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Still KicKing SelectionS from the lSD library of Julio mario Santo Domingo, carl WilliamS rare catalogue 2. 23 11

Still KicKing SelectionS from the lSD library of Julio mario Santo Domingo, 151 the ‘ReUp’. contentS. I. ART, PROSE & POETRY 1–22. II. MAGICKALS 23–29. this is the second catalogue sourced from a private library of altered states of consciousness created by my former employer the late Julio mario Santo III. CELLULOID HIGHS & LOWS Domingo (JmSD). for me, a carny for the ludlow Santo Domingo library (lSD 30–50. library) of course, it was, to quote Winona ryder in this very catalogue: IV. BODIES -EXPOSED, INKED & “the greatest library on earth!!” PUNKED 51–59. or, ‘the louis Santo Domingo library’, as JmSD jokingly called it, after his V. SATIRE, , beloved and rather temperamental Wheaten terrier. at the very least, it was the PROVOCATION & 60–72. greatest library on earth dedicated to a dog. So,i have included some of ‘louis’s VI. DRUGS & COMIX 73–77. books’ in this catalogue as a token of that accolade. VII. ZEPHYRUS IMAGE 78–127. JmSD was a voracious buyer with an insatiable appetite, who amassed a vast range of material in a relatively short space of time. his collection was mainly VIII. COLD WAR WOMEN 128–130. spread over three units, one huge, over two floors of a small business centre in IX. BAY AREA RENAISSANCE grey block on chemin du foron 16, thônex, Switzerland and his pads in 131 –134. Promenade Saint-antoine, genève, avenue montaigne, Paris, ferme des carneaux, boigneville and a flat in . X. ROCK MUSIC 135–139. most of the lSD library is now on long-term deposit at the houghton library; XI. WASHINGTONIANA 140–141. rolled up into the multifaceted library system of harvard university. enfolded in XII. LOUIS SANTO DOMINGO’S that vast collection, that could stand toe-to-toe, in a fair fight, with the bl or the LIBRARY 142–145. library of congress. there was a portion of the lSD library that was removed to , after his death, and this relatively modest selection is from that XIII. JOURNEYERS TO THE EAST. transfer. 146–150. ‘Still kicking’ has 187 items with many never before seen ‘on ’ (or even XIV. THE ALTERED STATES OF off it). these include, a ‘green raven’ of drug books, namely, James allen lane’s SHULGIN, KESEY, LEARY ET AL ‘the reign of law’, quite possibly the first binding and with a pattern 151–186. of cannabis leaves. there is rare glassware from the laboratory of the late, great psychedelic pharmacologist Sasha Shulgin. flasks and a dish that were used to the ‘Dope’. synthesise an array of psychotropic substances that he ‘bioassayed’ and published in ‘Pihkal’ (i have a signed copy with Shulgin’s handdrawn‘dirty Most of the stuff in this catalogue is pictures’). original except of course where noted otherwise. also, there is a blotter sheet of ‘orange Suns’ acid with merry Prankster ken kesey’s illuminated moniker in foil and the colours of old glory. Plus, a probably Dimensions are expressed as vertical x very rare ceramic vessel made by the league for Spiritual Discovery’s peyote horizontal axes. ‘roadman’ that is reputed to have belonged to rosemary Woodruff leary, the l – leaf. third wife of Dr. timothy. there are items from what might be called, ‘anti- ll – leaves. private presses’ such as a rare, contemporaneously annotated, complete run, in p – . nice condition, of a series of grotesque anti-semitic placards by lenepveu. also, pp – pages. a large quantity of ephemera from the neo-prankster Zephryus image. this Recto – front side of a leaf. includes a Zi ‘black tulip’ in the form of the ‘Patty hearst identikit’ aka ‘hours of Verso – back or reverse side of a leaf. fun’ and a bag of ‘’s Pine nuts’, plus ginsberg and Snyder’s ‘the Holograph – handwritten. totem Protectorates’ an always relevant, and very rare, anti-ecocide mailshot. N.p. – no place. Druggy films are in abundance with scripts/screenplays/promo stuff for n.p. – no publisher. ‘Scarface’, ‘blow’, ‘chappaqua’, ‘flesh’, ‘the Panic in needle Park’, a signed, n.d. – no date, inscribed presentation copy of Winona ryder’s script for ‘a Scanner Darkly’ POA – price on asking. (quoted above) and some truly great drug exploitation film . even the Signed in the stone – the artist’s mark very medium of twentieth-century cinematic dreams itself in the form of film in the medium, not theatre projector prints of the actual celluloid films by (signed) handwritten and applied after the and ira cohen. anger’s prime inspiration in the form of a sort of photographic impression. copy of ’s ‘liber al legis’ is also included. another inspirational Sasha’s laboratory glassware contains figure in ‘occulture’ is presented in the form of austin osman Spare’s mother- no MDMA, the sacrament was swaffed in-law’s copy of his phenomenal emblem ‘the book of Satyrs’. i will have to from Mana’s vessel long ago and the reluctantly part with some other esoteric arcana in the format of printing blocks Orange Suns are inert (suck it and see). for manly Palmer hall’s ‘big book’ and other projects. let’s not forget twiggy’s trimfit© tights! Prices are in pounds sterling not pre- decimal £sd. Near everything is in the they are joined by art from hergé, Walasse ting, William S. burroughs and state that we found it in The LSD others policed by bankSy’s ‘rude copper’ under the gaze of John-michel Library, we have added no adulterants, basquiat’s scratched-up Polaroid portrait by William coupon, ‘Still kicking’. not in the dialect of my birth county ‘there’s to forget antonin artaud’s unpublished vertiginous rant of an actor not resting nowt taken owt’. It’s pure unstepped on at all. gear, straight from the source, the real thanks again to ed maggs and gus harding of maggs bros. ltd. for entrusting deal, righteous stuff. I have a great this precious material to my care. higher resolution images are available for all ‘connect’ so make sure that you are on items, on request. my mailing list for future ‘reups’.

1 the cAtAlogUe. i. ARt, pRoSe & poetRY 1–22.

1. [BASQUiAt (Jean Michel)] (Subject), coUpon (William) (photographer). [Still Kicking]. Polaroid, b&w/sepia, 8.8 x 11.3 cm., image, 13 x 10 cm. approximately including matted white border, 21.5 x to 20.8 cm. frame edge, booksellers’ printed note for the photo under the brown wrapping over the frame back, scratched by the subject. N.p. [], n.d., c. 1987–1988. POA. in very good condition, the surface altered by basquiat with scratches and a torn crease. there seems to be a white flare on the text under and above the headline (of a sports final backpage from one of ’s dailies). a unique photograph, as all Polas are of course, but some Polas are more unique than others; this one was made so by a great association and an artistic intervention by basquiat, the greatest black artist of his generation. only published publicly, but recently, in the concise trade of Watts (p-603, Volume 2) by anthology editions. Provenance: from basquiat to his last girlfriend kelle inman and sold to borje bengtsson fine art, bought from him at Paris’s Salon international du livre ancien, held in the grand Palais, by Julio mario Santo Domingo with me. JmSD broke the paper on the back and dropped the description inside and added it to his lSD library. from there to maggs and carl Williams. the portrait was taken at basquiat’s new york city studio and is attributed to William coupon, the great uS photographer who published his portraits of the artist in 1987–1988, notably for issue 16 of lid magazine. inman was the artist’s girlfriend whom he met whilst working at nell’s bar, bengtsson noted that she recalled that the scratches on the Pola were made by basquiat. they look like hypodermic needle ‘tries’ to this cataloguer. in 2010, leadapron exhibited inman’s archival and photographic effects from her time with the artist, they include a pair of colour Polas with basquiat holding the same newspaper up to the lens, one with him largely below the lower frame and another holding the newspaper by the top-edge like a cartoon newsboy. the last i have seen depicts the painter in a boxer’s pose, this appeared in Sotheby’s one-shot ‘untitled’ newspaper, dispensed through a coin-operated street machine. ‘untitled’ was used to promote a painting by basquiat that sold for $110 million in may 2017, underlining the artist’s connection to ‘the street’ and its furniture, and literature, where, upon and with which he first practised his art. ‘Still kicking’ surely had multiple meanings for a hard-drug-using, rebellious artist and libertine like him. especially poignant here, as basquiat is wearing a coat, perhaps readying to go out into the world. in the guise of ‘Samo©’, his old street alter-ego, he graffitied the walls of manhattan with enigmatic headlines. Similar to francis bacon, he surrounded himself with, and walked upon, books, photos and newspapers scattered pell-mell around his studio. basquiat abused the surface of the photo in the same way that bacon was wont to do with photos by say Deakin or from muybridge. basquiat died of a drug overdose shortly after this portrait was exposed and scratched into existence. JmSD knew J-mb, his art and lifestyle had a resonance for him, he bought a painting from bruno bischofberger when no-one in their right mind would pay the kind of money he exchanged for it. JmSD had two posters that he treasured dearly and he had framed them up in the ‘style basquiat’, to whit, the famous boxing match with Warhol (presented as a boxing ring complete with ropes) and ‘Supercomb’. as i reminded JmSD one day when by chance i found it on Vevo, he had live-called in to an episode of glenn o’brien’s cable show ‘t.V. Party’ that featured Samo: “hi, this is Julio, i don’t love Samo’s eyes but i love his art”

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2. BAnKSY. Rude copper. 3. chARleS (Michael Ray). charles’ creative inspiration hails, looSe ScReWS [,AnD MAnY thus: Original print, first pressing. 57 x 41 MoRe. FoReVeR FRee “We cm., silkscreened in black on white “his works are one-sheets. Posters for pRoViDe DURABle ScReWS FoR . movies that hollywood would never AnY no-nonSenSe nUt”. dare to make, exploring race and sex in Artist’s red stamp on right lower edge. Distributed by liberty-perm this country” Numbered 218/250 in pencil. One of products, inc]. reputedly only 50 copies signed by the (p-1 michael ray charles – michael ray Original mixed media painting. artist. charles, 1989–1997: an american 96.5 68.5 cm., acrylic, latex, copper artist’s Work, 1997). London, Pictures on Walls, 2002. penny, on paper, float mounted within a £12,000 230356 large box frame, glazed, gallery label appears crisp with some slight rippling on frame back, signed by the artist. 4. [heRgÉ] nom de plume of [ReMi of paper, unexamined out of the frame. N.p.,1994. £7,750 (georges prosper)]. the administration of provenance the crab With the golden claws. approval from Pest control will be unexamined out of the frame. looks included in the price after purchase. fine externally. Original lettering. 34 x 5 cm., hand- Watts p-521, Volume 2. drawn letters, and a crab drawing in Provenance: from his first one man the ‘o’ of ‘Golden’, in black encre de Scarce signed. show in europe at galerie hans mayer chine, corrected in whiteout/gouache, of Dusseldorf, acquisition predates the Provenance: Pictures on Walls, on paper, framed, matted and glazed, lSD library and in continuous possibly through a reseller, to Julio Artcurial auction lot number label and ownership since purchase in 1990s. mario Santo Domingo pre-dating the holograph date of auction, possibly by lSD library and in continuous charles is an african-american artist JMSD, and stock/classmark or studio ownership since. in ‘Wall and Piece’, as who became a very controversial figure number on frame back. the frontispiece illustration. Shown in through his provocative race derived N.p.,n.d., £25,000 situ in Watts. art. ‘loose Screws’ is from his ‘forever free’ series which invoked stereotypes crisp state, though unexamined out of bankSy’s first commercial print, an such as Sambo, buckwheat and aunt the frame it was purchased in. good archetypal work. Jemima, to explore established pre ‘Studio tintin’ material comes but “i didn’t like the ones he’d painted prejudices in popular and commercial rarely on the market and there is over...” (JmSD), so he bought this one culture. charles considers the copper feverish bidding around it when it instead to hang near to his osman lincoln penny he affixes to his appears in the auction rooms of Paris Spare pastel drawing of Police paintings to be the only coin of ‘colour’. and london. original, important, works constable Willis. Spike lee has nailed from where in the hand of the master are as rare as black tulips or perhaps blue lotuses. 230561

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Provenance: bande Dessinées, that it was issued with, silkscreened the lSD library copy, a ‘burrovian’ artcurial, sale 1063, lot 580, november titles in black, in a Gothic script, on the collection if ever there was one, with a 18 2006; bought by JmSD for the lSD lid. lot of aleatory, drug-influenced art by library. W.S.b., gysin, kerouac et al. One of 90 copies with 10 artist proofs, 4 artcurial, in their brief catalogue note hors commerce, 3 printer’s proofs; 1 the prints were derived from sheets of from their first b.D. sale, rightly right to print. plywood, that burroughs shot at with a describe this as a “Superbe réalisation” 12 gauge, and paintings on mylar. Lococo Mulder, 1991. £7,500 urging us to not forget that this great much underappreciated, probably letterer was at the beginning of his near fine contents, endemic light because of the awkward size. the show career with publisher casterman when fading, uneven painting and scratching for the prints, at october gallery, he designed and executed this english of box, worn screw heads and more effectively introduced burroughs as an language title. a very rare and than a few missing. rare in institutions. artist to the british scene, or, at least important title, by the grand maître of after maynard & miles, reality Studio for this cataloguer’s generation. franco-belgian bande dessinée, (derived from Shoaf a list). William designed for the english edition of an burroughs, Ports of entry 63 had ‘envy’ 230329 opium smuggling story set in morocco & 64 ‘gluttony’, illustrated p-148. that was kickstarted by the chance discovery by tintin of a can of crab- meat, used for exporting the drug. it starred a new character called captain haddock, who was fond of saying ‘‘blistering barnacles” at any and every opportunity.

5. BURRoUghS (William S.). the Seven Deadly Sins. An artists’ book or portfolio. Double elephant folio (121.92 x 86.36 cm.), 15 leaves (116.8 x 78.4 cm.): title, 7 x four colour silkscreens/single colour woodblock shotgun images and 7 leaves of text in two colour silkscreen, printed on rectos only, all signed, dated and numbered. The loose leaves in the publishers’ red painted plywood box with drop-in lid, affixed by some of the original screws

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7. BURRoUghS (William S.) & SilKe (James R.) (Design & 6 illustration). Where naked troubadours Shoot Snotty Baboons. 6. BURRoUghS (William S.) institutional libraries. though, i know Broadside. 51 x 35.5cm. sheet, text and [Ali’s Smile]. that there are a couple more in the line-drawn illustration printed in black trade and an institution (because i have and red on white stock, matted in gold Sole pressing, from the small, limited put them there). card, framed and glazed. edition. Provenance: timothy leary then an One of 126 copies, with 26 lettered and 12”, LP, 33 & 78 rpm. (A/B respectively), unknown trader to Julio mario Santo 100 numbered, all copies were signed as issued by the publisher in their Domingo (with his ex libris bookplate by both artist and writer, this is copy 67. dustsleeve within a card sleeve and a designed by Pierre le tan) thence to the manila stapled card box, decorative ex Northridge, , Lord John lSD library. libris bookplate. Press, 1978. £75 the 33 rpm side is a reading of the From a projected series of 99 signed appears to be very good indeed, second draft of the printed ‘routine’ and numbered copies, with 91–99 unexamined out of frame. after culled from W.S.b.’s experiences at the issued hors commerce and the other 1– maynard & miles. on reality Studio Scientology centre, Saint hill manor, 90 copies for the trade. (derived from Shoaf). east grinstead. the 78 rpm side is what N.p. [Brighton], n.p.[Unicorn Books], maynard and miles call “..technical text from the then unreleased ‘cities of n.d. 1971. £3,750 data of the recording process..” or what the red night’. the houghton library nyPl term “..an unidentified voice catalogue entry describes Silke as “..an in very good condition, but unplayed by announcing tone tests”. this cataloguer, and sold as described with any faults, box a bit crushed. an important relic of W.S.b.’s fling lacks the book it was issued with, being with, or ‘takedown’ of, Scientology, the the accompanying timothy leary copy created by which was deposited at the houghton l.ron hubbard (the ‘ali’ of the ‘Smile’) as part of the lSD library. based on psychology, an extraterrestrial creation myth and rare and sought after by both private maybe some crowleyanity via Jack and institutional collectors. a fragile, Parsons. possibly ‘acetate’ type, disc in excellent condition. in the carter burden this copy was once owned by timothy collection at the morgan. leary, the psychologist and founder of the castalia foundation, ifif, the maynard & miles a19a. reality Studio league for Spiritual Discovery (see the (derived from Shoaf) who notes that of altered States section for a rare the 99 copies, 20 were heat damaged example of memorabilia) and a thinker and discarded and books were pulped, who also embraced ideas of leaving less than 50 with the records as extraterrestriality (see leary’s issued; most of which of went straight ‘neurologic’ also in the altered States to libraries. Subsequent census finds section). two copies only of the record with or without the book in major, accessible, 230331 8

6 Provenance: formerly in the collection du Docteur Jean-francois Janin, as lot 71bis at renaud & giquello, may 17th, 2006 – thence to lSD library. translates as something like ‘little beak. the egg of love”. 134707

11. MAccheRoni (henri). l’invitation de l’origine. Vintage photograph. 30 x 23 cm., b&w, silverprint, on papier baryte?, conservation framed and glazed (31.8 x 34.8), Number v of xxxi numbered copies, signed by the artist. 9 10 N.p., n.p. [The Artist?], 1968. £1,200 appears fine, unexamined out of the frame by this cataloguer. rare. Watts art historian and legendary pin-up obsession with randomly rearranged p-426, Volume 1. the image was also artist known for his style and wit”. the words as visual art (and in both of the published in maccheroni’s meisterwerk scantily clad woman makes for a original, rarely seen, containers). ‘2 000 photographies du sexe d’une strangely heterosexualised item for femme’. 134806 such a strange homosexual writer. Provenance: the room (Julio 230271 9. MolinieR (pierre). mario Santo Domingo’s office), the S.t. (Amoureusement). lSD library, leaning on a cable conduit 8. gYSin (Brion). below a cheap, printed repro’ of Etching. 12.7 x 9.5 cm. image, 25.5 x 17.2 [BSgR..]. courbet’s source painting of the cm. sheet edge, 33 x 30 cm. frame. genitals and abdomen of a naked, Limited edition ‘roller-poem’. 121.5 x IVAM printed label on frame back over ungroomed woman. 22.8 cm., silkscreened text in a grid of registrar’s number opposite gallery four rough columns, printed in black on a nice little icon of Western sexualia rubberstamp, matted under a one side only, on semi-opaque, possibly that michel butor discovered and passepartout and framed and glazed. Japanese, . subsequently gave a title and dedicated Titled, numbered and signed in pencil a poem to (based on courbet’s Scrolled as issued with stiff black card by the artist on the bottom right shocking [half?] painting ‘l’origine du rods at each end, in the original rolled margin. monde’). Rhodoïd tube and the plastic capped card mailing tube with the publishers’ Paris, Galerie A L’Enseigne des Oudins, 230475 address labels. 1974. £500 Number 14 of of 90 copies, numbered in Seems fine to the eye, on possibly off- pencil. Signed and dated ‘77’ by Gysin white paper, unexamined out of the on foot of poem in black ink. frame. N.p. [Antwerp], Guy Schraenen Editeur, Provenance: this copy loaned by n.d., 1977. £1,250 galerie a l’enseigne des oudins, for Pierre molinier at iVam centre Julio Slight browning, a crisp, clean copy. gonzález, Valencia, 15 april – 21 June rare in both institutions and commerce 1999, catalogue number 47, thence to with 2 copies only on Worldcat at Suny JmSD and lSD library. and the national library of france 230314 (albeit with slight differences in dimensions; or the cataloguing 10. – [petit bec – l’oeuf d’amour]. thereof). Etching. 24 x 17.9 cm. image to plate a beautiful copy of a very fragile edge, on a leaf of wove paper (38.5 x 29 ephemeron. cm.) in very wide margins, loosely Provenance: the trade to maggs to the tipped into auctioneers’ window mount, lSD library, Post-it annotated by signed and dated by the artist in pencil Santo Domingo’s Pa beatrice in the lower margin, unnumbered, out 11 rodriguez, in french, on one cap, of series, artist’s proof? saying it’s ‘the publisher’s’. N.p., 1972. £675 a ‘roller-poem’ that scrambles up the Print near fine, triflingly darkened artist’s name in a series of paper. permutations, it is one of the most desirable and pure examples of gysin’s

7 12. MAccheRoni [henri] & cAMUS (Michel) (introduction). cent photographies choisis dans la série Deux mille photographies du sexe d’une femme [one hundred photographs selected from the series two thousand photographs of a woman’s sex]. Mostly illustrated with 99 pages of b&w photographs. First edition. 8vo., endpaper, blank, imprint, title/frontispiece, pp-7–10, [99pp.] of b&w photographs on glossy black bordered paper, pp-110–111. In the publishers’ charcoal cloth covered boards, titles stamped in red on upper board and spine, black endpapers, French text, signed by the photographer. From the trade edition, there were also 40 numbered copies on couché ivoire accompanied by 4 original photographic prints numbered and signed by Maccheroni and 10 other hors-commerce copies designated HC1 to HC10 reserved for the author and collaborators with the publisher. Signed by Maccheroni. Paris, Éditions Borderie, Images Obliques, 1978. £250 near fine contents, slightly faded cloth. Scarce. badger & Parr, Volume 3, p- 149, referred to in Watts p-427, Volume 1 as “..the best known..” of maccheroni’s 13 photos of vaginas. a contemporaneously signed copy with “maccheroni” in pencil on the title. unexamined out of the frame, light, artaud wrote the letter from one of his even endemic browning, lightly favourite haunts, a famous Parisian camus’s contribution is entitled ‘la creased, central vertical and horizontal café on rue Saint honore, where he calligraphie du Sacrum’. folds. fresh on the market and played chess and wrote a number of Photos of external female genitalia seemingly unpublished, not in oeuvres important, documented letters and published by a small press run by complètes (oc). We cannot find this articles. in this unpublished message, camus and Pierre bourgeade. Parr letter on auction records as a named he wrote in what seems to be a thought the book was a tour-de-force, item. considerable state of agitation and with “..a charm and lightness of touch fatigue, caused by perhaps drugs, Provenance: the lSD library, an that belies the normal misogyny... it is psychological fallout from ‘boot camp’ important document in JmSD’s repetitive, obsessive, unerotic and style rehearsals or anxiety. his messed personal pantheon of ‘funky stuff’. fascinating”. up state of mind reflected in the style of JmSD was very into artaud the actor, his writing. 219493 playwright, poet, director, dramaturg, the recipient is a “Dear friend”, possibly surrealist, madman and especially the 13. ARtAUD (Antonin). the fellow surrealist armand Salacrou morphine addict and psychedelic [“the acrobatics on the roofs with who he had wrote to on a similar voyager who wrote of the ‘Peyote mad vertigo” ]. subject two or so years before. in the Dance’ in the land of the tarahumaras. same year as this letter, Salacrou’s own Autograph Letter Signed, 27.3 x 21.6., JmSD had the ‘legendary’ ‘hitler’ copy dramatic work was viciously parodied 1l.[1p.], 20 lines including salutation and of ‘les nouvelles révélations de l’être’, in by artaud in his one act play ‘Jet de postscript, sepia ink; in a largely clear a complex series of pull-apart boxes by Sang’ for the alfred Jarry theatre. hand, framed and glazed (36 x 29.8 renaud Vernier, great letters, photos cm.). and all of the other books in every this seems to be almost a follow-up in edition imaginable. he loved the letter some ways to his earlier letter to On the cream letterhead of Café de la in hand and read it out aloud to me in Salacrou, where he says that the Regence, recipient unknown, in French, the Salle de bibliotheque, my old office, director luitz-morat had punished him signed boldly as ‘Artaud’, Paris, 15 in thônex, overlooking the Salève. on the set of ‘Surcouf’ by making him October, 1926. £4, 000 “do scenes on roofs and towers” (letter published in oc and referred to in

8 dernière je n’ai pas cessé un jour d’aller reliefs after this subject were first au studio. made by Paolozzi in plaster in 1988–9, they were derived from cinema lobby bien affectueusement à vous cards that depict an armed police raid artaud. 58 rue bruyère on a drug den from a scene in louis gasnier`s 1936 propaganda film ‘reefer PS penser à moi” madness’. 14. BUcKleY (lord). the film shows a group of all-american euphoria Volumes i & ii teenagers puffing on marijuana and their subsequent fall into depravity. it Second and first pressing respectively. was one of the first ‘talkie’ drug films 12”, LP, mono, in the original inner and and was therefore an important outer sleeves; latter designed by Andi, disseminator of dope argot. 14 blurbs on lower portion. a ‘cult classic’ that was loved by , Vaya Records, VLP, 101/2, generations of pot-smoking-students VLP 107/8. 1957 & 1956. £35 David Shafer -antonin artaud, 2016) for the hammy acting and knowing that he had vertigo. Dusty, edgeworn sleeves, i split with melodramatic plot. ‘reefer madness’ surface scratches on disc; ii looks fine. was originally funded by a church evidently a masochist, he went on to ii is scarce. group who intended it to be a morality play gringalet in luitz-morat’s ‘le Juif tale and titled it ‘tell your children’. errant’. artaud says that he is obliged 230542 Dwain esper, who purchased the film to ask for help again, because of some We have a small quantity of cheap but after shooting had finished, recut the “connerie[?]” adding “..don’t forget me”. great buckley records, please ask for a footage for distribution on the so-called he seems to be referring to early rudimentary list and/or pictures. ‘exploitation circuit’. Starks calls it a morning rehearsals for a play or film “...classic of misinformation and and uncomfortable period costume. 15. pAoloZZi (e[duardo].) (Sir)]. hysterical propaganda” (p-102). the film was possibly ‘le Juif errant’ or [Reefer Madness]. gance’s ‘napoleon’ for which he played 134793 marat. artaud says that “you don’t Artist multiple, a relief in bronze, 16 x know how much this necessity to rise 23.5 x 3.5 cm. rectangular , signed ‘E 16. ting (Walasse) (text), early and to touch the heart of my Paolozzi’, inscribed ‘A/C’. FRAnciS (Sam) (editor) & sleep, tires me and makes me suffer..” BeAUDet (Maurice) (lithography). N.p., n.p. [The Artist], dated 1996. and how it put him in a “...state of lower 1¢ life. £3,750 resistance to all temptations and now 68 colour lithographs with many as also the rigid boots, these shoes”. fine. double-spreads & numerous other Presumably, the “temptations’ are his Provenance: an artist’s cast, a gift from illustrations. delusional/paranoid thought patterns Paolozzi to his secretary Sabina grinling and drug abuse. he refers to his very First edition. Folio, 172pp., loose leaves and thence to Sothebys and maggs, strong fear of heights and a punishing in the original colour lithographed cloth briefly with a collector of statuary, then rehearsal/shooting schedule; thus: covered portfolio and pictorial dust maggs and the lSD library. jacket by Machteld Appel, in a blue “the acrobatics on the roofs with mad eduardo Paolozzi is a first generation cloth covered slipcase. vertigo. i would rather like [you], two of british Pop artist, he admired the 20 it’s much easier. Since thursday last Number 1,440 from the ‘regular’ edition popular culture of industrial inter-war week i haven’t stopped going for one of 2,000 signed by Ting, Francis and the america and borrowed heavily from it. day to the studio”. publisher with their Chinese chops the translation is the cataloguer’s own, a full transcription in french follows: “tres cher ami, Je suis de nouveau obligé d’avoir recours à vous. mais je vous en supplie me ñ’oublie pas. Pour l’instant c’est le connerie [?] qui est cause de tout cela. Vous me savez pas comme cette necessité de me lever tôt et de toucher dans le vif de mon sommeil moi qui m’endors jamais avant 3, 4h. du matin, m’éprouve et me fait souffrir. [?] dans un état de moindre résistance à toutes les tentations. et puis il y a les bottes rigides les godasses [??] les acrobaties mur les toits avec des vertiges fous préférais deux [?] de 20 est beaucoup plus facile. Depuis jeudi de la semaine 15

9 near fine, the balloons have been unfolded. uncommon. in fischer, illustrated on p-236, www.aabronson.com – 9209. Provenance: with maggs pencil code on verso of card, the lSD library. the balloons are in general idea’s livery of red, green and blue like their infamous aiDS logo, a detournement of robert indiana’s ‘loVe’. helium filled balloons were first installed in a group 19 of 4,500 or 4,800 under the same name in the Westbahnhof u-bahn Station, Vienna, 9 may – 19 June 1992. then produced for this edition with 3000 Xeroxed in black, signed and numbered balloons as part of bronson’s solo show 35/250 in pencil. entitled ‘negative thoughts’ at the Barcelona, General Idea, Centre D`Art 16 museum of contemporary art, Santa Mònica, copyright 1992. £125 chicago, 27 January – 22 april 2001 (op.cit). one recent crease in card, balloon alongside. There was also a special uninflated and neatly folded, old price ‘general idea’ was a guerrilla art edition of 100 on handmade paper with ticket on verso of bag. group founded in toronto in 1969 by aa all the lithographs signed by the artists bronson, felix Partz and Jorge Zontal Scarce. in fischer, illustrated p-232, with 20 apiece for Paris, New York and (p- 20 barbara fisher et al – general www.aabronson.com 9204. the rest of the world and 40 reserved idea: editions 1969–1994, 2003). they for the artists. Provenance: with maggs pencil stock adopted the “..anonymity of a corporate code card verso, the lSD library. Bern, E.W.Kornfeld, 1964. £3,750 entity..” ( op. cit. ), working together as “three heads are better” ( op. cit. ). the mylar balloon echoes Warhol’s near fine contents, portfolio and very they saw drug dependency as a Silver clouds ; it is in the colours of the good or better slipcase, slight, endemic product of the “..predatory practices of catalan flag reflecting the venue of the wear on the jacket. a nice copy. pharmaceutical companies..” , and show in the capital of the region hogben & Watson #135 (pp-132–3). in Pla©ebo signifies that art itself is a perhaps 3,000 inflated multiples of this castleman (pp-208–9) who describes soporific drug (p- 298 trescher). balloon were installed as part of ting as a “...chinese artist whose “..general idea’s exhibition 218602 thoughts are conveyed in a raunchy Pharma©opia at centre d’art Santa Pidgin english” (p-40) and the book as mònica, barcelona, 15 September – 10 18. – generi©. a “..vibrantly fresh addition to the november 1992” (op. cit). library of modern artists’ books” (p- Artists’ multiple from a signed limited 218600 40). the 28 artists include andy and numbered edition. 29.1 x 22.9 cm., Warhol, alan Davie, karel appel, Sam folded, 25 x 65 x 25 cm. (inflated), pill 19. [BeARD (peter)], AShton francis, asger Jorn, antonio Saura, shaped, metallic Mylar balloon, in red (Dore). Pierre alechinsky, Dine, robert and gold, with black ruling and titles. Richard lindner. rauschenberg, claes oldenburg, allan In a clear acrylic bag, the title card kaprow, roy lichtenstein, tom Profusely illustrated with 187 b&w and Wesselmann, robert indiana and mel colour plates, some tipped in, extra ramos. illustrated by Beard. 133418 First edition. Oblong 4to., [8pp.], pp-9–217, in the 17. geneRAl iDeA. pla©ebo original red cloth, upper board (helium). illustrated and with titles on spine both Artists’ multiples from the second in gilt, decorative colour dust jacket. signed, limited and numbered edition. Beard has added 3 extra plates on the 32.5 x 22.8 cm., 25 x 65 x 25 cm. front pastedown and free endpaper and (inflated), 3 folded, pill shaped, metallic 2 annotated original b&w 9.5 x 14 cm. Mylar balloons in red and blue, blue gelatin photographs, 4 colour flags; 3 and green and green and red, lettered stamped, 1 a doodle, postal stamps and and ruled in black, with the title card at least 6 annotations on plates and Xeroxed in black, signed numbered text. 96/250 in pencil, in the clear Ziploc Signed by Lindner on the half-title, and plastic bag, all original. also near contemporaneously signed, Chicago, Museum of Contemporary inscribed and dated as a presentation Art, Chicago, copyright 1991/2001 i.e. copy from Peter Beard to Ralph 2001. £75 Graves. 17

10 22

20 Paris, courtesy of Galerie Michèle Chomette, 1991/2006. £3,750 near fine, unexamined out of frames. New York, Harry N. Abrams Inc., n.d., rare. 1969. £675 Provenance: probably purchased top and bottom edges of boards badly directly from the gallery by JmSD for rubbed, in a good but dusty jacket. the lSD library. Provenance: JmSD’s ripped up Post-its rondepierre is a respected french marking beard’s interventions. conceptual photographer. these, extensively improved by an obsessive translating as “amphetamines, that’s grangeriser of books, making this a 21 everything. Stardust”, were in a row very good association copy indeed as opposite the lSD room. “i want to buy both lindner and graves are core up all drug related contemporary stuff beardians. Santo Domingo knew beard 20. tennAnt (Stephen). around the 5, 000 mark” – (JmSD too, he had for instance, a large sort of Samoa! explained to me once or twice). multimedia photowork in his Paris flat 22.4 x 17.3 cm. to matte, 36.5 x 32 cm. 230361 given to him by the photographer. frame, watercolours and coloured ink the full inscription to graves, in pencil on white paper, matted, purple 22. BAlthUS aka [RolA De on the front free endpaper, reads: passepartout, gilt-framed and glazed, KloSSoWSKi (Balthasar) (the a price, gallery classmark and the title count)] for RothSchilD “to ralph graves from Peter b. with all and name inked on frame back. (philippine) (Baroness). best wishes memories July 4, 1970”. château Mouton Rothschild. N.p., n.d., £500 beard published his dramatic wild Original print. 56 x 43 cm. sheet, animal photographs (including a cover unexamined out of the frame. no illustrated in sepia, on a cream story on elephants) for issues of life signature can be found but the background, with a reproduction after magazine in the sixties, when graves attribution is correct, tennant’s work is a drawing by Balthus, marque and text was the managing editor. unmistakable. the full text reads: in gilt, black and red below, deep plate “Samoa! are you ready? (a new lindner was one of beard’s teachers, impression, on good paper, from an Dance ritual) isadora Duncan and a very inspirational figure in his unknown edition, in a gilded frame and brooding on the infinite miscelanea of life, who he did camera work for and glazed. life”. also collected and collaborated with. Signed in the stone by Balthus, Julio Santo Domingo knew tennant and the first of beard’s tipped-in 35mm. facsimile signature of Philippine de possibly visited him at his home in photographs is directly underneath Rothschild. Wiltshire, he had a number of his lindner’s signature and depicts the books, which he showed this A contemporaneously signed and artist profiled in motion, brush in hand, cataloguer. inscribed presentation copy from with a detail from an important Balthus, rarely seen on the market. painting in the background, it is 230315 initialled and annotated in pencil, thus: Champagne, France, Château Mouton 21. RonDepieRRe (eric). Rothschild, 1993. £500 ““1st photo ever taken of r.l. painting Amphètamines, c’est tout. (1964) “coney iSlanD”? now up for crisp condition, unexamined out of the poussière d’étoiles, Souvenir i – iii. frame. $50, 000 at cordier eckstrom P.b. ””. B&w photos, 3 x 42 x 62 cm., titles in a a warm association copy, the full the second precedes ashton’s essay, it white line powder font, aluminium holograph inscription in balthus’s is from the same session and depicts backed, all 3 in the artist’s original, ancient shaky hand in a fuller version of linder in full profile at his painting uniform, painted black wood frames, a his name (but equally as fabricated) in table with ‘coney island’ visible. triptyque from the Excédents series, black ink, extends from the bottom gallery labels on backs. 133401 plate edge to the sheet edge and reads:

11 “for le Señor Julio Santo Domingo Jnr. ii. MAgicKAlS 23–29. Russell (though Crowley often used the happy birthday to you, balthus de same ink). 23. [cRoWleY (Aleister)] [revealed rola” as] 666 (the priest of the princes) In a recently made purple cloth drop Provenance: a birthday gift to Julio [from] . back box, titles in black on spine. mario Santo Domingo. Al liber legis. , From The Lair of The Lion, [London], Sub Figura XXXi, as delivered by 93 the drawing, rather unsurprisingly, is [C.F. Russell], n.d., c.1920s. – ???? – ????– 418 to – of a naked young girl. JmSD was [Aifass in hebrew and greek] to POA friends with balthus’s son, the -af-na-khonsu the priest of esotericist, Stanislaus de rola de endemic yellowing and curling, images the princes who is klossowski or ‘Stash’. he kept a of processing clips on borders, in very ?? ?????????? 666. drawing by balthus, of Stash as a good condition overall, many with young man, that bore an uncanny Now issued privately after 22 years of pinholes on the top edge (not affecting resemblance to his own son by his bed. preparation to eleven persons from the image/text). Stash’s books on arcana lined his Lair of The Lion. See yorke 61(b) for the official edition of shelves. the label for which this design Pirate edition/print production *11 copies, collating at 65 photographs was commissioned was apparently material [?] in the form of original of the text and 7pp of printed text in a banned in california for the depiction of transparent positives of the first red leather box. a naked girl, mouton recanted separate edition. (decanted?) and replaced it with a the first separate imprint, known as white label. 230368 17.9 x 12.4 cm., with some small the ‘tunis edition’, was preceded by two variations in size and slight cropping of others collected as a photographic the text; 74 prints with one a duplicate facsimile into , in spring with a different background and 1 1912, as part of ‘the holy books’ (yorke original photograph (20.2 x 12.6 cm.) 60) . printed from this, with annotations on this group is one of a pair known to this verso in purple ink possibly by C.F. cataloguer (the other having the extra leaf missing here), it is made up of prints from negatives of the printed text (including the ‘comment’ ) and prints from 64 negatives of the manuscript pages (lacking but one) and with another in duplicate; but from a different photo session. there is also a photographic print, on paper, of one page of manuscript: a note on the verso of the latter explains that it was a 20 second exposure. Very rare indeed institutionally with no copies/traces of similars on Worldcat. Provenance: the heirs of c.f. russell, a disciple at cefalu with the magical name ‘frater genesthai’, to caduceus books directly to the lSD library through this cataloguer. a wonderful association, the beast and russell were once so close that they made sex together: “now i’ll shave and makeup my face like the lowest kind of whore and rub on perfume and go after genesthai like a drunken two bit prickpit in old new orleans” (crowley quoted on p-220 Sutin). the occult booktrade suggests that c.f. russell acquired one of the *11 copies from Dorothy olsen, who ascended to ’s role as crowley’s ‘Scarlet Woman and the oracle of ’, and either re-photographed it himself or had a set made up. by 1907, it was typeset, (ibid p-170) but crowley had of course mislaid the 23 original for a long time, until, one day

12 as he was fossicking through his attic 24. [hAll (Manly palmer). into the lSD library; arguably the at boleskine he [Arcana for the ‘Big Book’ and foremost private collection of material other esoterica]. on altered states of consciousness “..found a long-lost relic: the original (ever). manuscript of the book of the law ” 7 copper printing plates panel nailed on (ibid, p189). hardwood blocks, ranges: 16.5 10 cm the ‘big book’ refers to ‘an (plate); 17.5 x 10 cm. (block), 11.8 x 2.2 encyclopedic outline of masonic, this is the holiest book of crowley’s cm. (plate), 11.8 x 4.8 cm., (block), 11.4 x hermetic, Qabbalistic, and rosicrucian religion of the sacred order of the 11.6 cm. (plate), 11.7 x 11.6 (block). symbolical philosophy: being an a a based on ‘’, the so ∴ ∴ interpretation of the secret teachings called doctrine of ‘’. al liber 6 moulded/engraved, one concealed within the rituals, allegories, legis is considered to be an a a photomechanical, holograph ∴ ∴ and mysteries of all ages..’, first Publication in class a, a text in which inscription on one and printer’s published in 1928 and republished not one letter is to be changed, for it is instructions on 4 others, two paper many times afterwards. the expression of an “adept” and backed; one in remnants. ‘beyond criticism’. the ‘tunis hall was a canadian who lived in la N.p. [Los Angeles], [Philosophical comment’ emphatically states this, and was a sort of superoccultist Research Society?], 1927–1960. saying that, it is unchangeable in preacher, teacher and publisher. he essence, so thelemites should look to £2,000 started a new religious movement, a the text itself for illumination. it was kind of educational clearinghouse for in very good condition, though they are channelled through him by a ‘secret teachings’, called the well worn from multiple strikes, they supernatural being called aiwass, his Philosophical research Society (PrS). still have ‘bite’, washed with turps. , over 8–10 april PrS was based on a world-class 1904 ( pp-206–209 the block backed with paper inscribed collection of magia, freemasonry, –Perdurabo. the life of aleister ‘big book page 102’ in an elegant kabbalah and early occultism funded by crowley, 2010). contemporary hand and ‘bb29’. caroline lloyd and her lesbian ‘Symbolical’ print production materials daughter estelle, two wealthy oil 219046

24

Thanks to Jane and of this nature are rarely seen in the women, blessed with a Ventura oilfield. Louise Wilson for the trade. they were congregants all in ‘the photo of the printing church of the People’, where m.P.h. Provenance: the lSD library, from the plates. preached and taught. occult room, illustrated in Watts p- 621, captioned as the whole group being his was but one of a number of mystery from the big book. orders that grew up in the rich soil of los angeles in the 1920s. they offered Print production fragments derived initiates Secret Doctrines and from one of the world’s most important emblematic instruction from invisible esoteric collections, gathered in turn colleges and obscure traditions from

13 the hidden doctrines of ‘the People of iii. [From Hall’s 1933 edition of ‘A ““the is the figure of the the book’, the east and of native parallel French and English text of the microcosm—the magical formula of americans. most holy trinosophia of the Comte de man. it is the one rising out of the four— St.-Germain’]. the human soul rising from the those that i have positively identified by bondage of the animal nature. it is the sight in a printed book, are in a copy of “forty columns of fire ornamented the true light—the “Star of the morning.” it the original 1928 edition of the ‘big hall in which i found myself. one side of marks the location of five mysterious book’ in the the . i would the columns shone with a white and centers of force, the awakening of surmise that all are illustrations within vivid fire, the other side seemed to be in which is the supreme secret of white the text that are either copied or shadow; a blackish flame covered it. in magic”” page 101. adapted from classic magia/early the center of this place stood an altar in science or masonic/rosicrucian books the form of a serpent. a greenish gold 230242 from the renaissance to the embellished its diapered scales in nineteenth-century. they were used in which the surrounding flames were 25. SpARe (Austin osman) & the multiple editions of the big book reflected. its eyes looked like rubies. a gUthRie (James) (introduction). and some of the 110 or so other m.P.h. silvery inscription was placed near it A Book of Satyrs. publications. one, is from a reprint of a and a rich sword had been driven into Profusely illustrated. text attributed to the aforementioned the ground near the serpent, on whose ‘immortal’ comte de Saint-germain, head rested a cup. . . i heard the choir First edition. Small folio, unpaginated; two are from Jakob bohme, another is of the celestial spirits and a voice said endpaper, [28pp.], endpaper. a kabbalistic tree, the last is to me: “the end of thy labours draws In the publisher’s half vellum, paper unidentified. near. take the sword and smite the covered boards, titles and one serpent.” Page 48. a list of ongoing research follows: illustration in black on upper board. iv. ‘Christi Testamenta’ [Christ’s i. -The Consonances of the Mundane One of 300 numbered copies, this one Testaments] by/from Jakob Böhme Monochord. designated with the Masonic and (1575–1624) ∴ signed by the author. a kind of cosmic musical stringed copied from the Protestant theologian instrument that illustrates a chapter A presentation copy that is inscribed and mystic’s posthumous book ‘Des entitled ‘the Pythagorean theory of and dated and was given 5 years after gottseligen hocherleuchteten iacob music and color in the big book. the publication to a significant future bohmen teutonici philosophi alle lyre is “from [robert] fludd’s de family member. theosophische Schriften, 1682, musica mundana [utriusque cosmi... amsterdam. London, Co-Operative Printing Society historia, De musica mundana, a section Ltd. [for the author], 1907. £3,500 from a five volume work by theodore de Possibly reprinted in the 1959 edition of bry published in oppenheim, 1617– volume 2 of m.P.h.’s complete Works the boards rubbed, marked and 1621.] and/or alchemy: a comprehensive waterstained, contents crisp. bibliography of the manly P. hall commercially and institutionally rare ‘the consonances of the mundane collection of books & manuscripts with only a brace of copies on Worldcat. monochord’ was intended to issued by the Philosophical research harper a2a. demonstrate the idea of the harmony of Society. the spheres, through harmonic this copy discussed in Phil baker - intervals. hall credits Pythagoras, via v. Die Wiedergebuhrt [The austin osman Spare, the life and fludd, as deriving the theory from this Resurrection] legend of london’s lost artist, 2011. monochord which was a “...contrivance from the same source as iv and with Provenance: Spare to mrs Shaw: consisting of a single string stretched the same attribution. reappears in the trade at Sims reed, between two pegs and supplied with then to maggs and to the lSD library movable frets”. vi. The Endless. ??? ??? [The Tree of circa 2006. Life/Sephiroth 10] ii. A Magic Circle. From The Complete the full inscription reads: Book of Magic Science (unpublished). a diagram associated with the mystical Jewish kabbalah, unidentified but “to mrs Shaw with best wishes aug “the above figure is a complete and possibly from a later edition of the big 28th 1911”. faithful representation of a magic circle book, text in hebrew and english]. as designed by mediæval conjurers for an evocative association copy, Spare the of spirits. the magician in the first edition of the big book hall married eileen ‘eily’ Shaw shortly after accompanied by his assistant takes his wrote: this book was inscribed to her mother- place at the point formed by the in-law on September 4, 1911. the ‘ ’ is “the tree of the Sephiroth may be ∴ crossing of the central lines marked a masonic symbol of great longevity, considered an invaluable compendium magiSter. the words about the circle and also maths for ‘therefore’. it might of the secret philosophy which are the names of the invisible suggest aleister crowley’s holy order, originally was the spirit and soul of intelligences, and the small crosses the a a formed in 1907 (see ‘liber al chasidism.page 121. ∴ ∴ mark points at which certain prayers legis’, in this catalogue, for an and are recited. the small vii. [Man as hands, feet and head interesting example of a foundational circle outside is prepared for the spirit within a five pointed star connected to text). to be invoked, and while in use has the a sun by an umbilical cord, an the volume is essentially an emblem signature of the desired intelligence unidentified image]. book full of densely woven imagery, and traced within the triangle”. Page 103. the big book has a remark on the in baker’s view, profoundly indebted to pentagram: g.f. Watts. baker wrly notes that “Spare had given an inscribed copy to

14 25 mrs Shaw in august 1911, but her The wound celluloid film, on a metal anger was present for a film show and daughter seems to not have noticed projector reel that is signed and a question and answer session with that she was living with a genius.. she inscribed by the director to JMSD. marco Pasi, esoteric scholar, and may even have wanted him to get a job” curator of the show, and others. anger N.p., n.p. [Puck Film Productions?], (p-81 op. cit.). wandered freely amongst the crowded n.d., c.1963–1964. £1,000 galleries at the private view. ever the the circumstances around how it came unplayed by this cataloguer. in a very fanboy, Santo Domingo carried the to be mrs Shaw’s copy are no less good state to the naked eye, possibly film with him to the opening and after emblematic of human greed and folly. lacks an accompanying brochure. this cataloguer had engaged anger in Spare was in a mayfair pub, on gallery conversation about his ‘the green and business in the area, when a middle- Provenance: the film from the trade to the White’ (a cricket film made for mr aged woman struck up a conversation maggs to the lSD library. getty), the spookiness of cheney Walk with him. mrs Shaw, for it was she, the full inscription in marker pen on in the ’60s and the Stones, he pounced introduced him to her chorus-girl the reel reads: and whipped it out shamelessly. the daughter, who, at twenty-eight, was good Doctor anger agreed to sign three years older than him. baker, in “to Julio anyway, he knows a potential patron of conversation with this cataloguer kenneth anger” the new when he sees one. several years back, said that mrs Shaw probably assumed that an up-and- Signed on the occasion of the in this humble ex-lSD library coming artist was a ‘safe bet’ but that vernissage for the exhibition ‘chambre curator’s opinion, solicited signatures he felt that she probably had a grossly des cauchemars Peintures inconnues usually destroy a ‘book’ but anger is the inflated idea of the sums of money D’aleister crowley’ at Paris’s Palais de very epitome of good ‘bad taste’ and he involved. Spare spent most of his life tokyo, possibly June 4, 2008. inscribed the item beautifully (and this thereafter in poverty, despite, or even isn’t a book but a celluloid dream from because, of that genius. a more recent a shaman obsessed with celebrity opinion in a biography by William culture). Wallace, unread by this cataloguer, is ‘Scorpio rising’ is a high-tide mark that eily was a huge influence upon from the flood of twentieth-century him, playing ‘the muse’ role. Western esoterica. it is a short avant- 230332 garde, homoerotic film of leathered-up bikers and swastikas, a queer classic 26. AngeR (Kenneth). that Juan a. Suarez hails as :..the most [Scorpio Rising]. representative film of the 1960s american underground cinema” (p-115 Vintage print. 16mm., 28–29 minutes, -Pop, Queer or fascist? the ambiguity colour film possibly with soundtrack?, of mass culture in kenneth anger’s in a recent two part metal film canister. Scorpio rising [in Dixon]). 26

15 for this cataloguer, it is the West coast a highly innovative underground film ‘bookend’ to Jack Smith’s ‘flaming that came out of cohen’s experimental creatures’ made at the same time in mirror photography. like gysin, he had new york. indeed, anger has said, on been obsessed with traditional gnaoua reel.com, that the print used for his trance states, ‘tseuheur’ and other premiere in la was seized by the Vice maghrebi magic and also reflective Squad for obscenity as was the case surfaces from his hashed-out tangier with ‘flaming creatures’ in new york. days. the lSD library had a nice copy of this remarkable film was shot inside a Smith’s ‘beautiful book’ (acquired at hexagonal chamber made out of Swann), derived from film stills, to go reflective mylar boards constructed in with this print. cohen’s new york apartment. the film the soundtrack is even more includes cohen himself, the universal praiseworthy, it includes elvis ‘Devil in mutant repertoire company, tony Disguise’, ray charles ‘hit the road conrad, beverly grant, robert lavigne, Jack’, and martha and the Vandellas rosalind, Ziska baum, Peter birnbaum ‘heat Wave’, David e. James considers and loren Standl. mr and mrs angus it to be “one of the half-dozen most 27 maclise also featured in the film, with important rock’n’roll films ever made..” the first Velvet underground drummer (p-68 rock ‘n’ film: cinema’s Dance providing the soundtrack. ‘thunderbolt with Popular music, 2017). print from 1970 published by cohen’s Pagoda’ is not as well known as Jack universal mutant production company. Smith’s ‘flaming creatures’ or indeed 230335 kenneth anger’s ‘Scorpio rising’. yet, it Provenance: possibly Skyline books to is equally as important an experiment 27. gRiFFin (Rick). the lSD library. in altered states and magic from the lucifer Rising, A love vision by cohen was a poet, publisher, filmmaker ‘long’ american sixties. Kenneth Anger. and photographer, in effect, an Subjects were dressed-up as sorcerers Original . 51 x 36 cm., in black on underground renaissance man like and other mythical characters and the white paper, framed and glazed. burroughs, kerouac and ginsberg movement of the camera combined before him. he went to tangier to live Berkeley, Berkeley Bonaparte, 1967. £75 with the mylar to distort the image the beatific life in exile, from where he creating new, very hallucinatory a crisp copy, unexamined out of frame. issued ‘gnaoua’, his journal of magic, scenes. Stills from the film were also art and letters. he also lived in made for anger`s thelemic published in aspen, number 9, ‘the kathmandu in the seventies helping to underground film, by the greatest of the Psychedelic issue’. publish a series of books under angus ‘big five’ poster designers. a montage maclise’s bardo matrix imprint, at the 218821 of an old gustave Doré engraving of an sign of the Spirit catcher bookstore. eagle carrying a maiden towards the sun framed by a classical arch, with two pillars entwined with flowers. a variety of crowley inspired magical, egyptian and luciferian symbols, like ‘666’ on the corners are scattered around. 230269

28. [cohen (ira)] & [MAcliSe (Angus)]. [the invasion of thunderbolt pagoda]. Vintage print. 16mm., colour, 20 minutes duration, in the contemporary lidded film can made by Motion Picture Enterprises, lid with a strip of white tape annotated in pencil. N.p., n.p. [Universal Mutant?], n.d., 1968–1970. £750 Print unplayed by this cataloguer but appears on external inspection to be fine and was acquired on that basis, box a bit rusty, tape label fading though “thunderbolt Pagoda (ira cohen)” is still legible. Very rare, this is reputed to be one of only two prints. We can find no examples on Worldcat. the bfi has a 28

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29. JoDoRoWSKY (Alejandro). el topo. A Book of the Film. Profusely illustrated with b&w photos throughout by Chuck Pulin. First edition. 8vo., photographic portrait frontispiece, [4pp.], pp-5– 173pp., sewn, in the original white cloth with red titles on spine, red pastedowns and endpapers, integral tricolour bookmark, laminated jacket in colour with portraits on both portions, blurb on back and front fold-in, author biography on back fold in. Edited by Ross Firestone and translated from the original Spanish by Joanne Pottlitzer. Holographically initialled by Jodorowsky in gold pen on the front free endpaper. New York, A Douglas Book. 1971. £150 30 a very, good tight clean copy, endemic bubbling of laminated jacket with wear on head and tail of spine. rare signed. iii. cellUloiD highS & loWS Very good condition, corner pinholes, 30–50. a shorter, similarly titled, Spanish unexamined out of frame by this language book was published in mexico cataloguer. rare and sought after. 30. – Moulin Rouge theatre 8th around the same time. Depicted in Watts p-426–427, Volume 1, Between Broadway and described as “..recalls [eugene] Provenance: maggs to the lSD library Washington now Showing – grasset’s morphinomane..” print of a with the stock code in pencil in back. popular prices Always 3 Big Unit ‘prostitute’ injecting into her thigh, Shows. the book is a scene-by-scene analysis wearing a negligée. Secrets of chinatown. the Dope of the film followed by an interview with traffic. Must Death be the price of Provenance: the lSD library. Jodorowsky, including a rather Such glorious Dreams? unsettling scene of an “...elder [who] ‘the Dope traffic’ is pure ‘dope porn’, picks up one of the beetles and sucks Original small poster/window card. underlined by the graphic of a flapper, on the rear of its carapace... and hands 55.88 x 35.56 cm., titles in red, black minus bob cut, bending forward whilst it to el topo who repeats the action and and orange, offset colour lithography, fiddling with an opium pipe and holding feels ‘the juices drug him’”. (Jodo is on white stock, tightly framed and a handgun. the Dolly girl’s skimpy appearing at the biblioteca Julio mario glazed. dress or undergarment reveals her Santo Domingo in bogotà as i ample décolletage. Los Angeles, Pacific Show Print Co., catalogue this). Presented by Capt. Sonney, 1933. in the background, Death as the grim 133425 £1,500 reaper stalks her. the corner of a tray

17 31 32 with an opium layout, including a lamp, Provenance: tony nourmand to glamorous way in which drugs were is in the foreground. nourmand in his christies where bought by this presented in 60s cinema” (p-46). christie’s note for a related ephemeron cataloguer for maggs, as a commission Provenance: exploitation Poster art: says that this film, also released as bid for JmSD, thence to the lSD the tony nourmand collection ‘narcotic’, was promoted by Dwain library. christies, South kensington, 8 esper “.. by displaying the corpse of .. the distinctive poster design, picked December 2005, lot 260, purchased by ‘elmer the Dope fiend’. the preserved out as a woman’s face smoking a reefer this cataloguer for Julio mario Santo cadaver was, in fact, that of a former with a hellish blaze (or the universal Domingo for his lSD library. highwayman acquired by esper from a symbol for flammable materials) is well circus”. in psychedelic colours on a yellow executed and is probably far better background with a sidebar strip of film 230354 than the standard tabloid sex and cell stills, under a green filter, drugs fare of the film itself. nourmand, captioned with one sentence apiece 31. – Juvenile Delinquency exposed! in his christies catalogue note, from the following: Youth Aflame. See ...What happens describes the director (actually to 100,000 teen-Agers Yearly! producer) J.D. kendis as an “an adult happening in Psychedelic Shocking Drama of Flaming Youth. “exploitation mogul”. for this film he color. the first hollywood ganged-up with veteran silent era underground movie guaranteed to Original one-sheet poster. 104 x 69 cm., director elmer clifton who also did the blow your mind.. among other things! titles in black, reverse white in outline screenplay with writer helen kiely. Does She... or Doesn’t She..? only and red partly integrated into the “the acid eaters” know for Sure! it’s a graphic in red and black, laid on linen, 230358 kook’s tour of motor-cycle mayhem, conservation framed and glazed. nude beach Parties, lSD orgies all the 32. – the Acid eaters. A Film of Los Angeles, Presented by Continental things that make life Worthwhile”. Anti-Social Significance..! Pictures Inc., Woolever Press, 1944. every variety of tabloid exploitation is £1,800 Original one-sheet poster. 104 x 69cm., trotted out in this well composed and colour offset lithography, laid on linen, endemic, even browning, sold as laid out poster with louche stereotypes conservation framed and glazed. described unexamined out of the frame of seedy alien looking , much by this cataloguer. in nourmand & Hollywood, California, A III Lions exposure of flesh, a luciferian figure marsh, this copy illustrated on p-7, lot Production Released by FPS Ventures, (‘buck bucky’ modelled on la Vey of the 134, Sale 5733, exploitation Poster art:: n.d., 1968. £1,600 church of Satan), a knife and the the tony nourmand collection, 8 prelude to a drugged-up rape. near fine. nourmand & marsh December 2005. illustrated on p-47, described as an 230355 example “...of the increasingly

18 33. [Mineo (Sal)], o’neil (Russell). the Flower children From An original Story by Sal Mineo. Original film script. Foolscap, title, [3pp.], pp-2–159, 1l., on rectos only, duplicated, loose leaves, Brad bound thrice into the original paper boards, titles in black on upper portion, T.L.S. loosely inserted. 34 N.p, [Los Angeles], Boots Productions, Inc, Sal Mineo Productions, Inc, Kwik 34. [Shelton (gilbert)] (Artwork), Script Service, n.d., c. 1972. £250 [chAMBeRlAin (Wynn)]. [cinema Wrappers edge-worn and mottled, cap Workshop and cinemedia cell #1 of top brad lost, tlS browned. a good present Brand X. Wednesday, Dec. 2 or better copy. Very rare, no copies in 1970 155 Dwinelle, U.c. Berkeley…]. Worldcat. 35 Original poster. 28 x 36.5 cm., graphic the t.l.S. from a columbia executive to and text in black on Goldenrod, under another industry person describes this wrap loose on foamboard, offset. covers with pictorial flaps sealed with a (sadly) unmade film as a “..real N.p. [Berkeley], n.p. [Cinema Workshop red sticker, in a recent black cloth emotional power play” . the cast of and Cinemedia Cell], 1970. £35 covered portfolio, gilt titles on a blue characters from la’s ‘’ leather label on spine, in a uniform reads like a russ meyer epic crossed Seems near fine. cloth covered card slipcase. With two with the Symbionese liberation army. chamberlain wrote, produced and loose, apparently unrelated, the film was a nancy Sinatra directed ‘brand X’, the cast included photographs. production (‘boots Productions’ taken taylor mead, , abbie from ‘these boots are made for N.p. [Paris], n.p. [samuel pisar], n.d., hoffman, baby Jane holzer and Sam Walking’) and intended by mineo as a 1966. £150 Shepard. the uncredited freewheelin’ vehicle for his transformation from franklin’ smoking a doobie was Seal broken, rubbed, a few leaves and clean cut child star to ‘serious’ adult probably a student appropriation for the flaps damp stained, loose leaves. protagonist. at the time, mineo said to the flyer. a journalist that; Very rare, no copy on Worldcat. 230298 “the flower children is a very the photos are of a group of longhairs significant project.. there are a lot of and an intense looking man in a 35. – Metropolitan films S.A. young people in america involved in ‘cocaine’ t-shirt. présente Richard greene, Anouk massive demonstrations to protest the Aimée, Michael Denison. Meurtre, chappaqua is an important narco- war in Vietnam. i have participated in Drogue & cíe. “contraband Spain”. vanity film project made outside of the real marches against the Vietnam War, Moord, smokkel enz [Murder Drugs studio system by rooks, the ex-junkie and i have shared and understood their & co.] en eastmancolor Mise en son of a wealthy businessman. Jack problems. are they rebels, with or scene lawrence huntington. Stevenson describes it thus: without a cause? it seems like that’s the question” (p-239 michael gregg Original film poster, Belgian issue. 46.4 “..a free- association series of michaud -Sal mineo: a biography, x 34.5 cm. to poster edges, colour flashback dreams and fantasies to tell 2010). printed, matted, framed and glazed, the story of rooks’ sleep cure in text in French with some Flemish and a Paris clinic” ( p-52 -addicted: an 133350 English. illustrated guide to Drug cinema, 2000). the casting of “...William Brussels, Metropolitan Films S.A., IMP. burroughs, , ravi J. Lichtert & Fils, c.1955. £300 in very good condition, pinholes on corner borders, unexamined out of frame. a ‘b – movie’ going for the international exploitation market, thus, co-produced for both english and Spanish audiences. 230270

36. [BURRoUghS (William S.)] (Synopsis) & RooKS (conrad). chappaqua a film by conrad rooks. Largely photographically illustrated. First edition. 4to., [22pp.], unpaginated, 33 perfect bound into the original card 36

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Shankar and ornette coleman assured tragedy when the hells’ angels, acting the picture some degree of as stage security, waded into the underground credibility” (ibid). surging crowd with blunt instruments and knives killing a gun wielding young 38 133422 black man called meredith hunter. Giv’n Shelter 134830 First UK edition. Small 4to., 2 photo 37. MAYSleS (David) & (Albert), frontispieces, title, [87 pp.], pp-88–150, 38. goDARD (Jean-luc) (Director). ZWeRin (charlotte) (Directors). [10pp.], perfect bound into the original Freaky, Funky and Visually the Music that thrilled the decorative, glossy stiff paper wrapper, Stunning! the Rolling Stones. Jean World... and the Killing that signed by Clark in black Biro on the -luc godard’s Masterpiece Stunned it! the Rolling Stones Sympathy For the Devil (1 plus 1). gimme Shelter. Directed by David technicolor M Rating. Maysles, Albert Maysles, charlotte Zwerin. A Maysles Films, inc. A Bolivian revolutionary hides in a production Distributed By 20th London lavatory waiting for UNCLE century-Fox Film corporation. not MAO’S YELLOW SUBMARINE. As he Suitable For children. reads a pornographic political novel to pass the time, the Rolling Stones Original daybill. 65 x 33.3 cm., printed rehearse a new song, SYMPATHY FOR in yellow, black and pink on white paper, THE DEVIL titles in yellow and red on black and red on white, in a white border, hand Original daybill. 65 x 30.3 cm., b&w lithography. Benday dot montage illustration, titles in black with some in a box, hand N.p. [Sydney], n.p.[Maysles Films, Inc. lithography, on thin glossy, . Production], printed by M.A.P.S. Litho Pty Ltd., n.d., c. 1970. £200 N.p., [Sydney(?)], n.p., n.d., c. 1971. £150 two horizontal handmade folds as clean, crisp copy, old creases with a issued, crisp. clean copy, slight large diagonal one on the lower half of creasing. rare. the poster, central horizontal fold probably as issued. uncommon. the Published for the australian of montage includes a reference to the film of a concert that, for some, altamont, staged in 1969, the year after signalled the end of the sixties dream of “godard’s masterpiece” was released, peace and love. the design of the thus tentatively dating the poster to ’71. daybill, showing the group onstage and Jagger beckoning to the audience, is 134831 uniform with a few famous variant uS issued film posters and others from 39. clARK (larry) & KoRine around the globe. (harmony) (Writer). Kids. A Film by larry clark. the film documents a free music festival at altamont Speedway, 91 colour full page colour photos with northern california, that turned to several in composite/montage style. 37

20 39 inside back wrapper. London, Faber and Faber, 1995. £175 crisp clean copy. Previous booksellers’ note in pencil on first page. the book is largely stills from the quite shocking montage sort of pseudo- documentary style film of teenage kicks, aiDS and drugs that starred chloe Sevigny. the other part is made up of transcripts of dialogue from the film. the opening sequence portrays rough, teenage sex on a bed piled high with teddy bears, this caused a furore at the time. 218790 41

40. eiSingeR (Jo) & lARDneR (Ring). crisp, clean condition, spine and edges N.p.,[Los Angeles?], n.p. [Universal Revised Screenplay opium .. From yellowed. Pictures?], n.d., c.1983. £225 an original Story by Rudolph Provenance: from Serendipity books, near fine, unexamined out of the frame Johnson Jr.. Revised screenplay. with Peter howard’s pencil annotations which has a few knocks on the upper Foolscap, titlepage, [1p.], pp-2–133, 1l., and card note inserted, to maggs and beam. Seems rare, possibly unique. duplicated on rectos only, brad- bound the lSD library. Provenance: the lSD library. into the original stiff red card boards, an international opium trafficking titles in black on upper portion, brian De Palma’s brutal depiction of a story about ‘barbarossa’, a macho, red remains of holograph version/issue cubano narcotraficante, played by al bearded, belligerent nightclub owner slip on spine. Pacino, went through a number of who gets involved in breaking up an censorship wrangles. Scarface was Hong Kong, Inter-Asian Productions, italo-american mafia and triad plot to eventually released uncut, by an act of duplicated by Barbara’s Place, Writer’s corner the market in opium by buying legerdemain, in the version that was Guild number 182179, September 1977. an entire year’s crop and forcing the seen at the premiere and that was £200 price up. the film was never made but originally disapproved of by the eisinger went on to create a screenplay censors. from an ian fleming film outline entitled ‘the Poppy is also a flower’. it is not inconceivable that promo shock-tactic gimmicks were 218799 commissioned by De Palma, as was the case with ‘blow’ (see below). there is a 41. [De pAlMA (Brian) (Director)]. large offering of film souvenirs for [Scarface – cocaine exclusive similar layouts on the market, but they presentation]. are not of the same age as this and the 26.2 x 36.8 cm. (frame edges), 2 feel is less ‘vernacular’. also, the postcard sized colour publicity stills; materials used are slightly more placed either side of a transparent PVC expensive, they are not the largely black prop bag nearly full of prop cocaine wood painted frames in which most all (presumably talc) with an engraved of the recents ones are in. rather, it is brass plaque below, matted with black framed with a reflective ‘snorty’ card in compartments, the chrome. most of all, none of them come passepartout edges outlined in silver from the greatest private collection of gilt, glazed and framed in reflective, drug material ever assembled. polished chrome. 230274 40

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43. [WARhol (Andy)] (producer) & [MoRRiSSeY (paul)] (Director). Flesh. Original dialogue list. 4to., 32pp., contemporary Xerox of a corrected typescript on white stock. Re-corrected in holograph with corrigenda, insertions etc in both purple ink and pencil.

42 Bound with a brad into a drop-in manila file cabinet folder, “Dialogue List For ‘Flesh’” scrawled on the upper board in black felt pen, Jacqueline 42. [JUng (george)]. “nor did blow endear itself to the press Bisset’s name crossed out on the index Blow. coming Soon. when the distributors, new line tab. cinema, gave out pocket-sized mirrors Original promotional/press kit. N.p., n.p., n.d., circa August 1968. to promote the film” (p-236). £1,000 17.7 x 12.6 cm., oversized postcard, the wrap depicts a very glamorous recto coated in mylar, titles in white Worn and rubbed folder, the contents scene with Penelope cruz and Johnny simulating ‘lined-up’ cocaine. clean and crisp. Depp lounging head-to-toe, with arms 6.3 x 0.8 cm., a transparent plastic draped across each other, and wads of Provenance: the Director’s copy?, from ‘snorting’ straw cut in a nib style on one dollars scattered across their chests. an unknown source to the lSD library. end. the verso lists the film soundtrack JmSD had a great deal of material from which includes link Wray, the rolling the Warhol circle which he to some 10.2 x 10.2 cm.[unfolded], 3 identical Stones, the faces, cream and bob extent frequented as a student at printed square flyers folded into Dylan. columbia. powdered cocaine containers or ‘wraps’ (five items.) the film’s title is taken from bruce the copy in hand was annotated by Porter’s biography of the cocaine someone very intimate with the script Los Angeles, New Line Cinema, n.d., c. smuggler george Jung, credited with or film production process. the “i” on 2001. £300 kickstarting america’s rediscovery of the blocked cover titles closely card a bit nicked, wraps and straw cocaine as a recreational drug in the resembles morrissey’s with his very near fine. Seems to be very rare in seventies and eighties. he turned it into singular off-centre dot to the right of commerce and also institutionally with a mass-market phenomenon and the stroke of the letter. no similars on Worldcat. illustrated connected with colombia, via carlos Strictly speaking, a ‘dialogue list’ is a Watts p-508, Volume 1. lehder and the medellin cartel which transcription of a film taken at the was headed-up by the then rising star the straw is said, in the booktrade, to post-production stage and usually at Pablo escobar. Depp played Jung as a have been issued with the wraps and the behest of the film distributors. they classic ‘outsider’ character (op cit) and mirror postcard. however, we can find tend to conform to a strict formula in a cruz played his drop-dead gorgeous no record of a ‘kit’ other than in a stage-play style format, with iDs, colombian wife mirtha. passing reference to a similar item in word-for-word accurate dialogue and harry Shapiro’s book ‘Shooting Stars: 218611 timecodes. Drugs hollywood and the movies’ the page layout for the copy-in-hand, which notes that: resembles other published conversations in a loose dialogical style

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such as ‘the Philosophy of andy A signed and inscribed presentation collector of drug material and his Warhol’. it differs from a traditional copy (contemporary with/just before library. dialogue list in that there are numerous the film release) from Winona Ryder, the book was obtained through corrections of mainly single words, or using her stage name, and also the michael horowitz, ryder’s father, who half sentences and bracketing etc., but three simulacra characters she plays in was a close associate of Julio’s and a with no structural changes, the film, to Julio Mario Santo Domingo prime mover in the creation of the lSD recommendations or cuts at all. and The LSD Library. library. ryder knew PkD as a child and i would speculate that a small number Austin, Detour Filmproduction, 25/02/ timothy leary was her godfather. by of copies of this so-called dialogue list 2004. £1,000 default, she is probably one of the were run-off for the Warhol entourage, world’s most erudite and creased corner on outline, tip of corner including bisset, to look at either at the knowledgeable people on the literature on lower front cover rubbed, back cover preview screening or a viewing party or of altered states of consciousness. a trifle scuffed on the foreedge. crisp, some other event. clean copy. Very rare to the point of linklater‘s psychedelic-noir crime ‘flesh’ is one part of a trilogy of classic nonexistence in both commerce and story of pharmaceutically blurred and morrissey films, along with ‘heat’ and institutions with no copies on Worldcat. obscured realities and simulacra ‘trash’, that were made in a style for the Dickian completist. personalities is based on PkD’s similar to Warhol’s. the cast included eponymous 1977 novel about an the title-page of a near identical copy factory Superstars Jackie curtis, Patti undercover, drug-addicted ‘narc’ who can be seen in the hands of keanu D’arbanville, candy Darling, geraldine realises he is investigating himself reeves in the documentary ‘one Smith and . clandestinely. Summer in austin – the Story of 134783 filming a Scanner Darkly’. reeves and 218818 robert Downey Jr. starred alongside The greatest library on Earth!! ryder. 45. DiDion (Joan) & DUnne (John gregory) (Screenplay). 44. [DicK (philip K.)], linKlAteR the inscription written in a clear hand the panic in needle park. From the (Richard). in black biro on the titlepage reads: Book By James Mills. A Scanner Darkly. Screenplay by ““ to Julio and the ludlow Santo Richard linklater Based on the Original scripted screenplay. 4to., title, Domingo library, the greatest library novel by philip K. Dick. note, [1p.], pp-2–132, mimeographed on earth!! lots of love and peace, typescript printed on rectos only, Original in-house screenplay. Winona ryder “Donna” “audrey” and bradbound into the original stiff glossy, Foolscap, photocopied script, the loose “hank” ””. textured paper wrapper, gilt stamped leaves in the original white plastic comb a wonderful association copy from the titles on the upper portion, “63” in red binding in stiff red card boards from world famous co-star of an important felt pen on title leaf, text has a few the Creative Arts Agency, titles in film themed around an altered state of pencil annotations in an unknown hand. reverse white, 3pp outline loosely consciousness, to the foremost inserted.

23 45

In a bespoke card folder within a slipcase covered in dark grained faux leather, brown cloth backstrip with onlaid uniform leather, titles in black on brown paper labels on the spine and each board of the folder, signed by the boxmaker Therese Treille. N.p. [New York], n.p., Duplicating Service, June 16 1970. 1970. £400 Very good condition albeit with slightly rumpled and creased wrapper. rare, we can find no other copies on Worldcat and only what seem to be later versions from 1971. Provenance: maggs to the lSD 46 library: JmSD commissioned many boxes by treille for books, letters and vinyl records that had a particular 46. noRton (B.l.). [Dealer]. pictures i’ve seen” says ringe. it was (often private) significance for him or eventually released in 1972 and co- that he found humorous or ironic. Original screenplay, second draft. 4to., starred , karen [2pp.], pp-3–loose leaves, stab Brad an early script for the screen black and factory person Viva. bound, original paper covers, the upper adaptation of mills`s first novel, the film cover with a pasted on magazine 133421 was directed by and clipping, annotated in pen “Dealer” and eventually starred (in only his pencil “Cisco Pike”, duplicated, on second film appearance) and kitty rectos only. Winn in the lead roles of a heroin using couple hanging out in the seamy new Clipped film review by Paul Ringe york location of on loosely inserted and another small the . handmade paper sign “Caution Acid First Class Electric” on the verso of a few years after the film’s release, Marijuana Review letterhead in back of Joan mellen described the female lead book. as: N.p. [Acrobat Films], n.p. [Beverly “‘...helen, who aimlessly sleeps around Hills], May 1, 1970. £300 and has little contact with her fort Wayne, indiana parents, … brutalized, upper cover creased and dusty, glue evicted, driven to prostitution and to seepage through clipping. a very good selling pills to children, helen doggedly copy of a trashy printing. the cover pursues her own destruction.’” clipping is a portrait of the male lead kris kristofferson, captioned “cisco (- hollywood’s Political cinema in Pike: kristofferson and scag”. cinéaste , Vol. 5, no. 2, 1972 p-27). a cult film about a washed up musician 218802 and convicted drug dealer forced to do a marijuana deal by a narc played by . “one of the best dope 47

24 47. [ellRoY (James)] & hAnSon (curtis) (Director). Regency enterprises présente Une production Arnon Milchan/David l. Wolper. Un film de curtis hanson l.A. confidential. Kevin Spacey, Russell crowe, guy pearce et James cromwell. Avec Kim Basinger et Danny DeVito.. First French language edition. 8vo., [1p.], pp-2–48, profusely illustrated with b&w photos and spreads, perfect bound into the original textured off- white paper wrapper, titles, ruling and photoportrait in black on upper portion and spine, French text. N.p. [Paris], n.p. [Warner Bros], n.d., 1997. £25 48 text near fine, wrapper a bit dusty with slight wear. Very rare in both 49 commerce and institutions with no the trip is a transitional work between copies in Worldcat. the pure debauched rebellion of ‘Wild the beautifully designed, and angels’ and the countercultural old, central, horizontal fold, slightly compendious, press book for the film’s Western that is ‘’. Peter worn spine, cover a bit creased. Surely entry into cannes on the festival’s fonda, the “..John Wayne of biker very rare. fiftieth anniversary with many lush flicks...” (Peter biskind – easy riders, Solely on marketing the trip from a photos of basinger in character (her raging bulls, how the Sex – Drugs-and monopolistic ‘soup to nuts’ production portrait is on the front cover). rock ’n roll generation Saved and distribution company advertising hollywood , 2011, p42), starred in all 218615 posters and other print, media space, three. it satirizes exploitative drug- trailers, point of sale and window scare films by depicting the pre- trip 48. coRMAn (Roger) & standees and strategies. they advise on life of a jaded commercial director nicholSon (Jack). building local brand awareness by undergoing a divorce in black and the trip. A lovely Sort of Death. in stocking psychedelic books from Dr. white. contrasted with his erotically psychedelic color. Deutsche timothy leary etc. charged rebirth and psychedelic Fassung [german version]. Starring transformation and rejection of 230337 peter Fonda, Susan Strasberg, Also convention through the use of lSD, starring and Bruce thereafter filmed in colour. this 50. ZAhn (curtis). Dern. Written by Jack nicholson. german version is said to be even “the escape, purgation and Re- produced and Directed by Roger funnier than the english language one entry of group 17–n”. corman. because the lip-synched dialogue is Play script. Foolscap, unpaginated, Original poster, German issue. 59.2 x slightly out of key and badly translated, brad bound into the original limp grey 41.7 cm., b&w photomontage, titles thus: “ he’s high on weed” = er is oben marbled paper boards, duplicated, outlined and in reverse white, on thin vom heu”/ “he’s upstairs from the hay”. contemporaneously added list of first white paper stock, offset, text in English 218525 names handwritten in Biro on the and German. ‘Characters’ page. N.p, [Hamburg], Im Verleih der FiFiGe 49. [nAtionAl ScReen /AG Kino, [American International SeRViceS]. Pictures], n.d., circa January 1969. A lovely Sort of Death. American £200 international’s the trip. in psychedelic color. Starring peter clean copy, two old central, horizontal Fonda, Susan Strasberg, Also and vertical folds and very brief pencil starring Dennis hopper and Bruce annotation on verso, corners slightly Dern. Written by Jack nicholson. worn. Seems rare. produced and Directed by Roger i.m.D.b. notes a different distributor for corman. the former West germany, we cannot First edition. Folio, unpaginated; ascertain whether this poster is for a [14pp.], illustrated throughout with contemporary or later re-licensing of poster artwork, b&w portraits etc,and the film. facsimile news stories, stapled into the a poster for the german language original illustrated paper wrapper, version of an important drug film loose in a card window with corners. released two years after the initial N.p. [Englewood, ], n.p. american release. [National Screen Services], n.d., c.1967. £375 50

25 N.p. [Los Angeles], n.p., Massey’s Manuscript Services, n.d., c. 1967. £300 Wrapper a bit tired and thumbed. Very rare, two copies only on Worldcat at nyPl and university of guelph, canada’s théátre Passe muraille archives. the typescript/manuscript in the gottlieb center, in Zahn’s archive. Provenance: the lSD library with the pencil accession code in the back. a three-act absurdist anti-war play set in an undefined time period, during wartime, with a group of people who are possibly returning to civilian life, and an ‘interrogator’. one of the other characters is a female “lSD dropout”. the play has never been produced. Zahn was a poet and playwright, and former conscientious objector, who 51 was involved with Pacifica radio. 218820

iV. BoDieS – inKeD, eXpoSeD & pUnKeD 51–59.

51. [leiBoWitZ (Annie)] & cheeVeR (Julia) (text). tattoo 70. Profusely illustrated with b&w photos, graphics and decorations in the text. First edition. 4to., unpaginated, [28pp.], stapled into the original decorative, glossy, stiff white card wrappers printed in black, titles and illustrations in reverse white, red inside front covers, decorative front and back free endpapers, with an oversized photographic colour postcard by Annie Leibovitz: a portrait of tattoo artist Lyle Tuttle signed by him in black on black, loosely inserted. N.p. [], n.p. [Tattoo Museum and Hall of Fame], n.d., copyright 1970. £100 internally near good to fine, spine a bit worn, corners of wrapper bent and scratched. card a trifle worn. institutionally very rare with two copies only on Worldcat at S.f. State and columbia college. includes a history of inking and a global survey of individual tattoo artists including lyle tuttle, Dan & bev robinson, cliff raven and others. non- dermal holographic marks by tuttle seem uncommon. 133407

52

26 Depicts a naked torso on the thighs of a heavily tattooed older man. unusually perhaps, the inking runs along the shaft of his circumcised penis. includes mottoes in french such as “i am a Pig in bed”, the pig in a delightful rebus. 230254

53. – [tattoo of a naked woman on a funeral pyre/in an inferno]. 9.6 x 7 cm. image, 11.4 x 7.7 cm. border to edges. £350 an arm tattoo with a vengeful, naively inked image. a french suttee? or, perhaps she is ‘hot’?. 56 230252

53 54. – [Dancing skeleton, popeye, Mickey Mouse, indian chief]. 56. – [Women’s head encircled by roses]. 10.2 x 7.5 cm. image, 11.6 x 8.6 cm. A collection oF VintAge B&W border to edges. £450 9.3 x 7.3 cm. image, 10.9 8.8 cm. border photo-poRtRAitS oF to edges. £450 the Skeleton on the subject’s upper SUBJectS With FolKiSh arm is beautifully executed, the rather a spectacle of love, adoration and tAttooS, BY An UnKnoWn naive indian chief in profile is derived physical endurance in the form of a photogRApheR in FRAnce from a much used yank advertising massive head of a woman surrounded c.1950. 52–57. trope. the sleeves and torso are by roses over the whole of a man’s from the superb collection of densely packed with folky images. back, from nearly a century ago. limougeaud ernest brachet, with his 230250 230248 collector’s stamps on versos, to Didier grandsart, of obsis. contemporary 55. – [l’enfant de Malheur and 57. – [ l’espoire Fait Vivre (hope prints, with gauffered type edges, grapes des Raisin]. lives)]. framed and glazed uniformly in black wood, tipped in and matted within card 9.8 x 7.9 cm. image, 11.2 x 8.3 cm. 9.7 x 7.7 cm. image, 11.6 x 8.8 cm. border windows, printed catalogue notes on border to edges. £500 to edges. £450 the backs of some. both photographer ‘l’enfant de malheur’ (child of Sorrow) a rich inking of multilayered and subjects remain elusive. in crisp and the ‘grapes des raisin’ (bunch of symbolism, with many animals such as condition. Purchased by Julio mario grapes) are well known marks of a mammoth and an elephant. a well Santo Domingo for his lSD library, former inmates of calvi’s naval ‘section known figure of a sailing boat, with me, at the grand Palais circa disciplinaire’ and symbolize the blood “l’espoire fait Vivre”, with two lucky 2006–7. of christ (See the christi testamenta horseshoes one with musings the other printer’s block in the manly hall with a horse head indicate a man fond 52. – [Je suis cochon au lit (i am a collection elsewhere in the magickals of the racetrack. the left arm has a pig in bed)]. section in this catalogue). gallic head and a mouse. 10.8 x 7.7 cm. image, 12 x 7.7 cm. border 230249 230247 to edges. £500

54 55 57

27 V. SAtiRe, cARicAtURe, pRoVocAtion & hAte 60–72.

60. lenepVeU ([Auguste]-] V[ictor]). Musée Des horreurs [Museum of horrors]. nos. 1–51 & 30 Ans Après [30 Years later] (all published). Original placards. 65 x 50 cm., 52 placards, lithography; on stiff card, tinting and hand colouring, text in French/French vernacular. Annotated contemporaneously with a blue marking up crayon and overwritten in red pen, signed in the stone. 58 N.p. [Paris], n.p. [Hayard?], imp[rimerie]. Gérant Lenepveu 58 Rue Dulong, partly dated but 1899–1900. POA 58. cRUMB (R[obert]) (Foreword), gAteWooD (charles). a rare complete set of perhaps the Forbidden photographs. most repugnant and skillful anti- semitic hate mongering propaganda of Profusely illustrated with b&w the nineteenth-century with the vile photographs. Second edition, and rare unnumbered 52nd ‘sequel’ paperbound issue. Folio, unpaginated, depicting Dreyfus throttling ‘marianne’, in the original photographically the spirit of france. illustrated, glossy, stiff card wrappers, one of 1,950 paperbound copies, from a endemic browning of edges, bright, complete run of 2, 000 signed and crisp colouring. kleebatt with a numbered copies; 1–50 with an original selection illustrated pp-244–252, print. apparently illustrated in toto in malhotra (not seen by this cataloguer). San Francisco, Flash Publications, Sun in Scorpio, 1995. £25 around 200 issues of this weekly publication that was distributed Wrappers a bit creased and scratched, through kiosks and by subscription, old price sticker removal mark on the were planned. yet, only 51 consecutively upper portion. crumb’s contribution is numbered issues, and a final a facsimile of an illustrated letter to unnumbered one, were published after gatewood, he compares the work to the ministry of the interior stepped in lesy’s ‘Wisconsin Death trip’, saying: and banned lenepveu from publishing “actually, i mostly hate photographers, it in 1900. there is also a set of five but i’ll make an exception in your supplements, not included here, called case..”. ‘musée Des Patriotes’. these are ‘straight’ portraits of national heroes 133413 that didn’t garner the same interest and that were apparently offered as a 59. DeMpSeY (Michael) (text) 59 free inducement to subscribers of the JeDRASZcZYK (Ralf), horrors to continue collecting post- cZeZoWSKi (Andrew) & JoneS ban. (Barry) (compilers). a sought after book. a potent visual punk Rock... 100 nights at the Provenance: from the lSD library record that documents the period 1 Roxy. (Santo Domingo had a personal side January to 23rd april 1977 at the early project building a collection of anti- Largely illustrated with b&w photos london punk venue. includes crowd semitic largely pre-Shoah material and some colour plates. photos, off-stage perspectives, onstage with some Petain era stuff included). performances and portraits of punks First edition. 4to., [5 pp.], pp-6– 95, and acts wearing the gear of the day, as the best complete set of these anti- [1p.], photographic endpapers, perfect well as the flyers, handbills and posters Dreyfus placards that this cataloguer bound into the original stiff card that emerged from the scene. the has seen in a quarter century of active pictorial wrappers decorated in a groups include generation X, the looking. the condition is remarkable photomontage style. clash, the heartbreakers, chelsea, given that, as has been pointed out, London, Big O Publishing, 1978. £455 the Slits, the banshees, the they “..often appear glued into folio- Stranglers, Vanilla, sized collectors albums or show the Spine and edges rubbed, endemic but Penetration, the Vibrators et al. wear of domestic display (p-3 maya light offsetting on endpapers, loose balakirsky katz -revising Dreyfus, pages. 133374 2013). this set is loose in a contemporary scruffy marbled paper

28 60

29 60

30 boards and cloth folder that Santo rousseau cabinet and later Prime Domingo kept them in (he did a filmed minister of france, henri de “show and tell” of them to this rothschild, of the powerful and cataloguer one early morning in Paris successful banking clan, Jean Jaurès, on avenue montaigne). Socialist leader and editor of ‘la Petite république’ and most famously the We have seen no others of comparable novelist Émile Zola. the latter wrote a quality on the open market, an inferior famous open letter entitled ‘J’accuse’ in set went for €10,000 in the room at which he defended Dreyfus and which ader, Paris in 2015 and another for was published in ‘ l’aurore’ newspaper $31,000 in Sotheby’s, new york eight on January 13, 1898. it caused great years prior. both did have the five, debate and rancour at the time and the supplementary, and frankly issue “...sold well over 300,000 copies… unremarkable, ‘musée Des Patriotes’ ” (p-7 kleebatt). “horreurs” the word posters. the earlier lot also had five might well be a play on “aurore”. unrelated pre-lenepveu heliogravures. lenepveu was possibly a pseudonym the annotations in crayon were but his true identity has gone with him invaluable, in the pre-google image to the grave. however, his bigoted ideas search era, as they identify the subjects of the illuminati, Jewish conspiracy, who were largely racially caricatured to infidelity and untrustworthiness live on. the point of invisibility through a the set probably served a small but polysemous mix of animalisation, significant part in spreading the idea of racial stereotyping, infantilization, an international Jewish conspiracy straight smear or enlargement/ into the european crucible of anti- shrinking of physiognomy. the text is semitism. there were several composed of highly strangulated slang rothschilds depicted in the musée. and anti-semitic insider jokes. Without a key, this ‘bestiary’ is largely tillier points out that the zoomorphic unrecognisable to the modern, caricaturing of Zola in particular, as a untutored eye. however, its sentiments pig perched on a stack of his novels, are alive and well and all too spreading “caca international ” over recognizable.. the map of france had big ripples in the media pond. he notes how it spread one of the most significant artifacts of over the channel into the pages of french, or indeed global anti-semitism, ‘london Punch’ and to Vienna in the houghton library set occupied a ‘kikerik’ and back into ‘la france libre whole room in the new york, Jewish illustrée’ and ‘Pot bouille’ (p-87 op. museum’s 1978 show entitled ‘the cit.). Dreyfus affair’, a selection of them are illustrated in kleebatt’s catalogue. they “Votez Con.Vous n’avez pas le choix”. satirise the so called ‘Dreyfusard’ side of a country riven by the wrongful 61. chARlie heBDo & hARA KiRi. arrest and imprisonment in a penal [charlie hebdo and hara Kiri colony of a french artillery officer of posters]. Jewish heritage on charges of spying Original posters. 17 x 30 x 38 cm. & 1 x for the germans. undoubtedly derived 40 x 29.8 cm., titles largely in black, from grandville, a big presence in the illustration in colour, offset on white lSD library also, and of course french . With 3 other 32 x 29 cm. revolutionary era satire. they are very photomontage style ones for Hara Kiri, much ‘of the moment’ in the ring of the on stiff white card (21). highly charged political media circus of france in the aftermath of the Dreyfus N.p. [Paris], [Editions du Square], 1971– affair and the officer’s release (and 1980. POA eventual full rehabilitation in 1906) largely in very good condition or better, after false accusations of spying led to several worn, waterstained, creased, his conviction. rather ironically, in the some with slight loss, #17 with a pen 120 years since lenepveu based his scribble. operations at 58 rue Dulong, it has gone from a cradle of hate to a budget Scarce. the hebdo affiches intérieures crèche for working Parisian mothers. are for numbers 17, 38, 51, 54–55, 339, 342, 345, 398, 399, 416, 441, 453, 464, the placards include Dreyfus himself, 487, 494, 498 and 502. the hara kiris the Jewish financier Joseph reinach, advertise numbers 205, 219, 221. théophile Delcassé; minister for foreign affairs, Émile loubet; bumf for the weekly and monthly, President of france in 1899, yves guyot respectively, satirical zines of a broadly publisher of the newspaper ‘le Siècle’ left wing slant. hara kiri is subtitled and co-founder of the league of the “Journal bête et méchant” or a ‘stupid rights of man, Pierre Waldeck- and vicious magazine’. charlie hebdo, 61

31 61

32 formerly hara-kiri-hebdo, was once a With a loose long Thermofax type copy little known ’zine, outside of of an annotated galley or printer’s francophone europe. proof and a smaller fragment loosely inserted, old booksellers’ annotations in obscenely satirical works, in very bad pencil on dedication leaf. taste that reproduce the cover art of each issue they advertise. the Stapled into the original white paper illustrators for both serials included wrapper, titles in blue and reverse white gébé, nicoulaud and Wolinski amongst above a photographic portrait of Bruce their ranks, the latter was murdered in and collaborators on upper portion. hebdo’s offices by islamist terrorists. N.p., n.p. [Self-published], n.d., c. 1961– 218650 1962. £575 mottled from damp on lower portion of 62. BRUce (lenny). 63 wrapper with a small patch near the Stamp help out! And other short top of the spine on the front cover stories. By lenny Bruce. See... where it is also torn on the backstrip Actual photos of tortured running onto the cover (not affecting Marijuanaites. See hookers Resort titles or illustration), first leaf with to prostitution. See... Shame. See.. offsetting from galleys and with a stain. Shame Sell. See... Shame Sell Sea inserts roughly cut and browned. Shells at the Shim Sham. illustrated Watts p-576, Volume 2. 29 b&w photographs. First edition. rare, as a working document towards 4to., [28ll.], unpaginated, mail reply a potential new edition, possibly coupon bound in, a ‘censored’ copy with doctored by bruce himself or someone a label covering Bruce’s genitalia on a close and with interesting notes on the nude shot of him on a toilet, numerous galleys. holes punched throughout. 64

he died in 1966, so there is not much association material available. other dealers say that he censored profanity in copies when he got the legal heebie- jeebies. Provenance: the lSD library. the ever topical bruce’s self published pamphlet that he probably made to sell at his gigs. the proofs are for ‘a chippie off the old block’. ‘the Pot Smoker’ is a satirical fumetto on addict ‘russell Dreck’ that mocks 50s’ anti- cannabis propaganda films and moralising pseudo-documentary reports. it is illustrated with captioned found photos and staged reconstructions of the lives of “..the poor souls involved with this living death..” 134595

63. – “i am not a nut, elect Me”. First pressing. 12”, LP, in the original decorative inner and outer sleeves. San Francisco, Fantasy Records Inc., 7007, 1960. £5 Sleeve worn, dustsleeve torn, surface scratched vinyl. Discogs. there was a red, translucent vinyl issue in the same year. Worth the fiver for the cover photo of black kkklansmen. 62 230531

33 65 66 68

64. – the essential lenny Bruce * politics *. Variant first pressing? 12”, LP, in the original inner and outer sleeves, latter decorative. New York, Douglas, SD-788, 1968. £5 Sleeve lightly worn, surface scratches on disc. 230530

65. – Fantasy presents the Sick 69 70 humor of lenny Bruce. First pressing. 12”, LP, in the original inner and outer sleeves; latter San Francisco, Fantasy Records Inc., 71. [VAneigeM (Raoul)] (text) & decorative with a blurb by Ralph 1958. £5 [JohAnneS (gerard)] (graphics) Gleason. (Attributions). Sleeve rubbed, record looks playable or [Dans le décor spectaculaire ou le San Francisco, Fantasy Records Inc., even better. Discogs. regard ne contre que les choses et 7003, 1959. £7.50 “the cat [on the sleeve] is stuffed”. leur prix]. cover worn, disc looks fine. Discogs. 230523 Original poster. 37.5 x 56 cm., there was a red vinyl version released linedrawn fumetto in nine panels in in the same year. 69. – lenny Bruce – American. black in a box; the titles in red 230528 superscript below with a puff and First pressing. 12”, LP, in the original mailing address for subs for I/S/ 11 in decorative inner and outer sleeves, the 66. – the Best of lenny Bruce. black above that, offset colour latter with a blurb by Ralph Gleason on lithography, framed and glazed. First pressing. 12”, LP, in the original the lower portion. blank inner and decorative outer San Francisco, Fantasy Records Inc., sleeves; latter with a blurb by Ralph 7011, F-2081, F-2082. 1961. £10 Gleason. Disc fine, cover a trifle worn with an old San Francisco, Fantasy Records Inc., price sticker and Sellotape remains on 7012, 1962. £5 the open edge. Discogs. Sleeve dusty and tired, old price label, there was a red, translucent vinyl issue inner sleeve torn, vinyl near fine. in the same year, see below. 230525 230522 67. – Another copy. 70. – Another copy. £5 Red translucent vinyl, in the original 230524 decorative inner and outer sleeves. £5 Disc appears fine, cover and inner 68. – A “new orthopedic” sound sleeve a trifle worn and split. Discogs. recording. lenny Bruce’s interviews of our times. there was a black vinyl issue in the same year, see above. ask this First pressing. 12”, LP, red vinyl, in the cataloguer for more lenny bruce original dust sleeve and decorative records. outer sleeve with blurb by Horace Sprott III and John Estes. 230521 71

34 the board for the 39th page of an unknown italian publication; which was probably a ‘one shot’ erotic comic- book. it was possibly published in the year or so previous to Julio Santo Domingo’s acquisition of it. a very politically incorrect story, it depicts a sleazy, sexual predator who is drugging a large chested girl’s drink (presumably with rohypnol). he is put off trying to date-rape her because she snores like a noisy cat, thus: “rrroonnff!” (derived from the italian verb ‘ronfare’ to purr). 72 218524

74. [Stoop (olaf)]. 73 [the Masters of Destiney Since 15 Paris, n.p. [Situationniste Years. ‘Annunciatie’ Wat is’t dat Internationale], Imp. Les Presses du zich in my voltrekt en aarzelend nu Marais, n.d., December 1967. £300 Vi. DRUgS & coMiX 73–77. naarwoorden tast...1966–1981]. Seems crisp, unexamined out of the original holograph wall placard. 41.7 x frame by this cataloguer. raspaud & 73. gÜRSel [gürcan]. 28.2 cm., vignette illustrations, Voyer 120–121. gonzalvez 136. Possibly [RRRooonnFF!] masthead of the reel free Press, the rarer graphical variant of the two Original comic art. 42 x 29.6 cm., in lettering, multimedia; coloured inks, versions. coloured inks on thick , collage. boxed framed and glazed. a promo poster with a graphically two words of text in Italian a small crack in the plexiglass. enhanced extract from ‘internationale onomatopoeia, signed by the artist on n.p. [amsterdam], n.d., c.1981. £35 Situationniste’ #11 , the shiniest the foot, a presentation copy revolutionary ’zine of all time. additionally signed and inscribed on the rubbed, browned, patina, dust. verso in ink with a small vignette in 230241 Provenance: bubb kuyper, maggs, lSD pencil and pen, dated 2005. library – to boigneville. 72. YippieS W. BeRlin. N.p., n.d. c.2004–2005. £25 inscribed ‘Jac. van hattum’. [Die Szene ist tot Krepiert An Der Very slightly worn on the corners and Scatological craziness from the reel eigenen Feigheit Und trägheit! (the slightly dusty on verso. a fresh free Press from the contents of their Scene is Dying of its own inertia example. hashished up comic shop that this and cowardice!)]. cataloguer sold to JmSD. the drawing is of a young naked, long- Original flyer. 21.3 cm. squared, 1l., haired woman, with large breasts, 230369 printed on both sides in black, smoking a very large cannabis joint. a mimeographed, two illustrations, on think bubble with a trail of love hearts 75. Shelton (gilbert). thin yellow stock, sandwich frames and reads “Pour Julio”. ’s hydrogen Bomb double glazed. W[est]. Berlin, YIP2, and Biological Warfare Funnies is 1971. £175 Provenance: the artist to the lSD here! cartoons and stories by library. one recent closed tear, a few creases. , Kim Deitch, greg institutionally rare, we can find no irons, Jack Jackson, Fred Schrier, copies on Worldcat. in Watts p-573, gilbert Shelton, Dave Sheridan, Volume 2. Foolbert Sturgeon, Robert Williams & S. clay Wilson. Snivelling Drivel Provenance: maggs pencil stock code to Shrivel your liver!! $1 Adult from sale to the lSD library. literature. a large communist red star with a Original promo poster. 41.8 x 31.6 cm., kalashnikov and bayonet, criss- titles in a variety of fonts over a graphic crossed with a dope pipe in a native and on the left border, offset colour american Peace Pipe style occupies lithography, loose under wrap over a most of the recto. an even cruder white foamboard. drawing of a coffin is below. the verso is a tirade against the ‘pigsystem’ of the A contemporaneously signed, inscribed police (in ‘angry’ block capitals). and dated presentation copy from the poster artist. from the ‘kifferbefreiungsfront’ (kif smoker’s liberation front in english) of N.p. [San Francisco], n.p. [Rip-Off the berlin youth international Party. Press], n.d., 1970. £125 230313 a central, dusty, horizontal crease. Very rare institutionally with no copies on Worldcat, underlined by the fact that the run extended to a single issue only. 74

35 Vii. ZephYRUS iMAge 78–127. A BAY AREA SORT OF ANTI- PRIVATE PRESS STARTED BY MICHAEL MYERS & HOLBROOK, REFERRED TO HERE AS MYERS &/OR TETER. ALL OF THE MATERIAL CAME FROM TETER’S ARCHIVE BY WAY OF SERENDIPITY BOOKS, BERKELEY.

78. [RAWoRth (tom)], [MYeRS] & [teteR). “hours of fun!” Late state of print production. 5.5 x 3.7 cm. (folded), two folded and cut sheets of off-white stiff paper printed with found b&w Identik-i-t portraits of Patty 75 Hearst, tipped in and glued together. N.p. [San Francisco], [Hermes Free Press ornament], Made possible by a Provenance: Shelton to the fhml, grant from the National Endowment thence to the lSD library. 76 For The Arts, n.d., c. 1974. POA the full inscription in biro on the lower Very good, clean and crisp copy, mild left corner reads: glue seepage onto backboard. “for the fitz hugh ludlow library commercially and institutionally very 9/21/71 gilbert Shelton” rare, we can find no copies in Worldcat. in Johnston p-199 (illustrated on p- 98 a wonderful association copy from the and discussed on p-99) who collates creator of the fabulous furry freak for textual imprint details with the brothers, depicted on the poster, to hermes Press symbol. Watts p-587, another set of fraternal freaks, the Volume 2. founders of the fitz hugh ludlow memorial library. the late Peter howard, who was the vendor of holbrook teter’s archive; 230338 where this item originally came from, described this as in the “..likeness of a 76. hAYeS (Rory). match book...” (Word file emailed to Snort! Snort! Snort! this cataloguer) that when completed Original limited edition poster. 55.2 x 33 would have had a “..striker strip of a cm., printed in black on thick white matchbook stapled at the bottom. this stock, in a border, offset, 4/151 signed copy lacks a striker, it is doubtful that and hand numbered copies. any completed copies even exist and matches and books don’t mix well. N.p.[San Francisco], n.p.[Apex 77 Novelties], copyright 1973. £25 Provenance: ex-lSD library copy illustrated p-587, Watts “the Patty Provenance: maggs to the lSD library. hearst ident-i-kit is made up of a bright and clean copy, creased on top clip frame, signed and dated in the series of artist’s impressions of the right corner, small tear midway on the stone, a ‘2’ on the bottom left corner. heiress as she might look after her left edge (not affecting image). kidnapping by the Symbionese n.p., n.p. [Seyfried classics], 2000. £5 online comic encyclopedia notes that, liberation army and subsequent hayes, an outsider style comix artist, edges worn, colours crisp. unexamined defection”. died young of a drug overdose. he did out of frame. after the Sla ‘brainwashed’/ very good comic work for ‘Snatch’ and Depicts dumb punky freak scoring ‘Stockholm Syndromed’ her, hearst ‘’ and others and in the late ’60s hash, shouting it aloud, a dealer broke cover as a clandestine urban he produced his own serial called dropping his cash and a dumber fat cop guerrilla named ‘tania’, wearing a ‘bogeyman comics’. the image shows a wishing good health to a sneezer. succession of disguises. She also demented head in profile with a large Published in ‘Seyfried’s cannabis robbed banks, wore a very chic beret coke straw up his left nostril. collection’. the acclaimed german and toted a machine-gun to pose in 134814 comic artist was a darling of the front of the Sla flag. the original anarchist, aPo, squatter left. source mockups were published in the 77. SeYFRieD [gerhard]. San francisco chronicle , which was 230272 [haschisch! ! gesundheit!] part of her father’s news empire. Postcard, comic panel in colour within the book is cleverly arranged so that a black border, under glass in an ikea permutations of hearst’s various disguises can be created by folding and

36 78 unfolding the flaps. many of the visual manila envelope. Very rare in puns created by the Zephyrus image commerce and scarce institutionally emerged from drink and drug use and with four copies only on Worldcat and abuse, this one came from “What if? all but one in the uSa. another is conversations with michael after a deposited in creeley’s at liquid lunch, and the team sprang into Stanford. action, turning the book out overnight” in Johnston p-175 (illustrated on p-174); (ibid p-99). it tickled raworth that the the first item discussed in the hermes free Press received a $400 bibliography. no copies in morgan c678 government grant to produce this & 679 for a later reprint of the ‘poem’ & miniature folly. also Sherlock D-287, 320 & 321, 134774 mcneill c406, 437 for ‘totem Protectors’ and the incomplete ‘the 79. [ginSBeRg (Allen)] & totem Protectorates’. [SnYDeR gary)]. Provenance: old maggs pencil stock the totem protectorates. Being the code in back from sale to lSD library. Assignment of Same to the honorable Senators, lawmakers of Santo Domingo’s collection also 79 the government, contained a copy of a six sheet, possibly toward the preservation of life and abandoned, deluxe issue on fine paper Spirit in these lands. this printed on rectos only, also sold to him mailed to each of a 100 senators, this investiture proclaimed in grace by maggs and now possibly in the un-mailed copy was bought from cathedral at the Autumnal houghton library. teter’s archive via Serendipity books equinox, 1971. this is an early publication from the so (though there were other copies in First separate edition. Small folio, called “labor donation” arm of the envelopes if memory serves me well). unpaginated; blank, title leaf, [6pp.], Zephyrus image and the first 134681 colophon leaf, sewn into the original significant book produced by them. a stiff Tweedweave brown paper wrapper, high water mark in books relating to 80. [SnYDeR (gary)]. foreedge of upper portion untrimmed environmental activism. written in the [the Wilderness/i am a poet]. with titles in a darker brown, printed on form of a list of u.S. Senators who were Bergstrom. “..assigned specific endangered plants broadside. 41 x 23 cm., text and one and animals..” (op cit). With, for ‘found’ zinc cut illustration from a San Francisco, Hermes Free Press example, the then “Junior Senator from newspaper advert, in brown on [Zephyrus Image], Spring 1972. £3,750 florida, the honourable lawton chiles, Warren`s old Style paper. near fine book, a few faint fingermarks [as] totem protector for the floriDa on the wrapper, lacks the printed manatee”. a copy of the book was

37 the opening section from a transcript of ‘the Wilderness’, a statement made for a seminar at the center for the Study of Democratic institutions, Santa barbara that was published in the collection turtle island, for which Snyder was awarded the Pulitzer Prize 134705

81. [SnYDeR (gary)], [MYeRS] & [teteR]. gary Snyder Brand ®. pine nuts ...as eaten in turtle island. try Ma nominee`s favorite receipt: pine nuts lac du Flambeau! Spoof bag of nuts. 17.2 x 10.2 cm., beige card label 10.1 x 5. 7 cm. (folded), facsimile trademark, Snyder signature and registered mark in blue, label in red with reverse lettering, motto in 82 green, verso with recipe in grey & two ornaments in red, stapled to the original clear polythene bag of apiece. few packets survived beyond 80 approximately 10 x 17.1 cm. containing the PoS as the purchaser would almost two broken nuts. Salmonella Ida. inevitably discard them and some of N.p.[San Francisco], n.p. [Zephyrus them contained fragments of peyote n.p.[San francisco], n.p. [Zephyrus Image], no publication or expiry dates, and “..two six point em quads” (p-101 image], n.d., 1974. £50 1975. £575 ibid) which are not very toothsome. Very good, clean and crisp copy, bottom fine. a fragile ephemeron that is rare 134691 left corner a bit creased. institutionally in commerce and institutionally with 3 uncommon. mcneil a49 for the source. copies only on Worldcat. in Johnston 82. [SnYDeR (gary)], [KiSSingeR in Johnston p-202 (illustrated) pp-202–203 with discussion on pp- (paul)] (Block prints) & [teteR) 99 –101 (illustrated on p-101). (Designer, typesetter & printer). “’...tom raworth created this work prayer For the great Family. setting a piece of writing by gary Provenance: Serendipity books from Snyder about ‘ecological conscience’ teter archive via maggs to the lSD Proof version, unpublished. 44.3 x 29.3 and trivializing it by juxtaposing it with library with the stock and classmark in cm., text in black, the 5 illustrations in a found zinc... of two women gossiping pencil on verso of label. brown on lower left and bottom in a bank lobby’” (op cit). margins, on Ticonderoga Text an ingenious satire directed at a great watermarked cream , Provenance: pencil stock on verso from beat Poet and one of the most eminent unknown quantity of copies pulled, brief maggs’ sale to the lSD library. and respected literary advocates for note on imprint in pencil lower right ecological consciousness and Western corner. buddhism. N.p. [San Francisco], n.p. [Hermes Free as discussed elsewhere in this Press for the Committee of Concern for catalogue, Snyder won a Pulitzer Prize the Traditional Indian], n.d., 1971. £50 in 1975 for his ‘turtle island’ , the title is derived from the native american lightly browned on left edge, small chip name for the u.S.a.. the book is on upper, all edges slightly rumpled, packed with campfire philosophy and turned corners, a tad dusty. rare. wilderness lore. mcneill a32 note: a “fugitive proof state” that was rejected by the the “...staunch anti-hippies..” (p-203 committee. Johnston) of the “...Zephyrus image crew derided his marketing of no copy in Johnston who notes two consciousness..” (p-101 ibid) the design states (p-189) with different of his books and the “..back-to-nature dimensions to the one in hand, one of poetry and affectation of native these has a colophon on the verso. the american ways” (op cit.). myers took colophon is inaccurate as this poetry great pains to reproduce the trademark broadside is decorated with animal line calligraphic signature in a sort of lloyd drawings derived from traditional reynolds, reed college graduate style native american art and not by way of (Snyder’s alma mater). kissinger. it got free from the print works, despite the committee these packets were largely distributed corralling it, and was never formally via ‘guerrilla’ actions, by mixing them in published. with other nuts in geary boulevard 81 convenience stores stickered up at 25¢. 134744

38 illustration indicates that this is possibly a hybrid of an show flyer from the previous year and broadside no. 9 i.e. Zi mucking around. 134715

Boo dah is just an orient all character. 84. [WileY (William t.)] as SUe (lout). [the Sayings of lout Sue]. Galley. 32.2 x 38.5 cm., oblong, 1l, text in black, recto/verso, on newsprint. N.p.[Printed in Narayanganj, Bangladesh but really San Francisco], n.p. [Wizdumb Gate Press but actually 83 Zephyrus Image for William Wiley], n.d., 1970. £30 endemic browning, creased, top edge 83. [MYeRS] & [teteR)]. with small tears and one spot stain. [offering the pipe]. Johnstone p-195 for the complete book Leaflet/broadside. Bifolium, [2pp.] text, in two variants. Worldcat notes one photograph on recto of first page, text copy only of the published book. in black, image in sepia. an uncut proof or galley sheet for a N.p. [Cambridge, Massachusetts?], miniature artist’s book, that was also [Spring Creek Typesetting Service for printed on newsprint with 16 of 30 The Press of The Black Flag Raised?], sayings of ‘lout Sue’ ( i.e. a phonetic n.d., c. 1972. £50 pun on lao tzu ) repeated on both recto crisp, clean copy, slight creasing. not and verso. each epigram is headed in Johnstone. rare, no copies on lout Sue Sez: [sic] in bold with a Worldcat. gnomic pun on the eastern wisdom (“wizdumb” ) of the tao te ching Provenance: maggs pencil stock code below. for example, “i will be the best on back page from sale to lSD library. failure” and “boo dah is just an orient the image is of a mudra from a statue all character”. of the buddha, the anonymous work 134757 was extracted from ‘black elk Speaks’, it invokes peace and resolution in the 85. [WileY (William t.).] & name of the great shaman-warrior of [MYeRS] (linocuts). the oglala lakota tribe. [pumpkin papers]. in 1972, the obscure ‘the Press of the Broadside. 8.5 x 8.5cm., cruciform black flag raised’, that was probably sheet; the vertical axis folding inwards started by , from top and bottom to make a square, commissioned Spring creek one side with text, the other with typesetting to do a larger unfolded linocuts of a door and a string pull, in broadside of the poem as #9 in a series an envelope labelled ‘Wiley Autumn’ in that included ed Sanders, chiefs of the 86 holograph in black ink. nez Perce and yosemite indians and Joel oppenheimer. the mudra N.p. [San Francisco], n.p. [Zephyrus Image], n.d., Hallowe’en 1976. £100 art for this was derived from symbols in Wiley’s paintings. near fine. in Johnston p-205. 134701 Provenance: envelope label by holbrook teter and another hand & maggs pencil 86. AngUlo (Jaime, De) & stock code on broadside; from sale to MYeRS] (linocut). lSD library. 5000 Years. Wiley was once well known as a Broadside. 58.5 x 16.5 cm., text in black pioneering funk artist, who was & linocut headpiece in green on cream described by art critic hilton kramer as paper. a “Dude ranch Dadaist” (ibid p-112). Zi made three books and a number of N.p. [San Francisco], n.p. [Zephyrus other broadsides for/with Wiley as well Image for Turtle Island?], n.d., circa as this one for a poem. myers’ fine line July 4 1973. £50 85

39 Slightly creased, small stain on left edge, some stray glue mid-broadside. rare, 2 copies only in Worldcat. not in Johnston but who notes that Zi did several de angulo books for turtle island. a posthumous prose poem by the great ethnolinguist on the first nations of the u.S.a. 134683

87. cooliDge (clark) & [teteR] (typesetting). Moroccan Variations. Original broadside poem, proof version? 10.7 x 50.7 cm., black text and titles on off-white glossy, coated paper. N.p., [Bolinas], n.p. [Big Sky], [Printed at Cranium Press], n.d., c. 1971. £45 nicked and worn. eight copies of the published version (with imprint and other details) on Worldcat but not the example in hand. a worn ephemeron, an example of printshop rejectamenta, that doesn’t appear in many of the noble libraries of the great world institutions, but, it was good enough to be included in teter holbrook’s archive (he worked closely with and at cranium Press) and was later sold to the lSD library (by this cataloguer). coolidge was a jazz-freak associated with the so-called language School of poetics. 134765 88

88. oRtiZ (Simon), [MYeRS] & [teteR]. 89. [DoRn (ed)] & [MYeRS] A Birthday Kid poem. (graphic design). Bean news. All the news thats Broadside. 49.5 x 17.8 cm., linotype text Been. in black and one tinted linocut vignette of a bird in black, grey and green, on Proof copy? 22.7 x 35.3 cm., 2ll., bifolia, watercolour paper, untrimmed on unpaginated, [8pp.], elaborate linocut bottom edge, largely in English with six masthead and other devices, illustrated lines in Acoma. with found news photos, started from the back, printed in black with one N.p. [Healdsburg], Zephyrus Image, device spot-printed in pink, on n.d., January 1976. £50 newsprint, loose folded sheets. Very good, clean and crisp condition, a N.p. [San Francisco], n.p, [Hermes Free trifle rumpled, slightly dusty. Press, Zephyrus Image at the Cranium in Johnstone p-216, a detail illustrated Press], n.d., July 1972. £40 on p-121. Quite rare commercially and newsprint endemically browned, one institutionally with 3 copies only on old central horizontal fold. in Johnston Worldcat. Johnstone considers the p-177, first state on illustration to be one of myers’ best. illustrated on p76. Provenance: old ortiz’s poem was forwarded to Zi by maggs pencil stock code on last page who wrote that the poet from sale to lSD library. is “..an acoma indian and only 3,000 a weird imaginary newspaper people speak the words at the end”. (p- conceived as part of `s great 121). on seeing it tom raworth wrote epic poem ‘Slinger’. contributors “Wasn’t that one of the leaflets we include Dorn himself, bob callahan, dropped on hanoi?” (op. cit.). 87 tom raworth, and 134722 lewis macadams. the front page

40 91

with found news photos, printed in black with one device spot-printed in pink, on Bible paper, started from the back, loose folded sheets. N.p. [San Francisco], n.p, [Hermes Free Press, Zephyrus Image at the Cranium Press], circa n.d., July 1972. £75 newsprint endemically browned, one 89 old central horizontal fold. in Johnston p-177, this tate, on bible paper, illustrated on p76. Provenance: old 92 maggs pencil stock code on last page (actually back page) stories are from sale to lSD library. ‘meaning of bandung’, with a photo of Provenance: maggs pencil stock code nixon accepting a book from the 134684 on back page from sale to lSD library. Philippine ambassador and ‘Sllab outline arrives’. bob callahan summed 91. [DoRn (ed)], [teteR)] et al. this strange mock newspaper up this bizarre publication rather Bean news Service press Kit. “commemorates [the] shooting of succinctly; “’bean news was some gerald ford by Sara moore, a member Original instruction slip. 6.6 x 9.9 cm., incredibly synthetic act of found art. it of the S.l.a.” (op cit). Johnson printed in black on one side, on thin started as a silly little bean joke- ”has suggests that the hearst go-between beige paper stock. N.p. [San bean“- and it just started to fucking Sara Jane moore was “Well known on Francisco], n.p. [Zephyrus Image], n.d., grow and it became this vortex that the left as an fbi informant..” (ibid p- c. 1972. £35 Dorn could put everything and anything 11) and that she denounced a black brought him into it.’” (p-74 ibid.). clean, crisp copy of a very ephemeral radical who was subsequently ephemeron, very small nick on right murdered. moore then tried to kill the 134680 edge. in Johnston p-178 bean news President on the steps of San Service Press kit (b). francisco`s St. francis hotel on 90. – Bean news. All the news September 22, 1975. thats Been. Provenance: maggs’ pencil stock code on verso from sale to lSD library. 134687 First state. 35.3 cm.x 22.7 cm., 2ll, unpaginated, [8pp.], elaborate linocut instructions for a press kit designed for 93. DoRn (edward) & [MYeRS] masthead and other devices, illustrated an imaginary news service in the (linocut). employ of a fictitious newspaper that Recollections of gran Apacheria. appears in Dorn’s poem gunslinger. Proof dust jacket. 28.4 x 44.3 cm. 13476 folded, letterpress spine titles and linocut in black; signed in the stone, on 92. [DoRn (ed)], [MYeRS] & brown paper. [teteR)]. Daily WorldBean. Special! Vol 1 no. N.p. [San Francisco], Turtle Island, n.d., 3 & 4. 1974. £25 First edition. 22.9 x 13.8 cm., bifolium, big thumbtack hole on each corner, unpaginated; [4pp.], masthead slight creasing, a few stains not illustration in green and affecting image, small tear on tail of ‘Localshowshow’ linocut in black, spine. Very rare. Johnston p-230 détourned b&w portrait of ‘Sara (Jobwork 1974) for the book and Moore’ on front page, folded sheet promotional card. printed recto/verso, on Bible paper. Provenance: maggs’ pencil stock code Frisco [San Francisco], n.p. [Zephyrus on verso from sale to lSD library. Image], 22 Sept., 1974. £50 Depicts myers’ front cover image of Slightly creased, a crisp, clean copy. opuntia ellisiana, a cactus “..made near fine. commercially and from pingpong bats and balls, and institutionally very rare with no copies grasses made from television 90 on Worldcat. Johnston p177. antennae, with sprouting golf tees” (op. cit.). Johnston felt that this was a

41 96 93 upon a concept chopper or outboard motor and holds two pelicans with one systematic attempt to undermine the aloft in his right hand. this could be “proper form of the book..” (ibid). from myers’ pre-Zephyrus career or perhaps it is from the early so-called 134763 collins Street period when he produced ford a linocut with a similar figure 94. neRUDA (pablo) & [BlY mounted on a car engine. (Robert)] (translator). pablo neruda: letter to Miguel 134688 otero Silva, in caracas. (1948)*. 96. KYgeR (Joanne) & [MYeRS] First separate & first English language (graphics). edition, proof printing. 25.3 x 19 cm., September. bifolium, [4pp.], in black, title in bold, on medium beige proofing paper. N.p., 95 Broadside. 36.5 x 24.6 cm., text in [San Francisco], Printed at Cranium black, linocut border and a ruled text Press, To Be Printed Free Forever, n.d., box in terracotta, on cream mould- 1970. £25 made paper. N.p. [San Francisco], n.p. Provenance: maggs’ pencil stock code [Zephyrus Image], n.d., c. 1974. £50 Very good, clean and crisp copy with a on last page from sale to lSD library. stain on the foreedge. becco 75 for the a crisp, clean copy with a very small “*Written while under pursuit by the source. triangular chip out of top right edge. chilean Secret Police on a political Scarce. in Johnston p-200, illustrated Scarce. copies were described by charge.”, the text for this leaflet was on p-83. Serendipity books, as “..proof[s] on a extracted from Section 12 f the very pale beige paper and on thin white long poem canto general, (first Provenance: maggs’ pencil stock code paper” . published in 1950 in mexico as an from sale to lSD library. encyclopedic style poem of the the buddhist inspired poet lived a americas). rather rustic life with myers in bolinas, 134739 together in a “red painted house” (p-83 ibid) taking a large quantity of drugs. 95. [MYeRS]. With reference to his drug taking at this [UAW local 17]. time, observed that; “the quality of line in his work was as fluid Etching, 26.5 x 9.5 cm.image (to plate as beardsley’s, whatever the staccato edge) on very wide margins, in black on evidence of the quality of mind..” (op. laid off-white paper, unsigned. cit.). N.p. [San Francisco], n.p. [Zephyrus 134709 Image?], n.d., c. 1971. £300 image near fine, crisp and clean, edges 97. [MYeRS]. of sheet a bit creased. Seems rare, not [international harvester]. in Johnston? Broadside. 44.5 x 33 cm., central Depicts a naked long-haired and linocut in black within decorative green bearded Jesus with the united borders, a cannabis sativa leaf on each automobile Workers of america’s corner and the International Harvester 94 cogwheel logo as a halo. he stands

42 99. – [B-52]. Original poster. 50.80 x 35.56 cm., depicts a USAF bomber in silhouette within a border; all in blue, crossed out in red, no text, on hemp, 1500 copies printed. N.p. [San Francisco], n.p. [Printed by Clifford Burke], n.d., c.1970. £75 crisp, clean copy, bumped corners and edges, tips of corners creased, top edge scratched on border, two tears on bottom left and midway on right edge. rare, no copies on Worldcat. in Johnston p-187. a cool example of anti-Vietnam War 97 98 agitprop that is a play on aircraft recognition guides. Johnston considers this to be “uncharacteristic” of myers’ artwork, but, it dovetails neatly with logo on the top border, on . much of his later visual puns such as San Francisco, Zephyrus Image, n.d., c. the ‘Warm Springs Damn’ poster and 1970. £75 a bit creased and bumped, loss of bottom left corner and a smaller loss on top left, nicked and rumpled on lower right edge, not affecting image. Very rare both in commerce and institutionally with no copies on Worldcat. this is either a second state of the so- called ‘mechanized opium’ , reusing the fine linocut, or, it is a slightly later work in its own right, as suggested by Johnstone (p-186 with illustration) who describes the linocut as having “..bilateral symmetry and organic shapes combined with mechanized ones. gatling guns (?), skinny indian opium smokers rising out of a lotus, surmounted by a nude woman” (op. cit). 134636

98. – [international harvester]. Original broadside, unrecorded state. 44.5 x 33 cm., central linocut in black within decorative green borders, a cannabis sativa leaf on each corner and the International Harvester logo on the top border, on white paper. San francisco, Zephyrus image, n.d., c. 1970. £75 lightly browned, a bit creased and bumped, loss of top right corner, small nicks out of lower edge, not affecting image. Very rare both in commerce and institutionally with no copies on Worldcat. See above but on white paper. 134630 99

43 ‘impeach nixon’ the bumper sticker recycled paper. N.p. [San Francisco?], that is typeset in rebus.this was n.p. [Hermes Free Press/Zephyrus “Printed by burke during the bombing Image], n.d., c. 1972. £75 of cambodia and handed out at an in very good, clean, crisp condition, anti-war rally in kezar stadium” (op. with one chip on the lower right edge cit.). the stadium in golden gate Park near the corner. was an important rallying centre for the mobe and previous rallies with 60,000 commercially and institutionally rare plus attending had attracted Judy with one copy only on Worldcat at collins, the black Panthers, coretta brown. in Johnston; p- 206. Scott king and others. Provenance: maggs’ pencil stock code 134729 on verso from sale to lSD library. illustrated with a linocut of richard 100. – Another copy. nixon’s head montaged between a £50 photo of the big for`ard guns of a warship with slogan underneath. thick bumped corners and edges, tips of black mourning border in the shape of bottom and top left corners missing, a an artillery shell. a duplicate is bit scratched, two tears on left edge, available. another closed tear on top edge (all into the border), a darkened area of 134710 offsetting or a paper defect on top right corner. 103. teX-Ro-non-So-te pseudonym of [lAMpe (Keith) & Provenance: with maggs’ pencil stock [MYeRS] (Design). code on verso from sale to lSD library. 104 Amorphia. 134728 Yellow initial ‘S’ in green box with green tendrils, a variant first edition. 12mo., Provenance: holbrook, Serendipity to 101. – Another copy. unpaginated [8pp. including original maggs bros. ltd. to the lSD library; £35 wrappers], linotype, stapled. with the pencil code on back page. clean, lacks top right corner, worn with San Francisco, Hermes Free Press this bijoux pamphlet was printed by the long tears near to image on right edge. [Zephyrus Image], n.d., c. 1972. £100 hermes free Press, the “labor donation arm” (Johnston p-27) of Zi. 134731 near fine. commercially and institutionally rare with two listings the “amorphia” of the title was a mill 102. [MYeRS]. only on Worldcat with brown holding 2 Valley pressure group, with lemar he’s gunning For the top. variants. not in Johnston who collates founder michael aldrich as co-director, and illustrates for a two colour initial that was seeking the legalization of Broadside. 35 x 22.7 cm., linocut/found ‘S’ by myers ( p-176, illustrated on p- marijuana funded by the sale of zinc cut, photomontage and text in a 27). ‘acapulco gold’ branded dope papers mourning border, printed in black on (trademark applied for and advertised one side, on off-white, possibly, there are thought to be nine variants in in this booklet). the organization later total, this cataloguer has handled four merged with norml; the national of them. organization for the reform of marijuana laws. the author was an early environmental activist, member of Sncc and a yippie Party founder with another colourful alter ego called ‘Ponderosa Pine’. the pamphlet pushes for “free backyard marijuana” and a “benevolent foundation” for the “new society” and various environmental initiatives but only if “amorphia is able to get its cigaret [sic] papers well established in the market..” 134645

104. [MYeRS] & [teteR]. “humiliation” – quotes from the parrot’s Beak. Broadside. 39.3 x 21.3 cm., two line- drawn vignettes, ruling and text, printed in burgundy on cream paper. 102 103

44 N.p. [San Francisco], empty house press, May Day 1970. £50 a trifle creased overall; top right lower and upper corners a bit rumpled. top left corner with a small nick. Scarce in both commerce and institutions with three copies only on Worldcat. not in Johnston. the two vignettes are of the White house and an atomic blast cloud. made up of statements by then President richard nixon ( “the Parrot..” ), coming at the time of the military incursion into cambodia. these include: “this is not an invasion of cambodia”, “We take this action... for the purpose of ending the war”, and “great decisions (which) led to victory”. We have found a library record for another item by this press by ‘nicole Dixon’ (Dick nixon). the Zephyrus 106 image were obsessed with nixon, and especially so during the Watergate hearings, producing similar and more fragile, endemic browning, one tear on whimsical spoofs, visual puns, rebuses top and right edge apiece, not affecting and put-ons such as ‘the Dick and Pat image. fly Swatter’. Very rare perhaps, but hard to tell as 134721 this untitled, odd, fugitive item has no titles or imprint and is impossible to 105. – “humiliation” -quotes from catalogue ‘blind’ pre-Johnstone. the parrot’s Beak. in Johnston p-200 with illustration. Original galleys for a broadside, proof Depicts ronald reagan, the then printing. 156 x 10.5 cm., x two line- governor of california, as a “..horse drawn vignettes and text in black, on looking back at a pile of his own newsprint. manure” (op cit). N.p. [San Francisco], n.p. [empty house 134689 press], n.d.. [May Day], 1970. £50 folded three times centrally; the 107. [MYeRS)] & [Vincent bottom one a bit skewed, light, even, (Stephen) ]. endemic browning. Very rare in both [Bodyguards Make Better lovers]. commerce and institutions with no Spoof bumper sticker. 46.9 x 13.9 cm., proof copies on Worldcat other than in bold on white crack and peel paper, the published broadside. not in with a detailed zinc block of a gun and a Johnston. rose. 134716 N.p. [San Francisco], n.p. [Zephyrus Image], n.d., c. 1974 £50 106. [MYeRS]. [Reagan: horse`s Ass]. a few stains, a little bit creased, good to very good copy. rare, one copy only on Broadside. 37 x 22.7 cm., linocut in Worldcat; at brown. Discussed and black on newsprint. illustrated on p-130 Johnston. N.p. [San Francisco], n.p. [Zephyrus Provenance: old maggs pencil stock Image], n.d., c.1973. £100 code on verso from sale to lSD library.

105 107

45 Provenance: old maggs pencil stock number from original sale to lSD library. the ‘prayer’ was found in a malcolm lowry short story collection, it is “..an old manx fisherman’s hymn that occurs in three of the stories...” (op. cit). at the launch for raworth’s ‘logbook’, at a berkeley artist`s book fair, Zi arrived carrying paper planes, which they handed out to the attendees, they just made it to the show in time; hence: “coming in on a wing and a prayer..World war ii stuff, you know barely making it.” – teter (op. cit). 108 134641

109. – [lettuce] p+[ray] aka [on a Wing and A prayer]. Broadside, second folded state. Healdsburg, Zephyrus Image, 1977. £75 near fine. Very rare in both commerce and institutions with no copies on 111 Worldcat. in Johnston p-212 (folded) with both states illustrated on p125. 111. [MYeRS). 134637 help Your local Junkie K.ick. 109 110. [MYeRS]. Original fly poster, first state. 30.2. x genuine Mormon. 6.3 cm., titles and linocut illustration in green on newsprint. Original sticker. 7.6 x 12.8 cm., text and the gun was recycled from myers’ dotted line printed in black; ‘Genuine’ in San Francisco, Zephyrous Image, n.d., design for the upper wrapper of the italics, on the original (slightly 1970. £75 momo`s Press publication the ballad of oversized) glossy ‘Crack-n Peel’, a crease, a few chips on lower right artie bremer that was themed after rounded corners. N.p. [Utah?], n.p. edge, endemic, even browning; the events surrounding the attempted [Zephyrus Image], n.d., c. 1977. £50 bleach has now stabilized but the item assassination of governor george Stained. Very rare. is still fragile. Wallace in 1972. in Johnston p-213. Scarce.in Johnston p-185, the original Vincent thought up the motto after block illustrated on p-59, the dust hearing about the engagements of Provenance: maggs old pencil stock jacket illustration for the bibliography Susan ford and Patty hearst to their code from sale to lSD library. is bob rusk`s contemporary photo of bodyguards. former utah resident, and Zi friend, this broadside posted on a telegraph 134678 kristin haage spoke to Johnston on the pole. subject of mormons: “[myers] had Provenance: maggs pencil stock 108. [MYeRS] & [teteR]. several other things... all this guerrilla number from previous sale to lSD [lettuce] p+[ray] aka [on a Wing stuff. We went round to all the mormon library. and A prayer]. sites – the temple, the genealogical society. they had these tables full of the titles are written in a weird Broadside, first state. 30.9 x 22 cm. brochures and we added.. to the piles of ‘growing’ tendril font that is echoed by (measured from tip-to-tip) , an ephemera you could give away” (ibid p- the finely executed and detailed, unfolded paper plane with a banner 149). phantasmagoric illustration below. prayer ‘hanging’ below, the linocut this is of two symmetrical feminine rebus in drab olive, imprint in brown. 134704 long-haired ‘flower’ people with guidelines, linocut propeller foreheads in hands and stunted, device, a box with printed prayer (on a vestigial wings. they are plugged into a brown background) all in black, printed bizarre double hypodermic syringe with recto/verso on beige stock. a large pendulous drop or pearl Healdsburg, Zephyrus Image, 1977. £50 suspended in a network of angular and very elegant tendrils. near fine. Very rare in both commerce and institutions with no copies on 134696 Worldcat. in Johnston p-212 (folded) with both states illustrated on p125. 110

46 two other much smaller tears on the left and top edges (not affecting image). Very rare in both commerce and institutions with one copy only on Worldcat, at brown. in Johnston, p-218 (illustrated on p-146). Depicts a bunch of grapes on the vine crossed out by the international no 112 114 smoking symbol. one of three ephemerae created for to protest the construction of Warm Springs Dam that, when completed, created lake 112. [MYeRS] & [teteR]. Sonoma. Accordion to St. luke. 134711 First edition. 7 x 5.8 cm. (folded), 7 x 35.1 cm. (unfolded), unpaginated [12pp. 116. olSon (charles) & including title], initial in red and black chARteRS (Ann) (introduction). with hand gilding, 11pp. of zinc cuts, 10 : the Special View of of accordions (one being played) and 1 history. détourned portrait (also with hand gilding), accordion folded as issued. Original hybrid broadside & prospectus. N.p. [San Francisco], n.p. [Zephyrus Image], n.d., c. 1973. £60 43 x 22 cm., unfolded, 1l., recto is a prospectus for the book of the same near fine. commercially and title, with an extract from Charters’ institutionally rare with 2 copies only on introduction to the book, Oyez details Worldcat. in Johnston p-176. and a publishers’ catalogue. Verso with Provenance: maggs pencil stock code diagrammatic poem and epigram from from sale to lSD library on back cover. 115 Heraclitus, printed in black on cream paper. the détournement is a slipped golden halo placed on the head of ted mack Berkeley, Oyez, n.d., 1970. £75 radio host of the original amateur n.p. [healdsburg], n.p. [Zephryus two thumbtack holes opposite each hour and other similar shows. image], nd., late 1970s. £75 other on left/right margins, slight Described as a “..brilliant visual pun on near fine. in Johnston p-218; with darkening, one old crease on lower the gospel according to St. luke, with illustration on p-219. Very rare in both right near corner, one small nick apiece a collection of accordions... circulated institutions and commerce with one in centres of top and bottom edges. as myers’ christmas greeting one year” copy only on Worldcat. (op cit). one of three ephemeræ produced for to 134682 protest the building of a dam on lake Sonoma, which, according to Johnston: 113. [MYeRS]. Accordion to St. luke. “..seriously impacted the ecology of the Sonoma Valley..” (p-218). every Uncut sheet. 28.2 x 40 cm., 1l., two iteration of the algorithm in this game uncut and not yet folded copies, printed ends in catastrophes like evaporation in duplicate on both recto and verso as and silt, earthquake risk and “smog- per published version. belt chardonnay” . N.p. [San Francisco], n.d., c. 1973. £35 134624 clean, crisp copy, one corner a bit creased. 115. [MYeRS] & [teteR]. Warm Springs Damn. a rare ephemeron; Worldcat shows no print production materials for this. Original poster. Provenance: maggs pencil stock code 46 x 35 cm., titles in black underneath from their sale to the lSD library. linocut illustration in green, purple and black within the circle of the 134732 international ‘no smoking’ symbol printed in red, on stiff brown paper. 114. [MYeRS) (Artwork). Warm Springs Fortune teller. N.p. [Healdsburg], n.p. [Zephyrus Image], n.d., c. 1979. £50 ‘cootie catcher’. 10 x 10 cm. (folded), plan for Warm Springs Dam in black clean and crisp copy marred by a tear and white; 9 windows revealing various on the right edge into the image, illustrated ecological catastrophes, pinhole in image, bumped corners and printed on recto only. 116

47 118

a myers and clifford burke collaboration, the latter designed and printed this poem. Described by Peter howard, of Serendipity, in his catalogue note as a “late state” in print production. this poem was read publicly by olson at the famous Vancouver Poetry conference in 1963, published in an issue of oxford’s 117 review in January of the following year and later ser to music and published as a score by the Seesaw music corporation in 1975. rare unfolded copy, 5 copies only (and probably folded ones) on Worldcat. 134743 119 this was issued thrice folded and 118. [olSon (charles)]. actually this ‘authentic’, natural, Maximus, to himself. Slightly creased, spattered coffee unfolded state of the poem was how it stains on top right edge, more on verso. was intended to be seen and read. Broadside, typesetter’s proof. 50.8 x Very rare in institutions with no copies there is a theory that holbrook teter 20.3 cm., text in black on newsprint. on Worldcat. Selected from ‘leaves of did the typesetting for this. N.p. [San Francisco], n.p. [Spanish grass’. 134750 Main Press], 1970. £35 134675 a good, crisp, clean copy, slightly 117. olSon (charles) & [MYeRS] creased, endemic browning, one small 120. [DoRn (edward)] (text), (linocut). tear on upper right edge. rare. in [MYeRS] (Art) & [teteR)] Maximus, to himself. Johnston, for the published version (engraving). Broadside. 50.8 x 20.3 cm., text in with myers’ linocut, as ‘Jobwork’ p-223. the octopus thinks With its third black, linocut illustration of a compass With a duplicate. Arm (after Young)]. rose in green, on off-white wove paper. 134741 Printer’s proof. 27.7 x 41.5 cm., text in San Francisco, Spanish Main Press, black, 1 illustration of an octopus in 1970. £100 119. [WhitMAn (Walt)], [MYeRS] blue, on newsprint. & [teteR] a bit creased on both head and tail, the Song of the open Road. head a little browned and rumpled, very browned on verso with a pencil note on Broadside. 51.2 x 18.4 cm., text and the tail “1 of 2” . uncommon. in imprint in black, mock U.S. road sign Johnston, as ‘Jobwork’ p-223 , he on head in green with ‘Free Streets’ collates for tan coloured paper. printed in reverse, on cream paper. Provenance: maggs’ pencil stock code Healdsburg, Friends of Hitch- hiking, on verso, from sale to lSD library by [Spring Creek Typesetting/Zephyrus this cataloguer. Image], n.d., late 1970s. £50 120

48 121. [DoRn] & [MYeRS]. [the octopus thinks With its third Arm (after Young)]. Illustrator’s proof. 28 x 44 cm., 2 illustrations of octopuses in blue, no text, on newsprint. 121 N.p. [San Francisco], n.p. [Zephyrus Image], n.d., 1973. £25 endemic browning, a few nicks and small tears, one creased and torn corner. rare. Johnston p-198 (b) for the finished state of this colour variant. Provenance: maggs’ pencil stock code from sale to lSD library on verso. 134730

122. [DoRn] (text) & [teteR] (typesetting?). the octopus thinks With its third 125 Arm (after Young)]. Typesetter’s proof. 30.6 x 33.3 cm., text 122 in black, on newsprint. 125. [MYeRS] (Design) & DoRn (text). N.p. [San Francisco], n.p. [Zephyrus green poems. Image], n.d., 1973. £20 Broadside. Foolscap, ‘found’ zinc cut in endemic browning, torn, crumpled and green, overprinted with 15 very brief worn on the upper edge. Johnston p- poems scattered across the page in 198 for the finished states. black with individual typefaces for each 134737 line; includes Dorn`s facsimile hand in linocut, ZI ibis and Zeppelin imprint on 123. [DoRn] & [MYeRS]. verso, on off-white stock. 123 [the octopus thinks With its third N.p.[San Francisco/Kent, Ohio], Arm (after Young)]. [Zephyrus Image], Kent State Arts illustrator’s proof. 27.7 x 41.5 cm., 2 Festival, 1974. £40 illustrations, n.p. [Zephyrus image], Very good to near fine. in Johnston p- n.d., 1973. £20 199 (#3) part of a folder with nine items endemic browning, a few nicks and produced for the festival, illustrated on small tears, one crease on a corner. p-79. rare. Johnston p-198 (a) for the other contributors included new Wave finished state of this colour variant. group Devo and Joanne kyger. 134738 124 Provenance: old maggs pencil stock code on verso from sale to lSD library. 124. DoRn (text) & MYeRS (Artwork) & teteR (engraving). the illustration is of hitler shaking N.p. [San Francisco], n.p. [Zephyrus the octopus thinks With its third hands with a giant. Johnston notes that Image], n.d., 1973. £35 Arm (after Young. “the kent State creative arts festival Dusty, old central vertical fold, one in 1974 was organized to dispel the Broadside. 44.7 x 28.4 cm., text in double staple hole apiece on each notion that kent State was a soulless black, 1 illustration of an octopus in upper corner, endemic browning, a few institution that callously gunned down blue, on cream TH Saunders nicks and tears. rare. Johnston p-198 its student body (after the national handmade paper, two edges for the finished states. guard opened fire on students untrimmed, signed in the stone by protesting the Vietnam War in 1970, a prose-poem on the courtship and author, illustrator and engraver. killing four and wounding nine)” . (p-79) mating rituals of the octopus Vulgaris N.p. [San Francisco], n.p. [Zephyrus an animal that, according to Dorn 134652 Image], n.d., 1973. £75 “...fucks by putting the tip of the third arm inside the mantle of the female near fine. in Johnston p-198 with 126. [ZephYRUS iMAge]. Who sits several feet away looking like illustration (this copy is state b). [Friends of the healdsburg library nothing’s happening”. “young” refers to ephemera]. 134629 John Zachary young, the renowned list follows: zoologist and neurophysiologist. i. recycle your books magazines & 134736 records. frienDS of the healDSburg library bookfair.

49 N.p.[Healdsburg], n.p., [Spring Creek Viii. colD WAR WoMen 128– Typesetting and/or Cranium Press for 130. The Friends of The Healdsburg 128. [SpAce Age FAShion]. Library], n.d., 1976. £50 [Futuristic female portraits from/for i. faded with one tear on top edge and ’60s films, fashion shoots, an old horizontal crease on bottom half, newspapers and magazines]. remainder in good, clean condition though a trifle creased. Scarce. 14 largely original prints produced by/for the press, 7 x 18 x 12.5 cm., 4 x in Johnston, Jobwork, p-234 (a) with 25.8 x 20.6 cm., 21.5 x 16.4 cm, 23.8 x illustration, (b), (c) and (f) respectively. 18.2 cm., 26.7 x 21.2 cm., b&w. teter was a dynamic presence in the friends. The majority with printed captions, in either French or English or both, 134749 and/or date/agency stamps and 126 annotations, or cropping directions, on 127. BURRoUghS (William S.) & versos, largely from Le Parisien WilSon (S. clay) (comic strip) et archive. al. books may be left at the library, fitch the pop corn Kid [extracted Paris, London and Moscow, AGIP, & matheson Sts. from/prepared for Boiled owl #3]. France-URSS Magazine, Europix/Le Original broadside, 40.7 x 21.4 cm., Parisien, Agence Dalmas, Agence 36.7 x 28.6 cm., (unfolded), 1l., bifolium, titles and Myers’ linocut in black on thin France Presses, Keystone, one stamped unpaginated; 4pp. of 8pp. printed and pink paper. 1977, the rest produced in the period illustrated in black on white, comic 1966–1969. £300 ii. [Dear member of the healdsburg strip that runs on from Burroughs’ library community, in the wake of contribution on the first page. all a bit curled, several rumpled and Proposition 13, the Sonoma county with turned corners, versos glue Dick`s Bar, San Francisco, Boiled Owl, library System has been faced with a stained. 1980. £50 significant decrease in tax revenues]. fashion, the forgotten frontier, in which old vertical creasing, a few small Mailshot, 27.6 x 21.7 cm., letterhead and the ‘cold’ part of the cold War was stains, lacks wrappers, one word text in black Linotype Aldus on cream waged and the earthly part of the booksellers’ pencil inscription. stock, signed off by Nancy Immordino, Space race was run and wherein President. commercially and institutionally rare, utopian visions from eastern and auction records show one complete Western blocs competed. the sixties iii. friends of the healdsburg library copy, no copies on Worldcat. Space age like the atom age of the bookSale. Saturday in the plaza [or, in fifties before it, spurred on a lot of the event of rain, St. Paul’s hall 209 not in maynard & miles. in activity in films, fashion and graphic matheson, november 27 10 to 4 5 10 25 Schottlaender (3.0), c461. in Johnston design. cents. p-238, he notes that holbrook teter contributed some typesetting, french Space age fashion probably Poster, 21 x 41 cm., titles and Myers’ describing it as a started with andrés courreges in 1965, linocut in black on grey paper. closely followed by Pierre cardin, “..tabloid..magazine published from iv. friends of the healdsburg library emanuel ungaro, famously Paco Dick’s bar in San francisco’s open organizing meeting at the rabanne (who designed outfits for Jane castro/mission neighbourhood”. library 14 July 1976 7.30p.m. Join uS! fonda’s character barbarella in 1968) all Welcome. Provenance: maggs’ pencil stock code and moved on to california with rudi on last page from sale to lSD library. gernreich. it was characterised by Poster, 27.8 cm., titles in black on clean lines, black and white and silver cream paper stock. With a duplicate. it is tempting to see this as a proof of and other shiny artificial materials, some sort but at the very least, even if (5 items). transparency, headgear and eyewear, defective, it seems a difficult to find revealing cutaways and cutouts and W.S.b. c-item. S. clay Wilson`s three one piece undergarments. panel cartoon enlivens burroughs` text considerably as does the centrespread included here are four large publicity by robert Swick. stills for ‘moon Zero two’ the 1969 ‘space western’ starring catherine the last page is typeset in landscape Schell as clementine taplin. three of format, with a central montage and the pictures depict Schell with two of three other smaller illustrations and her in a state of semi-undress in a scattered poems by tom raworth, revealing one-piece. another depicts beau (bobby?) beausoleil, rick three of the lunar police force in rather london, David gitin, Jim Wilson and fetishistic uniforms with shiny patent gail Sher, letterpress astroprint by leather thigh length boots and trousers. frances butler, Special effects by John bryan, covers by crash carlsen and the russian photograph from 1977 layout by b.o.c.u.. depicts a model in furs and shiny rayon trousers posing next to a rocket. the 134748 agiP, Dalmas and keystone prints 127 depict a variety of models described as

50 128 129

“..habitants d’une autre planète..” and 130. [BARDot (Brigitte)] Brigitte & Provenance: the lSD library (in the “cosmonauts” wearing designs by . audiovisual room with some plastic furrier Jacques heim, emmanuelle cannabis plants). Original standees, point of sale khanh (the stylist, eyewear and ready- displays. 39.5 cm. height; one full body the magnetically beautiful young to-wear designer known as the french b&w photoportrait apiece, text in bardot in damask white teddy, holding mary Quant)and other unknown uppercase black in white boxes, on her blonde tresses and dressed in a fashionistas. shaped thick white card, folding stands long gingham skirt, matelot top and big 218625 belt exposing her long legs. in a library Made in Holland stickers on verso n.p, full of chemical and spiritual bardos, n.d., c.1990s. £20 129. [tWiggY]. brigitte was a profound relief at times. trimfit tights inspired by twiggy crisp condition. (book available on request.) For the “now” people. 230507 Original apparel. Approximately 20.8 x 12.4 cm. (folded), lacey opaque tights in yellow polyester on white card support, in original plastic bag with price sticker, with a 20 x 12 cm. printed inlay card with titles in black, on a pink, yellow and orange ground layered over a close-up photograph of Twiggy. N.p. [USA], Minnow Company Ltd., 1967. £40 Very good condition, presumably unworn, the creased bag opened, price label rubbed. the card reproduces a beautiful photograph of the sixties ‘it girl’ lesley hornby. 134809

130

51 many other undergound publications. chapters include one on cannabis. 230341

132. [JeFFeRSon AiRplAne], the MoD hAtteR. “the Mod hatter” you are cordially invited to attend a soiree that will include the calliope co. psychedelic Fashion show. consciousness expanding rings (free) – tarot reading, incense, surprises – also the only Alternative and his other possibility. Mimi Farina – Jefferson Airplane. the Quicksilver Messenger Service. Wednesday August 17, 8:30 – 1:00 Fillmore Auditorium. tickets available: 131 Marin/the Mod hatter – S.F./town Squire, psychedelic Shop. R.S.V.p. iX. BAY AReA RenAiSSAnce Original poster. 45 x 36.2 cm., text and 131–134. line drawn vignettes in burgundy within 133 a decorative border, on thick green 131. SchoenFelD (eugene). paper stock, offset? Dr hip’s natural Food & Unnatural N.p. [San Francisco], n.p. [The Mod includes photomontages by moscoso Acts. Hatter], n.d., 1966. £275 and a portrait of “cannabis rex” by First edition. 8vo., in the original . nevertheless, a very clean and crisp, slightly creased, large quarter yellow cloth and paper covered familiar item, for this cataloguer; from thumbtack hole on upper middle boards, titles in red within a decorative his time at the lSD library. border (not affecting image), four old lozenge on the spine, decorative jacket Sellotape marks, two affecting plate 218520 by Mark Rubin in the gothic Edward area slightly. the art of rock 2.84. Gorey style, a copy signed, inscribed uncommon. 134. goMeZ [Joseph]. and dated as a presentation. [haight Ashbury loves You]. 134821 New York, Delacorte Press, 1974. £20 Original poster. 357.15 x 36.83 cm., chipped jacket, crisp book. 133. MoScoSo (Victor) & WilSon central oval photographic portrait (Wes) (graphics). tinted in pink, encircling titles in a Provenance: the lSD library from the 1968 San Francisco pSYcheDelic naked human font in reverse white on a author, the full inscription in black ink calendar. dense purple and reverse white on the half-title reads: psychedelic ‘flower power’ background Original wall-hanging calendar. 57 x “i am pleased that this book will be part within a white border, offset 35.3 cm., 7ll including cover, 6 colour of the ludlow Santo Domingo library, lithography, loose under transparent plates with a two month calendar and eugene Schoenfeld 9/18/04”. text on lower portion in black on each, a cool association copy, Dr. hip the illustrated cover printed in purple, Pocrates wrote an advice column for pink and green with titles in reverse the berkeley barb and was quickly by white, loose leaves strung on the original purple satin rope, colour offset lithography. N.p. [San Francisco], n.p, [Tea Lautrec Litho], n.d., 1967. £175 cover smudged, from careless handling at the printworks, corners and edges lightly worn, verso of last leaf is dusty. rare, we can find no other copies of this in Worldcat, or indeed anywhere else. Provenance: the lSD library. the striking cover art by Wes Wilson depicts a mucha style bare-breasted women in a psychedelic haze letting loose a sort of ball with a yin yang on it. this cataloguer has never seen any of 132 the artwork in the calendar, which 134

52 wrap on white card or foam board, signed in the stone. San Francisco, Joseph Gomez Printed by Double H Press, 1967. £75 a trifle rumpled and creased on the corners but easily reversible by slicing open the wrap. the rossman copy in omca collections. rare institutionally, or perhaps not catalogued separately from the numerous bay area psychedelic posters that surely fill many a library plan chest. the images depicts a Pig Pen type flower person with ‘loVe’ in fuzzy felt lettering on his hat, besieged by adoring hippy chicks, one with a bouquet. 230295 135

X. RocK MUSic 135–139.

A Laboratory of Light... 135. [pSYcheDelic light ShoW]. Rank Aldis tutor 2. Projector with lens, front mounted array, hacked with a Crouzet rotator motor on the housing. With an Anastigmatic projection lens, a kaleidoscopic filter, a varifocal? lens/filter and another longer, mirrored one in the box, 3 Optikinetics Ltd effects filters, 6 large rotating oil/pictorial slides, spare bulb in box, electric cables. Great Britain, The Rank Organization, n,d., manufactured from the late 1960s. £750 untested by this cataloguer, sold as an artifact, one of the wires on the attached motor has broken. at the very least a great selection of slides in their original context. 136 Provenance: by repute, i.e. JmSD said 137 so, tenuously associated with , the accessories formerly in boxes labelled “Pink floyd 136. FASt (Doug). 137. [henDRiX (Jimi). [Jimi light Show”. from the lSD library. 1988 Rocky Awards. Jimi hendrix, hendrix ii/Jimi hendrix 2 at the Wailers, the Sonics, little Bill, the Psychedelic light shows, what Monterey]. the Fleetwoods. nW. hall of Fame. Pouncey terms “laboratories of light”, Original Action Figure. Approximate by bill ham, owsley, the exploding Original flyer. 22.4 x 11.3 cm., in dark height 18 cm., central figure kneeling Plastic inevitable, mike leonard, the ink on white paper, framed slightly over a flaming guitar, guitar lead, with boyles, Joshua light Show, at castalia larger and glazed, signed in the stone. three part amplifier stack, lighter fuel etc were, from 1965–1966, an integral N.p. [Seattle], n.p.[Northwest Hall of can, matchbook, pegged to a trompe part of the “total environment” (p-145 Fame], n.d., c. 1988. £20. l’oeil stage, in painted thermoplastic. Jon Savage – all together now in broackes & marsh, 2016) in parallel unexamined out the frame, looks very McFarlane, November 2004. £15 with esoteric rituals, the psychedelic good, near fine. lacks clamshell box, layered with dust rock sound, bohemian style and lSD. a revival poster with a portrait of from the lSD library. 230343 hendrix and near illegible psychedelic Depicts hendrix ‘funeral pyreing’ his titles. guitar at the end of his famous 230318 monterey appearance.

53 138

138. ScRAple (John c.) Bob Dylan. Engraving. 9.9 x 7.1 cm. image, 12 x 9 cm. to matte, 25 x 22.5 cm. frame, in black on white, under a passepartout in a gilded frame, inscribed/possibly signed on paper covered frame back. N.p., n.p., n.d., £40 appears near fine, unexamined out of frame, paper ripped on back. Depicts Dylan in profile possibly from blood on the tracks era, by an artist unknown to this cataloguer. 230262

139. [the Rolling StoneS]. [Sticky Fingers / Rolling Stones Records]. 139 Original vintage banner/wall hanging. 146 x 115cm. Red ‘tongue and lips’ logo printed on to light gold/off-white, sheer album cover design team. We can only Xi. WAShingtoniAnA 140–141. nylon cloth. speculate as to the origins of this 140. [nAtionAl StUDent banner, if it is indeed that, though it N.p., n.p., n.d. c. 1970s. £100 ASSociAtion] as the came from the very finest private coMMUnicAtion inDUStRY FoR uneven top edge from the ‘liberating’, collection. Santo Domingo was a peAce AnD FReeDoM. image worn from folding. ‘magpie’ in the habit of acquiring all We the people... Declare peace. A things Stonesian from the humblest Provenance: Julio mario Santo joint treaty of peace between the badge to acetates of unreleased Domingo, the lSD library. people of the United States, South records. he even kept and plasticised a Vietnam and north Vietnam. banners appear often in Stones’ half grapefruit signed by keith promotional history, for instance richards. Original fake broadside/petition. 45 x several larger cream silk or satin 34.3 cm., black text on white paper; 218785 appliquéd versions of the ‘tongue and form for signatures on tail, address lips’ hung outside of the Ziegfeld rubberstamp for Washington on the theatre during a film festival in which vertical of bottom right, loosely tipped the group appeared. a progression into corners under plastic wrap on from John Pasche’s truly iconic image white foam board. originally created in 1970 for the N.p.[Washington?], The gatefold of ‘Sticky fingers’, the Stones’ Communications Industry for Peace first release on their eponymous record and Freedom, n.d., c. early 1970s. £75 label. Warhol designed the cover with its assemblage of zips and jeans. Crisp copy. Very rare. the original logo was based on the the smallest print on the tail, claims stuck-out tongue of the goddess kali authorship for students in both north and was subsequently rejigged by the and South Vietnam and the uSa. the

54 140

142

Xii. loUiS SAnto DoMingo’S liBRARY 142–145.

142. [KonK & ReplonK eDiteURS]. [nS – petit nain de jardin (little garden gnome)]. 141 Artists’ multiple. 13 cm. within 11.3 3. 8kg., garden gnome in a red hat immersed within an unfinished stamped address for ‘2115 S Street nW concrete block up to nose. Washington’ is that of the national N.p. [Plonk & Replonk Editeurs], 1997– Student association, a sometime front 2000s. £50 143 for the cia, rendering the reply-to form into a possible intelligence gathering held the door of the occult room open exercise for cointelPro. for louis to wander freely in-and-out. 144. [DUpont De neMoURS (pierre-Samuel)]. 230293 143. [SAnto DoMingo (Julio Quelques Mémoires Sur Différens Mario)]. Sujets: la pluspart d’histoire 141. MUecKe (carl M.) (Design & [portrait of louis Santo Domingo]. naturelle, ou de physique générale illustration). et particulière [Some Memoirs of no Whitewash in the Whitehouse. Colour photo. 6.5 x 6.5 cm. various subjects. Mainly natural impeach (approximately), in a black Pottery history..]. Re elect the president. Barn photoframe. First edition. 8vo., endpaper, half-title, Poster. 56.20 cm. x 43.02 cm., central N.p. [Geneva?], n.p., n.d., circa early graphic within a bunting border inset 2000s. £10 with vignettes, offset colour lithograph. good condition. San Francisco, W.C. Posters, 1973. £60 an important portrait of the condition very good. in omca. inspirational figure behind the naming of the ludlow Santo Domingo library illustration of richard nixon in jail with most probably taken by Julio mario article 1, Section 3, the impeachment Santo Domingo (louis’ ‘owner’ in name procedure, of the constitution below. only). it sat on my desk for three years 230352 after i suggested that he was a mean dog. “look, he’s so sweet..” -JmSD. 218826 144

55 title,[1p.], vi-viii, engraved plate, 374pp., perfect bound into the original blue folding map, rebound with the original paper backed limp mustard coloured endpapers into red grained rexine, gilt paper wrapper with an onlaid line- titles on black cloth spine label, French drawn portrait of a dog’s head on the text. upper portion, integral glacine jacket, tipped in T.L.S. from Soulié in the front, Paris. De L’Imprimerie De Delance, French text. 1807. £75 N.p. [Toulouse], n.p., n.d., after light evenly browned text, sporadic February 1950. £350 spots of throughout and more so on the endpapers, notes by bookseller Very rare, possibly unique, no copies in in pencil in front. uncommon with the Worldcat, bl, bnf, ccfr (france’s second edition only in the library of union catalogue). congress. the letter to a fellow officer discusses Provenance: bought by Julio mario the publishing of this debate in revue Santo Domingo for the “louis’s books” d’Études et d’information de la section of the lSD library devoted to gendarmerie nationale and the subject his pet Wheaten terrier louis Santo of parachuting dogs into warzones. the Domingo. a small yellow slip inserted text covers many areas including 146 by JmSD marks a section on wolves, canine sexual urges during battle and foxes and wild dogs. the bravery of the german Shepherd in war. a work of supreme canine Dupont de nemours moved to the uSa devotion. during a tumultuous phase of the french revolution. he was a guiding 218828 spirit behind the louisiana Purchase and corresponded with Jefferson. famously, his son founded DuPont chemicals. 218832 Xiii. JoURneYeRS to the eASt 146–150. Rare Dog Paratroopers... 146. [hippieS oF KAthMAnDU?]. 145. SoUliÉ (le Vétérinaire lt- tibetian [sic] Writing pad colonel)]. Kathmandu nepal. la psychologie Du chien De guerre. Souvenir stationery. Tall 8vo., 15ll., Débat dirigé par le Vétérinaire lt- letterhead with three woodblocks colonel Soulié Directeur du Service apiece, perfect bound from the top into Vétérinaire de la 5eme Région the original card backing and Militaire... [the psychology of the illustrated paper wrapper; wrapper and War Dog. A Debate led by block printed in black on off-white 147 Veterinary lt-colonel Soulié of the Lokta paper derived from Daphne. Veterinary Service of the 5th military region]. N.p. [Kathmandu], n.p., n.d., possibly Provenance: the photographer to early 1970s. £20 michael horowitz for the fhlml then First separate edition. 4to., [2ll.], pp-3– lSD library. the letter from krolik is 37, line-drawn illuminated first page clean crisp condition, a Pali [?] word in dated march 1, 1978. and 2 plates with 1 hand-coloured, 4 western cursive is written on the front illustrations in the text, roneoed?, cover in pencil. a spiritual tchotchke 230311 holograph corrections in the text, from the hippy-trail, the wrapper seems to depict the bodhisattva 148. BellASiS (John Brownrigg). avalokitesvara, three other aspects of Steamer point, Aden. shows s… flag buddhist deities are used as the 2000 ft.. letterhead ornaments. reminiscent in 14.60 x 24.3 cm., pencil, pen and ink style and with the same paper as angus and watercolour, gilt framed, glazed maclise’ ‘bardo matrix’ press. and matted, gift inscription on back. 218558 N.d. late 1800s. £750 apparently fine in vendor’s frame. 147. KRoliK (Steven). “original photos of an indian Festival in the inscribed verso in pencil as title. area above Bombay. taken in 1968”. Provenance: from martyn gregory - 2 x 14.5 x 22.3 cm., laid on black card Watercolours by John brownrigg (34.5 28.7 cm.), a letter signed pasted bellasis (1806 – 1890). catalogue 73, no on verso of card of one with an 23, with their label, to Julio mario inscription. 1968. £20 Santo Domingo, with an inscription in his hand, thus: crisp condition, 2 corners lifting. 145

56 148 149

150

“for karen with love february 14th, 1999. J.” the recipient was Dutch supermodel karen mulder. 230245

149. –Sunset in the ghat. March from Solapoor to Baroda. 11.43 x 18.42 cm., pencil, pen and ink 151 and watercolour, gilt framed, glazed and matted, a sketch on verso, initialled and initialled on the back board. 1966. XiV.the AlteReD StAteS oF and inscribed by the painter in red ink. £10 ShUlgin, KeSeY, leARY et Al N.d., 1800s. £750 151–186. unexamined out of frame. appears fine, unexamined out of frame. 151. [KeSeY (Ken)]. Provenance: presumably given to the the sketch on the verso is of piratical [orange Suns]. original lSD blotter fhlml by “thm 12/25/75”. figures in combat. sheet. Depicts a rifi in fez and wraparound Provenance: martyn gregory. 19.2 cm 2., 289 perforated hits, printed shades in a patch of spindly cannabis Watercolours by John brownrigg in burnt orange on cream paper, plants. my old rough guide from the bellasis (1806 – 1890). catalogue 73, no printed on one side only, in a card 80s on cautions that tleta is full of 16, with their label, to Julio mario Santo window. gangsters, explaining the scarcity of Domingo. photos from this lawless anti-rabat With a red, white and blue collage in 230244 stronghold, the centre of the hashish silver, red and blue foils (or possibly industry. paint) scored unevenly across the lower 150. MonFRieD (taya)?]. part of the sheet that is edged in black 230273 [tleta Ketama, Rif Mountains, felt pen marker that reads “Kesey”. Morocco August 1966] N.p. [Southern California], n.p., n.d., Original photograph. 13.8 x 8.7 cm., POA colour, matted in a cheap black painted crisp copy, very light endemic wood frame with, signed, titled dated browning, ‘kesey’ collage possibly a

57 little rubbed, the card window ‘frames The whole, in a recent drop back black the roster reads like an ethnographer’s out’ a row or column of ‘hits’ on each cloth covered box with gilt titles and kinship chart of the bay area acid test edge respectively. ruling on a blue leather label on spine. tribe. includes a “Stoned Sunday rap” by garcia, reich and mountain girl ie. Seems very rare, by association, as Signed and inscribed by Trixie and carolyn adams. Sunshine kesey is the would be expected from the lSD Annabelle Garcia and Sunday Kesey on self-described ‘lovechild’ of ken kesey library, where this came from. the the title. and mountain girl. and patina on the card window suggests a San Francisco, Straight Arrow Books, the Warlocks, later the grateful Dead, early detournement of a blotter from 1972. £350 played at kesey’s acid tests. garcia say the 1970s. married mountain girl and assumed a Very good clean and tight copy, boards an interesting association copy that paternal role to Sunshine. theresa worn on lower edge, very good or better echoes the spirit of one of the great adams garcia, or ‘trixie’ is the jacket. psychedelic american subversives and biological child of garcia and mountain juxtaposes the colours of old glory the full inscriptions, boldly inscribed in girl. annabelle garcia mclean is the with orange, harkening back to that pen on the illustrated title, are: biological daughter of Jerry garcia and most potent and subversive of Sarah mclean. “loving all trixie garcia; keep it underground acids ‘orange Sunshine’. hapnin’ annabelle garcia; fly high 133406 kesey wrote ‘one flew over the Sunday kesey”. cuckoo’s nest’, the great novel of anti- 153. tRUJillo (immanuel the cover of #100 psychiatry, when he was at the height of pardeahtan) known as MAnA reproduces leibowitz’s portrait of his powers and influence. he stands as (Attributed to). garcia and includes Wenner and one of the most important ‘trickster’ league for Spiritual Discovery. go reich’s interview. the other rS is a figures of the twentieth century, and as to Seed. tribute to garcia’s life and legacy and one of a group of “..notorious acid the canadian newspaper article Original neo- religious artifact. 12.5 x proselytizers of the ’60s” ( p-119 martin discusses a sisterly art show. 14.5 cm., studio pot, a ceramic drinking a. lee & bruce Shlain –acid Dreams: vessel or ‘stein’ with right handle, white the complete history of lSD, the cia over black and a clear glaze, onlaid and the Sixties, 1992.) known as the block lettered titles and lotus seal in ‘merry Pranksters’, who tried to ‘seed’ blind on body, handle, top and bottom america with lSD in a series of ‘acid rim and edge chased in black. Inscribed tests’ administered from an archetypal in white paint on base. school bus (and thereby change national consciousness). he took N.p., n.p. [League For Spiritual massive doses of lSD in the region of Discovery], n.d., c.1974 £1,000 ten times more, Wolfe thought 1500 beautiful condition, a few pits on base. mikes at a time as compared to the Very rare, possibly one other in nyPl normal 200 micrograms or so. that i seem to vaguely recall from a visit Presumably a later variant of the grail to the leary archive in baker canyon. like “orange sunshine” , a “.. type of acid [that] was particularly popular among mana has clearly inscribed the base, american ground forces in Vietnam.. the two parts are written upside down and much of it was smuggled from to each other, on opposite halves of the Southern california” (p-236 lee & base, they read: Shlain). arizona 218683 Seeding 19 66

67

4 7 – 3 7 9

152. [gARciA (Jerry)], Reich 1

grwing g n i w o r (charles) (introduction), WenneR g 1973–74”. (Jann), (Foreword) & MoUntAin giRl. Provenance: by repute from rosemary garcia. the Rolling Stone leary to the fhlml or flashback interview. books and then to the lSD library. Illustrated with b&w photographic an early religious art-object, from an plates. important psychedelic church, that was created by the man who became the First collected edition. 8vo., [10pp.], pp- founding father of the first mixed-race 11– 254pp., [2pp.], in the original faux legal Peyote Way church. mana was a grained, black leather covered boards, mixed-race, part apache, Peyote gilt publishers’ device and titles on roadman of the native american spine, photo-illustrated dust jacket church who gave some of their with an Annie Leibovitz portrait on the sacramental hallucinogenic cactus to upper portion. leary and was given lSD in return. With a copy of Rolling Stones #100 & mana travelled from millbrook, after 217 and a double leaf extracted from the 1966 raid by liddy, and helped set ‘North Shore News’. up a league home as the Sri ram ashram in benson, arizona, with bill 152 haines, using billy hitchcock’s money.

58 153 his pottery was in the gatehouse at seedbeds for a transformation of crisp and bright condition. flashback millbrook, then Denver and benson consciousness and later when books. a rare and highly eidetic relic of (unpaginated preview on google of imprisoned he became obsessed with the world’s most important scholarly garrick beck -true Stories: tales from his extraterrestrial ‘Starseed but pro-entheogen review started by the generation of a new World culture, transmission’ theories (see leary et al. 2017). ‘neurologic’ elsewhere in this Provenance: flashback books to the catalogue). leary founded the league to “change lSD library. and elevate the consciousness of every 230267 the tenth issue included ‘lSD and american within the next few years. Sexuality’ by richard alpert and ‘the Slowly, carefully, and beautifully, you 154. lUtZ (ed). [painting by ed lutz effects of ‘consciousness-expanding can learn to drop out of american reproduced on front cover of Drugs on Prisoner rehabilitation’ by society as it is now set up.” their psychedelic Review #10, 1969]. timothy leary. this original art is mantra “tune in, turn on, drop out” 24.5 x 29.3 cm., watercolours in about 25% bigger than the printed (p256) which leary tried out at a new polychrome on paper laid on to ply version and the colours far more vivid. york advertising club press conference board, mounted for hanging with an lutz was associated with the group of for the first time, along with an eye, handwritten label on frame mount creatives and visionaries around invitation to attend their first “public and signed above that in ink by the ‘mystic arts World’, the laguna beach worship service” (p-257) at the [east] artist. N.p., c.1969. £1,200 Village theatre. leary probably took the religion’s name from ‘the league’ cribbed from herman hesse’s ‘Journey to the east’, he had taken his castalia foundation from ‘the glass bead game’ and would base the Village theatre shows on the ‘magic theatre’ in Steppenwolf. the league for Spiritual Discovery’s eastern logo was “given an irish twist.. [using a ] ..a four leafed lotus flower..” and millbrook was proclaimed to be a “‘monastery, a seed ashram, a sanctuary, a spiritual shrine’” and leary its “first guide” (p-73 John higgs -i have america Surrounded: the life of timothy leary, 2006). the league had but two commandments ‘thou Shalt not alter the consciousness of thy fellow man” and “thou Shalt not prevent thy fellow man from altering his own consciousness” (op. cit). everything else not forbidden was permitted but starting one’s own psychedelic religion was definitely encouraged, hence: “go to Seed”. leary considered his organisations to be 154

59 in a cybernetic jargon. a panegyric to l.S.D., the drug is elevated to the status of an elixir to cure all of humanity’s mental, religious and sexual ills. a good association copy, klein was a friend of the learys who typed up the original typescript for the first trial edition and also apparently appeared on the fugs second album. 134584 155 156. [leARY (timothy)], [FRee gallery of the learyite acid-biker cult UniVeRSitY oF BeRKeleY], called the brotherhood of eternal love. StoRY (nick) (Design), gRiSSiM (John) (photo). 230469 tim leary in A Series of Five Seminars to benefit the Free 155. [leARY (timothy) & (Joanna). 157 University of Berkeley in its fight neurologic. transmitted by Joanna against a political eviction caused and timothy. by insurance companies who university of california at berkeley, the Third edition. Small 8vo., endpaper, consider FUB a “high risk” – can trend towards ‘anti’ and ‘free’ [3pp.], I1–I4, II1–II2, III1–III2, IV1–IV6, you dig it? February 12, 14, 18, 20 & academies and schools in the Western V1–V3, VI1–VI4, VII1–VII13, endpaper, 22 – 8:00 p.m. Donation $1 – Free to bloc and the newer revolutionaries of stapled, in the original stiff white card registered FUB students.Martin altered states of consciousness and wrapper, title in black on upper portion, luther King School Auditorium 1781 ‘cognitive rights’. one of a 1000 copies signed and hand Rose Street (at grant) Berkeley. the photo of the former berkeley numbered by the publisher (this one Original poster. 33 x 25.4 cm., 1 Professor leary is in a pentagon shape, out of series), a contemporaneously photoportrait, stylized titles and (evoking the Pentagon “ exorcism” signed, inscribed and dated informational text printed in red, on demo of 1967), with a numbered list presentation copy to Miles [Barry yellow card, signed by the artist in the (which is a psychedelic theory of Miles] from Betsy [Grace Klein]. stone. N.p. [Berkeley], n.p. [Free consciousness revolution). this is N.p. [Los Angeles], Joanna Leary, University of Berkeley], Berkeley linked to his famous trademark mantra copyright 1973. £125 Graphic Arts [Union Bug], n.d., 1969. “turn on, tune in, Drop out” , thus: “1. £375 Psychedelic Psychology. how to turn the full inscription on the front free on. 2. the Psychedelic marriage. how endpaper in green ink reads: “for miles Very good, clean and crisp condition. to tune in. 3. the Psychedelic – it is time – love, betsy 1/27/74”. horowitz l34. rare, no copies in community. how to Drop out. 4. the Worldcat but surely there are copies in near fine. Scarce. hedonic revolution. 5 the hedonic the nyPl leary archive as michael Society”. Provenance: miles to the trade, the horowitz, leary’s bibliographer and ludlow Santo Domingo library thence former archivist and consultant to the 218565 to maggs, old lSD library classmark in lSD library, where this item came pencil in rear in possibly Viviane from, probably distributed printed 157. [leARY (timothy)], [the goapper’s hand. items and posters equally between the WetlAnDS pReSeRVe]. two. timothy leary’s Dead. horowitz a13c., who describes it as no!no!no!no! he’s at Wetlands. “first edition, first issue” and collates a an interesting poster linking the early April 9 9p.m. Sunday $10 161 first and a second issue of a “trial ’60s free Speech movement at the hudson Street. corner of haight 3 edition” . blocks S. of canal... in an editorial note horowitz cites this Original flyer. 14.1 x 10.7 cm., work as a good example of the illustrations, including a portrait of complexities of tying down the correct Leary, and line drawn stylised titles in state and issue of a leary publication. black on thin white paper stock. this was one example of a work that was written whilst leary was detained N.p. [New York City], n.p. [The in prison by the uS government, and Wetlands Preserve], n.d., 1989. £20 as such, in the space of one year, it was near fine. Seems rare. Depicts leary issued as a photocopy, as the two ‘trial’ grinning at a tracery of psychedelic editions, then as two ‘underground writing. Promotional ephemeron for a editions’ (with five states of the talk by leary at the Wetlands Preserve, second), finally appearing as a ‘proper’ an important new york venue that book. tended the ’60s flame long after the last this ‘neurological’ tract is a melange of tab had been dropped. transcendentalist and rosicrucian 218680 ideas, space migration theory, abnormal psychology, popular chemistry, physics and genetics written 156

60 founded an irreverent sort of occasionally secular psychedelic religion that campaigned for the use of hallucinogenic drugs as ritual sacraments. he encamped at the hip lSD haven set up by timothy leary at millbrook; an estate owned by billy and tommy hitchcock. 134623

159. [leARY (timothy)]. grok Books presents An evening With timothy leary Armadillo World headquarters [Sunday] october 7 8 p.m. tickets at griok 503 W. 17th 476 – 0116. 158 Original poster. 44 x 29 cm., titles, 160 epigram and 1 central oval photographic portrait in blue, roundel Corrado, contemporaneously signed 158. [leARY (timothy)], KlepS border and psychedelic landscape in and dated by Timothy Leary on the (Art.) & FinAl (clarence) pastel colours, signed and dated by the front cover in black felt pen. (postscript). artist in the stone, a Millbrook. the true Story of the contemporaneously signed inscribed Woodland Hills, Los Angeles, Shelf Life early years of the psychedelic presentation copy from Leary to the Press 1989. £50 revolution by his highness, Art Fitz Hugh Ludlow Memorial Library. in very good, clean and crisp condition. Kleps chief Boo hoo, the neo- N.p. [Austin, Texas], n.p. [Grok Books], after horowitz. American church. n.d., 1979. £30 Provenance: acquisition code in pencil First edition. Small folio, 51pp., crisp, clean copy, one thumbtack hole of the lSD library in back. facsimile news clippings hors texte, apiece on each corner. institutionally triple columns, offset on newsprint, the leary’s contribution is a roughly three rare, no copies in Worldcat. not in loose sheets in the original illustrated page interview wherein, in one section, horowitz. paper wrappers. he talks of his “celtic” nature and runs the inscription is boldly written in blue through his twentieth-century literary North Troy, Vermont, the Neo- biro ink on the lower left portion, thus: favourites such as Joyce, burroughs American Church Inc., copyright 1975. “to the ludlow library timothy leary”. “William burroughs is my idol” , Pk £50 Dick, William gibson, and Pynchon. Provenance: the fitz hugh ludlow endemic browning, old horizontal fold later he castigates Dylan and Jagger memorial library to the lSD library. (probably as issued), worn on the spine. for ““..that song ‘now is the time for uncommon. horowitz J333. leary is depicted in a cloudscape above Violent revolution”” i.e. ‘Street fighting a psychedelic seashore with ufos in man’. the front cover has a line-drawn aerial the sky and a radio telescope on a view of millbrook and a numbered key the ’zine also includes a billy banking. grok books described itself in (with the neo-american church’s sigil burroughs interview and charles its tenth anniversary catalogue as “the of a cartoon bufotenine toad). kleps bukowski’s poetry et al. most complete new age and metaphysical bookstore in the 218638 Southwest” and hosted a number of talks by the pioneers of the utopian 161. – Another copy. trend, new age revival and neuro- Contemporaneously signed and dated consciousness frontier of the sixties by Timothy Leary on the front cover in such as John lilly, black felt pen. £50 buckminster fuller and ram Dass (bookpeople’s blog). in very good, clean and crisp condition.. 218537 Provenance: penciled acquisition code of the lSD library in back. 160. [leARY (timothy)] 218638 (contributes), lYDen (eric) & BARtnoF (Kevin) (editors). 162. leARY (timothy) & SYSteM the Moment. A Randomly 01. published l.A. Journal of the Arts. System 01 “From psychodelics to #11. cybernetics” featuring timothy First edition. A4., [1p.], pp-2–31, leary. illustrated throughout with line First pressing. 12”, LP, in the original drawings, détourned illustrations & inner and decorative card sleeves, b&w photos, stapled into the original round export sticker. illustrated paper wrapper designed by 159 Berlin, Interfisch Records, 1990. £5

61 Slight sleeve wear, fine record on one broadcast interview in a nightclub with side and surface scratched on other. background music of Jimi hendrix and Discogs. not in Sirius. the band of gypsies” ( p-215 horowitz). 230541 230537

163. leARY (timothy), [BARRitt 166. BARneY Wilen AnD hiS (Brian)] & ASh RA teMpel. AMAZing FRee RocK BAnD. Seven Up. Dear prof. leary. First pressing. 12”, LP, in the original First German pressing after the inner and gatefold sleeves; latter Japanese promo in the same year. designed and signed in the stone, by 162 12”, LP, in the original inner and Wayne Wegmüller, annotated Post-it gatefold sleeves; the latter designed by on lower cover, blurbs largely in Heinz Bahr, 6 numbered b&w photos German. inside with bilingual German and N.p., Die Kosmischen Kuriere, English text. Metronome Records, KK 58[.]001,1973. [Villingen?], Germany, MPS 15191, 1968. £100 £20 Sleeve very good, disc fine. Discogs. crisp colours but rubbed corners of horowitz f9, in Sirius. sleeve, fine disc. Discogs, horowitz l31. Provenance: Post-it in Viviane free Jazz, Jazz-rock, Psychedelic goapper’s hand; from the lSD library rock versions of ‘fool on the hill’ and filemaker database, thus ‘gVa-for the like as well as the title track 6283’. 163 dedicated to the high Priest. barrett, the arranger, is uncredited on 230536 the sleeve but appears in this live bern festival recording on the disc label. 167. leARY (timothy) (Dr.) & the 230539 gRiD. Dr. timothy leary meets the grid. 164. leARY (timothy), [BARRitt origins of Dance. (Brian)] & ASh RA teMpel. First pressing. 12”, EP, in the original Seven Up. live At the Bern Festival. inner sleeve and decorative outer sleeve Sixth reissue? 12”, LP, in the original with art by Mark Ellis, blurb on lower inner and gatefold sleeves; latter portion. designed by Peter Geitner, 2ll inserts, N.p. [London], Virgin Music, Control, text largely in German. Rhythm King Records, Evolution. The 164 N.p. [Dorcheim, Germany?], Die Great Hearts and Minds Kosmischen Kuriere, Metronome Transformation Series, Evo 1, 1990. £10 Records, KK 58001, 1981. £50 fine record in a fine jacket. Discogs. in crisp sleeve, fine record. Discogs. Sirius. horowitz f9: discussing uniform earlier rare institutionally with one copy only issues. on Worldcat, another catalogued Provenance: Post-it in Viviane differently at the bl. no copy in nyPl, goapper’s hand; from the lSD library but one may emerge from the leary filemaker database, the code reads archive cataloguing project. ‘gVa-for 6483’. an important document of the acid 230540 house psychedelic revival, the record

165 165. leARY (timothy) & KelleY/MoUSe StUDioS (Artwork). You can Be Anyone this time Around. First pressing. 12”, LP, in the original gatefold sleeve and inner sleeve. New York, Douglas 1, 1970. £20 Disc appears to be fine. Sleeve edgeworn, old price sticker mark. horowitz f8, in Sirius. “ Side 1 is a studio session from 166 prepared notes; side 2 is a live 167

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acquiring it. as well as being the so- called stepfather of modern mDma research, Shulgin is a former expert witness for the Dea and in 1988 wrote ‘controlled Substances: chemical & legal guide to federal Drug laws’. 218579

170. ShUlgin (Alexander ‘Sasha’ 168 theodore). [equipment from the Stepfather of ecstasy’s home laboratory). was ‘conceptualised’ by rave prankster the full inscription, in black felt pen on fraser clark, the global technogaian, the front cover, looped around the i. Round bottom centrifuge tube[?]. founder of ‘encyclopaedia round label cutaway reads: Approximately 14.5 cm. height, 50 ml., Psychedelica’. the cover proposes a with glass stopper, white titles. N.p., “timothy leary 3–31.91”. culture countdown and quotes Pyrex, TS 13, No. 8424. liberally from the encyclopedia and lays 230534 ii. Flat bottom, long-necked rounded out a recommended learyan reading We have other Leary vinyl from The flask. Approximately 21cm. height, list. LSD Library, please ask. 200ml., TC 20?, round yellow plastic 230535 cap, white titles. N.p., Kimax. 169. [ShUlgin (Alexander ‘Sasha’ iii. Round Petri dish. 4 x 7.7 cm. (80 x 168. leARY (timothy) (Dr.) & the theodore)] (Dr.). 40), white titles. N.p., Pyrex, No. 3140. gRiD. [portrait of Sasha Shulgin and Dr. timothy leary meets the grid. Julio Mario Santo Domingo]. 3 pieces of glass laboratory equipment origins of Dance. from Shulgin’s home laboratory Original colour photograph. 27.9 x 21.6 selected from a group of 18 examples in First pressing, promo sleeve? 12”, EP, in cm. (including white border), total. the original inner sleeve and grey card annotated, dated and signed on verso outer sleeve with printed label sticker, by the photographer, signed by Sasha 3 x A4 certificates of authenticity on acetate wrapper with record shop price Shulgin in black ink on the bottom Multidisciplinary Association for sticker, signed and dated by Leary. border. Psychedelic Studies letterhead signed by Shulgin and dated 3/19/ 2005. N.p. [London], Virgin Music, Control, N.p.[San Francisco?], c. 26.03. 2003. £3,000 Rhythm King Records, Evolution. The £50 Great Hearts and Minds near fine. near fine. Transformation Series, 1990. £200 Provenance: maPS to lSD library. Provenance: aldrich to Julio Santo fine record in a fine jacket. Discogs. in evocative trophies of the revolutionary Domingo for the lSD library. Sirius. dance drug that Shulgin resynthesized. Depicts Sasha Shulgin doing a ‘show Very rare as a contemporaneously in ‘Pihkal’, see item below, Shulgin and tell’ with what seems to be a police signed copy. rarer still institutionally describes how he first synthesized drug education kit (that was later with one copy only on Worldcat, ecstasy and when he took 120mg “ “i acquired by the lSD library complete another catalogued differently at the feel absolutely clean inside, and there is with drug samples and paraphernalia) bl. no copy in nyPl, but one may nothing but euphoria”” (p-736). to JmSD and colleagues. JmSD emerge from the leary archive recalled this event, in conversation with 230253 cataloguing project. this cataloguer, from a visit to the uSa when he was appraising the fitz hugh ludlow memorial library with a view to

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good, crisp condition, a trifle rubbed on the head of the spine. flashback books 12. the full inscription in biro on the half- title reads: “to David! may your journeys reveal the nature of the universe outside, and of the consciousness inside! Sasha anna lafayette 2/04/03” . With the hand drawn chemical diagrams that Shulgin called “Dirty pictures”. Provenance: an lSD library copy. Sasha Shulgin was in the library in spirit, in text and also physically at the opening of the library where he and his wife signed the guestbook. 170 ‘Pihkal’ or ‘Phenethylamines i have known and loved’ is a compendium of Seminal text with extra ‘dirty recipes for/and bioassaying of pictures’ experiences with 179 substances synthesised by ‘Sasha’, perhaps the 171. ShUlgin (Alexander ‘Sasha’ greatest overground psychedelic theodore) & ShUlgin (Ann). chemist of all time. the mDma pihkal. A chemical love Story. synthesis, published herein, has an Numerous molecular structure enduring appeal to clandestine labs diagrams in the text extra illustrated by throughout the world. the Dea liked it the chemist. First edition. Tall 8vo., so much that they launched “..a raid on half-title, title, a definition, vii- his home..” flashback books catalogue xxviii,section title, 978pp., perfect 12.. he followed it up with ‘tihkal’ or bound into the publishers’ decorative ‘tryptamines i have known and loved’ wrapper with artwork by Pamela several years later. Engbretson, a signed, inscribed and 230257 dated presentation copy, with hand drawn molecular structure diagrams, 172. SAUnDeRS (nicholas), from the authors to an unknown ShUlgin (Alexander), WRight recipient, at Shulgin Labs Lafayette (Mary Anna) (contributors). California. ecstasy and the dance culture. Berkeley, Transform Press, c.1992. First edition. 8vo., 320pp., 32pp of £400 plates, illustrations; in facsimile, 171 portraits and with some in colour,

64 bibliography by Sasha. A map of altered states. 230340 174. SchUlteS (Richard evans) (phD) (Researcher & compiler), 173. [VARioUS AUthoRS]. SMith (elmer W.) (illustrator). Behavioral Sciences tape library plant hallucinogens. Sacred [All published?]. elements of native Societies. First editions. Large 4to., 72 cassette Original instructional wall chart. 64 x 77 tapes with labels, boxed in 12s in cm., pictorial map; richly illustrated recesses of white thermoplastic vacuum with numbered drawings with key text formed, in the publishers’ blue glossy list below, offset colour lithography, 173 cloth covered boxes, titles in reverse framed and glazed. white on spines. Fort Lee, New Jersey, United Communications, Woodmere, perfect bound into the original Sigma Information, Inc., n,d., £200 New York, 1980. £500 decorative wrapper, bookplate on largely near fine condition, some inside front cover. a bit faded, unexamined out of frame, cassette labels with foxing/glue cracked glass in one corner. rare, 3 Neal Street, London, by the author, seepage, but unplayed by this copies only on Worldcat two of those, 1995. £10 cataloguer. rare in this quantity? presumably unframed, copies in good condition. includes ‘intensive therapy’, studies of harvard as part of the Santo Domingo schizophrenia, of ‘tomboys’, child deposit. Provenance: with the fitz hugh ludlow psychology, existential therapy, erich memorial library bookplate thence to Provenance: part of the furniture of the goode on marijuana, the the lSD library. lSD library probably from the fhlml. counterculture, Drug abuse etc.. the the great social entrepreneur’ follow- mind boxed. the numbered map is in two parts, on from ‘e is for ecstasy’. annotated thus: the plant usages of ‘the old 230558

174

65 177 175 176 Depicts the international scourge of World’ on the right, over a body of opium Dr. carleton Simon, two water, with the left reserved for ‘new dervishes harvesting lactose from World’. common and botanical names, 176. BRoWn (Michael David) poppies and a moral tale of some kind a brief description of the plant (graphic design). with cocaine. Very funky analogue anti- (cultivated or wild, range, usages, [Drug Abuse: escape to nowhere]. drug media. phytochemistry etc are listed. by Original poster. 46.8 x 33 cm., offset, 2t Schultes, the greatest, and coolest, 178. [cheech & chong]. of Defense, n.d.1970. £20. twentieth-century ethnobotanist and a [Reel toys. A lou Adler production. Director of the botanical museum, a few bumped corners, a trifle dusty. cheech & chong’s Up in Smoke harvard university. Series 2]. a kind of sub-leonard baskin 230360 phantasmagoric bestiary type design. Original action figures. 31.8 x 22.7cm. (package), 2 thermoplastic figurines, 230285 175. [the citiZen’S cRiMe with moveable limbs, accessories in cleAnUp coMMittee]. recessed compartments of the original 177. [DRUg ABUSe]. [Dr. Simon and [Don’t get hooked! Don’t get transparent blister packs on decorative new York Dope]. hooked! the Drug pusher Will card backs with integral cutaway Squeeze You for every Dime You 10 x 8.5 cm., 3 x glass slides, 2 hangers. can Beg – Borrow or Steal! the landscape, 1 portrait with card edges, Hillside New Jersey, Reel Toys [for citizen’s crime cleanup one with caption in the negative, 2 National Entertainment Collectibles], committee. – october 15, 1929]. colour. Pittsburgh, Catty Slide Co., n.d., after 1996. £45 £20 Original poster. 36 x 26.6 cm., graphic unopened, in crisp and complete in red, text in black and reverse white one cracked. condition. on blue, in a ruled box with the initial integrated, lithograph. Loose in acetate corners under transparent wrap on foamboard. N.p. [New York], Copyright Key Publishing Co.1929. £375 a pristine copy. rare. We can find no example on Worldcat’s databases but that might be a tic of their search engine. an noirish pinstriped arm, with “rackets” in white, cufflink, religious ring and watch grasps naked and semi naked people and coins, a stream of both falls to the floor. an evocative image of mobbed-up gotham in the Prohibition era, the public safety committee is a mystery to this cataloguer. 230353

177

66 anti-fast-driving campaign. or, perhaps an anti-driving fast on speed drive. 230339

180. [‘StASh’ BoXeS]. i [M.L.R.]. nom de plume of ROMAN (Jean-Joseph-Thérèse)] -Les Curiosités Des Paris [de Versailles, Marly, Vincennes, Saint- Cloud, et des environs... Volume 2]. An extract from. 8vo., endpaper, bandeau, [1p.], pp-2–10, a card lined compartment with four moveable card doors, bordered with faux wood grain paper within the blanks of the book block, marbled front endpapers, in a 179 faux or cheap full brown leather 181 binding richly gilt, spine titles gilt on red label, all edges gilt, paper ‘distressed’. In an olive jacket with a uniform design N.p. [Paris],n.d., [Libraires Associés], and titles in green and a list of titles by n.d. 1778, this 1900s. £50 the same author on the lower portion. Scratched ‘boards’. Old ownership inscription on the front free endpaper. 230519 New York, The Macmillan Company, ii NO AUTHOR. L’AN 2. MELEE CENT 1900. £1,500 QUARA [?] 2 & 3. Partly unopened catalogue section, the 8vo., no pages, wooden box lined with book near fine, the fragile jacket bright eighteenth century marbled end paper and clean on both panels but browned and compartment; modelled as two 180 on the spine and chipped on the head matching sequential volumes, full calf, and tail of the spine and with a fresh 7 compartments, richly gilt spine with but closed tear running into the upper titles on red and brown labels, faux? tommy chong wears a rorer 714 portion. top edge dustier than the other Coat of arms of two fish on a shield on stoner superman costume, with a two. the sole hinged (upper) board. N.p., rolled reefer and drumstick accessories n.p., n.d., £50 Very rare in the 118 year old dust jacket and cheech marin a tutu and long making for a drug-book-hunter’s green nipple pasties accessorised with an good condition. raven or perhaps green tulip. no jacket electric guitar. for the hiding of drugs, for which in harvard. 230506 reason they were collected, and other the full inscription in pencil, by a contraband, valuables or contemporary woman reader, is: 179. [UniteD StAteS embarrassiana or clandestinosa. DepARtMent oF DeFenSe]. “lucy Shelton caldwell, Steamboat 230519b [Speed gets You nowhere]. rock, iowa” Original poster. 45.72 x 33.02 cm., titles A Green Raven? Provenance: the sole lSD library dust- in blue on head with 3 linedrawn jacketed copy, JmSD was very proud of 181. lAne Allen (James), Fenn graphics in red bordered cells on a this acquisition. (harry) & eARl (J.c.) decorative green and white (illustrations). a strange romance of the susurration background, colour offset lithography, the Reign of law. A tale of the of crop fields and a couple sowing, under removable wrap; loose on white Kentucky hemp Fields. growing, stacking, rotting and heckling foamboard. hemp with ‘negro’ farmhands 9 illustrated plates with captions. First Washington, U.S. Government Printing illustrated in millet like soft focus. edition. 8vo., endpaper, half-title, Office, D[epartment]o[f]D[efense], p- important to this rather specialised frontispiece, title, dedication vii, [2pp.], 62B/ DA Poster 360–123, n.d., ?1970. cataloguer for the serrated cannabis pp-3385.[1.], [5pp.], publishers’ £20 leaf design on jacket and book, more catalogue, original red decorative cloth than for the poetic of Worn, dusty, creased. Seems relatively with green cannabis leaf pattern, with growing for rope, textiles and paper scarce outside of online auctions. flowers picked out in silver on a ruled within. Surely, give the green revolution frame in a box on the upper portion and a bird’s eye view of a dead soldier in a in north america, it is bound to be a column of the same on the backstrip, coffin, with a miserable hunched up republished on hemp. titles in gilt, top edge gilt. man and a close up of a dilated pupil in 220022 red. either for a DoD anti- amphetamine drive or an

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182. – Another copy. Old bookseller’s price and inscription on the front free endpaper. £50 tight, bright, lacks jacket. the full inscription in pencil reads: “cannabis binding”. 230265

183 184

183. KenMochi (Kozuo). nihon no Mayakuka. Profusely illustrated with b&w & colour photos. First edition. 4to., 529pp., in the original publisher’s nubbed blue cloth with gilt titles on upper board, and cardboard slipcase; kanji titles in black on spine, Japanese text. Nagoya, Nisshin-sha. 1975. £700 crisp slipcase and book. the third and last book by kenmochi rather realistically or exploitative documenting drug use/abuse in Japan (a country with very little of either) and the policing thereof. ‘nihon no mayakuka’ includes images from his first two books as well as some additional images. 230240

185

68 185. giBBon (l[ardner].) (lieut.t U[nited].S[tates].n[aval]. [Department]). coca plantation, peru. Lithograph. 14 x 22 cm., captioned, in a grey card window. N.p. [Washington D.C.], printed by S. Duval & Co. Phil[adelpia] for [United States Congressional Report], Senate Ex[ecutive]. doc[ument]. No.36. 2nd Sess. 32nd Cong. part II. £35 good condition. illustrated in flashback books, catalogue 12. a copy illustrated on Wellcome website. an important plate, extracted from between pp-46–47 gibbon and William lewis hendon’s report on the exploration of the Valley of the amazon, in which it was noted that the caravaya region, which this presumably depicts, produced 360,000 lbs of erythroxylum coca leaves per annum (the plant source for cocaine). 230263

186. [eSAlen inStitUte SAn FRAnciSco / Big SUR]. esalen institute San Francisco / Big Sur presents lSD: Research Report. A program on the status of research into the psychedelic drugs.. Dr. Stanislaus grof... Joel Fort, M.D. Ralph Metzner, p.h.D., Robert Mogar p.h.D., Berkeley community theatre. thursday, September 21 8 p.m. tickets: $2.50. Poster. 55.9 x 35.4 cm., brown and brown outline titles, borders and subtext, on a yellow laid paper type stock. N.p. [Big Sur/San Francisco], n.p. [Esalen Institute], Eastwind Printers, n.d., 1972. £100 186 old date and bookseller’s price on verso in pencil with one old Sellotape 184. pRoUVÉ (Victor emile). karshan 56. lugt 819. in Phantastica. mark and old faded damp stain, recto a l’opium. an example included in the recent show bit faded and browned, corners and ‘tea and morphine: Women in Paris, upper edge a bit creased and worn. Original print. Image occupying much 1880–1914’ at the hammer museum. of 61.5 x 43 cm. sheet, five colour Very rare, no copies on Worldcat. the sheet slightly larger than the met’s lithograph, on wove Japon, blindstamp copy and smaller than the Van gogh esalen, the retreat and the ‘vision’ is an of L’Estampe Originale. Box framed, museum. icon of the ’60s holistic counterculture with a passepartout but revealing the and grof is an eminent psychiatrist and sheet edges, glazed and in a Provenance: the fitz hugh ludlow researcher into consciousness who sympathetic light wood frame. memorial library to the lSD library. lived at big Sur for a number of years Signed and dated “V.P. 94” in the stone, Prouvé’s masterly belle epoque from 1973 on. the subscript discusses numbered No 14 [of 50] and signed “V depiction of the goddess of the opium his presentation of a “..new report on Prouvé” and dated 189 in blue pencil poppy published in l’estampe czechoslovakian research into under the image. originale, album Vii. this lived in the psychedelic substances...” from a Salle de bibliotheque at thônex, near decade of “intensive experimentation”. N.p. [Paris], André Marty for L’Estampe this cataloguer’s desk amidst the Originale, 1894. £1,500 134840 fiction. endemic, light, even browning, 230370 unexamined out of frame. Stein and

69 SoMe oF the ReFeRenceS J.J. murphy – The of The USeD in the cAtAlogUe. Camera , 2012 Printed. martin Parr & gerry badger – The Phil baker – Austin Osman Spare: The Photobook: A History , 3 volumes, Life & Legend of London’s Lost Artist , 2004–2014. 2011. J. raspaud & Jean-Pierre Voyer – maya balakirsky katz – Revising L’Internationale Situationniste. Dreyfus , 2013 Chronologie, Bibliographie, Protagonistes, avec un Index des Noms horacio Jorge becco – Pablo Neruda Insult és, etc., 1972. Bibliografia , 1975. harry Shapiro – Shooting Stars: Drugs Peter biskind – Easy Riders, Raging Hollywood and The Movies , 2005. Bulls, How the Sex – Drugs-and Rock ’N Roll Generation Saved Hollywood , r.u. Sirius – Everybody Must Get 2011. Stoned: Rock Stars On Drugs , 2009. riva castleman – A Century of Artists robert a. Sobieszek – Ports of Entry Books , 1994, William S. Burroughs and The Arts , 1996. michael ray charles – Michael Ray Charles, 1989–1997: An American Donna Stein, Donald h. karshan Artist’s Work , 1997. L’Estampe Originale: A Catalogue contActS AnD Raisonné , 1970, mark christensen – Acid Christ: Ken pAYMentS. Kesey, LSD, and the Politics of Ecstasy , – Do What Thou Wilt: A to buy anything from this 2010. Life of Aleister Crowley , 2000. offering, in the first instance phone carl Williams on c. hogben & rowan Watson – From Stephan trescher – general idea, Die +44 07931 309 095 or email Manet to Hockney: Modern artists’ kanadische künstlergruppe, 1996. [email protected] and illustrated books , 1985. Peter Watts – LSD The Library of Julio quote the catalogue, item, Wheeler W. Dixon et al – Experimental Mario Santo Domingo . and reference numbers. Cinema: The Film Reader , 2002. gerald yorke – Bibliography of the availability must be Jesse engdahl & Jim hosney – Kids in works of Aleister Crowley , 1991. confirmed before payment, Film Quarterly , Vol. 49, no. 2, Winter, items legally remain the 1995–1996. property of the seller until Digital/Online. paid in full and all items are barbara fischer - General Idea: gordy gundy – noir, laguna subject to prior sale. Editions, 1967–1995 , 2003. beach 1969: orange Sunshine and the all prices are net. flashback books catalogue 12, 2002. mystic arts World, the huffington Post, 18/06/2015 Payment by cheque, cash, David e. James – Rock ‘N’ Film: Paypal at Cinema’s Dance with Popular Music , clive harper – revised notes towards [email protected], 2017 a bibliography of austin osman Spare, credit card in person and 2007. alastair Johnson – Zephyrus Image: a bank transfer (by prior Bibliography , 2003. reality Studio. arrangement). richard kaczynski – Perdurabo. The John Sherlock – gary Snyder a institutional terms available. Life of Aleister Crowley , 2010. bibliography of Works by and about carl Williams rare books. gary Snyder, 2010. norman l. kleeblatt - The Dreyfus flat 47, kinetica Affair: Art, Truth & Justice , 1987 bertrand tillier – la caricature apartments, politique en france, 1870–1914, open 12 tyssen Street, Dalston, martin a. lee & bruce Shlain – Acid edition books. london e8 2fe Dreams: The Complete History of LSD, uniteD kingDom The CIA and The Sixties , 1992. Worldcat. ruth malhotra - Horror-Galerie: Ein +44 07931 309 095 Bestiarium der dritten Französischen Republik , Dortmund, 1980 (not seen). Joe maynard & barry miles - William S. Burroughs A Bibliography, 1953–1973 , 1978. katherine mcneill - Gary Snyder, A Bibliography , 1983. Joan mellen – Hollywood’s Political Cinema in Cinéaste , Vol. 5, no. 2, 1972. Catalogue design: Tatttersall Hammarling & Silk Ltd michael gregg michaud - Sal Mineo: A www.ths.co.uk Biography , 2010

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