Edith Jarolim Collection
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Marg2007 Robert Kelly Bard College
Bard College Bard Digital Commons Robert Kelly Manuscripts Robert Kelly Archive 3-2007 marG2007 Robert Kelly Bard College Follow this and additional works at: http://digitalcommons.bard.edu/rk_manuscripts Recommended Citation Kelly, Robert, "marG2007" (2007). Robert Kelly Manuscripts. Paper 680. http://digitalcommons.bard.edu/rk_manuscripts/680 This Manuscript is brought to you for free and open access by the Robert Kelly Archive at Bard Digital Commons. It has been accepted for inclusion in Robert Kelly Manuscripts by an authorized administrator of Bard Digital Commons. For more information, please contact [email protected]. = = = = = Things hurt. And words have to get said. Enough fuss. Blow the wind. Stand the earth. Push the leaf out. Bud. 27 March 2007 THE GAME I kept waiting for some information to quiet my eyes but the checkerboard engraved on the polished granite bench between two mysterious Chinese characters (all writing is mysterious to a stone) was empty of chessmen, the whole affair was wet from snowmelt and spring’s fraudulent caresses, there was no game in this game. How could we sit down on this matrix, could I put a pebble on the smooth stone like the old Jew puts on a grave (every stone is a tombstone), we could leave it behind us and walk down into the drenched meadow towards the far trees we never quite get to, down the path to the hidden stream where it pools out for a moment and already skunk cabbages are starting to make their move but still this simple-minded sixty-four compartmented conundrum hangs in the mind, all numbers are the men and the board, the pawns and the queen, the silly little blue faience lumps Egyptians used to while away long years of being dead. -
Alexander Literary Firsts & Poetry Rare Books
ALEXANDER LITERARY FIRSTS & POETRY RARE BOOKS CATALOGUE TWENTY- SEVEN 2 Alexander Rare Books [email protected]/ (802) 476‐0838 ALEXANDER RARE BOOKS – LITERARY FIRSTS & POETRY Mark Alexander 234 Camp Street Barre, VT 05641 (802) 476-0838 [email protected] Catalogue Twenty–Seven: All items are US, CN or UK Hardcover First Editions & First Printings unless otherwise stated. All items guaranteed & are refundable for any reason within 30 days. Subject to prior sale. VT residents please add 6% sales tax. Checks, Money Orders, Paypal & most credit cards accepted. Net 30 days. Libraries & institutions billed according to need. Reciprocal terms offered to the trade. SHIPPING IS FREE IN THE US (generally Priority Mail) & CANADA, elsewhere $13 per shipment. Visit AlexanderRareBooks.com for cover scans and photos of most catalogued items. I encourage you to visit my website for the latest acquisitions. The best items usually appear on my website, then appear in my catalogues, before appearing elsewhere online. I am always interested in acquiring first editions, single copies or collections, and particularly modernist & contemporary poetry. Thank you in advance for perusing this catalogue. CATALOGUE TWENTY-SEVEN 1) Adam, Helen. THE BELLS OF DIS. West Branch, Iowa: Coffee House Press, 1985. Tall sewn illustrated wraps. Morning Coffee Chapbook: 12. One of 500 copies, numbered and signed by the poet and the artist Ann Mikolowski. A lovely book hand set and hand sewn. Bottom tips bumped, else fine. (10690) $20.00 2) Armantraut, Rae. CONCENTRATE. Green River, VT: Longhouse, 2007. Small (3 x 4 1/2 in.) accordion style chapbook attached to unprinted card covers, with wrap around band. -
An Interview with Mary Laird Conducted by Kyle Schlesinger
REMEMBERING THE LIGHT: AN INTERVIEW WITH MARY LAIRD CONDUCTED BY KYLE SCHLESINGER Mary Laird is a book artist, printer, teacher, and actively involved in the Sufi Order of the West. She earned her MFA from University of Wisconsin at Madison where she and Walter Hamady ran the legendary Perishable Press Limited together for 15 years. She has been printing letterpress as Quelquefois Press since 1969, and has taught at San Francisco State University, Naropa University, San Francisco Center for the Book, and in her Berkeley studio. KS: Perhaps I could begin at the beginning, so to speak, by asking about your earliest associations and affinities for books. For example, were there books in the home where you grew up? Did you write or keep scrapbooks as a kid? Who were some of the first writers and artists that enlivened your imagination or got you thinking about books as an exploratory medium? I know, for example, that Robert Duncan and Jonathan Williams treasured their libraries from childhood, and I think that there are traces of that ongoing affinity in their mature work. ML: When I was growing up in Wauwatosa, Wisconsin, a suburb of Milwaukee, we had a whole room upstairs, dedicated as “library.” In it were editions of Dickens, John Burroughs, Cervantes (complete with etchings,) Jane Austen, Thackeray, and Samuel Clements, to name a few. They were all from my paternal grandfather Arthur Gordon’s turn of the century collection. One memorable tome on the world religions, published in 1893, featured an etching of Mohammad, which as you know, is forbidden! Arthur Gordon was a student at Cornell in Ithaca, New York, back then, having made his way from Charlottetown, Prince Edward Island, Nova Scotia. -
It's Right the Way It Is
“It’s Right the Way It Is”: Printing at Black Mountain College Philip Blocklyn Journal of Black Mountain College Studies Volume 12: Expanding the Canon (Spring 2020) Article URL: https://www.blackmountainstudiesjournal.org/blocklyn-printing Published online: May 2021 Published by: Black Mountain College Museum + Arts Center Asheville, North Carolina https://www.blackmountaincollege.org Editors: Thomas E. Frank, Wake Forest University Carissa Pfeiffer, Black Mountain College Museum + Arts Center Production Editor: Kate Averett, Black Mountain College Museum + Arts Center Note: The Journal of Black Mountain College Studies is a digital publication, intended to be experienced and referenced online. PDFs are made available for offline reading, but may have changes in layout or lack multimedia content (such as audio or video) as compared to the online article. Journal of Black Mountain College Studies, Volume 12 (Spring 2021) “It’s Right the Way It Is” Printing at Black Mountain College Philip Blocklyn Limited means, which are voluntarily accepted, encourage a cheerful and imaginative resourcefulness. — M. C. Richards 1936-1941 The form in which to enclose the freedom Josef Albers brought a font of Bodoni, his personal favorite, with him from Bauhaus on his way to Black Mountain College, where he would, among other responsibilities, begin supervising the college’s printing program. Without a press of its own, however, the college relied on the office typewriter for the first preliminary announcements and more generally on Biltmore Press, Asheville’s leading commercial job printer, for its first years’ issues of bulletins, catalogs, and educational statements. But for the purposes of his students’ education, and for the second-tier job printing of administrative forms and stationery, publicity flyers and brochures, programs and announcements for musical and dramatic presentations, Albers needed a press.1 He set Alexander (Xanti) Schawinsky on the hunt for one. -
Fine Printing & Small Presses A
Fine Printing & Small Presses A - K Catalogue 354 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.williamreesecompany.com TERMS Material herein is offered subject to prior sale. All items are as described, but are consid- ered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering and a Fax machine for receipt of orders or messages. Catalogue orders should be e-mailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inven- tory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment. Institutional billing requirements may, as always, be accommodated upon request. -
Vers, an Essay About Paul Blackburn, Chapter 8
ERIK NOONAN from VERS: AN ESSAY ABOUT PAUL BLACKBURN That’s by Howard Hart. Its similarity to Blackburn’s more self-pity- Chapter 8 – Newsreel Auteur Eye ing lines strikes one right away. But Blackburn’s engagement with (In . On . Or About The Premises) a pedantic style of midcentury classicism caused him to develop in directions not apparent on the lexical surface of this or that poem; and the relationship with Pound won’t account for this tendency. Black- On arrival, a circumspect thought halts, faced with savage looks from burn wears his Provence with a difference: he subjects the neoplatonic the slick eye of convention, and ready replies from its rough tongue. academicism of his formal education to a pragmatic Aristotelian scru- But as “the clash of the first” dies down, ease falters; thought helps it tiny, and by doing so gradually forsakes it. Through the same process to its feet, so the work goes on. It’s true that the bleared image of some he overcomes his studious attitude toward both Pound and Williams. solitary walker turning wherever his steps take him offers instruction The driving figure through these turns is Louis Zukofsky. and no comfort. Yet without such an image, what else is the New World but a soulless witness? Learning which aspects of a subject to * * * leave behind, and which ones to bring along, takes time. Unadorned, Blackburn’s writing affected his contemporaries’ impres- * * * sions of his own person, in the flesh. From one of the more personal eulogies, Seymour Krim: Blackburn’s work interrogates and criticizes its own grounds. -
Folklor/Edebiyat Folklore Literature Sayı - No
KAPAK CMYK 99 Cilt - Vol. 25, / folklor/edebiyat folklore literature Sayı - No. 99 folklore folklor/edebi / litera HALKBİLİM FOLKLORE tur e ANTROPOLOJİ ANTHROPOLOGY DİL LANGUAGE DİLBİLİM ya LINGUISTIC 2019/3 - Sayı Cilt ISSN 1300-7491 t 99 - Vol. 25, - Vol. EDEBİYAT No. 99 No. LITERATURE folklor/edebiyat folklore& literature halkbilim • edebiyat• antropoloji • dil ve dilbilim dergisi ULUSLARARASI HAKEMLİ DERGİ / YILDA DÖRT SAYI ÇIKAR A Peer Reviewed Quarterly International Journal ISSN 1300-7491 DOI:10.22559 CİLT: 25 SAYI: 99, 2019/3 Sahibi ULUSLARARASI KIBRIS ÜNİVERSİTESİ adına Prof. Dr. Halil Nadiri (Rektör) Yayın Yönetmeni Prof. Dr. Metin Karadağ ([email protected]) Yayın Koordinatörü Metin Turan ([email protected]) Yönetim Yeri ve Yazışma Adresi [email protected] Uluslararası Kıbrıs Üniversitesi, Haspolat-Lefkoşa Tel: 0392 671 11 11 - (2601) folklor/edebiyat’ta yayımlanan yazılar ULAKBİM-Dergipark (Ulusal Akademik Ağ ve Bilgi Merkezi); TR-Dizin; Milli Kütüphane/Türkiye Makaleler Bibliyografyası , Scopus, MLA Folklore Bibliography; Turkologischer Anzeiger; ERIH PLUS (The European Reference Index for the Humanities and the Social Sciences); CEEOL (Central and Eastern European Online Library ); CrossRef DOI (Digital Object Identifier); ACLA (American Comparative Literature Association); SOBIAD (Sosyal Bilimler Atıf Dizini); TEI (Türk Eğitim İndeksi; İdealonline Veritabanı; Universityjournals; Worldcat; Elektronische Zeitschriftenbibliothek; International Innovative Journal Impact Factor (IIJIF); Scientific Indexing Services -
An Oral Interpretation Script Illustrating the Influence
379 AN ORAL INTERPRETATION SCRIPT ILLUSTRATING THE INFLUENCE ON CONTEMPORARY AMERICAN POETRY OF THE THREE BLACK MOUNTAIN POETS: CHARLES OLSON, ROBERT CREELEY, ROBERT DUNCAN THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF SCIENCE By H. Vance James, B.A. Denton, Texas August, 1981 J r James, H. Vance, An Oral Interpretation Script Illustrating the Influence on Contemporary American Poetry of the Three Black Mountain Poets: Charles Olson, Robert Creeley, Robert Duncan. Master of Science (Speech Communication and Drama), August, 1981, 87 pp., bibliography, 23 titles. This oral interpretation thesis analyzes the impact that three poets from Black Mountain College had on contemporary American poetry. The study concentrates on the lives, works, poetic theories of Charles Olson, Robert Creeley, and Robert Duncan and culminates in a lecture recital compiled from historical data relating to Black Mountain College and to the three prominent poets. @ 1981 HAREL VANCE JAMES All Rights Reserved TABLE OF CONTENTS Page LIST OF ILLUSTRATIONS . iv Chapter I. INTRODUCTION . 1 History of Black Mountain College Purpose of the Study Procedure II. BIOGRAPHICAL INFORMATION . 12 Introduction Charles Olson Robert Creeley Robert Duncan III. ANALYSIS . 31 IV. LECTURE RECITAL . 45 The Black Mountain Poets: Charles Olson, Robert Creeley, Robert Duncan "These Days" (Olson) "The Conspiracy" (Creeley) "Come, Let Me Free Myself" (Duncan) "Thank You For Love" (Creeley) "The Door" (Creeley) "Letter 22" (Olson) "The Dance" (Duncan) "The Awakening" (Creeley) "Maximus, To Himself" (Olson) "Words" (Creeley) "Oh No" (Creeley) "The Kingfishers" (Olson) "These Days" (Olson) APPENDIX . -
Reflections on Poetry & Social Class
The Stamp of Class: Reflections on Poetry and Social Class Gary Lenhart http://www.press.umich.edu/titleDetailLookInside.do?id=104886 The University of Michigan Press, 2005. Opening the Field The New American Poetry By the time that Melvin B. Tolson was composing Libretto for the Republic of Liberia, a group of younger poets had already dis- missed the formalism of Eliot and his New Critic followers as old hat. Their “new” position was much closer to that of Langston Hughes and others whom Tolson perceived as out- moded, that is, having yet to learn—or advance—the lessons of Eliotic modernism. Inspired by action painting and bebop, these younger poets valued spontaneity, movement, and authentic expression. Though New Critics ruled the established maga- zines and publishing houses, this new audience was looking for something different, something having as much to do with free- dom as form, and ‹nding it in obscure magazines and readings in bars and coffeehouses. In 1960, many of these poets were pub- lished by a commercial press for the ‹rst time when their poems were gathered in The New American Poetry, 1946–1960. Editor Donald Allen claimed for its contributors “one common charac- teristic: total rejection of all those qualities typical of academic verse.” The extravagance of that “total” characterizes the hyperbolic gestures of that dawn of the atomic age. But what precisely were these poets rejecting? Referring to Elgar’s “Enigma” Variations, 85 The Stamp of Class: Reflections on Poetry and Social Class Gary Lenhart http://www.press.umich.edu/titleDetailLookInside.do?id=104886 The University of Michigan Press, 2005. -
James S. Jaffe Rare Books Llc
JAMES S. JAFFE RARE BOOKS LLC ARCHIVES & COLLECTIONS / RECENT ACQUISITIONS 15 Academy Street P. O. Box 668 Salisbury, CT 06068 Tel: 212-988-8042 Email: [email protected] Website: www.jamesjaffe.com Member Antiquarian Booksellers Association of America / International League of Antiquarian Booksellers All items are offered subject to prior sale. Libraries will be billed to suit their budgets. Digital images are available upon request. 1. [ANTHOLOGY] CUNARD, Nancy, compiler & contributor. Negro Anthology. 4to, illustrations, fold-out map, original brown linen over beveled boards, lettered and stamped in red, top edge stained brown. London: Published by Nancy Cunard at Wishart & Co, 1934. First edition, first issue binding, of this landmark anthology. Nancy Cunard, an independently wealthy English heiress, edited Negro Anthology with her African-American lover, Henry Crowder, to whom she dedicated the anthology, and published it at her own expense in an edition of 1000 copies. Cunard’s seminal compendium of prose, poetry, and musical scores chiefly reflecting the black experience in the United States was a socially and politically radical expression of Cunard’s passionate activism, her devotion to civil rights and her vehement anti-fascism, which, not surprisingly given the times in which she lived, contributed to a communist bias that troubles some critics of Cunard and her anthology. Cunard’s account of the trial of the Scottsboro Boys, published in 1932, provoked racist hate mail, some of which she published in the anthology. Among the 150 writers who contributed approximately 250 articles are W. E. B. Du Bois, Arna Bontemps, Sterling Brown, Countee Cullen, Alain Locke, Arthur Schomburg, Samuel Beckett, who translated a number of essays by French writers; Langston Hughes, Zora Neale Hurston, William Carlos Williams, Louis Zukofsky, George Antheil, Ezra Pound, Theodore Dreiser, among many others. -
Tape : 204 Side I 1-35 36- 200 201-226 227-270 271-435 435-614 615- 653 654-699 700-723 724-745 746-778 779- 960 965-412 427-887
Paul Blackburn Tape Collection OM 361 Tape : 204 t c. 3&-::f Side I National Poetry Fest ival , Allendale , Michigan, July , 1971 : Robert Ke lly , Al Young , Allen Planz , Donald Hall . Kelly 1-35 for Helen 36- 200 from The Common Shore 201-226 The I nterpol Agent 227-270 Come-ons 271-435 In game Young 435-614 from Dancing 615- 653 Malaguena Sal y Rosa 654-699 Loneliness 700-723 Dear Old Stockholm 724-745 The Presti digestator 746-778 One West Coast 779- 960 from Snakes (a novel) Planz 965-412 poems. Hall 427-887 poems. Side II Festival continued: Paul Blackburn , Gregory Corso , David Henderson, Toby Olson and John Logan. Blackburn 1 6-41 Paris--Toulouse Train 42-62 Musee des Augustins 63-83 The Tissues 84- 400 other poems. Corso 391-590 from Elegiac Feelings American 596- 685 Marriage Henderson 692-73 6 Walk 737-813 Yin Years 814- 824 Sonny Rollins 825- 832 With You 833-1 , 085 other poems . • Paul Blackburn Tape Collection Tape: 204 Side II (continued)--Festival at Allendale, Michigan, with Toby Olson and John Logan. Olson l~l00-l,718 poems. Logan 1,720-1,820 Three Moves 1,821-1,879 Poem.for Suzanne 1,880-end Letter for a Young Father in Exile ~(incomplete: see tape 205) • Paul Blackburn Tape Collection DM 36B Tape: 205 (. <:. 368 Side I National Poetry Festival at Allendale , Michigan , July 8, 1971, with John Logan and George Quasha. Logan 1-29 conclusion of Letter to a Young Father in Exile. 30-151 Poem for My Friend Peter at Pidihana 152-284 Poem for My First Wife 285-337 The Search Quasha 338-467 Homage to the song: "My Country Tis of Thee." 468-634 What was Noticed from the Shipdeck 635-end A Magic Spell for the Far Journey (incomplete). -
Finding Aid to the Grabhorn Letterpress Printing Ephemera Collection
Finding Aid to the Grabhorn Letterpress Printing Ephemera Collection Finding Aid by: Samantha Cairo-Toby Finding Aid date: November 2018 Book Arts & Special Collections San Francisco Public Library 100 Larkin Street San Francisco 94102 (415)557-4560 [email protected] Summary Information: Repository: Book Arts & Special Collections Creator: Grabhorn, Robert Title: Finding Aid for the Grabhorn Letterpress Printing Ephemera Colletion Finding Aid Filing Title: Grabhorn Letterpress Printing Ephemera Collection ID: BASC 1 Date [inclusive]: 950 CE-2018 (bulk 1890-2018) Physical Description: 230.4 linear feet (300 boxes) Physical Location: Collection is stored on site. Language of Material: Collection materials are primarily in English, but includes French, German, Dutch, Italian, Latin, Welsh, Russian, Greek, Spanish, and Chinese. Abstract: The collection contains ephemeral materials printed with metal or wood type using a letterpress. Ephemeral materials include: prospectuses, notices, fliers, postcards, broadsides, bookmarks, chapbooks, pamphlets and small books/accordion fold books. The collection dates range from 950 CE (China) to present, with the bulk of the collection ranging from 1890 CE to present. Additions to the Collection are ongoing. The earliest printed materials in the collection come from China and Europe, but the bulk of the collection is from California and the United States of America printed in the 20th century. Preferred Citation: [Identification of item/Title of folder], Grabhorn Letterpress Printing Ephemera Collection (BASC 1), Book Arts & Special Collections, San Francisco Public Library. Custodial History: Ephemera has been part of Book Arts & Special Collections since 1925 when William Randolph Young, a library trustee, was instrumental in establishing the Max Kuhl Collection of rare books and manuscripts, after the destruction of the Library’s collection in the 1906 earthquake and fire.