRIGHT AND USE OF THIS THESIS This thesis must be used in accordance with the provisions of the Copyright Act 1968. Reproduction of material protected by copyright may be an infringement of copyright and copyright owners may be entitled to take legal action against persons who infringe their copyright. Section 51 (2) of the Copyright Act permits an authorized officer of a university library or archives to provide a copy (by communication or otherwise) of an unpublished thesis kept in the library or archives, to a person who satisfies the authorized officer that he or she requires the reproduction for the purposes of research or study. The Copyright Act grants the creator of a work a number of moral rights, specifically the right of attribution, the right against false attribution and the right of integrity. You may infringe the author’s moral rights if you: - fail to acknowledge the author of this thesis if you quote sections from the work - attribute this thesis to another author - subject this thesis to derogatory treatment which may prejudice the author’s reputation For further information contact the University’s Director of Copyright Services sydney.edu.au/copyright There’s a Problem with the Connection: American Eccentricity and Existential Anxiety Kim Wilkins 305165062 A thesis submitted in fulfilment of the degree of Doctor of Philosophy. University of Sydney. 1 I hereby declare that, except where indicated in the notes, this thesis contains only my own original work. As I have stated throughout this work, some sections of this thesis have been published previously. A version of Chapter Two features in Peter Kunze’s collection The Films of Wes Anderson: Critical Essays on an Indiewood Icon, published by Palgrave Macmillan in 2014, and Chapter Three was published under the title ‘The sounds of silence: hyper-dialogue and American Eccentricity’ as an article in New Review of Film and Television Studies no. -
Videoage International November 2017
THE BUSINESS JOURNAL OF FILM, BROADCASTING, BROADBAND, PRODUCTION, DISTRIBUTION November 2017 - VOL. 37 NO. 5A - $9.75 INTERN A T ION A L www.VideoAge.org MIPCOM Review: DISCOP Johannesburg In New Larger Sales, challenges on the Croisette Dollars, Cents and Rands Venue For Page 4 his year, DISCOP Africa will MIP Cancun take place from October Strategy, reasons T25 to 27 to avoid conflict with the American Film Market for B-movies release (AFM), which is being held October schedules 31-November 7. Last year, the Johannesburg market took place Page 6 at the same time as the Hollywood event, starting on November 2. But this time the conflict is with New shows being MIPCOM, which ends just six days our editions of MIP Cancun shown at DISCOP and earlier and barely leaves any time and three different (and MIP Cancun for executives to travel back to their for the Sub-Saharan African Flarger) venues later, it’s clear offices before heading to South entertainment content industry. that the fast-growing Mexican TV Page 8 Africa. We announced the move last year, market organized by Reed MIDEM and at that time MIPCOM had not According to Patrick Zuchowicki, is expanding. The new venue for My2¢: Yesterday’s general manager of Basic Lead, announced that they were going the fourth annual event, to be held the Los Angeles and Paris, France- to permanently move their dates stress is different based DISCOP Africa organizer, from the first week of October to November 15 to 17, 2017, is now the than today’s “AFM is an important event the third week of October.” Moon Palace Resort. -
Kirchner | Dissertation Master Document
UNIVERSITY OF CALIFORNIA Los Angeles Cinemascapes: Cinematic Sublimity and Spatial Configurations ¾ or ¾ Learning from Los Angeles A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Film and TV by Carolin Kirchner 2018 ã Copyright by Carolin Kirchner 2018 ABSTRACT OF THE DISSERTATION Cinemascapes: Cinematic Sublimity and Spatial Configurations ¾ or ¾ Learning from Los Angeles by Carolin Kirchner Doctor of Philosophy in Film and TV University of California, Los Angeles, 2018 Professor Kathleen A McHugh Due to the shift in production practices and the availability of lighter camera equipment in the mid-1960s, filmmakers began to cinematically explore Los Angeles (LA) many environments. Utilizing the city’s diverse neighborhoods, unique architectural styles, and geographical topography, their films created imaginary spaces that sought to specifically represent LA, but also reflected post-war American urban restructuring processes in general. European filmmakers John Boorman, Jacques Demy, Agnès Varda, and Michelangelo Antonioni seemed to be especially perceptive regarding the specificity of the spaces they encountered in Los Angeles, and their films illustrate ambivalent feelings toward the built environment¾feelings that seem to run parallel to cultural and theoretical investigations taking place in the academy. Aided by the founding of the UCLA School of Architecture and Urban Planning, a new wave of scholars and theorists utilized ii Los Angeles in their writing as the most important case study for the postmodern megalopolis. Like Boorman, Demy, Varda, and Antonioni, neither of the leaders of this theoretical interest in Los Angeles¾ Kevin Lynch, Jane Jacobs, Reyner Banham, and Edward Soja ¾were native Californians. -
Assessment Reviews Are Up; HISTORICAL SOCIETY MEETING
25(i IICAG S SON3* DOOK BINDER, cprk: MOPORr, miciiica.'I 49284 The Lowell Volume 17, Issue 17 Lowell Area Readers Since 1893 Wednesday, March 10, 1993 \Along Main Street i 'V - •• z n wl THE T(K;ETHER LOWELL CARES COMMITTEE HOLDS FREE SEMINAR L The Together Lowell Cares Connnittee is offering a free miliar, Thursday, March 11 from 7 to 9 p.m., al Ihe Lowell '"^^1 iddle School, and will introduce the widely acclaimed parent ucation program called Active Parenting. 7*. This discussion will be led by Suzy Schwark, the area s presentative of Activc Parentimi. She will present informa- tion on ways to build effective family communication skills. i" > / For more information contact Sue Burt or Karen Latva at 97-8471. YMCA OFFERS YOUTH SPORT PROGRAMS The Lowell YMCA is now taking registrations for its spring >uldoor soccer program It is open to boys and girls grades cindergarten through eighth. John Gahrion, Dave Clark and Jim Wood, left, the City's Board of Review for property assessments, hear from It is also registering boys for the "new" T-ball/baseball and I^owell residents Neva and Wayne Johnson, right. softball program for ages four years through sixth-grade. For further infonnation call 897-8445. • Assessment reviews are up; HISTORICAL SOCIETY MEETING The annual meeting of Fa llasburg Historical Swiety will be held at Schneider Manor March 15 at 7:30 with potluck at 6:30 Angered taxpayers look for answers p.m. The Kent County Bureau ments will reflect a two-year walks asearly as ihis summer. -
Columbia Pictures: Portrait of a Studio
University of Kentucky UKnowledge Film and Media Studies Arts and Humanities 1992 Columbia Pictures: Portrait of a Studio Bernard F. Dick Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Dick, Bernard F., "Columbia Pictures: Portrait of a Studio" (1992). Film and Media Studies. 8. https://uknowledge.uky.edu/upk_film_and_media_studies/8 COLUMBIA PICTURES This page intentionally left blank COLUMBIA PICTURES Portrait of a Studio BERNARD F. DICK Editor THE UNIVERSITY PRESS OF KENTUCKY Copyright © 1992 by The University Press of Kentucky Paperback edition 2010 Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com Cataloging-in-Publication Data for the hardcover edition is available from the Library of Congress ISBN 978-0-8131-3019-4 (pbk: alk. paper) This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials. -
FIVE EASY PIECES 96 Min (1970)
November 14, 2006 XIII: 11 FIVE EASY PIECES 96 min (1970) Produced and Directed by Bob Rafelson Story by Carole Eastman and Bob Rafelson Script by Carole Eastman (as Adrien Joyce) Cinematography by László Kovács Jack Nicholson...Robert Eroica Dupea Karen Black...Rayette Dipesto Billy Green Bush...Elton Fannie Flagg...Stoney Sally Struthers...Betty Marlena MacGuire...Twinky Richard Stahl...Recording Engineer Lois Smith...Partita Dupea Helena Kallianiotes...Palm Apodaca Toni Basil...Terry Grouse Lorna Thayer...Waitress Susan Anspach...Catherine Van Oost Ralph Waite...Carl Fidelio Dupea William Challee...Nicholas Dupea John P. Ryan...Spicer Irene Dailey...Samia Glavia Oscar nominations for best actor (Nicholson), best supporting acress (Black), best picture, best writing Selected by the National Film Preservation Board for the National Film Registry BOB RAFELSON (21 February 1933) has directed 11 theatrical and several made-for-tv films, among them The House on Turk Street (2002), Blood and Wine (1996), Wet (1995), Black Widow (1987), The Postman Always Rings Twice (1981), Modesty (1981), Stay Hungry (1976), The King of Marvin Gardens (1972), Five Easy Pieces (1970) and Head (1968). LÁSZLÓ KOVÁCS (14 May 1933, Budapest, Hungary) has shot 74 films, most recently Torn from the Flag (2006), which is currently in post-production. Some of the others are Two Weeks Notice (2002), Miss Congeniality (2000), My Best Friend's Wedding (1997), Shattered (1991), Legal Eagles (1986), Mask (1985), Ghost Busters (1984), The Toy (1982), The Legend of the Lone Ranger (1981), F.I.S.T (1978), Nickelodeon (1976), Harry and Walter Go to New York (1976), Shampoo (1975), Paper Moon (1973), Steelyard Blues (1973), The King of Marvin Gardens (1972), What's Up, Doc? (1972), The Last Movie (1971), Getting Straight (1970), Easy Rider (1969), Targets (1968), Hells Angels on Wheels (1967), The Notorious Daughter of Fanny Hill (1966), and Kiss Me Quick!/ Dr. -
Kirchner, Carolin
UCLA UCLA Electronic Theses and Dissertations Title Cinemascapes: Cinematic Sublimity and Spatial Configurations - or - Learning from Los Angeles Permalink https://escholarship.org/uc/item/1xr6v757 Author Kirchner, Carolin Publication Date 2018 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Cinemascapes: Cinematic Sublimity and Spatial Configurations ¾ or ¾ Learning from Los Angeles A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Film and TV by Carolin Kirchner 2018 ã Copyright by Carolin Kirchner 2018 ABSTRACT OF THE DISSERTATION Cinemascapes: Cinematic Sublimity and Spatial Configurations ¾ or ¾ Learning from Los Angeles by Carolin Kirchner Doctor of Philosophy in Film and TV University of California, Los Angeles, 2018 Professor Kathleen A McHugh Due to the shift in production practices and the availability of lighter camera equipment in the mid-1960s, filmmakers began to cinematically explore Los Angeles (LA) many environments. Utilizing the city’s diverse neighborhoods, unique architectural styles, and geographical topography, their films created imaginary spaces that sought to specifically represent LA, but also reflected post-war American urban restructuring processes in general. European filmmakers John Boorman, Jacques Demy, Agnès Varda, and Michelangelo Antonioni seemed to be especially perceptive regarding the specificity of the spaces they encountered in Los Angeles, and their films illustrate ambivalent feelings toward the built environment¾feelings that seem to run parallel to cultural and theoretical investigations taking place in the academy. Aided by the founding of the UCLA School of Architecture and Urban Planning, a new wave of scholars and theorists utilized ii Los Angeles in their writing as the most important case study for the postmodern megalopolis.