DOCSLIB.ORG

Folklor/Edebiyat Folklore Literature Sayı - No

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Folklor/Edebiyat Folklore Literature Sayı - No KAPAK CMYK 99 Cilt - Vol. 25, / folklor/edebiyat folklore literature Sayı - No. 99 folklore folklor/edebi / litera HALKBİLİM FOLKLORE tur e ANTROPOLOJİ ANTHROPOLOGY DİL LANGUAGE DİLBİLİM ya LINGUISTIC 2019/3 - Sayı Cilt ISSN 1300-7491 t 99 - Vol. 25, - Vol. EDEBİYAT No. 99 No. LITERATURE folklor/edebiyat folklore& literature halkbilim • edebiyat• antropoloji • dil ve dilbilim dergisi ULUSLARARASI HAKEMLİ DERGİ / YILDA DÖRT SAYI ÇIKAR A Peer Reviewed Quarterly International Journal ISSN 1300-7491 DOI:10.22559 CİLT: 25 SAYI: 99, 2019/3 Sahibi ULUSLARARASI KIBRIS ÜNİVERSİTESİ adına Prof. Dr. Halil Nadiri (Rektör) Yayın Yönetmeni Prof. Dr. Metin Karadağ ([email protected]) Yayın Koordinatörü Metin Turan ([email protected]) Yönetim Yeri ve Yazışma Adresi [email protected] Uluslararası Kıbrıs Üniversitesi, Haspolat-Lefkoşa Tel: 0392 671 11 11 - (2601) folklor/edebiyat’ta yayımlanan yazılar ULAKBİM-Dergipark (Ulusal Akademik Ağ ve Bilgi Merkezi); TR-Dizin; Milli Kütüphane/Türkiye Makaleler Bibliyografyası , Scopus, MLA Folklore Bibliography; Turkologischer Anzeiger; ERIH PLUS (The European Reference Index for the Humanities and the Social Sciences); CEEOL (Central and Eastern European Online Library ); CrossRef DOI (Digital Object Identifier); ACLA (American Comparative Literature Association); SOBIAD (Sosyal Bilimler Atıf Dizini); TEI (Türk Eğitim İndeksi; İdealonline Veritabanı; Universityjournals; Worldcat; Elektronische Zeitschriftenbibliothek; International Innovative Journal Impact Factor (IIJIF); Scientific Indexing Services (SIS); Academic Resource Index/ResearchBib; International Innovative Journal Impact Factor (IIJIF); Arastirmax -Scientific Publication Index ; ISAM Türk Tarih, Edebiyat, Kültür ve Sanat Makaleleri Veri Tabanı; Index Copernicus; AcademicKeys; DRJI Journal Indexed in Directory of Research Journals Indexing; ISI International Scientific Indexing tarafından taranmaktadır. Articles published in the Journal of folklore & literature are indexed in ULAKBİM -Dergipark (National Academic Network And Informaiıon Center); TR-Dizin; National Library / Turkey Articles Bibliography; Scopus, MLA Folklore Bibliography; Turkologischer Anzeiger; ERIH PLUS (The European Reference Index for the Humanities and the Social Sciences); CEEOL (Central and Eastern European Online Library); CrossRef DOI (Digital Object Identifier); ACLA (American Comparative Literature Association); SOBIAD Social Sciences Citation Index; TEI (Index of Turkish Education); IdealonlineDatabase; Universityjournals; Worldcat; Elektronische Zeitschriftenbibliothek; International Innovative Journal Impact Factor (IIJIF); Scientific Indexing Services (SIS). Academic Resource Index/ResearchBib; International Innovative Journal Impact Factor (IIJIF), Arastirmax -Scientific Publication Index; ISAM (Database for Articles on Turkish History, Literature, Culture and Art); Index Copernicus; AcademicKeys; DRJI Journal Indexed in Directory of Research Journals, ISI International Scientific Indexing. This work is licensed under a Creative Commons Attribution 4.0 International License. Türkiye Satış ve Dağıtım: Uluslararası Eğıtim Öğretim Ltd. Şti. Konur Sk. No: 36/13 Kızılay-Ankara, Tel: 0.312. 425 39 20 Baskı ve cilt: Başkent Klişe ve Matbaacılık, Bayındır Sokak 30/E, Kızılay-Ankara Tel: 431 54 90 folklore / edebiyat ÜÇ AYLIK BİLİM VE KÜLTÜR ARAŞTIRMALARI DERGİSİ YAYIN İLKELERİ Kapsam Uluslararası Kıbrıs Üniversitesi yayını olan folklor/edebiyat dergisi halkbilimi, edebiyat, antropolo- ji, dil ve dilbilim alanlarında inceleme ve araştırmaya dayalı, yöntembilimsel ölçütlere uygun; 1.Özgün kuramsal yazılar; 2. Özgün araştırma, inceleme yazıları; 3. Belgeler ve yorumlar; 4. Uygulamalar ya da uygulamaya dönük yazılar; 5. Eğitim çalışmaları, derlemeler, eleştiri ve değerlendirme yazıları; 6. Kitap eleştirilerine yer vermektedir. Genel İlkeler folklor/edebiyat dergisi yönetimi (Ön Denetim Kurulu-Danışma Kurulu ve editör) intihal (plagia- rism) konusunda Turnitin/ ithenticate(R) aracılığıyla ve diğer bilimsel denetimlerden sonra metin ince- lemelerine geçer. Makalelerin özgün, atıf alabilme olasılığı yüksek ve akademik ilkelere uygun olması, temel yayın koşullarıdır. DOI kayıtları ile yayınlanacak makalelerin bilimsel, etik ve yasal sorumlulukla- rı yazarlarına aittir. Psikoloji alanında gönderilen özgün araştırmaların özellikle insan katılımcı ve/veya hayvan deneklerle çalışma yapılmışsa, etik kurulu onayı zorunludur. folklor/edebiyat’a gönderilen yazı- ların başka yerde yayınlanmamış olması ve genel yapısıyla aşağıdaki kurallara uyması gerekmektedir: Makalelerin dili, Türkçe ve İngilizcedir. Bilimsel makaleler arasız 40.000, inceleme/tartışma/eleşti- ri yazıları 20.000, medya, kitap tanıtım/eleştiri yazıları da 5000 ile 9000 karakteri aşmamalıdır. Dergide yazısı yayınlanan yazarlara, bir adet dergi ve makalelerinin pdf dosyası gönderilir. Yazarlara herhangi bir telif ücreti ödenmez. Yayınlanmış yazılar, dergi künyesi belirtilmek koşuluyla başka bir kaynakta da yayınlanabilir. Bilimsel-Akademik İlkeler Bilimsel bir makalenin amacı, alanında uzman yazarların bilinen yöntemler kapsamında elde etti- ği sonuçları daha geniş bilimsel kitlelere ulaştırmasıdır. Bilimsel etik, bir araştırmanın çıkış noktasıdır. TÜBA’nın bu konudaki yorumu “Etik, insanların ahlaklı yaşamanın temelleri üzerine akıl yordukları ve bu temellerden yola çıkarak doğru ve yanlışı ayırt etmeye, doğru davranış biçimlerini bulmaya ve uygu- lamaya yarayabilecek kuramsal ve toplumsal araçları geliştirdikleri bir düşün alanıdır” biçimindedir. Bu bakış açısı folklor/edebiyat için makale kabulündeki temel ilkedir. Dergide TUBA ve TÜBİTAK’ın yayın ilkelerine uygun makalelere yer verilir. Dergide yer alması istenen akademik nitelikli bir makale; Giriş, Yöntem, Sonuç(lar), Tartışma bö- lümlerinden oluşur. Giriş kısmında açık ve anlaşılır bir biçimde makalenin ele aldığı sorunun genel yapısı hakkında bilgi sunulur. Yöntem bölümünde bu sorunun nasıl çözümlendiği ortaya konulurken tercih edilen bilimsel yöntem de açıkça belirtilir. Sonuç-Tartışma kısmında sorunun yöntembilimsel olarak incelenmesiyle varılan hususlar belirtilir; çalışmadan sonra yapılması ya da sürdürülmesi öngö- rülen araştırmalar ve geliştirici girişimler için önerilerde bulunulur. II folklor / edebiyat Değerlendirme Süreci Dergiye Makale Takip Sistemi ile gönderilen makaleler, UKÜ bünyesindeki Ön Denetim Kurulu’nca dergi ilkeleri ve kurallarına uygunlukları açısından denetlenir. Bu kurulun yetkisi dışındaki gerekli teknik ekleme /düzeltmeler için yazarlarla işbirliği yapılır. Yazı, Danışma Kurulu ve Editör’ün onayıyla alanda uzman iki hakeme gönderilir. Değerlendirme sürecinde, “kör hakem” işleyişi uygu- lanır. Hakem raporlarının çelişkili durumlarında yazı, üçüncü hakeme gönderilebilir veya Danışma Kurulu+editör görüşüyle karara varılır. Yazarlar, denetim süreçlerindeki uyarıları yerine getirirler; katıl- madıkları hususlar varsa, gerekçeleriyle birlikte karşı görüşlerini iletirler. Kesin sonuç, Danışma Kuru- lunca alınır. Dergiye gönderilen yazılar, hiçbir durumda iade edilmez. Yazım Kuralları Yazılar, “Microsoft Word Document” formatında, metin ve sonuç kısımları “Times New Roman” yazı tipi ve “12 punto” büyüklüğünde olmalıdır. Yazılar 1,5 satır aralığı, kenar boşlukları her bir kenar- dan 2,5 cm. boşluk olacak şekilde ayarlanmalıdır. Satır sonlarında sözcükler kesinlikle hecelerine bö- lünmemelidir. Metin blok (sağa sola dayalı), satırbaşı verilmeden ve paragraflar arasında satır boşluğu bırakmadan, otomatik olarak, altı nokta boşluk bırakılarak hazırlanmalıdır. İlk sayfa düzeni: 1- Yazar adı (sağ köşe, sağa dayalı) 2- Makale başlığı (ortada) 3- Çeviri makaleler için çevirmen adı (sağa dayalı) 4- Türkçe özgün makaleler için 150-200 sözcük arasında İngilizce ve Türkçe özet, makale başlı- ğının İngilizce çevirisi, daha sonra özet metin yerleştirilir. İngilizce makalelerde 200 sözcükten oluşan Türkçe özet verilir. 5- Önce makale dilinde, ardından özet dilinde en az 5, en fazla 10 sözcükten oluşan anahtar sözcükler verilir. 6- Sayfa altında verilecek bilgiler: • Yazarla ilgili bilgi sayfa altında (*) işaretiyle • Makale ile ilgili açıklama çeviri metinlerde kaynak metin ile ilgili açıklama (**) işareti ile, • Çevirmenle ilgili açıklama (***) işaretiyle gösterilir. Diğer Yazım ve Sunum Kuralları Dipnot ve Kaynaklar APA 6 standartlarına uygun olarak verilir, ikinci kaynaktan yapılan alın- tılarda, asıl kaynak da belirtilir. Metin içinde kaynak gösterme ve diğer teknik uygulamalar hakkında ayrıntılı bilgi için aşağıdaki kaynaktan yararlanılabilir: http://www.apastyle.org İletişim Dergide yayınlanması istenen makaleler, https://www.folkloredebiyat.org sitesindeki Makale Ta- kip Sistemine üye olunarak biri yazar bilgilerini kapsayan isimli ve diğeri isimsiz ayrı adlarla word for- matında kaydedilmiş iki dosya halinde gönderilir. Yazarlar, her türlü iletişim için aşağıdaki adres ve bilgileri kullanmalıdır: UKÜ Fen-Edebiyat Fakültesi Dekanlığı Haspolat Kavşağı- Lefkoşa KKTC Telefon: (392) 671 11 11- 2600/2601 Belgegeçer: (392) 671 11 65 El-mek : [email protected] • [email protected] III folklor / edebiyat folklore / literature Quarterly SCIENTIFIC Cultural Journal INSTRUCTIONS FOR AUTHORS Scope The Journal of folklore & literature is a Cyprus International University publication that publishes original work in the fields of folklore, literature, anthropology, language, history, sociology, and psychol- ogy that are based on analysis and research conducted in accordance with the scientific method. The scope of the journal includes
Load more

Recommended publications
  • Alexander Literary Firsts & Poetry Rare Books
    ALEXANDER LITERARY FIRSTS & POETRY RARE BOOKS CATALOGUE TWENTY- SEVEN 2 Alexander Rare Books [email protected]/ (802) 476‐0838 ALEXANDER RARE BOOKS – LITERARY FIRSTS & POETRY Mark Alexander 234 Camp Street Barre, VT 05641 (802) 476-0838 [email protected] Catalogue Twenty–Seven: All items are US, CN or UK Hardcover First Editions & First Printings unless otherwise stated. All items guaranteed & are refundable for any reason within 30 days. Subject to prior sale. VT residents please add 6% sales tax. Checks, Money Orders, Paypal & most credit cards accepted. Net 30 days. Libraries & institutions billed according to need. Reciprocal terms offered to the trade. SHIPPING IS FREE IN THE US (generally Priority Mail) & CANADA, elsewhere $13 per shipment. Visit AlexanderRareBooks.com for cover scans and photos of most catalogued items. I encourage you to visit my website for the latest acquisitions. The best items usually appear on my website, then appear in my catalogues, before appearing elsewhere online. I am always interested in acquiring first editions, single copies or collections, and particularly modernist & contemporary poetry. Thank you in advance for perusing this catalogue. CATALOGUE TWENTY-SEVEN 1) Adam, Helen. THE BELLS OF DIS. West Branch, Iowa: Coffee House Press, 1985. Tall sewn illustrated wraps. Morning Coffee Chapbook: 12. One of 500 copies, numbered and signed by the poet and the artist Ann Mikolowski. A lovely book hand set and hand sewn. Bottom tips bumped, else fine. (10690) $20.00 2) Armantraut, Rae. CONCENTRATE. Green River, VT: Longhouse, 2007. Small (3 x 4 1/2 in.) accordion style chapbook attached to unprinted card covers, with wrap around band.
    [Show full text]
  • An Oral Interpretation Script Illustrating the Influence
    379 AN ORAL INTERPRETATION SCRIPT ILLUSTRATING THE INFLUENCE ON CONTEMPORARY AMERICAN POETRY OF THE THREE BLACK MOUNTAIN POETS: CHARLES OLSON, ROBERT CREELEY, ROBERT DUNCAN THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF SCIENCE By H. Vance James, B.A. Denton, Texas August, 1981 J r James, H. Vance, An Oral Interpretation Script Illustrating the Influence on Contemporary American Poetry of the Three Black Mountain Poets: Charles Olson, Robert Creeley, Robert Duncan. Master of Science (Speech Communication and Drama), August, 1981, 87 pp., bibliography, 23 titles. This oral interpretation thesis analyzes the impact that three poets from Black Mountain College had on contemporary American poetry. The study concentrates on the lives, works, poetic theories of Charles Olson, Robert Creeley, and Robert Duncan and culminates in a lecture recital compiled from historical data relating to Black Mountain College and to the three prominent poets. @ 1981 HAREL VANCE JAMES All Rights Reserved TABLE OF CONTENTS Page LIST OF ILLUSTRATIONS . iv Chapter I. INTRODUCTION . 1 History of Black Mountain College Purpose of the Study Procedure II. BIOGRAPHICAL INFORMATION . 12 Introduction Charles Olson Robert Creeley Robert Duncan III. ANALYSIS . 31 IV. LECTURE RECITAL . 45 The Black Mountain Poets: Charles Olson, Robert Creeley, Robert Duncan "These Days" (Olson) "The Conspiracy" (Creeley) "Come, Let Me Free Myself" (Duncan) "Thank You For Love" (Creeley) "The Door" (Creeley) "Letter 22" (Olson) "The Dance" (Duncan) "The Awakening" (Creeley) "Maximus, To Himself" (Olson) "Words" (Creeley) "Oh No" (Creeley) "The Kingfishers" (Olson) "These Days" (Olson) APPENDIX .
    [Show full text]
  • James S. Jaffe Rare Books Llc
    JAMES S. JAFFE RARE BOOKS LLC ARCHIVES & COLLECTIONS / RECENT ACQUISITIONS 15 Academy Street P. O. Box 668 Salisbury, CT 06068 Tel: 212-988-8042 Email: [email protected] Website: www.jamesjaffe.com Member Antiquarian Booksellers Association of America / International League of Antiquarian Booksellers All items are offered subject to prior sale. Libraries will be billed to suit their budgets. Digital images are available upon request. 1. [ANTHOLOGY] CUNARD, Nancy, compiler & contributor. Negro Anthology. 4to, illustrations, fold-out map, original brown linen over beveled boards, lettered and stamped in red, top edge stained brown. London: Published by Nancy Cunard at Wishart & Co, 1934. First edition, first issue binding, of this landmark anthology. Nancy Cunard, an independently wealthy English heiress, edited Negro Anthology with her African-American lover, Henry Crowder, to whom she dedicated the anthology, and published it at her own expense in an edition of 1000 copies. Cunard’s seminal compendium of prose, poetry, and musical scores chiefly reflecting the black experience in the United States was a socially and politically radical expression of Cunard’s passionate activism, her devotion to civil rights and her vehement anti-fascism, which, not surprisingly given the times in which she lived, contributed to a communist bias that troubles some critics of Cunard and her anthology. Cunard’s account of the trial of the Scottsboro Boys, published in 1932, provoked racist hate mail, some of which she published in the anthology. Among the 150 writers who contributed approximately 250 articles are W. E. B. Du Bois, Arna Bontemps, Sterling Brown, Countee Cullen, Alain Locke, Arthur Schomburg, Samuel Beckett, who translated a number of essays by French writers; Langston Hughes, Zora Neale Hurston, William Carlos Williams, Louis Zukofsky, George Antheil, Ezra Pound, Theodore Dreiser, among many others.
    [Show full text]
  • Tape : 204 Side I 1-35 36- 200 201-226 227-270 271-435 435-614 615- 653 654-699 700-723 724-745 746-778 779- 960 965-412 427-887
    Paul Blackburn Tape Collection OM 361 Tape : 204 t c. 3&-::f Side I National Poetry Fest ival , Allendale , Michigan, July , 1971 : Robert Ke lly , Al Young , Allen Planz , Donald Hall . Kelly 1-35 for Helen 36- 200 from The Common Shore 201-226 The I nterpol Agent 227-270 Come-ons 271-435 In game Young 435-614 from Dancing 615- 653 Malaguena Sal y Rosa 654-699 Loneliness 700-723 Dear Old Stockholm 724-745 The Presti digestator 746-778 One West Coast 779- 960 from Snakes (a novel) Planz 965-412 poems. Hall 427-887 poems. Side II Festival continued: Paul Blackburn , Gregory Corso , David Henderson, Toby Olson and John Logan. Blackburn 1 6-41 Paris--Toulouse Train 42-62 Musee des Augustins 63-83 The Tissues 84- 400 other poems. Corso 391-590 from Elegiac Feelings American 596- 685 Marriage Henderson 692-73 6 Walk 737-813 Yin Years 814- 824 Sonny Rollins 825- 832 With You 833-1 , 085 other poems . • Paul Blackburn Tape Collection Tape: 204 Side II (continued)--Festival at Allendale, Michigan, with Toby Olson and John Logan. Olson l~l00-l,718 poems. Logan 1,720-1,820 Three Moves 1,821-1,879 Poem.for Suzanne 1,880-end Letter for a Young Father in Exile ~(incomplete: see tape 205) • Paul Blackburn Tape Collection DM 36B Tape: 205 (. <:. 368 Side I National Poetry Festival at Allendale , Michigan , July 8, 1971, with John Logan and George Quasha. Logan 1-29 conclusion of Letter to a Young Father in Exile. 30-151 Poem for My Friend Peter at Pidihana 152-284 Poem for My First Wife 285-337 The Search Quasha 338-467 Homage to the song: "My Country Tis of Thee." 468-634 What was Noticed from the Shipdeck 635-end A Magic Spell for the Far Journey (incomplete).
    [Show full text]
  • Roots and Routes Poetics at New College of California
    Roots and Routes Poetics at New College of California Edited by Patrick James Dunagan Marina Lazzara Nicholas James Whittington Series in Creative Writing Studies Copyright © 2020 by the authors. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Vernon Art and Science Inc. www.vernonpress.com In the Americas: In the rest of the world: Vernon Press Vernon Press 1000 N West Street, C/Sancti Espiritu 17, Suite 1200, Wilmington, Malaga, 29006 Delaware 19801 Spain United States Series in Creative Writing Studies Library of Congress Control Number: 2020935054 ISBN: 978-1-62273-800-7 Product and company names mentioned in this work are the trademarks of their respective owners. While every care has been taken in preparing this work, neither the authors nor Vernon Art and Science Inc. may be held responsible for any loss or damage caused or alleged to be caused directly or indirectly by the information contained in it. Every effort has been made to trace all copyright holders, but if any have been inadvertently overlooked the publisher will be pleased to include any necessary credits in any subsequent reprint or edition. Cover design by Vernon Press. Cover image by Max Kirkeberg, diva.sfsu.edu/collections/kirkeberg/bundles/231645 All individual works herein are used with permission, copyright owned by their authors. Selections from "Basic Elements of Poetry: Lecture Notes from Robert Duncan Class at New College of California," Robert Duncan are © the Jess Collins Trust.
    [Show full text]
  • Spitting Fire: Black Mountain and the Black Arts Movement in the Poetry of Jayne Cortez Joseph Pizza
    Spitting Fire: Black Mountain and the Black Arts Movement in the Poetry of Jayne Cortez Joseph Pizza Journal of Black Mountain College Studies Volume 12: Expanding the Canon (Spring 2021) Article URL: https://www.blackmountainstudiesjournal.org/pizza-black-arts/ Published online: May 2021 Published by: Black Mountain College Museum + Arts Center Asheville, North Carolina https://www.blackmountaincollege.org Editors: Thomas E. Frank, Wake Forest University Carissa Pfeiffer, Black Mountain College Museum + Arts Center Production Editor: Kate Averett, Black Mountain College Museum + Arts Center Note: The Journal of Black Mountain College Studies is a digital publication, intended to be experienced and referenced online. PDFs are made available for offline reading, but may have changes in layout or lack multimedia content (such as audio or video) as compared to the online article. Journal of Black Mountain College Studies, Volume 12 (Spring 2021 Spitting Fire: Black Mountain and the Black Arts Movement in the Poetry of Jayne Cortez Joseph Pizza Connections between Black Mountain and the Black Arts Movement may, at first, appear surprising. Literary histories, after all, tend to mimic the groupings arranged by writers and editors in a given era and, despite the period’s relative progressivism, schools and anthologies in post-war America appear as segregated as the larger society of the time. In addition to this, while Black Mountain may have been the first higher education institution in the Jim Crow South to integrate, little connection has been made between this fact and the school’s larger pedagogy and aesthetics. Nevertheless, during Charles Olson’s tenure as rector, Black Mountain faculty and students did continually work in the spirit of 1930s and 1940s popular front politics to integrate the campus, looking also to African American models, and particularly jazz, in reimagining the shape of postwar teaching and writing.
    [Show full text]
  • Ronald Johnson
    1 RONALD JOHNSON l November25, 1935-' March4, 1998 Angle #5 The Ronald Johnson Issue Contents: Charles Smith Patrick Monnin John Taggart Guy Davenport Andrew Schelling Ronald Johnson Peter O'Leary Marcella Durand Jonathan Williams Patrick Pritchett Anonymous Paul Metcalf Theodore Enslin Avery E.D. Burns Joel Bettridge Adam Cornford © Reverts to all Authors upon publication except Ronald Johnson's poems © 1998 Literary Estate of Ronald Johnson Angle P.O. Box 220027 Brooklyn, NY 11 222-0027 GREETINGS & WELCOME Thank you for obtaining this issue of Angle, opening the cover with perhaps an already present appreciation of the poet and sound-sculptor Ronald Johnson, and reading/hearing the words of a small band of readers and friends assembled for a posthumous appreciation. If you aren't familiar with J ohnson let this serve as a slight introduction to the poetic accomplishments ofthis Word Architect. Ark, as well as his previous books, documents an overflowing enthusiasm and appreciation of the natural world - its text is a glossolalia of light for us all to take in and succumb to for the length of the reading and on - a bejewelled and earthly temple of true and abundant proportions we can live within, joyful in knowing such spirit ever existed in the world. I hope you, the reader, can experience the joys of Johnson's poetry as much as I have - for this very enjoyment is what has given impetus to this project, long in coming as it was. Like most creative endeavors, this o ne utilized the assistance of several people. I'd like to thank Kerry McLaughlin, Jonathan Williams, Andrew Joron (for the recording ofR.J.
    [Show full text]
  • Literature and Rare Books a Miscellany
    Literature And Rare Books A Miscellany. 1502 - 2000 Catalogue 298 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.reeseco.com TERMS Material herein is offered subject to prior sale. All items are as described, but are consid- ered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering and Fax machines for receipt of orders or messages. Catalogue orders should be e-mailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inven- tory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment. Institutional billing requirements may, as always, be accommodated upon request.
    [Show full text]
  • Still Kicking Selections from the Lsd Library of Julio Mario Santo Domingo, Carl Williams Rare Books Catalogue 2
    Still KicKing SelectionS from the lSD library of Julio mario Santo Domingo, carl WilliamS rare bookS catalogue 2. 23 11 Still KicKing SelectionS from the lSD library of Julio mario Santo Domingo, 151 the ‘ReUp’. contentS. I. ART, PROSE & POETRY 1–22. II. MAGICKALS 23–29. this is the second catalogue sourced from a private library of altered states of consciousness created by my former employer the late Julio mario Santo III. CELLULOID HIGHS & LOWS Domingo (JmSD). for me, a carny for the ludlow Santo Domingo library (lSD 30–50. library) of course, it was, to quote Winona ryder in this very catalogue: IV. BODIES -EXPOSED, INKED & “the greatest library on earth!!” PUNKED 51–59. or, ‘the louis Santo Domingo library’, as JmSD jokingly called it, after his V. SATIRE, CARICATURE, beloved and rather temperamental Wheaten terrier. at the very least, it was the PROVOCATION & HATE 60–72. greatest library on earth dedicated to a dog. So,i have included some of ‘louis’s VI. DRUGS & COMIX 73–77. books’ in this catalogue as a token of that accolade. VII. ZEPHYRUS IMAGE 78–127. JmSD was a voracious buyer with an insatiable appetite, who amassed a vast range of material in a relatively short space of time. his collection was mainly VIII. COLD WAR WOMEN 128–130. spread over three units, one huge, over two floors of a small business centre in IX. BAY AREA RENAISSANCE grey block on chemin du foron 16, thônex, Switzerland and his pads in 131 –134. Promenade Saint-antoine, genève, avenue montaigne, Paris, ferme des carneaux, boigneville and a flat in manhattan.
    [Show full text]
  • Don Byrd Archive
    Don Byrd Archive Featuring Charles Bernstein, Clark Coolidge, Guy Davenport, Ed Dorn, Robert Duncan, Susan Howe, Gerrit Lansing, Nathaniel Mackey, Paul Metcalf, Jed Rasula, and Ron Silliman The Don Bryd Archive is especially rich in correspondence with such poets as Charles Bernstein, George Butterick, Clark Coolidge, Guy Davenport, Ed Dorn, Robert Duncan, Clayton Eshleman, Robert Grenier, Richard Grossinger, Susan Howe, Ken Irby, Robert Kelly, Gerrit Lansing, Nathaniel Mackey, Paul Metcalf, Jed Rasula, Ron Silliman, and Barrett Watten and as such offers the opportunity to explore ideas animating the world of poetry during the 1970s and 1980s with particular emphasis on Language Writing. Photograph by Don Byrd of Susan Quasha and Robert Duncan being photographed by George Quasha at Olana, Frederic Church’s estate in Hudson, N.Y., ca. 1984. “At a time when poetics—especially that of the difficult sort dealt with here—has been increasingly pushed to the margins of academic discourse, Don Byrd has come forward with a tour de force that both argues and enacts the bearing of poetic knowledge upon the issues and debates tending to displace it. He not only offers astute, illuminating readings of work by Stein, Zukofsky, Duncan, Olson, and others, but goes to great lengths to map the ground—intellectual, historical, technological, phenomenological—that makes these works matter. Such ground makes his own undertaking on behalf of poetic knowledge purposeful and necessary, and his mapping of it is not only informed, sophisticated and intellectually stunning but passionate and compelling as well.” — Nathaniel Mackey on Don Byrd’s The Poetics of the Common Knowledge .
    [Show full text]
  • Poetry Reading Flyers of the Mimeograph Revolution
    Poetry Reading Flyers of the Mimeograph Revolution Poetry reading flyers are transitory by nature — quickly printed, locally distributed, easily discarded and thus frequently overlooked by scholars and curators when researching and documenting literary activities. They appear from time to time as fleeting one-offs in archives and collections, yet when viewed in the context of a large group these seemingly ephemeral objects take on significance as primary documents. Through close observation of this collection of poetry reading flyers, one gains insight into considerations of the development and representation of literary communities and affiliations of poets, the interplay of visual image, text and design, and the evolution of printing technology. A great many of the flyers appeared during the flowering of the mimeo revolution, an extraordinarily rich period of literary activity which was in part characterized by a profusion of poetry readings, performances, and publications documented by the flyers. This collection includes flyers from the mid-sixties to the present with a focus on the seventies, and embraces a range of poets and national venues with particular attention to activity in New York City and the San Francisco Bay Area. For a reading by Lewis Warsh and Harris Schiff, Ear Inn, New York City, December 6, n.d. Flyer. 11 x 8-1/2 inches. There are approximately 400 flyers (including a smattering of posters and cards), which are often 8 ½ x 11 – 8 ½ x 17 inches and printed as cheaply as possible, frequently via mimeograph, and often intended to be mailed. More than 250 writers and artists and nearly 100 venues are represented with a strong concentration on the Poetry Project at St.
    [Show full text]
  • Jonathan Williams and Black Mountain by Ross Hair
    Jonathan Williams and Black Mountain by Ross Hair University of East Anglia “Hemi-demi-semi barbaric yawps”: Jonathan Williams and Black Mountain The achievements of the former Black Mountain College student Jonathan Williams (1929-2008) are, Kenneth Irby notes, “diverse and remarkable,” encompassing his work as a poet, a photographer, a publisher, an essayist, and, as Guy Davenport suggests, a peripatetic disseminator of culture: “He publishes poets, introduces poets to poets, poets to readers, professors to poets, poets (perilous business) to professors, and he photographs poets” (307; 180). Williams is perhaps best known as the founder of the small press The Jargon Society, which he began in 1951 during a brief period in San Francisco shortly before enrolling at Black Mountain College. Williams was born in Asheville, Buncombe County, North Carolina, to Thomas Benjamin and Georgette Williams who, Williams’s former partner and fellow Jargon poet Ronald Johnson explains, “were straight from the gracious strictures of Southern Semi-aristocracy (yet stubborn mountain folk to the bone)” (“Jonathan Williams” 406). Before enrolling at Black Mountain College Williams had “studied art history at Princeton, painting with Karl Knaths at the Phillips Memorial Gallery in Washington, etching and engraving with Stanley William Hayter at Atelier 17 in New York, and the whole range of arts at Chicago’s Institute of Design” (406). Williams subsequently went to Black Mountain College in 1951 to study photography with Harry Callahan. This decision was made while studying typography and graphic art at the Institute of Design where Callahan was teaching, and where M. C. Richards, in the spring of 1951, visited as part of a recruitment drive for Black Mountain College.
    [Show full text]