Flaming Lip Michael Ivins Breaks It Down

Total Page:16

File Type:pdf, Size:1020Kb

Flaming Lip Michael Ivins Breaks It Down PAGE 16 THE RETRIEVER WEEKLY FEATURES Aprilll, 2000 Flame On: Flaming Lip Michael Ivins Breaks It Down AUTUMN PATTERSON would have ended up in the same spot Retriever Weekly Staff Writer eventually. TRW: Why do you think the new album In order to support their latest studio is so much more emotional and a lot less album, the Flaming Lips have put together "fun" than some of your stuff in the past? a radically different live show that com­ MI: Well, I think we're concentrating bines video images, pre-recorded sound more on that this time. I mean, we listen to and hundreds of pairs of headphones in a lot of pop music and there's not a lot of order to accurately reproduce the unique ambigu-, ambi-, ambiguity ... I will have to sound of The Soft Bulletin. say that I've learned how to spell After losing guitarist Ronald Jones, the "Albuquerque" pretty well. Lips turned away from traditional rock fare TRW: I don't suppose you could give it to experiment with mixing different types a go? of sound. The Soft Bulletin is a collection of MI: I'd have to see a paper ... It's A-L­ songs which developed over the course of B-U-Q-U-E-R-Q-U-E. And what's - the the group's many multiple sound source other one? "Cincinnati" is a good one, too. experiments, most notably their 1997 It's Cin-Cin, and then you've got the dou­ release Zaireeka, a four-CD set meant to be ble "n" in the middle of the word, not the played simultaneously in order to achieve beginning of it. ... I think a lot of stuff was the desired effect. The newest album going on at the time, too, between spider sounds best when listened to with head­ bites and near death experiences. phones, so that the listener can hear all the TRW: Was it you with the spider bite or odd nuances - the buzzing of bugs and the freak car accident? percussive vocals, for instance. MI: I had the freak car accident. I was , Recently, The Retriever Weekly had the sitting at this intersection, and a car drove · chance to chat with Flaming Lips' bassist by and the whole tire and wheel came off Michael Ivins about The Soft Bulletin and the car and came bouncing down the road resulting headphone shows. What ensued at me. I'd never seen anything like that was a lot of music philosophy, some near­ happen before. It bounced onto the hood death experiences and a short spelling bee. twice, and I still say if it had come through TRW: What factors do you think con­ the windshield it would probably have tributed most to the difference in sound and killed me. It put a big dent in the hood and feeling on your 1994 studio release Clouds actually shifted the front fender so that my Taste Metallic and Zaireeka I Soft Bulletin? door couldn't open. Yeah, there was that MI: I think a lot of ideas that are on and spider bites all over the place. Zaireeka and Soft Bulletin were swarming Flaming Lips TRW: This tour, your shows have been around. Technology had caught up with us Flaming: Wayne Coyne, Michael Ivins and Steven Drozd are the Lips. a bit unusual. Can you tell me how the idea so that we were able to do a lot of that stuff for the headphones concert came about and with samples, hard drives and computers. MI: Even while we were making with guitars and turning them up real loud what people should expect when they go to TRW: Do you think it had anything to Clouds Taste Metallic, we thought that we and using as many effects as we could find. do with losing the guitar? had come to the end of what we could do Even if we hadn't lost Ronald, we probably see UPS, page 17 music notes I new Hlbum Reuiews Air The Virgin Suicides (Astralwerks) minimalist guitar riff-laden work of their Air: French Band, best known for their well-received debut album "Moon Safari." mellow brand of synthetic groove-rock off However the catchy pop has been retro­ of the Astralwerks label, has been entrusted graded even further than before to fit the by Sofia Coppola and company to create movie's 70s theme, leaving a prefabricat­ the haunting soundtrack for her first film ed-suburb-polyester aftertaste. effort, The Virgin Suicides. The story, as far Technically, nothing is new is accom­ as I can discern from the album informa­ plished in this album. Guitars sent through 'There are movies that define every decade'. 'Body Shots' is one of these movies. It explores a few days in tion and film propaganda is the telling of vintage filters, old Hammond organs, syn­ the lives of 8 young men and women living in Los Angeles. After a night of alcohol, sex and moral choices, the tale of five sisters, ages 13-17, who all thesizer portamento, subdued drum breaks, things begin to go awry, and their lives will never be the same. The aftermath of one night begins to take a commit or attempt suicide through several and reverberated xylophones compliment a toll on each and everyone in the group. Values and self worth are challenged, friendships are threatened and tasteful vignettes. Each segment focuses on melodic backbone set by the first few these four young men and four young women look back on what happened and struggle for the answers to a different emotion, creating a collage tracks. Also, the tempo of the entire album very difficult questions. effect ranging from the humorous and shal­ is slow and unchanging, which creates a The characters are based on stereotypical young adults who talk openly about how they feel regarding vari­ low love relationships of high school to the soporific effect at times. And since not one ous issues which affect their lives. However, when one of them accuses another of rape, it forces many more macabre stages of teenage angst turned to track deviates from this standard the whole difficult discussions about what exactly happened that night. These four women and four men are forced to depression. Apparently Air has followed album either puts you to sleep or in a trance remember what they did or what they ignored and face the consequences of their actions. suit, creating variations upon a theme, each by track five. Of course, if the sound of the While 'Body Shots" deals with many of the important issues faced by today's young adults, alcohol abuse and corresponding to a different vignette. '70s bell-bottom rock-ballad movement is its consequences seem to be the most significant. It is apparent that some of the characters have no recol­ The aural movement approached by the what you are looking for, then by all lection of their choices or actions and some are dared to take sides and finally group on this album is really a carryover means, this album is the one for you. - come clean with honest impressions of their friends. They are quick to judge from the brand of synthesizer-heavy and Alex Scott others while trying to avoid being judged themselves. They all search for the willingness to find the truth, face their deepest fears and forgive one another. As Spring Break approaches, plans are being made to party non-stop for days. Many students will cut loose, and many more will witness first-hand the wild behavior of their peers. The yearly college ritual of drinking too much, partying too much and wearing too little can produce a similar scenario as seen in 'Body Shots". While it is a rite of passage for many students to experience Spring Break, think before you act and eat before you drink. ..Everything in moderation! .. THE CHALLENGE: 11 Rent DOI)V SIICJTS' today and write back to your college paper or log on to www.powerstudents.com/bodyshots to express your reactions, concerns and solutions for the future of your generation and the generations to come. • Only you can make the difference. NEW LINE © 1999 New Line Productions, Inc. All Rights Reserved. © 2000 New Line Home Video. Inc. All Rights Reserved. HOME VIDEO I .
Recommended publications
  • Chart Book Template
    Real Chart Page 1 become a problem, since each track can sometimes be released as a separate download. CHART LOG - F However if it is known that a track is being released on 'hard copy' as a AA side, then the tracks will be grouped as one, or as soon as known. Symbol Explanations s j For the above reasons many remixed songs are listed as re-entries, however if the title is Top Ten Hit Number One hit. altered to reflect the remix it will be listed as would a new song by the act. This does not apply ± Indicates that the record probably sold more than 250K. Only used on unsorted charts. to records still in the chart and the sales of the mix would be added to the track in the chart. Unsorted chart hits will have no position, but if they are black in colour than the record made the Real Chart. Green coloured records might not This may push singles back up the chart or keep them around for longer, nevertheless the have made the Real Chart. The same applies to the red coulered hits, these are known to have made the USA charts, so could have been chart is a sales chart and NOT a popularity chart on people’s favourite songs or acts. Due to released in the UK, or imported here. encryption decoding errors some artists/titles may be spelt wrong, I apologise for any inconvenience this may cause. The chart statistics were compiled only from sales of SINGLES each week. Not only that but Date of Entry every single sale no matter where it occurred! Format rules, used by other charts, where unnecessary and therefore ignored, so you will see EP’s that charted and other strange The Charts were produced on a Sunday and the sales were from the previous seven days, with records selling more than other charts.
    [Show full text]
  • Hanks: a Festival Everyone Can Enjoy
    Hanks: A festival everyone can enjoy http://www.statesman.com/opinion/hanks-a-festival-everyone-can-enjoy-... Print this page Close Hanks: A festival everyone can enjoy Anna Hanks, LOCAL CONTRIBUTOR Published: 6:45 p.m. Tuesday, Oct. 12, 2010 I had an unexpected realization during the Flaming Lips set at the Austin City Limits Music Festival. Watching the Oklahoma-based band closing their show with "Do You Realize??" I discovered tears steaming down my face. I was so embarrassed that I quickly donned my sunglasses, hoping no one noticed. The song includes the following lyrics sung slowly by the Lips' frontman Wayne Coyne: "Do you realize — that everyone you know someday will die And instead of saying all of your goodbyes — let them know You realize that life goes fast It's hard to make the good things last ... " Listening to the lyrics, I started thinking about how fragile our bodies really are. They bleed. Things break. They don't especially enjoy the unaccustomed exercise of traipsing around Zilker Park for three days in the sun. I spent a lot of time thinking about bodies and physical limitations while talking to people using the festival's accommodations for people with disabilities. Yet it wasn't until seeing the Flaming Lips play that song that I examined why I had chosen to write about this issue. A dozen years ago, my father started using a wheelchair. Since then, I've spent considerable time determining what's really accessible for a large man in a power chair. Thus, I often notice curb cuts, handicap bathrooms and well-located wheelchair ramps.
    [Show full text]
  • The Flaming Lips Space Oddity Mp3, Flac, Wma
    The Flaming Lips Space Oddity mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Space Oddity Country: US Released: 2017 Style: Indie Rock, Experimental MP3 version RAR size: 1625 mb FLAC version RAR size: 1390 mb WMA version RAR size: 1954 mb Rating: 4.4 Votes: 846 Other Formats: MOD MP4 WMA MMF APE VQF FLAC Tracklist A Space Oddity 5:12 B Jest (There Is...) 4:13 Companies, etc. Record Company – Warner Music Group Licensed To – Warner Bros. Records Inc. Copyright (c) – The Flaming Lips Phonographic Copyright (p) – The Flaming Lips Published By – Tro-Essex Music International, Inc. Published By – Lovely Sorts Of Death Music Mastered At – Tarbox Road Studios Credits Lacquer Cut By – ᶜB* Mastered By – Dave Fridmann Performer [The Flaming Lips] – Derek Brown , Jake Ingalls, Matt Duckworth, Michael Ivins, Nicholas Ley, Steven Drozd, Wayne Coyne Producer – Dave Fridmann, Scott Booker, The Flaming Lips Recorded By, Mixed By – Dave Fridmann, Dennis Coyne, The Flaming Lips Written-By – David Bowie (tracks: A), The Flaming Lips (tracks: B) Notes Indie store exclusive green 7". Space Oddity (David Bowie) Tro-Essex Music International, Inc. (ASCAP) Jest (There Is...) (The Flaming Lips) Lovely Sorts of Death Music (BMI) ©℗ 2017 The Flaming Lips under exclusive license to Warner Bros. Records, Inc. Printed in USA. Manufactured in The Netherlands. Barcode and Other Identifiers Barcode (Printed): 0 54391 96013 9 Barcode (Scanned): 0054391960139 Matrix / Runout (Side A, Stamped): 17993 1A Matrix / Runout (Side A, Etched): PRS-557926 P̷R̷-̷5̷5̷6̷5̷4̷3̷-A ᶜB Matrix / Runout (Side B, Stamped): 17993 1B Matrix / Runout (Side B, Etched): PRS-557926 P̷R̷-̷5̷5̷6̷5̷4̷3̷-B ᶜB Rights Society: ASCAP Rights Society: BMI Other versions Category Artist Title (Format) Label Category Country Year The Flaming Space Oddity (File, none Warner Bros.
    [Show full text]
  • Feature • Haunted Cave------West Lafayette and Bloomington
    --------------Feature • Karen Lenfestey ------------- Dramatic License Patrick Boylen a personal tragedy, he claims he’s ready to parent the daughter he abandoned five years Deep-thinking local author Karen Len- ago. Joely is more interested in Dalton, a festey writes about ordinary people who devoted father to his own son who offers to deal with extraordinary circumstances. She’s take care of her the way no man ever has. currently based out of Fort Wayne, but over Should Joely risk her daughter bonding with the years Lenfestey has made her home all someone new or with the man who broke her over the state, including Valparaiso, Goshen, heart? Kate and Joely must re-adjust their --------------- Feature • Haunted Cave -------------- West Lafayette and Bloomington. She says vision of what happiness looks like in order she started writing as a child for therapeutic to move on.” purposes. On the Verge, Lenfestey’s third book, is “When my parents would send me to my another story with a horrendously perplex- room (probably for something my brother ing dilemma. Early into their marriage, the did), I would write to entertain my- Eddie’s Got the Munchies self.” Lenfestey’s first book, A Sister’s By Mark Hunter Promise, has sold remarkably well. It’s sequel, What Happiness Looks Like, Think you’re brave? Then take a trip garnered great reviews and was listed through Fort Wayne’s Haunted Cave, a as a “Strong Pick” by Midwest Book place to test your mettle and scream your Review. When a childhood punish- lungs out. It’s okay to scream in the Haunted ment results in a career as a successful Cave.
    [Show full text]
  • 2011 – Cincinnati, OH
    Society for American Music Thirty-Seventh Annual Conference International Association for the Study of Popular Music, U.S. Branch Time Keeps On Slipping: Popular Music Histories Hosted by the College-Conservatory of Music University of Cincinnati Hilton Cincinnati Netherland Plaza 9–13 March 2011 Cincinnati, Ohio Mission of the Society for American Music he mission of the Society for American Music Tis to stimulate the appreciation, performance, creation, and study of American musics of all eras and in all their diversity, including the full range of activities and institutions associated with these musics throughout the world. ounded and first named in honor of Oscar Sonneck (1873–1928), early Chief of the Library of Congress Music Division and the F pioneer scholar of American music, the Society for American Music is a constituent member of the American Council of Learned Societies. It is designated as a tax-exempt organization, 501(c)(3), by the Internal Revenue Service. Conferences held each year in the early spring give members the opportunity to share information and ideas, to hear performances, and to enjoy the company of others with similar interests. The Society publishes three periodicals. The Journal of the Society for American Music, a quarterly journal, is published for the Society by Cambridge University Press. Contents are chosen through review by a distinguished editorial advisory board representing the many subjects and professions within the field of American music.The Society for American Music Bulletin is published three times yearly and provides a timely and informal means by which members communicate with each other. The annual Directory provides a list of members, their postal and email addresses, and telephone and fax numbers.
    [Show full text]
  • Album of the Week: the Flaming Lips' Oczy Mlody
    Album Of The Week: The Flaming Lips’ Oczy Mlody There are bands that do unique and weird things, and then there’s The Flaming Lips. Things have changed a lot since the band started out as “the punks on acid” in the early ‘80s and then gradually became an enigmatic and psychedelic act of wonder. The core members of Wayne Coyne, Michael Ivins and Steven Drozd always manage to delve into different territory and push the artistic envelope with each release. Their latest, Oczy Mlody, takes the senses to a totally different place. Soothing tones and hypnotic vibes are abundant from start to finish. It’s The Flaming Lips’ first album without longtime drummer Kliph Spurlock who left after the making of the band’s previous album, The Terror, in 2014. There are orchestral dimensions and extravagant structures that make up parts of each track. Coyne’s vocals seem like they’re traveling over the rhythms and beats as if on a voyage. It seems like the band has gone further toward the electronic realm while retaining their psychedelic roots. The album goes along with the space aesthetics that have always been a part of The Flaming Lips’ sound. A dream pop presence is noticeable while the wide-ranging arrangements keep the album from becoming redundant and boring. For a band as limitless as The Flaming Lips, there’s not a lot that can be predicted when a new release is put out. Oczy Mlody is a great example of how Coyne and company can progress their art and present new things more than 30 years later.
    [Show full text]
  • Places to Go, People To
    Hanson mistakenINSIDE EXCLUSIVE:for witches, burned. VerThe Vanderbilt Hustler’s Arts su & Entertainment Magazine s OCTOBER 28—NOVEMBER 3, 2009 VOL. 47, NO. 23 VANDY FALL FASHION We found 10 students who put their own spin on this season’s trends. Check it out when you fl ip to page 9. Cinematic Spark Notes for your reading pleasure on page 4. “I’m a mouse. Duh!” Halloween costume ideas beyond animal ears and hotpants. Turn to page 8 and put down the bunny ears. PLACES TO GO, PEOPLE TO SEE THURSDAY, OCTOBER 29 FRIDAY, OCTOBER 30 SATURDAY, OCTOBER 31 The Regulars The Black Lips – The Mercy Lounge Jimmy Hall and The Prisoners of Love Reunion Show The Avett Brothers – Ryman Auditorium THE RUTLEDGE The Mercy Lounge will play host to self described psychedelic/ There really isn’t enough good to be said about an Avett Brothers concert. – 3rd and Lindsley 410 Fourth Ave. South 37201 comedy band the Black Lips. With heavy punk rock infl uence and Singing dirty blues and southern rock with an earthy, roots The energy, the passion, the excitement, the emotion, the talent … all are 782-6858 mildly witty lyrics, these Lips are not Flaming but will certainly music sound, Jimmy Hall and his crew stick to the basics with completely unrivaled when it comes to the band’s explosive live shows. provide another sort of entertainment. The show will lean towards a songs like “Still Want To Be Your Man.” The no nonsense Whether it’s a heart wrenchingly beautiful ballad or a hard-driving rock punk or skaa atmosphere, though less angry.
    [Show full text]
  • 16—29 JULY 2018 Giaf.Ie NEVER MISS OUT
    CULTUREFOX.IE GALWAY INTERNATIONAL ARTS FESTIVAL 16–29 JULY 2018 JULY 16–29 FESTIVAL ARTS INTERNATIONAL GALWAY 16—29 JULY 2018 giaf.ie NEVER MISS OUT The Arts Council’s new, upgraded CULTUREFOX events guide is now live. Free, faster, easy to use – and personalised for you. Never miss out again. Contents Theatre, Opera, Circus & Dance 4 Street Art & Spectacle 26 Music 30 Visual Arts 52 First Thought Talks 60 Comedy 68 Booking, Information & Festival Club 74 Venues & Map 75 Festival Diary 76 Festival Garden This year we introduce the new Festival Garden — the home Eyre Square of the Festival in the heart of Galway. Enjoy a chilled out 18–29 July, 12noon–10pm BOOK NOW at giaf.ie atmosphere at the new Festival Lounge with great food and Free In person from 18 June at drinks, occasional DJs and live sets from guest artists. With Festival Box Office, Galway Tourist Office, a Festival Information Centre & Box Office, the new Festival Forster Street, Galway, Ireland Garden is a great new space for artists and audiences alike Phone: +353 91 566 577 to come together and join in the celebration. IMAGE: MUSEUM OF THE MOON [SEE PAGE 27] – PHOTO: ED SIMMONS #GIAF18 1 Funding Agencies & Sponsors Government Support Corporate Support PRINCIPAL FUNDERS LEADERSHIP PARTNER EDUCATION PARTNER Festival Staff DRINKS PARTNER Chief Executive Selected John Crumlish Shelley Troupe, Manager ® Artistic Director Artist Liaison Paul Fahy Philip Sweeney, Michael Mulroy Hugh Lavelle, Liam Parkinson Financial Controller FESTIVAL PARTNERS Gerry Cleary Photography & Filming
    [Show full text]
  • 1 Taylor Bell the Search for Ronald Jones the Summer After I Turned Sixteen, I Wanted to Drive Everywhere
    1 Taylor Bell The Search for Ronald Jones The summer after I turned sixteen, I wanted to drive everywhere. Every single night, after the moon had moved across half the sky, after everybody else had gone to bad, I would go pick Nolan and Hunter up from their houses and we would drive across town to the trailer park where Brandon lived. Brandon, Nolan, and Hunter had all been friends since they were in elementary school, but I had only become friends with them because I once told Nolan that I played guitar and listened to Ozma in a freshman class I had with him and he had interpreted it as a misplaced sense of camaraderie; like anybody that listened to indie pop had to form a legion against all other archetypes of people and music. Brandon's mom owned a standard double-wide among porch dioramas and birdbaths and yards that were more dirt than grass. The trailer had a tree growing straight up through the carport that they had to regularly maintain a hole for. We would bring our guitars over and sit in Brandon's room or on his porch trying to learn how to play The Unicorns, Modest Mouse, and The Pixies until Brandon's mom told us to learn Richie Valens or shut up. She never minded how loud we were, as long is it was something that she enjoyed. Discouraged, but still restless, we would then pile into my old Altima, go to the gas station down the street and buy energy drinks so we could drive until the sun rose and use the cans to create makeshift bongs.
    [Show full text]
  • History of 3D Sound
    HISTORY OF 3D SOUND BRAXTON BOREN American University Introduction The history of 3D sound is complicated by the fact that, despite how much the concept may appear to be a late-20th century technological buzzword, it is not at all new. Indeed, just as Jens Blauert famously reminded us that “there is no non-spatial hearing” (Blauert, 1997), so too due to the nature of our world all sound is inherently three-dimensional (Begault, 2000). For the majority of human history the listener – the hunter in the field, a singing congregant within a cavernous stone church, or the audience member at a live performance – perceived sound concomitantly with its spatial setting. In this sense it is the late-20th century view that is out of step with historical sound perception. The advent of audio recording in the 19th century led to the development of zero-dimensional (mono) sound, and later one-dimensional (stereo), and two-dimensional (quad and other surround formats) reproduction techniques. Due to the greater sensitivity of the human auditory system along the horizontal plane, early technology understandably focused on this domain. Our capability to mechanically synthesize full 3D auditory environments is relatively recent, compared to our long history of shaping sound content and performance spaces. The effect of physical space is not limited to the perceived physical locations of sounds – different spaces can also affect music in the time domain (e.g. late reflection paths) or frequency 1 domain (by filtering out high-frequency content). Often a listener’s experience of a space’s effect on sound – such as singing in the shower or listening to a choir in a reverberant stone church – is describing primarily non-localized qualities, which could be captured more or less in a monaural recording.
    [Show full text]
  • The Flaming Lips
    ISSUE #37 MMUSICMAG.COM ISSUE #37 MMUSICMAG.COM Q&A Was taking on the Beatles intimidating? is. My energy and my focus are part of we could quit our restaurant jobs and figure There are three groups: People who love the what gets it from being an idea to getting out how to make our records and shows Beatles and love what we did; people who it done. That doesn’t mean it’s all worth better. This went on for three or four years don’t care about the Beatles and what we did; doing—but that’s what creative people do: without anyone coming in and saying “Wait and the third group who love the Beatles and create. The more you do it, the more freedom a minute, what are you freaks doing?” That think if you try to do their music you should you have to do stuff, and the less you was a great time for us to take it seriously and be killed. We try not to think about those get hung up on it. work hard. We were fortunate that it worked freaks. The Beatles music is out there—and and we were able to keep going. doing our version doesn’t harm their version. Was it like this in the beginning? Being creative doesn’t mean you only create Is a new album in the works? How did you choose the artists? good things. The mistake people make is that It’s like we do so much stuff that sometimes Most are friends of ours who are not famous they don’t want to do anything that’s bad, so we forget.
    [Show full text]
  • QUARTERLY PROGRAMMING REPORT the Current KCMP KMSE January 1 – March 31, 2015
    QUARTERLY PROGRAMMING REPORT The Current KCMP KMSE January 1 – March 31, 2015 Issue: Health – Morning Show segment: Eating and Drinking James Norton: Adventurous New Offerings January 7, 2015 – 8:30AM (6:52) Today on The Morning Show's Eating and Drinking, James Norton chatted with Steve Seel and Jill Riley about some adventurous new dining experiences around the Twin Cities. Joe Alton: 2015 Beer Culture Predictions January 14, 2015 – 8:30AM (7:25) The Growler's managing editor Joe Alton joins the Current's Morning Show to talk about his Minnesota beer culture predictions for 2015. James Norton: What is MN food? January 21, 2015 – 8:30AM (7:57) Today on The Morning Show's Eating and Drinking, James Norton chatted with Steve Seel and Jill Riley about the food that really represents Minnesota culture. Dara Moskowitz‐Grumdahl: Surly Taproom January 28, 2015 – 8:30AM (6:11) This week Dara spoke to The Morning Show's Jill Riley and Steve Seel about her visit to the newly opened Surly Taproom. James Norton: Febgiving February 4, 2015 – 8:30AM (6:05) Today on The Morning Show's Eating and Drinking, James Norton chatted with Steve Seel and Jill Riley about his favorite holiday, Febgiving. Dara Moskowitz‐Grumdahl: Cocktail Rooms in Minnesota February 11, 2015 – 8:30AM (4:15) This week Dara spoke to The Morning Show's Jill Riley and Steve Seel about the new trend of distilleries opening cocktail rooms. James Norton: Ethical Eating February 18, 2015 – 8:30AM (6:30) Trying to define such concepts as 'fair trade', 'living wages' and 'sustainability' is always an interesting conversation in the context of local food.
    [Show full text]